Presents
RICHARD PRYOR: OMIT THE LOGIC
Directed by Marina Zenovich
This moving portrait of legendary comedian Richard Pryor chronicles his life from his troubled youth in Peoria, Illinois,
to his meteoric rise as one of the most respected comic actors of the 20th century. Often misunderstood during the
height of his celebrity, the late superstar has never been profiled this extensively. Marina Zenovich’s revealing and
entertaining film lays bare the demons with which he struggled and reminds us just how daring and dangerous artistic
freedom can be.
Tribeca Film Festival Screenings
Tuesday, April 23, 9:30 PM – SVA 1, NYC (First Public Screening)
Wednesday, April 24, 6:00 PM – SVA 1, NYC (Second Public Screening and Panel to follow)
Thursday, April 25, 9:00 AM – Clearview Chelsea Cinemas 4, NYC (First P&I Screening)
Friday, April 26, 12:00 PM – Clearview Chelsea Cinemas 8, NYC (Second P&I Screening)
Saturday, April 27, 10:00 PM – AMC Loews Village 2, NYC (Third Public Screening)
Director Marina Zenovich and subjects from the film, including Jennifer Pryor, will be in attendance and available for
th.
interviews on Wednesday, April 24 To schedule interviews or for more information, please contact:
John Murphy
[email protected]
o: 212-414-0408
c: 646-369-0317
Russ Posternak
[email protected]
o: 212-414-0408
c: 914-400-7025
For more information please visit: http://www.tribecafilm.com/filmguide/513a83c0c07f5d471300036erichard-pryor-omit-the-lo
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Synopsis
Short
A new look at the life of Richard Pryor, one of America's greatest comedians. A man of huge gifts and
extraordinary flaws, Pryor transformed the way blacks and whites saw each other. With never-beforeseen footage and interviews with comic legends, Marina Zenovich captures Pryor's magic, allowing fans,
both old and new, to rediscover the iconic comedian.
Long
Emmy Award-Winning director Marina Zenovich takes a new look at the life of Richard Pryor, one of
America's greatest and most gifted comedians. Pryor's comedy -- a blend of brutal honesty, dead-on
observation and sheer surrealism – grew from a life that was at turns comic and tragic. A master truth
teller, a man of huge gifts and extraordinary flaws, a lightning quick artist who lived close to the edge,
Richard Pryor used comedy to transform the way blacks and whites saw each other, in a way which still
rings true today. Using never-before-seen performance and talk-show appearances, coupled with
revealing interviews with comic legends, Zenovich revives Richard Pryor’s genius for a new generation.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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A Q&A with Director Marina Zenovich
How did Showtime’s RICHARD PRYOR: OMIT THE LOGIC first come together?
I was approached by Joan Boorstein from Showtime who were lining up projects for their newly launched
“Sho Closeup” documentary banner. They had a great inaugural documentary in the works and were
excited about the team on RICHARD PRYOR: OMIT THE LOGIC which included Roy Ackerman, an
English producer who now runs Jamie Oliver's company, Fresh One. He and Nick Fraser, of the BBC,
initially approached me with their idea to make a film about Richard Pryor and thought I might be a good
fit because of my prior work on Roman Polanski: Wanted and Desired. Roy came to LA and we met up
with Jennifer Pryor, Richard Pryor’s widow and the caretaker of his estate, and gave her our pitch.
Were you a fan of his work before?
I was a huge fan of Richard Pryor. It’s true that he remains a legendary comedian who broke barriers and
expanded the envelope when it came to racial equality in Hollywood, but I, like his millions of fans, loved
him because he was great entertainer. I can still remember the feeling I had watching LIVE IN
CONCERT when I was a teenager. Richard's energy is riveting and he still remains thrilling and vital.
When you are watching Richard Pryor, you literally can't take your eyes off him.
Was his family receptive to the idea?
I think they had been approached a few times but were waiting for the right team to come along. When
we met with Jennifer Pryor I was lucky in that she had not only seen ROMAN POLANSKI: WANTED AND
DESIRED but had also seen a film I did called WHO IS BERNARD TAPIE? about my fascination with this
French character called Bernard Tapie. So she had an idea of the range in my work. Roy is also a huge
Pryor fan and I think she responded to his enthusiasm.
When did you first start filming and gathering footage and when did you wrap production?
We first met Jennifer in 2009. We did some filming in 2011 but did the bulk of the filming from May to
November of 2012. We started editing in August of that year and are just wrapping up now.
Why do you think Richard Pryor is a good subject for a documentary?
He changed comedy forever. And he’s extremely controversial, incredibly honest and very funny. What
more could you ask for? More broadly, I also wanted to peel away the icon and the tabloid image of
Richard Pryor and find the human being within. His life is really an extraordinary story. From his being
reared in a brothel, to his marriages, his very public battle with his dark demons to his superstar film
status, you just can’t make this stuff up.
What are you hoping to convey about him with this film?
I want people to know his place in entertainment history. His groundbreaking controversial talent moved
our culture forward and blasted away rigid racial barriers. He was a first. I also wanted to show younger
people that before Chris Rock and Dave Chappelle, there was Richard Pryor.
Do you expect the film to change how viewers look at Richard Pryor?
I hope so. People tell me that they always loved Richard and his work but were not aware of his
trailblazing status. Perhaps part of that is because his work has not aged at all and it still crackles with
contemporary relevance. His concerts still connect with audiences in the same vital way they did thirty
years ago. I hope this film will make people understand him better and seek out his recordings and films.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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As a filmmaker, what was the greatest creative challenge you encountered while making RICHARD
PRYOR: OMIT THE LOGIC?
When you have someone like Richard Pryor, who had best selling concert albums, blockbuster movies, a
television show (albeit a short lived one) and was frequently tabloid and news fodder, it can be a
tremendous editing challenge. My editor and I had to juggle between the on-air comedy routines, the
acting roles, the audio routines and interview material. When we had an early test screening, people said
"we want more Richard." It is almost like people just want to see him telling stories.
What aspect of the film are you most excited about?
I am excited to screen it for an audience in front of some of Richard's friends and family. You can never
please everyone with a film but we hope we did a good job of showing who he really was.
You’re known for your biographical documentary films, including Roman Polanski: Wanted and
Desired. What draws you to making this type of film?
I'm drawn to fascinating men. Not that I am not drawn to women -- but there is something about difficult
men that interests me. I also like survivors. And Richard Pryor is the ultimate survivor.
Do you see any similar characteristics in Roman and Richard?
I am fascinated by people with epic lives. Roman Polanski falls into that category and so does Richard
Pryor. The film I made before WANTED AND DESIRED was about a difficult French man, Bernard Tapie.
It has kind of become what I do.
Is this your first time at the Tribeca Film Festival?
As a filmmaker, yes. I attended the festival several years ago when I lived in NY.
What are you hoping to accomplish at the festival?
I'm so excited to share the film with New York audiences.
This film has the energy and vitality of New York City. And hey, it’s where Richard Pryor started out. So
in a way he is coming full circle.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Biographies
Marina Zenovich
Director
Showtime’s Richard Pryor: Omit The Logic is Marina Zenovich’s most recent project. Her last film
was Roman Polanski: Odd Man Out which played at the 2012 Toronto and New York Film Festivals.
Odd Man Out is a follow-up to Marina’s 2008 film Roman Polanski: Wanted and Desired
(TWC/HBO/BBC). Wanted and Desired premiered at the 2008 Sundance Film Festival to great acclaim
and considerable media attention. It also won the award for Best Editing. It then screened at the Cannes
Film Festival as a Special Screening.
Soon afterwards, Roman Polanski’s lawyers used Marina’s film as evidence to reopen the 30
year old case.
Wanted and Desired was selected by the National Board of Review as one of the Best
Documentaries of 2008. The film also won Emmys for Outstanding Directing for Nonfiction Programming
and Outstanding Writing for Nonfiction Programming (shared with Joe Bini & P.G. Morgan.)
Marina’s past work includes: Who is Bernard Tapie? about the French former politician convicted
criminal turned actor and her fascination with him; Independent's Day about the struggles of independent
filmmakers set in Park City, Utah, and Estonia Dreams of Eurovision! about the wacky world of Tallin,
Estonia as it prepares to host the Eurovision Song Contest.
Chris A. Peterson
Editor
Film editor Chris A. Peterson has cut over a dozen award-winning feature films and more than a
hundred television, independent and commercial projects. Recent feature film work includes CHAINED,
directed by Jennifer Lynch (BOXING HELENA) and starring Vincent D'Onofrio, and OFF SEASON,
starring Rick Fox and Eliza Dushku. Chris also edited on TNT’s hit series “Leverage”, produced by Dean
Devlin (INDEPENDENCE DAY) and the award-winning indy MISS NOBODY, starring Adam Goldberg,
Leslie Bibb and Vivica Fox, and is currently airing on Showtime.
Chris’ feature documentary work notably include Sony Pictures’ acclaimed "Who Killed the
Electric Car?”, official selection at the Sundance Film Festival and the follow up 2011 documentary
"Revenge of the Electric Car", which premiered at the Tribeca Film Festival and won the Environmental
Media Award for Best Documentary. In 2010, Chris won an Emmy Award for his editorial storytelling on
the PBS Korean War documentary “Hold At All Costs”.
P.G. Morgan
Writer/Consulting Producer
P.G. Morgan won an Emmy for Outstanding Non-Fiction Writing for 'Roman Polanski: Wanted
and Desired' (HBO/BBC). Other recent writer/producer credits include : 'Revenge of the Electric Car'
(PBS), 'Intervention' (A+E) and 'Roman Polanski: Odd Man Out' (Showtime).
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Sara Hutchison
Producer
Sara's production credits include: Roman Polanski: Odd Man Out (Showtime); Revenge of the
Electric Car (Independent Lens); Last Will & Testament (Centropolis Entertainment); When Strangers
Click (HBO); The Presidents (History Channel); California Forever (PBS); and Adventures in
Time (National Geographic). Her entertainment career began at National Geographic Television as part
of the Emmy-award-winning team responsible for primetime documentary specials on NBC and PBS.
She has since been involved in the development and production of a range of television series and
independent films with a particular passion for character-driven documentary storytelling. Sara currently
serves on the Documentary Peer Group Executive Committee for the Academy of Television Arts and
Sciences and is an active member of the DGA.
Roy Ackerman
Executive Producer
Roy Ackerman is Managing Director of Fresh One Productions (the company set up by Jamie
Oliver) after taking Diverse Production from a niche U.K. indie to an, award-winning and innovative
company with impact world-wide. Credits include the recent prize-winning Dream School C4) the
programme which launched a parliamentary session and is now being made in the USA and South Africa
and developed in 6 major territories, two seasons of the Emmy-winning Jamie Oliver’s Food Revolution
(ABC).
Amongst his credits are BAFTA nominated drama Mrs. Mandela and the hit David Tennant drama
series Spies of Warsaw, theatrical hits Reagan: American Idol (Emmy Award), Gonzo: The Life and Work
of Dr. Hunter S. Thompson; Sundance Grand Jury Award winner and Oscar Shortlisted The House I Live
In (2012), Sundance Grand Jury Award winner Why We Fight and The Trials of Henry Kissinger. The hit
arts format and winner of RTS Broadcast Prix Italia and other awards, Operatunity; acclaimed arts series
Musicality, Ballet Changed My Life, Play It Again, Streetdance, How to be a Composer and Orchestra
United. Factual Entertainment series RTS winner Last Chance Kids (C4) , Rocket Science (BBC2) , The
Rich List and The Rich List Give It Away (ITV), The Channel Four Mash-up, Badger or Bust (Sky1),
Shalom in the Home (TLC), Codex, Ex Files (C4) Be a Grand Prix Driver (Five/Discovery UK). He recently
was EP on the Idris Elba specials How Hip Hop Changed the World and How Clubbing Changed the
th
World and the forthcoming acclaimed story of 20 century music The Sound and the Fury, premiered at
London’s South Bank
Award winning documentaries include BAFTA winner 100% White, BAFTA shortlisted
Battlecentre, multi-award winner House of War, BAFTA-winning BBC1 epic Tsunami: 7 Hours on Boxing
Day; the RTS and Banff award-winning After The War: Conquering Germany (BBC2); RTS awardwinning Not Cricket (BBC4/2); the RTS Shortlisted docu-drama Killing Hitler (BBC2/History Channel); the
Grierson shortlisted drama Our Hidden Lives and The Last Border (winner of Best Documentary at the
Berlin Film Festival) and as a director the award winning Secret Lives – Jeremy Thorpe and Volvo City.
Doc series include Flooded Kingdoms of the Ice Age (C4/TLC), International Emmy-winning The
Phil; RTS short listed Status Anxiety: Philosophy - A Guide to Happiness, Fat Man in a White Hat, Soldier
Town, The Gambler, In Your Dreams and The Essential Guide to Bosnia, Britain BC, Britain AD, The Real
Dad's Army, Who're you Calling Stupid (TLC).
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Jennifer Lee Pryor
Executive Producer
Jennifer Lee Pryor is an actress, writer, producer, and Executive Producer of Omit the Logic. She
is the widow of Richard Pryor, to whom she was married twice. She worked with Pryor on an abundance
of projects during the course of their 35-year-relationship, including his most popular concert films,
several anthologies, and the award-winning box set, And It’s Deep Too.
Jennifer is author of Tarnished Angel, Surviving the Dark Curve of Drugs, Violence, Sex and
Fame. She is at work on her second book, which details her life with Richard after his diagnosis of
multiple sclerosis, and a bio-pic of Richard’s life, co-produced with Forest Whitaker.
Her other projects include producing the special, I Ain’t Dead Yet, M*#*F*#* for Comedy Central,
and another box set of Richard’s work for release this spring on the Shout label, No Pryor Restraint: Life
In Concert.
She is the director and founder of Pryor’s Planet, a non-profit animal rescue organization that she
and Richard established together.
Erin Davis
Music Producer
Erin Davis, son of late jazz icon Miles Davis, is an LA-based musician/producer/composer who
heads production company Ghost Media, artist management company Davis Artists Group, and runs
Miles Davis Properties, LLC along with his sister (Cheryl Davis) and his cousin (Vince Wilburn, Jr.). Erin
has toured with Miles and has also recorded with him.
Mocean Worker
Music Composer
Mocean Worker's score and placement credits include The Devil Wears Prada, The Bourne
Supremacy, CSI and Six Feet Under as well as providing music for documentaries such as Client 9 - The
Eliot Spitzer Story, Who Killed The Electric Car, HBO's award winning Weight Of The Nation and Inside
Deep Throat.
MOWO! - as his friends call him - started working professionally in this lovely entertainment
business as a session bassist at 15 years of age and has worked with a very varied collection of artists
including Luther Vandross, John Cale, Brian Eno, Youssou N'Dour, and Laurie Anderson.
As a re-mixer, you may have seen his work in Mr and Mrs. Smith – when Brad and Angelina beat
the crap out of each other to his remix of Charles Wright's Express Yourself (he's still never been called
and thanked for creating the soundtrack to their young romance). For those interested, Mocean is
pronounced "Motion".
If you happen to meet Mocean Worker in person, you can call him Adam as he is also known as
Adam Dorn.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Amine Ramer
Music Supervisor, States of Sound
Amine Ramer has done music supervision for film, (features and documentaries) television, instore & ad campaigns. Clients and credits include: Weeds, (Emmy Winner) Food Inc, (Oscar Nominated)
The Losers, Revenge of the Electric Car, Entitled, For A Good Time Call, Boys & Girls Guide To Getting
Down, the Olsen Twins, Blackberry, Cadillac and Heineken.
Realizing the value of her musical palate, Ramer has carved out a successful career in music
supervision for film and television. Ramer created the platform, which enabled her to work with film and
television heavyweights Lions Gate, HBO, Showtime, Warner Bros, Focus Features, and NBC among
others.
In 2005, Ramer partnered with Alexina Matisse and founded States of Sound; a full service
boutique agency providing music supervision for major studio and independent films, documentaries and
television.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Production Credits
A film by
MARINA ZENOVICH
Music by
MOCEAN WORKER
Music produced by
ERIN DAVIS
Music Supervisor
AMINÉ RAMER
Director of Photography
CHRISTINE BURRILL
Edited by
CHRIS A. PETERSON
Written by
P.G. MORGAN
CHRIS A. PETERSON
MARINA ZENOVICH
Produced by
SARA HUTCHISON
Executive Producers
ROY ACKERMAN
JENNIFER LEE PRYOR
Directed by
MARINA ZENOVICH
EXECUTIVE PRODUCER FOR THE BBC
Nick Fraser
CONSULTING PRODUCER
P.G. Morgan
ASSOCIATE PRODUCERS
Mark Cope
Stephanie Johnson
Grace Willen
ADDITIONAL CAMERA
Thaddeus Wadleigh
Grant James
Michael Negrin
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Tim Newman
Keith Walker
ASSISTANT CAMERA
Marc Shap
PRODUCTION SOUND
Jon K. Oh
Tyler Bender
Paul Buscemi
Jim Choi
K.C. Clayton
Doug Dunderdale
Hayden Jackson
Mark Maloof
HAIR AND MAKEUP
Mirj Sofro
Nicole Bolin
Luann Claps
Heather Coopersmith
Claire Doyle
Marianna Elias
Nancie Marsalis
Marlene Williams
Lisa Zomer
DATA TECHNICIANS
Mark Cope
Kiazad Ehya
Patrick Kollman
Enzo Sica
Lars Ullberg
PRODUCTION ASSISTANTS
Nicole Aprea
Melanie Booth
Jelena Mrdja
Kiazad Ehya
LOCATION COORDINATOR - PEORIA, IL
Doug Leunig
PRODUCTION INTERN
Deshaun Thompson
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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ADDITIONAL EDITING
John Sandlin
ASSISTANT EDITOR
Mark Cope
DIGITAL INTERMEDIATE SERVICES BY
Siren Digital
DIGITAL INTERMEDIATE PRODUCER
J.E. Moore
DIGITAL FILM COLORIST
Michael Eaves
DIGITAL INTERMEDIATE CONSULTANT
Jeff Brue
CONFORM ARTIST
Daniel Hasenstaub
ASSISTANT CONFORM ARTIST
Charles Hildreth
EXECUTIVE PRODUCER – SIREN DIGITAL
Kyle Dean Jackson
SOUND SUPERVISOR
Christopher Sheldon
RE-RECORDING MIXER
Yagmur Kaplan
FOLEY SUPERVISOR
Gregg Teutonico
FOLEY EDITOR
Alex Ma
POST SOUND ASSISTANT
Andrew Liu
MOTION GRAPHICS
Dan Wilken
GRAPHICS CONSULTANT
Nicole Ellingson
TRANSCRIBERS
Michael Chinnici
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Trisha Chinnici
Julian Clark
Gisela M. Perez
Laura Wheeler
ARCHIVE RESEARCH AND CLEARANCES
Grace Willen
RESEARCH CONSULTANT
Michelle Sullivan
CLEARANCE LEGAL SERVICES
Lisa A. Callif
Donaldson + Callif, LLP
ADDITIONAL LEGAL SERVICES
Linda Lichter
Lichter, Grossman, Nichols, Adler & Feldman, Inc.
INSURANCE SERVICES
Carlos Lavin
DeWitt Stern
ACCOUNTING
Greg Wallace, CPA
Erin Wallace, CPA
HEAD OF OPERATIONS – FRESH ONE
Jo Ralling
LEGAL SERVICES – FRESH ONE
Nicola Hartley
Mauny Wright
LEGAL SERVICES - JENNIFER LEE PRYOR
Sheri Jeffrey
ACCOUNTING – FRESH ONE
Kirsten Hemingway
STILL IMAGES COURTESY OF
AP Images
© Peter C. Borsari
Corbis Images
Getty Images
Globe Photos, Inc.
© 1978 Gunther/mptvimages.com
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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Michael Jacobs
Mayme A. Clayton Library And Museum
Polaris Images
The Estate of Richard Pryor
Rex USA
Steve Schapiro
Mitzi Shore and The World Famous Comedy Store
Dan Winters
Zuma Press, Inc.
MOVING IMAGES COURTESY OF
The Estate of Aaron Russo
ABCNEWS Videosource
Burt Sugarman
Carson Entertainment Group
CNN
Full Circle Films and C.A.G.G. Partners
Getty Images
Jonathan Wilson c/o Ryan Jansen
Kert Gartner
NBC Universal Archives
Oddball Film + Video
Research Video, Inc.
Saul Rouda Film Archive
Mitzi Shore and The World Famous Comedy Store
Soul Train Holdings, LLC
T3Media
The Weinstein Company
“Jo Jo Dancer, Your Life Is Calling”
“Richard Pryor Live On The Sunset Strip”
“Richard Pryor Here And Now”
“Stir Crazy”
“The Toy”
“Wattstax”
Courtesy Of Columbia Pictures
“The Merv Griffin Show”
Licensed courtesy of
Reelin’ in the Years Productions, LLC
“The Mike Douglas Show”
Courtesy of CBS Television Distribution
“Richard Pryor: I Ain't Dead Yet, #*%$#@!!” Courtesy of Comedy Central
©2003 Comedy Partners. All rights reserved.
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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“Richard Pryor Live In Concert”
©1979 Gary Biller
ADDITIONAL MATERIALS
Arizona Republic/Gannett Company, Inc.
Arthur Hiller
Billboard/Prometheus Global Media
Broadway Video
Emile de Antonio Productions
GLBT Historical Society
Harbor Productions, Inc./New Line Cinema
Harry Benson
Ivory/JET/Johnson Publishing
Ken Goldstein/Steel Blue Horizon
Hollywood Reporter/ Prometheus Global Media
LA Herald Examiner/Hearst Communications Inc.
Las Vegas Review Journal/Stephens Media
Las Vegas Sun/Greenspun Media Group
Los Angeles Times/Tribune Company
Michael Lovesmith
New York Times
Newsweek
Orange County Register/Freedom Communications, Inc.
Paramount Pictures
People/Time Inc.
Rashon Khan
The Estate of Richard Pryor
Rocco Urbisci
Sandy Gallin
Stanford University Special Collections
Synergy Entertainment
Tucson Citizen/Gannett Company, Inc.
Twentieth Century Fox Film Corporation
Universal Pictures
Variety/Penske Media Corporation
Victoria Advocate Publishing
Warner Bros. Entertainment Inc.
Warner Bros. Records
The Weinstein Company
ADDITIONAL MUSIC
“You're the Man”
Performed by Marvin Gaye
Written by Marvin Gaye and Kenneth Stover
Courtesy of Motown Records
Under license from Universal Music Enterprises
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
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“Life's a Game of Give and Take”
Performed by Marvin Gaye
Written by Marvin Gaye
Courtesy of Motown Records
Under license from Universal Music Enterprises
“Baby Save Me”
Performed by MoZella
Written by Maureen McDonald and Brian Holland
Courtesy of Belle Isle Records/Beverly Martel
“Blue in Green”
Performed by Miles Davis
Written by Miles Davis
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
“Feio”
Performed by Miles Davis
Written by Wayne Shorter
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
“Stand Up” featuring Lee Fields
Performed by The Sugarman Three
Written by Neal Sugarman
Courtesy of Daptone Records
“So What”
Performed by Miles Davis
Written by Miles Davis
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
“Pow”
Performed by Beastie Boys
Written by Adam Horovitz, Diamond Michael Louis, Mark Ramos Nishita and Adam Nathaniel Yauch
Courtesy of Capitol Records, LLC and Beastie Boys
Under license from Universal Music Enterprises
“Pre Rhod Edit”
Performed by Poets of Rhythm
Written by J. Whitefield, M. Whitefield and B. Baral
Courtesy of Now-Again Records
“Safari Strut Demo”
Performed by Whitefield Brothers
Written by J. Whitefield
RICHARD PRYOR: OMIT THE LOGIC
Production Notes
Page 16
Courtesy of Now-Again Records
“My Home”
Performed by Nneka
Written by Nneka Egbuna and Farhad Samadzada
Courtesy of Decon Records
“Vegas Say So”
Performed by Leland Bond
Written by Leland Bond
Courtesy of Sounds Right Music LLC
© 2013. Fresh One Productions.
All rights reserved.
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This motion picture is protected under the laws of the United States, Canada and other countries,
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