Hamartia [hah-mar-tee-uh] noun The character flaw or error of a tragic hero that leads to his downfall FINAL PRESENTATION My goal is to: Locate any sort of “hamartia” in each play: Who has the tragic flaw– where does it seem to reside? DISCUSSION Origin, root of terminology, history & background Hamartia’s role in popular literature Specifics & examples Conclusion ORIGIN Developed by Aristotle in 335 BCE First used in Aristotle’s work Poetics His analysis of tragedy constitutes the core of his discussion. HAMARTIA IN LITERATURE There are several famous displays of hamartia in literature. Some famous character flaws include: Oedipus was hasty in temper Samson was sensually devoted Macbeth was ambitious & Othello was proud and jealous CONTEMPORARY EXAMPLES Some modern examples of hamartia at play include: • Anakin Skywalker’s anger & angst (Star Wars) • Harvey Dent’s lack of forgiveness (Dark Knight) • & Cypher’s selfishness and treachery (Matrix) THE TRAGIC HERO The tragic hero is defined as someone who has achieved, or who has the ability to achieve greatness but who through a weakness or tragic flaw in their character, falls into the depths of misery and often to their death. KURTZ: “THE TRAGIC HERO” Kurtz’ weakness was that he lacked the ability to overcome adversities presented by the jungle. (i.e. insanity) Kurtz’ character flaw was that he was greedy and self-righteous. SPECIFICS On page 57 Marlow states why Kurtz went to the Congo in the first place. “I had heard that her engagement with Kurtz had been disapproved by her people. He wasn’t rich enough or something. He had given me some reason to infer that it was his impatience of comparative poverty that drove him out there.” This quote demonstrates Kurtz’ intent upon entering the Congo. He was motivated by money but only to earn the right to wed his intended bride. SPECIFICS On pages 54 & 55 examples of Kurtz’ character describe his personality before departing for the Congo. Kurtz’ cousin told Marlow that he could have been a “great musician.” • A journalist said Kurtz had the potential to be an excellent politician. “He could get himself to believe anything– anything. He would have been a splendid leader of an extreme party.” (pg 55) • No one could deny that whatever he was, and whatever he did, as • his cousin said, Kurtz was "a universal genius" (pg 54). SPECIFICS Finally Kurtz lost sight of the thin line between corruption and goodness; as described by the Russian trader on page 42. “I had a small lot of ivory the chief of that village near my house gave me. Well, he wanted it, (Kurtz) and wouldn’t hear reason. He declared he would shoot me unless I gave him the ivory and then cleared out.” He also says that Kurtz, “raided the country” Both are great examples of Kurtz’ greed at play. • • The Russian also adds “Kurtz got the Tribe to follow him” an example of his self-righteousness. SPECIFICS • Kurtz succombs to his character flaws in sickness, and his infamous last words solidify his demise, “the horror, the horror.” • It is tragic because Kurtz earned the money to buy his acceptance, but he never makes it back to Europe to wed his “intended” bride. MORELLO: “THE TRAGIC HERO” Morello’s weakness was that he was sensually devoted to his wife to the point that he was lacking in moral restraint and that he could not stand up to Dr. Balgon. Morello’s character flaw was that he was indecisive and tolerant. “One degree is not a large distance. On a compass it is scarcely the thickness of a fingernail. But in certain conditions, one degree can be a very large distance. Enough to unmake a man.” SPECIFICS Morello is established as a mindful and integral character from the very beginning. We know this because of his displays of affection: Towards his wife Towards the “infected” crewmember who he makes a special broth for. & by his contemplation of a life at the beginning of the story. SPECIFICS Morello witnesses Dr. Balgon feeding his own blood to the monster and says nothing to the captain or crew. • He does so before Dr. Balgon blackmails him with the cure. • He knowingly withholds this vital information. Although he is suspicious of Dr. Balgon in regards to the disappearances of two of his crewmates. His indecisiveness and tolerance get the best of him. • By staying silent about the doctors intentions he affirms our suspicion that he may be sensually devoted and morally conflicted by the thought of losing his wife. SPECIFICS • Morello states that “Claude was the devil himself.” Referring to the the doctor for the predicament he has put him in. • Morello chose to remain silent and allow his mates to die, thus making a vital judgement in error that ultimately brands him the play’s “tragic hero.” • Although Morello’s fate is left unstated whether or not he dies is irrelevant to this character’s role as the “tragic hero.” His time served as the monster’s intra venus may well have sufficed. FOOD FOR THOUGHT It is better to suffer injustice than to commit it. -Socrates From the Gorgias CONCLUSION What I have communicated to you: • The origin, history and root of hamartia • Examples of hamartia in popular literature • The character flaws of two seperate “tragic heroes.” • Specific examples of hamartia in both the Heart of Darkness & The mysterious Explorations of Jasper Morello THE END
© Copyright 2026 Paperzz