IMAGING+IMAGINING CALIFORNIA DISCUSS: Ask your students if they collect anything. What do you collect? Why do you collect these things? How do you display and care for your collection? Why do you think a museum collects certain objects? Ask your students what they think they will see when they visit the Orange County Museum of Art. What types of art do you think you will see? (Sculpture, painting, drawing, etc.) Ask your students why it is important not to touch anything at the museum. Explain that a museum collects beautiful, valuable, fragile, historical, and thought-provoking objects, such as artworks like painting and sculpture. A museum cares for these objects, and shares them with people who come to visit their exhibitions. The Orange County Museum of Art is a special museum because many of the works of art in the collection were made right here in California! Some were made almost 100 years ago, and some were made just last year! By visiting the museum we can see how art has changed, and how California has changed, over the course of a century. We can also see the impact artists living and working in California have had on the nation’s cultural development. There is a lot to discover at the Orange County Museum of Art. We are going to look at one example of what we might see when we visit the museum. LOOK: Project the transparency provided. Tell your students that this is a painting by the artist William Wendt. What do you see in this painting? Where do you see this? What adjectives can you use to describe what you see? For example, if a student says she sees clouds, ask her to identify where (near the top) and how she would describe these clouds (puffy, white). This is called a landscape painting. A landscape is a view of the outdoors. Imagine yourself standing inside the painting. What would the weather be like? How can you tell? Where do you see the light of the sun in this painting? William Wendt was especially fond of nature’s “green phase”. What time of year does it usually become green outside? William Wendt called this painting Spring in the Canyon. How does the artist express this season? What do you think this landscape would look like if it were called Winter in the Canyon? 2 IMAGING+IMAGINING CALIFORNIA Does this look like a place in California? The artist, William Wendt, painted this nearby in Laguna Canyon, and he loved painting along the Southern California coastline. He actually took his paints, his brushes, his easel, and canvas and carried them outside to paint. Why do you think he wanted to work outdoors? Perhaps he wanted to capture the light and the colors of the seasons as they changed right before his eyes. Maybe he wanted to stand in the warm sun and breathe the fresh air as he painted. There’s a French name for painting outside: “plein air.” “Plein air” means in “full air” or in the open air and some French painters started painting outside in “plein air” before William Wendt. They were called “The French Impressionists” because they captured an impression of the French landscape as it changed due to the seasons, or the light of the sun. And William Wendt is called a California Impressionist because he did the same thing here – capturing impressions of a changing California landscape. This was painted in 1929, more than 75 years ago. How do you think this landscape has changed since then? What does California look like today? DRAW: Ask students to imagine that William Wendt was transported forward in time, from 1929 to 2007! What might he see in the current landscape that could surprise him? Brainstorm ideas and list their suggestions on the board. For example, could there be more houses and roads? Cars? Telephone poles? Office buildings, shopping malls, schools, or factories? Airplanes? People? Tell students that they are going to be the artist, adding elements to William Wendt’s landscape to represent a view of California today. Demonstrate to the class how to draw a very faint outline with pastel of the main shapes from William Wendt’s painting. Point out the high horizon line where the earth meets the sky, the rolling lines of the hillside and the gentle slopes in the foreground. Explain to students that the foreground is the part of the painting that looks closest to us while the background looks farthest away. To make an object look closer to us, it can overlap something that should appear farther away. For example, a billboard could overlap the tree in the foreground, blocking our view. Closer objects can also be drawn larger than those in the background, and placed lower on the page. For example, additional billboards should diminish in size as they recede up the hill. Demonstrate a couple of additions to the scene, but remind students to use their imaginations in creating an impression of today’s changing landscape. 3 IMAGING+IMAGINING CALIFORNIA Next, demonstrate adding color to the landscape with pastels. Show students how to create the texture of foliage by making short strokes with the tip of the pastel, much like William Wendt did in his painting. To simulate the flat, smooth surface of manmade materials, demonstrate making broad strokes with the side of the pastel, and blending edges together with a finger. Distribute paper and pastels. Tell students it is their turn to ‘redesign’ the landscape. Remind students to start with the main shapes from Wendt’s painting, then draw in any buildings, freeways, schools, churches, even theme parks or skate ramps that may have ‘appeared’ over the last 75 years. When students have completed their drawings, have an exhibition of their artwork! Ask each student to display their drawing on their desk, or hang them on the walls. Instruct students to walk around and view each work. Ask students to look closely and appreciate the application and content of each drawing, but remind them not to touch. When students are re-seated, ask them to describe what they noticed about each other’s drawings. Note that each drawing is different and represents a unique view of the world. Congratulate students on their achievements, and conclude by reminding students that soon they will see more unique works of art at the Orange County Museum of Art. 4 IMAGING+IMAGINING CALIFORNIA WRITE: Ask students to narrate a sequence of events from the point of view of a Californian from the past, who has been suddenly transported to the present. The protagonist can be from any period of California history, but they should have lived at least 75 years ago. What causes them to travel to the future? How do they react to today’s society? How do they interact with the locals? Do they welcome the changes in present-day California and decide to stay, or do they reject today’s culture and return back to the past? Thank you for taking the time to complete these activities with your class. We hope they will provide a more meaningful educational tour experience for your students. Come prepared to look, listen and learn when you visit the Orange County Museum of Art! VOCABULARY: Landscape Plein-air Exhibition Impressionist Horizon line Foreground Background 5
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