The Composer
is Dead
H A L L O W E E N C O N C E RT
Spooktacular Music and
Costume Concert
John Bytheway, narrator
TIMPANOGOS
SYMPHONY
ORCHESTRA
Season
Sponsor
Member FDIC
Friday, October 28, 2016 • 7 PM
Saturday, October 29, 2016 • 3 and 7 PM
Willowcreek Middle School
2275 West 300 North, Lehi
A Message from the Music Director
Dear Friends,
W
elcome to the Timpanogos
Symphony’s 2016 Halloween
concert. I’m very excited to bring
you today’s performance. Last year,
our Halloween concert exceeded our expectations. We had two enthusiastic, sold-out crowds
that made it a memorable performance for all of
us in the orchestra.
While searching around for a theme for this
concert, I came upon a piece of music, written for
narrator and orchestra, entitled The Composer is
Dead. I was intrigued when I learned that the
story was written by none other than Lemony
Snicket, the author of the rather famous books, A
Series of Unfortunate Events. I had seen the
movie, A Series of Unfortunate Events, starring Jim
Carrey, and had read some of the books to one of
my grandchildren. I enjoyed this type of humor
and was very pleased when I listened to a
recording of The Composer is Dead. I thought it
would be a great addition to a Halloween concert.
It is not only a bit spooky, but is also educational
and a lot of fun.
The premise of the story of The Composer is
Dead is that the composer has been murdered.
An inspector is called in to investigate this terrible
tragedy. Of course, the usual suspects happen to
be the members of the orchestra. Each section of
the orchestra is interrogated by the inspector to
see where they were on the night in question.
Through these interrogation episodes, the
audience is introduced to each section of the
orchestra with some fun, tongue-in-cheek dialogue
that reveals some long-standing traditions
(perhaps even folklore) about the personality and
traits of the members of the different sections of
the orchestra. I won’t reveal who is discovered to
be the culprit—you’ll have to stay tuned to learn
the identity of the malefactor in this fun-filled
murder mystery. I hope that you find this music
and narration both entertaining and enjoyable.
I also included some other music on the
program that I hope will get you in the mood for
Halloween. Some pieces are fun, popular music,
such as “Ghostbusters” and Pirates of the
Caribbean, while others are classical masterpieces
such as Wagner’s “Ride of the Valkyries” and
Mussorgsky’s Night on Bald Mountain.
I am delighted to again offer a family concert
where children of all ages are invited to attend.
Last year was the first time we had offered such a
concert and I was very interested to see how the
children would behave during the concert. I was
thrilled with the interest and attention of the
children. I hope we can repeat that level of
acceptance and enthusiasm this year. We are
repeating our costume parade, which will occur
during Night on Bald Mountain, and our
trick-or-treating, which will occur immediately
following the concert.
Thank you for your continued support and
enjoy the concert!
John Pew
Conductor and Music Director
Timpanogos Symphony Orchestra
John Pew
Director
Timpanogos Symphony
Orchestra
The Timpanogos Symphony Orchestra is funded in part by grants from the National Endowment
for the Arts, the George S. and Dolores Doré Eccles Foundation, the Utah Arts & Museums
Council, and the Rocky Mountain Power Foundation.
Rocky Mountain Power
Foundation
Concert Program
Selections from The Phantom of the Opera (1986)
Andrew Lloyd Webber (b. 1948)
Arranged by Calvin Custer
The Phantom of the Opera
Think of Me
“Witch’s Ride” from Hänsel and Gretel (1893)
Engelbert Humperdinck (1854-1921)
The Composer is Dead (2006)
Nathaniel Stookey (b. 1970)
Text by Lemony Snicket (b. 1970)
Narrator, John Bytheway
“Ride of the Valkyries” from Die Walküre (1856)
Richard Wagner (1813-1883)
“Ghostbusters” (1984)
Ray Parker, Jr. (b. 1954)
Arranged by Bill Holcombe
Night on Bald Mountain (1867)
Modest Mussorgsky (1839–1881)
Conducted by Douglas Pew
Pirates of the Caribbean: Dead Man’s Chest (2006)
Hans Zimmer (b. 1957)
Arranged by Paul Lavender
“Thriller” (1982)
Michael Jackson (1958-2009)
Arranged by Bill Holcombe
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Our Guest Performer
John Bytheway was born and raised in
Salt Lake City, and he served his mission in
the Philippines. Following his mission he
attended the University of Utah, and later
graduated from BYU.
John has taught the
Book of Mormon at
Brigham Young
University, and the
BYU Salt Lake Center
since 1996. In 2003,
he earned a Master’s
Degree in Religious
Education. He is the
author of more than
two dozen books and CDs many of which,
he says, are effective non-prescription
sleep-aids.
He loves to golf, write, read, and play the
banjo and guitar. John is a founding
member of the local chapter of the Andy
Griffith Show Re-run Watchers Club, and
does a “spot-on” impersonation of Deputy
Sheriff Barney Fife.
John was recently released as the bishop
of the Salt Lake Winder 10th Ward. John
and his wife Kimberly have six children and
a completely full SUV which doubles in
value when it’s full of gasoline.
Little things
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3
John Pew – Music Director
classics and movie music, and an evening of
classic rock.
Past soloists with the TSO have included
Richard Elliott, Principal Tabernacle Organist;
violinists Jenny Oaks Baker, Monte Belnap, and
Rosalie Macmillan; guitarist Lawrence Green;
vocalists Nathan Osmond and Melissa Heath;
pianists Jeffrey Shumway, Scott Holden, Robin
Hancock, Vedrana Subotic, David Glen Hatch,
John Pew is Music Director of the Timpanogos
Symphony Orchestra. He is an energetic
champion of live symphonic music known for
his warm rapport with audiences and
musicians alike and his genius for innovation
and education.
He has led the TSO since founding it in
2010. Now in its sixth season, the orchestra
has grown to include 75 musicians, an actively
engaged board of directors, and many
other volunteers who together donate
more than 10,000 hours each year to
bring symphonic music to north Utah
County.
Like John himself, the musicians in
the orchestra are unpaid. Selected by
audition, they nonetheless represent
different skill levels, from amateur to
professional. John is a master at keeping
all of them inspired and engaged,
forging personal connections and
leading rehearsals with a sense of energy and
abandon.
He is a tireless, enthusiastic teacher in
many settings. He educates audiences through
his choice of repertoire and program notes
and by taking the TSO and its music to
elementary schools and underserved
communities from Tooele to Nephi. He
reaches out to youth through the TSO’s
Aspiring Musicians Competition and by inviting
young musicians to play side-by-sides in the
orchestra. He stretches the orchestra by
programming a balance of challenging and
accessible music, by inviting professional
musicians to coach sections and to critique the
orchestra as a whole, and by featuring superb
guest soloists.
The TSO has gained a reputation among
community orchestras for excellent performance and innovative programming. Innovations have included new commissions,
performance premieres, and outside-the-box
programming such as an organ symphony,
music from the Baroque and classical periods,
family-friendly Halloween concerts, Broadway
and Josh Wright; and narrators Bruce Seely
and Lloyd Newell. Past concerts have included
performances with the Deseret Chamber
Singers and the Wasatch Chorale.
John’s passion can be traced to early
childhood; he began piano lessons at age five.
In high school he held season tickets to the
San Francisco Symphony Orchestra and began
to amass a large collection of classical scores
and recordings, spending countless hours
studying the masters. He studied piano with
Reid Nibley at Brigham Young University, but
pursued a career in software engineering. John
now works for SAP in Newtown Square,
Pennsylvania and telecommutes from his
home office in American Fork.
His prior posts include Assistant Conductor of the Santa Clara Chorale, Music Director
of the Oakland Temple Pageant, and Music
Director of the Temple Hill Symphony
Orchestra in Oakland, California, a position he
held for eight years.
John and his wife, Renee, reside in
American Fork, Utah, and are the parents of
five children.
4
Contributors
Gold Conductor’s
Circle ($5,000 - Up)
Anonymous (1)
Cherokee & Walker
Conductor’s Circle
($1,000 - $4,999)
Richard & Patricia Clyde
The Dorsey & Whitney
Foundation
Fidelity Charitable
Gift Fund
Kent & Karen Lundquist
Sandler O’Neill
& Partners, LP
Linda Sheffield
Scott L. &
Catherine B. Smith
Sponsor
($500 - $999)
Paulo & JaLayne Bangerter
The Benevity Community
Impact Fund
John & Sherry Kelley
Donor ($200 - $499)
Robert & Donna Bowman
Ives Wood Turning
Dean Smiley
Heidi Szoke
Kevin Whatcott & Jennifer
Stott Madsen-Whatcott
Contributor
($100 - $199)
Ted Barrat
Parley Belnap
Ed & Mary Busath
Joan Caldwell
Vicki Callister
Kay & Diane Christensen
Lawrence & Carole Clarke
Rachel Cutler
Roy & Kerrie Davis
Sandra Ellexon
Clyde & Kathy Farnes
Grant & Mary Gifford
Thomas & Donde Hayes
Ralph & Edy Howes
Dee & Kay Jacobs
Wesley & Wendy Jacobs
Shirley Lu
Matt & Laura Dawson
Peter & Barbara Dill
David & Pat Dixon
Grant & Gayle Drollinger
Cindy Dupaix
Sandra Ellexon
Greg & Teresa Fairbanks
Curtis & Phyllis Fillmore
Scott & Miriam Frazier
TSO Family
Bart Fuhriman
Members
Nate & Janelle Fuhriman
Angie Allen
Sandra Fyffe &
Kathryn Allen
Rebecca Hansen
Muriel Allridge
David & Nancy Gardner
Soren & Nina Rae
David & Fawn Geslisan
Anderson
Stephen & Janice Graham
Al Andrew
Chuck & Lori Graves
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Bruce Gunther
Drake Backman
Paul Gunther
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Russell Gunther
Callin Baker
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Jerome & Sandra
Tim Irwin
Broekhuijsen
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Chamberlain
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Cathie Miller
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Curtis Miner
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Smith
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Sterling Thomas
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JoAnn Tubb
Sarah Voisin
Fred Ward
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Scot Wiley
Teri Wilson
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Saturday, December 10, 2016
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Program Notes
Overture to Phantom of the Opera
Andrew Lloyd Webber (b. 1948)
Officially he is known now as The Right Honorable The Lord Lloyd-Webber, with a life peerage
and a knighthood. But when he completed his
first hit musical, Joseph and the Amazing Technicolor
Dreamcoat, in 1970, he was just Andrew Lloyd
Webber, son of a composer father and violinist
mother. From the time of that first major success,
Lloyd Webber has written a remarkable string of
tremendously successful musicals that have made
him a bona fide household name around the
world. For the Overture to one of his biggest hits,
The Phantom of the Opera from 1986, Lloyd
Webber channels all the Romantic-era drama,
tragedy, and passion of Gaston Leroux’s gothic
horror novel into a menacing orchestral prelude.
The Composer is Dead
Nathaniel Stookey (b. 1970) and
Lemony Snicket (b. 1970)
Under the pen name of “Lemony Snicket,”
American author Daniel Handler has written
numerous children’s books, including the highly
successful A Series of Unfortunate Events stories. In
2009, “Lemony Snicket” collaborated with
American composer Nathaniel Stookey on The
Composer Is Dead, a delightful murder mystery
that takes place within an orchestral performance.
Originally narrated by Snicket himself at the
premiere, it tells the story of an inspector who
interrogates each of the musical instruments in
the orchestra to find out which one of them killed
the composer. In the process, young audiences
(and older listeners, too!) are introduced to the
instruments, learning their sounds and capabilities
as the inspector attempts to uncover the real
truth about music by dead composers.
“Witch’s Ride” from Hänsel und Gretel
Engelbert Humperdinck (1854-1921)
The German Romantic composer Engelbert
Humperdinck is one of those classical “one-hit
wonders”—like Pachelbel, Holst, or Barberknown almost exclusively for a single piece of
music despite having written many other
compositions of equal or superior quality. For
Humperdinck, it was his first operetta, Hänsel und
Gretel, premiered two days before Christmas in
1893 (with Richard Strauss conducting), that
established his reputation. Based loosely on the
Grimm brothers’ version of the fairy tale, it was an
immediate success, and the “Evening Prayer” from
Act II became an independent success in its own
right.
Between the first two acts of this three-act
operetta, the orchestra plays the “Witch’s Ride” as
an interlude, capturing the innocence of the two
young children, the rustic simplicity of German
folk song, but most notably the dark foreboding of
a 19th-century German forest.
“Ride of the Valkyries”
from Die Walküre
Richard Wagner
The culmination of German composer Richard
Wagner’s aspirations as the creator of a
Gesamtkunstwerk or “total art work” was the
massive four-opera cycle known as the Ring of the
Nibelungs, produced in Wagner’s own purposebuilt theater in Bayreuth in 1876. One of the most
recognizable excerpts from this opera epic is “The
Ride of the Valkyries” from the second opera in
the cycle, Die Walküre, where fearless warrior
women gather to transport the souls of fallen
soldiers to Valhalla.This thrilling “ride,” with its
evocations burgeoning supernatural power, has
subsequently been used in many soundtracks,
from Birth of a Nation and What’s Opera Doc? to
The Simpsons and Apocalypse Now.
7
Program Notes
“Ghostbusters”
Ray Parker, Jr. (b. 1954)
The comedy film Ghostbusters was not only a
huge popular hit in the summer of 1984, it was
nominated for two Academy Awards. One of
the nominations was for “Best Original Song” for
the movie’s theme song, also titled “Ghostbusters,” which reached number one on
Billboard’s singles chart that same summer.
Written, produced, and performed (including
vocals and all instrumentals) by Ray Parker, Jr.,
the song “Ghostbusters” was crafted in a couple
of hours, and was modeled after the style of a
late-night TV advertising jingle. The song has
enjoyed continued popularity as a Halloween
favorite in the decades following the movie’s
release.
Night on Bald Mountain
Modest Mussorgsky (1839-81)
Of the five Russian composers who constituted
the “Mighty Handful” in the late 19th centuryBalakirev, Borodin, Cui, Mussorgsky, and
Rimsky-Korsakov—all but one were amateurs.
And of this group, Mussorgsky (who worked as
a clerk in the Forestry Department) had the
least amount of formal training in music. Despite
this lack of expertise, it was Mussorgsky’s music
that became widely known internationally,
producing some of the most famous compositions to emerge from 19th-century Russia:
Pictures at an Exhibition, the operas Boris
Godunov and Khovanschchina, and probably his
best-known work, Night on Bald Mountain.
Mussorgsky wrote several versions of this tone
poem about a witches’ Sabbath, none of which
were performed during his lifetime. It wasn’t
until after Mussorgsky died that RimskyKorsakov fashioned an orchestral version based
d on his friend’s score. The work quickly becam
e very popular, even more so when it wa
s included in the 1940 Disney movie Fantasia (in
a new arrangement by Leopold Stokowski
8
Pirates of the Caribbean
Hans Zimmer
Hans Zimmer started his career as a pop
musician, and through that experience was one
of the leaders in introducing electronic music
into film scores. Some of his earlier film scores
fused electronics with traditional orchestral
scoring, though more recently his scores have
tended to be more strictly orchestral. Nominated ten times for an Oscar, his only win came
for the score to the 1994 hit movie The Lion
King.
When Jerry Bruckheimer finished filming
Pirates of the Caribbean in 2003, he asked
Zimmer to provide a soundtrack. Zimmer was
busy wrapping up an earlier project, but worked
closely with Klaus Badelt on the soundtrack,
contributing some of the main themes for the
first installment of the Pirates franchise.
Bruckheimer managed to get Zimmer on board
completely when he made Dead Man’s Chest in
2006, and Zimmer also wrote the scores for the
next two Pirates of the Caribbean movies, At
World’s End and On Stranger Tides.
“Thriller”
Michael Jackson (1958-2009)
Michael Jackson was unquestionably one of the
most innovative and influential pop musicians of
the last fifty years, achieving in his early twenties
the same towering status as Elvis and The
Beatles. Jackson’s Thriller album, released in 1982,
won eight Grammy awards, and remains the
best-selling album in history—over 65 million
copies sold worldwide. A Halloween-themed
performance of the album’s title song was
turned into a now-classic 14-minute video the
following year, and the song itself (written by
Rod Temperton and produced by Quincy Jones)
was released as a single in 1984. In the extended
music video, “Thriller” formed the centerpiece of
a horror-movie narrative, complete with iconic
zombie choreography that has become a
celebrated symbol of the 1980s.
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10
Members of the Orchestra
Conductor
John Pew
Associate
Conductor
Douglas Pew
1st Violin
Kristi Jenkins*
Whitney Armantrout
Tristyn Farrington
Beverly Hansen
Gae Lyn Henderson
Linda Jankowski
Kathryn Moore
Diane Peterson
Janae Pew
Kaitlin Rackham
Bonnie Whetten
Sophie Wilson
2nd Violin
Dianne Freestone*
Dan Belnap
Rachel Ebeling
Jenn Fetzer
Miriam Frazier
Michelle Jones
Michael Laudie
Jennifer Lew
Marcia Smith
Laura Tingey
Viola
Britney Anglesey*
Libby Halbrook
Christina Hall
Clarissa Mortensen
Cami Turpin
Emma Wood
Cello
Dorothy Olsen*
Rachel Bigelow
Rachel Cutler
Rachel Hoffman
Rachel Poulsen
Don Sherwood
Alexis Watson
Bass
Bob Lee*
Peter Burnett
Nathan Ives
Rynell Lewis
Flute
Hillary Kimball*
Anjanette Butler
Nancy Jacobs
Oboe
Stephanie Simper*
Kerrie Davis
English Horn
Luca de la Florin
Clarinet
Jonathan Belnap*
April Burger
Bass Clarinet
Gary Miner
Bassoon
Christy Eisley*
Christine Roach
French Horn
Brad Freestone*
Roxanna Chipman
Tova Leigh-Choate
Aaron Price
Rex Ripplinger
Emilia Williams
Trumpet
Marcia Harris*
Ben Russell
Harold Henderson
Trombone
Mike Burger*
Dustin Fuller
Richard Ross
Justin Slack
Tuba
Paul Sorenson
Harp
Julie Staples
Timpani
Paul Worthen
Percussion
Camille Barlow
Paige Beal
Whitney Christensen
*Principal
Supporting the TSO is supporting not only this small organization but it's the whole community that surrounds it. You're
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Jeffery Pew - Guest Artist
community great.
11
Concert Etiquette
Thank you for joining us this evening. As a
member of the audience, you are an
important part of tonight’s concert. As a
courtesy, please observe the following
rules of concert etiquette:
• Arrive on time. If you are late, an
usher will seat you during a break in the
performance.
• Remain seated while the performance
is in progress. If you must leave before the
performance is over, please wait until a
piece is finished and the audience is
applauding.
• If young children disrupt others' ability
to listen, please take them from the
auditorium until they are quiet.
• Refrain from talking during the
performance and be thoughtful of others
by keeping programs, jewelry, candy
wrappers, and electronic devices silent.
• Watch the conductor when the music
stops to decide whether or not to
applaud. Some musical works have several
movements and the audience applauds
only after all movements have been
performed.
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12
13
Behind the Scenes
Symphony Board of Directors
John Pew
Penny Lee
Paul Baird
Annette Miner
Mary Busath
Gary Miner
Brad Freestone
Lancy Pyper
Christina Hall
Lindsey South
Rachel Hoffman
TSO Promotional
Design
Keoki Williams
www.keokidesign.com
[email protected]
Symphony Logistics
Denise Angus
Pam Bodtcher
Renee Pew
Concert Manager
Mary Busath
Mission Statement
The mission of the Timpanogos Symphony Orchestra is to present high-caliber performances which inspire musicians and audiences alike; to nurture understanding and
appreciation of symphonic music; and to enrich the cultural life of the greater Utah
County community.
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