May Day One of the Seven Has Somewhat to Say -Sarah Teasdale -Sara Henderson Hay A delicate fabric of bird song* Floats in the air, The smell of wet wild earth Is everywhere. Remember how it was before she came--? The picks and shovels dropped beside the door, The sink piled high, the meals any old time, Our jackets where we’d flung them on the floor? The mud tracked in, the clutter on the shelves, None of us shaved, or more than halfway clean… Just seven old bachelors, living by ourselves? Those were the days, if you know what I mean. Red small leaves of the maple Are clenched like a hand, Like girls at their first communion* The pear trees stand. Oh I must pass nothing by Without loving it much The raindrop try with my lips The grass at my touch. For how can I be sure I shall see again The world on the first of May Shining after the rain? *fabric – a large swath of material Used to make clothing – similar To a blanket *communion – religious ceremony Where it is traditional to wear all White clothing She scrubs, she sweeps, she even dusts the ceilings; She’s made us build a tool shed for our stuff. Dinner’s at eight, the table setting’s formal. And if I weren’t afraid I’d hurt her feelings I’d move, until we get her married off, And things can gradually slip back to normal. Fog The Caterpillar -Robert Graves Under this loop of honeysuckle, A creeping, colored caterpillar, I gnaw the fresh green hawthorn spray, I nibble it leaf by leaf away. Down beneath grow dandelions, Daisies, old-man’s-looking-glasses; Rooks flap croaking across the lane. I eat and swallow and eat again. Here come raindrops helter-skelter; I munch and nibble unregarding; Hawthorn leaves are juicy and firm. I’ll mind my business: I’m a good worm. When I’m old, tired, melancholy, I’ll build a leaf-green mausoleum Close by, here on this lovely spray, And die and dream the ages away. -Carl Sandburg The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. Some say worms win resurrection, With white wings beating flitter-flutter, But wings or a sound sleep, why should I care? Either way I’ll miss my share. Under this loop of honeysuckle, A hungry, hairy caterpillar, I crawl on my high and swinging seat, And eat, eat, eat—as one ought to eat. PAGE 1R Living Tenderly maggie and milly and molly and may in Just- -May Swenson -e. e. cummings -e. e. cummings My body a rounded stone with a pattern of smooth seams. My head a short snake, retractive, projective. My legs come out of their sleeves or shrink within, and so does my chin. My eyelids are quick clamps. maggie and milly and molly and may went down to the beach(to play one day) in Justspring when the world is mudluscious the little lame balloonman My back is my roof. I am always at home. I travel where my house walks. It is a smooth stone. It floats within the lake, or rests in the dust. My flesh lives tenderly inside its bone. I’m Nobody and Maggie discovered a shell that sang so sweetly she couldn’t remember her troubles,and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles:and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose(like a you or a me) it’s always ourselves we find in the sea. Little Things -James Stephens Little things, that run, and quail, And die, in silence and despair! -Emily Dickerson Little things, that fight, and fail, And fall, on sea, and earth, and air! I’m nobody! Who are you? Are you nobody, too? Then there’s a pair of us—don’t tell! They’d banish us, you know. All trapped and frightened little things, The mouse, the coney, hear our prayer! How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog! As we forgive those done to us, --The lamb, the linnet, and the hare— Forgive us all our trespasses, Little creatures, everywhere! whistles far and wee and eddieandbill come running from marbles and piracies and it's spring when the world is puddle-wonderful the queer old balloonman whistles far and wee and bettyandisbel come dancing from hop-scotch and jump-rope and it's spring and the goat-footed balloonMan far and wee whistles PAGE 2R HAIKU The Spider -Walter de la Mare -Robert P. Tristram Coffin With six small diamonds for his eyes He walks upon the summer skies, Drawing from his silken blouse The lacework of his dwelling house. He lays his staircase as he goes, 5 Under his eight thoughtful toes And grows with the concentric flower Of his shadowless thin bower. His back legs are a pair of hands, They can spindle out the strands Of a thread that is so small It stops the sunlight not at all. He spins himself to threads of dew Which will harden soon into Lines that cut like slender knives Across the insects’ airy lives. He makes no motion but is right, He spreads out his appetite Into a network, twist on twist, This little ancient scientist. He does not know he is unkind, He has a jewel for a mind And logic deadly as dry bone, This small son of Euclid’s own The Listeners 10 A haiku (hi’koo) is a three-line poem, of Japanese origin, containing seventeen syllables. There are five syllables in the first line, seven syllables in the second line, and five syllables in the third line. Such a poem must communicate meaning through very few words, and should only have one idea (or topic) per Haiku. The subject matter of a haiku is usually drawn from nature. Broken and broken Again on the sea, the moon So easily mends Color explosions all over my garden flowers are so cool Big, fuzzy sideburns teaching English is his thing what a funny guy Birdfoot’s Grampa -Joseph Bruchac III 15 20 The old man must have stopped our car two dozen times to climb out and gather into his hands the small toads blinded 5 by our lights and leaping, live drops of rain. The rain was falling, a mist about his white hair and I kept saying you can't save them all, accept it, get back in we've got places to go. 10 But, leathery hands full of wet brown life, 15 knee deep in the summer roadside grass, he just smiled and said they have places to go to too. 'Is there anybody there?' said the Traveler, Knocking on the moonlit door; And his horse in the silence champed the grasses Of the forest's ferny floor: And a bird flew up out of the turret, 5 Above the Traveler's head And he smote upon the door again a second time;‘ “Is there anybody there?' he said. But no one descended to the Traveler; No head from the leaf-fringed sill 10 Leaned over and looked into his grey eyes, Where he stood perplexed and still. But only a host of phantom listeners That dwelt in the lone house then Stood listening in the quiet of the moonlight 15 To that voice from the world of men: Stood thronging the faint moonbeams on the dark stair, That goes down to the empty hall, Hearkening in an air stirred and shaken By the lonely Traveler's call. 20 And he felt in his heart their strangeness, Their stillness answering his cry, While his horse moved, cropping the dark turf, 'Neath the starred and leafy sky; For he suddenly smote on the door, even 25 Louder, and lifted his head: 'Tell them I came, and no one answered, That I kept my word,' he said. Never the least stir made the listeners, Though every word he spake 30 Fell echoing through the shadowiness of the still house From the one man left awake: Ay, they heard his foot upon the stirrup, And the sound of iron on stone, And how the silence surged softly backward, 35 When the plunging hoofs were gone. PAGE 3R
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