DAMIAN A. CARPENTER East Tennessee State University EDUCATION Ph.D. — English Literature, Texas A & M University (May 2014) M.A. — English Literature, State University of New York, New Paltz (August 2005) B.A. — Major: English Literature; Minor: Creative Writing, State University of New York, New Paltz (May 2002) ACADEMIC EMPLOYMENT Postdoctoral Fellow, East Tennessee State University, 2014 - Present Adjunct Instructor, The College of William & Mary, 2012 - 2013 Teaching Assistant, Texas A & M University, 2009-2010 Acquisitions Intern, Texas A & M University Press, 2008-2009 Research Assistant, Texas A & M University, 2007-2008 Teaching Assistant, State University of New York, New Paltz, 2004-2005 SCHOLARLY AND CREATIVE ACTIVITY Book Lead Belly, Woody Guthrie, Bob Dylan and American Folk Outlaw Performance. Ashgate Publishing (Forthcoming) Articles “A Rhythm of Contrasts: The Tension between the Folkloric and Philosophic in Robert Penn Warren’s Novels.” Tennessee Philological Bulletin (Forthcoming) “The Windhover and Evening Hawk Shudder in Sync: Gerard Manley Hopkins and Robert Penn Warren.” rWp: An Annual of Robert Penn Warren Studies, Volume IX. Bowling Green: Western Kentucky University, 2012: 83-109. “Good Man, Honest Man: Woody Guthrie, Bob Dylan and the Role of the Folk Outlaw.” The Life, Music and Thought of Woody Guthrie: A Critical Appraisal. Burlington: Ashgate Publishing, 2011: 157-72. “‘Tell of Song in the Meadow’: Roberts and Folk Song in Context.” The Elizabeth Madox Roberts Society Newsletter 10 (March 2009): 3,10. “Love, Death, and the Tolling: The Hemingway Influence in Bob Dylan’s ‘Love and Theft.’” Isis 140 (Sept/Oct 2008): 26-29. “The Rain Bat and the Black Sheep: Jingling in the Wind and Its Failed Artistic Vision.” Elizabeth Madox Roberts: Essays of Discovery and Recovery. New York: Quincy and Harrod Press, 2008: 94-98. Carpenter 2 “From Chaos to Creation: Folksong and Knowledge as History in The Great Meadow.” Elizabeth Madox Roberts: Essays of Reassessment & Reclamation. New York: Wind Publications, 2008: 215-20. “Numb Bitterness and Silent Beauty: The Crisis of Man in Aldington’s Collected Poetry.” Locations and Dislocations: Proceedings of the Fourth International Richard Aldington Conference. Les Saintes- Maries-de-la-Mer: Gregau Press, 2008: 55-61. “Living in the Land of Nod: Dylan’s Vision of America.” Judas! 18 (July 2006): 3-35. “Sweeter than Hope: A Dantean Journey to the Recognition of Complicity.” Shawangunk Review XVII (Spring 2006): 56-61. “Sense of Humanity: The Intertexuality of ‘Not Dark Yet.’” Judas! 7 (Oct 2003): 2435. Poetry “Little Billie Goes West.” Kentucky Writers: The Deus Loci and Lyrical Landscape. (Forthcoming) “The Tentative Mr. Wolf Courts Ms. Red” and “Ain’t so Blue and Lonesome.” Kentucky: Poets of Place. West Park: Des Hymnagistes Press, 2012: 67-70, 90. “Porch-sittin’ in Terlingua with the Gravel Switch Blues (Again).” From Penn’s Store to the World: An Anthology of Poems. West Park: Des Hymnagistes Press, 2011: 14-15. “To Liz.” Illuminations & Praise: Poems for Elizabeth Madox Roberts and Kentucky. West Park: Des Hymnagistes Press, 2008: 15-16. “Locker Room Springs, Milleniums, Homages, and Hymns: Stanley Keg 2007.” Countries of the Heart: For Stoney and Sparrow. West Park: Mother-River-Flows-TwoWays Press, 2007: 11-13. “A Hymn to Silence.” A Garland of Poems for Catherine Aldington. West Park: Des Hymnagistes Press, 2006: 11-12. “Hey Mr. Warren (Awake with a Branded Soul)” and “The Unfortunate Meeting of Delta Blues and Jazz.” Shawangunk Review XVII (Spring 2006): 152-53, 177-78. “Meatball Saturday” and “Rolling Thunder and Consonant Shift (In Four Parts).” Shawangunk Review XVI (Spring 2005): 53-55. From “Knowledge by Refenestration.” Shawangunk Review XV (Spring 2004): 99-101. Fiction “Solitude and a Hotdog.” Shawangunk Review XV (Spring 2004): 129-35. Conference Presentations “A Life to Make Sense: Selfhood and Folk Music in Elizabeth Madox Roberts’ Black Is My Truelove’s Hair.” Society for the Study of American Women Writers Conference. Philadelphia, PA, November 2015. “Red’s Old, Weird America: Robert Penn Warren and the American Folk Aesthetic.” Robert Penn Warren Circle Conference. Clarksville, TN, April 2015. Carpenter 3 “A Rhythm of Contrasts: The Tension between the Folkloric and Philosophic in Robert Penn Warren’s Novels.” 110th Tennessee Philological Association Conference. Henderson, TN, February 2015. “Regional Nationalism: Woody Guthrie, Elizabeth Madox Roberts, and Folk Balladry.” 81st Annual South Atlantic Modern Language Association Conference. Atlanta, GA, November 2009. Panel Chair. “Session 3: What Lies Beneath: The Folkloric, the Vernacular, and the Land in Elizabeth Madox Roberts’ Works.” XI Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2009. “My Old Kentucky Inscape: Gerard Manley Hopkins and Elizabeth Madox Roberts.” XI Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2009. “Defining the Sweat and Blood Aesthetic: Breece D’J Pancake and the Old, Weird America.” American Literature Association Symposium on American Fiction. Savannah, GA, October 2008. “What’s Left to Right About?: A Consideration of Hemingway’s Use of Dante in Across the River and into the Trees.” 13th Biennial International Hemingway Conference. Kansas City, MO, June 2008. “Theology, Philosophy, and Horse Sense: The Interplay of Modernity, Chaos, and Knowledge in He Sent Forth a Raven.” X Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2008. “There Is No Eye: The Benefits of Not Being There or Lessons Learned from Bob Dylan, the Individualist Outlaw.” EGSA Colloquium: Self and Other. College Station. TX, February 2008. “Slap Shots and Miracles: Hockey’s Quintessential Portrayals and Representation in Film.” 24th Annual Sports Literature Association Conference. Saratoga, NY, June 2007. “The Rain Bat and Black Sheep: Jingling in the Wind and Its Failed Artistic Vision.” IX Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2007. “The Well Wrought Self and Strumming of the Urn: The Man below Shades of Truth in Warren’s The Cave.” Robert Penn Warren Circle Conference. Bowling Green, KY, April 2007. “Love, Death, and the Tolling: The Hemingway Influence in Bob Dylan’s ‘Love and Theft’.” 12th Biennial International Hemingway Conference. Ronda, Spain, June 2006. “Numb Bitterness and Silent Beauty: The Crisis of Man in Aldington’s Collected Poetry.” IV Biennial International Richard Aldington Conference. Les Saintes-Mariesde-la-Mer, France, July 2006. “At Home in the World: Folk Song and Knowledge as History in The Great Meadow.” VIII Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2006. “Living in the Land of Nod: Dylan’s Vision of America.” SUNY New Paltz Research Symposium. New Paltz, NY, April 2005. “Warren and Roberts: The Discovery of Self in the Natural World.” VII Annual Elizabeth Madox Roberts Conference. Springfield, KY, April 2005. “Sweeter than Hope: A Dantean Journey to the Recognition of Complicity.” Robert Penn Warren Circle Conference. Bowling Green, KY, April 2005. Carpenter 4 TEACHING American Poetry o East Tennessee State University, Fall 2015 American Literature II o East Tennessee State University, Fall 2015 Honors Composition II—“The Outlaw and American Culture” o East Tennessee State University, Spring 2015 Critical Thinking and Argument o East Tennessee State University, Spring 2015 Critical Reading an Expository Writing o East Tennessee State University, Fall 2014 Literary Heritage (Traditional and Online) o East Tennessee State University, Fall 2014, Spring 2015, Fall 2015 Introduction to Creative Writing o The College of William & Mary, Spring 2012, Fall 2013 Introduction to Literature o Texas A & M University, Fall 2010 Elements of Creative Writing o Texas A & M University, Summer 2010 Rhetoric and Composition o Texas A & M University, Fall 2009, Spring 2010 Freshman Composition II—“Bob Dylan & American Lyricists” o State University of New York, New Paltz, Spring 2005 Beat Literature (Guest Lecturer) o State University of New York, New Paltz, Spring 2005 Freshman Composition I—“Life Writing” o State University of New York, New Paltz, Fall 2004 AWARDS AND HONORS Charles Gordone Graduate Poetry Award, 2010 Student Led Award for Teaching Excellence Finalist, 2010 Charles Gordone Graduate Poetry Award Runner-up, 2009 Charles Gordone Graduate Fiction Award, 2008 BMI-Woody Guthrie Archive Research Fellowship, 2008 Melbern G. Glasscock Center for Humanities Research Graduate Student Stipendiary Fellowship, 2008 SERVICE Co-founder and co-curator, Literature and Language Research Symposium, East Tennessee State University, 2014-Present Post-Doctoral Fellowship in English Search Committee, East Tennessee State University, 2015 Carpenter 5 Member of the William Vasse Poetry Board, State University of New York New Paltz, 2004-05 Co-Editor of poetry magazine Synapse Fire, 2001-02
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