Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk The Sensuous Senator An American Farce by Michael Parker A Samuel French Acting Edition samuelfrench.com Copyright © 1988,1998 by Michael Parker ALL RIGHTS RESERVED CAUTION: Professionals and amateurs are hereby warned that THE SENSUOUS SENATOR is subject to a Licensing Fee. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copyright Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. In its present form the play is dedicated to the reading public only. The amateur live stage performance rights to THE SENSUOUS SENATOR are controlled exclusively by Samuel French, Inc., and licensing arrangements and performance licenses must be secured well in advance of presentation. PLEASE NOTE that amateur Licensing Fees are set upon application in accordance with your producing circumstances. When applying for a licensing quotation and a performance license please give us the number of performances intended, dates of production, your seating capacity and admission fee. Licensing Fees are payable one week before the opening performance of the play to Samuel French, Inc., at 45 W. 25th Street, New York, NY 10010. Licensing Fee of the required amount must be paid whether the play is presented for charity or gain and whether or not admission is charged. Stock licensing fees quoted upon application to Samuel French, Inc. For all other rights than those stipulated above, apply to: Samuel French, Inc., 45 West 25th Street, New York, NY 10010. Particular emphasis is laid on the question of amateur or professional readings, permission and terms for which must be secured in writing from Samuel French, Inc. Copying from this book in whole or in part is strictly forbidden by law, and the right of performance is not transferable. Whenever the play is produced the following notice must appear on all programs, printing and advertising for the play: “Produced by special arrangement with Samuel French, Inc.” Due authorship credit must be given on all programs, printing and advertising for the play. ISBN 978-0-573-62641-8 Printed in U.S.A. #20952 No one shall commit or authorize any act or omission by which the copyright of, or the right to copyright, this play may be impaired. No one shall make any changes in this play for the purpose of production. Publication of this play does not imply availability for performance. Both amateurs and professionals considering a production are strongly advised in their own interests to apply to Samuel French, Inc., for written permission before starting rehearsals, advertising, or booking a theatre. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, now known or yet to be invented, including mechanical, electronic, photocopying, recording, videotaping, or otherwise, without the prior written permission of the publisher. MUSIC USE NOTE Licensees are solely responsible for obtaining formal written permission from copyright owners to use copyrighted music in the performance of this play and are strongly cautioned to do so. If no such permission is obtained by the licensee, then the licensee must use only original music that the licensee owns and controls. Licensees are solely responsible and liable for all music clearances and shall indemnify the copyright owners of the play and their licensing agent, Samuel French, Inc., against any costs, expenses, losses and liabilities arising from the use of music by licensees. IMPORTANT BILLING AND CREDIT REQUIREMENTS All producers of THE SENSUOUS SENATOR must give credit to the Author of the Play in all programs distributed in connection with performances of the Play, and in all instances in which the title of the Play appears for the purposes of advertising, publicizing or otherwise exploiting the Play and/or a production. The name of the Author must appear on a separate line on which no other name appears, immediately following the title and must appear in size of type not less than fifty percent of the size of the title type. THE SENSUOUS SENATOR was first produced at the Delray Beach Playhouse, Delray Beach, Florida on July 7, 1988 with the following cast: CONGRESSMAN JACK MAGUIRE . . . . ... .. . David Zide CONGRESSMAN CLYDE SALT . .. .... .... . .. Ed Heller SENATOR HARRY DOUGLAS ......... .. .. Jack Gordon MRS: LOIS DOUGLAS .. . . ... . ...... Virginia Valenchik MARY RICHMOND .. .. .. . .......... Madeline Anzalone BETTY MORRJSON ... .... .. . ............. Lolly Shaw FIONA .... . . . .. ...... .... . . .. .......... Diane Du Mar VERONICA . .. . ..... . . ....... .......... Beverly Smith POLICEMAN .. .. . ... .. . .. ...... Robert Vander Zouwen Directed by Randolph DeiLago Designed by R.L. Markham The main action of the play takes place in the Washington D.C. Townhouse of Senator and Mrs. Douglas. PROLOGUE: A Sen;ue anteroom Early evening in January ACT 1: The Senator' s townhouse Later the same evening ACT II: The action is continuous THE CHARACTERS: SENATOR HARRY DOUGLAS: As a candidate for President of The United States. he presents a character with the careful combination of the external politician, and the real Harry who is. t>fcourse. "The Sensuous Senator. "A man whose libido has him constantly in trouble. he is. by his very nature. not only the philanderer the title suggests. bill something of a natural clown. Suave. elegant. imposing. Age 45-65. LOIS DOUGLAS: The Senator's long suffering wife, who is blissfitlly unaware of her husband's continual infidelities. The impeccably groomed. ever a/lentive, and smiling politician's wife. Kind. caring, mother~v. Age 40+. CONGRESSMAN JACK MAGUIRE: A first term congressman. Early in Act I he inadvertently takes a massive dose of sleeping pills and spends the rest ofthe play falling asleep and avoiding the clutches of Fiona. who is fiercely determined to get him into bed. Young, idealistic. naive. Age 30-35. CONGRESSMAN CLYDE SALT: An elderly congressman. a cynic and wit. A pivotal character whose dry sense of humor creates laughs galore as he sees, (when he can find his glasses) yet does not see. all the incredible happenings occurring around him. Old. almost senile. a natural comedian. Age 60-80. FIONA: A high class call girl who, in her own words. "specializes in members of Congress. " While she spends most of the play in her underwear. she should not be seen as cheap or tawdry. Yoimg. bright, perky, sexy. Age 20-25. MISS MORRISON: An investigative reporter for "The National Intruder. " she keeps "popping up" throughout the play. Her ev.er present camera is always poised as she seeks that eiusive photograph of the Sensuous Senator "caught in the act. " Serious. businesslike. humorless. Any age. VERONICA: Harry's secretary and lover. When Harry asks her on the phone "Can your hormones come over tonight?" She can and they do! Playing the role of the sexy temptress. she is totally frustrated throughout the evening by all the action going on around her. She finally gives up and "blows the whistle. " A stunning. voluptuous seductress. Age 25-40. THE POLICEMAN: The closest anyone comes to being "the straight man. Constantly appearing at the most inappropriate times (for Harry and his paramours) to do searche.~ and security checks. his rather serious manner creates many opportunities for laughs. Any age. PROLOGUE (This scene can be played in front of the curtain using the theater itself as a meeting hall, or with a down stage backdrop to represent a Senate anteroom. Center stage is a small rostrum or lectern with a microphone. To the sides and slightly upstage are three chairs. One right, two left. The reporters, BETTY MORRISON and MARY RiCHMOND, are already seated in the audience. As the house lights dim partially, THE POLICEMAN slips into the rear of the auditorium. Enter CONGRESSMAN MAGUIRE, thirty-ish, business suit. well groomed. He is the epitume of the first-term young Congre:,·sman. He strides confidently to the microphone and holds up his hands for quiet.) MAGUIRE. Good evening, ladies and gentlemen of the press. My name is Congressman Jack Maguire. I have been asked by my uncle, that great American, Senator Harry Douglas, to open this press conference and welcome you all to Capitol Hill. Joining me· on the platfonn tonight will be another member of the House of Representatives who needs no introduction. Nevertheless, I intend to give him one. Congressman Clyde Salt has been elected to Congress no less than 22 times. He is known on the hill as "The Grand Old Man." He is the protector of the rights of America's senior citizens. He is the custodian of social security. He has served 7 8 THE SENSUOUS SENATOR longer than anyone in history in the House of Representatives. May I remind you that in over 40 years of public service, no rumor, no innuendo, no hint of scandal has marred his glorious career. Ladies and gentlemen: Congressman Clyde Salt. (He applauds. waits as SALT appears, shakes his hand, then sits on the right chair. Enter SALT He is old, stooped. moves slowly, and might appear to be a little senile. He wears a slightly rumpled suit, and the thickest pair of horn-rimmed glasses imaginable.) SALT. (Now at the microphone.) Good Evening. As you all know, this press conference has been called by the senior Senator from my home state. Before I bring him on to make his announcement, I would like to tell you a little about him. He is a man of immense vision, incredible intellect, and incalculable experience. But these qualities alone are not enough for a man to serve in high office in this country today. We need men of high moral standard.s. Men who deplore the promiscuous society. Men who value, above all else, the sanctity of a home, wife, and family. Men who believe in the greatest of all virtues: fidelity . Senator Harry Douglas is such a man. I have known him and his charming wife, both professionally and socially, for nearly 20 years. Indeed, he is my friend and neighbor here in Washington. It is .because I have known him these many years that I can stand before you this evening and say: Here is a man of integrity, Here is a man of honesty, Here indeed is a man of destiny. Here is Senator Harry Douglas. THE SENSUOUS SENATOR 9 (He applauds and looks left as HARRY and bOIS DOUGLAS enter right and make their way to ce,nter stage. MAGUIRE turns SALT around and points him in the right direction. SALT shakes hands with HARRY. kisses LOIS on the cheek, and then sits on one of the chairs L. . SENATOR DOUGLAS is suave, elegant, never stops smiling. Age perhaps 50 to 60 with graying hair. Smartly dressed in a dark blue suit and red tie,. he gives an air of great confidence. MRS. DOUGLAS, fifty-ish. is neat, tidy, quite a handsome woman, dressed in a conservative. two-piece suit and looks l(ke all candidates ' wives. She stands at his side but slightly to his rear as he stands at the microphone.) HARRY. Good evening, ladies and gentlemen. May .I express my appreciation for your presence..hcre this evening. I have a short statement to make and then there will be time for just a few questions from the floor. (He pauses.) I wish to announce that from this moment, I am a candidate for the office of President of the United States of America. (Looking very pleased with himself, he takes LOIS's hand in his. they both raise both hands above their heads. as MAGUIRE and SALT stand and applaud MORRISON, RICHMOND. ThePOLICEMAN and any front stage crew should also join in.) Thank you - thank you. (MAGUIRE and SA/-T sit. The SENATOR shows his wife to the other chair left. She sits. He returns to the microphone.) I .am not going to bore you this evening with my views on the budget, defense spending, or the federal deficit. There will be time enough for that later in the campaign. Congressman Salt has touched briefly on some of the things about which I feel strongly. Let me tell you 10 THE SENSUOUS SENATOR myself what I stand for. Let me tell you "where the beef is." I stand for the great American family, for trust and fidelity. With my wife at my side, I shall work to return this country to a standard of morality known and practiced by our founding fathers. Do you know what the divorce rate was among the pilgrims on the Mayflower? I'll tell you. Zero. And why? Some people will tell you it was because there wasn't enough room to fool around, but I don't believe that. In those days husbands were faithful to their wives and wives to their husbands. And so, finally, may I remind you of the family motto of my English ancestors, and shared with one of our great American institutions: "Semper Fidelis," always faithful. (He pauses for effect. MRS. DOUGLAS, SALT and MAGUIRE politely applaud.) Now, I have time for just a few questions. When recognized, please s~and and identify yourself. (MARY RICHMOND 's hand is up. HARRY nods in her direction.) Yes? RICHMOND. Mary Richmond, Florida Post Dispatch. Senator, I have a question which you can answer with a simple yes or no. If you become President, do you intend to raise taxes? HARRY. Ah, now some politicians might suggest you. read their lips, some might sidetrack you by changing the subject, and others would simply avoid giving you a straight answer to such a question. But not me. I intend to give you a definitive statement on that very subject. We must, however, remember that under the constitution, the legislative branch of government, not the executive, levies taxes. Ah - but you may say - programs introduced by the President often make tax structure changes by the Congress obligatory. And, I use the word obligatory in its classical Greek connotation welt THE SENSUOUS SENATOR II knowing what that implies. So - we all see that programs introduced by various branches of government may or may not come to fruition in the fonn in which they were intended. That, of course, leaves us with another important moral question, which perhaps we had better leave for another day, .as I'm sure I have fully answered your original question. Next. RICHMOND. Senator, do you believe we can have health care refonn and still balance the budget?, and 1 really would like an answer to this question. HARRY. I wouldn't want to mislead you by doing so, other than saying, however easy it would be for me to answer your question, it is not fair for me to go further than 1 already have, (Pause) and 1 would not read too much into that. (He leaves RICHMOND standing with her mouth open. BETTY MORRISON's hand is up; he points at her, RICHMOND sits.) MORRISON. (Standing) Betty Morrison, The National Intruder. HARRY. Could you speak up, please? MORRISON. Betty Morrison. The National Intruder. You refer to a standard of morality. Do you believe you can legislate morality? HARRY. Of course not, but we can raise our standards and we can lead by example. For instance, this evening after the press conference, Mrs. Douglas is flying to Chicago to open a new counseling center for unwed mothers. (Polite applause by everyone.) 12 THE SENSUOUS SENATOR MORRISON. (Still standing.) What do you mean by trust? HARRY. My! My! May I say how gratified I am at the serious nature of the questions. It's not something we have generally come to expect from The National Intruder. ~ell now, trust. Trust comes in many. different forms. The trust a wife has for her husband. (He turns to look at MRS. DOUGLAS who smiles sweetly.) The trust a man has in his friends and colleagues. (He looks at MAGUIRE and SALT who nod gravely.) My colleagues here on the platform have my complete trust, and I know I have theirs, after all they are also my neighbors and my home is their home. That, madam, is trust. (He tries to find another questioner.) MORRISON . (Still standing.) I have a follow up. HARRY. Very well. MORRISON . (In a loud and strident voice.) Is there any truth to the rumors that your secretary can't type and your office staff is known as Harry's harem? (The SENATOR spluuers. SALT. MAGUIRE and MRS. DOUGLAS jump to their feet protesting.) .HARRY. There goes the media again! LOIS. This is outrageous! SALT. It's an insult! MAGUIRE: We shouldn't have to tolerate this! (Looks to the rear ofthe auditorium and shouts above the other voices.) Officer! THE SENSUOUS SENATOR 13 (The POLICEMAN hurries down the aisle and attempts to escort MORRISON out at the rear of the theater. MORRISON protests. The POLICEMAN insists. They argue for a moment or two. Blackout as all hurriedly leave the stage taking all front stage props with them. A single spotlight on MORRISON and The POLICEMAN in the aisle as they move to the rear of the auditorium and exit.) POLICEMAN. Come along, Madam. MORRISON. Take your hands off me. POLICEMAN. Don't give me a hard fime. You have to leave. MORRISON. I'll leave when I'm ready to leave. POLICEMAN. Now, Madam, let's not do something we might regret. MORRISON. (Moving to rear.) You'll hear more about this. · POLICEMAN. I'm only doing my job. RICHMOND. Officer, leave her alone. POLICEMAN. This had nothing to do with you, stay out of it. RICHMOND. It has everything to do with me. She has a right to ask questions.. ' MORRISON . Too right I do. POLICEMAN. You can't create disturbances like this. Come along now. Both of you. MORRISON. You have no right to do this. . RICHMOND. She's right. POLICEMAN. Come along madam. (They all exit to the rear of the auditorium.) · 14 THE SENSUOUS SENATOR ACT I . . (fhe scene is the Washington townhouse of SENATOR and MRS. DOUGLAS. We see a bedroom ~tage right and a living room stage left. The wall between is cut out except · for the upstage connecting door. In the bedroom center is a large double bed. with a bookcase type headboard Stage right are french doors. Upstage right is the door to the bathroom, and next to it a staircase leading off In the living room right is a couch. an Afghan draped·over it, and a low coffee table in front with the telephone on it. Upstage left center is a closet with a sliding dpor. Upstage center a passage leads to the kitchen. Upstage left, a staircase 10 the spare bedroom. Stage left center is the front door, above it a credenza with drinks, glasses, etc., and below it a low easy chair.) (fhe townhouse is elegantly furnished and the decor tasteful. As the curtain rises, the stage is empty.) (After a few moments, enter MRS. DOUGLAS. SALT. MAGVIRE, and finally, the SENATOR. They are all bundled up in topcoats, etc.) LOIS. Come in, Congressman. Let me have your coat. SALT. (Taking offhat and coat.) Thank you, Lois, but I mustn't stay too long. (She takes his hat and coat and hangs them in the closet. SALT sits right end ofcouch.) MAGUIRE. I still say there must be something we can do. That's the way ugly rumors get started. THE SENSUOUS SENATOR .15 (Takes offcoat and puts it on the back ofthe couch.) HARRY. It's infuriating. Me oLall people, to be subjected to such denigrating propaganda. (Takes offhis coat and puts it on the back ofthe couch.). SALT. Denigrating propaganda! Come off it, Harry. You're not campaigning now. LOIS. (Taking off her own coat and hanging all of the coats in the closet.) Now, boys, behave yourselves. We' ve just got time for a cup of coffee before I go the the air.port. Harry, be a dear and switch the coffee maker on for me would you? It's all ready to go. (She finishes putting all the coats in the closet and eventually sits left end ofthe couch.) HARRY. Of course, my love. (Exits to kitchen.) MAGUIRE. (Pacing up and down.) Well, I think the Senator' s right. .There ought to be a law to stop people. like that horrible woman from saying things like that. SALT. That' s very good, young man. You're in the Congress. Why don't you sponsor a bill to that effe.ct? I can see the headlines now. "Congressman Says Scrap The First Amendment." MAGUIRE. Well, I didn't mean that, sir. SALT. I know you didn ' t, but that's what the press would make it sound like. 16 THE SENSUOUS SENATOR MAGUIRE. Well, anyway, the majority of the American people wouldn' t believe it, and still support the Senator. SALT. You think so? Remember Mark Twain, my boy. He said, "Anytime you find yourself on the side of the majority, it is time to pause and reflect." LOIS. Jack, for heaven's sake, sit down. You're making me quite nervous. (He sits on the chair.) HARRY. (Entering from the kitchen.) The coffee's on, my sweet. LOIS. Thank you, Harry. HARRY. (Starts to pace a lillie.) It really is most distressing. Jack's quite right, you know. Rumors can get started that way. LOIS. I really think you' re making too much of it. Look at it this way. We've had one disreputable reporter trying to grab a cheap headline for a paper no sensible person would read anyway. SALT. Ah, now there, Lois, you're right and you're wrong. You're right about the reporter but dead wrong about the National Intruder. It has a huge circulation, and they work on the principal that if you can give the American public one piece of scandal a day, that'll keep them as happy as lemmings on a cliff edge. LOIS. (Gelling up.} Well, I still say, just ignore it. Because it obviously has no foundation , ·people will quickly forget it. Coffee for everyone? (They all nod in assent. Exit to kitchen.) THE SENSUOUS SENATOR 17 MAGUIRE. That's it! Ignore it and it'll go away. SALT. We've tried that for years on the deficit. It doesn't work. HARRY. What arc you saying? That we should take some sort of action? SALT. You know, Harry. In the war of words, I think you really fired the opening salvo. HARRY. What do you mean by that? SALT. I mean my introduction of you tonight. When you wrote that speech for me, don't you think you laid it on a bit thick? I mean, "high moral standards, - deplores the promiscuous society, - sanctity of home, wife, and family." It flows like molasses in the wintertime. MAGUIRE. I don't understand. (To HARRY.) You wrote that? HARRY. Of course. MAGUIRE'. But, that'sHARRY. S~metimes, my boy, I think you have the political acumen of a horse's petunia. How we ever got you elected is a complete mystery to me. SALT. Perhaps the voters recognized those rarest of all attributes of the American politician: innocence and integrity. (MAGUIRE smiles "innocently. '') LOIS. (Enters from the kitchen carrying a tray with coffee cups, etc.) Here we are. HARRY. (Rushes over.) Let me help you with that. (He takes the tray from her and puts it on the table.) LOIS. Thank you, Harry. THE SENSUOUS SENATOR 18 HARRY. You' re welcome, my love. (LOIS sits.) MAGUIRE. You two are just wonderful. I'm sure if that reporter could see you two together, she' d know that none of the things she said could possibly be true. LOIS. Are we still talking about that reporter? Let 's change the subject. (Handing out cups.) Harry, is there anything special you'd like me to say in Chicago? HARRY. As a matter of fact, my love, in view of tonight's events, I think perhaps there is. I think it would be a good idea if you could mention how heartbroken I was at having to be parted from you this weekend. LOIS. Are you really, my sweet? HARRY. Of course, my love. Maybe you could slip in something about - er -tears in my eyes as we said goodbye? LOIS. Oh, Harry. SALT. The molasses is flowing again. Don 't overdo the tears, Harry. Your campaign .could drown in them. HARRY. Well, the whole press corps heard that woman tonight. It's only prudent to counter-punch a little, and Lois is bound to be on the network newscasts in Chicago, so we might as well make the most of it. SALT. I've got to hand it to you, Harry. You always do seem to make the most of every opportunity. (Gets up.) Well, it's time I was going. HARRY. I'll get your coat. (Gets SALT's hat and coat from the closet.) THE SENSUOUS SENATOR 19 SALT. Lois, my dear, thank you for the coffee. Haye a safe trip. (He leans over the back of the couch and kisses her on the cheek.) As for you, young man, follow my example. The earlier you go to bed, the less likely you are to get into trouble. (He is helped into his coat by HARRY.) MAGUIRE. (Stand'>) Good night, sir. HARRY. (Opening the front door.) Thank you for your endorsement this evening. SALT. Think nothing of it, Harry. Good night. (Exit) LOIS. He really is a wonderful old boy, isn't he? MAGUIRE. Just think of it. He was in Congress before I was born. HARRY. Well, I think he seems to be getting a bit cynical in his old age. He seemed to be almost sarcastic about my morality platform. LOIS. Oh, he's alright my love. It's just that you do get a bit carried away sometimes. HARRY. That's onfy because I believe so fervently in what J'm saying. LOIS. We believe you, darling. Now be a dear and help me clean up. My car will be here any minute. (They all putthe cups hack on the tray.) MAGUIRE. Could I get a ride with you? You'll be going THE SENSUOUS SENATOR 20 right past my office, and I have an appointment in about half an hour. LOIS. Of course, Jack. (She picks up the tray.) MAGUIRE. Thank you. HARRY. Allow me, my darling. (He takes the tray and exits to the kitchen.) MAGUIRE. There - you see. That's what I mean. He obviously loves you very much, and it makes my blood boil to think that his character can be besmirched by that woman. LOIS. (Laughing) Besmirched character! I think you've been spending too much time with Harry. You're beginning to sound like him. MAGUIRE. But you know what I mean. LOIS. Yes, Jack, I do. But when you've been married to a politician as long as I have, you learn to be a bit philosophical about these smear campaigns. They come and they go. You must learn to take them less seriously. HARRY. (Returning from the kitchen.) Well, everything's shipshape in the kitchen. LOIS. Good. Now, you're sure you'll be alright on your own? HARRY. Well, I won't say I'm looking forward to it, but I'll survive. (Phone rings.) Hungry for More? This is a Sample of the Script Buy the full script and explore other titles www.samuelfrench.com www.samuelfrench-london.co.uk Titles are subject to availability depending on your territory.
© Copyright 2026 Paperzz