BAROQUE PERIOD 1600 - 1750 FAMOUS PAINTERS • Vermeer • Rubens • Rembrandt • El Greco VERMEER RUBENS REMBRANDT EL GRECO LITERATURE OF THE BAROQUE • • • • Moliere Cervantes Milton Racine BAROQUE TRAITS • Dominant trends correspond to those in art and literature • Sense of movement, energy, & tension • Strong contrast of light & shadow • Style conscious • Extreme emotional representation • Music must express the emotions of life and excite the listener DAVID BAROQUE ARCHITECTURE DOCTRINE OF AFFECTIONS • Music must reflect the emotions of life • Each movement must have 1 affection • Music that does this calls for a new dramaticism in music RENAISSANCE VS. BAROQUE • • • • • • • • Contrast avoided Rigid, structured Vocal predominates No idiomatic writing Subtle rhythm Music dictates words a cappella All parts important • Careful dissonance • • • • • • • • • Contrast sought Spontaneous expression Instrumental grows Idiomatic writing Rhythmic verve Words dictates music Accompanied Outer parts more important Frequent and expressive dissonance BAROQUE MUSICAL CHARACTERISTICS • Basso continuo – keyboard instrument (organ or harpsichord) plus bass sustaining instrument (cello or bassoon) • Figured Bass • Chromaticism • Concerto principal – contrasting sonorities • Terraced dynamics • Fast harmonic rhythm • Expressive use of dissonance • Emergence of major/minor tonality system • Huge explosion of instrumental music • Music is “very busy” with long, drawn-out phrases • Word painting • Use of sequences
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