Spring Semester examinations 2016 Paro College of Education Royal University of Bhutan Paro Module: ENG 409 (Teaching of Poetry) Programme: B. Ed (S) Writing Time: Three hours Level: IV Full Marks: 100 Instructions: Do not write during the first 15 minutes. Use this time for reading the questions. You will get full three hours for answering the questions. Write the answers to all the questions in the answer sheets provided by the college. Read the directions to each section and to each question carefully before answering the questions. Once the writing time begins, you are not allowed to ask questions, speak with others, or move around. Do not leave the examination hall before you are certain that all the questions, as directed in the paper, have been answered. SECTION A FIVE Questions- 5 Marks Answer ALL questions Direction: This section has five questions. Write the number of the correct answer in your answer script. All the questions carry equal marks. Question 1 (5 X 1= 5) a. Wordsworth defined poetry as A. B. C. D. spontaneous overflow of powerful emotions. spontaneous overflow of powerful feelings. spontaneous overflow of powerful spirits. spontaneous overflow of powerful sentiments. b. Poetry is one of the subcategories of literature along with A. B. C. D. © PCE drama and novel. drama, novel and short story. drama, novel, short story and essay. drama, novel, short story, essay, epic, etc. Spring Semester Examination 2016 Page 1 of 5 c. A narrative poem tells a story but an ode expresses A. B. C. D. a strong feeling of love or respect for someone or something. feelings of love or respect for someone or something. feeling of contentment or joy for someone or something. a strong feeling of rejection of love for someone or something. d. Splash, drip, squirt and zoom are examples of A. B. C. D. alliteration. assonance. onomatopoeia. metaphor. e. If a poem is filled with allusions, it denotes that the poem contains A. B. C. D. direct references of gods and goddesses. indirect reference of something or someone. direct reference of something or someone. indirect references of gods and goddesses. SECTION B FIVE Questions-5 Marks Direction: This section has five questions. Answer all the five by filling up the blanks with an appropriate word, phrase or a sentence. All the questions carry equal marks. Question 2 (5 X1 = 5) a. When human-like qualities are given to an animal or object, it is called . b. “Oh bright angel, speak again” is an example of . c. Haiku can be defined as_ . d. Cinquain is a lined poem that begins with one word in the beginning and end the poem with word. e. A poem that expresses personal thoughts and emotions and which can often be sung is called © PCE Spring Semester Examination 2016 Page 2 of 5 SECTION C TWO Questions-30 Marks Direction: This section contains four questions. Write short notes on any two. Marks will be awarded for precise language and coverage of content. Question 3 a. b. c. d. (2 X 15 = 30) Dramatic monologue and soliloquy. Origin of poetry. Figurative devises used in poetry. Sonnet and its types. SECTION D THREE Questions-60 Marks Direction: This section contains four questions. Choose any three. Marks will be awarded for clarity, preciseness and critical analysis. Question 4 (3 X 20 = 60) a. Given below is a poem by Maya Angelou. Show how you will teach Angelou’s “Caged Bird” to class VII students. Caged Bird A free bird leaps on the back of the wind and floats downstream till the current ends and dips his wing in the orange sun rays and dares to claim the sky. But a bird that stalks down his narrow cage can seldom see through © PCE Spring Semester Examination 2016 Page 3 of 5 his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. The free bird thinks of another breeze and the trade winds soft through the sighing trees and the fat worms waiting on a dawn bright lawn and he names the sky his own But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. b. Discuss any four approaches to teaching poetry. c. Discuss five elements of poetry. In what ways does modern poetry differ from traditional poems? (10 + 10) © PCE Spring Semester Examination 2016 Page 4 of 5 d. John Keats’ poem Ode to Autumn is taken from class IX English syllabus. Analyse and critic this poem. Analysis should include technical details like rhythm and rhyming patterns, figures of speech, form and overall mood of the poem. (20) Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eaves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease; For Summer has o'erbrimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twinèd flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,— While barrèd clouds bloom the soft-dying day And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river-sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft; And gathering swallows twitter in the skies. © PCE Spring Semester Examination 2016 Page 5 of 5
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