Islamic Bibliography David Jacobs Bookbinding

Islamic Bibliography
David Jacobs
[email protected]
Bookbinding
1. Arnold, Sir T. and. Grohmann, A. The Islamic Book. London, 1929.
2. Aslanapa, O.. The Art of Bookbinding. The Arts of the Book in Central Asia. Ed. Basil
Gray. Paris & London, 1979. pp. 58–91.
3. Bunt, C. G. E. Bookbindings in the Victoria and Albert Museum. Apollo, 17 1933,
pp.72–79.
4. Bosch, G. K. The Staff of the Scribes and Implements of the Discerning: an excerpt.
Ars Orientalis, 4, 1961. pp 1–13.
5. Bosch, G. K. Medieval Islamic bookbinding: doublures as a dating factor.
Proceedings of the 26th Art Congress Or. 1964, 4 1970. pp. 217–221.
6. Bosch, G. K., J. Carswell, and G. Petherbridge. Islamic binding and bookmaking.
Catalogue, Chicago 1981
7. Cockerell, D. The Development of Bookbinding Methods, Coptic Influence, The
Library, 4th series, 13 1933. p.p. 1-19.
8. Dimand, M. Handbook of Mubammadan Decorative Arts. New York, 1947
9. Diringer, D. The Book Before Printing. Ancient, Medieval and Oriental. New
York,1953
10. Eisen, G. A. The Art of Book Covers. International Studio 80 1924, pp.91-101.
11. Eisen, G. A. Arabic and Persian Bindings. International Studio 80 1924. p.p. 220–30.
12. Ettinghausen, R. The Covers of the Morgan Manafi. Manuscript and other early
Persian bookbindings', Studies in Art and Literature for Belleda Costa Greene.
Princeton, 1954. p.p.459–73.
13. Ettinghausen, R. Near Eastern book covers and their influence on European
Bindings. A Report on the Exhibition "History of Bookbinding" at the Baltimore
Museum of Art 1957–58. Ars Orientalis, 3 1959. pp. 113–131.
14. Ettinghausen, R, Foundation-molded leather work; A Rare Egyptian Technique also
Used in Britain, Studies in Islamic Art & Architecture, American University in Cairo
Press, 1965 p.p 63-71.
15. Fischer, B. Sewing and end bands in Islamic technique. Restaurator, 7 1986.
16. Foot, M. The Henry Davis Gift. A collection of bookbindings. Vol I. Studies in the
history of bookbinding. London, 1978.
17. Foot, M. Studies in the History of Bookbinding. London 1993
18. Foot, M., Bookbinding and the History of Books, A Potencie of Life, ed. Nicholas
Barker, British Library, 1994.
19. Frost, G, Adoption of the Codex Book: Parable of a New Reading Mode. The Book
and Paper Group Annual. Vol 17. The American Institute for Conservation 1998
20. Gacek, A. Arabic bookmaking and terminology as portrayed by Bakr al-Ishbili.
Manuscripts of the Middle East, Leiden: 1990-91.
21. Gacek, A. Arabic Manuscript tradition: a glossary of technical terms and a
bibliography. Leiden: 2001.
22. Gardiner, K. B. Three early lslamic bookbindings. British Museum Quarterly, 26 1962.
pp. 28–30.
23. Gardiner, K. B. Oriental Bookbindings at the British Museum. Oriental Art, 9 1963. pp.
134–145.
24. Gardiner, K. B. A Persian bookbinding of the sixteenth century. British Museum
Quarterly, 29 1964–65. pp. 10-11.
25. Gast, M. A history of end bands. New Bookbinder, vol. 3, 1983.
26. Gray, B.l (ed). The Arts of the Book in Central Asia, 14th–16th centuries. Paris and
London, 1979.
27. Gorstein I. Program Review, The Development of the Early Codex with Dr. John L.
Sharpe Guild of Book Workers, New England Chapter. 2003
28. Haldane, D. Islamic bookbindings. Victoria & Albert Museum: London, 1983.
29. Hendley, Lt-Col T. H. Persian and Indian Bookbinding. Joumal of Indian Art and
Industry, vol. 5 no. 43 1893. p.p.51–54.
30. James, D. Qur'ãns and bindings from the Chester Beatty Library. A facsimile
exhibition held at the Islamic Cultural Centre, London, October–November 1980
31. James, P. B. Persian Lacquered Bookbindings. The Studio, 96 1928. pp. 118–121.
32. Levey, M. Mediaeval Arabic Bookmaking and its Relation to Early Chemistry and
Pharmacology. American Philosophical Society, 52 1962.
33. Levey, M, M. Krek and H. Haddad. Some Notes on the Chemical Technology in an
Eleventh Century Arabic Work on Bookbinding. Isis, 47 1956. pp. 239–243.
34. Lamb, M. The Hausa Tanners of Northern Nigeria, The New Bookbinder, Vol. 1,
London, 1981.
35. Lamacraft, C.T., Early Book-Bindings from a Coptic Monastery, The Library, v.20,
1939.
36. Lampe, G.W.H., Ed, The Cambridge History of the Bible, vol. 2, Early Christian BookProduction: Papyri and Manuscripts, Cambridge, 1969.
37. Lowry G. D. and Nemazee, S. A Jeweler's Eye: Islamic Art of the Book from the
Vever Collection. Washington.1998
38. Marks, P.J.M. The British Library Guide to Bookbinding: History and Techniques.
London 1998
39. Mehmet, Aga-Oglu. Persian Bookbinding’s of the Fifteenth Century. Ann Arbor:
University of Michigan Press, 1935.
40. Michelet, J. A Loan Exhibition of Islamic Bookbindings. The Oriental Department, The
Art Institute of Chicago, March–May 1932. Pedersen, Johannes. The Arabic Book.
Translated by Geoffrey French. (Princeton, New Jersey: Princeton University Press,
1984.
41. Ohta, A. - Mamluk Bindings Book production during the Mamluk sultanate 1260-1516
Phd Thesis SOAS
42. Ohta, a . Filigree Bindings of the Mamluk Period No. 17.2000.Guest Editor : David J.
Roxburge. Muqarnas, Volume 21, Essays in Honor of J.M. Rogers Edited by Gülru
Necipoğlu. Guest Editors: Doris Behrens-Abouseif and Anna Contadini
43. Pedersen, J.. The Arabic book. Princeton, N.J.: Princeton University Press. 1984
44. Petersen, T.C., Early Islamic Bookbindings and Their Coptic Relations, Ars Orientalis,
I, 1954, pp. 41-64
45. Pinder-Wilson, R., Stone press-moulds and leatherworking in Khurasan, in E. Savage
Smith, Science, Tools and Magic, The Nasser D. Khalili Collection of Islamic Art,
London, 1997, 2 vols: vol. 2, pp. 338-355
46. Powell, R. Some Early Bindings from Egypt in the Chester Beatty Library; Additional
Notes, The Library, vol.18, 1963, p218-223
47. Powell, R. and Waters, P. Technical Description of the Binding, The Stonyhurst
Gospel of St. John, The Roxburgh Club, Oxford, 1969, p45-55.
48. Raby, J. and Z. Tanindi. Turkish bookbinding in the 15th century. Azimuth editions
1993.
49. Regermorter, B. Van, Some Oriental Bindings in the Chester Beatty Library, Dublin,
1961
50. Regermorter, B. Van, Some Early Bindings from Egypt in the Chester Beatty Library,
Dublin, 1958
51. Regemorter, B. Van, Ethiopian Binding, The Library, 5th series, vol.17, 1962, p85-88.
52. Regemorter, B. van, The Binding of the Gnostic Manuscripts at Nag Hamadi,
Scriptorium, XIV, 1960.
53. Robinson, J. M., The Construction of the Nag Hammadi Codices, Essays in Nag
Hammadi Texts, M. Krause, Ed., Leiden: Brill, 1975, p170-189.
54. Sharpe, J. L., The Earliest Bindings with Wooden Board Covers, The Coptic
Contribution to Binding Construction, International Conference on Conservation and
Restoration of Archival and Library Materials, 1996.
55. Selassie, S. H. Bookmaking in Ethiopia, Leiden, 1981.
56. Szirmai,J.A. The Archeology of Medieval Bookbinding. Ashgate Publishing Limited,
1999
57. Uluc L. - Sellint to the Court : Late 16th Century Manuscript Production in Shiraz.
Muqarnas 17.2000: An Annual on the Visual Culture of the Islamic World by Gulru
Necipoglu (Editor), David J. Roxburgh (Editor)
58. Wulff, H. E. The Traditional Crafts of Persia. Cambridge, Mass., 1966.
59. Vajifdar, M.. Materials and techniques of Islamic illumination and binding. In David
James, Islamic masterpieces of the Chester Beatty Library. London: World of Islam
Festival Trust. 44–45. 1981
Conservation
60. Anderson, P. Quandt, A. O’ Loughlin, E. Hepwoth, P. recent developments in the
conservation of Islamic manuscripts. Proceedings IIC Conference: Works of Art on
Paper, Books, Documents and Photographs; Techniques and Conservation. London
2002
61. Atiqi, M. Problems relating to the treatment of Islamic manuscript paper. Proceedings
of the Third Conference Al-Furqan Islamic Heritage Foundation London 1995.
62. Barkeshli , M. Ataie G. H. pH stability of saffron used in verdigris as an inhibitor in
Persian miniature paintings. Restaurator. Vol. 23, no 3, 2002. pp. 154 – 164
63. Barkeshli , M. The presence of saffron in Persian miniature paintings and its use as
an inhibitor for the destructive effect of verdigris. Proceedings of ICOM Committee
for Conservation Lyon. James and James London 1999 pp.489 – 494
64. Barkeshli , M. Historical an Scientific Analysis on Sizing Materials used in Iranian
Manuscripts and Miniature Paintings. The Book and Paper Group Annual Vol. 22 The
American Institute for Conservation of Historic and Artistic W
orks. 2003
65. Baydar, N. Structural features and conservation problems of Turkish manuscripts and
suggestions for solutions. Proceedings IIC Conference: Works of Art on Paper,
Books, Documents and Photographs; Techniques and Conservation. London. 2002
pp 5-10
66. Baydar, N. Conservation aspects of Ottoman period manuscripts:binding decoration
and hand toolsfor making bindings. Proceedings of the 8th. international seminarCare
and Conservation of Manuscripts 8. University of Copenhagen, 16th -17th October
2033. Muesum Tusculanum Press 2005. p.p. 190 – 207.
67. Bish, T. Conservation at the Khālidi Library in the old city of Jerusalem: Fragments,
Fumigation and Frames. Proceedings of the Third Conference Al-Furqan Islamic
Heritage Foundation London 1995
68. Bull, W. Rebinding Islamic manuscripts: a new direction. Journal of the Society of
Bookbinders, vol. 1, 1987.
69. Clare, J. and F. Marsh. A dry repair method for Islamic manuscript leaves. The Paper
Conservator, vol. 3, 1978.
70. Cavanaug, .J The Feasibility of Ultrasonic Misting as an In-painting Technique WAAC
Newsletter Vol. 23 No. 1 2001
71. Dreibholz U. Treatment of early Islamic manuscript fragments on parchment: a case
history: the find of Sana á, Yemen. Proceedings of the Third Conference Al-Furqan
Islamic Heritage Foundation London 1995
72. Dreibholz U. Preserving a treasure: the Sana'a manuscripts Museum International,
July 1999, Blackwell Publishing London vol. 51, 3, pp. 21-25(5)
73. Fischer, B. Sewing and ensbands in Islamic technique. Restaurator Vol 7 1986
74. Gast, M. A history of end bands. New Bookbinder. Vol 3 London 1983
75. Greenfield, J and Hille, J. Headbands and how to work them. Edgewood. 1986
76. Genadry, Z. A study of a XVIth. Century Persian Lacquered manuscript (Herát 1530)
ICOM Proceedings of the Graphic Documents Meeting Ljubljana 2004. p.p. 36-37
77. Husby, S. The American Institute for Conservation. Islamic Book Conservation. 1990
78. Hillcoat-Imanishi A.,.Webber P and Wheeler M., 'The Conservation Treatment of Two
Pages From The Hamzanama', Paper Conservator, 19, IPC
79. Huxatable, M. Weber, P. Adaptations of Oriental Techniques. The Paper
Conservator. IPC 11 London. 1987
80. Ishikawa S. and Ravines, P. The conservation and restoration of a19th. century
calligraphy of Bahái writing in Arabic . Proceedings of the Graphic Documents
Meeting Ljubljana 2004.
81. Jarjis, R. Ion-Beam Codicology, Its potential in developing scientific conservation of
Islamic manuscripts. Proceedings of the Third Conference Al-Furqan Islamic
Heritage Foundation London 1995 p.p. 93 - 117
82. Jacobs,D. Simple book supports for Islamic manuscripts. British Library Conservation
News, 33 1991.
83. Jacobs, D. and Rodgers, B.. Developments in the conservation of Islamic
manuscripts at the India Office Library. Restaurator, 11 1991. pp. 110–138.
84. Jacobs,D.and Rodgers, B. Developments in the conservation of Islamic manuscripts
at the Oriental and India Office Library. Proceedings of the Third Conference AlFurqan Islamic Heritage Foundation London 1995.
85. Lee L, Thomson A and Daniels V. 'Princes in the House of Timur: conservation and
examination of an Early Mughal Painting' Studies in Conservation 42 (1997) 231-240
86. Madani, Z.. A. The development of a conservation treatment approach for Islamic
miniatures. Proceedings IIC Conference: Works of Art on Paper, Books, Documents
and Photographs; Techniques and Conservation. London 2002 pp144 – 148
87. Michalski, S. Dignard, C. Ultrasonic Misting. PART 1 Experiments on appearance
change and improvements in bonding. Journal of the American Institute for
Conservation of Historic and Artistic Works (JAIC) 36 1997 P.P. 109 – 126
88. Smith, M. The conservation of Islamic book pages. AIC Book and Paper Group
Annual, vol. 9, 1990. pp. 118–119.
89. Smith, K A., Structure of the Visual Book, 3rd ed. Keith Smith Books, 1995,
90. Scott, H. H. Islamic book conservation American Institute of Conservation Book and
Paper Group Annual, vol. 9, 1990.
91. Wächter, O.. The restoration of Persian lacquer bindings. Allgemeiner Anzeiger fur
Buchbinctereien 72 1959. pp. 349–352.
92. Waley, M. I. Problems and possibilities in dating Persian manuscripts. Paris,
Istanbul 1989 p.p. 7 -15
93. Webber P., 'The Japanese Drying Board, Karibari' (text, diagrams and photographs)
The Paper Conservator, 9 1988
94. Webber P. and others, 'The Characteristics of Indian Works of Art on Paper', (Textile
and Mica that Govern Their Care - Conservation, Storage, Display and Transit), Preprints The Broad Spectrum - The Art and Science of Conserving Coloured Media on
Paper - Chicago (Oct, 1999)
Paper
95. Adams, C. M. Some notes on the art of marbling paper in the seventeenth century.
Bulletin of the New York Public Library, 51.
96. Blair S. S. Colour and Gold : The Decoration Papers used in manuscripts in Later
Islamic Times. Muqarnas 17.2000: An Annual on the Visual Culture of the Islamic
World by Gulru Necipoglu (Editor), David J. Roxburgh (Editor)
97. Bloom, J. M. Revolution by the Ream - A History of Paper. ARAMCO World
Magazine, Vol. 50, No.3 1999, p.p. 26 – 39
98. Bloom, J. M. Paper Before Print: The History and Impact of Paper in the Islamic
World. Yale University Press 2001
99. Bloom, J. M. The Introduction of Paper to the Islamic Lands and the Development of
the Illustrated Manuscript Muqarnas 17.2000: An Annual on the Visual Culture of the
Islamic World by Gulru Necipoglu (Editor), David J. Roxburgh (Editor)
100.
Baker, D. Arab paper making.The Paper Conservator, vol.15, 1991. (1947),
pp. 411–422.
101.
Hunter, D. Papermaking by Hand in India New York 1939
102.
Hunter, D. A Papermaking Pilgrimage to Japan, Korea and China. New York
1936
103.
Hunter, D. Papermaking - The History and Technique of an Ancient Craft.
New York 1957
104.
Kagitci, M. A. Historical study of paper industry in Turkey. Istanbul, 1976.
105.
Karabacek, J. von. Arab paper. Translated by Don Baker and Suzy Ditmar.
London: Islington Books, 1991, reprinted by Archtype Press 2003
106.
Loring, R. B. Decorated book papers. Cambridge, Mass., 1942.
107.
Loveday, H. Islamic Paper; A study of the ancient craft, London 2001
108.
Quraishi, S. A survey of the development of papermaking in Islamic
countries. Bookbinder 3 London 1989 p.p. 29 -36
Painting
109.
Al-Andalus - The Art of Islamic Spain, New York, 1992
110.
Arnold T.W. Painting in Islam, Oxford, 1928 (reprinted by Dover 1965)
111.
Arnold T.W and A. Grohmann, The Islamic Book, Pegasus Press, 1929
112.
Archer W. Indian Painting from the Punjab Hills. London. 1928
113.
Beach, M.C. The Grand Mogul Williamstown. 1978.
114.
Beach, M.C. The Imperial Image Washington . 1982
115.
Beach, M.C. and Koch, E. The King of the World. The Padshahnama. An
imperial Mughal manuscript form the Royal Library, Windsor. London, Washington
1977.
116.
Behzad, H. T.1939. The preparation of the miniaturist's materials. In A survey
of Persian art, vol. 3., ed.A. U.Pope and P.Ackerman. London: Oxford University
117.
Blair, A Compendium of Chronicles - Rashid al-Din's illustrated history of the
world, The Nasser D. Khalili Collection of Islamic Art, vol. XXVII, 1995
118.
Blair and J. Bloom, The Art and Architecture of Islam 1250-1800, Yale
University Press (Pelican History of Art), 1994
119.
Binyon, L., J.V.S.Wilkinson, and B.Gray. 1933. Persian miniature painting.
London: Oxford University Press. Plate lxxi-a.
120.
Brend, B. Perspectives on Persain Painting. London & New York 2003
121.
Brown, P.. Indian painting under the Mughals. Oxford: Clarendon Press. 1924
122.
Buchthal, H. Early Islamic Miniatures from Baghdad. The Journal of the
Walters Art Gallery, V, 1942, pp. 19-39
123.
Buchthal, H. Hellenistic' Miniatures in Early Islamic Manuscripts, Ars Islamica,
VII, 1940, pp. 125-133
124.
Buchthal, H. Three Illustrated Hariri Manuscripts in the British Museum, The
Burlington Magazine, vol. 77, 1940, pp. 144-152
125.
Buchthal, H. Early Islamic Miniatures from Baghdad, The Journal of the
Walters Art Gallery, V, 1942, pp. 19-39
126.
Canby, S. Persian Painting. London, 1993
127.
Carboni, S. The London Qazwini: An Early 14th-Century Copy of the ‘Aja’ib
al-Makhluqat, Islamic Art, III, 1988-89, pp. 15-31
128.
Cennino d'Andrea Cennini, 1960. The craftsman's handbook: The Italian “Il
libro dell'arte.” D. V. Thompson Jr., trans. [1933]. New York: Dover Publications.
129.
Chandra, M. Jain Miniature Paintings from Western India, Ahmedaabad
1949.
130.
Chandra, M. The Technique of Mughal Painting, The U.P. Historical Society,
Lucknow, 1949.
131.
Chaudhury M, “The technique of Preparing Writing-Materials in Early India,
with Special Reference to al-Biruni’s Observations”, Islamic Culture, 58, 1974, pp. 3338.
132.
Contadini, Fatimid Art at the Victoria and Albert Museum, London, 1998
133.
Clark, M. W
atercolor: Eyewitness Guides. Dorling Kindersley. 2000
134.
Dickson, M. B., and S. C.Welch. 1981. Appendix 1: The Canons of Painting
by Sadiqi Bek. In The Houghton Shahnameh, vol. 1. Cambridge, Mass.: Harvard
University Press. 259–69.
135.
Dodds J. (ed. R.Ettinghausen and O. Grabar, The Art and Architecture of
Islam 650-1250, Yale University Press (Pelican History of Art), 1987
136.
Darrah, J. Connections and Coincidences; Three Pigments in Historical
Painting Techniques, Materials and Studio Practice, Getty Conservation Institute
1995
137.
Effeny, A The Adventurer of Hamza and Storytelling in Mughal India. Freer
Gallery of Art and Arthur M. Sackler Gallery Washington 2002.
138.
Ettinghaissen, R. Arab Painting. Geneva, 1962
139.
Farooqi, A.1977. Pigment and materials used in Indian and Persian
miniatures. Islamic Culture51(1):11–19.
140.
Falk, T and Archer, M. Indian Miniatures in the India Office. London. 1981
141.
Filippakis, S. E., B.Perdikatsis, and K.Assimenos.. X-ray analysis of pigments
from Vergina, Greece (second tomb). Studies in Conservation24:54–58. 1979
142.
FitzHugh, E. W.. Appendix 9: Study of pigments on selected paintings from
the Vever collection. In G. D. Lowry and M. C. Beach, An annotated and illustrated
checklist of the Vever collection. Seattle: University of Washington Press, for the
Arthur M. Sackler Gallery, Smithsonian Institution. 425–32. 1988
143.
Gage, J. Colour, and Culture: Practice and Meaning from Antiquity to
Abstraction. Thames and Hudson London.1993
144.
Grabar O., Studies in Medieval Islamic Art, London, 1976.
145.
Grabar, O. A Newly Discovered Illustrated Manuscript of the Maqamat of
Hariri, Ars Orientalis, 5, , pp. 97-111.1963
146.
Gray B. Persian Painting. Geneva, 1961Grabar, O.The Illustrations of the
Maqamat, London, 1984
147.
Grube E.J, Muslim Miniature Paintings from the 13th to 19th Century from
Collections in the United States and Canada, Venice1962
148.
Grube E.J., The World of Islam, London, 1966
149.
Grube E.J. Studies in Islamic Painting, London, Pindar Press, 1995
150.
Grube, E.J. Three Miniatures from Fustat in the Metropolitan Museum of Art
in New York, Ars Orientalis, V, 1963, pp. 89-95
151.
Grube E.J., Pre-Mongol and Mamluk Painting, in B.W. Robinson (ed.), The
Keir Collection - Islamic Painting and the Arts of the Book, London, 1976
152.
Grube, E.J. Pre-Mongol and Mamluk Painting, in B.W. Robinson (ed.), The
Keir Collection - Islamic Painting and the Arts of the Book, London, 1976
153.
Guy, J.Palm - leaf and Paper: Illustrated manuscripts of India and South east
Asia National Gallery of Victoria 1982
154.
Guy, J. and Swallow, D. Arts of India 1550-1900. V&A Publications London
1999
155.
Gray, A Fatimid Drawing, The British Museum Quarterly, vol. 12, 1938, pp.
91-96
156.
Gray, B and Robinson B. W. The Persian Art of the Book, Oxford 1976
157.
Gray, B.. Persian painting. Geneva: Albert Skira Editions d'Art. 1961
158.
Hankin, M.A. The Drawing of Geometric Patterns in Saracenic Art. Memoirs
of the Archaeological Survey of India No.15 India Office Library Calcutta 1925
159.
James D., Islamic Masterpieces of the Chester Beatty Library, London, 1981
160.
James D., After Timur - Qur'ans of the 15th and 16th centuries, The Khalili
Collection of Islamic Art, Oxford, 1992
161.
James, D. Space-Forms in the Work of the Baghdad Maqamat Illustrators,
1225-58, Bulletin of the School of Oriental and African Studies, 37, , pp. 305320.1974
162.
Johnson, B. B. A preliminary study of the technique of Indian miniature
painting. In Papers presented in a symposium at the Los Angeles County Museum of
Art, ed.P.Pal. Leiden: Brill. 139–46. 1972.
163.
Lacy, D., How Greek Science Passed to the Arabs, London, 1949.
164.
Laurie, A. P. Materials in Persian miniatures. Technical Studies in the Field of
Fine Arts3:146–56. 1935.
165.
Laurie, A. P. The pigments and medium. In A Survey of Persian Art, vol. 3,
ed.A. U.Pope and P.Ackerman. London: Oxford University Press. 1918–20. 1939.
166.
James, D. Arab Painting, Bombay, Marg Publications, 1977
167.
Lings M, The Qur'anic Art of Calligraphy and Illumination, London, 1976
168.
Lings M. and Y. Safadi, The Qur'an, Britsh Library London, 1976
169.
Löfgren O. and R. Traini, Catalogue of the Arabic Manuscripts in the
Biblioteca Ambrosiana, 2 vols. Vicenza, (for al-Jahiz's "Book on animals manuscript)
1975-1981
170.
Losty, J.P. The Art of the Book in Indian. The British Library. London. 1982
171.
Losty, J.P. Indian Book Painting. The British Library. London. 1986
172.
Lowry G, A Jeweller’s Eye - Islamic Arts of the Book from the Vever
Collection, Washington, 1988
173.
Martin, F. R. The miniature paintings and painters of Persia, India and Turkey
from the 8th to 18th century, vol. 1. London: Bernard Quaritch. 1912.
174.
Mayer, R. The artist's handbook of materials and techniques, 3d ed.New
York: Viking Press. 1970.
175.
Mayer, L.A. A Hitherto Unknown Damascene Artist, Ars Islamica, IX, , p. 168.
1942
176.
Minorsky, V., trans. Calligraphers and painters: A treatise by Qadi Ahmad,
Son of Mir Munshi (circa A.H. 1015/A.D. 1606) Washington, D.C.: Smithsonian
Institution, Freer Gallery of Art, Occasional Papers 3(2): 174–201. 1959.
177.
Nassar, N. Saljuq or Byzantine: Two Related Styles of Jaziran Miniature
Painting, in J. Raby (ed.), The Art of Syria and Jazira 1100-1250, Oxford Studies in
Islamic Art, I, Oxford, pp. 85-98 1985,
178.
Petrosian Y.A (ed.), Pages of Perfection - Islamic paintings and Calligraphy
from the Russian Academy of Sciences, St. Petersburg, Milan, 1995
179.
Pinder-Wilson R., Studies in Islamic Art, London, Variorum, 1985
180.
Pope A.U. and Ackermann P. (eds.), A Survey of Persian Art, 8 vols., Oxford,
1938-39 (and later editions)
181.
Porter, Y., Paintings and Books. An Essay on Indo-Persian Technical
Literature, 12-19th centuries, New Delhi, 1994.
182.
Porter. Y Theory of the Two Qalams” to the “Seven Principles of painting :
Theory, Terminology, and Practice in Persian Crassical Painting. Muqarnas 17.2000:
An Annual on the Visual Culture of the Islamic World by Gulru Necipoglu (Editor),
David J. Roxburgh (Editor)
183.
Qadi Ahmad, Calligraphers and Painters, transl. by V. Minorsky, Washington,
1959
184.
Puriniton, N. Watters, M. A study of the materials used by the Persian
Medieval Painters. Journal of the American Institute for Conservation 30(2) p.p. 124144. 1991
185.
Rice D.S., The Unique Ibn al-Bawwab Manuscript in the Chester Beatty
Library, Dublin, 1955
186.
Rice, D.S The Oldest Illustrated Arabic Manuscript, Bulletin of the School of
Oriental and African Studies, vol. 22, 1959, pp. 207-220
187.
Rice, D.S. The Aghani Miniatures and Religious Painting in Islam, The
Burlington Magazine, April 1953, pp. 128-135
188.
Robinson B. W. Persian Painting in the India Office Library. London. 1976
189.
Robinson B. W. Editor, Islamic Painting and the Arts of the Book, London.
1976
190.
Robinson B.W. (ed.), The Keir Collection - Islamic Painting and the Arts of
the Book, London, 1976
191.
Rogers, J.M. Mughal Miniatures, London 1993
192.
Roxburgh D. J. The Study of Painting and the Arts of the Book. Muqarnas
17.2000: An Annual on the Visual Culture of the Islamic World by Gulru Necipoglu
(Editor), David J. Roxburgh (Editor)
193.
Roxburgh, D. J. Kamal al-Din Bihzad and Authorship in Persianate Painting.
Muqarnas: An Annual on the Visual Culture of the Islamic World by Gulru Necipoglu
(Editor), David J. Roxburgh (Editor) No. 17.2000.
194.
Roxburgh D. J. Persian Drawing, ca. 1400-1450 : Materials and Creative
Procedures. Muqarnas No. 19. 2002.
195.
Sivaramamurti, C. Indian Painting. Nationalk Book Trust India. New Delhi.
1970
196.
Smith, G.R. Medieval Muslim Horsemanship - A 14th Century Arabic Cavalry
Manual, The British Library, London, 1979.
197.
Soucek P. P. The Theory and Practice of Portraiture in the Persian Tradition.
Muqarnas 17.2000: An Annual on the Visual Culture of the Islamic World by Gulru
Necipoglu (Editor), David J. Roxburgh (Editor)
198.
Stronge, S, Painting for the Mughal Emperor - The Art of the Book 1560 –
1660.V&A Publications London 2002
199.
Stronge, S. Editor The Arts of the Sikh Kingdom. V&A Publications
London1999
200.
Ward, R. Evidence for a School of Painting at the Artuqid Court, J. Raby
(ed.), The Art of Syria and Jazira 1100-1250, Oxford Studies in Islamic Art, I, Oxofrd,
1985, pp. 69-83
201.
Titley, N.M. Dragons in Persian, Mughal and Turkish Art. British Library.
London. 1981
202.
Titley, N.M. Miniatures form Persian Manuscripts. British Library. London.
1978
203.
Titley, N.M. Miniatures form Turkish Manuscripts. British Library. London.
1981
204.
Titley, N.M. Persian Miniature Painting and its influence in the art of Turkey
and India The British Library, London 1983
205.
Walzer, S. The Mamluk Illuminated Manuscripts of Kalila wa Dimna, Aus der
Welt der islamischen Kunst-Festschrift fur Ernst Kuhnel, pp. 195-206.
206.
Welch, S. C. Imperial Mughal Painting. New York 1997
207.
Weitzmann, K. Illustrations in Roll and Codex. A Study of the Origin and
Method of Text Illustration, Princeton, 1947
208.
Weitzmann, K. The Greek Sources of Islamic Scientific Illustrations,
Archaeologica Orientalia in Memoriam Ernst Herzfeld, pp. 244-266
209.
Fatimid Painting
210.
Buchthal, H. Three Illustrated Hariri Manuscripts in the British Museum, The
Burlington Magazine, vol. 77, 1940, pp. 144-152
211.
Buchthal, H.Early Islamic Miniatures from Baghdad, The Journal of the
Walters Art Gallery, V, 1942, pp. 19-39
212.
Brandenburg, D. Islamic Miniature Painting in Medical Manuscripts, Basle,
1982
213.
Day, F.E. Mesopotamian Manuscripts of Dioscorides, Bulletin of the
Metropolitan Ettinghausen, R. Painting in the Fatimid Period: a Reconstruction”, Ars
Islamica, vol. 9, 1942, pp. 112-124
214.
Grabar, O. A Newly Discovered Illustrated Manuscript of the Maqamat of
Hariri, Ars Orientalis, 5, 1963, pp. 97-111
215.
Grabar, O. The Illustrations of the Maqamat, Chicago and London, 1984
216.
B. Gray, “A Fatimid Drawing”, The British Museum Quarterly, vol. 12, 1938,
pp. 91-96
217.
Grube E.J, Three Miniatures from Fustat in the Metropolitan Museum of Art in
New York, Ars Orientalis, V, 1963, pp. 89-95
218.
E.J. Grube, "Pre-Mongol and Mamluk Painting, in B.W. Robinson (ed.), The
Keir Collection - Islamic Painting and the Arts of the Book, London, 1976
219.
Nassar, N. Saljuq or Byzantine: Two Related Styles of Jaziran Miniature
Painting, in J. Raby (ed.), The Art of Syria and Jazira 1100-1250, Oxford Studies in
Islamic Art, I, Oxford, 1985, pp. 85-98
220.
Rice, D.S. The Aghani Miniatures and Religious Painting in Islam, The
Burlington Magazine, April 1953, pp. 128-135.
221.
Rice, D.S A Drawing of the Fatimid Period, Bulletin of the School of Oriental
and African Studies, vol. 21, 1958, pp. 31-39 12th and 13th Century Painting: the
Baghdad and Jazira Schools of Painting
222.
Sadek, M.M. The Arabic Materia Medica of Dioscorides, Québec, 1983
223.
Stern, S.M. A New Volume of the Illustrated Aghani Manuscript, Ars
Orientalis, vol. 2, 1957, pp. 501-503
224.
Ward, R. Evidence for a School of Painting at the Artuqid Court, in J. Raby
(ed.), The Art of Syria and Jazira 1100-1250, Oxford Studies in Islamic Art, I, Oxofrd,
1985, pp. 69-83
225.
Wheeler, M. The materials and techniques of Indian miniature painting.
SSCR Journal Vol 15 No 2 2004 p.p.14-15
Calligraphy and Qurans
226.
Abdel Haleem, M.A.S., “Qur’anic Orthography: The Written Representation of
the Recited Text of the Qur’an”, The Islamic Quarterly: a Review of Islamic Culture,
38/3, 1994, pp. 171-92
227.
Baker C. F. Qur'an Manuscripts Calligraphy, Illumination, Design. British
Library Publishing. 2007
228.
Bloom, J. The Blue Qur’an: An Early Fatimid Kufic Manuscript from the
Maghrib, in F. Deroche (ed.), Les Manuscripts du Moyen-Orient: essais de
codicologie et palaeographie, Istanbul and Paris, pp. 95-99
229.
Bosch, G.K The Staff of the Scribes and Implements of the Discerning: an
Excerpt, Ars Orientalis, IV, 1961, pp. 1-13
230.
von Bothmer, H.C.G. Masterworks of Islamic Book Art: Koranic Calligraphy
and Illumination in the Manuscripts Found in the Great Mosque in Sanaa in W. Daum
(ed.), Yemen - 3000 Years of Art and Civilisation in Arabia Felix, Pinguin, 1987, pp.
178-181 and plates at pp. 185-187
231.
Déroche, F. The Abbasid Tradition - Qur'ans of the 8th to 10th centuries AD,
The Khalili Collection of Islamic Art, Oxford, 1992
232.
Ettinghausen, R. A Signed and Dated Seljuk Qur’an, in R. Ettinghausen (ed.),
Islamic Art and Archaeology: Collected Papers, 1984, pp. 510-20
233.
Gaur A.Writing materials of the East.The British Library. London. 1979
234.
Gaur A. History of Writing. The British Library. London. 1984
235.
Gray, B. The Monumental Qur'ans of the Il-Khanid and Mamluk Ateliers of the
First Quarter of the Fourtheenth Century, Rivista degli Studi Orientali, vol. LIX (1985),
Rome, 1897, pp. 135-146
236.
Hillenbrand, R. ur’anic Epigraphy in Medieval Islamic Architecture”, Revue
des Etudes Islamiques, 54, 1986, pp. 171-86.
237.
James, D., Qur'ans and Bindings from the Chester Beatty Library, London,
1980
238.
James, D. Qur'ans of the Mamluks, London, 1988
239.
James, D. The Master Scribes - Qur'ans of the 11th to 14th centuries
The Khalili Collection of Islamic Art, Oxford, 1992
240.
James, D. After Timur - Qur'ans of the 15th and 16th centuries, The Khalili
Collection of Islamic Art, Oxford, 1992
241.
Jean G . Writing. The story of Alphabets and Scripts. New Horizons. Thames
and Hudson London1992
242.
Kumar, A. and McGlynn, J.H. Illuminations The writing traditions of Indonesia.
The Lontar Foundation. Jakarta, New York and Tokyo. 1996
243.
Lings,M. The Qur'anic Art of Calligraphy and Illumination, London, 1976
244.
Lings M. and Y. Safadi, The Qur'an, Britsh Library London, 1976D.
245.
Rice, S. The Unique Ibn al-Bawwab Manuscript in the Chester Beatty Library,
Dublin, 1955Y.
246.
Safadi, Islamic Calligraphy, London, 1978
247.
Schimmel, A. Calligraphy and Islamic Culture, London, 1990 (1st edition New
York University 1984)
248.
Schimmel, A. Islamic Calligraphy, London .1978.
249.
Schimmel, A. Islamic Calligraphy, The Metropolitan Museum of Art Bulletin,
New York, 1992.
250.
Stanley, T. The Qur'an and Calligraphy, Bernard Quaritch catalogue 1213,
1996
251.
Tabbaa, Y. The Transformation of Arabic Writing: Part I, Qur'anic Calligraphy,
Ars Orientalis, vol. 21, 1991, pp. 119-148Y. Tabbaa, “The Transformation of Arabic
Writing: Part II, The Public Text”, Ars Orientalis, vol. 24, 1994, pp. 119-147
252.
Welch, C. Calligraphy in the Arts of the Muslim World, New York, 1979.
253.
Whelan, E. “Writing the Word of God: Some Early Qur’an Manuscripts and
Their Milieux. Part I”, Ars Orientalis, vol. 20, 1990, pp. 113-147
Science
254.
Banik, G, Discoloration of green copper pigments in manuscripts and works
of art. Restauratar 10 1989 p.p.61 -73
255.
Banik,G, & Ponahlo, J. Some aspects concerning the degradation
th
phenomena of paper caused by green copper pigments. ICOM 6 Triennial Meeting
Ottawa. 1981
256.
Banik, G., H.Stachelberger, F.Mairinger, A.Vendl, and J.Ponahlo. 1981.
Analytical investigations of the problem of kupferfrass in illuminated manuscripts.
Microchimica Acta1: 49–55.
257.
Brown, K. Raman Analysis of British Library Manuscripts. PhD Thesis.
University College London. 2002
258.
Bruni, S. Cariati, F. Casadio, F. Micro-Raman identifaction of the palette of a
precious XVI century illuminated Persian codex. Journal of Cultral Heritage, Vol2
Issue 4 Elsevier 2001 p.p. 291 - 296
259.
Burgio, L. Analysis of Pigments on Art Objects by Raman Microscopy and
other Techniques. PhD Thesis. University College London. 2000
260.
Burgess, D. Chemical Science and Conservation. Dimensions of Science,
Editor Thompson , J.J. Macmillan. London. 1990
261.
Derbyshire, A. Wheeler, M. Further Applications of Raman Microscopy in
Paper Conservation. Victoria & Albert Museum Conservation Journal. No. 40 London
2002
262.
Burgio Lucia, Clark Robin J. H, Gibbs Peter J. Pigment identification studies
in situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman
microscopy Journal of Raman Spectroscopy Volume 30, Issue 3 , 1998 Pages 181 –
184
Clark, R. J. H. and Gibbs, J. Raman Microscopy of A 13th-Century Illuminated Text:
263.
Ciomartan, D. A and. Clark, R. J.H. Raman Microscopy Applied to the
Analysis of the Pigments Used in Two Persian Manuscripts Journal of the Brazilian
Chemical Society Volume 7, Number 6
264.
Delamare, F. and Guineau, B. Colour: Making and using dyes and pigments.
New Horizons, Thames and Hudson. London. 2000 .
265.
Feller, R. L. editor. Artist’ Pigments. A handbook of Their History and
Characteristics Volumes 1-3. Oxford & New York 1986
266.
Gettens, R. J., and G.Stout.. Painting materials. 1942. New York: Dover
Publications.
267.
Gettens, R. J., 1966
268.
R.Feller, and W. T.Chase.. Vermilion and cinnabar. Studies in
Conservation17:45–69. 1972
269.
Gettens, R. J., and E. W.FitzHugh.. Malachite and green verditer. Studies in
Conservation19:2–23. 1974
270.
Isacco, E. Darrah J. The Ultraviolet-Infrared Method of Analysis, a Scientific
Approach to the Study of Indian Miniatures Artibus Asiae, Vol. 53, No. 3/4. 1993, pp.
470-491.
271.
Jarjis, R. Ion-Beam Codicology; its potential in developing scientific
conservation of Islamic manuscripts. Proceedings of the Third Conference Al-Furqan
Islamic Heritage Foundation London 1995
272.
Jurado-López A, Demko, O, Robin. Clark J. H and Jacobs D. Analysis of the
palette of a precious 16th century illuminated Turkish manuscript by Raman
microscopy. Journal of Raman Spectroscopy 2004, 35, 119-124
273.
Kühn, H.1970. Verdigris and copper resinate. Studies in Conservation15:12–
36
274.
Laurie, A.P. The Painter's Methods and Materials. Dover Publications, New
York 1960
275.
Mills, J.S. and White, R. The Organic Chemistry of Museum Objects. Second
Edition. Butterworth Heinemann. Oxford. 1994
276.
Needham, J. and Tsein Tseun-Hsuin, Science and Civilisation in China vols. I
– V Cambridge 1985
277.
Pataki, A. Elias, M. Faubel, W. Banik, G. Influence on appearance during
pigment consolidation. Proceedings of the Graphic Documents Meeting Ljubljana.
2004.
278.
Plenderleith H. J. and Werner A.E.A. The conservation of Antiquities and
Works of Art. Oxford, 1974
279.
Priest, D. & Leane, A. Starch Paste. Proceedings of a meeting Institue Of
Paper Conservation. Paper Conservation News 49. London 1988
280.
Schweppe, H., and Roosen-Runge, H.. Carmine; cochineal carmine and
kermes carmine. In Artists' pigments: A handbook of their history and characteristics,
vol. 1, ed.R. L.Feller. Cambridge, England, and Washington, D.C.: Cambridge
University Press and National Gallery of Art. 255–83. 1986
281.
Singer B.W. and Cahanar, N, Analysis of pigments in Indian Miniature
Paintings Using Non-destructive Methods, "ART'99", 6th International Conference on
'Non-Destructive Testing and Microanalysis for the Diagnostics and Conservation of
the Cultural and Environmental Heritage, Rome May 17-19, 1999. Non-Destructive
Testing Monitoring Diagnostics (AIPnD) , 1999. Vol. II pp 1087-1098.
282.
Thompson, D.V. The Materials and Techniques of Medieval Painting. Dover
Publications New York 1956
283.
Wheeler, M. Conservation of Indian Mica Paintings, Victoria & Albert Museum
Conservation Journal. No. 35 London 2000
284.
Vandenabeele, P. Special Issue: Raman spectroscopy in Art and
Archaeology .
Volume 35,
Issue 8-9. August
September
2004
History
285.
Berinstain, V. Mughal India: Splendours of the Peacock Throne. New
Horizons, Thames and Hudson. London. 1998
286.
Bosworth, C.E, The Islamic Dynasties, Edinburgh, 1967
287.
Brown, M, P, The Lindisfarne
Gospels: Society, Spirituality and The
Scribe. British Library. 2003.
288.
Cannuyer, C. Coptic Egypt: The Christians of the Nile. New Horizons,
Thames and Hudson. London. 2001
289.
Colour: Making and Using dyes and Pigments: New Horizons. Thames and
Hudson. London. 2000
290.
Finaly, V. Colour. Hodder and Stoughton. London. 2002
291.
Gascoigne, B. The Great Moguls, London 1971
292.
Gaur, A. A History Writing. The British Library London 1985
293.
Healey, J, The Early Alphabet, University of California Press / British
Museum, 1990
294.
Hoffman E.R. The Beginnings of the Illustrated Arabic Book : An Intersection
between Art and Scholarship Muqarnas 17.2000: An Annual on the Visual Culture of
the Islamic World by Gulru Necipoglu (Editor), David J. Roxburgh (Editor)
295.
Manuscripta Orientalia: International Journal for Oriental Research. Vol 10
No. 1. Scripts, Page Settings and Bindings of Middle-Eastern Manuscripts. Papers of
the Third International Conference on Codicology and Palaeography of Middle-E
astern Manuscripts (Bologna 4 – 6 October, 2000) St. Petersburg 2004
296.
Kennedy, H. The Early Abbasid Caliphate, London, 1981
297.
Peters F. E. The Voice, The Word, The Books The Sacred Scripture of the
Jews, Christians and Muslims. British Library 2007
298.
Roberts, C H. and Skeat, T.C., The Birth of the Codex, Oxford University
Press, 1983
299.
Peters, F.E. A Reader on Classical Islam, Princeton, 1994
300.
Reeve J. Sacred: Books of the Three Faiths: Judaism, Christianity, Islam,
editor Reeve British Library 2007
301.
Rogers, J.M. The Spread of Islam, Oxford, 1976
302.
Rogers, J.M. Islamic Art & Design 1500 – 1700. British Museum London
1983
303.
Sharpe, J. L. Ed. The Bible as Book, The British Library & Oak Knoll Press,
1998
304.
The Cambridge History of Islam, 2 vols., Cambridge, 1970
305.
Waterstone, R. India: Belief and Ritual. Macmillan, London 1995
306.
Writing: The Story of Alphabets and Scripts; New Horizons. Thames and
Hudson. London. 1992