GeoJournal 52: 303–310, 2000. © 2002 Kluwer Academic Publishers. Printed in the Netherlands. 303 Rebel with a cause? Iconography and public memory in the Southern United States Jonathan I. Leib1∗ , Gerald R. Webster 2 & Roberta H. Webster 2 1 Florida State University, Department of Geography, Tallahassee, Florida 32306-2190, U.S.A.; 2 University of Alabama, Department of Geography, Tuscaloosa, Alabama 35487, U.S.A.; (∗ Author for correspondence Tel: (850) 644-8375; Fax: (850) 644-5913; e-mail: [email protected]) Received 1 January 2001; accepted 11 January 2001 Key words: Confederate battle flag, iconography, public memory, American South Abstract Recent years have witnessed debates in the American South between traditional white Southerners and African American Southerners over whether and how symbols from the region’s two defining historical events – the Civil War and the Civil Rights movement – are displayed on the region’s landscape. This paper examines the most contentious of these debates, the conflict over government sanction for flying the various flags of the Confederate States of America. This article first discusses the concepts of iconography and public memory, and then the role of Confederate flags in traditional white Southern iconography. We then examine four recent attempts in the states of Georgia, Alabama and South Carolina, and within the chambers of the U.S. Senate to remove government sanction for flying Confederate flags. We conclude from these debates that while icons can act as centripetal forces binding a people together, they can also emerge as centrifugal forces, further splitting apart a region’s population along major cultural and racial divisions. Introduction In the 1890s, white Southerners in the United States began to erect monuments to memorialize and mythologize the bravery and righteousness of those white Southerners who defended the “Southern way of life” during the American Civil War some thirty years earlier (Foster, 1987). A century later, in the 1990s, African American Southerners began to create monuments to memorialize and mythologize the bravery and righteousness of African American Southerners during the Civil Rights Era thirty years earlier in the 1960s. As part of the latter effort to celebrate the destruction of the segregated ‘Jim Crow’ South, African American Southerners have also battled for the removal of some symbols earlier enshrined by white Southerners to celebrate the ‘Old South’, the heroic efforts of Confederate soldiers, and the perceived ‘gentility’ of Postbellum social structures. To many southern African Americans these symbols represent their Antebellum enslavement and the Postbellum social system of segregation and racism. The struggle between white and black Southerners over the region’s iconography and public memory has now joined the continuing battles over such overtly tangible issues as equitable housing and employment (Wilson, 1995; Cobb, 1999). These ever escalating controversies center upon the competing visions of black Southerners and traditional white Southerners over how and where Southern history and culture should be presented and preserved on the landscape. In this battle, both groups are trying to shape the region’s pub- lic memory through the control of the symbolism displayed throughout the region, whether it be placing memorials and museums in the region’s parks, the naming of the region’s streets, or flying flags of specific designs over public spaces and government buildings. Thus, the region arguably contains two groups or ‘nations’ with divergent visions of the past, present and future of the South, both competing for the right to culturally define the same space (Webster and Leib, 2001). Gottmann (1951, 1952) envisioned a people’s iconography as a set of common symbols used to help bind a group of people together within and to a territory, and thus acting as centripetal forces. But the competing iconographies of American Southerners have increasingly served as centrifugal forces, splintering the region’s population. The battles over these symbols and their placement on the landscape have very real consequences for whose vision of the public memory will prevail in the region as it enters the new millennium. Thus, this struggle to commemorate the region’s past on the landscape is part of the larger fight to define the terms of engagement in the debate over the region’s future. This paper concentrates on the most contentious battle of this wider ‘cultural war’, specifically the conflict pertaining to the removal of government sanction for the flying of the various flags of the Confederate States of America (1861– 1865). The first part of this article examines the concepts of iconography and public memory, and the role of Confederate flags in traditional white Southern iconography. The second part of the article outlines four recent attempts to remove 304 Confederate flags from the landscape. While three of these examples pertain to single states (Alabama, Georgia and South Carolina), the fourth was fought outside the region in the chambers of the United States Senate. Iconography and public memory Some have tried to dismiss the debate over the placement of Southern symbols on the landscape as irrelevant to the daily lives of both white and black Southerners. But the intensity of the debates throughout the South suggests otherwise. Whether over the flying of the Confederate battle flag, the playing of ‘Dixie’, the naming of streets for Dr Martin Luther King, Jr., or the building of civil rights monuments and memorials, the heated character of these struggles reinforces Zelinsky’s (1988) assertion that symbols are of great importance to American nationalism (e.g., Webster and Webster, 1994; Webster and Leib, forthcoming; Webster and Leib, 2001; Leib, 1995, 1998, forthcoming; Alderman, 1996; Dwyer, 1999). Symbols are a central element of a political territory’s iconography and include monuments, flags and street names. As Taylor (1993, p. 150) suggests, iconography ‘is a set of symbols in which people believe, encompassing elements of national feeling from the state flag to the culture transmitted through the state’s schools’. But it is also clear that the meaning of these icons do not remain permanent throughout history but are continuously evolving. As Bodnar (1992, p. 13) argues, ‘the shaping of a past worthy of public commemoration in the present is contested and involves a struggle for supremacy between advocates of various political ideas and sentiments’. The current struggles in the South over the symbols of the Civil War and Civil Rights movement are debates between advocates of various political visions over what Bodnar (1992, 1994) refers to as ‘public memory’. According to Bodnar (1992, p. 15), public memory: is a body of beliefs and ideas about the past that help a public or society understand both its past, present, and by implication, its future. It is fashioned ideally in a public sphere in which various parts of the social structure exchange views. The major focus of this communicative and cognitive process is not the past, however, but serious matters in the present such as the nature of power. . . The ongoing battles over whose iconography will appear in the public spaces of the South are therefore not simply fights concerning how to preserve Southern history on the landscape. Rather, these battles are over the eventual nature of the region’s public memory, which has substantive implications for the division of political power in the region. The definition, preservation and creation of ‘significant’ landscapes and the creation of monuments on these landscapes memorializing past historical events are not benign processes, but instead are imbued with much deeper political meaning and symbolism (Cosgrove and Daniels, 1988; Mitchell, 1992; Johnson, 1994, 1995; Foote, 1997; Figure 1. (a) First flag of the Confederacy, ‘Stars and Bars’, March 4, 1861–May 1, 1863. (b) Confederate Navy Jack after May 26, 1863, ‘Battle Flag’. Leib, forthcoming). Indeed, the struggle to win the right to place such iconography on the landscape is a heated contest over who will wield political power in both the present and future. Confederate flags and traditional white Southern iconography The Confederate battle emblem is controversial in the American South because of the different meanings that people ascribe to the flag. The battle flag is one of four main flags associated with the Confederate States of America. The first national flag of the Confederacy (Figure 1(a)) was similar in design to the United States of America flag, and this similarity caused confusion on the battle field during the early stages of the American Civil War. As a result, a new flag was used in battle, the now-familiar ‘rebel flag’, which features a blue ‘X’ embedded with white stars on a field of red (Figure 1(b)). In addition to being used in battle, this emblem was also prominently featured on the second and third national flags of the Confederacy (Cannon, 1988). The battle emblem has taken on multiple meanings over the past century (Wellikoff, 1994). It was incorporated into the Georgia state flag in 1956, and raised over the state capitol buildings of South Carolina and Alabama in the early 1960s. Proponents of the battle flag argue that it was raised to honor the memory of the soldiers of the Confederacy during the Civil War Centenary of the 1960s (e.g., Fortson, 1957). In contrast, Confederate battle flag opponents ascribe more sinister meanings to the flag, including that it is a reminder of the Confederacy and efforts to preserve the slave system. Opponents also argue that the flag was a major symbol for those in the 1950s and 1960s who opposed integration and the destruction of the segregated ‘Jim Crow’ system in 305 the South (Woodward, 1974; Kennedy, 1990; Leib, 1995, 1998). While used by many ‘mainstream’ southerners, the flag was (and still is today) also employed by various extremist groups including the Ku Klux Klan and neo-Nazi organizations as a rallying symbol. The Confederate battle flag has been the preeminent target in the debates over how space is to be defined culturally in the American South. Along with debates over whether local governments, state governments, or the federal government should sanction the flying of Confederate flags, the battle flag has been used by those opposing the commemoration of the Civil Rights movement. For example, in January 1997 a monument in central Alabama to Viola Liuzzo had a rebel flag spray painted on it by vandals (Birmingham News, 1997). Ms. Liuzzo was a civil rights activist murdered by members of the Ku Klux Klan during the historic voting rights march from Selma to Montgomery, Alabama in 1965 (Williams, 1987). The monument has been repeatedly vandalized since it was erected in 1991. Flag supporters, however, deny that there are racist connotations to the battle emblem, instead arguing that it stands as a proud symbol of their white Southern heritage. Flag defenders have vigorously resisted attempts to remove the Confederate emblem from state capitols because of their fears that to do so would give official sanction to the notion that they should be ashamed of their Southern heritage. At times the vitriol invoked by flag defenders has bordered on the absurd. In a speech televised statewide in November 1996, South Carolina Republican State Senator Glenn McConnell drew a direct comparison between South Carolina Governor David Beasley’s proposal to remove the Confederate battle flag from the South Carolina state capitol in response to pressure from business and African American civil rights leaders, and Neville Chamberlain’s appeasement of Adolph Hitler in the late 1930s (Charlotte Observer, 1996; Sponhour, 1996b). In the remainder of this paper we examine four prominent Confederate flag debates during the 1990s: three in the ‘Deep South’ states of Alabama, Georgia and South Carolina, and the last in the chambers of the U.S. Senate. While some may view these debates as over a mere piece of cloth, their intensity demonstrates the power of this Civil War icon nearly 140 years after that conflict’s conclusion. Alabama The Deep South state of Alabama constituted a dominant hearth for the development of Antebellum Southern culture (Webster and Samson, 1992). Likely as a result, the state was also the site of many of the most significant ‘battles’ fought during the Civil Rights Movement of the 1960s in such cities as Selma, Birmingham, Tuscaloosa, and the state capital of Montgomery (Clark, 1993). Though the era of overt violence in defiance to desegregation is largely concluded, racial polarization continues on a number of fronts including equal access to jobs and housing, voting preferences (Davidson and Grofman, 1994), and over the public display of the Confederate battle flag. The Confederate battle flag was raised above the state capitol building at Montgomery in 1963 by former Governor George Wallace. Though debated, the bulk of the evidence strongly indicates that Wallace’s motivation for raising the battle flag was to demonstrate his disgust over the federal government’s efforts to desegregate the University of Alabama in Tuscaloosa (Webster and Leib forthcoming). The flag was hoisted above the state capitol the day U.S. Attorney General Robert Kennedy visited Wallace to negotiate a peaceful resolution to efforts by two African American students to enroll at the University. The meeting between Kennedy and Wallace accomplished little other than providing the Governor with press attention to defiantly restate his opposition to desegregation of the state’s all-white universities (Clark, 1993). The Confederate battle flag remained atop the state capitol with the U.S. flag and the Alabama state flag until 1987 when all three were removed so that the capitol dome could be renovated. Prior to the completion of the renovations in late 1992, an African American state representative filed a lawsuit against the state in an effort to prohibit the battle flag from again being raised above the state capitol. Using a state law passed in 1895 which instructed only that the U.S. flag and Alabama state flag be displayed over the capitol building, a local judge ordered the state not to return the battle flag to the capitol. In response to this decision, the Ku Klux Klan held a march in Montgomery to demand that the flag be again placed atop the capitol building. While the Klansmen did not wear their signature hooded robes, they did prominently display the battle flag and suggested that the flag had nothing to do with the enslavement of African Americans. As the spokesperson of the marchers suggested, the slaves “had good food, a good warm bed and security” (quoted in Poovey, 1993). The judge’s decision was subsequently appealed by then Governor Guy Hunt, a conservative Republican. Before the appeals process could be completed, Governor Hunt was removed from office for ethics violations. His successor, moderate Democrat James Folsom, Jr., dropped the appeal and issued an executive order that the Confederate battle flag not be returned to the capitol dome. Governor Folsom’s decision set off a firestorm of controversy and he was heavily criticized by many white Alabamians who view the battle flag as an indication of a proud Southern heritage and not as a symbol of slavery and racism. In response, he arranged for an area on the grounds of the state capitol to be used for displaying the four primary flags associated with the Confederacy, including the battle flag. It is also notable that early in 1993 the state of Alabama was one of many jurisdictions in the United States vying for an assembly plant to be built by German automaker Mercedes Benz. After Governor Folsom’s executive order it was suggested in the press that a primary motivation for not returning the battle flag to the capitol dome was its negative impact upon the state’s chances for securing the plant. Mercedes Benz officials announced in September 1993 that they would locate the $300 million plant in central Alabama. 306 Governor Folsom’s bid for reelection in 1994 was unsuccessful due to a number of controversies including his decision not to return the battle flag to the capitol dome. His successful opponent, Republican Governor Fob James, was the target of continuous pressure to return the flag to atop the capitol dome. However, James, and his Democratic successor Don Siegelman, were successfully able to avoid becoming embroiled in the flag issue. This does not mean that the flag issue has gone away, as both flag proponents and flag opponents continue to vocally advance their views. Since 1994 there have been numerous proposals to return the flag to the capitol dome, the flag has been a topic in nearly every annual meeting of the state legislature, and bills have been filed in the legislature throughout the past seven sessions to restore the flag. In March 2000, a Southern independence rally at the Alabama capitol drew approximately 2,500 participants, numerous battle flags, and calls for the flag to go back on top of the dome. The next day, U.S. President Bill Clinton, speaking in Selma, Alabama at the 35th anniversary celebration of the 1965 Voting Rights March, summed up the debate over the flag by invoking the main symbol of that march, Selma’s Edmund Pettis Bridge. As Clinton told the crowd at the celebration, “As long as the waving symbol of one American’s pride is the shameful symbol of another American’s pain, we have another bridge to cross” (quoted in Ross, 2000). At the same time, battle flag opponents in Alabama have voiced their objections to the flag. In 1999, a state legislator opposed to the flag convinced the Clerk of the state’s House of Representatives to replace the battle flag flying within the state House chambers with the first national flag of the Confederacy (which had flown over the capitol in 1861 during Montgomery’s four month stint as the Confederate capital). Despite that both are Confederate flags, battle flag supporters in the House (exclusively white and predominantly Republican) argued that the flag switch (and specifically the removal of the battle flag) was an affront to their Southern heritage. However, their attempt to restore the battle flag to the House chambers was ultimately unsuccessful (Webster and Leib, forthcoming). Georgia At the same time that lawsuits were being filed in Alabama, that state’s neighbor to the east, Georgia, was undergoing its own flag controversy concerning the incorporation of the Confederate battle emblem into the Georgia state flag. The original Georgia state flag designed in the late 1700s featured the state seal placed on a blue field. In 1879, the flag was redesigned, with the new banner having a vertical blue bar on the left side, with the right two-thirds divided into three horizontal bars, one of white and two of scarlet (the state seal was added to this new flag in 1905). This flag was similar to the first national flag of the Confederacy. In 1956, the state legislature once again changed the flag, this time replacing the scarlet and white bars on the right two-thirds of the flag with the Confederate battle emblem (Leib, 1995). In May 1992, Georgia’s Governor Zell Miller, a Democrat, announced his plan to pressure the legislature to remove the battle emblem from the state flag, and return to the pre-1956 flag. Miller called the battle emblem a “symbol of injustice and division and strife” (quoted in Leff, 1992), and the “fighting flag of those who wanted to preserve a segregated South” (quoted in Opdyke, 1992). While there were many reasons for Miller’s proposal, one of the most important was fear within the business community in Atlanta, Georgia’s largest city and capital, that outsiders would equate the flag with racism. With the national and international spotlight to be turned on Atlanta as a result of its hosting high profile sporting events, such as the 1994 American football Super Bowl and the 1996 Summer Olympics, business leaders wanted the flag changed so that it would not repel potential investment from both national and international sources. Several businesses and localities did not wait for government action before they began removing the flag. Holiday Inns Worldwide, headquartered in Atlanta, asked their hotels in Georgia to remove the state flag from their properties (though not all complied), while the city of Atlanta’s Board of Education directed public schools not to fly the state flag on school property. The Atlanta city council also removed the flag from their chambers, and the city’s Mayor pledged that the flag would not fly at Olympic venues in the city. Flag defenders in the state legislature threatened to cut off state funding to any city, including Atlanta, that refused to fly the flag (Leib, 1995). A vociferous debate over the flag issue occurred throughout Georgia during the state legislature’s three month 1993 session. Governor Miller all but assured the ‘flag flap’ would dominate the legislature’s session and public debate throughout the state by devoting approximately one-third of his State of the State address at the beginning of the session to the issue. The legislative and public debate became increasingly heated, dividing the state between those who see the emblem as a proud symbol of heritage and white southern identification from those who viewed the flag as a symbol of racism and hate. Indeed, one of the state’s leading political columnists noted that the flag had become “the most divisive issue to strike Georgia government in decades” (Shipp, 1993). Much of the debate revolved around what intended message the 1956 legislature wished to deliver when they added the battle emblem to the state flag. Proponents of the emblem argued that with the Civil War Centennial approaching, it was added as a tribute to the brave soldiers of the Confederacy. Opponents argued that given the change was made during the Civil Rights struggle, it was intended to underscore the state’s resolve to defy the federal government’s attempts to integrate the state and destroy the ‘Jim Crow’ system of segregation (Leib, 1995). Statewide public opinion polls indicated that a majority of Georgians wanted the battle emblem retained in the state flag, though polls also demonstrated that opinion was split along racial lines. While a majority of white Georgians supported keeping the battle emblem, a majority of Georgia’s African Americans wanted the emblem removed (Harvey, 1992). A poll of state legislators taken by the Atlanta Journal-Constitution just prior to the 1993 legislative 307 session found similar results. While 66% of all legislators wanted to retain the battle emblem, 88% of African American legislators wanted the emblem removed (Walston, 1993). Support for the battle emblem was concentrated among legislators from white population-majority legislative districts in rural parts of the state and in the suburbs surrounding Georgia’s largest cities. In contrast, opposition to the flag was concentrated primarily among legislators from African American population-majority districts (Leib, 1995). In the end, the legislature refused to vote on the controversial issue, with one Miller ally in the legislature summing up the feelings of many of his colleagues by noting that the battle emblem was an issue that many members of the legislature “would like to see go away” (quoted in Salzer, 1993). In March 1993, realizing that he did not have the votes in the legislature to remove the battle emblem, Miller withdrew the legislative bill from consideration, and pledged to halt the fight to remove the battle emblem from the state flag (Leib, 1995). Governor Miller’s high-profile efforts seriously eroded his support among white Georgians and nearly cost him reelection to a second term as Governor in 1994. Given the support that the current state flag has among white Georgians, no serious attempt was made again in the 1990s to change the flag. A public opinion poll taken in 2000 reported that 56% of Georgians wanted to retain the flag, while only 31% wanted the battle emblem removed. However, the flag issue in Georgia is beginning to reemerge, as some civil rights groups have stepped up efforts recently to change the state flag, students at one Atlanta area high school voted to stop flying the flag outside their school building, and two of Georgia’s three African American members of Congress are refusing to fly it outside their Congressional offices (McMurray, 2000). Hence, Georgia may become the next major battleground over the flag. United Daughters of the Confederacy While most of the controversies pertaining to the flags of the Confederacy have raged in the South, occasionally they have spilled out into the country at large. The preeminent example of the ‘nationalization’ of this regional controversy was the 1993 debate in the U.S. Senate over the renewal of the patent for the insignia of the United Daughters of the Confederacy (UDC). Although most patent renewals are confirmed in the U.S. Office of Patents and Trademarks, Congress has the power to grant and renew patents and has done so approximately a dozen times since 1900. In the past, these patents have all been granted to patriotic organizations such as the UDC, American Legion, and Daughters of Union Veterans. Such groups apply for patents and patent renewals in the U.S. Senate because of the prestige conferred by such actions in the legislative body (Webster and Webster, 1994). The insignia of the United Daughters of the Confederacy includes in its design the first flag of the Confederate States of America (Figure 1(a)), an emblem generally far less wellrecognized and controversial than the Confederate battle flag (Figure 1(b)) (Cannon, 1988). The first flag of the Confed- erate States of America, commonly referred to as the ‘Stars and Bars’, was the official flag of the Confederacy between March 1861 and May 1863. It was replaced in 1863 because it too closely resembled the United States flag and caused confusion on the battlefield during the American Civil War. The UDC logo patent had been granted and renewed by the U.S. Senate on four occasions since 1926, without controversy or debate. But in May 1993 the bill for renewal was challenged and stalled by Senator Carol Moseley-Braun in the Senate Judiciary Committee (the Committee must act upon bills before they reach the floor of the Senate). Moseley-Braun, a Democrat from Illinois, was the only African American seated in the Senate at the time. In July 1993, while Senator Moseley-Braun was not in the Senate’s Chambers, arch-conservative Senators Jesse Helms from North Carolina and Strom Thurmond from South Carolina resurrected the bill before the full Senate by attaching it as an amendment to another bill before the body. Upon hearing about the events on the Senate floor, Senator Moseley-Braun returned to the Senate and presented a motion to reconsider the amendment by Senators Helms and Thurmond. Her motion was defeated by a 48 to 52 vote. Threatening to “filibuster until this room freezes over”, Senator Moseley-Braun gave an impassioned speech over the meaning of the Confederacy and Confederate flags to African Americans (quoted in Webster and Webster, 1994). She was eventually joined by Senator Howell Heflin, a senior white legislator from the ‘Deep South’ state of Alabama, who changed his vote and provided an additional impassioned speech in support of rejecting the patent renewal. Senator Heflin’s support proved pivotal and Senator Moseley-Braun’s motion to reconsider the Helms-Thurmond amendment was resurrected. After several hours of contentious debate the Senate rejected the patent renewal by a vote of 75 to 25, with 27 Senators altering their earlier votes to support Senator Moseley-Braun. The eventual vote was significantly regional with 41% of Senators from the former Confederate states opposing Senator Moseley-Braun, and 91% of Senators from former Union states supporting her. Senator Heflin was pummeled by the UDC as well as other southern organizations and activists in the media, and was voted the ‘1993 Scalawag of the Year’ by an Alabama chapter of the Sons of Confederate Veterans. The controversy flared again in 1999, when MoseleyBraun, defeated for reelection the year before, was nominated as U.S. Ambassador to New Zealand. Her nomination had to be approved by the Senate Foreign Relations Committee, chaired by Jesse Helms. Senator Helms balked at holding hearings on Moseley-Braun’s nomination because of her stand six years earlier on the UDC patent renewal. Towards breaking the deadlock, Helms was quoted as stating that “At the very minimum she has got to apologize for the display she provoked over a little symbol for a wonderful group of little old ladies” (quoted in Preston, 1999). Moseley-Braun did not apologize and Helms vowed to block her nomination. U.S. Vice President Al Gore came to Moseley-Braun’s defense, verbally attacking Helms and 308 backing Moseley-Braun’s stand on the patent renewal (Gore, 1999; Dorning, 1999). While Helms successfully held up Moseley-Braun’s nomination for several weeks, the U.S. Senate voted overwhelmingly in November 1999 to approve her ambassadorship. South Carolina The most hotly debated recent Confederate battle flag controversy took place in South Carolina. In 1962, the battle flag was raised over the South Carolina state capitol in Columbia during the Civil War Centenary and at a time when much of the state’s white political establishment opposed integration. Members of the South Carolina legislature started discussing removing the flag in October 1993 following Mercedes Benz’s decision to locate their first North American plant in Alabama instead of South Carolina. Questions arose concerning whether the flag was viewed by outsiders as a symbol of racism and was therefore negatively impacting the decisions of potential investors (Tuscaloosa News, 1993; The Economist, 1994). During Summer 1994, the National Association for the Advancement of Colored People (NAACP), one of the country’s leading civil rights organizations, sponsored protest marches in South Carolina and threatened an economic boycott if the flag was not removed from atop the state capitol. Also during Summer 1994, 76% of South Carolina’s Republicans casting ballots in a non-binding referendum presented on the state’s Republican primary ballot voted to keep the flag flying. Numerous solutions have been proposed since 1993, from moving the flag off the top of the capitol dome to another spot on the capitol grounds (as was eventually done in Alabama) to flying the black liberation flag along side the Confederate battle flag above the capitol building’s dome. A lengthy and heated debate during the state legislature’s 1994 session failed to resolve the issue. The debate over the flag was catapulted back into the spotlight in November 1996, when conservative Republican Governor David Beasley made a rare statewide televised speech calling for the flag’s removal (Sponhour, 1996a, 1996b; Eichel, 1996a). Beasley ran for office in 1994 on a pledge to support flying the battle flag on top of the state capitol and in 1995 signed legislation that strengthened the legal standing on which the flag flew. Beasley changed his position following an escalation of racial tensions in the state, including a rash of African American church burnings and increased activities by the Ku Klux Klan (Bandy, 1996). His concern over worsening race relations and their negative impact on efforts to lure new business to the state led the governor to state that it is time to “compromise on the Confederate flag, and teach our children that we can live together” (quoted in Bragg, 1996). Beasley’s proposal to remove the flag was similar to one debated in the state legislature in 1994. He suggested moving the flag from the top of the state capitol dome to a Confederate soldiers’ monument in front of the state capitol, while officially protecting other Confederate monuments and street names throughout the state. The proposal also attempted to end the debate over the flag’s meaning by entering a statement into the “permanent state record . . . declaring the battle flag a nonpolitical symbol of heritage” (Scoppe, 1997a). The proposal to relocate the flag received the support of the state’s legislative black caucus, former South Carolina governors, and several members of the state’s congressional delegation. Included among these supporters was U.S. Senator and former South Carolina Governor Strom Thurmond, who was the presidential nominee of the ‘Dixiecrats’ in 1948. The Dixiecrats broke away from the national Democratic Party in 1948 to oppose the party’s modest civil rights reform proposals (Webster, 1992). Supporters of Thurmond’s Dixiecrat party used the battle flag as a rallying symbol (Eichel, 1996b). A public opinion poll taken after the presentation of Beasley’s proposal indicated that, for the first time, a majority of the state’s citizens agreed with the decision to remove the flag from the top of the capitol (Scoppe, 1997a). Governor Beasley’s proposal to relocate the Confederate battle flag faced strong opposition in the state legislature. While Democrats overwhelmingly supported the proposal, intense opposition was found within Beasley’s own Republican party. A January 1997 poll showed that 67% of Republican state lawmakers opposed removing the flag, compared to only 13% of the legislature’s Democrats (Scoppe, 1997b). Increasingly harsh rhetoric by some Republican flag supporters made compromise difficult. Republican State Senator Glenn McConnell told a statewide television audience that to remove the flag would be an act of “cultural genocide” (quoted in Sponhour, 1996b). The state’s Attorney General, Republican Charlie Condon, considered at the time a potential Republican primary challenger to Beasley’s reelection, argued that if the flag is moved “the children of South Carolina will be taught, in the name of political correctness, to be ashamed of their state’s history” (quoted in Sponhour, 1996b). Flag opponents supported Beasley despite that, by relocating the flag from on top of the dome to ground level in front of the capitol, the flag would become far more visible to most citizens than it had been before. In the end, Beasley’s proposal was not enacted by the legislature. While Beasley received support from African American Democrats in the legislature, white Republicans overwhelmingly rejected Beasley’s proposal and introduced substitute legislation on the flag aimed at embarrassing the Governor of their own party (Webster and Leib, 2001). The flag issue dominated the 1997 session, as Beasley ultimately alienated much of his core supporters. The flag issue came back to haunt Beasley in 1998, when he was defeated for reelection by Democrat Jim Hodges. While the flag was not the only issue that led to his defeat, it did erode his base of support among the state’s conservative white voters. Hodges won election with considerable support from African American voters (Hill, 2000). While Hodges initially stayed out of the flag debate, by late 1999 he could no longer avoid the controversy. In Summer 1999, the NAACP called for an economic boycott of the state for flying the flag in attempt to disrupt the state’s multi-billion dollar tourism industry (NAACP, 1999). By March 2000, at least 100 conventions and meetings had been cancelled, and po- 309 litical leaders in many of the state’s largest cities called for the flag’s removal (Webster and Leib, 2001). As well, the flag debate jumped from the local to the national scale as it became an issue in the 2000 presidential election, as Republican candidates George W. Bush and John McCain were forced to address the topic (suggesting that only South Carolinians could decide the flag’s fate), while Democratic candidates Al Gore and Bill Bradley called for the flag’s removal. The flag debate heated up in January 2000, as major rallies were held at the South Carolina state capitol both by flag proponents and opponents. Governor Hodges took a public stand arguing for the flag to be removed from the capitol dome (Hodges, 2000), while a public opinion survey of South Carolinians showed a solid majority in favor of the flag’s removal (Associated Press, 2000). While a majority of South Carolinians agreed that the flag should removed, there was little agreement as to where it should be removed to. Seeing that public opinion increasingly approved of the flag’s removal from the state house dome, flag proponents agreed to support the 1997 compromise placing the flag at the Confederate soldier statue in front of the capitol building. Flag opponents, buoyed by growing public opposition to the flag’s location above the capitol, argued that the flag should be moved entirely off the state house grounds. A variety of compromises were proposed during the first three months of 2000, but with little agreement (e.g., Stroud, 2000a). Finally in April 2000, the State Senate and State House voted to move the flag from the top of the capitol to a flag pole located at the Confederate soldier statue in front of the capitol. In the Senate, black and white Senators came together to forge a compromise, with six of the seven black Senators voting for the bill. However, the biracial cooperation displayed in the Senate did not extend to the House, where only four of that body’s 26 black Representatives voted in favor of the compromise (Stroud, 2000b). In May 2000 Governor Hodges signed the legislation moving the flag from the capitol dome to the Confederate solider monument, noting that “Today, the descendants of slaves and the descendants of Confederate soldiers join together in the spirit of mutual respect” (quoted in Eichel, 2000). However, while the flag was formally moved on July 1, not all of the state’s residents are happy with the compromise. Some white flag proponents have vowed to vote out of office any legislator who voted for the compromise, while the NAACP has maintained its economic boycott of the state until the flag is removed permanently from the state house grounds. Given the passionate feelings on both sides of the debate, it is unlikely that the issue will be laid to rest in the foreseeable future. Conclusion The recent disputes in the U.S. Senate and in the states of Alabama, Georgia, and South Carolina over how Confederate flags are to be seared into the public memory, whether as symbols of heritage or symbols of hate, are not simply battles to (re)define the past. Rather they are over who will shape the public memory of the past, and who will wield political power in the present and the future. Gottmann envisioned a region’s iconography as including a common set of symbols and understanding which act as centripetal forces to bind a people together. But the disputes over the various flags of the Confederacy in the American South demonstrate that contrasting interpretations of a region’s iconography may also emerge as centrifugal forces, further splitting apart a region’s population along major cultural and racial divisions. The disputes over the display of the battle flag are far from settled in the region. While the flag has been removed from on top of the South Carolina and Alabama capitol buildings, the NAACP has vowed to continue its economic boycott of South Carolina until the flag is removed entirely from the statehouse grounds, and the organization is monitoring the flag’s use in Alabama (Rawls, 2000). The next major battlegrounds for the flag debate are likely to be in the two states that incorporate the battle emblem within their state flags: Georgia and Mississippi. While the Georgia debate has laid dormant since 1993, there is evidence to suggest that the flag may become a major issue again over the next several years (McMurray, 2000). In Mississippi, which in 1894 incorporated the battle emblem into its state flag, several events in 2000 marked the first serious effort to remove the emblem, including an attempt to change the flag in the state legislature, a state Supreme Court case concerning the constitutionality of the flag, a Governor’s commission examining the flag’s future, and an attempt by battle emblem defenders to put the flag to a statewide vote (Ammerman, 2000; Payne, 2000; Wagster, 2000; Rossilli, 2000; Mississippi Division of the United Sons of Confederate Veterans v. Mississippi State Conference of NAACP Branches et al., 2000). These vitriolic disputes over this icon will likely continue into the future. Nearly 140 years after the end of the Civil War, the Confederate battle flag continues to be an icon that divides the region’s population. 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