English-literacy 2009 School Certificate Test mock-up General Instructions Total marks – 90 ■ Reading time: 10 minutes Section 1 — Reading/Viewing ■ Working time: 2 hours Pages 2–14 ■ Write using black or blue pen ■ Attempt ALL questions ■ Do NOT write in pencil 60 marks Allow about 1 hour and 20 minutes for this section ■ Detach the Stimulus Booklet provided at the end of this paper, and use it to answer Questions 1–52 Questions 1–45 Questions 46–52 ■ Write your Centre Number and Student Number at the top of pages 13, 15 and 17 Section 2 — Writing 45 marks 15 marks Pages 15–19 30 marks Allow about 40 minutes for this section This section has TWO questions Question 53 10 marks Question 54 20 marks S6 Section 1 — Reading/Viewing 60 marks Allow about 1 hour and 20 minutes for this section Questions 1–45 Questions 46–52 45 marks 15 marks Use the Section 1 Answer Sheet for Questions 1–45 Instructions for answering multiple-choice questions ■ Select the alternative A, B, C or D that best answers the question. Fill in the response oval completely. Sample: 2+4= (A) 2 A ■ (C) 8 B C (D) 9 D If you think you have made a mistake, put a cross through the incorrect answer and fill in the new answer. A ■ (B) 6 B C D If you change your mind and have crossed out what you consider to be the correct answer, then indicate the correct answer by writing the word correct and drawing an arrow as follows. correct A B C – 2 – D Text 1 — Poem Read Text 1 ‘Queensland Day, Queensland Night’ on page 1 of the Stimulus Booklet and answer Questions 1–10. 1 ‘With its ankles wet in summer’ (line 3) is an example of which language feature? (A) Cliché (B) Explanation (C) Personification (D) Symbolism 2 Why does Mum hang out the washing ‘By touch’ (lines 16–17)? (A) Because it is night time (B) Because she is on her own (C) To tell if it is dry (D) To feel for spiders 3 Why does the poet use expressions such as ‘(Y-u-c-k!)’ in line 27, and ‘(Oh great!)’ in line 36? (A) To demonstrate delight (B) To demonstrate distress (C) To demonstrate the poem’s location (D) To demonstrate a more personal voice 4 Which language feature is used in ‘cane-fields blaze/Like distant circus lights’ (lines 28–29)? (A) Antonym (B) Exposition (C) Metaphor (D) Simile 5 Which word is an example of onomatopoeia? (A) Cicadas (line 9) (B) Wiggle (line 12) (C) Popping (line 26) (D) Strutting (line 53) – 3 – 6 To which senses does the poet most appeal in lines 31–43? (A) Smell and taste (B) Smell and touch (C) Sight and taste (D) Sight and touch 7 What is the effect of using the colours ‘black’ (line 52) and ‘flaming orange’ (line 55) in the poem? (A) It creates a contrast between the birds. (B) It creates a vivid image of the cockatoos. (C) It shows the variety of bird life. (D) It shows the poet’s knowledge of Queensland. 8 What is suggested by the description ‘Like strutting winged warriors’ (line 53)? (A) The birds are passive. (B) The birds are decorative. (C) The birds are aggressive. (D) The birds are camouflaged. 9 Which words best describe the style of writing used in this poem? (A) Objective and reflective (B) Objective and analytical (C) Conversational and personal (D) Conversational and impersonal 10 What does the poet celebrate about his home? (A) Its culture (B) Its diversity (C) Its insects (D) Its weather – 4 – Text 2 — Extract from a picture book Read Text 2 ‘The Shaggy Gully Times’ on pages 2–3 of the Stimulus Booklet and answer Questions 11–20. In the introduction to her picture book, Jackie French says, A country town’s weekly newspaper is the heart of its community. The captions might be mixed up, the spelling erratic, and there may even be handwritten corrections. I’ve been a devoted reader of country newspapers for decades and I hope that you will enjoy ‘The Shaggy Gully Times’ just as much. 11 Which common newspaper features are shown on of this extract from ‘The Shaggy Gully Times’? (A) Columns, letters, recipes (B) Letters, crosswords, opinion pieces (C) Headlines, advertisements, weather (D) Opinion pieces, advertisements, columns 12 ‘Shaun’s Sheep Salon’ (page 2) is an example of which language feature? (A) Alliteration (B) Assonance (C) Repetition (D) Rhyme 13 Which of the following in Column 2 on page 2 is an example of slang? (A) Gaga (B) Gully (C) Salons (D) Baa-baa – 5 – 14 What is the author’s purpose in including the article ‘Why did the chicken cross the road?’ (page 2)? (A) To satirise politicians (B) To satirise walking (C) To satirise a well-known joke (D) To satirise human driving behaviour 15 What is revealed about the animals on page 3? (A) They like silence. (B) They dislike dancing. (C) They disagree about noise. (D) They agree about when to sleep. 16 What tone is created by Jackie French through the corrections in red on page 3? (A) Approving (B) Humorous (C) Negative (D) Serious 17 What visual effect is used to create humour in the optometrist advertisement (page 3)? (A) The colours are pale. (B) The sheep is wearing sunglasses. (C) The word ‘EWE’ is in capital letters. (D) The coffee cup stains represent eye glasses. – 6 – 18 Why is colour used in all the advertisements? (A) To show that animals wear clothing (B) To emphasise the variety of news items (C) To emphasise businesses and community events (D) To show the new services offered by the beauty salon 19 What aspects of this text indicate that it is based on country newspapers? (A) It has advertisements and an editorial. (B) It has local news items and community references. (C) It has local and national news items. (D) It has columns and an editorial. 20 What does this extract show to be the main purpose of this picture book, ‘The Shaggy Gully Times’? (A) To persuade people to use local businesses (B) To provide information about country newspapers (C) To celebrate the uniqueness of country newspapers (D) To encourage people to be more involved in their local community – 7 – Text 3 — Feature article Read Text 3 ‘Beep in touch’ on pages 4–5 of the Stimulus Booklet and answer Questions 21–30. 21 Why does the author use statistics in the article? (A) To break up the written text (B) To show the author is numerate (C) To provide equity to the argument (D) To add credibility to the argument 22 What is the meaning of ‘tech-savvy’ as used in line 8? (A) Knowledgeable about electronic devices (B) Knowledgeable about the expense of electronic devices (C) Knowledgeable about the ownership of electronic devices (D) Knowledgeable about the popularity of electronic devices 23 Which quotation is an example of colloquial language? (A) ‘whizzbang functions’ (line 1) (B) ‘relative embarrassment’ (line 7) (C) ‘eager for innovation’ (line 16) (D) ‘chagrin of operators’ (line 33) 24 What does the word ‘lucrative’ mean as used in line 35? (A) Economical (B) Inexpensive (C) Productive (D) Profitable 25 Why are teenagers avoiding new functions such as MMS (picture messaging)? (A) MMS is too slow. (B) MMS is too expensive. (C) Teenagers do not like having their photo taken. (D) Teenagers do not like their parents’ prying eyes. – 8 – 26 How does the cartoon support the ideas expressed in the article? (A) It shows that technology is expensive. (B) It raises awareness of the dangers of mobile phones. (C) It demonstrates parental approval of mobile phones. (D) It represents that youth communication has changed. 27 What is meant by text messaging being described as ‘immediate and within their control’ (lines 52–53)? (A) It is direct and inefficient. (B) It is expensive and unique. (C) It is quick and manageable. (D) It is modern and fashionable. 28 ‘Txtspk’ (line 56) is an example of which language feature? (A) Jargon (B) Tautology (C) Homonym (D) Oxymoron 29 Which of the following quotations is an example of irony? (A) ‘passing e-notes in class’ (line 5) (B) ‘old-fashioned text message’ (lines 9–10) (C) ‘faster and trendier functions’ (lines 14–15) (D) ‘parents often don’t understand’ (lines 54–55) 30 What language feature is used in the title ‘Beep in touch’? (A) Analogy (B) Consonance (C) Hyperbole (D) Pun – 9 – Text 4 — Magazine article Read Text 4 ‘Aqua Cops’ on pages 6–8 of the Stimulus Booklet and answer Questions 31–45. 31 What is the meaning of ‘It’s anything but a pleasure cruise’ as used in line 2? (A) The job is competitive. (B) The job is difficult. (C) The job is glamorous. (D) The job is satisfying. 32 What atmosphere is created in lines 3–5? (A) Claustrophobic (B) Melodramatic (C) Pensive (D) Suspenseful 33 Which of the following is an example of an understatement? (A) ‘rusting vessel remaining under 24-hour guard’ (lines 9–10) (B) ‘not quite a normal day’ (line 13) (C) ‘use boats instead of police cars’ (line 18) (D) ‘sometimes their work is immensely rewarding’ (line 31) 34 What is meant by ‘the water police were once regarded as the “NRMA of the Harbour”’ (lines 15–16)? (A) They helped boats in trouble. (B) They helped out in wet weather. (C) They helped teach people to drive boats. (D) They helped boat owners with insurance. 35 What does the word ‘coveted’ mean as used in line 19? (A) Confused (B) Controlled (C) Desired (D) Despised – 10 – 36 What is the purpose of the rhetorical question ‘So what is life like for the water police’ (line 26)? (A) To encourage the readers to be safe on the water (B) To encourage the readers to join the water police (C) To encourage the readers to read the rest of the article (D) To encourage the readers to provide answers themselves 37 What suggestion is made about the job of the water police by using the words ‘stricken’ and ‘plucked’ (line 31)? (A) They protect naval vessels from protesters. (B) They rescue people in dangerous situations. (C) They rescue people who do not have lifejackets. (D) They fine people who do not have boat licences. 38 Why does Ellen Connolly believe that few women join the water police (lines 41–44)? (A) Because of the great physical demands (B) Because there are few female naval officers (C) Because it is a job that requires long hours (D) Because it involves too many unpleasant tasks 39 Which expression best indicates that the action is about to change pace? (A) ‘It is an awesome sight’ (line 48). (B) ‘Perhaps a bit too smoothly’ (line 49). (C) ‘Robinson is far from impressed’ (line 57). (D) ‘The escort continues, uninterrupted’ (lines 58–59). 40 Which word best describes the type of language used in ‘a quick cuppa’ (line 61)? (A) Colloquial (B) Journalese (C) Satirical (D) Technical – 11 – 41 Why did the water police need to change their headquarters (lines 63–68)? (A) Squatters had taken over. (B) They needed expanded premises. (C) The old headquarters had termites. (D) They needed to be closer to the water. 42 What type of relationship between the police officer and the fishermen is indicated by the dialogue in lines 76–78? (A) Hostile, angry and tense (B) Relaxed, wary and distant (C) Jovial, anxious and formal (D) Easygoing, friendly and casual 43 What is emphasised by the repetition of ‘no’ in lines 81–82? (A) The fishermen’s foolish behaviour (B) The fishermen’s radical behaviour (C) The policeman’s apathetic attitude (D) The policeman’s aggressive attitude 44 What attitude does the writer display by using the word ‘Oops’ in line 95? (A) Assertion (B) Conceit (C) Empathy (D) Sympathy 45 What is the intended function of the sub-headings? (A) To make the information easier to locate (B) To show the tedious nature of the work (C) To reflect the variety of tasks in one day (D) To emphasise the personal reflection of the writer – 12 – © Board of Studies NSW 2008 2009 School Certificate Test mock-up English-literacy Centre Number Section 1 (continued) Student Number Text 5 — Extract from a short story Read Text 5 ‘Tanners End‘ on pages 9–10 of the Stimulus Booklet and answer Questions 46–52 in the spaces provided. 46 Why did Jessica walk from ‘room to room’? 1 ............................................................................................................................... ............................................................................................................................... 47 How do readers know that Tanners End is a successful property? 1 ............................................................................................................................... ............................................................................................................................... 48 Identify the technique used in ‘a stubborn trickle’ (line 17) and explain what it suggests about the creek. 2 ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... 49 What effect is created by the imagery in lines 18–22? Support your answer with references from the extract. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... S7 – 13 – 3 50 What characteristics of the Bushranger drew Jessica ‘like a magnet’ (lines 40–44)? 2 ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... 51 Identify one example of contrast and explain how it is created. 3 ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... 52 Other than contrast, how is the mysterious nature of the Bushranger established by the author in the extract? Provide specific references from the text. ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... ............................................................................................................................... – 14 – © Board of Studies NSW 2008 3 2009 School Certificate Test mock-up English-literacy Centre Number Section 2 — Writing Student Number 30 Marks Allow about 40 minutes for this section This section has TWO questions Question 53 Question 54 10 marks 20 marks Answer the questions in the spaces provided. Writing Task 1 — Letter to the Editor Allow about 15 minutes to answer this question Answer the question in the space provided. In your answer you will be assessed on how well you: ■ express your opinion in the form of a letter to the Editor using language and structure appropriate to audience and purpose ■ use spelling, punctuation, grammar and paragraphing appropriate to the task Question 53 (10 marks) Write a letter to the editor of a magazine aimed at parents. Your letter is in response to a series of articles about the different ways teenagers communicate. In this letter, express your opinion on the issue of teenage communication. You may write from the point of view of either a parent or a teenager. Write your letter on the lines provided on page 16. S8 – 15 – Dear Editor, In response to your recent articles about teenage communication, I would like to say that .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. .............................................................................................................................................. Yours faithfully M. C. Person End of Question 53 – 16 – © Board of Studies NSW 2008 2009 School Certificate Test mock-up English-literacy Centre Number Section 2 (continued) Student Number Allow about 25 minutes for this question Answer the question in the space provided. In your answer you will be assessed on how well you: ■ organise, develop and sustain your ideas ■ present your ideas in a form appropriate to the task ■ use language appropriate to audience, purpose and context ■ use spelling, punctuation, grammar and paragraphing appropriate to the task Question 54 (20 marks) Choose ONE of the following sentences as your FIRST sentence in a short story. Kathy arrived home clutching her prize. OR Lee waited for the phone to ring. OR A high wall and an iron gate protected the house. OR Sometimes at night a street seems much longer, and things not noticed during the day are much more apparent. Write your short story on the lines provided on pages 18 and 19. S9 – 17 – Question 54 (continued) ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... Question 54 continues on page 19 – 18 – Question 54 (continued) ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... ....................................................................................................................................................... End of test – 19 – BLANK PAGE – 20 – © Board of Studies NSW 2008 2009 School Certificate Test mock-up English-literacy Stimulus Booklet Detach this Stimulus Booklet and use it where required during the test. Text 1 – Poem Queensland Day, Queensland Night 5 10 15 20 25 Our house Stands tall in the treetops With its ankles wet in summer; And fans push the air Like helicopters landing In every room. The night reaches in Through wide-open windows Full of crickets, cicadas And the flash of starlight. Geckoes Wiggle on the walls, Haunting the house And calling to each other, Sounding half insect, half bird. Mum hangs out the washing By touch, in the dark When it’s cooler. But when I put out the bins, My sister holds a torch Just in case of aliens. (That’s better!) When we drive at night If it rains We hear toads under the tyres Popping like blown-up paper bags. (Y-u-c-k!) And we see cane-fields blaze Like distant circus lights. 30 35 40 45 50 55 In the day We find red-backs in our bikes And clouds of mossies In the grass. Bities get up inside our clothes In embarrassing places. (Oh great!) Our feet act as prickle-detectors As we run across the lawn. Ouch-ouch-ouch-ouch! There’s green ants in the tree house — Mum battles them with a hose Like in my computer games (Except they win.) There’s cracks in the earth, And we eat what we grow. There’s roos, foxes and rabbits. Except the rabbits don’t know That they’re not allowed In Queensland. (Nobody told them, I guess.) We see black cockatoos Like strutting winged warriors, Fierce-some In their flaming orange head-dresses. Or teeny-tiny sun-birds Like bits of flying mango. Martin Thompson age 14 S10 –1– Text 2 – Extract from ‘The Shaggy Gully Times’ WHY DID THE CHICKEN CROSS THE ROAD? LAST WEEK poor Edith ‘Clucker’ Chicken was tragically run over trying to cross the highway. Humans must slow down where animals live. We need wildlife tunnels or bridges and lots more driver education too! Write to your member of parliament today — even if they ARE human! GULLY GOES GAGA OVER BALLET AND BAA-BAA SOME PEOPLE in Shaggy Gully (not mentioning any names) think that there have been just too many changes lately to our good old-fashioned way of life. We never had this ballet stuff when I was at school, and as for baa-baa salons Once a chicken crossed the road, Just to reach her own abode. Then there was a screech, a splatt, And poor dear Clucker was quite flat. Sadly missed by all her friends at the CWA. (Chickens’ Walking Association) – 2 – … well, a good short, back, front, bum, ears and sides should be good enough for any wombat. And that goes for sheep and hippos too. I can remember a time when there wasn’t a single TV set in any gum tree or wombat hole in Shaggy Gully. It’s time we got back to traditional Shoddy Grunty values, like digging holes, scratching and eating carrots! Text 2 – (continued) E Dear Editor, How can a possum get a good night’s sleep around here? A possum’s life isn’t just hanging about. We work hard every night running our Boot and Thumper Roof-Top Tap Dance Studio. But as soon as we get to sleep there’s Dawn and her blasted Chorus. Chorus? A racket I call it. Not one of those birds knows how to sing in tune with the others! And as soon as one lot stops there’s another bird ‘singing’ E O all day long. Parrots, rosellas, kookooburras … Look, you lot. Learn to sing together — or go to bed at dawn, like any sensible creature! Yours Sincerely, Hit and Bithered and loudest singers in Shaggy Gully! But as soon as night falls those blasted possums are tapping and rapping again! Why can’t they do a nice quiet waltz or ballet? Look, you lot. Learn to tiptoe — or go to sleep at dusk, like Dear Madmam, How can a lorikeet get a good night’s sleep around here? Our Chorus isn’t some fly-by-night mob of amateurs you know! We have the best any sensible creature! Yours sincerely, Bleepy Adapted from ‘The Shaggy Gully Times’ by Jackie French, illustrated by Bruce Whatley –3– Text 3 – Feature article Beep in touch The latest mobiles are stuffed with whizzbang functions, but for teenagers nothing says it like a text, writes NATALIE HANMAN. more lucrative functions such as picture messaging (MMS), mobile music and mobile internet – teenagers are keeping things simple, and cheap. Brown says: ‘One of the 40 problems with the industry is it believes faster is better and that isn’t always the case.’ It’s good to talk but, for teenagers, it’s even better to text. From swapping 5 gossip, passing e-notes in class and forging friendships without the relative embarrassment of actually having to talk, tech-savvy teens love nothing more than sending an old10 fashioned text message. 35 Texting has always been a popular pastime for young mobile-phone owners, but its steadfast staying power in the face of newer, faster and 15 trendier functions is confounding an industry eager for innovation. It is now the favoured form of youth communication, according to the Wireless World Forum (W2F) 20 mobileYouth 2005 report, the result of a five-year study into how young people around the world use their mobile phones. In the US, for example, young viewers of the latest series of the television 45 talent show American Idol registered more votes by text message than over the telephone. In Britain, teenagers are sending more text messages every year, reaching a projected total this 50 year of about 22 billion. ‘Despite all the technologies that 25 have launched in the last five years, SMS [short message service] is still the leader,’ says Graham Brown, chief executive of W2F. ‘We still see pockets of users where younger 30 people are sending up to 50 text messages a day. It fulfils all their needs and it is very easy to use.’ Much to the chagrin* of operators keen to see mobile users hooked on *chagrin — disappointment – 4 – ‘It’s not just cost,’ Brown says. ‘Texting is something immediate and within their control.’ It is also something that teenagers’ parents Text 3 – (continued) often don’t understand, because most (70 per cent) use ‘txtspk’ instead of fully worded predictive text. It’s quicker and, it seems, easier to disguise from those prying 60 parental eyes. 55 After texting, the next most popular mobile tool for teenagers – particularly girls in their mid-teens – is taking photographs. But instead of 65 sharing these photos by sending a picture message (MMS), young girls prefer the cheaper option of comparing them in person. ‘There was a strong desire to take photos of 70 friends and show them to their friends, [but] they weren’t actually sending them,’ says Brown, probably because most teens have a prepaid mobile that they largely fund 75 themselves, usually from their pocket money or by doing chores around the house. 80 85 90 95 – 5 – Another very popular function was mobile music (ringtones and fulltrack downloads), although their mobile is not about to replace their iPod or MP3 player. ‘The industry tells us that the mobile phone is going to be the next music player, but young people seem to think the opposite,’ Brown says. ‘They are happy having two separate devices.’ Mobile phone operators, therefore, are encouraging teenagers to use their phones and their varied functions more often, while parents and teachers are questioning the validity of technologies such as MMS, and are calling for bans on mobile phones in schools. It is a technological tug of war that teens, no doubt, are texting each other about as we speak. Text 4 – Magazine Article Aqua Cops Ellen Connolly spends a day on the job with the Sydney water police and discovers it’s anything but a pleasure cruise. Eight-metre seas almost engulf them. The wind is gusting up to 45 knots (85kmh). For three days, there is no respite for the crew aboard police launches 5 Nemesis and Alert. But they keep up the chase, edging closer to their prey. The dramatic chase of the Pong Su ended just after dawn, 120 kilometres north east of Sydney, when it was intercepted by the water police and a navy ship, enabling special forces to board it and arrest the 30-man crew. The ship’s captain and six others have been committed to stand trial early next year, their rusting 10 vessel remaining under 24-hour guard at Snails Bay in Sydney Harbour – a floating white elephant.1 The successful operation, which earned the crew a Police Commissioner’s commendation, was not quite a normal day in the life of Sydney’s water police. But it does illustrate their changing role and capabilities. 15 Detective Superintendent Terry Dalton says that the water police were once regarded as the ‘NRMA2 of the Harbour’, but today they are much more focused on fighting crime. ‘Assaults, drugs, murders, fraud,’ he says. ‘We just use boats instead of police cars.’ A job in the water police is a coveted role, but not everybody’s cup of tea, Dalton 20 says. Applicants must complete a six-week trial, and some will fail. The demanding physical requirements include the ability to pull a body from the water, a 50-metre swim towing a person, holding your breath underwater, rope work, climbing a ship’s ladder and rowing. ‘Some people then decide they don’t like it or sometimes we decide they’re not suitable for the job,’ says Leading 25 Senior Constable Robinson, who waited four years to get a transfer. So what is life like for the water police? We joined a typical patrol to find out what this elite force does. 7am: Balmain Headquarters Inside the marine search and rescue co-ordination centre at the Balmain 30 headquarters, Dalton is briefing his staff on this morning’s special operation. Sometimes their work is immensely rewarding, as stricken sailors are plucked to safety. Other times the searches prove futile and people are lost to the sea. In 2002 there was the voyage of the racing yacht Excalibur, which lost its keel 110 kilometres off Port Stephens and flipped over. 1. Floating white elephant — boat no longer being used 2. NRMA — National Roads and Motorists Association, well known for providing road side assistance to motorists – 6 – Text 4 – (Continued) 35 8am: Escort duty, Sydney Harbour We’ll be escorting the Australian warship HMAS Stuart into the harbour after its tour of duty in the Gulf. On our crew is Senior Constable Belinda Keevers, 27, one of only a handful of female officers in the force. ‘I’ve always wanted to do it because I love the 40 outdoors and this is a pretty good environment to work in every day,’ she says. Few women are attracted to the water police, possibly due to the physical demands – handling boating equipment and pulling bodies from the water requires great upper-body strength. ‘It’s pretty blokey but I do everything they do,’ says Keevers. 45 9:30am: HMAS Stuart sighted Our vessel takes up its position at the warship’s bow. We glide beside it, close enough to see the excited faces of the sailors who are lining the deck, and within earshot of the bagpipes being played. It is an awesome sight. Everything seems to be going smoothly. Perhaps a bit too smoothly. 50 Suddenly two kayakers bob up, paddling in the direct path of the ship. It spells danger. ‘Water police 52. We have got two possible protesters ahead,’ Constable Smith radios. Within seconds – and with the towering warship fast approaching – the unit speeds up, covering 100 metres in moments, and stopping just short of running 55 them down. ‘We’re not protesters,’ plead the two startled paddlers as they almost topple over. ‘Honestly we’re not.’ Robinson is far from impressed, and radios back: ‘They’re not demonstrators, just paddlers out here. They have been suitably told.’ The escort continues, uninterrupted. HMAS Stuart is delivered safely home to Garden Island. 60 10:30am: Back to base We return to the base for a quick cuppa. The water police run a slick operation these days. The new headquarters at Cameron Cove, Balmain, are smart and modern, a far cry from the previous site at Pyrmont, which consisted of a series of 65 demountables and rotting piers. ‘We were there for 17 years and when we left, the derelicts moved in,’ says Robinson. The new building has facilities for divers, detectives, general duties officers, as well as a coordination centre for major marine search-and-rescue operations. –7– Text 4 – (Continued) 11:20am: Patrolling Pyrmont 70 We pull into Johnstons Bay, Pyrmont, home to fishing boats, trawlers and the Sydney Fish Market, and our presence is immediately felt – not that different from drivers ducking for cover when they see a police car. ‘It’s so funny when you guys come around. You see people running and fixing things,’ Dwayne Wood says. Fishermen are used to random police checks for 75 illegal or unsecured firearms (used to shoot tuna) and fisheries inspections. On board the trawler Jody Ann, owner Garrie Henness, of Padstow, is fixing a net when we approach. ‘Can we come on, mate, and have a look around?’ Keevers asks. ‘Go for your life,’ Henness answers. 2pm: Rego check outside the Heads John, 31, and his mate, Peter, 30, are fishing in a runabout just past the Heads. It’s a new boat and, as we soon discover, ill-equipped. There are no lifejackets, no paddles and no bailing bucket. ‘It’s not very responsible at all,’ Robinson says, dressing them down. John says he left his licence at home. Robinson is not satisfied. He wants it faxed to him as soon as they get to land. A registration 85 check is also done on the boat to ensure it is not stolen. ‘You tend to find people have two lifejackets when there are five people on board,’ says Robinson. Last year, the Waterways Authority found 95 per cent of the people killed on the water over the previous 12 months had not been wearing lifejackets. Twenty-two people died in boating accidents during the same period – almost three-quarters 90 of them in recreational vessels. 80 4pm: Targeting speedboats Time for some more patrols, now using one of the unit’s high-speed inflatable boats: these Subaru WRXs of the water can reach speeds of 90kmh and are designed to allow officers to board vessels while moving. Four young men in a 95 speed boat attempt to outrun us, unaware we are a police vessel. Oops. ‘I thought you were one of those tourist jet boats,’ says the driver when eventually pulled over. 5pm: Back at base The boats are refuelled and cleaned and we visit the detectives. 100 7pm: Time to sign off The night shift arrives. The handover to the four person night crew is completed. For the next 12 hours they will conduct water patrols, investigate thefts from vessels, and follow up investigations. ‘You just don’t know what the shift will bring,’ says Dalton. ‘There’s always an element of risk involved.’ –8– Text 5 – Extract from a short story Tanners End – by Kate Stephens It was 1929, the Great War was eleven years gone, and Jessica Tanner was a month shy of her twenty-third birthday when first she saw the Bushranger. It was a day when cicadas shrieked the voice of summer, and every domestic surface in Tanners End was cloyingly warm to the touch. Jessica wandered from 5 room to room of the great sprawling house in search of coolness and occupation, and perhaps some corner where the tortured cough of her Uncle Jack didn’t penetrate. After finding none of these things, she put on a broad-brimmed straw hat and opened the wide double doors on to the back veranda. The sloping paddocks 10 beyond were dotted with grazing horses, tails swishing and satin coats twitching ceaselessly. Tanners End was known as far as Sydney for the quality of its horseflesh, and had been for fifty years. Jessica’s gaze moved on, to where the bush crowded in at the foot of the hill. The creek should still be running, she thought, and it can’t be any hotter down there. 15 Five minutes later she’d closed the last gate and was climbing over the log blocking the entrance to the gully track. The first of the creek’s pools she came to was full, and a stubborn trickle persisted between it and the next. A short way downstream was a place where the banks rose overhead, with a deep pool of pale amber where tiny fish darted. 20 Her eyes relaxed their squint as the shade slipped over them, and she sat down on one of the boulders that littered the creek bed. Ferns sprouted sideways from the bank, and moss gleamed wetly in the green-filtered light. For perhaps five minutes she sat there, then, between one breath and the next, came the knowledge that she was no longer alone. Very slowly she turned her head. 25 He was sitting on another rock at the water’s edge, an easy stone’s throw away, elbows on his knees and hands hanging limp between them. A man of not more than thirty, with dark hair and a matted bush of beard, and the impression of strength in the breadth of his shoulders. Jessica knew without having to consider it that he hadn’t been there when she 30 arrived, nor could he have walked there without her noticing, and she accepted the obvious with the calm of shock. Even without the two antiquated pistols –9– Text 5 – (continued) shoved through his belt and the hilt of a knife showing at the top of his boot, she would have guessed he was a bushranger. There simply wasn’t anything else he looked like. 35 She sat perfectly still, watching him, wondering why she wasn’t afraid. Lack of dramatic touch, possibly; no windswept stormy night, nor even an air of dank menace. Just the throbbing cicada-shrill of the noonday bush, and a man who should not have been there. He raised his head and looked at her. 40 Something indefinable surged through the space between them, a thrum of reaction that she felt to the soles of her feet. There was that in his face that drew like a magnet, something of a sadness that could never be expressed, the helpless dignity of a beast that suffers in silence. But the eyes were human, and what Jessica saw there made her shudder. Still not with fear, though; not quite. 45 His shoulders straightened, and he made as if to rise and come towards her. Then he was no longer there, or she ceased to see him. She made herself sit there, unmoving, until she was sure he would not reappear. – 10 – © Board of Studies NSW 2009
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