TOMAS SARACENO: UP, UP AND AWAY WITH GEOMETRY GRADE LEVEL: 5TH - 8TH GRADE “Playing is one of the learning processes of life. It is the cultivation of what we do not think is possible. With the ability to float, the traditional boundaries will be crossed between earth and space, between art, architecture and science.” -- Tomás Saraceno Tomás Saraceno’s installation, Solar Bell, is made up of whole and partial tetrahedrons created from mirrored material that reflects the lobby space below. Saraceno’s exhibition is captivating and encourages us to consider alternative future habitats with an eye toward the sky and sustainable energy. Saraceno finds inspiration in the work of Alexander Graham Bell. Bell is best known for inventing the telephone but he was also a student of aeronautics. He is credited with using geometric figures to design many of the basic kite structures used today. He constructed a large tetrahedral kite created from 1,300 triangular pyramids that he named the Frost King. Bell’s kite surprised everyone when it lifted one of its handlers 30 feet off the ground. Tetrahedral kites can be created from straws, string and lightweight paper. A regular tetrahedron is a geometric figure constructed from equilateral triangles. It has four faces and four vertices with all four vertices equal distance from one another. When two of the four sides are covered, this basic pyramid design becomes aerodynamic. These structures can be connected to one another to create architecturally interesting kites that are both strong and lightweight. Tomás Saraceno’s use of reflective material enables Solar Bell to capture the environment below. Once the basic tetrahedron construction is mastered the students can use engineering processes to design, test and redesign a kite that is both aerodynamic and strong. OBJECTIVE Working in teams the students will employ engineering processes to design a Tomás Saraceno inspired tetrahedral kite. This lesson plan will likely take several class periods to complete. VOCABULARY Habitat Sustainability Specular and diffused reflection Engineering design and problem solving Aerodynamic Tetrahedron Equilateral Triangle Vertices MATERIALS Examples of tetrahedron kites created by Alexander Graham Bell and Tomás Saraceno . Paper Pencil Straws Kite string Sail template Metallic/reflective tissue paper Tape Washi tape Crepe paper streamers Scissors Paper clips Ruler Marker or pen Fan, hair dryer, wind BEFOREHAND đƫ$.!ƫ!4),(!/ƫ+"ƫ0$.!!ƫ %)!*/%+*(ƫ0!0.$! .+*/ƫ3%0$ƫ0$!ƫ(//ƫ,.%+.ƫ0+ƫ0+1.%*#ƫ0$!ƫ!4$%%0%+*ċ đƫ+1.ƫ0$!ƫƫ* ƫ2%/%0ƫ+)8/ƫ.!*+Ě/ƫ!4$%%0%+*ƫ%*ƫ0$!ƫ(+5ċ đƫ+((!0ƫ* ƫ %/,(5ƫ)0!.%(/ đƫ+((!0ƫ%)#!/ƫ+"ƫ %û!.!*0ƫ0!0.$! .+*ƫ'%0!ƫ !/%#*/ċ đƫ.!0!ƫ!4),(!/ đƫ'!ƫ+,%!/ƫ+"ƫ0$!ƫ%*/0.10%+*/ƫ+.ƫ.!0!ƫƫ,+3!.ƫ,+%*0ƫ"+.ƫ+*/0.10%*#ƫ0$!ƫ/%ƫ tetrahedron structure. đƫ'!ƫƫ+,5ƫ+"ƫ0$!ƫ/%(ƫ0!),(0!ƫ"+.ƫ!$ƫ0!)ċ DISCUSSION đƫ%/1//ƫ$+3ƫ.!*+Ě/ƫ3+.'ƫ%/ƫ.!0! ƫ".+)ƫ/%),(!Čƫ.!,!0%0%2!ƫ#!+)!0.%ƫ/$,!/ƫ0$0ƫ+)%*!ƫƫƫ to create intricate diamond patterned constructions. đƫ+.ƫ)% (!ƫ/$++(ƫ/01 !*0/ƫ0$%/ƫ!4$%%0%+*ƫ((+3/ƫ"+.ƫ*ƫ%*0.+ 10%+*ƫ+.ƫ.!2%!3ƫ+"ƫ/,!1(.ƫ* ƫ ƫƫƫ %û1/!ƫ.!ý!0%+*ċƫƫ!ü*!ƫ* ƫ.!2%!3ƫ$+3ƫ/)++0$ƫ/1."!/ƫ.!0!ƫ/,!1(.ƫ.!ý!0%+*ƫ3$!.!ƫƫ ƫƫƫ.+1#$ƫ/1."!ƫ.!ý!0%+*ƫ%/ƫ !ü*! ƫ/ƫ %û1/!ċƫƫ%/1//ƫ$+3ƫ/,!1(.ƫ.!ý!0%+*/ƫ0.2!(ƫ%*ƫ+*!ƫ direction and diffuse reflections travel in many different directions. Share examples of ƫƫƫ.!*+Ě/ƫ+(.ƫ!((ƫ3%0$ƫ0$!ƫ(//ċƫƫ%/1//ƫ3$%$ƫ05,!ƫ+"ƫ.!ý!0%+*ƫ$!ƫ%/ƫ!),(+5%*#ƫ%*ƫ$%/ƫ work and why. đƫ%/1//ƫ$+3ƫ0$!ƫ.!ý!0%2!ƫ*01.!ƫ+"ƫ0$!ƫ!4$%%0ƫ%*+.,+.0!/ƫ0$!ƫ2%!3!.ƫ* ƫ$%/ĥ$!.ƫ environment into the piece. đƫ!ü*!ƫ* ƫ %/1//ƫ0$!ƫ!(!)!*0/ƫ+"ƫƫ/1/0%*(!ƫ$%00ċƫƫ đƫ%/1//ƫ$+3ƫ.!*+Ě/ƫ+(.ƫ!((ƫ%*/0((0%+*ƫ/!.2!/ƫ/ƫƫ,+//%(!ƫ)+ !(ƫ"+.ƫ/1/0%*(!ƫ habitats in the future? What environmental concerns might have caused the artist to envision a city in the clouds? In what ways could a city in the clouds be sustainable? đƫ%/1//ƫ0$!ƫ!*#%*!!.%*#ƫ !/%#*ƫ,.+!//ƫ+"ƫ !ü*%*#ƫ0$!ƫ,.+(!)Čƫ.%*/0+.)%*#ƫ/+(10%+*/Čƫ designing a prototype, testing the model, analyzing results and creating an improved design. DISCUSSION (CONTINUED) đƫ4,(%*ƫ$o3ƫ!*#%*!!./ƫ* ƫ !/%#*!./ƫ1/!ƫ0$%/ƫ,.oc!//ƫ0+ƫ)k!ƫ! 10! ƫ,.! %0%+*/Čƫ.!0!ƫ ƫƫƫ)+ !(/Čƫ0!/0ƫ0$!%.ƫ0$!+.%!/Čƫ1/!ƫ+/!.v0%+*ƫ0+ƫ .3ƫc+*(1/%+*/ƫ* ƫ)k!ƫ)+ %ü0%+*/ƫ%*ƫ0$!ƫ ƫƫƫ !/%#*ƫ,.oc!//ċƫƫT$!/!ƫ.!ƫ0$!ƫco.!ƫc+*c!,0/ƫ0$0ƫ((o3ƫ0$!)ƫ0+ƫ0k!ƫ*ƫ% !ƫ".+)ƫc+*c!,0ƫ ƫƫƫ0+ƫc+*(1/%+*č ƫ ƫ ƫ Defining and delimiting: ƫƫƫƫƫđƫ!ü*!ƫ* ƫ/00!ƫ0$!ƫ,.+(!)ƫ(!.(yċ ƫƫƫƫƫđƫ.%*/0+.)ƫ*5ƫ(%)%0%*#ƫ"0+./ƫ* ƫc+*/0.%*0/ƫ0+ƫü* %*#ƫƫ/+(10%+*ċ Designing Solutions: ƫ ƫƫƫƫƫđƫ.%*/0+.)ƫ* ƫ.!0!ƫ,+//%(!ƫ/+(10%+*/ƫ0$0ƫw+.'ƫ3%0$%*ƫ0$!ƫ.%0!.%ƫ!/0(%/$! ċ ƫ ƫƫƫƫƫđƫv(10!ƫ0$!ƫ/1cc!//ƫ,+0!*0%(ƫ"+.ƫ!$ƫ/+(10%+*ƫ* ƫ$++/!ƫƫü*(ƫ !/%#*ƫ ƫƫƫƫƫƫƫƫƫƫƫƫƫƫƫƫƫƫ0+ƫ,.o0+05,!ċ ƫ ƫ ƫ ƫ Optimizing the design: ƫƫƫƫƫđƫSy/0!)0%((5ƫ0!/0ƫ,.o0+05,!ƫ* ƫ.!ü*!ƫ0$!ƫü*(ƫ !/%#*ċ ƫƫƫƫƫđƫ/! ƫ+*ƫ+/!.v0%+*ƫ* ƫ*(y/%/ƫ.! !/%#*ƫ,.o0+05,!ƫ0+ƫ%*c+.,+.0!ƫ0$!ƫ$*#!/ċ ƫƫƫƫƫ đƫ4,(+.!ƫ* ƫ %/1//ƫ0$!ƫv(1!ƫ+"ƫ"%(1.!ƫ/ƫƫ'!5ƫc+),+*!*0ƫ%*ƫ*5ƫ !/%#*ƫ,.oc!//ċƫƫo3ƫ*ƫ*ƫƫ ƫƫƫ!4,!.%)!*0ƫ/0%((ƫ!ƫ/1cc!//"1(ƫ!v!*ƫ%"ƫ%0ƫ"%(/ƫ+.ƫy+1.ƫ !/%#*ƫ%/ƫýw! ĕƫƫ4,(+.!ƫ$o3ƫ!*#%*!!./ƫ ƫƫƫ* ƫ !/%#*!./ƫ(!.*ƫ/ƫ)1$ƫ".+)ƫ0$!%.ƫ"%(1.!/ƫ/ƫ0$!%.ƫ/1cc!//!/ƫ* ƫ$o3ƫ0$!5ƫ1/!ƫ0$!/!ƫ ƫƫƫü* %*#/ƫ0+ƫ.! !/%#*ƫ* ƫ.!!2(10%+*ƫ0$!%.ƫ% !/ƫ* ƫ,.o0+05,!/ċ đƫ4,(%*ƫ0$0ƫ0$!ƫ/01 !*0/ƫ3%((ƫ!ƫ1/%*#ƫ !ü*%0%+*Čƫ !/%#*Čƫ0!/0%*#Čƫ+/!.v0%+*ƫ* ƫ.! !/%#*ƫ ƫƫƫ0+ƫ.!0!ƫƫ'%0!ƫ".+)ƫ0!0.$! .+*/ċƫ PROCEDURE đƫ.!'ƫ0$!ƫ(//ƫ%*0+ƫ !/%#*ƫ#.+1,/ċ đƫ.%*/0+.)ƫ3%0$ƫ0$!ƫ/01 !*0/ƫ0$!ƫ)0!.%(/ƫ0$!5ƫ3%((ƫ*!! ċ đƫ%/,(5ƫ((ƫ0$!ƫ)0!.%(/ƫ2%((!ƫ0+ƫ0$!ƫ/01 !*0/ƫ* ƫ((+3ƫ0$!ƫ/01 !*0/ƫ0+ƫ%*/,!0ƫ0$!/!ċ 0.3/ 0.%*# %(ƫ0!),(0!ƫĨ!*0!.ƫ!-1%(0!.(ƫ0.%*#(!ƫ/% !/ƫ )!/1.!/ƫĆƫşƫ%*ċĩ !0((%ĥ.!ý!0%2!ƫ0%//1!ƫ,,!. ,!.ƫ(%,/ %//+./ /$%ƫ0,! +û!!ƫ/0%..!./Čƫ,%,!ƫ(!*!./Čƫ."0ƫ/0%'/ .!,!ƫ,,!.ƫ/0.!)!./ đƫ2!ƫ/01 !*0/ƫ)!/1.!ƫ* ƫ10ƫćƫ/0.3/ČƫĆƫşƫ%*ƫ(!*#0$ đƫ!)+*/0.0!ƫ0+ƫ0$!ƫ/01 !*0/ƫ$+3ƫ0+ƫ.!0!ƫƫ/%ƫ0!0.$! .+*ƫ* ƫ!4,(%*ƫ0$0ƫ0$%/ƫ3%((ƫ!ƫ0$!ƫ ƫƫƫ/%ƫ/0.101.!ƫ%*ƫ0$!ƫ !/%#*ƫ* ƫ+*/0.10%+*ƫ+"ƫ0$!%.ƫ'%0!ċƫĨ0!,ġ5ġ/0!,ƫ %.!0%+*/ƫ"+((+3ċĩ PROCEDURE (CONTINUED) 1. Collect all 6 straws- 5 3/4 in length Lay 6 straws in a straight line. Measure and cut a piece of string that is the length of the line of straws (34.5 inches). 2. Cut a second piece of string that is 9 inches in length. Start with 3 straws and tread the 34.5 inch string through all three. Position the straws in the form of a triangle and tie a knot. 4. 3. Add two more straws to the remaining string and tie it to the structure to create a second triangle. 5. Fold the metallic tissue paper material in half and place the sail template the long side along the fold. Trace the pattern on the using a marker or pen. Cut and unfold. Tread the 6th straw with the 9inch string and tie it to two corners of the structure to create a prism. 6. Place sail along two sides on the kite. Use the metallic Washi tape to secure the sails to each side of the kite structure as well as secure any gaps at the vertices. PROCEDURE (CONTINUED) 7. Attach the completed tetrahedron cells by at the corners to create the final structure. đƫ!,.0!ƫ0$!ƫ/01 !*0/ƫ%*0+ƫ !/%#*ƫ0!)/ċ đƫDefining and delimiting the problem: *0.+ 1!ƫ0$!ƫ,.+&!0ġƫ!$ƫ0!)ƫ3%((ƫ.!0!ƫƫ"1*0%+*(ƫ ƫƫƫ'%0!ƫ1/%*#ƫ0$!/!ƫ0.%*#1(.ƫ,5.)% /ƫ/ƫ0$!ƫ/%ƫ/0.101.(ƫ!(!)!*0ċƫƫ$!ƫ !/%#*ƫ$((!*#!ƫ*ƫƫ ƫƫƫ!ƫ/ƫ/%),(!ƫ/ƫƫąƫ!((ƫ !/%#*ƫ+.ƫ!4,* ! ƫ0+ƫ%*(1 !ƫ)+.!ƫ+),(%0! ƫ)1(0%ġ!((! ƫ ƫƫƫ/0.101.!/ċƫƫ!"+.!ƫ0$!ƫ0!)/ƫ!#%*ƫ,+/!ƫ((ĥ/+)!ƫ+"ƫ0$!/!ƫ-1!/0%+*/ƫ0+ƫ0$!ƫ#.+1,č ƫ +ƫ$0ƫ !/%#*ƫ!(!)!*0/ƫ +ƫ5+1ƫ/!!ƫ%*ƫ0$!ƫ!4),(!/ƫ+"ƫ0$!ƫ0!0.$! .+*ƫ'%0!/ƫ !/%#*! ƫ ƫ ƫƫƫ5ƫ(!4* !.ƫ.$)ƫ!((ƫ* ƫ+)8/ƫ.!*+ĕ ƫ +ƫ+3ƫ)*5ƫ+"ƫ0$!ƫ0.%*#1(.ƫ,5.)% /ƫ +ƫ5+1ƫ,(*ƫ0+ƫ1/!ĕ ƫ +ƫ+3ƫ +ƫ5+1ƫ,(*ƫ0+ƫ..*#!ƫ!$ƫ0!0.$! .+*ĕ ƫ +ƫ+3ƫ +ƫ5+1ƫ,(*ƫ0+ƫ00$ƫ)1(0%,(!ƫ0!0.$! .+*/ĕ ƫ +ƫ+3ƫ +ƫ5+1ƫ,(*ƫ0+ƫ)%*%)%6!ƫ0$!ƫ3!%#$0ƫ10ƫ)4%)%6!ƫ0$!ƫ/0.!*#0$ƫ+"ƫ5+1.ƫ !/%#*ĕ ƫ +ƫ+3ƫ3%((ƫ5+1ƫ/0%(%6!ƫ0$!ƫ'%0!ĕ ƫ +ƫ+3ƫ3%((ƫ5+1ƫ00$ƫ0$!ƫ'%0!ƫ/0.%*#ĕ ƫ +ƫ%((ƫ5+1.ƫ !/%#*ƫ!*!ü0ƫ".+)ƫ %*#ƫƫ0%(ĕ đƫ/'ƫ0$!ƫ#.+1,ƫ3$0ƫ+0$!.ƫ-1!/0%+*/ƫ0$!5ƫ)%#$0ƫ+*/% !.ƫ%*ƫ0$!ƫ!/%#*ƫ/0#!ƫ+"ƫ0$!ƫ,.+&!0ċƫ đƫDesign: 2!ƫ0$!ƫ0!)/ƫ.%*/0+.)ƫ* ƫ%((1/0.0!ƫƫ !/%#*ƫ"+.ƫƫ0!0.$! .(ƫ'%0!ċƫ2!ƫ!$ƫ0!)ƫ ƫƫƫ+*/0.10ƫƫ)+ !(ƫĨ,.+0+05,!ĩƫ+"ƫ0$!%.ƫ !/%#*ƫ1/%*#ƫ0$!ƫ)0!.%(/ƫ/1,,(%! ċ đƫModel testing: /%*#ƫ"*/Čƫ$%.ƫ .5!./ƫ* ƫ!2!*ƫ3%* ƫ$2!ƫ0$!ƫ/01 !*0/ƫ+* 10ƫ0!/0ƫý%#$0/ƫ"+.ƫ ƫƫƫ0$!%.ƫ'%0!/ċƫƫ$!ƫ/01 !*0/ƫ/$+1( ƫ +1)!*0ƫ0$!ƫ/1!//"1(ƫ!(!)!*0/ƫ+"ƫ0$!%.ƫ !/%#*ƫ/ƫ3!((ƫ/ƫ ƫƫƫ% !*0%"5ƫ3$0ƫ0$!5ƫ"!!(ƫ*!! /ƫ0+ƫ!ƫ.! !/%#*! ƫ+.ƫ)+ %ü! ċ đƫAnalyze and Redesign: 2!ƫ0$!ƫ0!)/ƫ*(56!ƫ0$!%.ƫü* %*#/ƫ* ƫ.! !/%#*ƫ0$!%.ƫ'%0!ƫ ƫƫƫ*5ƫ)+ %ü0%+*/ƫ*!! ! ċƫƫ((+3ƫ0%)!ƫ"+.ƫ0$!ƫ*!3ƫ)+ !(/ƫ0+ƫ!ƫ0!/0! ċ đƫConclusion: 2!ƫ0$!ƫ0!)/ƫ/$.!ƫ0$!%.ƫü*(ƫ !/%#*ƫ* ƫ!4,(%*ƫ!$ƫ/0!,ƫ%*ƫ0$!%.ƫ ƫƫƫ !/%#*ƫ,.+!//ċ * Older students can write a report detailing their design process and use data from the testing process to explain and justify any changes they made to their original model. .!//%*#ƫ TEMPLATE RESOURCES www.tomassaraceno.com/projects/in-the-air/ www.ict.griffith.edu.au/anthony/kites/tetra/variations http://www.design-technology.org/bell.htm http://www.carnetdevol.org/Bell/kite.html www.bing.com/images/search?q=tetrahedron+kite+designs&qpvt=tetraheron+kite+designs&qpvt =tetraheron+kite+designs&qpvt=tetraheron+kite+designs&FORM=IGRE www.nextgenscience.org www.physicsclassroom.com
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