TCSS RL RI W SL L = = = = = Reading Literary Reading Informational Writing Speaking and Listening Language Troup County School System English/Language Arts Curriculum Map British Literature and Composition Thematic Unit #1—Anglo-Saxon and Medieval: From Legend to History Bravery, Dignity, and Beauty Big Idea / Unit Goal: The goal for this unit is to explore and analyze the theme of Bravery, Dignity, and Beauty across Anglo-Saxon and Medieval British literature and informational texts with an in-depth focus on GSE priority standards. Length of Unit: 31 Days Unit 1 Common Assessment Blueprint Unit 1 Checklist Unit Essential Question(s): How does Anglo-Saxon literature reflect the values and behaviors of this time period? What are the key poetic elements of Anglo-Saxon poetry and how do these elements reflects the oral tradition in which the poem was created? How does the epic hero reflect the Anglo-Saxon culture? What are the roles of women in both Anglo-Saxon and Medieval cultures? Priority Standards: RL1, RL3, RL4 RI6, RI7, RI9 W2, W3, W7, W8 Support Standards: RL2, RL5, RL7 RI1, RI4, W9 L2, L3 Reading Focus: Literary Writing Focus: Informative/Explanatory Text Resources: Extended Text: Primary Writing Tasks: Beowulf, The Canterbury Tales Short Texts (Mixture of Literary and Informational thematically connected texts) Ballads: “Get Up and Bar the Door,” “Lord Randall,” or comparative ballads Poetry: “Wife’s Lament” or “Frederico’s Falcon” “The Prologue” to The Canterbury Tales “The Pardoner’s Tale” or “The Wife of Bath’s Tale” “Sir Gawain and the Green Knight” Sutton Hoo article Anglo-Saxon Excavation article John Gardner’s Grendel excerpt “Teen Heroes” article Heorot and the Guest-Hall of Eden: Symbolic Metaphor and the Design of Beowulf Excerpt from The Art of Beowulf Students will compose an essay comparing and contrasting the Wife of Bath from The Canterbury Tales and the wife from “The Wife’s Lament.” Using a primary piece of text and/or accompanying informational texts, students will compose an essay citing specific textual evidence to support and demonstrate their understanding of the text’s central idea? Narrative Writing Tasks: Rewrite a scene or scenes from Beowulf from the point of view of another character, showing how interpretation of events and actions change according to the point of view from which they are experienced. Students select a character from Chaucer’s General Prologue of The Canterbury Tales. Student then changes the narrative style to first person. How does the character’s self-perception differ from Chaucer’s view of that character? Research Connections: Sutton Hoo excavation/Anglo-Saxon background TCSS “Women in Anglo-Saxon Literature” article “Marriage in Crisis article” (“Wife’s Lament”) “Chivalry and Courtly Love” “Chivalry and Courtly Love: Ideal, but Unreal” Additional Materials: Graphic art project (group) Routine Writing (Notes, summaries, process journals, and short responses across all genres): Journals (and those related to the capstone project) Notes, summaries, and short responses Argumentative Essay Informative/Explanatory Essay Sutton Hoo Teacher Notes Sutton Hoo Student Notes Anglo-Saxon Riddles Kennings General Essay Rubric Reading Journals Reading Journals rubric Video: Malala Yousafzai Video: Ballad of Frankie and Johnny Lessons for Unit 1 (all lessons are hyperlinked below): ELA12.1: Capstone: Focus on conducting research, gathering information from sources, documenting sources, citing strong and thorough textual evidence, and drawing evidence from sources (W7, W8, RI1, W9) ELA12.1.1: Focus on citing textual evidence, analyzing effects of structure, and determining author’s point of view and purpose (RL1, RL5, RI6) ELA12.1.2: Focus on analyzing author’s choices, determining meanings of words and phrases, writing narratives, and demonstrating command of standard English (RL3, RL4, W3, L2) ELA12.1.3: Focus on citing textual evidence and analyzing effects of structure (RL1, RL5) ELA12.1.4: Focus on determining meanings of words and phrases and analyzing impact of author’s choices (RL4, RL3) ELA12.1.5: Focus on determining meanings of words and phrases and applying knowledge of language (RL4, L3) ELA12.1.6: Focus on analyzing impact of author’s choices, writing narratives, determining and analyzing central idea development, determining meaning and impact of words and phrases, and analyzing effects of structure (RL3, W3, RL2, RL4, RL5) ELA12.1.7: Focus on analyzing impact of author’s choices, citing textual evidence, and determining meaning of words and phrases (RL3, RL1, RL4) ELA12.1.8: Focus on integrating information from multiple formats, determining point of view or purpose, writing informative texts, analyzing impact of author’s choices, citing textual evidence, determining meaning of words and phrases, and demonstrating command of Standard English (RI7, RI6, W2, RL3, RI1, RI4, L2) ELA12.1.9: Focus on analyzing impact of author’s choices, determining and analyzing theme development, summarizing, analyzing effects of structure, and determining author’s point of view and purpose (RL3, RL2, RL5, RI6) ELA12.1.10: Focus on analyzing foundational historical and literary documents, citing textual evidence, and determining meaning of words and phrases (RI9, RI1, RI4) Georgia Standards of Excellence (GSE) ELAGSE11-12RL1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE11-12RL2: Determine two or more themes or central ideas of a text and analyze their development over the course Essential Questions Vocabulary Lessons and Resources How does one cite strong and thorough textual evidence to support analysis? Cite Textual evidence Inferences Explicit Analysis ELA12.1.1 ELA12.1.3 ELA12.1.7 What is the central idea of a piece of literature and how do ideas interact and build on one another? How does one Theme Central idea Analyze ELA12.1.6 ELA12.1.9 TCSS of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text. provide an objective summary of a text? ELAGSE11-12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). ELAGSE11-12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) ELAGSE11-12RL5: Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. ELAGSE11-12RI1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE11-12RI4: Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze how an author uses and refines the meaning of a key term or terms over the course of a text (e.g., how Madison defines faction in Federalist No. 10). ELAGSE11-12RI6: Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness, or beauty of the text. ELAGSE11-12RI7: Integrate and evaluate What are the effects of an author’s choices regarding setting, order, and character development? Cite Evidence Support Inferences Objective Characters Analyze Development ELA12.1.2 ELA12.1.4 ELA12.1.6 ELA12.1.7 ELA12.1.8 ELA12.1.9 ELA12.1.2 ELA12.1.4 ELA12.1.5 ELA12.1.6 ELA12.1.7 What are figurative and connotative meanings? How do words and phrases impact an author’s meaning and tone? How does an author’s word choice impact engagement and beauty? Diction Figurative Connotation Denotation Tone Context Syntax Engaging How does the author’s structure impact the meaning and aesthetic impact of a text? Structure Mood/atmosphere Comedic Tragic Resolution aesthetic ELA12.1.1 ELA12.1.3 ELA12.1.6 ELA12.1.9 What are effective ways to cite textual evidence to best analyze literature? Cite Textual evidence Inferences Explicit Analysis ELA12.1: Capstone ELA12.1.8 ELA12.1.10 What are strategies used in clarifying the meaning of words and phrases as they are used in a text? Diction Figurative meaning Connotative Technical ELA12.1.8 ELA12.1.10 How does the author’s point of view or purpose impact the power of persuasiveness or beauty of his/her text? Point of view Purpose Rhetoric Persuasiveness ELA12.1.1 ELA12.1.8 ELA12.1.9 How can I integrate multiple sources to Integrate ELA12.1.8 TCSS multiple sources of information presented in different media or formats (e.g., visually, quantitatively) as well as in words in order to address a question or solve a problem. ELAGSE11-12RI9: Analyze foundational US documents of historical and literary significance (including The Declaration of Independence, the Preamble to the Constitution, the Bill of Rights, and Lincoln’s Second Inaugural Address) for their themes, purposes, and rhetorical features For British Literature, American Literature, and Multicultural Literature use comparable documents of historical significance. ELAGSE11-12W2: Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. a. Introduce a topic; organize complex ideas, concepts, and information so that each new element builds on that which precedes it to create a unified whole; include formatting (e.g., headings), graphics (e.g., figures, tables), and multimedia when useful to aiding comprehension. b. Develop the topic thoroughly by selecting the most significant and relevant facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience's knowledge of the topic. c. Use appropriate and varied transitions and syntax to link the major sections of the text, create cohesion, and clarify the relationships among complex ideas and concepts. d. Use precise language, domainspecific vocabulary, and techniques such as metaphor, simile, and analogy to manage the complexity of the topic. e. Establish and maintain a formal best answer a question or reach a solution? How does one determine the quality of a source? Evaluate Media (visual, aural, quantitative, film) What are the prevalent themes, purposes, th and rhetorical features of U.S. (11 ) or th British (12 ) foundational documents of literary and historical significance? Foundational documents Theme Purpose Rhetoric Analyze ELA12.1.10 How does one choose the most significant and relevant facts appropriate to the audience’s knowledge of the topic? Informative Explanatory Organization Objectivity Transition Topic Concrete details Quotations Paraphrase Cohesion ELA12.1.8 TCSS style and objective tone while attending to the norms and conventions of the discipline in which they are writing. f. Provide a concluding statement or section that follows from and supports the information or explanation presented (e.g., articulating implications or the significance of the topic). ELAGSE11-12W3: Write narratives to develop real or imagined experiences or events using effective technique, wellchosen details, and well-structured event sequences. a. Engage and orient the reader by setting out a problem, situation, or observation and its significance, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events. b. Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters. c. Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution). d. Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters. e. Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative. ELAGSE11-12W7: Conduct short as well as more sustained research projects to answer a question (including a selfgenerated question) or solve a problem; narrow or broaden the inquiry when What is narrative writing? How does a writer use narrative techniques to convey meaning and engage the reader? Narrative Pacing Voice/narrative voice Style Point of view Experience Technique Details Well-structured Sequences Imagery Sensory language Aesthetics ELA12.1.2 ELA12.1.6 What is effective research? Sustained Research Inquiry Synthesis Investigation ELA12.1: Capstone TCSS appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. ELAGSE11-12W8: Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the strengths and limitations of each source in terms of the task, purpose, and audience; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and overreliance on any one source and following a standard format for citation. ELAGSE11-12W9: Draw evidence from literary or informational texts to support analysis, reflection, and research. a. Apply grades 11-12 Reading standards to literature (e.g., "Demonstrate knowledge of eighteenth-, nineteenth- and earlytwentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics"). b. Apply grades 11-12 Reading standards to literary nonfiction (e.g., "Delineate and evaluate the reasoning in seminal U.S. texts, including the application of constitutional principles and use of legal reasoning [e.g., in U.S. Supreme Court Case majority opinions and dissents] and the premises, purposes, and arguments in works of public advocacy [e.g., The Federalist, presidential addresses]"). ELAGSE11-12L2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. a. Observe hyphenation conventions. b. Spell correctly. ELAGSE11-12L3: Apply knowledge of language to understand how language functions in different contexts, to make Primary sources Interview How do I gather relevant information from various authoritative print sources? How do I determine a source’s usefulness? How do I include information selectively to maintain flow of ideas and avoid plagiarism? Why is following a standard format (MLA) for citation important, and how do I follow this format? Print sources Digital sources Search engines Paraphrasing Summarizing Quoting MLA format Citation Works cited/bibliography Parenthetical citation ELA12.1: Capstone How do I use evidence from texts to support my analysis, reflection, and research? Textual evidence Analysis Reflection Research ELA12.1: Capstone How do I demonstrate command of the conventions of standard English capitalization, punctuation, and spelling? How do I use a hyphen and/or dash correctly? Standard English Capitalization Punctuation Hyphen Dash ELA12.1.2 ELA12.1.8 How do I apply my knowledge of language to effectively communicate and comprehend intended meanings and Standard English Style Communicate ELA12.1.5 TCSS effective choices for meaning or style, and to comprehend more fully when reading or listening. a. Vary syntax for effect, consulting references (e.g., Tufte's Artful Sentences) for guidance as needed; apply an understanding of syntax to the study of complex texts when reading. styles? Comprehend How do I vary my syntax for effect? Syntax TCSS Lessons for British Literature Unit 1 The following pages are the lessons for the unit that have been linked at the beginning of the document. These lessons are based on identified GSE high-priority standards and incorporate unit texts and resources. TCSS ELA12.1 Research/Journals (Capstone) Note: ELA will have the responsibility for the Research paper of the Capstone Project as well as Journal entries. Most of the journal entries include reading an article and writing a journal response that includes incorporating textual evidence. Working with students on how to write these journal entries should provide opportunities to teach how to paraphrase and incorporate direct quotations and how to use MLA style to properly cite sources. Reference this lesson for materials related to Capstone. Learning Target(s) I can: Priority Standards: Support Standards Pre-requisite Learning identify and/or generate their own research question or problem adapt the scope of topic (narrow or broaden) based on research findings analyze and determine the relevance of data and information collected based on the research questions(s) synthesize information gathered from multiple print and online sources assess the strengths and limitations of a source used for research evaluate sources to determine their strengths and weaknesses evaluate sources' effectiveness in speaking to writer's task, audience, and purpose recognize the value of using a variety of sources, rather than relying heavily on a single source integrate evidence collected during research into their writing while avoiding plagiarism use required format correctly Priority Standards: ELAGSE11-12W7: Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. ELAGSE11-12W8: Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the strengths and limitations of each source in terms of the task, purpose, and audience; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and overreliance on any one source and following a standard format for citation. Support Standards: ELAGSE11-12RI1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE11-12W9: Draw evidence from literary or informational texts to support analysis, reflection, and research. b. Apply grades 11-12 Reading standards to literary nonfiction (e.g., "Delineate and evaluate the reasoning in seminal U.S. texts, including the application of constitutional principles and use of legal reasoning [e.g., in U.S. Supreme Court Case majority opinions and dissents] and the premises, purposes, and arguments in works of public advocacy [e.g., The Federalist, TCSS presidential addresses]") Resources for Instruction Capstone Manual Journal #1 Journal #2 Time Allocated Days will be embedded throughout the first semester. EQ Activator/Connection/Warm Up Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Independent Practice (You Do) Summarizer/Closure/Evaluation of Lesson Expectations for the Capstone in this unit include: Assign research paper by August 22 (due date is no later than November 18) Completion of Project Proposal by August 26 Completion of Journal #1 by August 26 Completion of Journal #2 by September 23 It will be important to teach students the skills they will need to successfully read and cite from text, as well as to research to gather information. A lesson on source credibility will help students as they identify sources for use in their research paper. Students will also need instruction on MLA format including works cited page and internal citations for their research paper. TCSS ELA12.1.1 Learning Target(s): I can: draw inferences from literary texts to make and support an analysis that uses strong and thorough evidence gathered from reading determine where the text leaves matters uncertain and be able to infer what happens next support my conclusions with explicit and implicit textual evidence synthesize evidence collected from the text to best support my conclusions Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSERL1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. Support Standards: ELAGSE12RL5: Analyze how an author's choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. ELAGSE11-12RI6: Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness, or beauty of the text. Resources for Instruction Hero Anticipation Guide Teen Heroes article Focus on Literary Forms, Defining the Epic, pgs. 34-35 The Epic Poem background notes Characteristics of Epic Heroes Anglo-Saxons and Beowulf PowerPoint from Beowulf, pgs. 36-65 Jigsaw Protocol Beowulf, Part 1 Reading Questions Beowulf, Part 2 Reading Questions Beowulf, Part 3 Reading Questions John Gardner’s Grendel excerpt Questions for Grendel excerpt Informational Texts to connect to Beowulf: (You may want to use some of these either in whole or using excerpts to allow the students to connect what they have studied with informational texts. These can be used as activators or summarizers. Another option is that you could assign different articles to different groups of students and have them present findings to the class. Focus on citing evidence and determining author’s point of view and/or purpose.) Sutton Hoo article and website Anglo-Saxon Excavation article Heorot and the Guest-Hall of Eden: Symbolic Metaphor and the Design of Beowulf Excerpt from The Art of Beowulf TCSS Time Allocated EQ Activator/Connection/Warm Up “Women in Anglo-Saxon Literature” article 4-5 days How does Beowulf characterize the epic hero? How is an epic hero different from modern heroes? Have students complete the Hero Anticipation Guide by responding to each statement. You may want to have them answer independently and talk with a partner or small group before sharing with the class. You may want to only have them respond with agree or disagree at this point and have them write about their responses later in the lesson. For other day’s lessons, you could use excerpts of the Teen Heroes article to focus on modern heroes. Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Independent Practice (You Do) Lead a discussion on the statements in the Hero Anticipation Guide. Explain to students that we will be reading about an Anglo-Saxon hero and that they should consider how the epic they will read connects to their own views on heroes. Provide direct instruction on Epic poetry. They should have studied The Odyssey in 9th grade, so use what they know to make connections. Use Focus on Literary Forms, Defining the Epic, pgs. 34-35, The Epic Poem background notes, and Characteristics of Epic Heroes as needed to make students aware of this information. Introduce students to the epic poem Beowulf. You may want to use the Anglo-Saxons and Beowulf PowerPoint. (You may want to show parts of the PowerPoint over different class periods instead of all at once). Using appropriate strategies, read selections from Beowulf, pages 3665. You may want to start reading as a whole group, but you may want to then allow students to read parts in small groups or independently. A Jigsaw would be a good way to provide students opportunities to access parts of the text and then work collaboratively to discuss with others. While reading, students should focus on finding evidence and taking notes to support that Beowulf is an epic hero. Use the Beowulf text-dependent Questions for Parts 1, 2, and 3 as appropriate. As an extension, you may want to have students read John Gardner’s Grendel excerpt and respond to the questions. Students will look at point of view and the effects. As a follow-up, students can write a narrative in which they rewrite a scene or scenes from Beowulf from the point of view of another character, showing how interpretation of events and actions change according to the point of view from which they are experienced. Summarizer/Closure/Evaluation of Lesson (NOTE: The lesson that follows, ELA12.1.2, relates to analyzing the author’s use of kennings. You may want to embed that lesson in your reading of Beowulf, so that students have opportunities to look for kennings while reading). Have students select at least one statement from the anticipation guide and that they strongly agree or disagree with and provide a paragraph in which they support their opinion, using evidence from their background and from their study of Beowulf. TCSS OR Have students write a paragraph or brief essay that explains how Beowulf fits the criteria of being an epic hero. Students should cite strong and thorough textual evidence from the poem in their response. TCSS ELA12.1.2 Learning Target(s): I can: analyze an author's choices regarding the development of literary elements in a story or drama (setting, plot, characterization) analyze the impact of author's choices regarding the development of literary elements on the story or drama itself and/or the reader analyze text for word choice and analyze how the use of language advances the plot or affects the tone or pacing of the work determine how word choice affects meaning and advances the plot analyze how specific word choice creates fresh, engaging, and aesthetically pleasing text analyze how words with multiple meanings create aesthetically pleasing text examine the specific patterns of diction in the text and determine its specific impact and overall meaning Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). ELAGSE12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) Support Standards: ELAGSE11-12W3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences. ELAGSE12L2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. a. Observe hyphenation conventions. b. Spell correctly. Resources for Instruction Kenning vs. Stock Epithets handout Kenning background PowerPoint Practice modern kennings Kenning allusions Kenning Practice Rubric Hyphen Use from Owl Purdue Hyphen Rules from grammarbook.com Hyphen Tips Hyphen Practice Interactive Hyphen Quiz from Beowulf, pgs. 36-65 Personal Epic Instructions Version 1 or Version 2 Personal Epic Rubric 2-3 days Time Allocated TCSS EQ Activator/Connection/Warm Up How do kennings add to the poetic beauty of poem such as Beowulf? How do kennings reflect the traditional British interest in wordplay (puns, riddles)? What is a hyphen, and how is it correctly used? Define kenning. (Kenning vs. Stock Epithets handout) Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Students will understand the definition of a kenning and how it contributes to Anglo-Saxon poetry. Students will learn how to identify kennings in Beowulf as well as write their own. The students will use this knowledge when reading Beowulf. Guided Instruction/ Differentiated Instruction (We Do) Provide Kenning in Anglo-Saxon literature background information. Kenning background PowerPoint. Practice modern-day kennings: Consider carefully how you could creatively rename each of the following through the use of the kenning technique. Independent Practice (You Do) 1. a teacher 2. a bus driver 3. firemen 4. television 5. meatloaf 6. police 7. pop tarts 8. music 9. love 10. computer As students read Beowulf, they should look for examples of kennings and explain the meanings and impact of the kennings. The teacher explains that Anglo‐Saxon literature, in general, and Beowulf, in particular, is replete with a type of figurative language called a kenning. The kenning “sky‐candle” in Beowulf refers to the sun. The teacher asks the students to identify the punctuation used in sky‐candle. Noting that one use of the hyphen is to put together two different words to make one term, as happens in sky‐candle, the teacher begins to discuss the use of hyphens in today’s English. Information about hyphens can be found in many sources including: Hyphen Use from Owl Purdue Hyphen Rules from grammarbook.com Hyphen Tips Provide instruction on use of hyphens. You may want to extend this over several lessons, but this standard should be thoroughly taught in this unit as it will be assessed. Suggested lesson from Trent Lorcher: Write a paragraph on the board or project one on to the board. Give each student a hyphen, easily constructed by drawing a small line on a chunk of paper with tape or a magnet on the back. Instruct students to come up one by one and insert hyphens in the paragraph. TCSS Be sure to tell them that two hyphens = one dash. Make your own paragraph or try this one: The Peruvian Iguana the best loved animal of the South American jungle survives by eating the bark of a weeping willow. Oak, walnut, beech those are its secondary foods. One year I'm pretty sure it was pre Argentina winning the World Cup a Peruvian Iguana ran for president of the jungle and narrowly defeated Pele and Maradona and became president elect of the greater Peruvian jungle. The election on account of a little known clause preventing Iguanas and other amphibious like creatures from becoming president elect of a South American jungle is still argued about fifty three and one fourth year later. The teacher reviews the correct use of hyphens and dashes in the paragraph, as follows: The Peruvian Iguana—the best‐loved animal of the South American jungle—survives by eating the bark of a weeping willow. Oak, walnut, beech—those are its secondary foods. One year—I'm pretty sure it was pre‐Argentina winning the World Cup—a Peruvian Iguana ran for president of the jungle and narrowly defeated Pele and Maradona and became president‐ elect of the greater Peruvian jungle. The election—on account of a little‐known clause preventing Iguanas and other amphibious‐like creatures from becoming president‐elect of a South American jungle—Is still argued about fifty‐three and onefourth year later. In pairs or small groups, students practice hyphenating using the Hyphenation Practice handout. Students should be prepared to defend their decisions, that is, to explain why they chose to place hyphens where they did. After a review of the correct answers to the Hyphenation Practice handout, students individually will write a paragraph in which they correctly use at least five hyphens, including at least one compound adjective, at least one prefix joined to a capitalized word, and at least one compound number. The teacher may allow the students to select a topic of their choice for the paragraph or may assign a topic. Students will swap paragraphs with a partner for peer review and make corrections as necessary. Kennings in Beowulf: Explain the allusions for each kenning (Kenning allusions). After completion of reading Beowulf, assign students to complete a personal epic in which they have to apply their knowledge and understanding of epic poetry, kennings, alliteration, and other elements. Summarizer/Closure/Evaluation of Lesson Kenning Poem Assignment Create a kenning poem about any subject that is important to you, and that is appropriate for school. You must write and turn in 15 kennings about your topic. TCSS Requirements for Kenning Poems: Title must tell who/what the poem is about Must have at least 15 kennings within the poem. All kennings must be about the same subject Poem must be typed, single spaced, and ready for display You may include a drawing or graphic to enhance your kenning. Rubric TCSS ELA12.1.3 Learning Target(s): I can: draw inferences from literary texts to make and support an analysis that uses strong and thorough evidence gathered from reading determine where the text leaves matters uncertain and be able to infer what happens next support my conclusions with explicit and implicit textual evidence synthesize evidence collected from the text to best support my conclusions Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSERL1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. Support Standards: ELAGSE12RL5: Analyze how an author's choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact Resources for Instruction Characteristics of Epic Heroes from Beowulf, pgs. 36-65 Beowulf Activity (can be used as a carousel activity) Video: Malala Yousafzai Chromebooks Time Allocated 3 days EQ Activator/Connection/Warm Up How is an epic hero different from modern heroes? Turn and talk with a partner about what you know about epic heroes. For another day’s activator, you may want to watch an interview with Malala to allow students to discuss qualities that make her a hero. Have them compare and contrast how she relates with the epic hero and their own views of heroes. Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Independent Practice (You Do) After reading Beowulf, have students participate in all or parts of the following Beowulf Activity. Step One Teacher leads a discussion with the class to determine what makes Beowulf a hero. Ask students to refer to the text and name the specific activity that identifies Beowulf as a hero, such as “fought Grendel with no weapons.” As students give responses, list them on the board. After the list is generated, ask students to generalize from the specific details, the heroic traits that the list suggests. Typical responses are strength, wisdom, physical appearance, speaking ability, loyalty, occupation, bravery. Record these traits on the board. TCSS Step Two Transfer the traits to the left vertical column of a piece of bulletin board paper that has been formatted as a chart and taped or fastened to one wall in the room. Next, ask students to name some contemporary fictional heroes (limit to five or six heroes). Popular names that typically come up are Batman, Superman, Indiana Jones, James Bond, Rambo. Write these names, along with Beowulf’s, across the top of the bulletin board paper. With the class, complete the columns for Beowulf; for example, beside the trait strength, the class would record “has the strength of 30 men.” Step Three Divide the class into small groups and assign each group a hero from the chart. Instruct each group to discuss its assigned hero in terms of the traits listed on the chart, such as bravery, wisdom, loyalty, etc. The objective is to give specific examples to illustrate the particular trait for the hero. As soon as the group has completed its discussion, someone from the group should complete the columns on the chart for the group’s hero by filling in the specific example under the appropriate column. After the chart is completed for all the heroes, one member from each group will discuss the assigned hero, and then the teacher should lead the class in a discussion that draws the conclusion that heroes across the ages share basically the same traits. These activities should be accomplished in one class period. Summarizer/Closure/Evaluation of Lesson Step Four (Optional; may be adapted to include fewer heroes) Students will spend the next two class periods completing the project. This project asks students to select 10-15 heroes from various areas, explain in specific terms why each one is a hero, and organize the information in the format of a booklet. They may need to use Chromebooks to research this information in order to provide evidence. Students self-assessment: Rubric for Beowulf booklet TCSS ELA12.1.4 Learning Target(s): I can: draw inferences from literary text to make and support an analysis that uses strong and thorough evidence gathered from reading determine where the text leaves matters uncertain and be able to infer what happens next support their conclusions with explicit and implicit textual evidence synthesize evidence collected from the text to best support their conclusions Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE12RL1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. Support Standards: ELAGSE11-12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) The Hero’s Journey Text books, markers, poster paper 2-3 days What are the characteristics of an epic hero? How do these characteristics relate to the stages of a hero’s journey? What sections of the text of Beowulf are parallel to the stages of the hero’s journey? In groups, students brainstorm about the specific qualities of epic heroes and specific points in the text where these qualities are revealed. Students then complete a half page journal entry entitled, “Beowulf is an Epic Hero, and I can prove it.” (half page) Resources for Instruction Time Allocated EQ Activator/Connection/Warm Up Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) After reading the epic poem Beowulf, students will demonstrate thorough understanding of the qualities of epic heroes and familiarize themselves with the stages of the hero’s journey. Teacher leads discussion of Stage One of the Hero’s Journey: Independent Practice (You Do) THE ORDINARY WORLD. The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero’s life is pulling in different directions and causing stress. Some points to discuss and model (overhead or Powerpoint) might include: 1. Beowulf is, although related to his king, clearly not immediately inline to inherit the throne of Geatland. 2. He is clearly depicted as a young man. 3. He is clearly willing, able, and more than ready for adventure—and to prove himself worthy of his king’s respect and favor. TCSS 4. In short, the scop telling this tale would have painted a clearly sympathetic picture of young Beowulf. Students then read and think about Stage Two of the Hero’s Journey: THE CALL TO ADVENTURE. Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings of change. Students, using textbooks, look for specific passages which relate to Stage Two of the Hero’s Journey. Teacher assists students as needed and facilitates a shared discussion of the parts of the text, as identified by the student groups, relating to the “Call to Adventure.” These passages may include: 1. From across the sea, Beowulf receives the news of Grendel’s evil actions in Denmark. 2. He immediately feels the need to sail across the sea to assist Hrothgar. 3. He accepts this mission as part of his fate—to do any less would shame him in the eyes of his king. Students then begin to look for passages in the text that relate—if possible—to all of the remaining stages of the Hero’s Journey. Summarizer/Closure/Evaluation of Lesson In groups, students create large posters which align the descriptions of the stages of the Hero’s Journey (stages 3-12) with a combination of paraphrased passages and direct citations. Students post work around the room. This would be a good activity to Jigsaw. Students present their group posters to the class—each group member explaining the groups work related to at least two stages. Teachers may also want to assign a summative quiz to evaluate student learning. TCSS ELA12.1.5 Learning Target(s): I can: analyze text for word choice and analyze how the use of language advances the plot or affects the tone or pacing of the work determine how word choice affects meaning and advances the plot analyze how specific word choice creates fresh, engaging, and aesthetically pleasing text analyze how words with multiple meanings create aesthetically pleasing text examine the specific patterns of diction in the text and determine its specific impact and overall meaning Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors). Support Standards: ELAGSE12L3: Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening. Resources for Instruction Time Allocated EQ “The Ruin” translations 2 days How do translators’ choices impact the readers’ understanding of the poem? In this lesson, students will examine the impact of a translator’s choices and explore how multiple interpretations of a single literary work can provide a greater and more profound understanding of that text. Students will explore the impact of one word choice over another and the effects of those choices on the reader. Activator/Connection/Warm Up Prior to reading the poem “The Ruin,” explain to the students that the island of Britain was an attractive place for invasion. The original inhabitants, people who had ventured to the island during prehistoric times, were displaced by the Celts, who in their turn were taken over by the Roman Empire under Emperor Claudius in 43 AD. Britain, with its relatively moderate climate and rich tin resources, proved a tempting prize for Rome. Throughout the period of Roman occupation of the island, a rich cultural mix of the Imperial occupiers and the original culture sprang up, and Roman roadways, baths, buildings, structures, and walls came to occupy many of what still remain the major cities of Britain – including, of course, the city of Londinium (London), and the southern city of Bath. For approximately the next four centuries Rome occupied the island, but the empire weakened as time progressed, and gradually Roman troops began to be recalled to the capital to defend it against the increasing might of the Huns, the Goths, the Visigoths, and other tribes who threatened Rome’s borders in Europe. In the year 410, Emperor Honorius replied to a request for more troops by saying that TCSS the Romano-Britons were effectively on their own. Following that point, Roman cultural influence in Britain sharply declined. However, whenever there is a power vacuum, someone is always happy to fill it. In this case, the “someones” were three Germanic tribes from Western Europe, the Angles, the Saxons, and the Jutes. Conflict over control of the island ensued, but by the early 600s, the invading Anglo-Saxons were victorious. Until the conquest of Angleland (England) by the Normans in 1066, Anglo-Saxon and Danish culture would continue to dominate. The poem “The Ruin” is found in the Exeter Book, an anthology of Anglo-Saxon poetry compiled in the tenth century – the largest collection of Old English literature extant. The book’s collection is wonderfully diverse, with riddles, elegies, and other poems providing a wealth of insight into this culture and its poetic style and traditions. Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Independent Practice (You Do) Summarizer/Closure/Evaluation of Lesson If possible, visit the following website: http://www.romanbaths.co.uk/ This website, featuring the Roman ruins in the city of Bath, England is particularly informative, with beautifully vivid slide shows detailing the city’s architecture, engineering, and rich history. Journaling: Imagine that you are an Anglo-Saxon invader. Most of your buildings are constructed from wattle and daub (stick frame for mud walls). By contrast, the Roman structures tended to be built of concrete, tile, and stone; many of their buildings, walls, aqueducts, and baths required advanced skills in architecture and engineering to construct. If you came upon Bath as an Anglo-Saxon invader, what assumptions would you make about the makers of this place? How would you regard them? Students should be given the The Ruin translations and be instructed to fold the copy down the middle, looking at Translation #1 first and Translation #2 second, and then finally both of them together, comparing one version with another. As they read both poems, please have them annotate the handouts by making note of the following: 1. Anglo-Saxon poetry made heavy use of alliteration – that is, repeated sounds at the beginning of a series of words in a line or lines of poetry, as in the classic “Peter Piper picked a peck of pickled peppers.” 2. Note at least five moments in each poems where you see alliteration, kennings, or possible kennings in the translated poems. 3. What is the author’s attitude toward the builders of this place? What is your evidence for this belief? 4. What moment or image in each poem did you find the most effective at conveying the sense of this ruined place and the author’s attitude about the builders of it? Why did you find this moment the most effective? Note: You do not have to pick the same image from both poems. Treat them as if they were independent works. Individual Reflection – Postreading When students have had ample opportunity to read the two poems, noting alliteration, kennings, the author’s tone, and any other striking images, encourage them to answer the following questions briefly in writing before pairing with others for group discussion. 1. Question 4 above asked you, “What moment or image in each poem did you find the most effective at conveying the sense of this ruined place and the author’s attitude about the builders of it?” Did you choose the same image or moment from both poems? 1a. If you chose different images or moments, why was this moment TCSS more effectively translated in one version rather than in the other? What quality was there about the words or images that more effectively communicated the power of that moment than the other poem did? 1b. If you chose the same moment, what quality was there about the words or images in both translations that most effectively communicated the power of this moment? 2. Which one did you prefer? Why? 3. Which one “feels” more genuinely Anglo-Saxon? Why? 4. Which one most effectively communicated a sense of the people and place? Why? 5. Did the author’s tone or attitude toward his subject seem to stay the same in both works, or did it seem different in Translation #1 than in Translation #2? Explain. 6. Which version most effectively used alliteration? Cite your favorite example and explain why you felt it was particularly effective. TCSS ELA12.1.6 Learning Target(s): I can: analyze an author's choices regarding the development of literary elements in a story or drama (setting, plot, characterization) analyze the impact of author's choices regarding the development of literary elements on the story or drama itself and/or the reader formulate a real or imagined experience engage and orient the reader by clearly setting out a situation and its significance develop experiences, events, and/or characters by using effective narrative techniques incorporate well-chosen details into an original narrative structure narratives with appropriate sequencing so they build toward a particular tone and outcome be able to manipulate time within a narrative as a means of developing complex event sequences Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). ELAGSE12W3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences. Support Standards: ELAGSE12RL2: Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account and provide an objective summary of the text. ELAGSE12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors). ELAGSE12RL5: Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. Resources for Instruction “Hey Joe” lyrics “A Hard Rain’s Gonna Fall” lyrics Ballad of Birmingham Checklist for Ballads Lord Randall ballad Barbara Allen ballad Sir Patrick Spence Traditional Ballad writing assignment Rubric for Original Ballad Group Participation Assessment TCSS Time Allocated EQ Activator/Connection/Warm Up Self-Reflection assessment 2-3 days How are medieval and modern ballads similar? What ballad characteristics are found in modern day ballads? In groups, have students find lyrics to one of these songs, “Hey Joe,” “A Hard Rain’s Gonna Fall,” or “The Ballad of Birmingham.” If students find several versions of lyrics (as they will with “Hey Joe”), all the better because one characteristic of ballads is that there are often variations of words. Instructional Delivery In this lesson, students will compare Medieval ballads with modern ones. Provide direct instruction on characteristics of ballads. Students will compare Medieval ballads with modern ones.Ask students to look for ways the ballads from the activator match with the characteristics that are listed on the Checklist for Ballads. Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) In groups, ask students to use the Venn Diagram to compare the modern ballads with another similar ballad. Suggestions: “A Hard Rain’s Gonna Fall” and “Lord Rendal,” “Hey Joe” and “Barbara Allen,” “Ballad of Birmingham” and “Sir Patrick Spence.” Independent Practice (You Do) Ask groups to share their findings with the others by reading their chosen ballads and discussing the comparisons from their Venn diagrams. Explain that now students have a thorough understanding of ballad Students should arrange themselves in groups and begin work on their ballads. Ask students to use most of the period to compose and revise. Advise students that they will be sharing their ballads with others. Summarizer/Closure/Evaluation of Lesson Have students use the Checklist for Ballads and the Rubric for Original Ballads to evaluate their own ballads or those of others. Use the Group Participation Assessment Sheet to informally or formally assess student work in their groups. Students perform their ballads during class. With their ballads completely composed, students should get into their groups for a final read-through before their performances. Give students a chance to make any last-minute changes and to decide which group member(s) will be reading. Use the Rubric for Original Ballads to assess students’ performances. If desired, have students may hand in the final version of the ballad as well. Students may also use the Self-Reflection handout to assess their roles in the group. TCSS ELA12.1.7 Learning Target(s): I can: analyze an author's choices regarding the development of literary elements in a story or drama (setting, plot, characterization) analyze the impact of author's choices regarding the development of literary elements on the story or drama itself and/or the reader Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). Support Standards: ELAGSE12RL1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE11-12RL4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) Geoffrey Chaucer and Prologue to The Canterbury Tales, pages 92120 Chaucer and The Canterbury Tales PowerPoint The Canterbury Tales Character Chart Internet access Television News shows appropriate for your class (optional) General classroom supplies (chart paper, markers, and so forth) Resources related to the events and characters in the text to serve as a collection of props for the segments. Students can contribute to this collection of resources, bringing in appropriate items. Interactive Literary Map Novel News Rubric Videotaping equipment (optional) Resources for Instruction Time Allocated EQ Activator/Connection/Warm Up 3-5 days What is character analysis? How does Chaucer reveal character traits of his pilgrims through his descriptions of each character in the General Prologue? How does character analysis relate to interviews of actual people on a typical news program? What is setting? How does the setting affect the plot and theme of a text? Students review in-class notes from class activities related to the reading of Chaucer’s General Prologue. Students think about four or five characters that they feel they “know” the best. Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Students will explore the literary elements of character and setting in a piece of fiction, analyze a piece of fiction for highlights and significant passages, and compose original reactions to text, using Reader’s Theater. TCSS Guided Instruction/ Differentiated Instruction (We Do) Provide an introduction to The Canterbury Tales using the Chaucer and The Canterbury Tales PowerPoint. Since the focus of the standard is on how the characters are introduced and developed, you may want to have students take notes citing evidence using a Character Chart. Independent Practice (You Do) Students review in-class notes from class activities related to the reading of Chaucer’s General Prologue. Students think about four or five characters that they feel they “know” the best. Day One: After students have read The General Prologue to the Canterbury Tales: 1. Teacher introduces the activity: to prepare segments for a news program based on incidents in Chaucer’s text. Students will be responsible for props, simplified/representational costumes, and the content of their segments. 2. Students brainstorm the things that go into a news program. They write their list on the chart paper so that they can return to the list in later sessions. They should use the traditional "journalist's questions" to get discussion started: Who appears on the news program? What is covered on the news program? Where are the programs taped? When are the segments in the program shown (in what order)? Why are the particular segments shown? Why were they chosen? How do all the parts of the news program fit together? 3. Once students have some basic information gathered, teacher may show one or more archived news programs (See CNN, NBC, ABC for archived broadcasts). While they watch the shows, ask students to look for things they can add to their list. 4. If showing archived news broadcasts: When the videos finish, give students a few minutes to jot down their notes on scrap paper. 5. Students return to their brainstorming list and add details that they gathered from watching the program. 6. Conclude the session by mapping out jobs that will need to be done for every news segment. Invite students to identify the jobs that are included on their brainstormed list. There can be news anchors, investigative reporters, weather forecasters, and news analysts. In addition to the jobs seen on camera, students may add jobs such as the director, set designer, and camera operator. Day Two TCSS 1. Review the assignment and the lists from the previous class. Share the Novel News Broadcast Segments Rubric and discuss the expectations and evaluation of the project. 2. Drawing from the list, students create a chart of the possible segments the groups can produce (e.g., investigative report, weather forecast, editorial commentary). 3. Divide students into small groups. Each group will produce a news segment related to Chaucer’s text and focusing specifically on three characters they have read about. 4. Students choose the kinds of segments for their group to produce and the section (or sections) of the text that they will draw upon for their segment(s). Encourage students to identify the jobs that they will be doing. 5. Students use the Literary Elements Mapping Student Interactive to gather facts and details about the characters they have chosen. They can complete the Literary Elements Map as many times as necessary (for multiple characters) to gather the research for their news segment. 6. Ask students to come to the next session ready to begin writing their segments. They should bring any materials they need to class—the Literary Elements Mapping printouts, notes, as well as props and other materials they may need for their segment. Day Three: 1. Review the project and answer any questions; then, give students the entire class period to write and practice their segments. 2. Use Roy Peter Clark's If I Were a Carpenter: The Tools of the Writer (informational text) to help students get started. Emphasize that the "rules" are simply guidelines, not absolutes. 3. While students work, the teacher circulates among groups, providing assistance as needed. 4. Ask students to come to the next session prepared to complete a "dress rehearsal" by the end of the class. Again, they should bring any materials they need to class—the novel they are writing about, Literary Elements Mapping printouts, notes, and props and material for their segment. For the rehearsal, students should have all props and significant materials, but they need not "dress" for the part. Day Four: 1. Review the project and answer any questions. Segment time for students: they should use half the class to finish any writing and practice sessions. The other half of the class should be used for TCSS their "dress rehearsal." 2. While students work, circulate among groups, providing assistance as needed. 3. Play the role of timekeeper as students work, letting them know when they need to shift from preparation to the dress rehearsal. Be sure to allow enough time at the end of class for students to discuss the results of their rehearsal and make any revisions to their scripts and plans. 4. Ask students to come to the next class session prepared to perform their news segment for the rest of the class. They'll need all props, simplistic/representative costumes, and any additional materials. Day Five: 1. Allow students a few minutes at the beginning of the class to make last-minute preparations, get into costumes, and assemble their props. 2. (Optional) If you are going to videotape the segments, set up your video equipment and ensure that you're ready to film the events. 3. Have each group perform their news segment, keeping strict watch of time to ensure that all groups have adequate time to share their work. Summarizer/Closure/Evaluation of Lesson 4. Between segments, invite students to discuss what they have seen. This activity should be enjoyable for students; place the emphasis on positive feedback and reinforcement. The Novel News Broadcast Segments Rubric provides feedback categories on both the use of details and information from the novel and the staging and group work. TCSS ELA12.1.8 ELA12.1.7 Goal: Priority Standards: Support Standards Pre-requisite Learning I can: analyze information presented in different media or formats and determine which details are emphasized in each account use the information obtained from text and media to analyze and present a meaningful and complete answer or solution determine the point of view or purpose in a text analyze rhetorical strategies the author used to convey his/her message analyze if and how rhetoric added to the power and persuasiveness of the message assess the author’s reliability as a source of information analyze an author's choices regarding the development of literary elements in a story or drama (setting, plot, characterization) analyze the impact of author's choices regarding the development of literary elements on the story or drama itself and/or the reader select an informative/explanatory topic that can be reasonably explained or clarified within the text effectively organize complex ideas so that each new element builds on the previous idea in order to create a unified whole that communicates the author's purpose effectively develop the topic thoroughly by selecting and synthesizing the most significant and relevant facts, definitions, concrete details, and quotations appropriate to the audience's knowledge of the topic Priority Standards: ELAGSE11-12RI7: Integrate and evaluate multiple sources of information presented in different media or formats (e.g., visually, quantitatively) as well as in words in order to address a question or solve a problem. ELAGSE11-12RI6: Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness, or beauty of the text. ELAGSE11-12W2: Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. ELAGSE11-12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed) Support Standards: ELAGSE12RI1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE12RI4: Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze how an author uses and refines the TCSS Resources for Instruction Time Allocated EQ Activator/Connection/Warm Up meaning of a key term or terms over the course of a text (e.g., how Madison defines faction in Federalist No. 10). ELAGSE11-12L2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. The Black Death: Bubonic Plague Impact of Ebola West Africa: Effects of Ebola “The Pardoner’s Prologue” and “The Pardoner’s Tale,” pgs. 125-134 2-3 days How can I integrate multiple sources to best answer a question or reach a solution? How does one determine the quality of a source? Students complete a journal entry by responding to the following prompt: Is it realistic to believe that diseases such as Ebola pose a serious threat to humanity? Discuss. Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Independent Practice (You Do) Students will understand and appreciate the devastating toll taken upon the people of Europe as a result of the Black Death or bubonic plague. Via reading of informational texts, students will understand the similarities and differences between the impacts of two different diseases occurring in vastly different time periods. Questions to consider and discuss include the following: How did the plague arrive in Europe? What were the effects of the plague upon society other than the obvious impact of mass death? How do the effects of the plague compare and contrast to the effects of the Ebola outbreak in Africa? Do people fear disease when it is covered in the news or do they fear it on an on-going basis? While reading these articles, students should focus on author’s purpose and point of view. Prior to reading “The Pardoner’s Tale,” students complete journaling activity and then read on-line articles (or teachers read aloud to them) concerning the Black Plague and the Ebola. Use appropriate strategies to read and analyze “The Pardoner’s Tale.” Discuss that an author makes a conscious choice about developing and relating a story and that those choices impact meaning. Spend some time analyzing the how the author develops the setting, plot , and characterization and how those choices impact the reader. Ask students to consider what they have learned about the Black Death as well as Ebola based on the articles and story they have read. By referring directly to the texts of the articles (if used as handouts) or through paraphrasing skills (if articles read aloud) students thoroughly complete a Venn diagram and/or write an informational (brief) essay comparing and contrasting the negative impacts of the two diseases. Remind students that as they write, they need to pay attention to standard English usage. Additionally, provide instruction as needed on TCSS writing informative essays and topics related to grammar and usage. You will want to base these lesson topics on student writing done previously in the unit. Summarizer/Closure/Evaluation of Lesson Students discuss their findings. TCSS ELA12.1.9 Learning Target(s): I can: analyze an author's choices regarding the development of literary elements in a story or drama (setting, plot, characterization) analyze the impact of author's choices regarding the development of literary elements on the story or drama itself and/or the reader Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE11-12RL3: Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). Support Standards: ELAGSE11-12RL2: Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text. ELAGSE12RL5: Analyze how an author's choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. ELAGSE11-12RI6: Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness, or beauty of the text. Resources for Instruction “The Wife of Bath’s Tale” and/or “Sir Gawain and the Green Knight” Informational Texts to read in conjunction: “Chivalry and Courtly Love” “Chivalry and Courtly Love: Ideal, but Unreal” Time Allocated EQ 2-3 days What are the effects of an author’s choices regarding setting, order, and character development? Have students read one of the informational texts included in this lesson. After reading, they should turn and talk about what the article says as well as what the author’s point of view or purpose is. They should also discuss how whether these concepts are relevant in our current society, and if so, how? Activator/Connection/Warm Up TCSS Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Introduce the concept of chivalry and courtly love. Lead a discussion on how these ideals can be seen in movies and in modern day society. Use appropriate strategies to read “The Wife of Bath’s Tale” and/or “Sir Gawain and the Green Knight.” While reading, students should focus on the impact of the author’s choices regarding how to develop and relate elements of a story, as well as themes that emerge in the text. Provide guidance and discussion of these elements. Independent Practice (You Do) Summarizer/Closure/Evaluation of Lesson Answer the following question: What are the effects of an author’s choices regarding setting, order, and character development? TCSS ELA12.1.10 Learning Target(s): I can: analyze significant foundational British documents for key themes discern the purposes of foundational documents by analyzing theme and text structure analyze rhetorical features of foundational documents and evaluate their impact of meaning analyze the combined role of themes, concepts, and rhetorical devices in foundational documents Priority Standards: Support Standards Pre-requisite Learning Priority Standards: ELAGSE11-12RI9: Analyze foundational US documents of historical and literary significance (including The Declaration of Independence, the Preamble to the Constitution, the Bill of Rights, and Lincoln’s Second Inaugural Address) for their themes, purposes, and rhetorical features For British Literature, American Literature, and Multicultural Literature use comparable documents of historical significance. Support Standards: ELAGSE12RI1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. ELAGSE12RI4: Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze how an author uses and refines the meaning of a key term or terms over the course of a text (e.g., how Madison defines faction in Federalist No. 10). Resources for Instruction Magna Carta Magna Carta Background information Magna Carta Explanation Video Time Allocated 1-2 days EQ What are some of the important basic rights we as Americans cherish? How do these rights date all the way back to the Magna Carta? Activator/Connection/Warm Up Students complete a journal entry based on the following prompt: What are the five (at least) most important rights we are guaranteed as American citizens? Instructional Delivery Teaching Point/Mini Lesson/Teacher Input (I Do/Modeling) Guided Instruction/ Differentiated Instruction (We Do) Students will understand that the Magna Carta foreshadows/influences many of our Constitutional rights. Show the Magna Carta Explanation Video and discuss. Have students explore the rights given by the Magna Carta (as discussed at the humanistic texts website). Students look for the rights they have listed in their journals. Students should be able to find at least three rights that we as Americans cherish that were also discussed/outlined/provided for in the Magna Carta. You may want to provide excerpts or different parts to different groups of students rather than the entire document. TCSS Independent Practice (You Do) Summarizer/Closure/Evaluation of Lesson As a class, students write these important rights found in the Magna Carta on sticky notes and place them on a larger poster labeled “Freedoms Provided for in the Magna Carta.” Students discuss basic rights.
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