STOCKING STUFFERS A H O L I D A Y P L A Y I N S IX S H O R T S C E N E S By Geff Moyer Copyright © MMVII by Geff Moyer All Rights Reserved Brooklyn Publishers, LLC in association with Heuer Publishing LLC ISBN: 978-1-61588-146-8 Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Brooklyn Publishers, LLC and Heuer Publishing LLC. Inquiries concerning rights should be addressed to Brooklyn Publishers, LLC. This work is fully protected by copyright. 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All rights, including but not limited to professional and amateur stage performing, recitation, lecturing, public reading, television, radio, motion picture, video or sound taping, internet streaming or other forms of broadcast as technology progresses, and the rights of translation into foreign languages, are strictly reserved. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK I N A N Y M A N N E R I S S T R I C T L Y F O R B I D D E N B Y L A W . One copy for each speaking role must be purchased for production purposes. Single copies of scripts are sold for personal reading or production consideration only. BROOKLYN PUBLISHERS, LLC P.O. BOX 248 • CEDAR RAPIDS, IOWA 52406 TOLL FREE (888) 473-8521 • FAX (319) 368-8011 STOCKING STUFFERS STOCKING STUFFERS By Geff Moyer SYNOPSIS: Six short wonderful holiday scenes. The first scene shows Uncle Sam, Easter Bunny, Cupid, Ezekiel the Pilgrim, and Hagatha the Witch fed up with the popularity of Santa Claus and plotting against him. The second scene depicts Donner and Blitzen, who have been exercising during the off-season, ready to challenge Dancer and Prancer as lead reindeer. The third scene shows four talking dolls, each speaking a different phrase. While three are content with their lives, one is questioning why they are only allowed to say those specific phrases. The fourth scene depicts two over-worked elves on break, complaining about their long shifts, only to learn that Santa has just hired female elves to work in his shop. The fifth scene shows Barbie and G. I. Joe calling it quits, with Joe desperately trying to show his "tender" side. The sixth and final scene depicts the trial of the reindeer that ran over Grandma. CAST OF CHARACTERS THE LAST MEETING OF THE HOLIDAY ICONS (3 MEN, 2 WOMEN) EASTER BUNNY (F).................................. (28 lines) UNCLE SAM (M)........................................ (26 lines) HAGATHA THE WITCH (F).................... (31 lines) CUPID (M)................................................... (42 lines) EZEKIEL THE PILGRIM (M) ................. (29 lines) THE WATER COOLER (3 MEN, 1 WOMAN) ELF 1 (M)................................................(16 lines) ELF 2 (M)................................................(27 lines) ELF 3 (M)................................................(22 lines) FEMALE ELF (F)..................................(26 lines total) UP FRONT 2 BY GEFF MOYER (2 MEN) DONNER (M) .........................................(74 lines total) BLITZEN (M).........................................(75 lines total) THE LADIES SPEAK (4 WOMEN) DOLL 1 (F) .............................................(37 lines) DOLL 2 (F) .............................................(33 lines) DOLL 3 (F) .............................................(30 lines) DOLL 4 (F) .............................................(32 lines) THE BREAK UP (1 MAN, 1 WOMAN) BARBIE (F) ............................................(38 lines) G.I. JOE (M)...........................................(39 lines) THE TRIAL (5 MEN, 4 WOMEN, FLEXIBLE) EBENEZER SCROOGE (M)................(33 lines) GRANDMA (F) ......................................(12 lines) JUDGE (M).............................................(33 lines) BAILIFF (M or F).....................................(9 lines) EGG NOG (M or F)................................(17 lines) MEDICINE BOTTLE (M or F).............(15 lines) FEMALE ELF (F) from The Water Cooler DONNER (M) from Up Front BLITZEN (M) from Up Front 3 STOCKING STUFFERS PROPERTIES LIST THE LAST MEETING OF THE HOLIDAY ICONS: Hagatha - an old broom and a new broom. Cupid - A cell phone and a bow and arrow. Uncle Sam - an oversized firecracker, and a new package of fireworks. Ezekiel - an old axe and a new axe. Bunny - egg-coloring kit. Table and 5 chairs. UP FRONT: No properties required. THE LADIES SPEAK: 4 chairs. THE WATER COOLER: A small water cooler. THE BREAK UP: G.I. Joe - pistol, knife, onion. THE TRIAL: Judge – gavel. Elf - notebook and papers. 4 BY GEFF MOYER PRODUCTION NOTES COSTUMES / MAKEUP: These are two of the most important elements of Stocking Stuffers. The more colorful and unique the costumes, the more the audience will enjoy the production, especially the kids. In LAST MEETING OF THE ICONS, each character should clearly represent their holidays; UP FRONT, they must be reindeers; THE LADIES SPEAK, the more frilly the outfits and the thicker the make-up, the funnier the characters; THE WATER COOLER, clearly elves, pointed ears and all; THE BREAK UP, a girl who can resemble “Barbie,” and a large bald man for G.I. Joe; THE TRIAL, Scrooge should be readily recognized, and the Egg Nog Carton and Medicine Bottle should be two very different and fun costumes to construct. SETTING: In the production at the Olathe Community Theatre Association in December 2006, the only consistent item on stage during all the shows was the water cooler. A long table and five chairs were used for LAST MEETING. The table was struck and the chairs were then shifted and used for all the other shows (having two or three “little” kids dressed as elves doing that shifting could add a fun touch). Each show was bridged with about ten seconds of a lively holiday song, and at the end of evening, the entire cast came on stage in costume to lead a sing-a-long, then went into the audience to greet the children. It is a very easy show to stage. The challenges are the costuming and what the actors can bring to the characters. For example, in THE WATER COOLER, one night at rehearsal, we just decided to try the two main elf characters as an old Jewish man and a young Southern gentleman. It was hilarious, so we kept it. In THE LADIES SPEAK, we put one of the dolls in an over-abundance of petticoats (you can imagine how silly it looked). In other words, have fun with this! 5 STOCKING STUFFERS SCENE 1 LAST MEETING OF THE HOLIDAY ICONS SETTING: A conference room table. AT RISE: A lively conversation is going on. BUNNY: Something has to be done . . . UNCLE SAM: It is completely out of hand . . . CUPID: People . . . HAGATHA: It’s ridiculous . . . CUPID: People . . . EZEKIEL: It’s improper is what it is . . . CUPID: People, people, please. We have to discuss this in an orderly manner. Focus on the subject: the fat man’s holiday vs. ours. Stop the bickering! HAGATHA: The fairy’s right. This is getting us nowhere. CUPID: For the hundredth time, Hagatha, I’m an angel, not a fairy. UNCLE SAM: Let’s be democratic about this. Take a vote. EZEKIEL: Vote on what? Nothing’s been put on the floor, except the rabbit’s fat feet. BUNNY: But they’re great for kicking pompous, obnoxious . . . CUPID: STOP IT, STOP IT, STOP IT! HAGATHA: Excitable little fairy, isn’t he? CUPID: Angel!! BUNNY: It’s the presents, you know! HAGATHA: Of course it’s the presents, you dumb bunny! We all agreed it’s the presents. So how can we compete with them? BUNNY: We can’t. At least my eggs can’t. CUPID: But they are lovely, Bunny . . . HAGATHA: Neither can my candy. CUPID: But it’s so sweet of you . . . UNCLE SAM: I say we strap him to a Roman candle and send him flying. EZEKIEL: I say we chop off his head. 6 BY GEFF MOYER CUPID: Those are very violent solutions. We are not violent people. We are loving people. UNCLE SAM: All’s fair in love and war. CUPID: This isn’t war! HAGATHA: Well, it sure isn’t love. CUPID: But isn’t that what the holidays are all about? Love? HAGATHA: No! Not all of them. A good scare never hurt anyone. BUNNY: Neither did a good “find the most eggs” competition. SAM: Or a good blowin’ up of a few tin cans. EZEKIEL: We should just ban all holidays. They’re frivolous and improper. CUPID: Now, Zeke! Where’s our happy face? BUNNY: Throw him in the briar patch . . . EZEKIEL: The axe . . . HAGATHA: Turn him into a toad . . . CUPID: Stop it . . . EZEKIEL: The axe . . . SAM: Strap him to a box of cherry bombs . . . CUPID: Stop it . . . EZEKIEL: The axe . . . CUPID: I have the solution! OTHERS: What? CUPID: (Pause.) We smother him with affection. HAGATHA: (Pause.) What!? CUPID: Kindness and . . . BUNNY: Are you serious . . . CUPID: . . . kisses and . . . EZEKIEL: . . . improper . . . CUPID: . . . and hugs and . . . OTHERS: Shut up! BUNNY: How many years have we been arguing about this? Huh? Every year it’s the same thing! His holiday always overshadows ours, but you know what really fluffs my fur? All the attention he gets for delivering his presents in one night. I deliver all my eggs in one night, and I don’t a need sleigh and a bunch of smelly reindeers to do it. CUPID: We all know how hard you work, Bunny. 7 STOCKING STUFFERS BUNNY: And I tell ya this – it takes weeks for my feet to stop aching. EZEKIEL: Oh, cry me a river! I don’t even know why you’re here. You don’t even have anything to do with your holiday. UNCLE SAM: I’ve been saying that for years. The dumb bunny doesn’t even deserve to be here. BUNNY: So what do you have to do with fireworks? If you lit one you’d probably set your beard on fire, you’re such a clumsy oaf! And you! What do you have to do with eating turkey? Nothing! Right! Huh? Hear me? Nothing . . . EZEKIEL: (Rises, waves axe.) We could always change it to a nice rabbit stew. CUPID: Will you three please stop bickering? HAGATHA: The fairy’s right. Let’s get focused, people! CUPID: Angel! You ol’ hag! HAGATHA: I’ll turn you into a newt, you little . . . BUNNY: (Rises.) WHAT ARE WE GONNA DO ABOUT THE FAT MAN? UNCLE SAM: (After a pause, deviously.) Maybe we could discredit him. BUNNY: What? CUPID: You mean . . . lie? EZEKIEL: Improper. HAGATHA: Doesn’t bother me. CUPID: Lie? BUNNY: What’d you got cookin’ in that half brain, Sam?? UNCLE SAM: Oh . . . I don’t know . . . maybe we say he . . . he mistreats his elves. CUPID: But it’s a lie. HAGATHA: Just a little one. (Cackles.) EZEKIEL: Improper. HAGATHA: (Mocking.) “Improper, improper, improper!” How’d you ever get a holiday? You’re against anything that’s fun. EZEKIEL: Lying is improper. UNCLE SAM: And Manhattan Island was worth more than twenty dollars in beads. EZEKIEL: What are you saying? BUNNY: You hoodwinked those Indians. 8 BY GEFF MOYER HAGATHA: Which is the same as lying. UNCLE SAM: Which is so “improper.” CUPID: How can we possibly “discredit” someone like him? Everyone loves him. The elves love him. Everyone knows that. It’s in every story. We can’t change history. We’re holiday icons, not the government. I say we call him. OTHERS: What!? Huh!? Are you crazy!? CUPID: We call him, present our dilemma and pleasantly reason things out. BUNNY: That’s the dumbest thing . . . UNCLE SAM: Where do you get these stupid ideas . . . EZEKIEL: That is so improper . . . HAGATHA: He just hangs up on me. CUPID: He’s a very sweet fellow. I’m sure he’ll understand our concerns. HAGATHA: He’s been milking the attention since his holiday started. UNCLE SAM: He’s not gonna give up the limelight. BUNNY: His ego’s as big as his belly. UNCLE SAM: Discredit, people! Think discredit. HAGATHA: (Pause.) Red is also the devil’s color. (Cackles.) EZEKIEL: (Fondling his axe.) And blood. BUNNY: It’s also the primary color of Christmas, Hagatha. Think logically. UNCLE SAM: (Pause.) Obesity is unattractive. BUNNY: But with him it’s all cutesy-wootsy and “shaking like a bowl full of jelly.” Logic, people, logic! EZEKIEL: (Mocking.) “Logic, logic, logic!” That’s coming from a rabbit who’s supposed to lay painted eggs. CUPID: (Pulls out a cell phone.) This is the only reasonable approach. EZEKIEL: You know it would be the proper thing to do. I think the fairy’s got something here. CUPID: ANGEL! I’M AN ANGEL! EZEKIEL: Then where’s your halo? CUPID: I don’t have one. EZEKIEL: So you’re not an angel. CUPID: I have wings. 9 STOCKING STUFFERS EZEKIEL: So do fairies. UNCLE SAM: Okay! Let’s say we do call him. What are we going to say? (They all look at CUPID.) CUPID: Why are you looking at me? HAGATHA: It’s your idea. EZEKIEL: Back it up! BUNNY: You are the sweetest talker. CUPID: Well . . . we should . . . uh . . . express our feelings. That we have feelings, too. Very special, unique feelings that are very easily hurt. We feel pain. We feel sorrow. And what we really want to feel is love. His love. And the love of all . . . OTHERS: SHUT UP! UNCLE SAM: I say we make our demands very clear. BUNNY: Succinct! HAGATHA: Crystal! EZEKIEL: And we religiously hold to those demands. UNCLE SAM: Right! He must do something to make the people like him a little less and us a little more. HAGATHA: Like giving candy to bad boys and girls. CUPID: That’s not right . . . BUNNY: Putting only painted eggs in stockings – as a reminder of me. CUPID: But you have a holiday . . . UNCLE SAM: Putting sparklers on all Christmas trees. CUPID: Fire hazard! (During the following few lines, CUPID slips under the table and dials the cell phone.) EZEKIEL: No! They can’t even have a tree. We didn’t have a tree. Those decorated things are frivolous and improper. HAGATHA: Put scary jack-o-lanterns in stockings . . . UNCLE SAM: Now we’re getting somewhere. Demand! Demand! Demand! HAGATHA: That’s right! Nice is weak. Naughty is power. UNCLE SAM: Well said, Hagatha! Well said! HAGATHA: We’ll scare the boots off of him. BUNNY: What if he gets defensive? UNCLE SAM: That’s what we want! We’re launching an attack here. We want him to . . . hey, where’s the fairy? 10 BY GEFF MOYER They all look around and HAGATHA discovers CUPID under the table. HAGATHA: What are you . . . ? He’s on the phone! Why you little . . . All are chasing CUPID over, under and around the table. BUNNY tosses eggs at him, HAGATHA swings at him with her broom, EZEKIEL wields his ax, SAM pulls out an extremely large firecracker but cannot get his lighter to work to light it. The following lines occur throughout the action. BUNNY: GET HIM, HE’S SQUEALING . . . !! HAGATHA: I’LL TURN YOU INTO A GECKO . . .! EZEKIEL: Nimble little fairy, isn’t he? BUNNY: BLOW HIM UP, SAM!!! CUPID: (Suddenly stopping and shutting cell phone.) STOP! (They all stop. Pause.) He said to look under your seats. (They all try to look at their rear ends.) Your chairs. Everyone looks under their chairs and each pulls out a present. BUNNY: What is this? HAGATHA: It says “Open me. Now!” UNCLE SAM: Wait! (Holds it to his ear.) It isn’t ticking. EZEKIEL: So I guess they’re safe to open. CUPID: (Pause.) So what’re we waiting for? Everyone opens their presents. HAGATHA pulls out a shiny new axe. BUNNY, a fancy bow and arrow. CUPID, a package of fireworks. EZEKIEL, a brand new broom. UNCLE SAM, an egg-painting kit. UNCLE SAM: What the devil am I gonna do with this? I don’t paint eggs. HAGATHA: My fingernails are too long to use an axe. 11 STOCKING STUFFERS BUNNY: What am I gonna do with this? I don’t have opposable thumbs. EZEKIEL: Improper! Man does not do the cleaning. That’s for the women folk. CUPID: Look, I’ll never use these fireworks. Sam, why don’t you take them? UNCLE SAM: Really!? Thank you. Here, Bunny, I want you to have this. BUNNY: Why, thank you, Sam. Oh, Cupid, here! You have opposable thumbs. CUPID: Oh, that’s so sweet of you, Bunny. HAGATHA: Hey, Zeke! Here! (Hands him the axe.) Make good use of it. EZEKIEL: (Hands broom to HAGATHA.) You do the same. HAGATHA: Thanks. EZEKIEL: Don’t mention it. Suddenly, after admiring their gifts, they all stop and look at each other with a moment of realization. BUNNY: You know what he did, don’t you? UNCLE SAM: (Smiles.) Yeah! Sneaky ol’ fat man. HAGATHA: Felt kind of good, didn’t it? CUPID: It felt lovely. EZEKIEL: It felt . . . ALL: Proper! BLACKOUT. 12 BY GEFF MOYER SCENE 2 THE WATER COOLER SETTING: A water cooler. AT RISE: ELF 1 is standing at a water cooler, drinking. ELVES 2 and 3 are entering. ELF 3: (Southern accent.) Oh boy, do I need this break. These sixty-four hour shifts are killers. ELF 2: (Old elf with beard and Yiddish accent.) Oy, I hear that! ELF 3: I’ve assembled 34,652 Gameboys and have been shocked 379 times. Stick a light bulb in my mouth and you could read by me. ELF 2: I’ve got so many metal splinters from puttin’ together those Tonka Trucks, I don’t think I could walk through an airport detector without sitting off every light and buzzer it has. ELF 3: If we don’t get more help soon I don’t see how we’ll meet our quota. ELF 2: I heard the Big Guy even posted the job openings on Monster and Career Dot Com. ELF 3: Physical labor! No one seems to want to do it anymore. ELF 2: Yeah! They think they’re too good for it. Think it’s “beneath them.” ELF 3: Hey, a job’s a job. And the Big Guy pays okay. ELF 1: Guess you guys haven’t heard, huh? ELVES 2 and 3: What? Heard what? ELF 1: What the Big Guy’s done. ELVES 2 and 3: What? What’s he done? ELF 1: (Pause.) Females. ELF 3: What about them? ELF 1: He’s hired some. 13 STOCKING STUFFERS Pause. Then ELVES 2 and 3 break out laughing. ELF 2: You had us there for a minute. ELF 3: Good one! Excellent! ELF 1: I’m not joking. He’s hired females. ELF 3: Females? ELF 2: You mean . . . ELF 1: Girl elves. ELF 3: Oh no . . . ELF 2: No, no, no . . . ELF 3: He couldn’t! He just couldn’t . . . ELF 2: Has he flipped his lid? ELF 3: Did Prancer kick him in the head again? ELF 2: There has never been a female elf in the factory. ELF 3: And especially not on the assembly line. ELF 1: The Missus. ELF 2: Huh? ELF 1: It was Missus Claus’ idea. ELF 2: And he listened? Why? He’s never listened to her before. ELF 1: One time. ELF 3: When? ELF 1: Who do you think convinced him to add Rudolph to the team? ELF 3: That was her idea? ELF 1: Yep! ELF 2: But we’re talking hundreds of years of tradition here – not some one-time-foggy-night-problem. ELF 1: She pulls a lot of weight with him. No pun intended. She convinced him right after she cooked his favorite dinner. ELF 3: Oh, that figures! Caught him at his weakest. ELF 2: After a meal! Typical! Sneaky! Just like a female elf. ELF 3: We can’t let this happen. We need to call our union rep! ELF 1: You are the union rep. ELF 3: Oh. Yeah. ELF 2: We’re just gonna have to refuse to work with them. ELF 1: And not meet our quota. It would hurt too many children. ELF 2: So we just have to take this? Accept this blatant break in tradition? 14 BY GEFF MOYER ELF 3: You watch! They’ll get all the cush jobs. ELF 2: Of course! And not one of them will work a night shift. They need their “beauty sleep.” ELF 1: And this will really turn your skin green: same pay! ELVES 2 AND 3: WHAT!? ELF 2: Now he’s really gone too far. ELF 1: Well, they will be doing the same job. ELF 3: Are you kidding me!? Show me one female elf who can carve a decent baseball bat, or knows how to outfit a ninja. ELF 2: They’re gonna mess up everything! They’ll probably put all the G.I. Joes in polo shirts and Dockers. ELF 3: And Storm Troopers in frilly raincoats . . . ELF 2: Footballs will be painted pink . . . ELF 3: Action figures of the Olsen twins . . . ELF 2: Whoopee Cushions with no sound . . . ELF 3: I tell ya, it’s gonna destroy Christmas! ELF 2: It’s just spittin’ in the eye of tradition. That’s all it is! Spittin’ in the eye . . . A very attractive FEMALE ELF enters and walks up to the water cooler. FEMALE ELF: Excuse me, guys. (They step aside in silence, staring at her. She drinks.) See you on the assembly line. (Exits.) They watch her leave in silence. ELF 2: You know, painting a football pink would make it easier to see. ELF 3: We could always say G.I. Joe is on leave. They are exiting the same direction as the FEMALE ELF. ELF 2: Actually, I kinda like the Olsen twins. Especially the one who’s always on a diet. ELF 1: (To audience.) So much for tradition. 15 STOCKING STUFFERS BLACKOUT. 16 BY GEFF MOYER SCENE 3 UP FRONT SETTING: A water cooler. AT RISE: DONNER is doing curls with two small dumbbells. BLITZEN: (Entering, surfer accent.) Hey, Donner dude! You’re lookin’ good! DONNER: (Another surfer accent.) Thanks, Blitzen! Looks like you haven’t been a couch potato in the off-season either, dude. BLITZEN: Hey, dude! We made a deal, remember? DONNER: Glad to see you stuck to it. BLITZEN: You bet! Pumpin’ iron every day, running, leaping, and to top it all off, the only place I been grazin’ is Anwar. DONNER: Healthy, Dude! Healthy! BLITZEN: Only the green stuff’s been put into this temple. Not one berry! DONNER: I’m proud of you, dude! (Hands him a dumbbell.). Ready? BLITZEN: Ready! They turn sideways and do three quick curls. BOTH: ONE, TWO, THREE! They do a synchronized hopping loop around each other. BOTH: HUP! HUP! HUP! HUP! They bump hips. BOTH: HUMPFH! HUMPFH! They shake their antlers at each other. 17 STOCKING STUFFERS BOTH: WHOOOOOOOOOOOOO! They high five – actually, they high hoof. BOTH: UP FRONT! DONNER: Yeah! We’re gonna do it, dude! We’re gonna take it! BLITZEN: (Flexing, a la Arnold Scharwarzengger.) No way Dasher and Dancer can top this! DONNER: No more back two! BOTH: UP FRONT!! (They high hoof again.) DONNER: Oh, I gotta tell ya! I made a turn the other day that would’ve curled your antlers. (Makes a fancy fast turn.) BLITZEN: All right! DONNER: If fancy Dancer had tried that, he’d be trippin’ over his own hooves. BLITZEN: I leaped a silo. DONNER: What!? No kidding? BLITZEN: A silo, Dude! Had to be sixty-seventy feet. DONNER: Wow! Where’d you find a silo? BLITZEN: Down at Anwar. DONNER: Anwar has silos? BLITZEN: Yeah! Well, I guess they’re silos. Bit more pointed than normal, but I think they were silos. They were kind of hidden in some trees. But the point is, I leaped ‘em! DONNER: Right, Dude! HIT IT! They repeat their previous routine. BOTH: UP FRONT! (They high hoof.) BLITZEN: We’re gonna take it! We’re gonna do it! DONNER: You know it’s that stupid poem’s fault. BLITZEN: I know, I know . . . DONNER: (Mockingly.) On Dasher and Dancer and Prancer and Vixon. On Comet and Cupid and DONNER AND BLITZEN! BLITZEN: Put us right there at the rear of the team. And just because the Big Guy’s a stickler for tradition . . . 18 BY GEFF MOYER DONNER: We been stuck there for over a hundred years! BLITZEN: The rear! DONNER: The backseat! BLITZEN: The hind end! DONNER: The tail! BLITZEN: The keister! DONNER: Rusty duster! BLITZEN: Tuchis! DONNER: Fanny! BLITZEN: Derriere! DONNER: BUM! BLITZEN: CAN! DONNER: CAN IS RIGHT! CAN DO, DUDE! BLITZEN: I’m pumped, dude! I’m ready to challenge those two namby pambies! Ready to take the lead. No more bringin’ up the rear! HIT IT! They do their routine again. BOTH: UP FRONT! (They high hoof, then pause as they calm.) BLITZEN: So . . . what’d we do now? DONNER: Well . . . we . . . confront the Big Guy. BLITZEN: Yeah! Right! How? DONNER: Uh . . . make an appointment! State our grievances. BLITZEN: Okay! Okay! Then what? DONNER: We . . . we demand! That’s it! We demand our new place on the team! BLITZEN: Whoa, whoa, whoa, dude! You know the Big Guy doesn’t take kindly to demands. DONNER: Well . . . well, he’s gonna have to this time. BLITZEN: You remember that elf who made that demand a while back? DONNER: Oh, yeah! Haven’t seen him in years. BLITZEN: Exactly. DONNER: Oh. Okay, we don’t demand. BLITZEN: Good. DONNER: But we gotta make our case, right? 19 STOCKING STUFFERS BLITZEN: DONNER: BLITZEN: DONNER: BLITZEN: DONNER: BLITZEN: DONNER: BLITZEN: Right! We’ve worked too hard this off-season, right? Right! We’ve pumped, ran, turned! I didn’t deprive myself of berries for nothing! That’s right! And I did leap that silo. All eighty feet of it! And I’m tired of starin’ at Comet and Cupids butts! HIT IT! They do their routine. BOTH: UP FRONT! DONNER: (Exiting.) Let’s go for it! BLITZEN: (Exiting.) Big Guy, here we come! BLACKOUT. 20 BY GEFF MOYER SCENE 4 THE LADIES SPEAK SETTING: Four dolls are sitting in four chairs or on one bed with many pillows. AT RISE: The DOLLS are speaking like mechanized dolls. ONE: Momma. TWO: I love you. THREE: Hold me. FOUR: I’m hungry. ONE: Momma. TWO: I love you. THREE: Hold me. FOUR: I’m hungry. ONE: Momma. TWO: I love you. THREE: Hold . . . TWO: Okay! They’ve gone! During following conversation all four pull out cans of soda, chips, etc. ONE: Thank goodness! THREE: Finally! I thought they’d never leave. If I had to say, “Hold me,” one more time, I swear I would’ve puked. ONE: I think we’re okay for a while. They went downstairs to play Candy Land. TWO: Oh, please! Don’t mention that game! They open it up, I see that board – all that candy, cake, ice cream – oy! There goes my diet. ONE: How’s my hair? TWO: It’s fine! You ask me that every day, and every day I tell you, “It’s fine.” ONE: Well, I just wanted to make sure nothing was out of place. THREE: (To FOUR.) You’re sure quiet. 21 STOCKING STUFFERS FOUR: I have something to tell you, girls. ONE: What? THREE: Did you hear more gossip? TWO: If it’s about her big sister having her boyfriend over the other night while she was babysitting, we know all about it. THREE: They were holding hands! ONE: No!? FOUR: I’m leaving. ONE: You’re what? FOUR: I’m leaving. TWO: You can’t leave! FOUR: I’m doing it! ONE: But why? THREE: Where will you go? FOUR: North! TWO: North? Oh, I get it! You’re back on that phrase kick, aren’t you? ONE: Oh, no! I thought you gave that up. TWO: She’s a redhead. Redheads are stubborn. Stubborn to the point of ridiculous. THREE: What’s a “phrase kick?” TWO: Where have you been? She’s been talking about it for days. THREE: I was left outside for two days, remember? I’m still soggy. ONE: You have a little mildew behind your left ear. THREE: Thank you. ONE: No problem. FOUR: It’s not a “kick!” It is a valid concern. We could be so helpful, so beneficial on shaping young girls into fine, thoughtful, responsible young women if they’d only let us. TWO: Don’t start this again! THREE: Let us what? FOUR: Say significant things. Useful things. But what do we get? “Momma, I love you, Hold me, I’m hungry.” ONE: Those are important things. FOUR: They’re shallow! One-dimensional! Insignificant! And that means WE’RE shallow, one-dimensional and insignificant. TWO: Here we go! 22 BY GEFF MOYER FOUR: I’m tired of it and I’m going to do something about it. Tell me the truth! Isn’t there something you’d rather say than “Momma”? Anything? ONE: Well . . . I guess so. FOUR: What? What would you like to say? ONE: Well, I’d like to say . . . FOUR: Yes? What? ONE: “Wash your hands before you play with me.” THREE: Oh, I hate sticky hands . . . ONE: Or, “Don’t carry me by my hair.” THREE: Or, “You smell like the dog.” FOUR: That’s not what I’m talking about! How about saying things like . . . like . . . “Don’t talk to strangers, even if they do look like Brad Pitt.” Or, “Eat your broccoli, a little gas never hurt anyone.” Or, “Always wear your seatbelt, especially when Grandma’s driving without her glasses.” THREE: Oh, oh, or, “Don’t stay outside too long, you’ll get soggy.” ONE: Or, “Don’t comb my hair with the dog brush.” FOUR: Is there anything besides sawdust between those ears? TWO: Yeah! Contentment! With what we are, what we’ve got, and what we say. We’re dolls, for crissake! We’re not going to change the world. FOUR: Barbie did! TWO: Oh, that stiff-legged matchstick did no such thing! THREE: I can’t believe you’re still jealous of Barbie. TWO: What!? I’m not! ONE: Oh, you are too! We all know it. You’d give your left eye to know her diet and have her figure. TWO: We’re baby dolls, moron! Why would we have a figure like Barbies? (ONE starts crying. To FOUR.) See what you’ve started!? (To ONE.) I’m sorry. I shouldn’t have called you a moron. THREE: (To ONE.) It’s okay. She didn’t mean it. You know how she gets when we bring up Barbie. 23 STOCKING STUFFERS TWO: Will you shut up about Barbie!!?? (THREE begins to cry. To FOUR.) Are you happy now? Are you pleased with yourself? Why can’t you just accept things as they are? We are made to be cute and cuddly and say one thing! That’s all! And that’s all they want and all they want to hear! One thing! “Momma, I love you, Hold me, I’m hungry!” FOUR: (Pause.) Barbie doesn’t say anything. TWO: (Seething.) You are making my stuffing boil! FOUR: Now THAT’S a good thing to say! TWO: What!? FOUR: When they do something wrong, like . . . like not share, or call someone a name, if we could say, “You are making my stuffing boil,” it might make them think for a moment and be nicer. TWO: If they weren’t nice, the Big Guy wouldn’t give us to them in the first place. ONE: That’s true . . . THREE: She’s got a point there . . . FOUR: Nobody’s perfect. TWO: He is! FOUR: That’s why he has only male elves working for him and putting us together! ONE: WHAT!? THREE: MALE ELVES!? ONE: HE DOES? THREE: Males elves . . . touched me!? (Shudders.) Oohh! ONE: That’s disgusting! FOUR: That’s all he hires, and that’s why all we can say is “Momma, I love you, Hold me, I’m hungry!” What better way to keep us subjugated then to only allow us to say “Momma, I love you, Hold me, I’m hungry?” I am going North. Anyone with me? ONE: What’s “subjugated?” FOUR: Only let us say one thing. THREE: Which way’s North? FOUR: That way! THREE: Isn’t it cold up North? ONE: Do we have to walk? 24 BY GEFF MOYER THREE: We’d be outside, wouldn’t we? That means getting soggy again. ONE: And soggy means mildew. You still have a little by your ear. The other one. FOUR: I don’t believe you two! THREE: What? ONE: Why? Mildew is not good for you. TWO: What’d you expect? They’re dolls! So am I! And so are you. You can’t change how you’re made or what you are. You just have to live with it and do the best you can. FOUR: But it’s so unfair. ONE: We have a nice home. THREE: When they don’t leave us outside. ONE: We’re loved. THREE: Even when we’re carried by our hair, we’re still loved. TWO: And isn’t that what counts? FOUR: I guess so. TWO: (Puts arm around FOUR’s shoulder.) Besides, we’re a set. Without you, we’d be . . . incomplete. ONE: Unfulfilled. THREE: Insignificant. TWO: In other words, we’d miss you. ONE: Terribly. FOUR: That’s sweet. Thank you. TWO: So . . . no North, right? FOUR: I guess. TWO: No more phrase kick, right? FOUR: I suppose. TWO: We can be happy with being cute and cuddly, right? FOUR: Sure. ONE: I’m glad that’s settled, ‘cause they’re coming back. TWO: Positions, girls! They go back into their “doll positions.” After a moment . . . ONE: Momma. TWO: I love you. 25 STOCKING STUFFERS THREE: Hold me. There is an awkward silence. ONE: Momma. TWO: I love you. THREE: Hold me. There is another awkward, nervous silence. ONE: Momma. TWO: I love you. THREE: Hold me. FOUR: “The hand that rocks the cradle is the hand that rules the world.” BLACKOUT. Thank you for reading this free excerpt from STOCKING STUFFERS by Geff Moyer For performance rights and/or a complete copy of the script, please contact us at: Brooklyn Publishers, LLC P.O. Box 248 • Cedar Rapids, Iowa 52406 Toll Free: 1-888-473-8521 • Fax (319) 368-8011 www. brookpub. com 26
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