Parent and Chorister Handbook Founded in 1883 and winner of the prestigious“Coming Up Taller Award” of the President’s Committee on the Arts and Humanities In residence at the Episcopal Church of Saints Andrew and Matthew 719 N. Shipley Street • Wilmington, DE 19801 (302) 543-8657 www.cathedralchoirschoolde.org 1 CONTACT INFORMATION CATHEDRAL CHOIR SCHOOL OF DELAWARE IN RESIDENCE AT THE EPISCOPAL CHURCH OF SAINTS ANDREW AND MATTHEW (SsAM) 719 North Shipley Street Wilmington, DE 19801 Phone: (302) 543-8657 Fax: (302) 543-8679 Arreon Harley, Artistic Director, ext. 1 [email protected] Leslie Acker-Rowe, Director of Mentoring and Student Services, ext. 2 [email protected] Nick Orlando, Director of Finance and Development, ext. 3 [email protected] Rashel Stover El, Administrative Assistant, ext. 4 [email protected] Press ext. 8 for direct access to Choir School staff during after school and evening hours. To gain entry from the lobby, please use code 1234 on the electronic PIN pad. 2 Table of Contents Introduction The Hearing and Interview Scholarships Commitment Student Ensembles and Benchmarks Weekly Rehearsal Schedule Summary of Benefits Intergenerational Choral Training Time Commitment page 4 page 5 page 6 page 10 page 10 page 11 Page 4 Page 5 Page 6 Page 7 Page 9 Page 10 Page 10 Page 11 Benefits in Detail Professional Choral Training Private Piano Instruction Music Theory Leadership One-on-One Mentoring & Academic Support Choir Trips Summer Choir Camp Chorister Stipend Recreation page 12 page 12 page 13 page 13 page 14 page 15 page 15 page 15 page 15 Page 12 Page 12 Page 13 Page 13 Page 14 Page 15 Page 15 Page 15 Page 15 Incentives and Awards Standards Promotion Team Points Standards and Progress Reports Parental Support of the Chorister Parental Involvement in the Choir School page 16 page 16 page 17 page 17 page 18 page 18 Page 16 Page 16 Page 17 Page 17 Page 18 Page 18 Code of Conduct Page 19 3 The Hearing and Interview During the course of the hearing, the Artistic Director evaluates the chorister’s conduct, singing ability, and reading skills. The Artistic Director takes into consideration the potential of each chorister as well as any special needs. The chorister can relax because no preparation is required for the hearing! 1. Deportment: the professional conduct or behavior of a chorister • • 2. Singing • • • 3. posture concentration pitch range rhythm Reading • • accuracy word recognition 4 Scholarships The Cathedral Choir School of Delaware welcomes children and youth from a broad geographic area and from all faith traditions. Students do NOT have to be Episcopalian or of the Christian faith to participate in the Choir School. 1. Every student who is accepted in the program receives a FULL MERIT SCHOLARSHIP valued at $8,500.00. 2. Participating families are invited to contribute to the Annual Operating Fund and/or the Endowment Fund. Parents are asked to support the Choir School through participation in a variety of volunteer roles. 5 Commitment The growth and development of each chorister is realized by a commitment to excellence that is shared by the Cathedral Choir School of Delaware and participating families. 1. The commitment of the Choir School • • • 2. to provide the finest musical education to provide the finest in academic support and mentoring to nurture the best examples of citizenship The commitment of participating families • • • to review the choir schedule to participate in scheduled rehearsals, services, and concerts to communicate limited but necessary absences to the Artistic Director Before a family makes a commitment to the Choir School, the chorister and family can participate in a four week “test drive”. During this time, parents and caregivers are encouraged to observe as many rehearsals, services and concerts as possible. By the end of the four weeks, the chorister, family, and Choir School staff can confidently evaluate the experience. 6 Cathedral Choir School Student Ensembles and Benchmarks Vocal Quality Intonation Diction Cathedral Preps Cathedral Singers Cathedral Camerata The student will work to be aware of vocal quality and work for the desired open-tone choral timbre. The student must be able to blend in with ensembles with preparation. The student has good vocal quality, including a smooth, open tone. The student may have difficulty in extreme ranges or difficult music. The student has potential to perform well in any ensemble. The student exemplifies the model choral sound, having an open, free sound. The student does not struggle to produce tone. The student's sound contributes to and strengthens the ensemble. Student will gain knowledge of basic singing technique. Student will work to develop controlled breath and will work to develop a freely produced vocal timbre. The student can match pitch. The student will develop the ability to sing to the center of a pitch. Student is able to sing diatonic and melodic passages with accuracy. Student is familiar with singing techniques. Student displays proper breathing, posture and is able to produce sound freely. The student can accurately match pitch. The student will continue to develop acuity and the ability to sing to the center of chromatic intervals and large leaps. Confidence is present. Student consistently uses and understands the elements of diction. Student will develop a firm understanding of vowel placement. Student shows no difficulty when performing with proper breath, posture, and mouth formations. Students will develop the elements of expressive diction and vowel placement. Student possesses the ability to match vowels. 7 The student can accurately match pitch and performs pitches confidently and flawlessly. Expressive use of the elements of diction with excellent vowel placement. Cathedral Preps Cathedral Singers Cathedral Camerata Musicality Students will develop knowledge of musical components. Singers will work to achieve tasteful and musically informed dynamic contrast and phrasing. Student must possess a natural tendency to produce musical phrases. The student will possess a high level of control and concept of musicality. Singer has developed sensitive singing and phrasing with tasteful and valid interpretation. Melodic Accuracy in Sight-Singing The singer will learn to sing diatonic, step-wise passages with solfeggio syllables. Students will learn to follow the linear contour of a score. Students must display a firm knowledge of musical components. The singer will achieve a moderate level of meaningful and uniform musical demonstration of good dynamics and rhythmic shaping. The student will be able to proficiently sing diatonic, step-wise passages with solfeggio syllables. Students will work to develop the ability to sing tonic and dominant triads with solfeggio syllables. Rhythmic Accuracy in Sight-Singing The singer will develop a proficient understanding of note values and durations. Students will be able to recognize and execute rhythms with whole notes, half notes, quarter notes and eighth notes. The singer will have a firm understanding of note values and will be able to recognize and execute rhythms with whole notes, half notes, quarter notes, eighth notes and sixteenth notes. 8 The student will master the ability to sing diatonic, step-wise passages with solfeggio syllables. Students will have a competent ability to sing tonic and dominant triads. The students will be able to use solfeggio syllables with confidence. The singer will exhibit excellent understanding of note values, meter, and overall pulse with minor moments of pulse distortion. Students will be able to recognize syncopation. Weekly Rehearsal Schedule Each ensemble rehearses separately one evening a week. All choristers come together to sing on Wednesday evenings with the full Cathedral Choir. Ensemble Rehearsal Days Cathedral Preps Wednesdays: 6:00-7:30 Thursdays: 6:00-7:30 Cathedral Singers Tuesdays: 6:00-7:30 Wednesdays: 6:00-7:30 Cathedral Camerata Mondays: 6:00-7:30 Wednesdays: 6:30-8:30 Cathedral Choir (Intergenerational) Wednesdays: 6:30-8:30 9 Summary of Benefits 1. Professional choral training 2. Private piano and voice instruction 3. Leadership development 4. Academic tutoring and support 5. One-on-one mentoring 6. Choir trips and camp 7. Chorister stipend Intergenerational Choral Training The Cathedral Choir School of Delaware is an award winning after-school program that trains boys and girls to sing professionally with adult singers. The program incorporates the style of training that began nearly one thousand years ago and still continues today in the great cathedrals and collegiate chapels of England. The Cathedral Choir School of Delaware takes pride in its diverse student body and is open to children and youth of all faith traditions. 10 Time Commitment 1. 2. 3. During the week a. Choristers meet for two evening rehearsals. The specific evenings are determined by the musical proficiency of the chorister as discussed with the family. b. Piano lessons and voice lessons are scheduled at a time during the week that is convenient for the instructors and the student’s family. Performances a. During the academic year, choristers are required as a part of their training to sing for Sunday morning liturgies and community engagements (September through June). b. Additional performances are scheduled throughout the year (September through June). c. The Choir School has opportunities to perform in a wide variety of venues in Wilmington and the surrounding region. Academic Support and Mentoring a. b. c. One-on-one mentors, tutors and homework helpers are available to our students Monday -Thursday 3:00 p.m. to 6:00 p.m. Students have access to a state-of-the-art computer lab, academic reference materials and a piano lab. Students are provided with afterschool enrichment activities including: cooking class, reading groups, ping pong, community outreach projects and trips to the library. 11 Benefits 1. Professional choral training Our choristers: • • • • 2. receive classical singing instruction learn how to read music perform a variety of choral music that spans five centuries sing in English, Latin, French, Spanish, Italian German, Swahili, and Zulu. Private piano instruction Piano instruction is encouraged but not required. Students enrolled in piano lessons are required to practice regularly in our piano lab during afterschool hours and at home. In addition to the enjoyment one receives when playing a musical instrument, piano study also: • • • increases overall musicianship enhances abstract reasoning skills that help children in academic studies, including math and science promotes healthy discipline that is transferable to other areas of interest Whenever possible, the Choir School will provide a high-quality digital piano to families who do not have an acoustic piano or adequate keyboard in their home. Students can keep these practice pianos in their home until they complete their piano studies in the Choir School. Once a student graduates, the piano is placed in another student’s home. 12 Benefits (continued) 3. 4. Music Theory a. The study of music theory helps students to read music and better understand the building blocks of music. b. Specifically, students learn about pitch notation, rhythmic notation, intervals, scales, key signatures, time signatures, chords, and harmony. c. Understanding music theory helps students become better musicians. Leadership a. Leadership skills are introduced and reinforced in the context of every rehearsal and performance. b. Citizenship and social skills are fostered as: • • choristers learn how to interact in an intergenerational community choristers relate to a wide range of personalities and backgrounds d. A healthy work ethic is instilled • as choristers work and grow together, developing good habits that sustain them throughout their adulthood. e. Specifically, choristers learn to • • • • • derive satisfaction from hard work compete in a healthy fashion focus on the task at hand develop individual standards and leadership skills become a team player. f. Choristers who consistently demonstrate leadership by example are invited to receive Head Chorister Training and/or become Student Ambassadors serving as a member of the Leadership Council. 13 Benefits (continued) 5. One-on-one Mentoring and Academic Support a. The Cathedral Choir School of Delaware is a partner program with Creative Mentoring and The Delaware Mentoring Council. b. All students can benefit from interactions with caring adults other than family members. Studies show that students with mentors are more likely to complete school and are less likely to engage in unhealthy behavior. The Choir School supports mentoring for all students in our program and strongly encourages all choristers to participate. c. Our volunteers are carefully screened before working with our students. One-on-one mentors receive training from Creative Mentoring, and all volunteers receive safety and child abuse training. d. One-on-one mentors and tutors are scheduled to meet weekly with our students at the Cathedral Choir School. Homework helpers are available afterschool Monday-Thursday. e. Activities can include • • • • working on homework and projects developing new skills (cooking, knitting, chess, etc.) shared interests (piano, reading, board games, etc.) just talking 14 Benefits (continued) 6. 7. 8. 9. Choir trips a. The Choir School participates in choir trips and has opportunities to sing in a variety of venues. b. In addition to singing for liturgies, the choir is featured in concerts and civic events throughout Delaware and surrounding states. Summer choir camp a. The Cathedral Choir School of Delaware presents a week-long summer camp for choristers. b. Students participate in a variety of activities, including • • • • learning new repertoire studying music theory leadership training recreation Chorister stipend (pay) a. Choristers receive a stipend for each rehearsal, service, and concert in which they participate. b. Base pay is $0.50 per call (i.e. each rehearsal, service, concert, etc.) with an additional $0.25 added each consecutive year of service with promotion. c. Chorister pay provides educational opportunities for • • • a sense of accountability money management work ethic Recreation a. In additional to rehearsals, lessons and performances, recreational events with chaperones are planned throughout the year for relaxation and fun! 15 Incentives and Awards 1. Standards The Standards System This system reflects attendance, attitude and the quality of participation in all Choir School activities. 5 Chorister is always focused, shows leadership and a positive attitude and sets a good example for other choristers. 4 Chorister is mostly focused, shows leadership and a positive attitude and sets a good example for other choristers. 3 Chorister is focused some of the time and needs to set a better example for other choristers. 2 Chorister is mostly unfocused and does not set a good example for others. 1 Chorister is in attendance but is uncooperative, unfocused and sets a poor example for other choristers. 0 Chorister is absent, is not in uniform or is insubordinate. 2. Promotion a. Choristers are guided and promoted through Levels of Achievement as they study. Promotion comes upon mastering specific skills and knowledge and meeting attendance and conduct requirements. b. Choristers need to earn 350 standards to be promoted to the next level of achievement. c. Promotion results in a pay raise. 16 Incentives and Awards (continued) 3. 4. Team points a. In addition to making individual progress in the Choir School, choristers learn how to function as team players. b. To foster team effort, group skills and healthy competition, the choristers are divided into two teams, Cantoris (Can) and Decani (Dec). c. Team points are earned when choristers set the best example in deportment, singing and overall participation. Standards and Progress Reports a. Choristers receive a monthly Standards and Progress Report that evaluates how each chorister is progressing in the following areas: • • • • • • attendance and punctuality communication leadership and attitude musical skills mentoring and academic support piano and voice b. The monthly reports must be reviewed by the parent with the chorister. Parents must acknowledge this report via a brief phone conversation or email before the chorister receives his or her monthly stipend. c. Immediate behavior concerns will be addressed via a phone call to the parent. Disciplinary pink slips will be sent to the parent who must review the form with the chorister and return the signed pink slip to the Choir School. 17 Parental Support of the Chorister 1. The Choir School program has many built-in incentives and rewards; however, parental support and encouragement is ESSENTIAL! 2. During the course of the choir season, the chorister will experience many high points and exciting opportunities. Parents and family members can provide praise and share in the joy and satisfaction of these achievements. 3. Parents will also need to provide the chorister with encouragement and support during those times when he or she may be tired or need a boost in maintaining a positive attitude. 4. The Choir School, which includes a combination of short-term and long-term goals, discipline and a nurturing environment, can be a significant investment in the child’s future. Parental Involvement in the Choir School 1. Choir School families do not have to be Episcopalian nor of the Christian faith. The Cathedral Choir School of Delaware takes pride in its diverse student body and is open to children and youth of all faith traditions. 2. Parental attendance at Choir School events is optional and is strongly encouraged as choristers seem to especially blossom when parents attend services and concerts in which they sing. 3. As a fully-scholarshiped program, the Choir School is dependent on volunteers. Parents are needed and invited to support the Choir School through participation in a variety of volunteer roles. 18 CATHEDRAL CHOIR SCHOOL OF DELAWARE CODE OF CONDUCT IT’S ABOUT RESPECT, FAIRNESS, RESPONSIBILITY TRUSTWORTHINESS, CARING AND CITIZENSHIP! When I am RESPECTFUL, I: Treat others fairly, Listen to what other people are saying, Am polite and courteous, Recognize adult authority. ABOVE ALL, I honor others and treat them as I want them to treat me! Examples of DISRESPECT: Being mean, bullying or insulting, Interrupting, or talking over others, Arguing, shouting, or cursing, Being dismissive or back talking. When I am FAIR, I: Take turns, Am a good sport, Respectfully stand up for myself and others. ABOVE ALL, I treat others with equality and think about how my actions affect other people! Examples of UNFAIR: Being disagreeable, Ignoring the rules, Acting threatening or rude. When I am RESPONSIBLE, I: Use self-control, Think before I act, Follow directions; do as I am told, Give my best effort and complete my work. ABOVE ALL, I take ownership of myself and my behavior! Example of IRRESPONSIBILITY: Blaming others, Making excuses, Thinking only of myself, Being shortsighted. When I am TRUSTWORTHY, I: Am reliable and keep my promises, Am honest, Am loyal. ABOVE ALL, I am the one others can count on to do the right thing! Examples of DISHONESTY: Ignoring my commitments, Lying, stealing, or cheating, Gossiping. When I am CARING, I: Am kind, Am thoughtful, Am sensitive to people’s feelings, Am careful. ABOVE ALL, I love and adore others! Examples of UNCARING: Ignoring or excluding others, Being silly at inappropriate times, Being mean or hurtful, Disrespecting people or things. As a CITIZEN, I: Clean up after myself, Take care of the environment, Help others and am a good neighbor. ABOVE ALL, I am a leader and help make the world a better place for everyone! Examples of SELFISHNESS: Leaving a mess, Littering and wasting resources, Disregarding the needs of others. 19
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