9ROXPH,,,VVXH,,-XQH,661 5HYHUEHUDWLRQV7UDXPDDQG5HFRYHU\LQJane Eyre 6DUDK3OH\GHOO I live my life in widening circles that reach out across the world. I may not complete this last one but I give myself to it. Rilke. Book of Hours, translated by Joanna Macy ´ǯ JaneEyreǡ ǦǦǦǦ Ǥ Ǧ Ǧ ǤͳǡCologneǡ Ǧ Ǯ ǯ ǡ ǤCologneǡǦǦǮ ǯ Ǥ ǯȋͳͶͳȌǤJaneEyre ǡ Ǧ Ǥʹ ͳǡǯJosephAntonǤǤǯBoyhoodYouth. ʹCologne ȋ Ǧ ǯǦȌǡ ǡ ´ǯǤǦ ǡ Ǧ ǡ Ǥ ǡǡ ǡ Ǥǡ Ǥʹ KWWSZZZLMHOOKFRP JaneEyre, ǡ ǡ 9ROXPH,,,VVXH,,-XQH,661 ǦǮǥ Ǧ ǤǡǤǡ Ǯȋ´ͷʹǡ ͵ȌǤǡ ǡ ǯǤǮ ǡ ǣ ǯ ȋͷǡ ͵ȌǤ ǡ ǡǮǯ Ȅǡǣ ǡǦ ǡ ǡ ǡ Ǥ Ǯ Ȅwhy ǡ ǦǦǡ ǯȋͶǡ ʹȌǤǤ ͳͻ ǡ ǣǮ ǡȏǯȐǦ ǡ ǯ ǯ ȋͳͳǡ ȌǤ ǡ Ǧ Ǯǯǯ Ǥ ǤǦ Ȅ ͵Ȅ ǡ ǡǦ Ǯ ǯǤ ǡ ǡ ǡ ǣ Ǧ Ȅ Ȅ Ǥǡ ǯǮǣǦ ǯ Lies,Secrets and Silence Ǥ ǯ Ǯ ͵ ǡ ǮǦǯ Ǥǡ ǡ Ǥ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǣ ǯ TheMadwomanintheAttic Ǧ ȄȄ ȀǤǡǡǯǮ Ǧ ǯǡ Ǥ ǡͶ ǡǡ Ǥ ǡ Ǥ JaneEyre ǡǡǡǤ ǡ ǯ ǡ Ȁ Ǥǡ Ǥ ǡ ǡ Ȁ ǡ Ǥ ǣ ǥ Ǥ ǡǤ ǡ Ǥ ǡ Ǥ ȋ ͵͵Ȍ Jane Eyre Ǯ ǯ Ȁ ǯ Ǧ ͷǤ ǯ ǡǯǯ ǡǡǤǡ ǯ Ͷ Shock,MemoryandtheUnconsciousinVictorianFiction NeoǦVictorianTropesofTrauma:ThePoliticsofBearingAfterǦWitnessto NineteenthǦCenturySufferingǡ ǦǦ Ǥ ͷǯǤǯǣDz dzǤDzȏ Ȑǡ dzȋ´ Ͷǡ ͵ȌǤ KWWSZZZLMHOOKFRP ǮǯǤǯǦǦ 9ROXPH,,,VVXH,,-XQH,661 Ǯǯ ǡ Ǯ ǯ Ǯ ǯǡǮǯǡ Ǧ ȋͶǡ ʹȌǤ ǡ ǦǤ ǯ ǡ Ǧ ǡ ǡ JaneEyre. Hyperarousal:Ǯ ǡǦ ǡ ǯȋ ͵ͷȌǤ ǦǯǦ ǣ Ȅǡ Ǯ ǯȄȄǮ Ǧ ǯǮǯǤ ǡ Ǥǡ ǡ Ǯ ǯ ǯ Ǯ ǯǤ ǡ ǡ Ǯǯǯ ǯǤ Intrusionǣ Ǯ ǡ ǡ ǯ ȋ ͶͲȌǤ ǡ Ǯǥ Ǣ ǥ Ǧ ǯ Dz ȏ ȐphysioneuroǦ sisǥdzǮǡǮ ȏ Ȑ dzȋ͵ȌǤ Dzǣ DzCharlotteBrontë andVictorianPsychology ǯǤDz Ǧ ´ǯǣ Ǧ ǡǡ dzȋͳͶͺȌǤ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǡ ǯ ȋ ͶͲȌǤ Ǧ ǡ Ǣ ǡǤ ConstrictionǤ ǯ ǯ Ǧ Ǥ ǯ ǮǦǯ Ǧ Ǥ ǯ ǡ Ǥ ǯǤ Ǧǡ ǡ ǡ ǯͺ ǡ ǤǦ Ǧ ǯ Ǥ Ǥ Ǯ ǥȏȐ ǡ ǯȋͶȌǤ Ǥ ǡ ǡ Ǧ Ȁ ǤǯǮ ǯ ǡ ǮǯǮǯ Ǥ Ǧ Ǥ ǡ ǡ ǡ ǤǦ ǡǡǮǯȋͶȌǤ ǯ ǯ Ǯ Ǧ ǯȋͶͳȌǤ Ǧ ͺtheDramaoftheGiftedChild ǯ Ǥ KWWSZZZLMHOOKFRP ͻ ǡ ȋͳͶȌǤ ǯǦ 9ROXPH,,,VVXH,,-XQH,661 and Ǧ Ǥ ǡ Ȅ Ȅ Ȅ Ǧ Ȅ Ǥ ǡ Ǥ Ǧ Ǥǯ Ǧ Ǥ ǡ ǡ ǡǤ ǯ Dz dz Ǧ ǣ ǡ Dzdz Ǥ ´ȋȌ ȄǦȄǯ Ǧ Ǥ Ǯǯ ȋ Ȍ Ǧ ǤͳͲ ȋ ǯ Ȍͳͳ ͻ Ǧ ǡ Ǥǡ ǯ Ǧ ǡ ǮǯǤͻ Ǧ ǥ ǯ Ǥ ǤȋʹͺȌ ͳͲDzǨǢǣ Ǥ Ǣ Ǥ ǥ Ǥǡ ǡdzȋʹͶͻǡ ʹͳȌǤ´ ǡ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǯ ǡ ǯ ͳʹǡ Ǧ Ǥ ǯǮȏǯȐͳ͵ ȏȐ ǯ ǯ ǡ ȋ Ȍ Ǧ Ǥ ǤͳͶǤ Ǥ ȋ ǡ ǡ Ǯǯ ǨȌ Ǯǯ ǡǮǯ ǡǡȋ Ǧ ǯ Ȍǡͳͷ ǣͳǤ Ǯǯ ǯ ǡ ǡ ǡ Ǯǯ Ǯ ǯǮǦ ǯȋ͵Ͳͺǡ ʹͷȌǤ Ǥ ͳͳDz Ǥ Ǧ ǡǡ dzȋ ͶͳȌǤ ͳʹ Ǧ Ǣ Ǧ ǣDzǡ ǡǡ ǡ dzȋʹͶͻǡ ʹͳȌǤ ͳ͵Ǯǯ ǯ Ǥ ǡ ǡ Ǯ Ǧ ǯǮǡ ǡ ǯȋǯǤͳͷȌ ͳͶ Ǧ ǦǤ ͳͷ ǡ ǮǡǯǤ DzȏȐǡdz ǯ Ǧ ǯȀ Ǥ ͳDzǥ dzȋͶͲȌǤ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 Ǯǯǡ ǯǡ ǤǮǯǦ Ǯǯ Ǥ ǡǯ ǡ Ȁ ǯǡ Ǥ ǮǯǤ ǦǦ Ǣ Ǥ ǫ Ǧ Ǥͳ ǡ Ǧ ǯ Ǥ ǡ ǡ Ǥ ǡ ǡ Ǥ Ǥ Ǧ ǣ ǡ Ǥ Ȁ ǡ Ǥ ǯǮ ǯ Ǥ Ǧ ǣ Ǥ Ȁ ǯ ȋ Ȍ Ǥ ǡ ǡ ǤisǮ ǥȏǦ Ȑ ȏȐ ǯ ȋ͵ͳͲǡ ʹͷȌǢ Ǥ ǯ ǯǦ Ǧ ͳǡǤǦ ǡǮǯǤ ǮǯǮǯǤ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǡǮǯ ǤǦ ǯ ǡ Ǯ ǯǤ Ǧ ǣǮ ǦǤǡ ǢǯȋͳȌǤǡ ǡ Ȁ ǯǣǮȏȐǥ ǡ ǥǤǢ ǡ ǡ ǯȋ͵ͳͶǡ ʹͷȌǤ ǡ ǡ Ǯǯ ǦǦǡǦǦ Ǥ Ǧ ǡ ǡ Ǥ ǡ Ǯǯǡ Ǯǯ ǡ Ǯ ǯ Ǧǣ ǡȋ notǮǯȌǡǤǦ ǯǤǮǦǯǤ Ǧ ǡ Ǥ Ǥ ǣ ǯ Ȅ ȄǡǡǡǮǦ ǥǤǯ ǯ ǡǡǦ ǤǦǮǯǡǡ ǡ Ǥ ǯ ǡ ǯ Ǧ Ǯ ǯ Ǥ Ǯǡ ǦȄǯȋ͵ͶͶǡ ʹȌǤ ǯ Ǧ Ǥ KWWSZZZLMHOOKFRP Ǯ ǯ Ǥ 9ROXPH,,,VVXH,,-XQH,661 Ǧ ǡ Ǣ Ǯǯǡ ǡ Ǧ ǯ Ǯ ǯ ȋ ͵ͷȌǤ ǡ ʹ ǮǯȄǮ ǯǡ ǡ ǡǡ Ǥ Ǯ ǣ Ǧ ǯǤǦǡ ǡǡǤ ȄǮǯȄǡ ǡǡǣǮ ȏȐ ǯ ȋ͵Ͷǡ ʹȌǤ Ǧ ǮȏǯȐǯ Ǧ ǤǮǦǯǡ Ǥ ͳͺ ǢǦ ǤǤǤǡ ǡǯǦ Ǥ ǣ Ǯ ͳͺ ǡ ǡ ǡ´ǯ dzDzǡǣ dzȋǤ͵ͲȌǯ ǡ Ǥ ǯǮ ǯ Dz dzȋͳȌǡ ǡǦ ǡ ȋͳȌǤ ǡǡ ǡǡ ǣǡǡǣǡǡ ȋ´ͳͳ͵ǡ ʹͺȌǤ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 Ǩǯ ȋ͵Ͷͺǡ ʹȌǤͳͻ ǡ ǮǯǦ ǡ Ǥ Ǥ Ǣ ǣ ǥ Ǥ Ǥȋ´͵ͷͷǡ ʹͺȌ ǡǡ Ǥ ǡ ǡ JaneEyre ǡ Ǥǡǡ Ǥ ǣ ǯ ǡ ǡ Dz Ǥdz´ǯǡ ǡǡǡǡ ǡ ǯ ǡ Ǥȋ ͺͻȌǤ JaneEyre ǡ Ǯ ǯ Ǯ ǡ ǯ ȋ´ ͵ͷǡ ʹͺȌǤǡ Ǯǯherown ǡ Ǯǯ ǡ ǡ Ǥ ǯ and Ǥ ǯ ǡ ͳͻ ǣǦ Dzdz ǡ Ǥ Dzdz ǡ ǡǮ dz ȀǦ Ǥ KWWSZZZLMHOOKFRP ʹͲ ȋȌ 9ROXPH,,,VVXH,,-XQH,661 Ǥʹͳ ǡ´ǯ ǯǦ ǣ ǤDzǯȏȐdz ǡDz ǡ Ǣ dzǯȋǤ ͵ȌǤ ǯ ǡǦ Ǥ ǡ ´ǯ Ǧ Ǥ ǡ ǡ Ǧ Ǥ ǫʹʹ ǡǤǯDzǦdz ‘aliasǯȋ Ȍȋ͵Ͷǡ ʹͻȌǤ ǡ ǡ Ǥ ǡǦ Ǥǡ Ǥ Ǥ Ǯǯǡǯ ǡ Ǧ Ǥ ǡ ȂǮ ǡ Ȅ ǥȋ Ȍǯ ȋ͵ͳͳǡ ʹͲ ǮǯǤǦǤ ǯǤ ʹͳ Ǥǯ ̵ǡ ǯHistoryofBritishBirdsǦ Ǥ Ǧ Ǥ ʹʹARoomofOne’sOwnǡ ´Dz ǡ ǡǡ dzȋͶȌǤ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ʹͷȌǤ ǡ Ǧ Ǥ Ǥ Ǯ ǤǡǡǨǯȋ͵ͳͳȌǤ Ǧ Ǧ ǡ ǡ Ǥ ǡ Ǥʹ͵ ǡǡǯǤǡǣǡ ǡ Ǣ Ȅ Ȅ Ǥ ǥǡǦ Ǣ ǡ ǡ Ǥdzȋ͵ͳʹǡ ʹͷȌ ǯ ʹͶ ǤǯǮǯǡ Ǥ Ǧ ǡ ǯ Ǯǯ Ǥʹͷ ǯ Ǥ Ǧ ǯ Ǥ ǡ ǣǡ Ǥǯ DzǨǨdzȋͶ͵ǡ ͳȌ ʹ͵ Ǧ Ǥ ǡ Ǥ ʹͶ ´ǯ ǡ Ǥ Ǥ ʹͷDzǯ ǡ dzȋͳ͵ͷȌǤ KWWSZZZLMHOOKFRP ǯ Ǥǡ 9ROXPH,,,VVXH,,-XQH,661 ǯ ǡ ǮǨȄǨǯ ǯʹȋͳʹǡ ʹȌǡ Ǥ Ǥ ǣǮǯǤ Ǯǯ ǯ ǡ ǯ ǯǤʹ ǡ ǡǯǢǯ ǯ Ǥʹͺ Ǧ ǫ ǣǦ within ǡ Ǥ ǡ Ǧ ǡ ǡ ǡ ǡ ǡ ǤJaneEyre? ǯ ǡ Ǥ Ǥ Ǯ Ǧ ǯShock,MemoryandtheUnconsciousinVictorianFiction ȋʹͷȄʹȌ Ǧ ȋ ȌǤ ǡǯǡ ǡ Ǥ ʹ ǡDzǥ dzȋ´ͳͶǡ ͵Ȍ ʹ´ ǡ ǡ ǤǡǦ Ǥ ʹͺǡ ǯǤ ǡ ǯ Ǥ Ǧ ǯ Ǥ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǡǡǮ Ǧ Ǯȋ ʹͶȌǤ ǣ Ǥ Ǥ Ǧ ǤȋʹͶȌ ǯʹͻǡǡ Ǧ ǡ ǡ Ǧ Ǥ ǡ ǡ ǡ Ǧ Ǥ Ǥ.´ǯ ǡ Ǧ ǡǦ ǡǤ Ǥ ʹͻ Dz Ǥdz KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 :RUNV&LWHG %URQWs&KDUORWWHJane Eyre.(G4'/HDYLV/RQGRQ3HQJXLQ &DUXWK&DWK\Unclaimed Experience%DOWLPRUH-RKQV+RSNLQV8QLYHUVLW\ 3UHVV )UHXG6LJPXQGBeyond the Pleasure Principle.ǣȀȀǤǤ ȀʹȀ *LOEHUW6DQGUD0DQG6XVDQ*XEDUThe Mad Woman in the Attic. /RQGRQDQG1HZ+DYHQ<DOH8QLYHUVLW\3UHVV +HUPDQ-XGLWKTrauma and Recovery.1HZ<RUN%DVLF%RRNV .ULVWHYD -XOLD Powers of Horror: An Essay on Abjection 1HZ <RUN &ROXPELD 8QLYHUVLW\3UHVV .ULVWHYD-XOLD³/LIHDQG'HDWKRI6SHHFK´ /DFDQ-DFTXHV³7KH$JHQF\RIWKH/HWWHULQWKH8QFRQVFLRXVRUUHDVRQVLQFH )UHXGǣȀȀǤǤ ȀǫαƬ 0DWXV-LOOShock and the Unconscious in Victorian Fiction. &DPEULGJH7KH&DP EULGJH8QLYHUVLW\3UHVV 3OH\GHOO6DUDKCologne. 3RUWODQG)X]H3XEOLVKLQJ 5LFK$GULHQQHOn Lies, Secrets and Silence1HZ<RUN::1RUWRQ 6KXWWOHZRUWK 6DOO\ &KDUORWWH %URQWs DQG 9LFWRULDQ 3V\FKRORJ\ &DPEULGJH 7KH &DPEULGJH8QLYHUVLW\3UHVV :RROI9LUJLQLDA Room of One’s Own/RQGRQ3HQJXLQ%RRNV KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 :RUNV&RQVXOWHG $UFKHU,VREHO³7KH*XVKRIWKH)HPLQLQH+RZ&DQZH5HDG:RPHQ¶V3RHWU\RI WKH5RPDQWLF3HULRG"´5RPDQWLF:RPHQ:ULWHUV(G)HOGPDQ3DXOD5DQG 7KHUHVD0.HOOH\+DQRYHU1+8QLYHUVLW\3UHVVRI1HZ(QJODQG *OHQQ+HDWKHUCharlotte Brontë: The Imagination in History.2[IRUG7KH2[IRUG 8QLYHUVLW\3UHVV 0LOOHU$OLFHThe Drama of the Gifted Child1HZ<RUN%DVLF%RRNV 5\ODQFH 5LFN Victorian Psychology and British Culture, 1850—1880. 2[IRUG 7KH2[IRUG8QLYHUVLW\3UHVV 9DQ GHU .RON %HVVHO $ $OH[DQGHU & 0DFIDUODQH DQG /DUV :HLVDHWK HGV Trau matic Stress: The Effects of Overwhelming Experience on Mind, Body and Society. 1HZ<RUN7KH*XLOGIRUG3UHVV KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 (1'127(6 Ǯ ǯ ǯȀ ȋȋ ȌǤ ǮǯǮǯ Ǯǯ Ǥ ǡ Ǥ ȋͳͳ͵ͳȄ͵ͶȌǤ Ǥ Ǧ Ǥ Ǯǯǡ ǡ Ǯǯ Ǥ ǯǮǯ Ǥ ǡ ǡ ǡȋ ȋ Ȍǯ ȌǦǡǮǦ ǯǡ ǤǮ ǯǯ ȋǦ ǨȌǡ Ǥǣ Ǥǯ Ǧ Ǯ ǯǣ ǡ ǡ ǡobject. Ǧ ǡ ǤǦǡ Ǥ ǡ ǡ ǡ Ǥ ȄǤ ǡǡ ǡ ǡ ǡ ǡ ǡabject, ǡ ǡ ǤȋʹȌ KWWSZZZLMHOOKFRP 9ROXPH,,,VVXH,,-XQH,661 ǡ Ǧ Ǥ Ǧ Ǥ ǡ ǡǡ Ǥ ǯ Ǯǯ ǡǯ ǯ Ǧ Ǥ ǣ ǮǢǦ Ǥ Ǧ ǣǡ ǡǯȋ͵ͳǡ ͶȌǤ ǯ Ǥ ǣǯǦ Ǣ ǡ ǯ Ǯǯǡ ǯǦ ǯǤ Ǯǯ ǯǡCologne Ǯ ǯ ǦǮ ǯǤ Ǧ ǡ Ǥ Ȁǯǯͳͳ ȋȌǤ Ǧ ǯ Ǧ ǯ Ǥ CharlotteBrontëandVictorianPsychology: Ǧ Ǥ Ǥ ǥȏ Ȕǡ ǤȋǡͳȌ ǯ ǡ Ǥ ǯ Ǥ ´ǯ ǡ ǡǦ Ǥ Ǯ ǣluridhieroglyphicsǯǤ KWWSZZZLMHOOKFRP ǡ Ǧ Ǯ ǡ Ǥ Ǧ Ǣcontinuationǯ ǯȋ ͳͲȌǤ ǯǡǦ ǡ Ǥ ǯ Ǥ Ȁ Ǥ 9ROXPH,,,VVXH,,-XQH,661 KWWSZZZLMHOOKFRP
© Copyright 2025 Paperzz