Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The Perception and Expression of Metaphor as a Function of Intellectual Level and Cognitive Style. Joel Washington Chapman Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: http://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Chapman, Joel Washington, "The Perception and Expression of Metaphor as a Function of Intellectual Level and Cognitive Style." (1971). LSU Historical Dissertations and Theses. 2102. http://digitalcommons.lsu.edu/gradschool_disstheses/2102 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. I I 72-1+394 CHAPMAN, Joel Washington, 1944THE PERCEPTION AND EXPRESSION OF METAPHOR AS A FUNCTION OF INTELLECTUAL LEVEL AND COGNITIVE STYLE. Georgia State University - School of Arts and Sciences, Ph.D., 1971 Psychology, clinical University Microfilms, A XEROX Company, Ann Arbor, Michigan THE PERCEPTION AND EXPRESSION OF M E T A P H O R AS A FUNCTION OF INT ELLECTUAL LEVEL AND C O G N I T I V E STYLE A DISSERTATION Presented in Par ti al Fulfillment of R e q u ir em ents for the Degree Doctor of Philosophy in the Division of Graduate Studies, School of Arts and Sciences, Georgia State U n i v e r s i t y 1971 By Joel Washington Cha pman Committee In p r e s e n t i n g this thesis as a p a r t i a l fulfillment of the requireme nts for an advanced degree from Geo rg ia State Uni versity, I agree that the Li br ar y of the University shall make it available for inspe cti on and ci rcu lat ion in a c c o r dance with its regulations g o v e r n i n g ma ter ials of this type. I agree that permission to quote from, to copy from, or to publish this thesis may be g r a n t e d by the autho r or, in his absence, by the Dean of the G r a d u a t e Division. Such quoting, copying, or publicati on must be s o l e l y for scholar ly p u r poses and does not involve p o t e n t i a l financial gain. It is under st oo d that any copying from o r pu bl ic a t i o n of this the sis which involves pot ential f inan ci al gain will not be al lowed w i th ou t written p e r m i s s i o n of the author. Signature of /yuthor PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS ACKNOWLEDGEMENTS The w r i t e r wishes to thank Dr. Ray C r add ic k c o n s t a n t support of the res ea rc h and his v a l u a b l e cisms of the paper. Dr. Joen criti Apprecia tio n is also e x p r e s s e d toward Fagan and Dr. B er nhar d Kempler for t h e i r aid in c o n s t r u c t i n g the study's desi gn and toward Mr. Mr. for his Mike Jordan, Finn Bille, and Miss Joan Barnes for t h e i r assista nc e in o b t a i n i n g inter-judge reliabilities. iii TABLE OF CONTEN TS Ch apt er I, INTRODUCTION Page ............................................ 1 II. M E T H O D .................................................. 30 III. R E S U L T S ................................................ 45 D I S C U S S I O N ................. 60 S U M M A R Y ................................................ 64 R E F E R E N C E S .................................................... 67 A P P E N D I X E S .................................................... 73 IV. V. iv LIST OF TABLES Table Page 1. Median Ratings o f MPS Items 2. Mean Age, Range and Dis tribution of Sexes ..................... in Each Group . . . . . . . . . 42 Mean Es ti mate d WA I S Verbal IQ Scores for Low and High Gro up s and Cognitive Styles I and I I I ...................................... 43 4. Mean Scores on the MPS ............ 46 5. Summary of A n a l y s i s of Variance of the MPS Scores (C og ni t i v e Style X IQ) . . . . . . . . . 47 Pearson C o e f f i c i e n t s of Co rrelation Between IQ and MPS S c o r e s ....................... 48 Mean MPS Score for Each Peak Experience R a t i n g ............................................... 50 Frequencies of Ratings on Essays for Each Cognitive Leve l Group ................. . . . . . . . 51 Correlation Ratio s (Nyx) Between S s 1 MPS and Peak E x p e r i e n c e Essay Scores 52 3. 6. 7. 8. 9. . . . . . . . . . . . . 10. Median Ratings 11. Means and S t a n d a r d Deviations of Shipley Vocabulary, A n a l o g y and Total Raw Scores for Each G r o u p ................... 56 Pearson Co ef f i c i e n t s of Co rre lat ion Between MPS Scores and Shipley Voc abulary, Anal ogy and Total Raw Scores for Each G r o u p ................ 57 12. on Peak Expe rie nce Essays .......... 34 54 CHAPTER I INTRODUCTION The pre se nt study is an initial step in the search for c l e a r e r un de rstan di ng of m e t a p h o r format io n- -i ts und er ly in g p s y c h o l o g i c a l processes. The creation of m e t a p h o r is c o nc ep t u a l i z e d as a cognitive activity which b o t h fil te rs p erc eptual and c o n c e p t u a l stimuli and creates, thro ug h the m e d i u m of langua ge , a different interpretation of one's cogn it iv e world. It is h y p o t h e s i z e d that perception and e x p r e s s i o n of m e t a p h o r relate to certain types of cognitive fun ct ioni ng . It is a singula rly human activity to pu t t h o u g h t into words. by We communicate not only by signs and g e sture s but also a h i g h l y complicated symbolic system w h i c h periences ti o n a l , into li nguistic since necessary forms. Language is h i g h l y con ve n convention al usage of m e a n i n g s for the communication of p r a g m a t i c the ot h e r hand, transfo rms e x an d syn tax is information. language has its u n c o n v e n t i o n a l side On as well-- its g r o w i n g edge. Gendlin (1962) states that while lan guag e is logical, human exp e r i e n c i n g is not always equally logical. He speaks o f human thought as being "supralogical Whereas conventional (p. 29)." language tends to dichotomize e x p e r i e n c e g o o d vs. bad or right vs. (e.g., wrong), p h e n o m e n a l e x p e r i e n c i n g m i g h t best be translated into language as " r i g h t but not w r o n g " or "good and bad." In other word s, it does appear 2 that linguistic forms can less en the impact of unique exp er i encing, making language a l i m i t a t i o n of the sensitive and aware individual. But there are also i n d i v i d u a l s who seem capable of ta i loring language to fit their n e e d s rat he r than b ec om in g en ca psul at ed by words and s e n t e n c e s wh i c h are pr ef ab ricat ed and only l o os el y express p e rs on al meaning. person may say, "I am most h a p p y Why is it that one and content right now," while a n o t h e r might express a similar feeling by exclaiming, "I ov er flow with a sensuous joy in living"? Both individuals have pu t words to per sonal e x p e r i e n c e but in quite different styles. The latter i nd ividu al ha s e xp re ss ed h i mse lf m e t a phoric al ly , and, in so doing, ha s kind of meaning. co mmunicate d a different It would s e e m there fo re , guistic and phenomenal h o ri zo n that o n e ’s lin is b r o a d e n e d or na r r o w e d by his abi lity to capture his s u p r a - l o g i c a l exp er ien ce s in a p e r s o n a l i z e d and yet hi gh l y c o m m u n i c a t i v e The m e t language. aphor is one way of f a c i l i t a t i n g this per sonal iz ed language. The present study wil l e x a m i n e m et ap hori c percep tio n and expression as a process by w h i c h man attempts to know and unders t a n d his world. pressed in language B r oa dly con cei ved, all thought ex is m e t a p h o r i c in that certain perceptions and cognitions are selected in lieu o f others. pret experience and present People inter l i n g u i s t i c a l l y a filteri ng and construi ng of what they c o n s i d e r to be salient information. One mu st attend to and i n t e r p r e t experi ences se lec tiv ely as 3 it is m a n i f e s t l y i mp os sibl e to report all degrees and v a r i e ties of s t i m u l a t i o n — both sensory and cortical. Co n s i de ri ng m e t a p h o r not only as a p o e t ’s tool bu t also as part of the proc ess of language and thought, it makes sense to ask wha t p s y c h o l o g i c a l functions facilitate or i n h i b it m eta ph or ic s e l f - e x p r e s s i o n and perception. ence is always Since e x p e r i i n t e r pr et ed to one degree or ano th er, what determin es then if the rep re s e n t a t i o n is stated m e t a p h o r i c a l ly or not? Review of the The very Li ter atu re fact that so man y people from vari ous d i s c i plines have show n that metaphor an interest in m e ta ph or is an i n d i c a t i o n is an in tr i g u i n g phe nomenon, but the d e f i n i tion of m e t a p h o r rem ai ns unclear. Attempts to d e f i n e m e t a phor have p r i m a r i l y come from the areas of p h i l o s o p h y , lin guistics, and cl i n i c a l psychology. From the g r a m m a r i a n ' s view po in t of E n g l i s h , 1960), (The MacMil lan Ha n d b o o k a m e t a p h o r is "a device for t a l k i n g about one thing as if it were som ething else likeness, whi le . . . . To su ggest a at the same time defining the limit o f that likeness, is the del icate pro cess of making a m e t a p h o r (p. 366)." It is sug ge st ed that all figurative be referr ed to as metaphor. Turbayne l an gu ag e can In the field of li te ra ture , (1962) states that the m e t a p h o r combines two c a t e gories of m e a n i n g and thus creates a ne w perspe cti ve. He 4 concludes that metaphor is a p s y c h o l o g i c a l (1966) defines me taphor r a ther br o a d l y . creation. Emb ler Met a p h o r is a v e h i cle with which one organizes an d sorts his perceptions, it is thr ou gh met aphor that l a n g u a g e and is adapted to a c h a n g ing world. Unlike the grammarian or s t u d e n t of literature, linguists do not technically r e c o g n i z e the te rm "metaphor." They pref e r to speak of n o n - l i t e r a l lang ua ge created by s e ma nt ic anomaly. ment. To say "man is a hum an" To say "man is a bear" man a bear involves is n o n - l i t e r a l since calling crossing c o n c e p t u a l categories. truth, man is not a member of the be a r anomalies bec om e figures of s p e e c h ferential Technique literal phrase; lous); is a literal s t a t e demonstrates. family. as Osgood's ceived as nonsense Not all Se mantic D i f Thus, a "hot day" is a a "hot issue" is m e t a p h o r i c a l and the phrase "hot flux" In is more (and a n o m a likely to be p e r (also anomal ous) . On the oth er hand, a n u m b e r of ph il o s o p h e r s see m e t a p h o r as a rea l process and have e x a m i n e d its role in the c om mun ic ati on of meaning. For exam pl e Black (1962) speaks of the m e t a p h o r as the i n t e r a c t i o n of two ideas, each in fl ue nci ng the other. "It is two syst em s ble nd ed with a metaphor acting as a fil te r- - e m p h a s i z i n g certain rel atio n aspects thr ough cognitions (p. 39)." Thus, of ideas which are the e xc lusio n of other in the m e t a p h o r "man is a bear," certain likenesses between men and bears are emphasized: 5 roan can be brutish, d a n g e r o u s , viciou s and instinct driven. The metaphor, however, of men, does not imply chara cte ristics untrue such as seeing m a n ing a lo ng snout. as furry, having claws, or as h a v Such d i f f e r e n t i a l p e r c e p t u a l ability is an in teres ti ng human cap ac it y. beca us e some the met ap ho r a c t s Black says it is possible as a filte r or screen through which comparisons pass a n d others do not. Cassirer (1970) e x c e e d s Black in scope w h e n he states that "language is, by its phorical. very n a ture and ess ence , m e t a Unable to d e s c r i b e things to indirec t modes of d e s c r i p t i o n , v o c a l terms (p. 120)." also the creation o f s u r p a s s i n g the limits o f to ambiguo us W o r d s are on ly shadows exper i e n c e they r e p r e s e n t . but directly, Not only it resorts and e q u i of the actual are all words metaphors, fresh m eta phors is one meth od for cat eg or ies of t h ou ght and their lingui s t i c repr ese ntation. Royce (1970), b u i l d i n g on Cassirer*s of "knowing" into three e p i s t e m i c categories: empiri ci sm , and m e t a p h o r i s m . trends views, divides ways Re sp ectiv el y the se three in ps yc hol ogical s t u d i e s p e r c e i v i n g and sy mb oliz in g. rationalism, are r e p r e s e n t e d as thinking, Royce sees me ta p h o r i c int er p r e t a t i o n of events as a c o n c e p t u a l i z i n g pr o c e s s separate from r a ti on al and e m p i r i c a l mode s of communication. Among ps yc ho logi st s of var yin g d is ci pl ines, there has been p e r i o d i c interest in m e t a p h o r - - m o s t l y fr om a theo re t ical perspective. Stern (1931) state d that the function 6 of m e t a p h o r is to de emp hasi ze hig hli ght ot he rs, phor acts therefore certain compari son s a n d to agreeing with Black as a p e r c e p t u a l filter. that m e t a Stern c o n c e p t u a l i z e d me t a p h o r as the as s o c i a t i o n of two common e l e m e n t s inhibition of o t h e r dis parate characteristics. an d the Su pp os e d l y , in t h e m e t a p h o r "man is a bear," man*s b r u t i s h n e s s b e c o m e s a s s o c i a t e d wi t h that ch ar ac teris ti c in the b e a r w h i l e i r r e l evant comparisons are suppressed. How such a s e l e c t i v e process m i g h t operate in rel at io n to other p s y c h o l o g i c a l functions is not e xpl ai ne d, cia t i o n i s t i c e x p l a n a t i o n and it would s e e m th at is too simple to a c c o u n t complex a l i n g u i s t i c event. (p. fo r so How ever, Stern does say that "the m e t a p h o r gives the emot io n directly, of it; an asso- i n s t e a d o f talking it does n o t des cribe, bu t makes us e x p e r i e n c e 307)." In s u m m a r y , it w o u l d appear that me t a p h o r is n o t only someth in g w h i c h sorts something which and organizes p e r c e pt io ns but can m o b i l i z e e m ot io na l responses. also Brow n (1958) has s u g g e s t e d that ult im ately context de te rm i n e s w h e t h e r or n o t a m e t a p h o r has a p er ce pt ual and e m o t i o n a l effect. In a t ho rough r e v i e w of literature on and r e la te d to the t o p i c of metaph or, And erson (1964) a t te mpts to explain the p s y c h o l o g y o f m e t a p h o r through the a p p l i c a t i o n ous c o g n i t i v e i n d i v idua ls and p h y s i o l o g i c a l models. of v a r i He s u g g e s t s that use me t a p h o r in the process o f b o t h co g n i t i v e l y 7 s t r u c t u r i n g the i r wo r l d and r e d u c i n g a high t i o n a l arousal. people He cites B r une r level of e m o (1957) wh o states that are able to go beyond the d a t a at h a n d by the unique co m b i n a t i o n s of per cepti on s mad e p o s s i b l e b y meta p h o r i c thought. Berlyne (1960) is c i t e d in r e f e r e n c e to the o r g a n ism's need for arousal- re du ct ion. organism s gests B e r l y n e emp ha si ze s that are m o t i v a t e d by t e n s i o n - r e d u c t i o n . that organis ms seek both r e d u c t i o n and increase of ten sion, pr ov ided the increase is m o d e r a t e . h u m a n s , the dual functions of a r o u s a l is a chara c t e r i s t i c of metap hor . a p p e a l induces arousal, while Anderson s u g He states that, in incre as e and reducti on The m et ap ho r's n o v e l t y and its c r e a t i o n bri dge s the gap b e t w e e n two di spar ate ideas an d this r e du ce s tension. And er so n points out that, in Freudian ter m s , m e t a p h o r i c language pr ov id es an accepta ble outlet for l i b i d i n a l discharge. Review of M e t a p h o r Research Relatively little res ea rc h ducted, and, of the available only in a p e r i p h e r a l fashion. (1956) found that relatively on m e t a p h o r has been c o n studies, s e ve ral treat me t a p h o r For ex a m p l e , Smith and Raygor a n xi ou s indi vid uals tend to verbalize more uncommon w o r d - a s s o c i a t i o n res po ns es than do control subjects. Miller and Is ar d (1963) semantic ano maly, utilized g r a m m a t i c a l l y ("Gadgets p as se ngers corre ct sentenc es sim plif y work aroun d the h o us e") alous but syn tacti ca ll y correct s e n t e n c e s in a study of s e m a n ti call y anom ("Gadgets dri ll from the eyes") an d r a n d o m strings of words 8 ("Between gadgets h i g h w a y s p a s s e n g e r s the steal") (p. 220), S u bje ct s perceived s e m a n t i c a l l y anomalous sentences through "white noise" more e a s i l y than they p e r c e i v e d ran do m strings of words* Weinreich (1965) speaks of eith er increasing or decre a s i n g ambiguity of m e a n i n g through the combinations of grammatical structures. Thus, some am bi gu ities would seem m e t a p h o r i c a l and p o e t i c w h i l e others wo u l d be perceived as nonsense. Several studies h a v e u t i l i z e d m e t a p h o r or metaphorical dev ic es in in ve st igati ng o t h e r pr ob lem s, but these studies have coi ncidentally s h e d some light on the natu r e of the m e t a phor. Davitz (1969) a s k e d Ss to describe va rious emotional states. From their r e s p o n s e s , he d e rive d a listing of 556 e mo ti onal expr essions w h i c h Fagan includes n u me rous metaphors. (1970) has i n v e s t i g a t e d various modes o f communication of emotion al messages an d suggests that i nt el le ctual i n tac t ness or integration is r e l a t e d to the abi lity to understand v e r b a l metaphor as a c o m m u n i c a t i o n of feeling. such as Miller (1970), ha v e Other s tudies, used m e t a p h o r i c a l projective d e v i c e s to elicit the S_*s self-image. A growing nu mb e r o f s t udie s have i n v e s ti gated metaphor more directly. Sterzinger (1913) a d m i n i s t e r e d lists of me ta ph o r i c expressions to sub jects and in f e r r e d from his re su lt s that the p l e a s u r e in m e ta phor comes of a new concept. meta p h o r s M a war di from the forging (1961) e n c o u r a g e d the use of in the r e s o l u t i o n of cognitive impasses. She h a d 9 group lead ers facilitate the evocation of f e el in g states by p r o m p t i n g i n d i v i d u a l s to express themselves in "feeling words." which, She co ncluded that this procedure e v o k e d metaphors in turn, suggest ed creative solutions to group p r o cess pro bl em s. A s t ud y by Knapp (1960) provides some i n f o r m a t i o n on the b e h a v i o r of sub jects when their task is to ind icate m e t aph or p r e f e r en ce . He found that on a pr efe r e n c e 1 to 7, Ss de monstr at ed pr e f e re nc e. erature scale from fairly close agr e e m e n t on met aphor Most metapho rs in his sample, drawn from lit and books o f famous quotations, r e c e i v e d mid-sca le ratings w i t h s t a n d a r d deviation s ranging t y p i c a l l y no more than one scale point eith er way. n i f i c a n t se x differences. There were also no s i g In a factor an a l y s i s it was r e v e a l e d th at Ss tend ed to p r e f e r met apho rs w h i c h r e fle ct dy n a m i c a c tivi ty rather than passive and o c e a n i c expressions. Koen verbal (1965) approac hed m e t a p h o r using m e t h o d o l o g y l e ar ning studies. senten ce from He concluded that the contex t of a d et er mines w h eth er the reader wi ll p h o r i c a l or lite ra l word to fill a slot. cho o s e a m e t a For e x a m p l e : "The s a n d p i p e r ran along the bea ch leaving a row o f tiny (marks**6 8 ) tence five san<*»" s °n>e Ss were given w i t h the literal associ ate s to the wor d " m a r k s , " and an o t h e r group was given m e t a p ho rical associa te s "stitches." sen to the word Ss given me ta p h o r i c a l as sociat es chose the m e t a p h o r i c a l response "stitches" 8.8 times out of 12 trials. 10 Of course, Koen's design seems this conclusion. to a u t o m a t i c a l l y call for An even more i n t e r es ti ng see whi ch word Ss choose un d e r var yi ng v e r b a l associ ate s present. However, study wo u l d be to condi tio ns wit ho ut a study by Michael (1970), on ano ther level of i n q ui ry , e s s e n t i a l l y supports Koen in s t a t i n g that certain condi t i o n s or contexts must be present in o r de r for Ss to p e r c e i v e in an utterance. a m e t a p h o r i c a l m e an in g In general, he stat es, m e t a p h o r is possib le the per ce pt io n of if it is capable of b e i n g t r a n s l a t e d by a lit e ra l equivalent. M e t a p h o r has also been a p p r o a c h e d from a devel o p m e n t a l st andpoint. Asch and Nerlove (1960) s t ud ie d the language de v e l o p m e n t of children and found that childr en first learn the literal m e a n i n g of a w o r d and then se pa ratel y learn to apply its m e t a p h o r i c a l meaning. is wel l lea rne d by age nine, While the m e t a p h o r i c usage the u n d e r s t a n d i n g of the r e l a ti on shi p b e t w e e n the ph y s i c a l term and its m e t a p h o r i c use contin ues to develop until af t e r age eleven. For example, ch ildren begin to un de r s t a n d that the wo r d "sweet" can also r ef e r to a pe r s o n a l attribu te as we ll as a ph y s i c a l acteristic. call such word s Asch and Nerlove char "double fun cti on terms." S y s t e m a t i c clinical o b s e r v a t i o n s have also off er ed in t e r e s t i n g information on m et ap hor. Ehrenwald (1966) co ncl udes that a client's use of m e t a p h o r is an indication of r e p r e s s e d feelin g- -c on tent of the m e t a p h o r is in itself 11 unimportant. In fact, he states that symptoms themselves are me tap h o r i c c o m m u n i c a t i o n s o f a problem. suggests Len row (1966) that the c r e at iv e use of m e t a p h o r by therapists can unlock grow th p ot entia l. his view of life and his schem e of things. A c l i e n t ’s me ta p h o r s reveal ass um pt io ns on his role In this regard, Laff al in the (1965) analyzes the dominant m e t a p h o r s e x p r e s s e d by therapy clients. kinson (1970), currently Sim- c o m p l e t i n g his dis se rt at ion on the o ccur re nc e of m e t a p h o r in p s y c h o t h e r a p y , has no t e d that m e t a p h o r created b e twe en t h e r a p i s t and client is a way of sh a r ing. He sees m e t a p h o r i c ut tera n c e s early in therapy as a d i s t a n c i n g mea sur e on the pa rt of the client, but in later stages of therap y, t h e r a p i s t and clien t share a set of c o m mon experiences wh i c h m a y beco m e e x p r e s s e d more intimately and humanly in metaph or . Finally, E k st ei n (1966), too, sees the metaphor o f s c h i z o p h r e n i c co mm unicat io n as allo wi ng d i s tance from intense communication. f e e li ng while still all owin g a type of The m e t a p h o r is g en erat ed by p r i m a r y thought p r oce ss while t h e r a p y helps the client to int egrate ings into se co nda ry levels Overall, studies the feel of thought. of m e t a p h o r indicate that the m e t a p h ori c image not only a r ou se s emo ti on (Lenrow, 1966; Sterzi nge r, 1913) but is also a product of e m o t i o n a l a r o u sal (Davitz, 1969; E h r e n w a l d , 6 Miller, 1966; Stern, 1931). studies (Craddick 1970; Miller, 1970) have us e d me taphor s Davitz, 1969; Several Fagan, 1970; to study the express io n 12 and c om mu n i c a t i o n of emot ion and self-concept . by Koen (1965) and M i ch ae l (1970) But s t ud ies su gge st that m e t a p h o r s are not e vo ca ti ve u n less the m e t a p h o r is p er ceiv ed as such. Thus, c o n t e x t u a l v a ri ab le s, such as word as so ci atio ns or awareness of the l i te ra l ant ec eden t to a m e t a p h o r i c usag e, are important. A n o t h e r co nt ex t u a l var iable may be that m e t aphor is n o t p e r c e i v e d unless the situ a t i o n in w h i c h it oc curs in an e m o t i o n a l l y in vo l v i n g one. Studies by Knapp (1960) scriptive data on m e t a p h o r , and Koen (1965) off e r some d e in di c a t i n g that m et ap ho rs evoke widely d i f f e r i n g i n d i v i d u a l re sp o n s e s and that it is p o s s i ble to c at alogu e va rio us types of metaphor. Koen n a m e s five conditions w h i c h pro du ce metaphor: (1) A p h y s i c a l term used to describe p s y c h o l o g i c a l p h e n o m e n a ("a green r e c r u i t . ” ), (2) t r a n s p o s e d p s y c h o l o g i c a l terms ("I'll buy that idea."), (3) a p s y c h o l o g i c a l term used to desc rib e p h y s i c a l p h e n o m e n a ("The dark clouds p r o m i s e d a sto rm ." ), (^) p h y s i c a l terms wi th in a gi ve n sense m o d a l i t y t r a n s p o s e d ("The m e a d o w h a d a hem o f da i s i e s . " ) , (5) use o f s y n e s t h e t i c p hy s i c a l terms wore a loud tie.") (p. 131). Thus, aphor invo lves the tr an s p o s i t i o n mode or d i m e n s i o n to another. what Asch and N e rl ove Researc h (1958) ("He Koen em pha sizes that met of m e a n i n g from one s e n s o r y This process is e s s e n t i a l l y called the " d o u b l e - f u n c t i o n term." on m e t a p h o r consists o f a r e l a t i v e l y s m a l l n u m ber of s tudie s, and, at this point, nature of m e t a p h o r are available. only sugges ti ons of the T h e o r et ical d i s c u s s i o n s 13 of m et ap ho r, how ev er, may offer some hints tion a study of m e t a p h o r mig h t take. (1958), E m b l e r (1966) and Stern m e t a p h o r is a dyn amic process tual filter or as a vehicle ing needs. Black (1931) which (1962), Brown g en eral ly agree that functions as a p e r c e p Cas si re r (1970) em pha si ze s the m e t a p h o r i c a l natu re of la ngu ag e, experience. direc for a d j u s t i n g language to c h a n g In a b r oa de r scope, to m e t a p h o r i z e as to what say in g that it is human That is, we in ter pr et and give form to e n v i ro nm ental stimulation. A nde rson's t h e o r e t i c a l article tially supports (1964) on m e t a p h o r ess en C as si re r and others bu t lends added clarity by di sc us s i n g m e t a p h o r in terms of e x i s t i n g knowled ge of psychological functions. As s t at ed e ar li er , Ande rs on concep tu ali zes m e t a p h o r as a cognitive o p e r a t i o n which serves to both arouse em otion and reduce of m e t a p h o r is evidence tension. The produ c t i o n of cogni tiv e s t r u c t u r i n g activity. What And ers on has r e aliz ed is that, whe n those in p s y c h o l o g ical di scipline s speak of m e t a p h o r as the p u t t i n g t o get he r of two ideas to create a new con cept , they are t a l k i n g about a cogniti ve ph oric al ly , St er zinge r Overall, b r o a d groups: like? activity. Stat ed m e t a (1913) r e f e r r e d to the cogniti ve t i v i t y as "forging" a n e w concept. of a concept in p s y c h o l o g i c a l terms, ac But what is this fo rging What is the cogniti ve act ivi ty involved? studies of m e t a p h o r seem to fall into two those which stud y the con dit ions f a c i li ta ti ng or in hi b i t i n g pe rce pt ion of m e t a p h o r and those whi ch focus 1H on the concept ual process u n d e r l y i n g ex pre s s i o n of metaphor. The r e m a i n d e r of this c h a p t e r is dev ote d to for mi ng a th e o r e tic al explanation of m e t a p h o r in an attempt to unite p e r ceptual and expressive a s p e c t s of m e t a p h o r in terms of a cognitive model. Sta te d once again, it is ing a m e t a p h o r involves ge ne r a l l y m a i n t a i n e d tha t form a c o n c e p t u a l process two or m or e ideas in such a w a y titude o r impression. pose, in a similar m a nn er , pe r s o n a l impasse. saying, as to suggest Fo r e x a m p l e , Mawardi meta ph or s useful in r e s o l u t i o n of synt h e s i z i n g a cert ain at (1961) found o f cognitive impasses. Sup an in di vi dual was part of an inter He m i g h t tr y to v erb alize the conf lic t by "It seems to me t h a t w e * r e b u i l d i n g a wall of resent ment betw ee n us." Foll o w i n g Koen *s (1965) c a t e g o r i z a t i o n of m e t a p h o r s , the physical p r o p e r t y o f a wall, ap p l i e d to the realm of a psycho lo gical p h e n o m e n o n , the conflict p h as iz es in a certain manner. That is, the m e t a p h o r e m the physical and p s y c h o l o g i c a l s epara ti on lack of resolution b e t w e e n m e t a p h o r is saying that, flict. leads one to perceiv e the two people sel ec ti on The so does con i n vo lved seems to be one of of certain p h y s i c a l and p s y c h o l o g i c a l pr oper tie s and one o f integration o f t h ese pro pe r t i e s which in conflict. just as a wall divides, The cognitive a c t i v i t y and the captures how the p e r s o n felt about the conflict. Of what might the i n t e g r a t i o n process tive functions have be en into an image consist? Cogn i c o n c e p t u a l i z e d in a n u m b e r o f ways, 15 includi ng the p e r c e p t u a l I n t e r p r e t a t i o n of W i t k i n (1962) or as co gnitiv e controls Guilford*s ( G ar de r 6 Moriarity, 1968). One of (1967) c o n t r i b u t i o n to the study o f cognitive a ct iv ity has been to s e p a r a t e cog nit ive skills w h i c h are divergent or co nverg en t. into those A cc ordi ng to Guilford, conve rg en t int el le ct ual s k i l l s involve the s y n t h es izin g of stimulus information and c a t a l og ui ng o f input into con ce p tual cat ego ries--su ch as tests o f abst raction. thinking is that whi c h Divergent is i n vo lv ed in creative thinking, w h ere ability to be aware of a l t e r nati ve in p r o b le m- so lv ing is desirable. The creation of a m e t a p h o r ma y involve b o t h divergent and convergent skills. T o create the m e t a p h o r i c image, the individual must first be able to select from alternative percep t i o n s certain p e r s o n a l l y r el ev ant d i m e n s i o n s and then be able to integrate t h e s e p e r c e p t s into an image. m e t a p h o r would seem to be a h i g h l y com plex function. Thus, The selection of percepts m a y be said to arouse emotion in that a state of ambiguity roust be t o l e r a t e d until the image is m a d e comprehensible, at w h i c h point, a sense of pleasure or completion is felt c o n c o m i t a n t with the r e d u c t i o n of tension and the formation of a p e r s o n a l l y m e a n i n g f u l image. Other specific i n t e l l e c t u a l skills w o u l d seem rele va nt to metaph or ic thought as well. For instance a person's vocabula ry might i n f l u e n c e the qua lit y of m e ta ph or , or a p e r s o n with a hi gh l y d i f f e r e n t i a t e d voc ab u l a r y might use 16 less m e t a p h o r since he p os se ss es nu mer ous concepts scribing feel in gs and for e nc od in g experience. for d e Per ce ptu al openness and awar en es s wou ld also seem re la ted to m e t a p h o r i c thinking. Given that cognitive dev elop me nt may be a m a t t e r of moving from c o n c e p t u a l un dif f e r e n t i a t i o n to co nc ep t u a l d i f ferentiati on and i n t e g rat io n or the devel op me nt of c o nv er gent and d i v e r g e n t skills or the a cq ui sitio n of cog ni tive controls, there sti ll remains which the i n d i v i d u a l makes con sid er at ion of the way in use of such cognitive functions. In terms of a stud y of m et ap ho r, it might be asked, cognitive styl es "Which f ac ilitate me ta p h o r i c thought and e x p r e s sion and wh ic h styles of co ncep tu a l i z i n g tend to ma k e a p e r son speak in h i g h l y c o n v e nti on al or s t e r e otyp ic m o d e s ? " m e t a p h o r is a cog nitive act iv it y o f selecting ting p e rce pt s, and emo tio nal exper ie nc es , concepts If and i n t e g r a then what factors w o u l d e n g e n d e r such complex ity and c on ce p t u a l flexibility in a person? And e r s o n (1964) took the phor a c ogniti ve function. initial step of c a l l i n g m e t a Although not p a r t i c u l a r l y cerned wit h meta ph or, the work of Harvey area of co gni tive style offers (1961, 1966) mental stimuli in the further p os s i b i l i t i e s of ex pl ic a t i n g the cognitive nat ur e of metaphor. refers to the way in which con Cog ni ti ve style individuals inte rpret e n v i r o n and, since m e t a p h o r has been h y p o t h e s i z e d as a cognitive and interp retive activity, theories of cognitive 17 co n s i s t e n c y will be b r i e f l y discussed while p a r t i c u l a r e m phasis is given to Harvey's investigations. B e g i n n i n g with Kelly (1955), theories o f cognitive style, in part, are an outgrow th of cognitive c o n s i s t e n c y theories. Kell y p o s i t e d that people give structure an d m e an in g to their ex p e r i e n c e s uals (perceptual, kine st he ti c and cognitive). org ani ze and se le ctive ly interpret s t im ul i iad of pos si bl e needs. constructs. or per s o n a l h y p o t h e s e s He of functioning. relationships Test, and, wi th the Role Constru ct Re pe r t o r y (REP) found that some peo pl e possess many con st r u c t s about construe t i o n s h i p s with few and global constructs are good or bad"). com plexity. There have been nu merous (1966) p l e x i t y or Fes tinger's (e.g., with (1961, inv est igations o f cogniti ve com (1966) dissonance theory. 1963, 1966) in his C o n c e p t u a l Harve y attempts comprehensively Systems to interrelate c o g n i t i v e a theory of motiv ati on, processes, "all people e l a b o r a t i o n s on K e l l y 's Cognitive style has been elab or a t e d m o s t by Ha rv e y personal rela Thus people vary in t er m s of cognitive such as Bieri's (CST). in certain Kelly c on ce nt rated on i n t e r p e r s o n a l o t h e r people while some individuals work, are further s t a t e d t h a t individ uals vary in degree of cognitive d i f f e r e n t i a t i o n areas from a m y r interpr et at io ns and in a c c o r d a n c e with their These in te rp retat io ns ca ll e d co gnitive Individ Theory functions a theory of affect, p e r c e p t u a l and studies o f value orientation. Base d on the c onte nt io n that it is human to give st ru c t u r e to exp er ience , 18 Harvey goes on to define the se lf as that structs which are integra tio n of c o n in the service of m a i n t a i n i n g the i n d i v i d ual's n e c e s s a r y level of emotional activation. Not only do individuals seek to avoid exc essi ve s ti m u l a t i o n , th ey also p o s i t i v e l y seek to avoid too m u c h bor edo m. Har ve y concludes that people who h a v e low levels of a c t i v a t i o n develop c o g nitive styles which help the pe rs on avoid ex ces sive s t i m u lation or ambiguity. Ho wever, Mai ntaining the s tatus -q uo is necessary. indivi du als requ iri ng h i g h e r levels of s ti mulation mus t m a in tain a more open cognitive system in o rd e r to allow ambigui ty, new awarenesses, and cha nge Harvey's m o d e l in the status-quo. (1966) is also d e v e l o p m e n t a l l y oriented. He states that one determinant of an indiv id ua l' s act iv ati on level is childh ood, familial ex per ien ces. In brief, he finds that childre n ra is e d in strict, e m o t i o n a l l y re str ict ive and p unit iv e homes te nd to be more c o n f o r m i n g and abs olu ti st ic than children fr om permissive e n v i r o nm en ts . Children in p e r m i ss iv e homes are freer to explore the i r wo r l d and thus tend to be more cre ative and cogni tiv ely likely to noti ce complex. They are more the unusual and to i nc or po ra te it into an ever g r o w i n g and changing cognitive st ructure. In usi ng the term "c o m p l e x i t y ," Harvey means more than the n u m b e r of cognitive given issue. Harvey constructs a person maintai ns on a (1966) wri te s o f con ce pt ua l systems in terms of c om pl exit y of structure and by "structure," he means "the r e l a t i o n s h i p amongst the var iou s parts of a system 19 (p. HO)." These p a r t s are in t e r r e l a t e d funct ionall y, and change, r e o r g a n i z a t i o n or a r t i c ul at ion of the parts or s y s tem pro ce ss es depends upon re so l u t i o n of "co nf lict between in tr a - s y s t e m t e n d e n c i e s (p. 41)." How the person meets fli cting cognit ive inpu ts, t e nd en ci es or attitud es con is d e t e r mi n e d by the level of c o m p l e x i t y of his co nc ept ual system. Har vey states tha t the co mp le x i t y of a cognitive s y stem is b a s e d on a p r o c e s s of d i f f e r e n t i a t i o n and integra tio n of s y s t e m parts. By "par t, " it appears he mea ns somethi ng like a co ns te ll ation of a t t i t u d e s or p e r s o n a l constr uct s on a t o p ic such as "the A m e r i c a n wa y of Life" or "sex" or "marri age." When a p e rson e n c o u n t e r s deviant a t t i t u d i n a l input, he ma y e i t h e r ignore it or in te g r a t e it into his cognitive structure. For example, s u pp os e an i n d i v i d u a l m a in ta ins a set of c o g n i tive constructs on the conc ept of race. Very gross d i f f e r ent ia tio n of the conc ep t mi gh t be r e v e a l e d by the per so n' s statemen t, "All bl a c k p e op le are lazy," or "All black p e o p l e are eithe r fai t hf ul or uppi ty." The concept is of low d i f fe rentiat ion and c o m p l e x i t y b e cau se it involves only b i f u r cated evaluation. A more comp lex concept of race might state that "Some blac ks are n o t t r u s t wo rt hy when life exper ie nc es have taught them to be dishone st, but others may become i n dividuals of h i g h s c r u p l e s b e ca us e they wis h to change a po o r past." This concept fine dif f e r e n t i a t i o n s is more complex b e ca use it involves in si tu ation s, mo ti v a t i o n and intent. 20 Ha rv ey d i m ensi on al iz es c o g n i t i v e •c o m p l e x i t y •in terms of c on cr e t e n e s s - - a b s t r a c t n e s s . The i n d i v i d u a l who makes b i f u r cated, he a b s o l u t i s t i c value forms judgements is c o n c r e t i s t i c in that global, u n d i f f e r e n t i a t e d cog niti ve constructs. The a b s o l u t i s m is a way of a v oi di ng the c o n fl ic t which wou l d be e x p e r i e n c e d from awarene ss of input d e v i a n t to his rat her inflex i b l e , s i m p l i s t i c view o f an issue. c e p t u a l systems because the are flexible and can t ol erate ind iv id ua l relies on n u m e r o u s or in t e r p r e t a t i o n s devi an t input co gni ti ve constructs of experience w h i c h t r a n s c e n d the fl uc tuat io n o f daily events. dr a s t i c change More abs trac t c o n Deviant input does not threat en a in his wo r l d view as it w o u l d thr eat en the i n d i v i d u a l who makes sense out of the e n v i r o n m e n t with only a few concrete beliefs. Harvey also delineate s several p r o p e r t i e s of the d i me n s i o n of c o n c r e t e n e s s - - a b s t r a c t n e s s : (1) degree Clarity--ambiguity: This p r o p e r t y refers to the of stimulus di sc rimin at io n in a c og ni ti ve "All blacks are lazy" is indicative since it ignores erality, (2) construct. of p o o r d i s c r i m i n a t i o n i nd iv idua l differences. Bec ause of its gen the s ta te ment is ambiguous. Compartmentalization--interrelatedness: A concept may be clea rly di ff er e n t i a t e d but n o t i n t e r c o n n e c t e d with o t h e r con cep ts in the conceptual system. enous tion. Man y older i n d i g Sou the rn Americ an s rem ember a black n a n n y with a f f e c They knew her as a person w h o cou ld sometimes sco ld and 21 sometimes be ver y loving. Yet, t h e y ma y equ a ll y hate and m i str us t b l a c k s in general. (3) Centrality— peripherality: Cognitive st ru ctu res which hinge on one or two m a i n c o n s t r u c t s are rigid. are rigid b e c a u s e the i n d i v i d u a l ' s They s e l f e s teem is ea si l y t h r e a t e n e d if devi ant input is allo wed. A decentralized cognitive sys t em , with the s y s t e m parts car rying equ al i m po rta nc e, Sel f- es teem is based is more flexible and stab le. on ma ny c ogn it iv e int e r p r e t a t i o n s o f ex perience. As st at e d earlier, the d e g r e e o f co mp l e x i t y of a cog ni tive syst em is largely d e t e r m i n e d b y c h i l d h o o d exp eriences. Harv ey sees cog nitive d e v e l o p m e n t n a t u r a l l y p r o g r e s s i n g from a diffuse, g l o b a l and c o n c r e t i s t i c st ru c t u r e to one w h i c h is more d i f f e r e n t i a t e d and f lexib le and less centralized. How ever, d e v e l o p m e n t can be a r r e s t e d by e n v i r o n m e n t a l influence, and Harvey prop os es four b a s i c c o g n i t i v e styles to r ep r e s e n t levels of d e v e l o pm en t in a c o n c e p t u a l system. Cognitive level I f u n c t i o n i n g is equiv a l e n t to the most s im pl istic cognitive style. The l e vel I in di vi dual tends to be concrete in his beliefs and a b s o l u t i s t i c in his judgement. He is so r i g i d because his s e l f e s t e e m hinges on seve ra l h i g h l y ce ntra li ze d and u n d i f f e r e n t i a t e d cognitive constructs. In sup port, H a rve y (1966) finds score the lo we s t on Kelly's t h a t level I ind ivi du al s REP Test , i n d i c a t i n g they m a i n tain fewer cog nitive con str ucts th an other s y st em types. This means they have fewer i n t e r p r e t a t i o n s and expla na tio ns 22 of other peo ple*s beh av ior* Level 1 In div idu als also are found to score h i g h e s t on meas ur es of dogmatism, a u t h o r i t a rian is m and rigidity. Per ce p t u a l l y , th ey score the low est on the Emb edded Figu re s Test and also score lowest on test s o f creativity. The lev el X indi vi du al tends to say, "All people should ha v e a r e l i g i o n " or "Ma rriage is a sa cr e d vow sanctioned by God, an d sex sh ou l d be sav ed ti ll m a r r i a g e . " The level I i n d i v i d u a l comes from a home where d iv er sity of opinion is n o t t olera te d. Dev ianc y is sev erely p u n i s h e d and the child is r e w a r d e d for b e l i e v i n g as he is told to be l i e v e . The level II i n d i v i d u a l I-type values. is in r ebe llion against lev el He is equa ll y a b s o l u t i s t i c and j u d g e m e n t a l bu t in the o p p o s i t e d i r e c t i o n of the level I person. level I and II i n d i v i d u a l s Both come from re stric ti ve home e n vironments wi th th e e x c e p t i o n that leve l II indivi dua ls have experi enc ed e r r a t i c and in c o n s i s t e n t p are nt al vey finds that le v e l Test. Whereas guidance. Har II*s score seco nd lowest on the REP level I*s d e m o n s t r a t e d high concern with r e ligion, level II*s show little concern. They also score ve ry low on measures of a u t h o r i t a r i a n i s m yet are n ea r l y as d o g m a tic and rigid as level I*s. On the Embedded level I I 1s scor ed s e co nd lowest. Figures Test, The level II pe rs on m i g h t complain, "All A m e r i c a n in stitutio ns are corrupt." The level III i n d i v idua l, i n st ea d of b e i n g e x c e s s i v e l y m ora listic or stern, acquiescent. tends to be quite r e l a t i vi st ic and Yet, he is aware of diverg ent viewp oi nt s and 23 does no t judge one as n e c e s s a r i l y best. Thus, he is more c og ni tively c o mp le x because o f g r e a t e r d i f f e r e n t i a t i o n and d e c e n t r a l i z a t i o n of his conceptual system. might be heard saying, The level III "Some peop le n e e d or ga n i z e d rel igion and other*s d o n ’t— i t ’s probably an i n d i v i d u a l mat te r. " level III p e r s o n comes The from a more p e r m i s s i v e home but one m a i n l y permi ss iv e in the area of i n t e r p e r s o n a l rel ati onships. The level III pers on is im pre ssed more by dem on s t r a t i o n s of e x per ti se while le ve l I and II in d i v i d u a l s e i t h e r subscri be to or rebel agai nst inst i t u t i o n a l authority. are dependent on rel atio ns hips whi le Level Ill's level I indivi du als see friendship as a com modity to possess. Harvey finds th at level I l l ’s score the REP Test. wi th religion highest. thi rd hig hest on While level I's s c or ed h i g h e s t and a u th or it arian is m, However, lev el I l l ’s scord second level Ill's also score m a t i s m and rigidity. Percep tu ally , on the Em b e d d e d Figures Test than in concern fairly low on d o g level I l l ’s score highe r level I's or II*s. Level Ill's also score slightly h i g h e r on tests of creativi ty than do level I's. Level IV in div idua ls are the m o s t and mo st i nt eg ra te d cognitive type. c ognit iv el y com p le x Not only are they aware of and accepta nt of divergent o p i n i o n s , they are also w i l l ing to state their own beliefs. They tend to be the c o g n i tive level most open to new i n f o r m a t i o n b e i n g led by aut hori ty or e xp er tise and, instead of solely, they are able to 2H guide their actions by ti on a l practic es value system. i n t e r p r e t i n g and e v a l u a t i n g c o n v e n in lig ht These of the ir own p e r s o n a l l y d eterm in ed in di vi d u a l s come from homes which e n courage exp lor at io n of the en v i r o n m e n t so that fine d i f f e r e n tia ti on of c ogn it iv e str uc tu re s is allowed. The level IV p e rs on mig ht say, "The Ame ri ca n way of life is something not to crow about but to e n j o y q u iet ly and imp rove slowly whe re p os si b l e . " Harv ey finds that the level h i ghe st on the REP Test. He scores dogmatism, a u t h o r i t a r i a n i s m , est on the E m b e d d e d Figures IV person scores lowest on mea sures and rigidity. of He scores h i g h Test and on tests of creativity. At least one c r i t i c i s m o f H a r v e y ’s system is also a c r i t i c i s m of all c og niti ve has theories. almost as many m e a n i n g s to measure cognitiv e as there are rese ar ch devices activity. Pe rce p t u a l studies of c o g ni ti on speak of field d ep en de nce O t h e r studies speak The t e r m " c o g n i t i o n ” (e.g., Fiebert, 1967). of c on ce pt ua l d i f f e r e n t i a t i o n - - i n t e g r a - tion (Gardner 6 M oria ri ty , 1968). Cog niti ve consistency theories are ba s e d on co mp le xity or dissona nce , so that there \ is no unified t h eory of cognition. pl ic it y of c on structs, C o n s i de ri ng the m u l t i it is to H a r v e y ’s credit that he has formulated a c o m p r e h e n s i v e model of cognitive functions and cognitive style w h i c h has the he ur i s t i c value of s u g g e s t i n g many research p o s s ib il itie s. Returning to the area of metaphor, there are a n u m b e r of instances where H a rv ey 's t h e o r i z i n g shares close conceptual 25 p r o x i m i t y to pr e v i o u s found that the di scussi ons of metaphor. the cogniti vel y complex person is more open to a m b i g ui ti es of human experiencing. con fr ont the grate these Harv ey has He is more co ntradic tio ns o f life and att em pt into a cognitive structure. likely to to i n t e The s i m p l e x person i g n o r e s - - p e r c e p t u a l l y and c o g n i t i v e l y - - c o n t r a d i c t i o n s and fits his e x p e r i e n c e s into few er and less d i f f e r e n t i a t e d c o g ni ti ve constructs. He tends towards e x p r e s s i o n of g e n e r a l ities and superfic ial ities. Ea rl ier , m e t a p h o r was de fi ned as a pro ce ss of sele cti on of p e r s o n a l l y rel e v a n t p er ce pts and in t e g r a t i o n o f these into an image. In a cognitive syst em of r e l a t i v e l y gross d i f f e r e n t i a t i o n and i n t e g ra ti on of stimuli, m e t a p h o r wo u l d s e e m un l i k e l y to occur. would no t be nee ded, since In the first place , m e t a p h o r the individ ua l rel ies on s i m p l i s t i c and n a rr ow ca te gor i z a t i o n s of exp erien ce . Subtle ties of ex pe r i e n c e are i g nore d and thus the i n d i v i d u a l would not n e e d a creative Fu rt he rmore, language to encode such in for mation. it has been s ug ge st ed that m e t a p h o r creates a m b i g u i t y in its attempt to create a co nc eptua l category. the m e t a p h o r , ambiguous and b e a r s , ’’man is a bear , " the e xp re s s i o n in that it both suggests vidual, is som ewhat likenesses b e twe en men and yet the re ad e r knows that the st at e m e n t to be taken w h oll y literally. such as a level In is not The c og ni ti vely simplex i n d i I type, should be i n t o l e r a n t a m b i g u i t y beca use of his r i gid cognitive s tr uctur e of such and 26 because of his t e nde nc y to cat eg or ize a b s o l u t i s t i c a l l y . To the level I, ma n cannot bo t h be like a bear and unlike bear. Probably, this the level last sta te ment is an exagge ra tion of I me ntalit y, bu t it is made to exp ress a ste reo ty pe , which is what each of H a rv ey's four co gnitive styles is. In a complex c o n c e p t u a l syst em with g r ea ter d i f f e r e n t i a tion and integra tio n o f pa rt s and more flexib ili ty, st imulus a mb ig uity is more e a si ly t o l e r a t e d and more often encountered. For example, the level IV ind iv i d u a l more often will e n c o u n t e r ex per iences whi ch do no t n e a t l y fit ex i s t i n g concept ual c a t e gories. To account for de v i a n t input, he must categories and create new con st ruc ts into his cognitive structu re. transcend to in tegrat e in for mat ion To say that "man is a bear" is a c om pl icate d e x p r e ss io n, bu t it is likely an expressive tool available to the level IV p e r s o n its ambiguity. since he can bet te r tol erate The level IV is more likely to use me t a p h o r because he has more c o gnit iv e co nstructs which he can j u x t a pose and integrate into an image which suggest s a new i n t e r pr et a t i o n of experience. The present stud y is an attem pt to test several h y p o theses to determine h o w c o g n i t i v e skills cognitive style (intelligence) and (via CST) are rel at ed to pe rce p t u a l and e x pressive prefer enc e for metaphor. Intelligence level was mea s u r e d by use of the S h i p l e y - H a r t f o r d Scale, and cognitive style was det er min ed by use of Harvey's TIB. c ogn itive styles for the study's groups, In choosing cognitive level Ill's ^ 27 were us e d i n st ea d of the level IV type. As di sc u s s e d in more d e t a i l in C h a p t e r II, level IV*s occur quite i n f r e q u e n t l y the p o p u l a t i o n , but sample. level Ill's To investi ga te pe rc eptua l preference a M e t a p h o r P r e f e r e n c e Schedule MPS comprise rou gh ly in 20% of the for m e t a p h o r , (MPS) was const ruc ted. The is a p a p e r - a n d - p e n c i l task in which a £ choo ses wh a t he con siders to be the b e s t expre ssi on of f e e l i n g - - e i t h e r a m e t a p h o r or a lit er al item. for m e t a p h o r , Essay. To explore e x p r e s s i v e pr ef e r e n c e Ss were also asked to write a Peak E xp er ience Both the MPS and the Peak Experience Essay are e x p l a i n e d in d e tail in C h ap te r II. The fo ll o w i n g h y p o t h e s e s are proposed. 1. Co gn iti ve leve l III Ss will score h i g h e r on the Me t a p h o r P r ef er en ce S c he du le than will cogniti ve level I Ss. It has been stat ed that the more complex a p er s o n ' s co gn iti ve style, the more he should prefer m e t a p h o r i c a l e x pressions. Harvey has stated that cognitive style III i n d ivid ua ls have c on stru ct systems which are more h i gh ly d i f f e r e n t i a t e d and int eg rate d than those of cog niti ve indiv idu als. That is, n u m b e r of constructs be lie fs, I level III persons uti lize a gre at er in ex pl ai ning situations or m a i n t a i n i n g and their s e l f - c o n c e p t and s e l f - es te em do n o t hinge on m a i n t a i n i n g a few key concepts. c on st ru ct s y s t e m or ambiguity b e ca use style Deviant input to their in constructs can be tole ra ted the se lf is c o mp os ed of many constructs. Level Ill's not only can tolerate the am big uity of m e t a p h o r but they also 28 should more ofte n require m e t a p h o r as a means of res olv ing conflict among constructs than w o u l d level I individuals. 2. H i g h e r IQ Ss will score h i g h e r on the MPS than will lower IQ Ss. The possibl e role of inte l l i g e n c e pr ef er e n c e has been presented. level in m e t a p h o r In general , i n d i v i d u a l ’s level of in te lli gence, p r e f e r me t a p h o r i c a l expressions. the h i g h e r an the more likely he is to Whil e cognitive style d e pends upon the exte nsiveness o f co nc ep t u a l differe nt ia ti on and in tegration in m a i n t ai ning a s e l f -s yste m, d i f f e r e n t i a t e and integrate s t i m u l u s function. The more p ro ficie nt input is an intel lectual an in di vi d u a l ti a t i n g and in teg ra ti ng sti mulus inform ation , is at r e c o g n i z i n g complex v e r b a l sti mul i is at d i f f e r e n the bett e r he such as metaphor. The MPS asks Ss to choose the e x p r e s s i o n most of em ot i o n a l meaning the ability to communicative and, a s s u m i n g that me t a p h o r is the best co mm unicat ion of feeling, b r i g h t Ss s h ould choose m e t a p h o r mor e than Ss of lower i nt e l l e c t u a l level. 3. There will be an i n t e r a c t i o n b e t w e e n IQ and cog n i tive style in S. per formance on the M P S . Hypothes es 1 and 2 imply that co gni tive IQ Ss will score the highes t on the **• — 3 scores on the MPS wi l l level III, high MPS. cor relate po si t i v e l y with their scores on the Peak E x p e r i e n c e E s s a y . Expl orin g the re lati on sh ip o f p e r c e p t i o n and exp res sion of me t a p h o r involves two d e p e n d e n t m ea su res o f met aph or 29 preference. As a sta rting point for ex pl or ati on, it is ass um ed that there will be a p o siti ve cor relation b e t w e e n £ p er fo rmance on the MPS and £ pe r f o r m a n c e on the Peak ence Essay. That is, if a S per cei ves met ap hor s Experi as the best expre s s i o n of feelings, he should also use m e t a p h o r in de s c rib in g the e m o t i o n a l natur e of his peak experience. 5. Higher IQ, cogniti ve level III Ss wil l d e m o n s t r a t e the high es t p o s i t i v e c o r r e latio n betwee n MPS scores Peak Expe r i e n c e Since and Essay r a t i n g s . it is suggeste d in hy po t h e s e s 1 and 2 that high IQ, cogniti ve level III Ss will score the highest on the MPS, they s ho u l d also score the h i g h e s t on the Peak Ex pe r i e n c e Essay. CHAPTER II METHOD The first step in the study i n v o l v e d co n s t r u c t i n g the MPS, in order to de termin e w h et he r or n o t p er ce pt ion of m e t a p h o r s , as m e asure d by a p a p e r - a n d - p e n c i l task, is m e a n ingf ul ly r e la te d to the independent var ia bl es. Initially, £ c ol le cted a n u m b e r of phrases or sent e n c e s thou gh t to be e i t h e r examples of m e t a p h o r i c a l or n o n - m e t a p h o r i c a l e mo ti on al expressions. Davitz's The majo ri ty of items were s e l e c t e d from (1969) re s e a r c h on the c o m m u n i c a t i o n of em ot i o n a l me aning. For exa mple, a r e p r e s e n t a t i v e m e t a p h o r i c a l e x p r e s sion was "I feel sure, acco mp lish ed , h a p p y . ” items were cluded. c o ll ec te d by E_, with o b vious Ad ditional cliches being e x A l i s t i n g of cliche and n o n - c l i c h e phr ase s pr o v i d e d by Li nda uer (1968) served as a guide for ex cl u d i n g such well- kno wn expressions. Ten graduate students in E n gl is h we r e given a list of 80 items--40 of whi ch £ had p r e v i o u s l y judg ed as me ta p h o r s and 40 of which he judged as literal ex pressions. w e r e inst ru ct ed to define m e t a p h o r b r o a d l y , Judges in clud ing any e xp re s s i o n which they thought sho ul d not be i n te rp re ted at face value. The judges' p h o r i c a l or literal. ment among the judges. lished as a reason ab le task was to judge each item as m e t a Of the 80 items, Eighty p e r c e n t cut-off poi nt , 59 rec e i v e d 80% a g r e e agr e e m e n t was e s t a b in that lower 31 percentage s of agreement w o u l d be too close to chance. the 59 items r ece iving 80% or b e t t e r agreement, sions ob t a i n e d 100% consensus metaphors 30 items, 14 were metaphors. From the 59 items, £ s e l e c t e d 19 metaphors and 19 l i t to construct a pr e l i m i n a r y MPS. items were disca rde d for vari ou s reasons: judgement, 30 e x p r e s as to w h e t h e r or not they were or literals; of those eral ex pr ess ions Of Twenty-one acc or ding to IE's some expressio ns c o n t a i n e d very n e g a t i v e content ("My brain is just a jungle o f junk.") while others were sidered by E to be too close to soun di ng cliche. a lump in my throat.") In s e l e c t i n g the con ("There's 38 items, £ at tempted to roughly match m e t a p h o r i c a l expressi ons wi th li t eral equivalents. Thus, one meta p h o r , warm glow," had a literal c o u n t e rp ar t, intense well-b eing. " There was "There is an inner, "There's a sense of also an attempt to maintain a bala nce between e m o t i o n a l l y pos itive and n egat iv e e x p r e s sions • Each of twelve posi ti ve me ta p h o r s was p a ir ed with each o f twelve pos it ive literal items, givi n g 144 pai r ed c o m p a r isons of pos itive emotion ex pressio ns. In a separate section of the MPS, each of seven ne g a t i v e me tap hors was pai re d with each of seven negative parisons lite ra l items, y i el di ng 49 paire d co m of negative emotion ex pre ssions. These 193 items were collected into b o ok le t form. Seventeen females tory Psychology and 10 males in a sophomore Intr od uc class were ask ed to choose the express io n in 32 each pair of items which they p r e f e r r e d as a way of e x p r e s sing oneself. One we ek later, the Ss were retested. bility c o e f f ic ients were calcu la te d for each item on the schedule. Mo derate phor seems to be r e l a t e d to em ot iona l arousal, corr el atio ns were e x pec te d since m e t a va r i a b i l i t y w o u l d seem reasonable. rang ed from . the and thus some In fact, coe ffi ci en ts to .92 (see A p p e n d i x 1), all s i g n i f i c a n t .05 leve l of confidence. for the t o t a l scores was The tes t-retest .71. Upon retest, n u mbe r of f o r c e d - c h o i c e items first testing. at c o e f f ic ient Ss were asked to indicate ho w much b o r e d o m they e x p e r i e n c e d with memory of the R e lia the large and how much they re li e d on On a sev en -poin t scale, S_s ind icated low to m o de ra te b o r e d o m and moderate recall. Thus, the r e l i a b i l i t y coe ff ic ie nts seem to be r e a s o n a b l y ref le cti ve of the stabi li ty of test items. A n o t h e r class of In tr od ucto ry Psy ch ology stud ents was given the p r e l i m i n a r y MPS items the f o l l o w i n g dim ensions: e f f e ctive ne ss in c o m m u n i c a t i n g m ea ni ng, for the item, and degree item p e r s o n a l l y d e s c r i b e d the rater. rated on a five- poi nt on o r i g i n a l i t y of the e x p r e s s i o n , of the e xpre ss io n p e rso na l pr ef e r e n c e and asked to rate each to whic h the All d i m e n s i o n s were scale, " o n e ” m e ani ng a low ra ti n g and "five" m e a n i n g a high rating. Responses were g r o u p e d by age in order to control for the possible effects o f age i n creases on m e t a p h o r pr efe rence patterns. The 26 raters 33 r an g e d in age from 18 to 50 years (Mean Age = 27.5). gives the median rati ngs for the items. Table 1 Upon inspect ion of Table 1, it can be seen that there is little d if ference b e twe en age groups in reg ard to medi an rati ngs In the final r e vi si on of the MPS met ap ho rs for the items. (see Ap p e n d i x 2), eight and eigh t literal ex pre ss ion s were r o u g h l y m a tc hed in terms of the d im ensi on s sel ect ed and d i s c u s s e d above. Only po s i t i v e me tap hors were paired with pos itiv e items literal and only neg ative metaphors were p a i r e d with nega ti ve l i ter al items, but negati ve pairings were no t pla ce d in a separate section. All pairs were r a nd om ly dis tributed. r e v i s e d MPS thus consists of 32 p a i r e d - c o m p a r i s o n s . The The £ is asked to choose the expression in each p a i r which he thinks best communicates feelings. An MPS example pair, "(a.) want to ho l d ba ck time and capture the mom e nt or (b.) I feel sure, accomplis hed , happy," was p r e s e n t e d in the i n structions. Since the items are those w h i c h judges c o n s i d ere d n e i t h e r pa rt i c u l a r l y trite nor u n u s u a l l y original, the S*s choice betw ee n a meta ph or or li teral items should be lar gel y d et er m i n e d by the personal app ea l o f the expre ssi on itself. In view of the p re fe re nce 32 p a i r e d - c o m p a r i s o n s , score of 0 to 32 is p os si ble, a metaphor a score of 32 i n d i cat ing stro ng m e t a p h o r preference. The secon d dep endent measure, used to generate m et aphor in Ss, is the Peak Experience Essay (see App e n d i x 3). were asked to write a br i e f par agra ph d es cr i b i n g an Ss 34 TABLE 1 Median Ratings of MPS Items Dimensions Age Group Origi nali ty Effectiveness Preference Positive Descrip tiveness N Items Over 30 3 4 3 3 7 23-30 3 3 3 2 10 18-22 3 3 3 3 9 Negative Items Over 30 3 3 3 1 7 23-30 3 3 2 2 10 18-22 2 3 3 2 9 35 em o t i o n a l l y si gni fica nt e v e n t in their life, thus in dic atin g in a w r i t t e n task their e x p r e s s i v e p re feren ce The peak experie nce was for metaphor. taken as an index of the S^'s ability to express h i m s e l f m e t a p h o r i c a l l y , ba se d on Maslow's d is cu ssion of the nature of peak experiences. stated that the peak e x p e r i e n c e Maslo w is a cognitive process, the genuine peak exp er ie nce ev id e n c e s wha t he calls nition. (1956) and B-cog- B-c og ni ti on is a p e r c e p t u a l - c o n c e p t u a l process in which the usual modes of c o n c e p t u a l i z i n g obje cts are set aside and persons, even ts , spective. or plac es In B-c ognit io n, In B-cognitio n, are seen in a new p e r an obje ct is valued the t y pical di ch ot om ies for itself. of lan gua ge and thought are tr an sc ende d and the per so n percei ve s one with his world. M a sl ow fur th er contrasts B - c o g ni ti on D-cognition, which is the i n s t r u m e n t a l D-cognitio n catalogues e x p e r i e n c e mat i c categories of meaning. B -c og ni tion unusual in life, much to pe rceive like of perceiving. c o nc ep tu al process. into the usual and p r a g and class and are perc e i v e d leads one to see the fresh and a drug ex pe rienc e may and cognize events are co nceptually flexible to Objects are not value d for themselves but are given a lab el only as such. h i ms el f at in no v e l ways. and e m o t i o n a l l y They are s i m u l t a n e o u s l y cause one B-cogn ize rs open to new ways able to abstract wi t h o u t giving up conc reteness. M a s l o w ’s de scr iption of B - c o g nit io n is st ri king ly s i m ilar to the definition of m e t a p h o r as a cognitive activity. 36 Both B-cognition and m e t a p h o r are comp lex cognitive processes requir in g ability to both into a commu nicable abstrac t and integra te percepts image. Both B- cogn it io n and met a ph or lead one to d i s c o v e r n o v e l ways of in t e r p r e t i n g events. Thus, the rated level of a £3's peak ex pe rie nce was used as an indicato r of his abil ity to express ically, since to exp res s t ra nsc en den t a tr anscende nt e xperi en ce requires language. To assess in tel l i g e n c e , usi ng a qu ic k - s c o r i n g i n te ll i gence test, the S h i p l e y - H a r t f ord Scale The Shipley was o r i g i n a l l y (19 *+0 ) was chosen. dev e l o p e d as a meas ur e of c o gni tive i n e f f icie nc y due to the effects disorders: himself metaphor of various b eha vi or p s y c h o s e s , ne ur o s e s , b r a i n - d a m a g e . of a multiple It consists choice v o c a b u l a r y test and an abstra ctio n test. On the abstractio n test, £s must de te rmin e the logic in a series of num ber s, logical res ponse letters, or words in the sequence. timed with as much as ten minutes and prov id e the next Each subt est is loosely allowed for each test. Although or ig i n a l l y dev is ed to detect i n t e l le ctua l im pa ir ment, it also yield s lectual fu nctio ni ng Paulson and Lin an est imate of p r e se nt level of i n t e l (Wright, 19H6). (1970) report tween the Shi pl ey and the WAIS, of the Shipley's ures. a cor rel at io n of .78 b e thus s u p p o r t i n g other studies c o r r e la ti on with oth er int elligence m e a s They also s u pp or t the general finding that the Shipley is a good e s t i m a t o r of intell igenc e level for Ss 37 with average and above average intelligence intelligence. In more extreme levels, Shi ple y scores beco me unreliable. The second i n d e p e n d e n t factor h y p o t h e s i z e d to be rela ted to metaph or b e h a v i o r is cognitive style. The measure of c o g nitive style in the p r es en t study was H a r v e y ’s This I Believe (TIB) Test. It con sist s o f a page of inst ruc tions, by nine pages in b o o k l e t form. caption, "This one of nine I bel i ev e topics: sub stituted Each page begins with the about ________ " which is followed by pe o p l e , the Am eri can way of life, r e l i gion, ma rria ge, m y s e l f , compromise. fol lo we d sin, In the p r e s e n t friend ship, immor tal ity and study, the top ic of "sex" was for " c o m pr om is e. " The TIB ins tructions are as follows: In the f o l l o w i n g pages y o u will be asked to write you r op ini ons or belief s about several t o p ics. Please write at least two (2) sentences about each topic. Yo u wil l be time d on each t o p ic at a pace that w i l l make it nece s s a r y for y ou to work rapidly. Be sure to write wha t you gen uinely bel ieve. Y o u must write on the topics in the order of t h e i r appearance. Wait to turn each page until the e x p e r i m e n t e r gives the signal. And once y o u have t u r ne d a page, do NOT turn back to it. PLEASE DO NOT OPEN THIS B O OKL ET UNTIL YOU ARE I N S T R U C T E D TO BEGIN. The TIB inc lu de s e xt en si ve scor ing criteria and sample responses. The S_'s resp on se to each topic is judged on the basis of w h e t h e r it is a cognitive level I, II, III, or IV type statement. If six out of nine topics rep res en ti ng one level, then the pers on cognitive style. are scored as is classed as that In cases where no cogn itive level dominates 38 a S's r e s p o n s e s , the p r o t o c o l is s c ored as a mixed type. Common m i x e d types are I-II or I-III mixes. E x t e n s i v e r e se ar ch with the TIB, as surv ey ed and r e ported by Greaves feren ti at e (1970), i ndi vi du al s that the TIB does d i f along various dimensions such as d e gree of a u t h o r i t a r i a n i s m , and rigidity. indicates dogmat is m, cognitive c om pl e x i t y Alt ho ug h s c o r i n g cri te ri a are com ple x and difficult to appl y at times, high i nt er -s corer r e l i a b i l i t y is not d i f f i c u l t to achieve. Aft e r s e l e c t i o n and c o n s t r uc ti on of the various i n d e pe n d e n t and de pe n d e n t m e a s u r e s , veloped. Initiall y, incl u d i n g the 192 Ss were given a batt er y of items inst rum ents of the p r ese nt study. tes te d in grou ps r a n g i n g in size te st in g p r o c e d u r e age and sex, lowing order: tests was traneous smoothly, tasks. The Each id en ti f i e d only by soci al secu rity and tests were ad min iste re d in the I Believe fol Test and finally the Peak E x p e r In addition, the A-B Scale was added to the ba tt er y as a dummy measure the r at i o n a l e from 4 to 25 persons. the M e t a p h o r P re ference Schedule, the Ship ley Scale, the This ience Essay. Sjs were generall y r e q u i r e d 60 to 75 minutes. item in a S*s b a t t e r y was numb er , a te st ing procedu re was d e to insure that Ss did no t guess beh i nd the test measures. The sequ en ce of a rr an ge d to avoid any orde r effects or o t h e r e x factors. Testing in large numbers p r o g r e s s e d and most Sjs seemed to rea so nabl y enjoy the sev er al 39 In the p r esen t study, Shipley total raw scores were c o n v e r t e d to es ti m a t e d WAIS verbal IQ's by means of the r e gre ssi on e quati on , Y' = (verbal + ab st ra ct ion (1.0586) + 61.176U (Smith, 1971). p r o t o c o l s were next scor ed by E. All the score) This I Believe An i n t e r - s c o r e r r e l i a b i l ity e s t i m a t e was o b ta ined by s ub mi tt ing a sample of 25 TIB's (randoml y select ed) to ano the r graduate student wi t h e x p e r ience in s c o r i n g the measure. have p r i o r know le dg e levels The seco nd s c ore r did no t of the d i s t r ib ut io n of c og niti ve in the sample of 25 protocols. parison style In an i n i t i a l c o m of agre em ent b e t w e e n the two sets of s co r i n g s , a g r e e m e n t was achieved. w e r e due to simple Of the five d i s a g r e e m e n t s , 80% three arit hm e t i c or s c or ing errors,* thus r a i s in g a g r e e m e n t to 92%. On the r e m a i n i n g two di sa gr e e m e n t s , E and the sec on d judge r e v i e w e d s c or ing c r i t e r i a for TIB*s. It was d i s c o v e r e d that these two were prot o c o l s s c or ed when E^ was s t il l lea rnin g the cri t er ia and had m i s t a k e n l y not been r e s c o r e d at a later time. Thus, r e l i a b i l i t y was rais ed to 100%. All Peak Experie nce Essays were also rat ed first by Essays r e c e i v e d a score trit e from one to five, with and "five" m e a n i n g a genuine peak exp erie nc e. c r i t e r i a wer e dev e lo pe d at Ge org ia State Bree d "one" m e a n i n g (196U) U n i v e r s i t y by and are rep o r t e d in A p pendi x E r a t e d the essays with ou t kno wle dg e of the tive style. Sc o r i n g S s ' cogni However, to insure against any possibl e 40 e x p e r i m e n t e r bias and to est ab lis h in te r - s c o r e r reli ab il it y, a r a n d o m sample of 20 peak exp eri en ce s were s e l e c t e d and given to an English graduate student ch o l o g i c a l aspects of language. given ten pra cti ce essays, di s c u s s e d any amb iguit ie s scoring criteria. the r e s e a r c h i nt er es ted in the p s y The English s t u d e n t was and both E_ and the s e c o n d judge con ce rning the peak e x p e r i e n c e A l th ough the graduate s t u d e n t k n e w the con cer ned me ta p h o r , he was not aware of the r e l a t i o n s h i p of the essays to the total study. c o r r e l a t i o n b e t w e e n £ and the .68 (signif ic an t at the The degree of second j u d g e ’s rati ngs was .001 level with t = 4.73, df = 26). From the pool of 192 S s , the test results of 60 Ss were s e l e c t e d to sati sf y the req uir em en ts design. tical Sel ect ion of the 60 Ss was guided by s e v e r a l p r a c con side ration s and some limitations imp ose d by the First, even though 192 Ss were i n d e p e n d e n t measures. ed, only 29 Ss were (15%). found to r ep re sent cogniti ve There were also 100 cognitive level I's three level I I ’s (2%), types (30%). stud y' s one level level III (52%), levels in the sample is som ewha t d if fe re nt from the d i s t r ib ut ion (1966). Out of 1400 Sjs t e s t e d at the U n i v e r s i t y of Colorado, he repo rt s level 30% were level II's, 20% were level Ill's, 7% were and 28% were mixed types. State test IV (1%) and 59 m i x e d level The di s t r i b u t i o n of cognitive r e p o r t e d by Harvey we re of the study's Uni ve rs ity students I's, level 15% IV's How ever, in a sa mp le of G e o r g i a in Introductory P s y c h o l o g y m classes, Gre ave s (1970) rep ort s a distr ibution r o u g h l y e q u i v alent to that of the pres ent sample. students seem to be p r e d o m i n a n t l y level I or m i x e d types. Since the group of cognitive d i vid ed b e t w e e n two int el li ge nc e group was set at 15. levels, the N_ for each group. For the sample of c o g n i level I S s , high and low IQ scores were the two mean level III Ss ha d to be The one cognitive level IV S_ was added to the co gnit ive level III tive Thus, G e o r g i a State IQ groups o f cognitive IQ scores. chosen to match level Ill's on the bas is of Tables 2 and 3 pres ent a furt her d e s c r i p tion of the sample. The sample of 60 S s , 32 females and 28 males, po se d of stu den ts West from classes G e o r g i a College and Oxford College. T h i r t y - f o u r Ss and 9 Ss from i n t r o and uppe r div ision p h i l o s o p h y courses Ge o r g i a State. Fourteen Ss came some of w h o m were com at Geor gia State U ni ve rs ity, from I n t r o du ct or y P s yc ho lo gy classes duc to ry was came from from West G e o r g i a College, in Intr od uc to ry Psy cho logy and some of w h o m we re in adv anced courses. College. In addition to m e e t i n g the re qu ireme nt s of the i n d e p ende nt Three Ss came from Oxf or d varia bl es , an attempt was made to equ al ly r e p re se n t both sexes and to r o u g h l y match mean ages across groups. The study's design is as follows: h y po th es is 1, 2 and 3 were t e s t e d by means of a 2 x 2 factorial analysis iance, fixed effects mod el (Edwards, 1966), with of v a r IQ scores 42 TABLE 2 Mean Age, Range Cognitive Style and Distribution of Sexes Males Low IQ High IQ Females Low IQ High IQ in Each Group Males & Females Low IQ High IQ I Mean Age Range N III Mean Range N 24.4 19-32 8 22.9 18-31 8 18.4 18-20 7 18.3 17-19 7 21.4 18-32 15 20.6 17-31 15 25.1 19-37 8 28.0 18-42 4 19.6 18-22 7 22.0 18-30 11 22.4 18-37 15 25.0 18-42 15 24.8 19-37 16 25.5 18-42 12 19.0 18-22 14 20.2 17-30 18 22.1 18-37 30 22.2 17-42 30 I and III Mean Range N 43 TABLE 3 Mean Estima te d WAIS Verbal IQ Scor es for Low and High Groups and Cognitive Styles I and III Cognitiv e Style Low Males IQ High IQ Females Low IQ High IQ Males 6 Females Low IQ High IQ I Mean SD 105.63 3.60 114.50 1.87 108.14 1.46 115.57 .73 106.80 3.08 115.00 1.55 Mean SD 108.00 4.21 115.75 . 83 110.29 1.67 114.02 1.47 109.10 3.47 115.10 1.39 106.81 4.10 114.92 1.71 109.21 1.90 115.11 1.29 107.93 3.47 115.03 1.47 III I and III Mean SD e st im ated from the S h ipl ey test scores and cognitive style level as the i n d e p en de nt factors. The two levels of each factor were low and h i g h e s t i m a t e d IQ scores factor and cognitive levels I and III for the for the first second factor. The depend ent variable was MPS scores. Hypotheses 4 and 5 were t e s te d by use o f the c o r r e l a tion ratio (Bruning 6 Kin tz , 1968) in whi ch MPS scores were correlated with Peak E x p e r i e n c e Essay scores. For all h y potheses, the null h y p o t h e s i s was r e je cted at the of confidence (one-tailed). .05 level C H APT ER III RESULTS The m e a n MPS scores for the low and high TQ groups of cognitiv e level I and level III Ss and of the low and high IQ groups for bo th cognitive Table To i nv es ti gate the first three h y p o t h e s e s p o s t u *♦, levels comb in ed is p r e s e n t e d in lated in this study, a 2 x 2 (level x IQ) ana lysi s of v a r i ance was computed. This analysis, shown in Table 5, shows i n t e ll ig en ce as the only s ig nificant main f a ctor with no i n t e r acti on effect. tive level III Thus, hypothesis 1, s t a t i n g that c o g n i £3s wou ld score higher on the MPS than cognitive level I Ss, was not supported. High IQ Ss s c o r e d s i g n i f i cantly h i g h e r on the MPS than did low IQ S s , thus suppo rti ng hypothesis 2 at the .05 lev el of confidence. H ypo th es is that there w o ul d be an intera ction between i n t e l ligen ce 3, level and c og ni ti ve style, was not supported. Since int elligence level was found to be s i g n ifica nt ly r e l a t e d to mean MPS s c o r e s , the extent of this relat io ns hi p was more th or ou g h l y e x pl or ed by c or re lati ng IQ and MPS scores for each group and for the total N. various cant. Table 6 p r es en ts the coeffi ci en ts which were all found to be n o n - s i g n i f i Thus, while high IQ Ss scored s i g n i f i c a n t l y hig h er on the MPS than did low IQ Sjs, it cannot be said that the hig he r a S's level of int ell ig en ce, the greate r his p re fe renc e MPS metaphor. for TABLE 4 Mean Scores on the MPS Cognitive Style Low IQ High IQ Low and High IQ Mean SD 14.27 5.25 17.53 3.63 15.90 4. 80 Mean SD 14.93 5. 72 16.67 4.98 15. 80 5.43 14. 60 5. 50 17.10 4.38 15. 85 5.12 I III I and III Mean SD Note.--The variances were tested and found homogeneous. 47 TABLE 5 S u mm ar y of Analysis of Variance of the MPS Scores (Cognitive Style X IQ) Source df MS 1 .150 IQ 1 94.350 Style X IQ 1 8.216 56 1472.933 Cogni ti ve Style Er r o r *p < . 0 5 F .006 4.356* . 379 TABLE 6 Pea rson Coeff icients of Cor rel ation B e tw een IQ and MPS Scores Leve 1 I Low IQ High IQ (N = 15) (N = 15) • 14 .02 Leve 1 III Low IQ High IQ (N = 15) (N = 15) .12 .13 Level I and III Low and High IQ (N s 60) .20 49 The mean MPS score for Ss under eac h Peak Ex per ien ce Essay rati ng is p r e s e n t e d in Table 7 by gro up total N. and for the It is note d by inspec tio n o f the means that the re l a t i o n s h i p bet wee n MPS scores ence ratings and peak e x p e r i of the low IQ cognitive level appears I group. In this to be no r e l a t i o n s h i p b e t w e e n p e r f o r m ances on the two dep ende nt measures. clear trend b e t w e e n groups tel li gen ce 7 appears to be n o n - l i n e a r in each group, with the exc e p t i o n group, there in Table and cognitive H o we ve r, there is a for essay rat in gs levels to rise as in increase. This trend is seen more clearly in Table 8, which p r e sents the fre quencies of each essay r a t i n g o b t a i n e d by each cogniti ve level group. tendenc y for cognitive As seen in Table level III Ss to score u pp e r end of the rating scale to score tow ard the scale's that cognitive 8, there is a towa rd the and for cog n i t i v e level lower end. I Ss It is su gg e s t e d level III Ss re p o r t e d more ex pe rien ce s of a tr a n s c e n d e n t natu re and uti l i z e d more m e t a p h o r i c a l imagery than did cognitive level I Ss. Level I's t e n d e d to report common or trite e xp er ie nces and thus e x p r e s s e d the ms elves c on ve nt iona l language To i nve stigate in and dead metaphor. the fourth h y p o t h e s i s , that MPS scores w o uld be a r an over all pos itive r e l a t i o n s h i p to peak e x p e r i ence essay scores, correl ati on ratios and are p r e s e n t e d in Table 9. ratios in Table 9 rea che d the (Nyx) were calcu lat ed None of the corre lat ion .05 level of significance. 50 TABLE 7 Mean MPS Score for Each Peak Ex pe r i e n c e Rating Mean MPS Score P .E . Rating Level III Level III Low IQ High IQ N X N X Total N X Le ve 1 I Low IQ N X Level I High IQ N X 1 2 14.5 2 14. 5 0 - 0 2 14 17.6 5 14.6 7 19. 6 2 20.5 0 3 32 15.1 7 14. 7 6 15. 5 8 13.0 11 17.6 4 8 16.6 0 - 1 15.0 4 18. 3 3 11.7 5 1 12.0 0 - 0 1 12.0 - 0 mm - 0 51 TABLE 8 Frequencies of Ratings on Essays for Each Cognitive Level Group Essay Rating Cognitive Style 1 2 3 U 5 I (N = 28) 2 12 13 1 0 III 0 2 19 7 1 (N = 29) N o t e *- -T hr ee Ss did not write scor ab le essays. 52 TABLE 9 Correlation Ratios (Nyx) Between S s * MPS and Peak Ex pe rien ce Essay Scores Cognitive Style Low IQ High I .10 .49 III . 57 .32 I and III IQ Low and High IQ .26 53 Thus, h yp ot he sis «+ is not supported. 5, which states that cogniti ve achieve the highest positive level Similarly, h yp ot hesis III high IQ Ss w o u l d co rr elati on , is also not s u p ported. The lack of r e l a ti on ship b e t w e e n MPS p re fe re nce and essay rat in gs raises the qu e s t i o n of how Ss p e r f o r m e d on the essay task differentl y from th e i r perf or ma nc e on the MPS. To answer this question, the m e d i a n essay r a ti ng for each group was computed and is p r e s e n t e d in Table 10. Tests for si g n i f i c a n t differences were p e r f o r m e d by use of the Median Test (Siegle, 1956). For N/s un d e r 20, the Median Test must be comp le ted by use of Fi scher's a group, (mdn. cognitive level Exact Pr obab il it y Test. III Ss a c hi ev ed a m e d i a n r a ti ng = 2) dem onstrated by c o gn it iv e level I S^s. There were, however, no me dia n d if fe re nces b e t w e e n the low and high groups. Although intel ligence was MPS p re fe rence, As IQ the si gn if ic ant factor in cognitive style became the dom in ant factor in ess ay performance. It became apparent at this point in the study that the e s t i m a t e d IQ scores may be too crude a measure of i n t e l l i gence, esp ec ially since m e t a p h o r s are complex expressions. Subsequently, to further ex pl ore possib le re aso ns for the lack of correlation between i n t e l l i g e n c e and m e t a p h o r p r e f erence, MPS scores were c o r r e l a t e d with raw scores Shipley's scores from the Vocabulary Test, A n al og ie s Test and the total raw for each cognitive style and in tel lig ence level. 5U TABLE 10 Median Ratings on Peak Exp er ience Essays Cognitive Style Low IQ High IQ Low and High IQ I 2 2 2 III 3 3 3 I and III 3 3 3 N ot e. - - M e d i a n test on rati ng s b e t w e e n levels yiel ded p = .01. I and III 55 Separ a t i n g the Shipley total score into its two parts s h o u l d perm it the in ve st igati on of a erence componen t s metaphor pref in re l a t i o n to not only extent of v o c a b u l a r y but also extent of a n a l o g i c a l - c o n c e p t u a l ability. solution of analogies measures tion-integration A s s u m i n g that the more c o mp lex dif fe re nt ia- aspects of int elligence, a n a l o g i c a l abil ity ma y be a more d i s c r i m i n a t i n g variable for the hyp ot heses g e n e r a t e d in this study than simply the total raw score or v o c a b u l a r y scores Means only. and standard deviatio ns for the S h ip le y subtests and total raw scores are p r e s e n t e d in Table 11. c o mpu te d b e t w e e n these raw scores Table 12. As seen in Table of in te l l i g e n c e significantly gies di d not. Co rre lat ions and MPS sco re s are shown in 12, among level I Sjs , re ga rd l e s s level, v o c a b u l a r y c o rr el at ed p o s i t i v e l y and (p <£ .01) with m e t a p h o r p r e f e r e n c e but a n a l o Conversely, among level III S s , it was analo gical a b ility which c or re lated si gn if ican tl y but ne ga t i v e l y with MPS sco res , and there was no s ig ni fican t r e l a t i o n s h i p b e t w e e n v o c a b u l a r y and m e t a p h o r preference. analysis indi ca tes that h yp ot he sis supported. In fact, support 1 again f a i l e d to be level III analogical ski ll was n e g a t i v e ly r e l a t e d to MPS scores. the Thus, the above of hypothesis Also, in view of the above results, 2, which stated that high IQ Ss w o u l d score si gn i f i c a n t l y h i g h e r on the MPS than cannot be c onside re d conclusive. low IQ Ss, Finally, a lt hough there was a lack of interact ion bet ween intelligence level and cognitive TABLE 11 Means and Standard Deviations of Shipley Vocabu lary, An alogy and Total Raw Scores for Each Group Cognitive Style V Low IQ A T V High IQ A T V Low and High IQ A T I Me an SD N 27.40 2.39 15 27.87 3.90 15 55.27 3.53 15 32.93 1.88 15 34.80 2.29 15 67.73 1.57 15 30.17 3.50 30 31.33 4.71 30 61.50 6.81 30 Mean SD N 29.60 2.68 15 29.33 4.54 15 58.93 5.20 15 35.00 2.61 15 34.13 2.58 15 67.73 1.57 15 32.30 3.78 30 31.73 4.45 30 64.03 6.51 30 28.50 2.77 30 28.60 4.29 30 57.10 4.81 30 33.97 2.50 30 34.47 2.46 30 68.43 2.15 30 31.23 3.80 60 31.53 4.57 60 62.77 6.78 60 III I and III Mean SD N CJl cn TABLE 12 Pea rs on Coefficients of Correlation Betw een HPS Scores and Shipley Vocabulary, Anal og y and Total Raw Scores for Each Group Cognitive Style V Low IQ A T V High IQ A T V Low and High IQ A T I r N .32 15 .50* 15 .39 15 -.10 15 .32 15 .47** 30 r N .17 15 -.67** -.50* 15 15 • 04 15 -.44 15 .32 15 .19 30 .24 30 -.25 30 .10 30 -.29 30 -.21 30 .26 15 .35 30 .48** 30 III -.40* 30 -.16 30 I and III r N *p < **p < -.08 30 . 30** -.03 60 60 .15 60 .05 .01 cn 58 style, the correlations in Table action of the type of cognitive 12 suggest a possible inter skill wi t h the SJ s cognitive style in r el at io n to MPS pr efe re nc e. The use of a global intellige nc e measure may have o b s c u r e d sources of variance which could be p a r t i ti oned out wi t h m e as ur es of spec ifi c cognitive abilities. In light of the further analysis of int el ligence and MPS p re fe re nc e and its c o n s e qu en ce level to this study, it was deci de d that further i n v e s t i g a t i o n of the assump tio n that the Peak E xp er ie nce Essay is in fact a meas ur e of met a p h o r expressi on seem ed necessary. It was assumed e a r l i e r that a S wi ll n e e d met ap ho r to e x pr es s a peak experience. Thus, the more tr an scende nt the p e r s o n fs expe ri en ce , the more he will use m e t a p h o r i c a l expressions. the Peak Experience metaphor. To explore this ass umption, Essays were rated for poetic q u a l i t y of A Psychology gra duate student, who is intere ste d in poet ry in psy cho the ra py , was aske d to rate each essay on a scale from one to five, wi th "one" m e a n i n g a cliche and m u n dane w r it te n style and "five" m e a n i n g an original, and poe tic writ ten style. Her rat in gs were correlat ed with E's o r ig in al ratings on level of peak e xp erience, Pearson coefficient of co rr el a t i o n ob t a i n e d was Inter -ju dge re liabilit y was imaginative and the .52 ( p < .005). ob t a i n e d by asking an English gra du at e student, who wri t es poe tr y, to rate a random sample of 25 essays on their p o e t i c quality. The int er-judge r e l i ability coe fficient was c o mp ut ed to be .57 ( p < .005). A 59 correlation of .52, as well as the inter- judge coeff ici ent of .57, is acceptable, c o n s i deri ng the vaguen ess of rating "poetic quality" of the m e t a p h o r in the essays. In summary, the ad di t i o n a l analyses of the s t u d y ’s data indicate: 1. that there are differ en ce s level III Ss view input data, i.e., in the way level I Ss and the MPS. That is, the h i g h e r the level Ill's a b i l i t y to solve analogies, the less he dem onstrates p r e f e r e n c e for MPS metaphor. However, I Ss appar ent ly pr ef e r MPS m e t a p h o r more as voc ab ul ary creases. This suggests that the is due to a common factor, level in level I pos iti ve correl ation such as rea din g skill, bet wee n the v ocab ul ar y test and the MPS. 2. that the Peak Ex pe ri e n c e reflect the expression assumed. (output) Essay task does in fact of m e t a p h o r as prev io u s l y Furthermore, the data suggest that rat in g of as complex a dimension as "po e ti c qual ity of metapho r" ac hieved at a s ign if ic an t fin din g that level III ically than level level of reliability. Ss express can be The initial th em sel ves more m e t a p h o r I ’s is supported. C H A P T E R IV DIS CU SSI ON The results of the p r e s e n t study are more clearl y in terpr et ed if dis cu ss ed wi th i n the context of the task r e quirements of the d ep en de nt measures. The first task r eq ui rement was the MPS, w h i c h asked Ss to choose the e x p r e s sion of feeling which they felt best The MPS items were d e riv ed co mm unica te d emotion. from the st ate ments of individuals other than those in this stu dy and thus are not per son al ex pres si on s of the Ss. When S_s chose test items, they were indica ti ng not so mu c h p e r s o n a l p r e f e re nc es as they were subjectiv el y choosing the mo s t ap pr opria te e x p r e s s i o n of feeling. The strength of t h e i r p r e f e r e n c e for the appropriate expres si on was indicated b y the n u m b e r of times they chose a m e t a p h o r in lieu of a l i te ra l statement. Under MPS conditions, to be the only sig nif ic an t inte ll igen ce factor inv olved in a S_* s choice of m e t a p h o r i c a l or literal items. signi f i c a n t l y more than the level was de mo nstra te d High IQ Ss p r e f e r r e d met apho r low IQ S s , s ugg es ti ng that r e c o g n i t i o n of, or percep ti on of, m e t a p h o r as an app ro pr ia te e x pressi on of feeling is a fun ct io n of intelligence. The Shipley Scale, it wi l l be r e c a l l e d , is an i nd ic at or of i n tellec t u a l eff ic iency on two covert dimens ion s: and analogies. vo cabulary In the s u b s e q u e n t analysis of MPS scores and Shipley Vocabulary raw scores , it was s ug ge st ed that reading abil it y is a salient fa ct o r for level I's but not for level 61 Ill's. Instead, nega ti ve level III Ss ach ie ved a sig nificant but co r r e l a t i o n b e t w e e n MPS and analogies scores. This result may be i n t e r p r e t e d as ind ic at iv e of the approach of level III Ss to simple r e a d i n g tasks. That is, the b e t t e r their abil ity to solve ana log ies, the less likely they were to select an MPS met ap hor, III su gg estin g that the b e t t e r a level is at u n d e r s t a n d i n g solutions to analogies, the more critical he b e c o m e s o f con c e p t u a l l y vague expressions. Percep ti on of MPS m e t a p h o r bore no significant r e l a t i o n ship to c og nitive style. As stated above, a co gn it ively c o m pl ex S does not se em to p r e f e r MPS met ap hor, a lack of p r e f erence whidh may be a function of the MPS items the mselves. That is, they are n e i t h e r u nus ua ll y commonplace n o r u n u s u a l l y poetic. Yet, u n d e r the essay task re quireme nts , it was level III Ss who p r o d u c e d more m e t a p h o r i c a l l y expressed essays. This finding sug ges ts quality of metap h o r s , that they do indeed d is cri mina te the since they are able to create the ir own metaphor. Lo ok in g more closely at the Peak Experience Essa y task, it can be seen that m e t a p h o r ex pr essio n was qu anti f i e d i n d i rectly by j u d gi ng the level of tr ansce nd en ce of the e x p e r i ence. In a more dire ct manner, each essay was also rat ed in terms of its p o e t i c and m e t a p h o r i c qualities. The h i g h l y significant c o r r e l a t i o n betw ee n the two sets of ratings suggests that the same pr oce ss of m e t a p h o r i z a t i o n is bei n g judged. Thus, co gni tive level III Ss are prone towar d 62 more tr a n s c e n d e n t peak e x p e r ie nc es and more m e t a p h o r i c e x p r e s s i o n than are c ogn itive level I Ss, T he re fore, e x p r e s sion o f m e t a p h o r appears to be a function, in gen eral, of the s t y l i s t i c and p e r s o n a l i t y variabl es which H a rvey has i n t e grated into the cognitive style construct. In sum mary, the p r esent study suggests that both a c o m pl ex cogn iti ve style and high level cognitive ski ll s as a n a l o g i c a l re as o n i n g ) mi lit ate against p r e f e r e n c e vague and im pe rs o n a l metaphor s o t h e r hand, created by others. (such for On the it is c o g n i tivel y complex Ss w h o e x cel at crea ting th e i r own m e t a p h o r s in exp re ss io n of a t r a n s c e n d e n t e x p e r i ence. The results of this study raise i n t e r e st in g con jectu re s as to the r e l a t i o n s h i p b e tw ee n metaphor e x p r e s s i o n and p e r c e pt io n to di ffe re nt in telle ct ua l skills and levels of c o g ni tive complexity. Because a S^ can perceive m e t a p h o r as an e x p r e s s i o n of feeling does no t imply that he can cre at e m e t a p h o r in his communications. Likewise, lovers of mu s i c and p o e t r y are no t n e c e s s a r i l y skil lfu l at com position. S p e c if ic al ly, the study suggests that one s h o u l d use s e v e r a l tests of co gnitiv e skills in e x p l o r i n g m e t a p h o r p re fe re nce. (1967) mo d e l of int ellect Possibly , Guilfor d's could be used to relate m e t a p h o r preferen ce to a n u m b e r of cog ni tiv e operations. In future researc h, al ter nat ive in stru me nt s for o b t a i n ing indices of me t a p h o r p re fe re nce might be consi der ed. For 63 example, place the peak ex per ie nc e is an even t wh i c h has taken in the past, but metaphor may be more ea si ly elic it ed by descript io n of one's own immediate, e m o t i o n a l state. is also suggest ed that future rese ar ch s h o ul d address to e xp ressive measures of me t a p h o r p er ce pt ion, It itsel f of met aph or p r e f e r e n c e since me asu res such as the MPS, a p pe ar to be c o n fo und ed by the em o t i o n a l l y n o n - i n v o l v i n g na tu r e o f such tasks. It might also be wise to pursue d i f f e r e n t ways of determi ni ng levels of cognitive complexity. For e x a m p l e , Ss could be ca teg or iz ed on the basis of level of c o n c e p t u a l a bs traction rath er than level of cognitive complexity. C H APT ER V SUMMARY In the present study, p e r c e p t i o n of and express ion of m e t a p h o r have been s t u d i e d within the framework of cognitive processes. Met ap ho r was which two or more ideas def ined as a c oncep tu al proc ess in are sy n t h e s i z e d in such a way as to suggest a new concept or image. It was postu l a t e d that the syn the si zi ng activity req ui res both skill in cognitive d i f fe rentiat ion and in t e g r a t i o n and a cognitive style which fa cil itates e x p e r i e n c i n g abs tract events. In order to c l a r i f y the rel ati on of m e t a p h o r p e r c e p t i o n and m e t a p h o r exp re ssi on in the sy nt h e s i z i n g process, two dep en de nt measures of m e t a p h o r p r e f e r e n c e were devised. Per ception of m e ta ph or as an expr es s i o n of feeling was m e a s u r e d by the MPS, a p a p e r - a n d - p e n c i l task in wh i c h a £ chooses literal or meta p h o r i c a l items. Abil it y to express one s el f me t a p h o r i c a l l y was i nd ir ectly m e as ured by use of the Peak Experien ce Essay, a task in which the £ writes an account of an emotio na lly s i g n i f ic an t event. With two in de pe nd ent variables (intelligence level as m e a s u r e d by the S h i p l e y - H a r t f o r d Scale and cognitive style as m e a s u r e d by H a r v e y ’s This variabl es I Believe test) and two dependent (the MPS and the essay task), the following h y p o theses were tested. 1. Cognitive level III Ss will score higher on the MPS than w i l l cognitive l e v e l I Ss. 65 2. H i gh er IQ Ss wil l score hi gh er on the MPS than will lower IQ Ss. 3. There will be an in teractio n be tw ee n IQ and c o g n i tive style in S_ pe rf orma nc e on the MPS. H. Ss' scores on the MPS wi ll correla te p o s i t i v e l y with th ei r scores on the Peak Ex peri enc e Essay. 5. H i gh er IQ, cogniti ve level III Ss wi l l d em on strat e the h i g h e s t posi tive cor rel at io n between MPS scores and Peak E x p e r i e n c e Ess ay ratings. The res ul ts expressions indica ted that pe rc ept ion of meta p h o r s as of feeling is p r im aril y an input task, p os si bl y re l a t e d to size of vocabulary. commun ic at e In contrast, the abil it y to in m e t a p h o r is, within the limits of the sample's i n t e l l e c t u a l level range, p ri ma ri ly a func ti on of the c o g n i tive style construct as e x p l i c a t e d in Harvey's Conceptua l Systems Theory. It was d e ci de d that more in form ati on could be gain ed if S h i p l e y - H a r t f o r d e st im at ed IQ's were co nv e r t e d back to the v o c a b u l a r y and analo gy raw scores and cor re l a t e d with MPS scores. In resu lt, it was found that scor e d h i g h e r on the MPS as voca bu la ry c ogn itive level I Ss in crease d, but there was no c o r r e latio n bet w ee n their MPS and ana logies In contrast, it was found that as level III Ss scored higher on the an al ogi es Yet, it was level essays. scores. test, they p re fe rr ed MPS m e t a p h o r less. III Ss who also wrote the most m e t a p h o r i c a l It was sug ge st ed that level III Ss d i sl ik ed MPS 66 m e t a p h o r beca us e of greater ability to di s c r i m i n a t e quality in m e t a p h o r i c expressions. In concl usi on, results of the study were used to suggest future research. In partic ular, it was su gg e s t e d that the proces se s u n d e r l y i n g m e t a p h o r e x p r e s s i o n sho uld be given more attent io n and that ex ploration of the u n d e r l y i n g processes might include a n u m b e r of tests of s p ec if ic cognitive skills such as those su gg e s t e d in Guilfo rd 's intelligence. 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AP PENDIXES Appendix 1 MPS Test-r etes t Co rre lati on Coefficients r X Rating SD "a floating, soaring . . • n "A wave of warm th . • . • it "I'm in tune with • . . • •i "I'm in an ebb and flow . • • • •i "There's an inner, warm . • • • it "c ompl et el y w r a p p e d • • . ii "My mind expands . . . • it "My anti ci pa ti on stands • • • • it "I want to h o l d back . . • • ii "Happiness floods my • • « • ii "A new feeli ng blossoms • • • • ii "There's no separa tion . « • • it .66 .66 .63 . 85 .70 .60 .79 .69 .63 . 83 .44 .62 4.27 5.19 3.81 3. 35 5.96 5.00 2.58 1.96 6.23 4.69 4.50 2.85 3.13 3.61 2.56 3.32 3. 36 2.42 3.08 2.12 3.33 3.37 2.78 3.07 Positive Lite ral "a general release and . . ." "I feel p e a c e f u l . . . ." "There's a sense of . . . ." "There's a carefree . . . ." "I feel very ple ase d . . . ." "I feel e x ci te d and . . . ." "I feel self-a war e but . . . ." "sure, acc omplished, happy . . . ." "There's a le ssening of . . . ." "I feel more friendly . . . ." "slowly be c o m i n g aware . . . " "I'm kee nl y aware of . . • ." .59 .79 .73 .67 .78 . 65 . 80 . 81 .71 .78 .67 .76 6.15 8. 85 8.27 7.73 7.23 8.42 6.00 8.23 7.00 8.42 7.63 7. 35 2.71 2.81 2.71 2.77 2.29 2.37 3.49 3.14 2.80 3.33 3.21 3.55 .68 .83 .49 .75 .92 . 60 .79 2.96 2. 54 3.62 2.65 2.58 3.31 3.73 2.01 1.89 1.59 2.20 2.10 1.88 1.91 .71 .84 .61 . 80 2.92 3.46 3.73 5.04 2.37 2.56 1.85 2.08 Positive Metaphor Negative Met aph or "The world is a vast . . . ." "I'm adrift . . . ." "My heart sinks . . . ." "There's a hot, red . . . ." "There's an icy . . . ." " Ev er yt hing inside me . . . ."■ "The feeling seizes me . . . ." Neg ati ve Literal "My hands and legs are . • • •" "I get very, very mad . . . ." "I hold my breath . . . ." "I feel dis app ointment . . . ." "I just look at peo ple . . . "My hands b e g i n to . • • ." "physically and e m o t i o n a l l y 76 A p pen di x 2 PR EFERENCE SCHEDULE Inside are a n u m b e r of ex pr es si ons of e m o t i o n a l e x p e r i ences w h i c h are p a i r e d with each other. For each pai ring, plea se in dic ate which item yo u prefe r the most by b l a c k i n g out the l e t t e r "a'1 or Mb" on y o u r answer sheet. Let y o u r pr ef er e n c e de ci sio ns be based on the foll ow in g criterion: if y o u were trying to express your em o t i o n s to a close friend, which e xpre ss io n of each pair w o u l d y o u c o n sider the most co mm un ic ative of meaning? Pl ea se make your judgments on this basis even thou gh some o f the phra ses or sente nce s may not de scribe you p e r son all y at this time. EXAMPLE: 1. a. b. wa n t to ho l d back time and capture the mome nt I feel sure, acc om pl is hed, happy Of the two exp ress io ns , whi ch one would y o u choose as the most commu n i c a t i v e of e m o t i o n a l meaning? When y o u begin, please work steadily, w i t h o u t t a k i n g too m u c h time on any one pa ir of items. Preference Schedule c omp letely wra pp ed up in the m o men t I feel self-aware but not se lf -cons ci ou s. My hands and legs are cold and yet I sweat. The world is a vast p a n o r a m a I ’m v i e wi ng from out side. A wave of warm th travels my body, a general release and le ss e n i n g of tension I just look at people w i th ou t sayin g anything. The w o r l d is a vast p a n o r a m a I ’m v i ew in g from out side. A ne w feeling blossoms in m y mind. There's a carefree feeling. My hands and legs are cold and yet There's an icy burning inside. I sweat. c om pl et ely w r a pp ed up in the mom en t There's a les sening of inner conflict. I hold my breath and listen intently. The feeling seizes me, takes over. There's a carefree feeling, co mpl et el y wra ppe d up in the momen t The wor ld is a vast p a n o r a m a I'm v i ew ing from out side. I hold my bre ath and listen intently. I feel self-aware but not self -c on sc ious. A wave of warmth travels my body. The feeling seizes me, takes over. I just look at people w i th ou t s a y i n g anything. There's a carefree feeling. There is an inner warm glow. My hands and legs are cold and yet The feeling seizes me, takes over. I sweat. There is an inner war m glow. I feel self-aware but not se lf -cons ci ou s. 78 16. a. b. Ever yt hi ng inside me has stopped. I hold my b r e a t h and listen intently. 17. a. b. a gen er al r e leas e and less en in g of tension complet el y w r a p p e d up in the moment 18. a. b. Every t h i n g inside me has stopped, I just look at peopl e w i t ho ut saying anything. 19. a. b. T h e r e ’s a l e s s e n i n g of There is an i n n e r warm 20. a. b. The f e eling seizes me, takes over. My hands begin to shake and my stomach trembles. 21. a. b. T h e r e ’s a l e s s e n i n g of inner conflict, A ne w f e e l i n g blos so ms in my mind, 22. a. b. My hands begin to shake and my stomach trembles, The w o r l d is a vast p a n o r a m a I ’m view ing from o u t side . 23. a. b. A new f e e l i n g b l o s s o m s in my mind. I feel s e l f - a w a r e but not self-conscious. 24. a. b. My hands and legs are cold and yet E v er yt hi ng inside me has stopped. 25. a. b. There is an inn er wa rm glow. a gene ral r e l e a s e and les se ni ng of tension 26. a. b. T h e r e ’s an icy b u r n i n g inside. I just look at p e o p l e w i t h o u t saying anything. 27. a. b. There's a care fr ee feeling. A wave of w a r m t h travels my body. 28. a. b. There's an icy b u r n i n g inside. My hands b e g i n to shake and my stomach trembles. 29. a. b. T h e r e ’s a les se ni ng of inner conflict, A wave of w a r m t h travels my body. 30. a. b. There's an icy b u r n i n g inside. I hold my b r ea th and listen intently. 31. a. b. a gener al re l e a s e and lessening of tension A new feeling blo sso ms in my mind. 32. a. b. E v e r y t h i n g inside me has stopped. My hands b eg i n to shake and my stomach trembles. inner conflict, glow. I sweat, 79 App e n d i x 3 EXPERIEN CE SURVEY In the space below, I would like you to write a br i e f paragraph about an exper i e n c e in y o u r life which you c o n sider to have been very signif ic an t for you. See if y o u can recall the most won de rf ul (meani ngf ul, stirring, th ri ll i n g , deeply moving, ecstatic, o v e r wh el mi ng) experi enc e of y o u r life; w h e n you were deeply touched, t ra ns po rted , o ve rj oy ed, e nr ap tu red, transfixed. After y o u have re c a l l e d the experien ce and t h o ug ht about what yo u want to say, plea se describe the e xp erien ce as though yo u w a n t e d to c om municate to a friend the e x p e r i e n c e d impact on you: ho w did it make you feel? A p pen di x 4 Peak Experience Essay Scoring Criteri a Nature of the Exp er ie nce A genuine peak experience. A very important, m e a n i n g f u l bu t not quite peak experience. An obv iously spe ci al event but one which is ex per ie nce d by many people. An event of spe cial me ani ng, but of pe des tr ia n or routine quality. A trite, banal, o rd i n a r y experience. EX AMP LES "I first let m y s e l f ex pe rie nce m y s e l f as I real ly was. This c on si sted of letti ng m y s e l f be held as a little child is he l d and treated on a complet ely childlike level. The feelings ass oci ated cannot a d e q u a t e l y be put into words. Close ness, onenessj tr ansc e n d e n c e , and most of all the ambiguous a l l - e n c o m p a s s i n g love. It is an ex perience I have t r e a s u r e d always and n e v e r have been able to rec apt ure in quite .the same way." "I was hiking in the mo un t a i n s and became lost. While sear ch ing for my way back, I came across a ridge and s u dd en ly bef ore me lay the most b eau ti fu l val le y I have ev e r seen. A stream with falls lay just b e l o w me. Birds were singing everywhere, and no signs of human exi st enc e were in evi dence for miles around. The anxiety over b e i n g lost escaped me and was r e pl ac ed by the et her eal quality of h a v i n g been t r a n s po rt ed from a wo rl d of greed and avarice back to a Garden of Eden." "The same type of e xper ie nc e has occu rr ed seve ral times and I cannot separate them. They were all concerned w i t h music. Both h e ar in g a large symphony and sing ing wi t h a huge group brought about these exp eri en ce s, so the size of the group seems important. I felt lifted up and 81 a part of the whol e group. My only thou ght was that we were doing s o meth in g great together, and no t h i n g else ma t t e r e d in the world. When the s y mph on y was pla ying, the music has always been loud and big. Then I want e d very much to e i t h e r play with t h e m or active ly res pon d in some way ." ’'I knew the mean ing of the wo r d love vers us respect. I felt love in a strong but gentle, complete sense. I found love to mean o n e ’s entire self." 3 "I was a stude nt nurse of pedia tri c a f f i l i a tion. A baby, app ro xi ma te ly sixteen mon th s old, had been cri ti cally ill for several days. I asked p e r m i s s i o n to take the child from the bed and ho l d h e r and this p er miss io n was granted. I held and r o cked the child for several minu tes befo re she responded. After a while she beg an to stir and open he r eyes and the next day she was almost well. It gave me a w on derfu l fee ling to think p e rhap s these few minutes of love and warmth to this sick child h e l p e d her to get w e l l . ” "The e x pe ri en ce that stands out most clearly in my mind w o u l d have to be term ed m e a n i n g f u l and deeply m o vi ng r a t he r than exciting. The e x p e r i ence came at the age of nine when I deci de d to follow Christ. That decision has given my life m e a n i n g and despite doubts and search ings , I have never regretted it.” 2 "I left for Paris, France. I was so e x c it ed that I slept very little the last few days b ef o r e leaving. It was a drea m- li ke period. It was spe cia l be ca us e it was a chance to live and study abroad and be ca use it o f fere d a chance to travel. This was to be a Junior year abroad. It was a chance to move into the adult world and m e e t d i ffe re nt people." "I graduated from high school. My m o t h e r had to quit school early and go to work, but she always im pressed upon me the value of an e du ca ti on and the social atmosp her e that would help in maturing. Gra du a t i o n was a mi le st o n e - - t h o u g h many other e x p e r ien ce s rate along with it, perhaps it is the most e n d u r i n g . ” 82 1 ’’Once when I was playing lit tle league b a s e ball, my single in the last inning won the game. Everyone was happy about it and it made me feel good to know that I had won the g a m e . ” ” 1 was about ten years old and my pare nts I went to the beach for a v a c a t i o n . ” and "The shar pe st guy I knew asked me out. All the othe r guys I have dated were about a v e r a g e . ” "I joined the Baptist Church. At the time I was nine years old and was p l e a s e d to r e alize that I could take an active, r e s p o ns ib le part in a wo rth w h i l e o r g a n i z a t i o n . ”
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