Bran Nue Dae
POST PRODUCTION SCRIPT
24 FPS
Continuous timecode
DURATION: 84 min 49 sec
NO. OF SPOTS: 781
Includes shot descriptions, visual music mark-up,
numbered & timed dialogue spots.
Director
Producers
Screenplay
Rachel Perkins
Robyn Kershaw
Graeme Isaac
Reg Cribb
Rachel Perkins
Jimmy Chi
INVESTORS:
SCREEN AUSTRALIA, OMNILAB MEDIA,
SCREENWEST, FILM VICTORIA, MELBOURNE INTERNATIONAL FILM
FESTIVAL PREMIERE FUND,
AUSTRALIAN BROADCASTING CORPORATION
COPYRIGHT © 2009 ALL TERRITORIES OF THE WORLD
Screen Australia, ScreenWest Inc., Film Victoria, Filmfest Limited,
BND The Film Pty Ltd & Bran Nue Dae The Film Pty Ltd
BND The Film Pty Ltd
6/400 St. Kilda Road
St. Kilda Vic 3182
PO Box 529 Elwood Vic 3184
AUSTRALIA
T: +61 3 9525 3500 F: +61 3 9525 3400
[email protected]
Words On Time Post Production Scripts
Tel 61 3 5989 2152
www.wordsontime.com.au
AUSTRALIA
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
1
DUR
CHARACTER
DIALOGUE
01:00:08:00 FIRST FRAME IMAGE
00:10:02 FADE IN LOGO:
SCREEN AUSTRALIA
00:13:04 FADE OUT
1
2
00:13:22 FADE IN ANIMATED
LOGO: OMNILABMEDIA
EXT. CHURCH. Animated
credit sequence.
00:19:05 CUT IN: WS DE-ELEVATE
THROUGH CLOUDS TO
ANGEL STANDING ON A
CLOUD.
00:22:23 FS THE ANGEL IS
GRABBED BY THE HAND
OF GOD AND PUT BACK
WITH BLACK SKIN. HE'S
THEN PUSHED OFF THE
CLOUD AND TUMBLES
EARTHWARD.
00:27:13 SUPER: SCREEN
AUSTRALIA AND
OMNILABMEDIA IN
ASSOCIATION WITH
MAYFAN FILMS AND
ROBYN KERSHAW
PRODUCTIONS
00:31:07 WS OVERHEAD THE
ANGEL PLUMMETS
TOWARDS THE GROUND.
00:33:01 WS THE ANGEL HOVERS
OVER THE GROUND AND
HAS A BOTTLE THROWN
AT IT. SUPER:
SCREENWEST
00:36:01 FS WATER WITH FISH.
ANGEL FLIES OVER.
1
2
00:36:17 SUPER: FILM VICTORIA
BRAN NUE DAE Post Production Script
1
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
2
DUR
CHARACTER
DIALOGUE
00:40:09 WS ABORIGINE STANDS
AT RIVER'S EDGE. A
CROCODILE SCARES HIM
OFF.
SUPER: AND THE
MELBOURNE
INTERNATIONAL FILM
FESTIVAL PREMIERE FUND
PRESENT
00:43:08 FS FISHERMAN WALKS
CARRYING FISH. THE
ANGEL FLUTTERS
NEARBY.
1
2
00:47:11 ES CHURCH ELEVATE TO
FS SUN. AFTER TITLE, DEELEVATE TO INTERIOR
CHURCH CONGREGATION.
00:49:21 WIPE ON TITLE:
BRAN NUE DAE
1
00:51:13 00:57:17 6 :04 PASTOR
FLAKKON
O/S
And God said "Let there be
light" and there was light.
2
00:57:17 01:04:07 6 :14 CHOIR
SINGING
All the way Jesus. All the
way Lord …
3
01:04:07 01:08:02 3 :19 PASTOR
FLAKKON
Brothers and sisters, let us
send our prayers to heaven.
4
01:08:22 01:11:20 2 :22
Who will come forward and
testify?
5
01:12:20 01:18:21 6 :01
Today on this very day, who
wants to wash their sins?
6
01:19:14 01:27:18 8 :04 CHOIR AND
WILLIE
… and just light up the
loving that always remains.
7
01:28:03 01:34:16 6 :13 ROSIE
You may find if you're true
to yourself
8
01:34:16 01:42:11 7 :19
That it's all an illusion,
the book's on your shelf.
INT. BROOME CHURCH.
Willie and Theresa sing in
church.
01:01:23 DISSOLVE TO MATCHING
LIVE ACTION: WS TRACK
FORWARD THROUGH
CONGREGATION TO MCU2 KID & WOMAN.
3
01:05:09 SUPER: WESTERN
AUSTRALIA BROOME
1969
01:28:03 WS>FS TRACK TOWARDS
CHOIR.
BRAN NUE DAE Post Production Script
2
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
01:39:01 MS TRACK TOWARDS
WILLIE AND THERESE.
SPOT
NO.
TC IN
TC OUT
3
DUR
CHARACTER
DIALOGUE
9
01:42:11 01:50:07 7 :20
If you read through the lines,
then you'll find that it's true
10
01:50:07 01:57:04 6 :21
That there's nobody loving
like he's loving you.
01:57:04 CU WILLIE.
11
01:57:04 01:59:16 2 :12 THERESA
V.O.
But you know Willie, if you
work hard ...
EXT. WILLIE'S HOUSE.
Theresa talks to Willie.
01:59:14 MS TRACK IN TO LOOSE
MCU THERESE AND
WILLIE.
12
01:59:16 02:03:11 3 :19 THERESA
(CONT)
... pray hard, do your
studies, you can do really
well.
13
02:04:12 02:07:10 2 :22
You know the priest has the
respect of everyone.
14
02:08:07 02:09:23 1 :16
You want to be a priest,
don't you Willie?
15
02:10:07 02:10:19 0 :12 WILLIE
Yeah.
16
02:12:04 02:13:22 1 :18 CHOIR V.O.
All the way Jesus …
17
02:13:23 02:23:13 9 :14 ROSIE
All the way Jesus
All the way Lord
Save me …
01:43:08 FS TRACK TOWARDS
CHOIR.
3
01:46:00 MS TRACK TO CU WILLIE.
01:53:17 CU ROSIE.
02:07:22 CU WILLIE.
02:11:16 MCU-2 THERESE AND
WILLIE.
INT. BROOME CHURCH.
Rosie sings in church.
02:13:23 CU ROSIE SINGS.
02:15:03 CU WILLIE.
02:17:13 CU ROSIE SINGS.
02:18:18 CU WILLIE.
02:20:07 CU ROSIE SINGS.
3
02:23:14 CU WILLIE.
02:24:08 MCU ROSIE LOOKS
SEDUCTIVE.
02:25:23 CU WILLIE.
BRAN NUE DAE Post Production Script
3
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
INT. WILLIE'S FANTASY.
Rosie gestures to Willie.
02:27:04 MCU ROSIE GESTURES.
SPOT
NO.
TC IN
TC OUT
4
DUR
CHARACTER
DIALOGUE
18
02:27:23 02:34:17 6 :18 ROSIE
… find your body
When I find in myself …
19
02:34:19 02:37:17 2 :22 PASTOR
FLAKKON
For the eyes of God sees all.
20
02:38:12 02:41:18 3 :06 ROSIE AND
CHOIR
… that always remains …
21
02:42:02 02:55:06 13 :04 ROSIE AND
CHOIR V.O.
… And just light up the
lovin' that always remains.
22
02:57:22 03:00:08 2 :10 THERESA
Hey, who are you stylin' up
for?
colloq: stylin' up = grooming
yourself
23
03:02:02 03:03:00 0 :22 WILLIE
No one, Mum.
4
02:29:08 CU WILLIE.
02:30:21 MCU ROSIE.
INT. BROOME CHURCH.
Willie and his mother at
church.
02:34:04 CU WILLIE.
02:35:23 MS TRACK IN TO MCU
PASTOR.
3
02:38:03 MS-2 TRACK IN WILLIE
AND THERESE.
02:40:04 MS TRACK IN TO MCU
STATUE.
EXT. WILLIE'S HOUSE.
Willie washes himself with
a bucket of water.
02:42:02 MS WILLIE POURS A
BUCKET OF WATER OVER
HIMSELF.
5
03:03:09 MCU WILLIE.
EXT. LANEWAY. Willie
and Rosie look in the pub
window at Rosie's dad
gambling.
03:06:14 MS TRACK WITH WILLIE &
ROSIE RUNNING
TOGETHER.
03:11:05 MS-3 CARD PLAYERS SIT
AROUND A TABLE.
BRAN NUE DAE Post Production Script
4
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
03:14:08 CU-2 ROSIE AND WILLIE
LOOK THROUGH A
WINDOW.
SPOT
NO.
TC IN
TC OUT
5
DUR
CHARACTER
DIALOGUE
24
03:14:11 03:15:22 1 :11 ROSIE
Dad's losing all his money
again.
25
03:16:08 03:18:07 1 :23
Mum won’t be very happy
when he gets home.
26
03:18:15 03:19:04 0 :13
Check this.
27
03:19:21 03:23:12 3 :15
Gerry, you gambling old
bugger, you wait till I get
hold of you!
aboriginal colloq: old bugger
(=term of endearment)
28
03:23:22 03:24:14 0 :16 ROSIE
No one's coming.
29
03:30:21 03:32:08 1 :11 WILLIE
Rosie, I ...
30
03:32:19 03:33:04 0 :09 ROSIE
What?
31
03:34:11 03:42:09 7 :22 WILLIE
Well, because this my last
night … I thought that
maybe … well I mean … just
…
32
03:42:09 03:42:17 0 :08 MAN ON
BIKE
Hello.
33
03:42:17 03:43:10 0 :17 WILLIE
Hello.
34
03:43:10 03:44:06 0 :20 ROSIE
Hello.
35
03:44:06 03:52:00 7 :18 WILLIE
I just thought that … just
wondering if you'd like to
come with me to the
pictures?
36
03:52:20 03:54:06 1 :10 ROSIE
What, like a date?
5
03:18:14 CU ROSIE PAST WILLIE.
SHE SHOUTS.
03:20:08 MS-3 CARD PLAYERS ALL
JUMP UP IN SURPRISE.
03:21:23 MCU-2 ROSIE AND WILLIE
RUN OFF.
EXT. ROAD. Rosie and
Willie walk along the road
and talk.
03:23:20 WS TRACK WITH ROSIE
AND WILLIE WALKING.
5
03:33:13 MCU-2 ROSIE AND WILLIE
WALKING.
03:46:18 CU WILLIE.
03:50:02 CU ROSIE.
BRAN NUE DAE Post Production Script
5
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
6
DUR
CHARACTER
DIALOGUE
03:54:07 CU WILLIE.
37
03:54:16 03:58:05 3 :13 WILLIE
Well ... no, no,not a date.
Like, well we could sit
together maybe.
03:58:06 CU ROSIE.
38
03:58:15 03:59:16 1 :01 ROSIE
Willie, that's a date.
04:00:12 CU WILLIE.
39
04:00:15 04:01:23 1 :08 WILLIE
Well yeah. Okay.
40
04:14:00 04:24:13 10 :13 ROSIE
If I gave my heart to you
Would you promise to be
true?
41
04:25:03 04:35:03 10 :00
If you broke my heart in two
And left me waiting, anticip
…
42
04:33:21 04:34:10 0 :13 WILLIE
Shh.
04:36:02 CU LESTER.
43
04:37:03 04:38:09 1 :06 LESTER
You're a deadly singer, you
know that?
colloq: deadly = impressive,
very good.
04:38:19 CU-2 ROSIE AND WILLIE.
44
04:39:03 04:41:03 2 :00
You should come inside and
do a tune with the band.
EXT. ROEBUCK HOTEL.
Willie and Rosie sit
outside the hotel. They
meet Lester.
04:02:00 WS WILLIE AND ROSIE
WALK TOWARD THE
HOTEL.
04:05:14 MWS ROSIE AND WILLIE
SIT ON THE VERANDA.
04:12:20 MS-2 ROSIE STARTS
SINGING.
6
04:16:21 CU WILLIE.
04:19:13 MS-2 TRACK IN TO MCU2 ROSIE SINGS.
04:26:17 MS-2 ROSIE AND WILLIE LESTER COMES OUT OF
THE HOTEL DOORS B/G.
04:27:14 MS LESTER.
04:29:01 MWS TRACK BACK
LESTER APPROACHES
ROSIE AND WILLIE.
04:33:15 CU WILLIE.
04:34:13 CU ROSIE.
04:40:07 CU LESTER.
BRAN NUE DAE Post Production Script
6
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
04:41:19 CU-2 ROSIE AND WILLIE.
MUSIC
SPOT
NO.
TC IN
TC OUT
7
DUR
CHARACTER
DIALOGUE
45
04:43:09 04:44:00 0 :15
I'm Lester.
46
04:45:02 04:45:16 0 :14 ROSIE
Rosie.
47
04:46:06 04:46:16 0 :10 LESTER
Hi.
48
04:48:03 04:48:16 0 :13 WILLIE
I'm Willie.
04:52:06 MWS LESTER LEANS ON
THE RAILING AS ROSIE
AND WILLIE STAND.
49
04:56:09 04:57:04 0 :19
Come on Rosie, we've got to
go.
04:57:13 CU LESTER.
50
04:58:01 04:59:00 0 :23 LESTER
Who is this? Your little
brother?
04:59:00 MS-3 ROSIE LESTER AND
WILLIE.
51
04:59:08 05:00:08 1 :00 ROSIE
No. No.
52
05:00:16 05:02:02 1 :10 LESTER
Ah, is he your boyfriend?
05:01:23 MS-2 WILLIE & ROSIE.
53
05:03:02 05:03:16 0 :14 WILLIE
No.
05:03:20 CU LESTER.
54
05:04:00 05:07:21 3 :21 LESTER
Alright then. I'll just be in
there … if you want me.
55
05:11:03 05:12:10 1 :07 ROSIE
Why did you say we have to
go?
56
05:12:18 05:13:17 0 :23 WILLIE
Because we're not allowed in
there.
57
05:14:00 05:14:17 0 :17 ROSIE
Why not?
58
05:14:19 05:15:15 0 :20 WILLIE
You know why not.
04:43:16 CU LESTER.
04:44:16 CU-2 ROSIE AND WILLIE.
04:46:17 MCU WILLIE.
04:49:05 CU LESTER.
04:50:07 MCU WILLIE.
05:05:03 MS-2 WILLIE & ROSIE.
05:06:15 MS-3 ROSIE LESTER AND
WILLIE.
05:08:08 MS-2 WILLIE & ROSIE.
05:09:04 MS-3 ROSIE LESTER AND
WILLIE. LESTER WALKS
OFF.
05:12:19 MCU WILLIE PAST ROSIE.
BRAN NUE DAE Post Production Script
7
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
INT. ROEBUCK HOTEL.
Lester walks in the
swinging doors.
05:15:18 FS LESTER PUSHES
THROUGH THE HOTEL
ENTRANCE DOORS.
SPOT
NO.
TC IN
TC OUT
8
DUR
CHARACTER
DIALOGUE
59
05:16:18 05:17:17 0 :23 LESTER
Alright boys!
60
05:20:18 05:22:07 1 :13 ROSIE
Come on. This is my big
chance.
61
05:22:18 05:27:04 4 :10 LESTER
Now she was only 16 just a
child upon the road
When I …
62
05:28:15 05:31:13 2 :22 ROSIE
Well I guess I'll see you later
then. At the pictures.
63
05:31:21 05:40:04 8 :07 BAR GIRLS
V.O.
Maybe, come on baby
Would you like to come on
down
And we'd rock and reel and
reel and rock
All over Chinatown.
05:17:01 MS LESTER ENTERS,
THROWING HIS HAT IN
THE AIR.
7
EXT. ROEBUCK HOTEL.
Rosie talks to Willie.
05:20:12 MS-2 WILLIE & ROSIE.
INT. ROEBUCK HOTEL.
Lester singing.
05:22:17 MS LESTER TRACK IN
AND TILT DOWN HIS
LEGS.
EXT. ROEBUCK HOTEL.
Rosie talks to Willie.
05:27:05 MCU WILLIE.
05:28:10 MS ROSIE.
05:35:17 CU WILLIE.
05:36:21 MS PAN ROSIE AS SHE
WALKS TO HOTEL
ENTRANCE DOORS.
7
05:38:08 FS ROSIE PUSHES
THROUGH THE HOTEL
ENTRANCE DOORS.
BRAN NUE DAE Post Production Script
8
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
INT. ROEBUCK HOTEL.
Rosie goes into the hotel
and dances to Lester
singing.
05:39:20 MS LESTER SINGING.
SPOT
NO.
TC IN
TC OUT
9
DUR
CHARACTER
DIALOGUE
64
05:40:04 05:49:15 9 :11 LESTER AND
THE GIRLS
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you might sow ...
65
05:49:15 06:00:17 11 :02
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you may sow ...
7
05:40:22 MCU ROSIE.
05:42:19 MCU-2 DANCERS.
05:43:12 MCU ROSIE.
05:44:14 MCU-2 BLOKES LOOK AT
HER.
05:45:08 WS BAR AREA WITH
DANCERS.
05:47:06 MS WILLIE WALKS
TOWARDS WINDOW.
05:48:00 MCU WILLIE LOOKS IN
THROUGH WINDOW.
05:49:04 MWS ROSIE WATCHES
THE DANCERS AROUND
HER.
05:50:03 MS PAN DANCERS.
05:51:02 MS ROSIE.
05:53:00 H/A WS DANCE FLOOR
WITH ROSIE STANDING
CENTRE.
05:54:06 MCU ROSIE.
7
05:55:04 FS LESTER SINGING,
DANCERS F/G.
05:56:03 MCU ROSIE.
BRAN NUE DAE Post Production Script
9
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
05:58:16 MCU LESTER WALKS
TOWARDS ROSIE,
SINGING.
SPOT
NO.
TC IN
TC OUT
10
DUR
CHARACTER
DIALOGUE
66
06:00:17 06:10:05 9 :12 LESTER
Well I moved up to her
slowly and I asked her for a
go
And she spoke to me quite
softly
In a voice so sweet and low.
67
06:10:05 06:18:19 8 :14 BAR GIRLS
Well I like polony or perhaps
a sausage roll
But if you don't use those
condoms then you cannot
poke my hole.
06:01:10 MCU ROSIE.
7
06:02:14 CU WILLIE LOOKS INTO
WINDOW, WATCHING.
06:03:16 MCU ROSIE; LESTER
SWINGS BEHIND, SINGING.
06:04:22 MCU LESTER.
06:07:14 MCU LESTER, ROSIE F/G.
06:07:22 MWS ROSIE IS GRABBED
BY A DANCER.
06:08:12 CU ROSIE DANCING.
06:09:10 MCU ROSIE AMONG
OTHER DANCERS.
06:09:21 H/A WS DANCE FLOOR.
06:11:02 MCU WILLIE LOOKS IN
THROUGH DOORWAY.
06:12:00 MS-2 ROSIE AND BAR
GIRLS DANCE. MOVE IN
TO MCU BAR GIRL.
06:14:09 CU BAR GIRL.
06:14:23 TS GROUP OF MEN.
06:15:14 CU BAR GIRL.
06:16:16 TS GROUP OF MEN.
7
06:17:05 MCU BAR GIRL.
BRAN NUE DAE Post Production Script
10
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
06:18:15 H/A WS DANCE FLOOR.
SPOT
NO.
TC IN
TC OUT
11
DUR
CHARACTER
DIALOGUE
68
06:18:19 06:27:21 9 :02 LESTER AND
THE GIRLS
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you might sow ...
69
06:27:21 06:37:15 9 :18
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you might sow ...
06:19:11 L/A FS DANCERS.
7
06:20:04 CU LESTER.
06:21:09 MCU ROSIE PAST LESTER
F/G.
06:22:19 H/A WS DANCE FLOOR.
06:23:18 CU LESTER.
06:25:02 CU ROSIE.
06:25:17 H/A WS DANCE FLOOR.
06:26:03 MCU LESTER.
06:26:14 H/A WS DANCE FLOOR.
06:28:13 MCU LESTER.
06:28:23 MCU BAR GIRL.
06:29:14 H/A WS DANCE FLOOR.
06:30:08 MS ROSIE PAN TO CU BAR
GIRL.
06:31:18 H/A WS DANCE FLOOR.
06:32:14 CU LESTER.
06:34:17 H/A WS DANCE FLOOR.
06:35:19 L/A FS DANCERS.
06:36:17 H/A WS DANCE FLOOR.
THE DANCERS START TO
WALK OFF.
7
06:37:12 MS GROUP OF MEN
WALKING OFF.
BRAN NUE DAE Post Production Script
11
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
12
DUR
CHARACTER
DIALOGUE
06:38:01 MS GROUP OF GIRLS,
ROSIE CENTRE.
06:38:22 MCU MEN DANCING.
06:39:11 MS GROUP OF GIRLS.
70
06:39:19 06:48:03 8 :08 LESTER
Well I am so happy cause I
did what I was told
oh I used those frangers and
she let me poke her hole.
71
06:48:03 06:57:09 9 :06 LESTER AND
THE GIRLS
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you might sow ...
7
06:40:06 LA FS BOYS DANCING.
06:41:05 MS-2 DANCER AND
LESTER.
06:42:01 CU MAN DANCER.
06:43:00 MS-2 DANCER AND
LESTER.
06:43:20 MCU WILLIE LOOKS IN
THROUGH DOORWAY.
06:45:20 MS GROUP OF GIRLS.
06:46:19 MS LESTER.
06:49:05 MS ROSIE TAKES
LESTER'S HAND.
06:49:12 CU ROSIE.
06:50:20 CU LESTER.
06:51:22 CU ROSIE.
06:53:01 MS-2 ROSIE AND LESTER
DANCE.
06:53:18 H/A WS DANCE FLOOR.
7
06:55:17 MCU LESTER TURNS
AWAY.
06:56:12 MS ROSIE STANDS,
ENCIRCLED BY GIRLS.
BRAN NUE DAE Post Production Script
12
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
06:57:06 MCU ROSIE MOVES OFF.
SPOT
NO.
TC IN
TC OUT
13
DUR
CHARACTER
DIALOGUE
72
06:57:09 07:08:00 10 :15
She says hey boy don't you
really go
I don't feel so mad about the
seeds that you might sow ...
73
07:08:00 07:16:16 8 :16
Oh oh oh, oh oh oh …
06:58:22 MCU ROSIE.
7
06:59:20 MCU MAN DANCER.
07:00:18 CU ROSIE.
07:01:15 L/A LINE OF DANCERS
ENCIRCLE ROSIE.
07:02:15 H/A WS DANCE FLOOR LINE OF DANCERS
ENCIRCLE ROSIE.
07:03:18 MCU ROSIE.
07:04:15 H/A WS DANCE FLOOR LINE OF DANCERS
ENCIRCLE ROSIE.
07:05:09 MCU ROSIE.
07:06:23 CU WILLIE THROUGH
WINDOW.
07:07:21 MCU ROSIE.
07:08:16 MS LESTER AT
MICROPHONE.
07:09:23 MS ROSIE.
07:11:00 MS LESTER AT
MICROPHONE.
07:11:19 MS ROSIE GIVES LESTER
A WAVE AS SHE STARTS
TO WALK OFF.
07:12:10 MS ROSIE WALKS.
7
07:13:01 MS ROSIE WALKS
TOWARDS THE DOOR.
07:13:19 MS WILLIE STEPS AWAY
FROM THE ENTRANCE
DOOR.
BRAN NUE DAE Post Production Script
13
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
14
DUR
CHARACTER
DIALOGUE
07:14:13 MS ROSIE PUSHES OUT
THE DOOR.
7
EXT. ROEBUCK HOTEL.
Rosie calls to Willie.
07:15:07 WS STREET FROM HOTEL:
WILLIE RECEDES B/G,
ROSIE STEPS IN F/G.
74
07:17:22 07:18:13 0 :15 ROSIE
Willie!
75
07:22:17 07:24:07 1 :14
Go on Willie. You run to your
mum.
76
07:30:06 07:32:04 1 :22 THERESA
About time. Where you
been?
77
07:32:09 07:32:21 0 :12 WILLIE
Fishing.
78
07:33:10 07:33:22 0 :12 THERESA
Mmm.
07:36:10 MS THERESE F/G WILLIE
B/G SIT AND GIVE
THANKS FOR THEIR
FOOD.
79
07:38:02 07:45:11 7 :09
Lord we thank you for all the
gifts you give us. Special
prayers goes out to that
sinner cousin of mine
Johnny.
07:41:07 MCU THERESE.
80
07:46:00 07:54:14 8 :14
Please Lord help him to stop
drinking his life away at that
Roebuck Hotel. May the Lord
Jesus Christ burn that house
of sin down!
81
07:56:21 07:57:14 0 :17
Sorry Lord.
82
07:58:18 08:05:20 7 :02
And please keep my son safe
while he is away in the city
and please help him Lord not
to …
07:21:21 MCU ROSIE WATCHES
WILLIE RECEDE.
EXT. WILLIE'S HOUSE.
Willie comes home.
07:24:20 MWS VERANDA WILLIE
WALKS TOWARDS TO
MCU AND TURNS INTO
THE DOORWAY.
INT. WILLIE’S HOUSE.
Theresa prays.
07:28:21 WS KITCHEN - WILLIE
ENTERS, THERESE SITS
AT THE TABLE.
07:32:23 MCU WILLIE.
07:34:22 MCU THERESE.
07:49:14 MCU WILLIE.
07:55:04 CU THERESE.
07:58:11 CU WILLIE PRAYING.
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14
24FPS TIMECODE
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MUSIC
EXT. SUN PICTURES.
Rosie waits for Willie.
08:05:21 MCU ROSIE, LOOKING OS.
SPOT
NO.
TC IN
TC OUT
15
DUR
CHARACTER
DIALOGUE
83
08:05:22 08:09:05 3 :07 THERESA
V.O.
… be late as it drives his
mother mad.
84
08:11:20 08:12:15 0 :19 THERESA
Amen.
85
08:12:20 08:13:09 0 :13 WILLIE
Amen.
86
08:44:21 08:45:09 0 :12 ROSIE'S
FRIEND
Hi.
8
INT. WILLIE’S HOUSE.
Willie and Theresa say
grace.
08:09:16 CU WILLIE PRAYING.
08:12:08 MS THERESE F/G, WILLIE
B/G.
EXT. SUN PICTURES.
Rosie waits for Willie.
08:14:01 WS DE-ELEVATE ROSIE
STANDS OUTSIDE THE
CINEMA.
INT. WILLIE’S HOUSE.
Willie and Theresa eat
dinner.
08:18:17 MCU WILLIE PAST
THERESE EATING THEIR
MEAL.
EXT. SUN PICTURES.
Rosie waits for Willie,
gives up and goes inside.
08:25:02 CU ROSIE WAITS OUTSIDE
THE CINEMA.
08:30:05 MWS ROSIE RECEDES
INTO THE CINEMA
ENTRANCE.
8
INT. SUN PICTURES.
Rosie and her friends at
the cinema. Lester sits
behind her.
08:33:21 TILE SKY TO WS CINEMA
INTERIOR.
08:41:14 MS-2 ROSIE AND FRIEND
WALK DOWN THE AISLE
TOGETHER.
08:45:10 MWS FOUR GIRLS SIT IN
UNISON.
9
08:48:22 TS SAM AND GIGGLING
BOYS.
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15
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16
DUR
CHARACTER
DIALOGUE
08:50:09 MWS FOUR GIRLS CROSS
THEIR LEGS IN UNISON.
08:52:17 MCU SAM CALLS.
87
08:53:09 08:54:21 1 :12 SAM
Hey Rosie, where's Willie?
08:54:10 TS LINE OF SEATED
PATRONS, ROSIE AT THE
END.
88
08:55:16 08:56:05 0 :13 ROSIE
I don't know.
89
08:57:00 08:59:02 2 :02 SAM & BOYS
He want to sit with you.
90
08:59:09 09:01:16 2 :07 SAM
Where's Willie? I don't know.
He gone fishing.
09:05:10 CU ROSIE PAST FRIENDS
F/G.
91
09:05:17 09:07:21 2 :04 ROSIE'S
FRIEND
Hey Lester boy!
09:07:22 CU ROSIE.
92
09:08:06 09:11:00 2 :18 FILM
God save our Gracious …
09:11:18 09:17:04 5 :10 FILM
… Queen. Long live our
noble Queen …
9
08:57:16 MS-3 SAM AND BOYS.
08:58:22 CU ROSIE PAST FRIENDS
F/G.
09:00:01 TS SAM AND GIGGLING
BOYS.
09:00:23 MWS CINEMA AUDIENCE.
09:03:08 CU ROSIE LOOKS BEHIND
HER.
09:04:10 CU LESTER WINKS.
SOUNDTRACK
(O/S)
09:09:08 MWS CINEMA AUDIENCE
STARTS TO STAND FOR
THE NATIONAL ANTHEM.
10
EXT. WILLIE’S HOUSE.
Willie jumps out the
window.
09:11:01 MCU WILLIE LOOKS OVER
HIS SHOULDER THEN
JUMPS.
93
SOUNDTRACK
(O/S) (CONT)
09:14:08 WS HOUSE - WILLIE
JUMPS TO THE GROUND
AND RUNS TOWARDS
CAMERA AND EXITS.
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16
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MUSIC
INT. SUN PICTURES.Rosie and her friends
singing the National
Anthem.
09:17:05 TS CINEMA SCREEN
SHOWING FLUTTERING
FLAG.
SPOT
NO.
TC IN
TC OUT
17
DUR
CHARACTER
DIALOGUE
09:17:06 09:20:08 3 :02 FILM
God save our queen …
95
09:21:04 09:30:08 9 :04
Send her victorious
Happy and glorious.
Long …
96
09:30:10 09:32:17 2 :07 FILM
94
SOUNDTRACK
(O/S) (CONT)
10
09:20:21 MS-4 ROSIE STANDS
WITH HER FRIENDS.
09:22:22 TS CINEMA SCREEN
SHOWING BRITISH
GUARDS AND THE
QUEEN.
09:25:16 CU-2 ROSIE AND FRIEND.
EXT. STREET. Willie runs
down the street.
09:30:09 MS PAN WILLIE RUNNING.
SOUNDTRACK
(O/S) (CONT)
... to reign over us,
God save the Queen.
INT. SUN PICTURES.
Rosie and her friends sing
the National Anthem.
09:32:18 MS-4 ROSIE STANDS
WITH HER FRIENDS.
EXT. STREET. Willie runs
down the street into the
cinema.
09:34:18 MS PAN WILLIE RUNS
INTO THE CINEMA
ENTRANCE.
97
09:32:19 09:34:17 1 :22
98
09:34:19 09:38:15 3 :20
… us ...
... God save the Queen.
10
INT. SUN PICTURES. It
starts to rain and Rosie
leaves with Lester. Willie
watches himself hugging
his mother and leaving on
the bus on the picture
screen.
09:38:16 MCU-4 ROSIE AND HER
FRIENDS SIT.
09:41:00 MS WILLIE WALKS
FORWARD TO CU,
LOOKING.
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NO.
TC IN
TC OUT
18
DUR
CHARACTER
DIALOGUE
09:44:14 MWS CINEMA AUDIENCE
REACTS TO THUNDER
AND LIGHTNING.
09:46:06 FS ROSIE AND FRIENDS
STAND.
09:48:07 MWS CINEMA AUDIENCE
RUN AND TAKE COVER
FROM THE RAIN.
09:49:23 CU WILLIE.
09:50:22 LS ROSIE STANDS IN THE
CROWD, GETTING WET.
09:52:10 CU WILLIE.
09:53:04 MS-2 LESTER TAKES
ROSIE'S HAND AND
LEADS HER TO SHELTER.
10:02:13 CU WILLIE.
10:06:12 TS THE CROWD RECEDES,
LESTER WITH HIS HAND
ON ROSIE'S SHOULDER.
11
10:11:07 MCU WILLIE WALKS TO
FS INTO THE RAIN AND
SITS.
10:37:09 MCU WILLIE LOOKS UP
AT THE SCREEN.
10:40:08 MWS THE MOVIE SCREEN
SHOWS A SCENE OF
WILLIE BEING
FAREWELLED BY
THERESE.
10:46:16 CU WILLIE.
10:50:10 MWS THE MOVIE SCREEN
SHOWS A SCENE OF
WILLIE DEPARTING ON A
BUS.
INT. BUS. Willie sits on
the bus.
10:56:14 CU WILLIE.
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18
24FPS TIMECODE
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NO.
TC IN
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19
DUR
CHARACTER
DIALOGUE
11:01:03 MS WILLIE.
11
11:04:10 MCU WILLIE.
EXT. CLONTARF BOYS
HOSTEL. Willie arrives at
Clontarf and meets
Benedictus.
11:08:18 FS FRONT OF
TRAVELLING BUS PULL
BACK TO WS.
11:12:21 WS HIGH-SPEED TRACK
INTO HOSTEL GROUNDS
TO FIND MS WILLIE.
12
11:16:19 MATCH CUT MS WILLIE
STANDING, LOOKING.
TRACK TO MCU.
11:22:15 FS BUILDING FAÇADE.
11:27:21 HA WS WILLIE
APPROACHES THE
ENTRANCE.
11:31:15 WS WILLIE APPROACHES
THE FRONT DOOR AND
KNOCKS.
11:37:21 HA MCU WILLIE.
11:39:05 WS THE DOORS OPEN.
11:40:02 MCU BENEDICTUS.
99
11:40:02 11:43:11 3 :09 BENEDICTUS
Ah Willie. Welcome back to
the city.
11:43:14 MCU WILLIE.
100
11:44:06 11:45:11 1 :05 WILLIE
Thank you, Father
Benedictus.
11:45:13 MCU BENEDICTUS.
101
11:45:16 11:46:19 1 :03
Come in, fellow.
102
11:52:16 11:53:10 0 :18 BENEDICTUS
V.O.
How were your holidays?
11:46:21 HA WS WILLIE IS
WELCOMED INSIDE BY
BENEDICTUS.
11:51:03 WS THE DOORS CLOSE.
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NO.
TC IN
TC OUT
20
DUR
CHARACTER
DIALOGUE
INT. STAIRWELL.
Benedictus talks to Willie.
11:53:11 MS-2 WILLIE AND
BENEDICTUS WALK UP
THE STAIRS.
12:01:07 MS-2 WILLIE AND
BENEDICTUS - FROM
BEHIND.
12:06:04 MS-2 WILLIE AND
BENEDICTUS WALK UP
THE STAIRS AND ALONG
THE CORRIDOR.
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103
11:53:12 11:54:11 0 :23 BENEDICTUS
Did you catch any fish?
104
11:54:18 11:55:16 0 :22 WILLIE
Ah, one or two.
105
11:56:05 11:57:18 1 :13 BENEDICTUS
Perhaps you are not praying
hard enough.
106
12:01:12 12:02:00 0 :12
Now Willie ...
107
12:02:04 12:02:15 0 :11 WILLIE
Yes Father?
108
12:03:08 12:05:21 2 :13 BENEDICTUS
I have been inspecting my
inventory of supplies.
109
12:07:03 12:10:07 3 :04
You weren't one of those
boys drinking the altar wine
last year, were you Willie?
110
12:10:07 12:10:19 0 :12 WILLIE
No Father.
111
12:10:21 12:18:10 7 :13 BENEDICTUS
Good. Good. Because this
year, you are a prefect and
as head student you must
set an example.
112
12:19:15 12:20:09 0 :18 WILLIE
Yes Father.
113
12:21:15 12:23:08 1 :17 BENEDICTUS
I have great faith in you,
Willie.
114
12:24:21 12:25:12 0 :15 WILLIE
Yes Father.
115
12:34:09 12:35:18 1 :09 BENEDICTUS
How is your lovely mother?
116
12:35:22 12:36:11 0 :13 WILLIE
Good, Father.
117
12:36:23 12:41:05 4 :06 BENEDICTUS
She has high hopes in you.
You can become a very
successful individual, Willie.
20
24FPS TIMECODE
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21
DUR
CHARACTER
DIALOGUE
118
12:42:09 12:45:04 2 :19
You too can become close to
God. I can see it!
119
12:46:02 12:50:01 3 :23
Willie, you can go forth and
help your Aborigine people.
120
12:51:20 12:53:04 1 :08
They are crying in the
wilderness.
121
12:54:18 12:56:10 1 :16
You have so much to give
the world!
122
12:57:14 13:03:06 5 :16
So my little friend, if you
knuckle down to some
serious study and pray hard,
not for me but for you …
13:00:09 CU BENEDICTUS PAST
WILLIE.
123
13:05:00 13:06:07 1 :07
… you can become like me!
13:07:09 MCU WILLIE PAST
BENEDICTUS.
124
13:08:00 13:12:00 4 :00
Oh yeah, yeah, yeah.
INT. CLASSROOM.
Benedictus writes on the
blackboard.
13:13:05 MWS CLASSROOM TRACK
TOWARDS BENEDICTUS
CLEANING THE
BLACKBOARD.
125
13:12:16 13:20:03 7 :11 SONG
LYRICS
Child of Glory
Come take me by the hand
13:27:00 MCU WILLIE.
126
13:20:18 13:29:21 9 :03
Help me, heal me
And make me understand
127
13:30:12 13:38:03 7 :15
All thy survey
Is there at your command
128
13:38:20 13:41:20 3 :00
Child of Glory …
12:45:15 CU BENEDICTUS PAST
WILLIE.
13
12:50:18 MCU WILLIE PAST
BENEDICTUS.
13:10:10 MCU-2 FROM BEHIND
WILLIE AND BENEDICTUS
RECEDE.
EXT. BEACH. Willie
daydreams of fishing on
the beach.
13:31:13 WS A GROUP OF BOYS
WALK INTO THE SEA
WITH SPEARS.
13
13:35:13 FS WILLIE THROWS HIS
SPEAR.
13:38:20 MS WILLIE BENDS TO
EXTRICATE HIS SPEAR.
13:40:13 TS SPEARED FISH.
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MUSIC
13:41:21 WS WILLIE LEAVES THE
WATER, THE OTHER
BOYS B/G.
SPOT
NO.
TC IN
TC OUT
22
DUR
CHARACTER
DIALOGUE
129
13:42:00 13:44:12 2 :12 BOYS ON
BEACH
Hey Willie. Where Willie go?
130
13:51:08 13:51:16 0 :08 WILLIE
Rosie.
13:52:16 MS WILLIE THROWS THE
FISH THROUGH THE OPEN
WINDOW.
131
13:52:22 13:53:13 0 :15
Hey catch.
13:54:19 MCU WILLIE.
132
13:55:14 13:56:20 1 :06 ROSIE
Well I've got something for
you too.
133
13:56:20 13:57:15 0 :19 WILLIE
What, like a present or …
134
14:09:12 14:11:10 1 :22 WILLIE V.O.
Honour thy father and thy
mother …
13
13:43:10 MCU YOUNG BOY.
13:44:06 WS WILLIE LEAVES THE
WATER, THE OTHER
BOYS B/G.
EXT. ROSIE'S HOUSE.
Willie's daydream
continues. He takes Rosie
a fish.
13:45:19 FS WILLIE APPROACHES,
CARRYING HIS FISH.
13:48:21 TS FISH, TILT TO CU
WILLIE. HE KNOCKS ON
THE WALL.
14
13:57:17 MWS ROSIE EMPTIES A
BUCKET OF WATER OVER
WILLIE.
13:59:05 MCU WILLIE.
14:01:08 MCU ROSIE CLIMBS OUT
THE WINDOW TO JOIN
WILLIE.
EXT. FOOTBALL FIELD.
Willie watches the
football.
14:04:08 CU WILLIE WATCHES A
FOOTBALL GAME.
14
14:06:23 MWS PLAYERS PLAYING,
SCOREBOARD B/G.
14:09:12 FS GROUP OF SCHOOL
KIDS WATCH.
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MUSIC
INT. CLASSROOM. Willie
recites from the bible as
Daryl struggles to hold
bibles in his outstretched
arms.
14:11:15 MCU DARYL HOLDS TWO
BIBLES IN HIS
OUTSTRETCHED ARMS.
SPOT
NO.
TC IN
TC OUT
23
DUR
CHARACTER
DIALOGUE
135
14:12:09 14:13:23 1 :14 WILLIE
(CONT)
...that thy days may be long
upon the lands which the
Lord giveth thee.
136
14:16:19 14:22:22 6 :03
Thou shall not kill. Thou shall
not commit adultery. Thou
shall not steal.
137
14:23:15 14:30:10 6 :19
Thou shall not bear false
witness against thy name or
covert thy neighbour's wife
or his …
138
14:35:13 14:36:05 0 :16 BENEDICTUS
Start again.
14
14:14:05 MS BENEDICTUS LOOKS
AT HIS WATCH.
14:16:19 MCU WILLIE READS.
14:18:17 MCU DARYL STRUGGLES
TO HOLD THE TWO
BIBLES.
14:19:22 MCU WILLIE READS.
14:22:23 MS BENEDICTUS LOOKS
AT HIS WATCH.
14:27:01 MCU DARYL STARTS TO
LOWER THE TWO BIBLES.
14:28:16 MWS CLASS - THE BOY'S
ARMS F/G DROP THE
BIBLES.
14:30:03 MS BENEDICTUS SLAMS
THE DESK.
14:30:10 MCU WILLIE REACTS.
14:31:20 MS BENEDICTUS LOOKS
AT HIS WATCH AGAIN.
INT. CHURCH. Willie
prays and has thoughts
of Rosie.
14:36:09 HA MS WILLIE STANDS
PRAYING.
14:39:05 CU ROSIE AGAINST A FIRE
B/G.
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24
DUR
CHARACTER
DIALOGUE
14:41:07 HA MS WILLIE STANDS
PRAYING.
14:43:00 TS PAST WILLIE PAINTING
OF JESUS ON THE CROSS.
14:45:20 WS CHURCH WILLIE
WALKS TO THE
CONFESSIONAL.
139
14:46:17 14:49:01 2 :08 WILLIE V.O.
Bless me Father for I have
sinned.
140
14:50:06 14:52:07 2 :01
It has been two months
since my last confession.
141
14:53:12 14:55:05 1 :17 BENEDICTUS
V.O.
What do you wish to confess
my son?
142
14:56:15 15:00:23 4 :08 WILLIE
I have had thoughts about a
girl … um …
143
15:01:17 15:06:08 4 :15 BENEDICTUS
Thoughts? What thoughts?
Lustful thoughts?
144
15:06:20 15:07:15 0 :19 WILLIE
Yes Father.
15:07:22 CU BENEDICTUS.
145
15:08:06 15:12:19 4 :13 BENEDICTUS
You are a good boy. You will
overcome these sinful urges
in time.
15:12:21 CU WILLIE.
146
15:15:02 15:18:10 3 :08
It is part of the hard road to
becoming a priest that we all
must face.
15:20:10 CU WILLIE.
147
15:20:11 15:27:09 6 :22 WILLIE
But Father, I don’t know if I
would be good at being a
priest.
15:28:02 CU BENEDICTUS.
148
15:28:05 15:31:10 3 :05 BENEDICTUS
You want to waste your life
like all those useless
blackfellows up in Broome?
15:31:19 CU WILLIE.
149
15:32:21 15:39:21 7 :00
No Willie, you are much
better than that. Your
penance is fifteen rosaries.
Now go.
INT. CONFESSIONAL.
Willie confesses to
Benedictus.
14:55:15 MCU-2 WILLIE F/G,
BENEDICTUS B/G.
15:18:04 CU BENEDICTUS.
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25
DUR
CHARACTER
DIALOGUE
INT. CHURCH. Willie
scrubs the floor.
15:40:02 TS SCRUBBING BRUSH
TILT TO CU WILLIE
SCRUBBING THE FLOOR.
15
15:44:23 FS WILLIE SCRUBBING.
INT. CLERGY ROOM.
Willie looks around the
room.
15:47:19 WS CHURCH, WILLIE
SCRUBBING THE FLOOR.
15:50:07 MS WILLIE LOOKS
AROUND. TILT DOWN TO
TS DRAWER AS HE
OPENS IT.
16:01:19 MCU WILLIE STEPS
FORWARD.
16:06:10 TS CASE - WILLIES' HAND
OPENS IT AND FINGERS
THE BEADS AND
CRUCIFIX.
150
16:06:15 16:14:03 7 :12 WILLIE V.O.
Hey Girl, you know I’ve been
a dreamer
151
16:14:03 16:21:07 7 :04
Following dreams I’ve
dreamed on my own.
152
16:22:03 16:29:17 7 :14 WILLIE
Though the dreams are the
dreams that sustain me,
153
16:29:17 16:35:01 5 :08
I'm tired of dreaming alone.
154
16:37:08 16:45:03 7 :19 WILLIE AND
DORMITORY
BOYS
Light a light, leave it in the
window,
16
16:16:05 MCU ROSIE HOLDS THE
SAME BEADS AND
CRUCIFIX SHE IS
WEARING.
INT. DORMITORY. Willie
dreams of Rosie.
16:21:18 MS WILLIE ARISES FROM
HIS BED, SINGING.
16:33:07 CU WILLIE SINGING.
16:39:04 CU DARYL SINGS WHILE
ASLEEP.
16:41:03 CU DORMITORY PETER
SINGS WHILE ASLEEP.
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26
DUR
CHARACTER
DIALOGUE
16:44:22 MCU WILLIE.
155
16:45:03 16:52:00 6 :21
I'm comin' back, back home
to you.
16:52:00 WS DORMITORY ROOM
FULL OF CANDLES. ROSIE
ENTERS AT THE FAR END.
156
16:53:11 17:03:01 9 :14 ROSIE
Light a light, leave it in the
window. I'm coming back …
157
17:04:07 17:16:02 11 :19 ROSIE AND
WILLIE
… back home to you. Light a
light, leave it in the window
17:14:17 CU WILLIE.
158
17:16:02 17:23:19 7 :17
I'll be comin' back home.
17:17:07 CU ROSIE.
159
17:23:19 17:32:09 8 :14
I'll be coming back home.
160
17:33:22 17:34:08 0 :10 PETER
Willie!
161
17:34:08 17:35:13 1 :05 WILLIE
Rosie.
162
17:35:13 17:37:00 1 :11 PETER
Rosie? It's Peter. Come on.
163
17:37:03 17:37:21 0 :18 WILLIE
Go back to sleep.
164
17:39:17 17:42:06 2 :13 PETER
Come on. We've got some
hunting to do tonight, boy.
165
17:42:15 17:43:12 0 :21 WILLIE
What are you talking about?
17:43:12 MS-2 PETER LEANS OVER
WILLIE IN BED.
166
17:43:13 17:45:06 1 :17 PETER
The tuck shop. Shh, come
on.
17:45:06 MS-2 PETER LEANS OVER
WILLIE IN BED.
167
17:45:06 17:46:03 0 :21 WILLIE
You're going to get in
trouble.
16
16:56:05 CU WILLIE TURNS.
16:58:14 WS DORMITORY ROSIE
APPROACHES.
17:03:02 CU WILLIE.
17:08:03 CU ROSIE.
17:11:10 CU WILLIE.
17:13:05 CU ROSIE.
17:24:04 CU WILLIE.
17:26:08 MCU-2 ROSIE AND WILLIE
STAND FACING EACH
OTHER.
17:30:13 CU ROSIE LEANS TO KISS
WILLIE.
17:35:04 MCU-2 PETER WAKES
WILLIE.
17:37:20 MWS PETER STANDS BY
WILLIE'S BED.
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26
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
17:47:23 MCU WILLIE.
17:51:04 MWS PETER WAKES THE
OTHER SLEEPING BOYS.
SPOT
NO.
TC IN
TC OUT
27
DUR
CHARACTER
DIALOGUE
168
17:47:03 17:47:22 0 :19 PETER
Come on Willie.
169
17:48:19 17:49:20 1 :01
Hey, hey. Wake up.
170
17:50:06 17:51:06 1 :00 DARYL
But I'm tired.
171
17:51:06 17:51:21 0 :15 PETER
Shh.
172
18:07:08 18:13:04 5 :20 PETER
Shhh. Hurry up.
173
18:22:00 18:26:03 4 :03 PETER
Ohhh. Come on come on
come on.
17:55:03 MWS WILLIE GETS OUT
OF BED.
17:57:05 MS-2 BOYS LEAVE
THROUGH THE DOOR.
17:58:08 MS WILLIE HEADS
TOWARDS THE DOOR.
17
INT. CORRIDOR /
BENEDICTUS’ ROOM. The
boys sneak to the
tuckshop.
18:01:00 WS CORRIDOR PETER
LEADS THE BOYS
FORWARD. PETER STOPS
MCU.
18:06:03 MCU BENEDICTUS LIES
SLEEPING, SNORING.
18:08:03 FS DOORWAY THE BOYS
HEADS APPEAR ONE ON
TOP OF THE OTHER.
18:10:00 CU BENEDICTUS.
18:12:11 FS DOORWAY THE BOYS
GO PAST.
18:14:01 CU BENEDICTUS.
INT. TUCKSHOP. The
boys eat food from the
fridge.
18:16:14 MWS THE BOYS ENTER.
PETER APPROACHES TO
MCU.
18:23:00 FS POV MOVES
TOWARDS THE
REFRIGERATOR.
17
18:24:21 CU PETER.
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27
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MUSIC
18:26:00 WS SNEAK IN.
SPOT
NO.
TC IN
TC OUT
28
DUR
CHARACTER
DIALOGUE
174
18:27:13 18:28:11 0 :22
Keep an eye out.
175
18:34:18 18:35:22 1 :04 DARYL
Thou shalt not steal!
176
18:36:06 18:37:17 1 :11 PETER
Thou shalt not starve either.
177
18:38:17 18:39:11 0 :18 WILLIE
We should go back ...
18:39:22 MCU PETER TURNS TO
WILLIE B/G.
178
18:40:03 18:42:01 1 :22 PETER
Food for our souls. Now
what you want?
18:41:01 MCU PETER TURNS BACK
TO THE FRIDGE.
179
18:42:12 18:43:06 0 :18 DARYL
What are you doing?
18:42:18 MS-4 PETER GIVES THE
BOOTY TO THE BOYS.
180
18:43:18 18:48:14 4 :20 PETER
Itemising every available
confection and beverage.
* parodying Benedictus
181
18:48:14 18:49:14 1 :00 DARYL
Oh yum.
18:28:22 CU TOMMY LOOKS.
18:30:06 MWS THE OTHER BOYS
REACH THE FRIDGE.
17
18:30:22 MCU GROUP THE BOYS
OPEN THE FRIDGE AND
LOOK IN.
18:31:21 TS POV TILT DOWN
CONTENTS OF FRIDGE "CHERRY RIPES" AND
BOTTLES OF COKE.
18:34:00 MCU-4 BOYS.
18:35:05 TS POV SIGN IN FRIDGE
"THOU SHALL NOT
STEAL".
18:36:04 MCU-4 BOYS.
18:45:14 MWS THE BOYS SIT ON
THE FLOOR.
18:47:09 TS A PILE OF "CHERRY
RIPES" ARE PLACED ON
THE FLOOR.
18:47:23 MCU PETER REACHES FOR
SOME COKE.
18:48:15 FS GROUP - PETER
THROWS A "CHERRY
RIPE".
18:49:00 CU TOMMY CATCHES THE
CHERRY RIPE.
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MUSIC
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29
DUR
CHARACTER
DIALOGUE
18:49:13 TS THE COKE BOTTLE IS
OPENED.
18:50:04 CU WILLIE.
182
18:50:04 18:51:05 1 :01 WILLIE
Thankyou Lord.
* parodying Benedictus
18:51:04 CU PETER.
183
18:51:09 18:52:10 1 :01 ALL
Thankyou Lord.
* parodying Benedictus
18:51:22 CU DARRYL.
184
18:52:10 18:54:22 2 :12 DORM BOY
And this is for all the
starving kids in the world.
18:54:20 CU DARRYL.
185
18:54:22 18:56:17 1 :19 DARYL
Like us, bro. Us black kids
are starving.
18:56:18 MCU PETER.
186
18:56:17 18:59:09 2 :16 ALL
Ja, ja, ja.
* parodying Benedictus
German: ja = yes
187
19:11:20 19:13:13 1 :17 TOMMY
Benny, Benny.
188
19:16:12 19:17:07 0 :19 TOMMY
Benny's coming!
18:52:16 MCU DORM BOY.
18:54:02 CU TOMMY TAKES A
BITE.
18:57:07 CU WILLIE.
18:57:22 FS GROUP - THE BOYS
CLINK THEIR BOTTLES.
INTERCUT INT.
BENEDICTUS' ROOM/INT.
TUCKSHOP. Benedictus
awakens and
investigates as the kids
enjoy.
18:58:16 ECU BENEDICTUS' EYES
OPEN.
18
19:01:03 FS GROUP - THE BOYS
DRINK.
19:03:05 MS BENEDICTUS WALKS
TOWARDS, ALONG THE
CORRIDOR.
19:11:19 MCU TOMMY.
19:13:14 CU BENEDICTUS.
INT. TUCKSHOP. The
boys panic.
19:16:13 MCU TOMMY.
19:16:21 MCU PETER REACTS.
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MUSIC
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NO.
TC IN
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30
DUR
CHARACTER
DIALOGUE
19:17:11 CU WILLIE REACTS.
19:17:21 TS THE CHERRY RIPES
AND BOTTLE TOPS ARE
PICKED UP.
19
19:18:19 CU DARRYL.
19:19:08 TS GROUP - THEY
SCRAMBLE UP.
19:19:22 TS THEIR FEET ON THE
FLOOR.
19:20:14 TS GROUP - THEY PUT
THE BOOTY BACK IN THE
FRIDGE.
19:21:00 CU-2 PETER AND DARYL.
19:22:15 MS GROUP BY FRIDGE.
19:24:18 MCU PETER CLOSES THE
FRIDGE DOOR.
19:25:11 MCU PETER AND WILLIE
TURN AND RUN.
189
19:26:08 19:27:14 1 :06 PETER
Lets go. Let's go.
190
19:28:10 19:34:17 6 :07 BENEDICTUS
My greatest desire is to see
you Aborigine people
educated and trained in the
skills of the modern world.
19:32:16 MS TRACK ALONG ROWS
OF SEATED CHILDREN.
191
19:36:08 19:39:05 2 :21
To become citizens of this
great country that is truly
yours.
19:36:22 FS BENEDICTUS AT
PULPIT TRACK TO MCU.
192
19:41:11 19:43:17 2 :06
We have to show love to
these children.
193
19:45:18 19:49:20 4 :02
Lux in tenebris - light in the
darkness!
19:26:23 FS FRIDGE - WILLIE EXITS.
INT. CHURCH AT
CLONTARF. Benedictus
questions the boys. Willie
and the boys sing and
Willie runs away.
19:27:17 HA WS TILT FROM
CONGREGATION OF
CHILDREN.
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31
DUR
CHARACTER
DIALOGUE
19:50:10 TS GROUP OF CHILDREN.
194
19:50:18 19:53:06 2 :12
Yet, we all know there are
many evils in the world
today.
19:53:16 MCU BENEDICTUS WALKS
FORWARD.
195
19:55:03 20:02:11 7 :08
For now let us just talk
about theft and pillage. Sins
of the flesh.
196
20:04:17 20:07:05 2 :12
Tommy, will you not come
up here?
197
20:16:19 20:19:07 2 :12
I have been itemising
supplies from the canteen.
198
20:20:10 20:24:10 4 :00
And to my surprise, we are a
little short. Thou Shall Not
Steal!
199
20:25:04 20:26:07 1 :03 DARYL
We're going to get wacked.
200
20:26:18 20:32:10 5 :16 BENEDICTUS
Unless there is a confession,
I will be forced to punish
Tommy.
20:02:14 WS CHURCH.
20:04:11 CU BENEDICTUS.
20
20:07:07 MCU TOMMY RISES AND
WALKS FORWARD.
20:11:08 WS TOMMY APPROACHES
BENEDICTUS.
20:15:01 MS TOMMY.
20:16:11 CU BENEDICTUS.
20:19:08 CU TOMMY.
20:20:08 MS-3 PETER AND BOYS.
20:21:07 MCU-3 WILLIE AND
DARRYL, OTHER BOY F/G.
20:22:12 TS BENEDICTUS WHACKS
HIS PADDLE INTO HIS
HAND.
20:22:20 CU WILLIE.
20:23:20 CU BENEDICTUS.
20:24:21 CU WILLIE.
20:25:15 CU DARRYL.
20:26:14 MCU-3 WILLIE AND
DARRYL, OTHER BOY F/G.
20
20:27:08 CU BENEDICTUS.
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32
DUR
CHARACTER
DIALOGUE
20:28:09 MS-2 BENEDICTUS PUTS
HIS HAND ON TOMMY.
20:32:21 CU TOMMY.
20:34:07 TS TOMMY'S KNEES
TREMBLE.
20:36:00 CU TOMMY.
20
20:38:03 WS CHURCH - WILLIE
STANDS.
20:43:19 CU BENEDICTUS.
20:45:09 WS CHURCH - WILLIE
WALKS TOWARDS
BENEDICTUS, WHO
FLICKS TOMMY AWAY.
20:50:21 MCU WILLIE WALKS TO
FACE BENEDICTUS.
201
20:54:18 20:56:12 1 :18
Willie, I am very disappointed
in you.
20:57:05 CU BENEDICTUS.
202
20:58:02 21:00:14 2 :12
You are prefect and yet you
throw it all away.
203
21:02:18 21:04:03 1 :09
I had such great faith in you.
21:04:22 CU WILLIE.
204
21:05:22 21:07:16 1 :18
You are a rotten apple in the
barrel.
21:08:11 CU BENEDICTUS.
205
21:08:17 21:10:21 2 :04
You are a stain on the
celebration of life.
206
21:12:08 21:15:17 3 :09
You are an abomination in
the eyes of God! Put out
your hand!
21:12:21 CU WILLIE.
21:14:12 CU BENEDICTUS.
21:15:07 WS CHURCH BENEDICTUS STANDS
OPPOSITE TOMMY AND
BRINGS HIS PADDLE TO
TOMMY'S HAND.
21:16:21 CU WILLIE'S HAND
TOUCHED BY THE
PADDLE.
21:17:12 CU WILLIE.
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32
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MUSIC
21:18:15 CU BENEDICTUS.
SPOT
NO.
TC IN
TC OUT
33
DUR
CHARACTER
DIALOGUE
207
21:18:23 21:22:15 3 :16
I should have known that
one of your Aborigine kind
would be worth nothing!
208
21:26:05 21:27:06 1 :01 WILLIE
That's not true, Father.
21:27:09 CU BENEDICTUS.
209
21:27:22 21:28:08 0 :10 BENEDICTUS
Whaaaattt!!!!
21:28:10 CU WILLIE STARTS TO
SING.
210
21:28:10 21:37:00 8 :14 WILLIE
There's … nothing I would
rather be than to be an
Aborigine
and watch you take my
precious land away.
21:21:08 CU WILLIE.
21:24:01 CU BENEDICTUS STEPS
BACK.
21:24:12 MS-2 WILLIE STANDS
WITH HAND OUT AS
BENEDICTUS RAISES THE
PADDLE TO STRIKE.
21:25:07 MCU GROUP - THE BOYS
GRIMACE.
21:25:18 WS BENEDICTUS STRIKES
AS WILLIE PULLS HIS
HAND AWAY.
21:26:16 CU WILLIE.
21:29:03 MCU WILLIE STARTS TO
SING.
21
21:31:12 MCU WILLIE.
21:33:00 MCU TRACK AROUND
WILLIE SINGING.
21:33:21 MCU WILLIE.
21:34:12 MCU TRACK AROUND
WILLIE SINGING.
21:35:17 MCU WILLIE.
21:37:12 CU BENEDICTUS.
21:38:02 MCU WILLIE.
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24FPS TIMECODE
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SHOT DESCRIPTION
MUSIC
21:38:11 MS-2 WILLIE DANCES BY
BENEDICTUS.
SPOT
NO.
TC IN
TC OUT
34
DUR
CHARACTER
DIALOGUE
211
21:38:21 21:46:15 7 :18
For nothing gives me greater
joy than to watch you fill
each girl and boy
with superficial existential
shit.
212
21:48:10 21:58:00 9 :14 WILLIE &
CLONTARF
CHILDREN
Now you may think I'm
cheeky but I'd be satisfied
to rebuild your convict ships
and sail you on the tide.
213
21:58:00 22:06:05 8 :05
There's nothing I would
rather be than to be an
Aborigine
and dream of just what
heaven must be like.
21:39:07 MCU WILLIE.
21:41:09 CU WILLIE.
21:43:12 MS WILLIE DANCING.
21
21:44:05 MCU WILLIE.
21:45:07 MS WILLIE DANCING.
21:46:04 MCU WILLIE RUNS TO THE
PEWS.
21:47:17 MS WILLIE CLIMBS ONTO
A PEW.
21:48:22 WS CHURCH - THE
WHOLE CONGREGATION
SINGS.
21:50:16 MS WILLIE.
21:52:19 WS CHURCH - ALL THE
BOYS START TO STAND
ON THE PEWS.
21:53:07 MS GROUP - BOYS RAISE
THEIR ARMS.
21:54:22 MS WILLIE RAISES HIS
ARMS.
21:55:16 MCU WILLIE.
21:56:01 MS GROUP.
21:56:13 MCU WILLIE.
21
21:57:05 WS CHURCH - THE BOYS
DANCE.
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MUSIC
SPOT
NO.
TC IN
TC OUT
35
DUR
CHARACTER
DIALOGUE
21:58:07 MS WILLIE JUMPS DOWN
AND DANCES ON THE
FLOOR.
22:00:07 MS TRACK SEATED BOYS
SWAY.
22:01:20 FS GROUP, WILLIE
CENTRE.
22:03:21 WS CHURCH - THE BOYS
DANCE.
21
22:05:20 MS WILLIE DANCES, BOYS
B/G.
22:07:12 WS CHURCH BENEDICTUS TURNS F/G.
214
22:07:12 22:15:13 8 :01 WILLIE
Where moth and rust do not
corrupt
When I die I know I'm going
up
Because you know that I've
had my hell on earth.
22:08:16 MS TRACK SEATED BOYS
STAND.
22:09:23 WS CHURCH - THE BOYS
DANCE.
22:11:17 MS GROUP - BOYS POINT.
22:12:22 WS CHURCH - THE BOYS
DANCE.
22:14:23 MS BOYS - TAP DANCER
STEPS FORWARD.
22:17:08 MS TAP DANCER DOES A
BACK-FLIP.
22:19:18 MS-3 BENEDICTUS AND
PRIESTS.
22:20:10 TS HANDS BEAT THE
BACKS OF PEWS.
22:21:10 MS TAP DANCER SLIDES
OUT AS PETER SLIDES IN.
21
22:24:17 MS-3 BENEDICTUS AND
PRIESTS - DANCERS F/G.
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36
DUR
CHARACTER
DIALOGUE
22:25:05 MCU PETER.
22:26:09 WS CHURCH - THE BOYS
DANCE.
215
22:27:02 22:31:09 4 :07
You gave us ten
commandments. We know
we are informed.
216
22:31:21 22:40:19 8 :22 BENEDICTUS
Judgement day is coming we're always being warned.
217
22:45:07 22:53:11 8 :04 WILLIE &
CLONTARF
CHILDREN
There's … nothing I would
rather be than to be an
Aborigine
22:28:18 MCU WILLIE.
22:31:13 MS-3 BENEDICTUS AND
PRIESTS - BENEDICTUS
THROWS HIS PADDLE
AND STEPS FORWARD
SINGING.
21
22:32:09 WS CHURCH BENEDICTUS STEPS
TOWARDS THE DANCERS.
22:33:00 MS WILLIE STEPS BACK.
22:33:22 MS GROUP - THE BOYS
SIT.
22:35:21 MWS BEHIND THE
PRIESTS.
22:37:19 MCU BENEDICTUS SINGS.
22:40:15 MWS WILLIE BACK-FLIPS
TOWARDS BENEDICTUS
AND TURNS INTO CU.
22:45:19 WS CHURCH - WILLIE
DANCES FORWARDS, THE
PRIESTS STEP BACK.
22:46:15 MCU BENEDICTUS AND
PRIESTS STEP BACK.
22:47:09 TS BOYS LEGS KICK.
22:47:19 MCU BENEDICTUS AND
PRIESTS STEP BACK.
22:48:10 TS BOYS LEGS KICK.
22:48:21 MCU BENEDICTUS AND
PRIESTS STEP BACK.
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37
DUR
CHARACTER
DIALOGUE
22:49:07 WS CHURCH.
22:49:15 MS WILLIE.
21
22:50:05 MWS BOYS DANCE.
22:50:23 MS WILLIE.
218
22:53:11 23:00:18 7 :07
and watch you take my
precious land away oh no no
no no …
219
23:01:12 23:08:15 7 :03
… and watch you take my
precious land away.
22:53:21 WS CHURCH.
22:54:19 MWS BOYS DANCE.
22:55:18 WS CHURCH - THE
PRIESTS WALK
FORWARD.
22:57:15 MWS THE PRIESTS
MARCH DOWN THE AISLE.
22:58:11 MS GROUP - BOYS
DANCE.
23:00:02 WS CHURCH THE PRIESTS
STAND STILL.
23:00:22 MS GROUP - THE PRIESTS
MOVE OFF.
23:01:20 CU BENEDICTUS
MARCHES FORWARD,
FOLLOWED BY TWO
PRIESTS.
23:03:19 MS TRACK WITH WILLIE
AS HE HURRIES AHEAD
OF THEM.
23:04:17 MWS THE
CONGREGATION HEADS
TOWARDS THE DOORS.
21
23:05:04 FS DOORWAY - WILLIE
JUMPS OVER CAMERA.
23:06:04 WS CHURCH - THE BOYS
ALL CHEER.
23:08:16 MS GROUP - BOYS CHEER.
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SHOT DESCRIPTION
MUSIC
EXT. SCHOOL GROUNDS.
Willie runs away.
23:10:04 MS GROUP, BENEDICTUS
AT CENTRE WITH TWO
BOYS IN HEADLOCKS.
SPOT
NO.
TC IN
TC OUT
38
DUR
CHARACTER
DIALOGUE
220
23:10:04 23:13:22 3 :18 BENEDICTUS
No, no.
221
23:13:22 23:15:15 1 :17 TOMMY
Run Willie run.
222
23:41:15 23:42:19 1 :04 BENEDICTUS
I will find the boy.
223
24:04:18 24:10:01 5 :07 TADPOLE
V.O.
I'm a long way away from my
country …
21
23:12:20 WS DRIVEWAY - WILLIE
RUNS OFF.
23:14:21 CU TOMMY HELD BY
BENEDICTUS' ARM. TILT
TO CU BENEDICTUS.
23:19:11 WS GROUNDS - TRACK
WITH WILLIE AS HE RUNS.
23:24:07 MS TRACK WITH WILLIE
RUNNING.
22
EXT. PIPELINE. Willie
walks along the pipeline.
23:28:18 WS PULL OUT TO EWS
WILLIE WALKING ALONG
A PIPE THAT SPANS THE
RIVER.
EXT. SCHOOL GROUNDS.
Benedictus leaves in his
car.
23:40:06 FS TRACK IN TO CU
BENEDICTUS IN HIS CAR.
23:46:03 HA WS BENEDICTUS
DRIVES OFF.
EXT. STREET. Day turns
into night. Willie sleeps
on the street.
23:52:04 MWS WILLIE SITS ON
SOME CITY BUILDING
STEPS.
22
23:55:10 MATCH DISSOLVE TO
NIGHT: WILLIE ASLEEP
ON THE STEPS.
23
24:07:21 CU WILLIE ASLEEP.
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TIMECODE IN
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MUSIC
EXT. BRIDGE CAMPFIRE.
Willie meets Uncle
Tadpole.
24:10:22 CU TADPOLE SINGS.
SPOT
NO.
TC IN
TC OUT
39
DUR
CHARACTER
DIALOGUE
224
24:11:16 24:16:20 5 :04 TADPOLE
(CONT)
It's a long time since I've
reappeared.
225
24:18:19 24:32:07 13 :12
It's the feeling I feel when
you're close on the wheel
and I'm missing the touch of
your hand.
226
24:33:16 24:46:19 13 :03 TADPOLE &
PARKIES
It's no good this feeling of
sorrow,
Just go out and face it
alone.
24:47:04 CU CAMPFIRE MAN 2 PAN
TO CU CAMPFIRE MAN 3.
227
24:47:14 24:55:00 7 :10
And I'm waiting tonight, a
watchin' the night
24:49:23 CU WILLIE.
228
24:55:00 25:01:02 6 :02
and I'm thinking of just going
home.
25:01:08 CU WILLIE.
229
25:02:12 25:03:19 1 :07 TADPOLE
Hey boy, where you bin
come from?
Aboriginal colloq: Where
have you come from?
25:05:03 MS TADPOLE.
230
25:05:10 25:07:04 1 :18
This fire looks lovely and
warm.
25:07:10 CU WILLIE.
231
25:07:14 25:09:00 1 :10 CAMPFIRE
MAN
It's going to be a cold one
tonight.
232
25:10:05 25:11:12 1 :07
Come here. We're not going
to eat you.
233
25:12:09 25:15:13 3 :04 TADPOLE
Well not yet anyway. Come
here. Come here, sit down.
23
24:21:22 WS WILLIE APPROACHES
A GROUP OF PARKIES.
24:32:23 FS FIRE TILT TO MCU
CAMPFIRE MAN SINGS.
24:39:08 MCU WILLIE.
24:44:01 CU TADPOLE SINGS.
24:55:01 CU TADPOLE.
23
25:10:14 WS GROUP.
25:12:05 MS TADPOLE.
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40
DUR
CHARACTER
DIALOGUE
25:14:09 WS GROUP.
25:16:15 FS GROUP - WILLIE JOINS
THEM.
25:18:10 MS WILLIE SITS.
25:19:08 MS TADPOLE.
234
25:22:01 25:22:21 0 :20 CAMPFIRE
MAN
You can have it back.
25:22:06 CU WILLIE.
235
25:24:05 25:25:05 1 :00 WILLIE
I got nowhere to stay.
25:25:17 MS WILLIE, DRINKER B/G.
236
25:26:03 25:27:17 1 :14 TADPOLE
Anyone got anywhere to
stay?
25:28:00 MS-2 PARKIES.
237
25:28:00 25:28:08 0 :08 CAMPFIRE
MAN
Nope.
25:28:19 MS TADPOLE.
238
25:29:21 25:31:11 1 :14 TADPOLE
You in good company here
boy.
25:32:08 CU WILLIE.
239
25:33:02 25:33:21 0 :19 WILLIE
I want to go home.
25:34:02 MS TADPOLE.
240
25:34:10 25:39:06 4 :20 TADPOLE
Well, we all wanna go home
but we a long long way away
from our country.
Colloq: wanna = want to
241
25:40:01 25:52:21 12 :20 TADPOLE &
PARKIES
Shake off your burdened
delusions
Shake off your dreams that
weigh down
242
25:53:19 26:07:05 13 :10
You can follow your dreams
But it's not like it seems
'Cos your heart will just turn
you around.
243
26:08:07 26:17:07 9 :00 TADPOLE &
PARKIES &
WILLIE
You can follow your dreams
But it's not like it seems
23
25:26:13 MS TADPOLE.
24
25:39:19 CU CAMPFIRE MAN 2
SINGS.
25:43:04 CU CAMPFIRE MAN 3
SINGS.
25:45:11 ECU WILLIE.
25:48:11 CU TADPOLE SINGS.
25:58:15 CU WILLIE PAN TO
CAMPFIRE MAN 3.
24
26:06:13 ECU WILLIE.
26:08:07 CU TADPOLE SINGS.
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26:11:13 ECU WILLIE JOINS IN
SINGING.
26:16:19 CU TADPOLE SINGS.
244
26:17:07 26:26:10 9 :03
Cos your heart will just turn
you around.
245
26:28:08 26:31:13 3 :05 ALL
Yeah, yeah. Yeah.
26:32:03 CU TADPOLE.
246
26:34:03 26:35:02 0 :23 TADPOLE
Where your home, boy?
Aboriginal colloq: Where is
your home?
26:36:03 CU WILLIE.
247
26:36:11 26:36:23 0 :12 WILLIE
Broome.
26:37:10 CU TADPOLE.
248
26:39:08 26:40:16 1 :08 TADPOLE
That's my home too.
26:40:12 CU WILLIE.
249
26:41:11 26:41:21 0 :10 WILLIE
True?
26:42:10 FS TADPOLE.
250
26:42:20 26:43:06 0 :10 TADPOLE
True.
251
26:45:04 26:46:07 1 :03
Here, I'll tell you a story.
252
26:46:07 26:47:11 1 :04 CAMPFIRE
MAN 2
Oh, here we go.
253
26:48:07 26:50:06 1 :23 TADPOLE
I been away fifteen years
now.
254
26:50:10 26:51:07 0 :21 WILLIE
Fifteen years?
255
26:50:18 26:53:03 2 :09 TADPOLE
Now shut up, boy. Let me
tell you the story. Right?
256
26:54:08 27:03:04 8 :20
I been drinking, I been
droving, I been a Christian, I
been everything. But now I
reckon its time that I went
home before I die.
257
27:04:07 27:06:17 2 :10
Yep … I better go back
home to Broome.
26:22:00 CU CAMPFIRE MAN 3.
24
26:26:05 CU TADPOLE.
26:29:17 MCU CAMPFIRE MAN 2.
26:46:04 MS-2 WILLIE AND
CAMPFIRE MAN 2.
26:48:12 FS TADPOLE.
26:50:03 MS-2 WILLIE AND
CAMPFIRE MAN 2.
26:51:03 FS TADPOLE.
26:53:08 CU WILLIE.
26:54:11 MS TADPOLE.
26:59:15 CU TADPOLE.
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27:06:20 MS-2 WILLIE AND
CAMPFIRE MAN 2.
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42
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258
27:07:02 27:09:02 2 :00 ALL
Yep, yep, yep.
27:10:19 MS TADPOLE.
259
27:11:10 27:13:00 1 :14 TADPOLE
But you still never tell me
your name.
27:13:05 CU WILLIE.
260
27:13:13 27:15:07 1 :18 WILLIE
My name is William Johnson.
27:15:12 CU TADPOLE.
261
27:17:00 27:18:14 1 :14 TADPOLE
My name is Steven Johnson.
262
27:20:21 27:21:15 0 :18
I'm your uncle.
263
27:22:20 27:31:12 8 :16
I reckon your mummy must
be my sister brother and I
bin call him sister but she bin
call you uncle.
Aboriginal colloq: bin = been.
264
27:31:18 27:37:15 5 :21
So that's how come I'm your
sist … sist … sist … I'm your
uncle, okay?
265
27:40:16 27:41:13 0 :21
Uncle Tadpole.
266
27:42:06 27:43:16 1 :10 WILLIE
Uncle Tadpole.
267
27:44:06 27:45:05 0 :23 TADPOLE
Hey, you got any tucker?
Aboriginal colloq: tucker =
food.
27:09:05 FS GROUP - TADPOLE
STANDS.
27:22:07 CU WILLIE.
25
27:24:05 MS TADPOLE.
27:30:09 CU WILLIE.
27:31:15 MS TADPOLE.
27:33:22 CU WILLIE.
27:35:06 CU TADPOLE.
27:37:14 MS-2 WILLIE AND
CAMPFIRE MAN 2.
27:40:04 CU TADPOLE.
27:42:12 CU WILLIE.
27:44:02 CU TADPOLE.
25
27:45:17 CU WILLIE.
27:46:04 MS-2 WILLIE AND
CAMPFIRE MAN 2- WILLIE
REACHES INTO HIS
POCKET FOR A CHERRY
RIPE.
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27:48:02 CU WILLIE.
27:48:18 CU CAMPFIRE MAN 2.
268
27:49:14 27:51:20 2 :06
What they bin doing to you
my boy? They bin hit you?
Aboriginal colloq: Have they
been hitting you?
269
27:52:06 27:54:22 2 :16 WILLIE
No. I've been running from
boarding school.
270
27:55:01 27:57:13 2 :12 CAMPFIRE
MAN
How come? What you been
doing wrong?
27:57:11 CU WILLIE.
271
27:58:05 27:59:11 1 :06 WILLIE
I don't want to talk about it.
27:59:13 MS TADPOLE.
272
27:59:20 28:01:01 1 :05 TADPOLE
They been starving you,
hey?
28:01:06 CU WILLIE.
273
28:01:20 28:09:02 7 :06
Yeah that's the trouble. You
never get enough tucker,
you never get enough beer
and you never get enough
womans, hey.
28:09:10 FS GROUP AROUND FIRE.
274
28:09:16 28:11:00 1 :08 WILLIE
No Uncle … no.
28:10:15 MS-2 WILLIE AND
CAMPFIRE MAN 2.
275
28:11:01 28:15:22 4 :21 TADPOLE
I know you young fellas. You
been rootin' round here, you
rootin' round there, you
rootin’ round everywhere.
Yep.
Colloq: rootin' (rooting)
around = promiscuous sex
276
28:16:02 28:23:14 7 :12 WILLIE
No Uncle, I feel sorry now. I
gotta go see my mum but
when she find out I'm
running from school, she
gonna be real wild.
27:49:23 MS TADPOLE.
25
27:51:23 MS-2 WILLIE AND
CAMPFIRE MAN 2.
28:02:18 MS TADPOLE.
28:11:12 FS GROUP AROUND FIRE.
28:12:13 MS-2 WILLIE AND
CAMPFIRE MAN 2.
28:13:19 MS TADPOLE.
25
28:15:23 MS-2 WILLIE AND
CAMPFIRE MAN 2.
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Colloq: gotta = got to.
Colloq: gonna = going to.
Colloq: real wild = very
angry.
28:18:01 CU WILLIE.
28:23:17 MS TADPOLE.
277
28:23:20 28:25:15 1 :19 TADPOLE
Well I'm going to fix your
mummy up for you.
28:26:07 MS-2 WILLIE AND
CAMPFIRE MAN 2.
278
28:26:17 28:28:07 1 :14
I know how to fix up
womans.
28:31:18 MS TADPOLE.
279
28:32:05 28:35:07 3 :02
I'm going to take this boy
home to Broome.
28:35:12 CU WILLIE.
280
28:36:04 28:39:16 3 :12
Home to his dear mother,
away from this place.
281
28:39:16 28:42:05 2 :13 ALL
Yeah, yeah, good on you.
282
28:46:05 28:48:13 2 :08 WILLIE
Okay let's go.
283
28:53:16 29:01:15 7 :23 ALL
(Laugh)
25
28:27:12 MS TADPOLE.
28:28:15 MS-2 CAMPFIRE MEN.
28:29:09 MS TADPOLE.
28:29:23 CU WILLIE.
28:38:03 MS TADPOLE.
28:39:18 MS-2 CAMPFIRE MEN.
28:41:06 MS TADPOLE SITS (AS
WILLIE STANDS).
28:47:17 CU WILLIE.
28:49:22 MS CAMPFIRE MAN 2.
28:51:04 CU TADPOLE.
28:52:10 MS-2 CAMPFIRE MEN.
28:53:08 FS GROUP AROUND FIRE
ALL START TO LAUGH.
28:55:07 MS-2 CAMPFIRE MEN
LAUGHING.
28:56:15 CU WILLIE.
28:58:03 FS TADPOLE.
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28:59:18 CU WILLIE.
EXT. BRIDGE. Willie
wakes up Tadpole.
29:02:05 TS EMPTY BOTTLE TILT
TO CU TADPOLE ASLEEP.
29:08:09 LA CU WILLIE STEPS
FORWARD, LOOKING
DOWN.
29:11:06 MWS WILLIE WAKES
TADPOLE.
284
29:11:12 29:13:21 2 :09 WILLIE
Wake up, Uncle. Time to go.
Wake up.
29:14:15 FS TADPOLE LYING ON
THE GROUND.
285
29:14:21 29:15:13 0 :16 TADPOLE
Who are you?
286
29:17:19 29:20:00 2 :05 WILLIE
Your nephew. Remember?
29:20:05 MCU TADPOLE.
287
29:21:00 29:22:07 1 :07 TADPOLE
Nah. Nah.
29:23:01 LA MCU WILLIE.
288
29:23:14 29:24:15 1 :01 WILLIE
You said we were going to
Broome.
29:24:18 MWS WILLIE STANDS BY
TADPOLE AS HE SITS UP.
289
29:24:22 29:26:04 1 :06 TADPOLE
Why would I want to go to
Broome?
290
29:26:04 29:27:12 1 :08 WILLIE
But you promised me you'd
take me.
29:36:05 CU TADPOLE.
291
29:38:21 29:43:02 4 :05 TADPOLE
We can't go anywhere
without any cash. You got
any money on you?
29:45:00 CU WILLIE.
292
29:45:15 29:49:09 3 :18
Well come on, boy. You can't
go nowhere without money,
you know.
29:15:16 LA MCU WILLIE.
29:17:12 FS TADPOLE.
29:19:08 LA MCU WILLIE.
29:31:02 MS TADPOLE.
29:34:14 LA MCU WILLIE.
29:46:17 MS TADPOLE.
29:49:19 TS WILLIE'S HAND
EXTRACTS SOME NOTES
FROM HIS POCKET.
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29:51:11 MS TADPOLE TAKES THE
MONEY AND STARTS TO
STAND.
29:56:03 CU WILLIE.
29:57:00 MWS WILLIE STANDS BY
TADPOLE AS HE STANDS.
293
29:58:13 29:59:04 0 :15 WILLIE
Where are we going?
294
30:01:00 30:02:01 1 :01 TADPOLE
Where do you think?
295
30:05:10 30:05:23 0 :13 TADPOLE
In here.
296
30:15:23 30:16:13 0 :14 BARMAN
And a bottle?
26
29:59:01 WS BRIDGE, WILLIE AND
TADPOLE STANDING
BENEATH.
EXT. PERTH STREETS.
Tadpole goes into the
pub.
30:03:15 MS-2 WILLIE AND
TADPOLE WALK
TOGETHER. TADPOLE
ENTERS A DOORWAY.
30:07:03 FS PAN WITH WILLIE AS
HE STOPS AT THE HOTEL
DOORS AND WALKS
ALONG THE FAÇADE.
INT. PUB. Tadpole buys a
drink and a bottle.
30:13:16 MS WILLIE STOPS AT A
WINDOW AND LOOKS IN.
30:14:16 WILLIE'S POV MS-2
BARMAN SERVES
TADPOLE A DRINK.
30:16:07 MS TADPOLE ABOUT TO
DRINK; WILLIE VISIBLE
THROUGH WINDOW B/G.
30:18:16 MS TADPOLE TURNS TO
WILLIE AND RAISES HIS
GLASS.
26
30:21:03 MCU WILLIE THROUGH
WINDOW.
30:22:07 MS TADPOLE WALKS
FROM THE BAR.
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EXT. PERTH STREETS.
Tadpole is hit by a Kombi
van.
30:25:08 MS WILLIE WALKS TO
TADPOLE AS HE EXITS
THE HOTEL. TRACK WITH
THEM MCU-2.
SPOT
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47
DUR
CHARACTER
DIALOGUE
297
30:27:19 30:28:20 1 :01 WILLIE
What did you do with my
money?
298
30:29:10 30:30:13 1 :03
You bought grog with it, ay!
299
30:32:10 30:33:05 0 :19
Give me back my money.
300
30:35:05 30:37:03 1 :22
That’s my money, not yours.
Mine!
301
30:38:04 30:39:13 1 :09
You’re not going to take me
to Broome, are you?
302
30:40:07 30:41:14 1 :07
You’re just an old drunken
bum.
303
30:44:19 30:47:13 2 :18
I'll find my own way back to
Broome. I don't want
anything to do with you.
26
30:41:02 CU WILLIE.
30:41:20 MCU TADPOLE TURNS
AND WALKS OFF.
30:46:04 MCU WILLIE.
30:47:14 MCU WILLIE TURNS AND
WALKS AWAY.
30:50:06 MS TADPOLE TURNS TO
LOOK AT WILLIE.
30:52:16 MS WILLIE SITS ON A
KERBSIDE BENCH.
30:55:16 MS TADPOLE STEPS IN
TO LOOK AT WILLIE
SITTING B/G.
30:58:08 CU WILLIE CRYING.
31:02:08 CU TADPOLE TURNS
AWAY.
31:03:07 MS TADPOLE TAKES A
SWIG OF HIS DRINK THEN
WALKS TOWARDS
WILLIE.
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31:12:15 MS TADPOLE
APPROACHES, BUT
LOOKS UP THE STREET.
31:16:19 MWS MULTI-COLOURED
KOMBI VAN
APPROACHES.
27
31:19:10 MS TADPOLE STEPS
FORWARD TO CU.
304
31:23:08 31:24:01 0 :17 TADPOLE
You ready, kid?
305
31:28:20 31:29:16 0 :20
Look out.
306
31:30:05 31:32:07 2 :02
Ow, ow, ow.
307
31:33:23 31:37:05 3 :06 ANNIE
Oh ... my ... God. We've run
over an Aborigine!
308
31:47:03 31:50:16 3 :13
Oh my God. It's okay.
309
31:52:10 31:53:10 1 :00
Old man, are you alright?
31:25:08 CU WILLIE.
31:26:22 MWS KOMBI VAN
APPROACHES.
31:28:10 HA FS TADPOLE STEPS IN
FRONT OF AND IS HIT BY
THE APPROACHING VAN.
31:29:13 CU WILLIE REACTS.
31:29:23 MS-2 VAN OCCUPANTS
ANNIE AND SLIPPERY
LOOK IN HORROR.
31:39:07 FS ANNIE AND SLIPPERY
GET OUT OF THE VAN
AND RUN TO THE FRONT.
TADPOLE IS NOT THERE.
31:42:09 FS TADPOLE TAKES UP A
LYING POSITION ON THE
ROAD BEHIND THE VAN.
31:43:20 FS ANNIE AND SLIPPERY
RUN TOWARDS THE
BACK OF THE VAN.
31:45:06 FS TADPOLE LIES ON THE
ROAD.
31:46:07 CU WILLIE WATCHES.
31:47:03 FS ANNIE AND SLIPPERY
KNEEL BY TADPOLE.
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310
31:54:08 31:55:10 1 :02
Don't touch him. Don't touch
him.
311
31:56:10 31:57:04 0 :18
Are you okay?
312
31:57:12 32:04:08 6 :20 TADPOLE
(Moaning)
313
32:01:13 32:03:00 1 :11 SLIPPERY
I don’t speak Aborigine!
314
32:03:02 32:03:20 0 :18 ANNIE
Me neither.
315
32:04:12 32:10:22 6 :10 SLIPPERY
We … will … take … you …
to the hospital.
316
32:11:02 32:13:00 1 :22 TADPOLE
I don't want to go no
hospital.
317
32:13:20 32:14:21 1 :01 ANNIE
Where do you want to go
then?
318
32:15:04 32:16:12 1 :08 TADPOLE
I want to go to Broome.
31:57:23 CU TADPOLE MURMURS A
DIDGERIDOO SOUND.
31:59:21 CU SLIPPERY LEANS TO
LISTEN. TILT TO CU-2 AS
HE SPEAKS TO ANNIE.
32:04:09 CU TADPOLE.
32:06:14 CU SLIPPERY LEANS TO
TADPOLE.
32:07:21 CU ANNIE.
32:09:02 CU TADPOLE.
32:10:15 CU SLIPPERY - TILT TO
CU-2 WITH ANNIE.
32:14:22 CU TADPOLE.
EXT. STREET. The Kombi
drives along the road.
32:16:21 FS KOMBI VAN PAST REVEAL 'DINGO FLOUR'
SIGN ON SILO B/G.
INT. KOMBI VAN.
Slippery, Annie, Tadpole
and Willie talk.
32:20:14 MS-2 WILLIE AND
TADPOLE SIT IN THE
BACK OF THE VAN.
32:22:08 CU ANNIE LOOKS AT
THEM.
32:24:01 CU WILLIE.
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32:24:22 CU TADPOLE.
319
32:25:15 32:25:23 0 :08 SLIPPERY
Annie?
32:26:00 MS-2 SLIPPERY DRIVES
WITH ANNIE NEXT TO
HIM, WILLIE AND
TADPOLE IN THE B/G.
ANNIE LOOKS AT A MAP.
320
32:26:18 32:27:09 0 :15 ANNIE
Yes, Slippery.
321
32:28:00 32:29:01 1 :01 SLIPPERY
Where's Broome?
322
32:29:18 32:30:08 0 :14 ANNIE
Umm.
323
32:31:06 32:35:01 3 :19 TADPOLE
Umm. It's not far up here. It
won't take long.
324
32:36:08 32:38:15 2 :07 SLIPPERY
And so you come from
Broome, do you?
325
32:39:18 32:45:09 5 :15 TADPOLE
I was born in the mists of
the Dreamtime.
326
32:47:00 32:55:21 8 :21
My mother is from the
crocodile mob and my father
… is … ah, koala bear.
327
32:58:05 32:59:00 0 :19
Where are you from?
328
32:59:19 33:07:18 7 :23 SLIPPERY
Me. I am from Germany. I
have come to the land of
your people to make a visit
with my father.
329
33:08:06 33:10:15 2 :09
And also I am on a vision
quest.
330
33:11:14 33:13:22 2 :08 ANNIE
Yeah, we follow Buddha.
32:35:20 TS MAP.
32:37:21 CU ANNIE LOOKING AT
MAP.
32:38:20 TS TILT UP MAP TO FIND
'BROOME'.
32:41:06 CU ANNIE LOOKING AT
MAP.
32:42:13 CU TADPOLE.
32:45:05 CU WILLIE.
32:46:03 MS-2 SLIPPERY AND
ANNIE, WILLIE AND
TADPOLE IN THE B/G.
32:54:10 CU TADPOLE.
32:56:12 CU WILLIE.
32:57:20 CU SLIPPERY, TADPOLE
B/G.
33:10:17 CU TADPOLE.
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33:12:04 CU ANNIE.
33:13:17 CU TADPOLE.
331
33:13:22 33:18:04 4 :06 TADPOLE
Yow! Buddha. Now that's
proper rude word in our
language!
33:19:01 CU SLIPPERY, TADPOLE
AND WILLIE B/G.
332
33:21:02 33:24:00 2 :22 SLIPPERY
You don’t look so bad now.
Maybe you are better.
33:24:13 CU ANNIE.
333
33:24:16 33:28:11 3 :19 TADPOLE
Well what you talking about?
Just look at me!
33:29:15 CU SLIPPERY, TADPOLE
AND WILLIE B/G.
334
33:31:05 33:33:07 2 :02 SLIPPERY
I think we might drop you off
somewhere, old man.
33:33:02 CU WILLIE.
335
33:33:14 33:34:09 0 :19 ANNIE
Oh no.
33:34:01 CU TADPOLE.
336
33:36:06 33:37:06 1 :00 TADPOLE
You hear that, Willie?
337
33:38:20 33:42:02 3 :06
They just going to dump us
by the side of the road.
338
33:41:17 33:42:04 0 :11 ANNIE
Oh no.
339
33:42:04 33:45:19 3 :15 WILLIE
Do you know it's a bad
karma to knock over an
Aboriginie with a Kombi van?
340
33:45:19 33:51:00 5 :05 TADPOLE
Yeah, you could get the
bone pointed at you. Proper
bad thing that.
33:50:09 CU ANNIE.
341
33:51:00 33:51:13 0 :13 SLIPPERY
The bone.
33:51:01 CU SLIPPERY.
342
33:51:19 33:57:02 5 :07 TADPOLE
Yeah. And when you have
children they will look like …
like …
33:15:19 CU WILLIE.
33:16:15 CU TADPOLE.
33:18:08 CU WILLIE.
33:25:07 CU TADPOLE.
28
33:41:17 MCU ANNIE PAST
SLIPPERY F/G.
33:42:23 CU WILLIE.
33:45:18 MS-2 SLIPPERY AND
ANNIE, WILLIE AND
TADPOLE IN THE B/G.
33:49:06 CU WILLIE.
33:52:11 CU TADPOLE.
BRAN NUE DAE Post Production Script
51
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
52
DUR
CHARACTER
DIALOGUE
33:54:10 CU ANNIE.
28
33:55:07 CU TADPOLE.
33:57:06 CU WILLIE.
343
33:57:11 33:58:07 0 :20 WILLIE
… wombats.
344
33:58:07 34:00:01 1 :18 TADPOLE
Hairy nosed wombats.
33:58:11 CU TADPOLE.
345
34:00:02 34:04:07 4 :05 ANNIE
Slippery … I think this is
meant to be. We are meant
to help these people.
34:00:23 MCU ANNIE PAST
SLIPPERY F/G.
346
34:04:07 34:07:20 3 :13
And they will show us their
country, first hand.
34:07:14 MS-2 TADPOLE AND
WILLIE.
347
34:07:20 34:17:20 10 :00
What better experience than
to do that with you and
these two black people. I
mean , native people …
Aborigine people.
34:17:17 MCU ANNIE PAST
SLIPPERY F/G.
348
34:17:20 34:20:02 2 :06
But people that understand
you and me.
34:20:02 CU TADPOLE.
349
34:20:10 34:21:02 0 :16 TADPOLE
Yeah.
34:21:20 MCU SLIPPERY, TADPOLE
B/G.
350
34:22:02 34:26:10 4 :08 SLIPPERY
Annie, we don’t even know
these people and we are
meant to visit my father.
34:26:15 MS-2 SLIPPERY AND
ANNIE, WILLIE AND
TADPOLE IN THE B/G.
351
34:27:02 34:29:18 2 :16
Anyway, how far exactly is
Broome?
352
34:29:18 34:31:02 1 :08 TADPOLE,
ANNIE &
WILLIE
Not far.
353
34:31:02 34:35:06 4 :04
Slippery, if you want to be a
hippy, you've gotta stop
acting so bloody square!
354
34:35:06 34:36:12 1 :06 TADPOLE
Yeah square.
355
34:36:12 34:36:17 0 :05 SLIPPERY
Okay.
34:09:14 MCU ANNIE PAST
SLIPPERY F/G.
34:14:12 CU SLIPPERY.
34:15:12 MS-2 TADPOLE AND
WILLIE.
28
34:35:06 CU SLIPPERY.
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52
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
34:36:18 MCU ANNIE PAST
SLIPPERY F/G.
SPOT
NO.
TC IN
TC OUT
53
DUR
CHARACTER
DIALOGUE
356
34:36:22 34:46:18 9 :20 ANNIE
These maps with their lines
and their numbers ... they
just fence us in, man. They
cramp our inner selves. We
don’t need maps, Slippery,
we have an Aboriginal Elder!
34:46:18 MCU-2 WILLIE AND
TADPOLE.
357
34:46:18 34:47:04 0 :10 WILLIE
Who?
34:47:05 MCU ANNIE PAST
SLIPPERY F/G - ANNIE
THROWS THE MAP OUT
THE WINDOW.
358
34:47:20 34:48:23 1 :03 SLIPPERY
Not … not the maps!
359
34:52:10 34:55:12 3 :02
Okay, so we drop them off in
Broome.
360
34:57:00 34:57:23 0 :23
It's just up the road.
28
34:42:11 CU SLIPPERY.
34:43:06 MCU ANNIE PAST
SLIPPERY F/G.
34:48:04 CU SLIPPERY.
34:48:16 FS TRACKING BEHIND
VAN - THE MAP FLIES
OUT THE WINDOW.
34:49:09 MCU ANNIE PAST
SLIPPERY F/G.
34:50:16 CU TADPOLE.
34:53:02 CU WILLIE.
34:53:22 MS-2 SLIPPERY AND
ANNIE, WILLIE AND
TADPOLE IN THE B/G.
34:57:12 CU TADPOLE.
34:58:15 CU WILLIE.
35:00:04 CU SLIPPERY.
28
EXT. ROAD. The Kombi
continues down the road.
35:01:09 WS THE VAN RECEDES UP
THE ROAD.
BRAN NUE DAE Post Production Script
53
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
EXT. ROAD. Benedictus
talks to men the parkies.
35:05:11 TS MERCEDES EMBLEM
TRACK TO WS
BENEDICTUS STANDING
BY SEATED GROUP OF
PARKIES.
SPOT
NO.
TC IN
TC OUT
54
DUR
CHARACTER
DIALOGUE
361
35:05:13 35:08:15 3 :02 BENEDICTUS
Sixteen years old. School
uniform. You seen him?
362
35:09:07 35:13:10 4 :03 CAMPFIRE
MAN
Willie you say? No, he hasn't
been around here.
363
35:14:17 35:15:08 0 :15
You seen a Willie?
364
35:17:03 35:21:10 4 :07 BENEDICTUS
Oh that is a shame because I
need to return this boy to
his poor mother.
35:22:22 TS BENEDICTUS' HAND
HOLDING THREE CHERRY
RIPES.
365
35:23:16 35:24:12 0 :20
Such a shame.
35:25:01 MCU MEAN DRUNK.
366
35:25:13 35:28:19 3 :06 MEAN
DRUNK
Actually … there was one
young fella.
35:30:12 MCU MEAN DRUNK.
367
35:31:20 35:35:04 3 :08
He said he was taking off to
Broome.
35:35:06 MCU BENEDICTUS.
368
35:35:11 35:36:00 0 :13 BENEDICTUS
Broome.
35:36:10 MWS BENEDICTUS FLICKS
A CHERRY RIPE TO EACH
OF THE PARKIES AND
WALKS OFF.
369
35:37:18 35:38:03 0 :09
Thankyou.
35:16:00 MCU PARKIE.
35:17:20 MCU BENEDICTUS.
35:26:09 MCU BENEDICTUS.
35:27:03 MCU MEAN DRUNK.
35:28:21 WS BENEDICTUS WALKS
TOWARD THE MEAN
DRUNK, WHO REACHES
FOR A CHERRY RIPE.
29
35:39:22 MCU MEAN DRUNK BITES
HUNGRILY INTO HIS
CHERRY RIPE.
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54
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
INT. / EXT. KOMBI VAN.
The Kombi cruises along.
35:41:15 WS AERIAL TRACK WITH
KOMBI ON THE OPEN
ROAD.
SPOT
NO.
TC IN
TC OUT
55
DUR
CHARACTER
DIALOGUE
370
35:43:07 35:51:07 8 :00 TADPOLE
I feel like going back home
Right now while the mangoes
are ripe.
371
35:53:20 36:02:00 8 :04
Frangipanis starting to
bloom
And the Bluebone starting to
bite.
372
36:04:16 36:11:22 7 :06 ANNIE &
TADPOLE &
WILLIE
Hey mum I can just taste
your fish soup and rice,
I'm coming back home to
you.
373
36:13:01 36:18:21 5 :20
Can't hack the pace of the
city life,
Soon I'll be dreaming in
Broome.
374
36:20:02 36:26:23 6 :21 ANNIE
Lazy breeze blowin' through
your mind
375
36:26:23 36:34:23 8 :00
Sky blue sea, catch a feed
there any time.
29
35:47:14 MCU TADPOLE SINGING.
35:49:11 CU WILLIE.
35:51:12 MCU TADPOLE SINGING.
35:56:02 MS ANNIE PAST
SLIPPERY, PLAYING
BONGO DRUMS.
35:57:22 MCU TADPOLE SINGING.
36:01:16 CU WILLIE.
36:03:14 CU ANNIE JOINS IN
SINGING.
36:07:17 CU WILLIE.
36:11:23 CU ANNIE SINGING.
36:13:19 CU SLIPPERY.
36:15:00 CU ANNIE SINGING.
36:16:06 CU WILLIE SINGING.
36:19:13 MS TADPOLE PLAYING
GUITAR, PAN TO MCU
ANNIE SINGING.
29
36:23:07 CU ANNIE SINGING.
36:34:16 WS KOMBI TRAVERSES
THE HORIZON.
BRAN NUE DAE Post Production Script
55
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
36:37:21 CU ANNIE SINGING (FROM
OUTSIDE THE VAN).
SPOT
NO.
TC IN
TC OUT
56
DUR
CHARACTER
DIALOGUE
376
36:38:05 36:46:10 8 :05
Driving up the dusty red
highway
I got this freedom flowin’
wind in my hair
377
36:49:02 36:57:13 8 :11
Soaking up the wild desert
country
All of my worries are gone, I
don’t care.
378
36:59:16 37:07:02 7 :10 ANNIE &
TADPOLE &
WILLIE
Hey mum I can just taste
your fish soup and rice
I'm coming back home to
you,
379
37:07:23 37:13:20 5 :21
Can't hack the pace of the
city life,
Soon I'll be dreaming in
Broome.
380
37:14:19 37:21:00 6 :05
Soon I'll be dreaming in
Broome.
Soon I'll be dreaming in
Broome.
381
37:21:00 37:21:16 0 :16 TADPOLE
Sing along, sing along.
382
37:21:16 37:22:08 0 :16 SLIPPERY
Shut up.
383
37:26:12 37:28:05 1 :17 TADPOLE
He can't sing, that fella …
36:42:18 CU ANNIE SINGING.
29
36:45:23 CU SLIPPERY.
36:48:13 CU ANNIE SINGING.
36:54:05 CU ANNIE SINGING (FROM
OUTSIDE THE VAN).
36:58:10 CU ANNIE SINGING, PAN
TO MCU TADPOLE
SINGING.
37:01:15 CU ANNIE SINGING.
37:04:12 CU WILLIE SINGING.
37:07:03 MCU-2 TADPOLE AND
WILLIE SINGING, PAST
ANNIE F/G.
37:08:14 CU ANNIE SINGING.
37:10:23 MCU TADPOLE SINGING,
WILLIE B/G.
37:15:05 MCU SLIPPERY.
37:19:00 MCU ANNIE SINGING,
PAST SLIPPERY F/G.
37:22:02 CU SLIPPERY.
37:23:09 MCU TADPOLE
LAUGHING, WILLIE B/G.
29
37:26:08 CU SLIPPERY.
37:27:13 CU ANNIE SINGING.
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56
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
57
DUR
CHARACTER
DIALOGUE
37:29:01 CU WILLIE.
37:30:13 MCU WILLIE, THROUGH
WINDOW.
29
INT. BACKSTAGE HOTEL.
Lester stands Rosie in
front of the mirror.
37:33:19 MWS TRACK TO MS ROSIE
IN MIRROR, LETTER
REFLECTED B/G.
384
37:33:20 37:44:00 10 :04 ANNIE V.O.
Ohh, ohh, ohh, soon I'll be
dreaming in Broome,
soon I'll be dreaming in
Broome,
soon I'll be dreaming in
Broome.
385
37:44:02 37:45:18 1 :16 ANNIE
... soon I'll be dreaming in
Broome.
386
37:45:20 37:50:17 4 :21 ANNIE V.O.
... soon I'll be dreaming in
Broome.
37:58:13 MS BETTY STANDS
BEHIND THE COUNTER.
387
38:02:04 38:02:16 0 :12 BETTY
G'day.
38:03:00 MS WILLIE PAST BETTY.
388
38:03:03 38:03:18 0 :15 WILLIE
Coke please.
INT. KOMBI. Willie sits in
the Kombi.
37:44:01 CU WILLIE.
EXT. ROADHOUSE. The
Kombi pulls in for fuel.
37:45:19 MWS SERVICE STATION KOMBI PULLS IN F/G.
29
37:46:22 MCU SLIPPERY, THROUGH
WINDOW. HE OPENS THE
DOOR AND CLIMBS OUT
OF THE VAN.
INT. ROADHOUSE.
Tadpole steals from the
shop.
37:52:16 MWS WILLIE ENTERS THE
ROADHOUSE.
37:56:01 MS WILLIE FROM BEHIND IN THE B/G, A FLY SWAT
IS THWACKED AGAINST
THE WALL.
37:56:22 FS WILLIE STANDS AND
LOOKS.
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57
24FPS TIMECODE
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MUSIC
SPOT
NO.
TC IN
TC OUT
58
DUR
CHARACTER
DIALOGUE
389
38:04:19 38:07:17 2 :22 BETTY
Nothing else take your
fancy?
390
38:08:21 38:16:20 7 :23
We got hot sausage rolls,
hot roast beef rolls. And hot
chiko rolls.
391
38:18:05 38:19:23 1 :18 TADPOLE
Whoo, it's hot in here.
392
38:22:11 38:24:14 2 :03
Can I have a hot chiko roll
please?
393
38:27:10 38:30:06 2 :20
Um, well a chicken sandwich
then.
394
38:36:00 38:38:05 2 :05 WILLIE
Uncle! Uncle, what are you
doing?
38:05:23 MS BETTY LEANS
FORWARD, DISPLAYING
HER AMPLE CLEAVAGE.
38:07:19 MCU WILLIE LOOKS.
38:09:06 MS BETTY.
38:10:15 MCU WILLIE.
38:11:13 MS BETTY.
38:13:05 MCU WILLIE.
38:14:11 MS BETTY.
38:16:20 MCU WILLIE.
38:20:01 MS BETTY.
38:21:12 MS-2 WILLIE IS JOINED BY
TADPOLE.
38:24:15 MS BETTY SWATS THE
COUNTER.
38:25:02 MCU-2 WILLIE AND
TADPOLE.
38:30:16 MS BETTY.
38:32:06 MS-2 WILLIE AND
TADPOLE.
38:34:00 MWS BETTY RECEDES
INTO THE BACK ROOM.
38:35:23 MS-2 WILLIE AND
TADPOLE. PAN WITH
TADPOLE AS HE MOVES
FORWARD BEHIND THE
COUNTER.
38:37:04 MCU WILLIE.
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58
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
38:37:21 MS TADPOLE GRABS A
BOTTLE OF WINE AND
SHOVES IT UNDER HIS
COAT. PAN WITH HIM AS
HE GOES TO THE FRIDGE.
SPOT
NO.
TC IN
TC OUT
59
DUR
CHARACTER
DIALOGUE
395
38:39:13 38:40:15 1 :02
Uncle, don't touch anything.
396
38:40:15 38:41:03 0 :12 TADPOLE
Shh.
38:41:06 MCU-2 WILLIE IS JOINED
BY TADPOLE.
397
38:43:00 38:43:23 0 :23 WILLIE
What are you doing?
38:43:19 MCU TADPOLE PAST
WILLIE.
398
38:44:01 38:44:22 0 :21 TADPOLE
Here put it in your boonyah.
30
Aboriginal colloq: boonyah =
trousers.
38:44:20 TS TADPOLE'S HAND
PUSHES SAUSAGES
DOWN WILLIE'S PANTS.
399
38:45:06 38:48:13 3 :07 WILLIE
It's cold. Stop.
38:47:22 MCU TADPOLE REACHES
FOR SOMETHING ELSE.
400
38:49:07 38:50:15 1 :08 TADPOLE
I'll have that.
38:53:01 MS PAN WITH BETTY AS
SHE ENTERS FROM THE
BACK ROOM. SHE LOOKS
AT WILLIE.
401
38:55:09 38:57:13 2 :04
Oh okay, money. Here we
go.
38:58:00 TS WILLIE'S HANDS ARE
HOLDING HIS CROTCH.
402
38:58:18 38:59:12 0 :18 BETTY
What's wrong with him?
403
39:00:12 39:01:03 0 :15 TADPOLE
Nothing.
38:49:14 TS TADPOLE'S HAND
GRABS A 'ROLF HARRIS'
AUDIO CASSETTE.
38:50:12 MS TADPOLE
WITHDRAWS WITH THE
CASSETTE.
38:51:12 MS-2 WILLIE AND
TADPOLE DO THEIR BEST
TO LOOK INNOCENT.
38:59:05 MS BETTY.
30
39:00:11 MS-2 TADPOLE AND
WILLIE PAST BETTY.
39:01:15 MS BETTY.
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59
24FPS TIMECODE
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MUSIC
SPOT
NO.
TC IN
TC OUT
60
DUR
CHARACTER
DIALOGUE
39:02:05 MS-2 TADPOLE AND
WILLIE - WILLIE GASPS
AND LOOKS DOWN.
30
39:02:22 TS WILLIE'S LEGS - A
STREAM OF SAUSAGES
DROP FROM HIS PANTS.
39:04:17 MS-2 TADPOLE AND
WILLIE - BETTY F/G
LEANS FORWARD TO
LOOK.
39:05:06 MS BETTY.
404
39:05:21 39:07:04 1 :07
Run. Come on. Quick.
405
39:08:10 39:09:01 0 :15
Crank it up.
406
39:09:15 39:16:18 7 :03 TADPOLE
Run, run. Hippy, run! Go, go
go.
39:06:09 TS WILLIE'S HANDS
SCOOP UP THE
SAUSAGES.
39:06:23 MS BETTY REACHES
UNDER THE COUNTER.
39:08:01 MWS WILLIE RUNS OUT
OF THE ROADHOUSE.
EXT. ROADHOUSE. The
Kombi speeds away as
Betty shoots at it.
39:09:02 TS POV TRACKING
TOWARDS THE VAN
WITH ANNIE INSIDE.
39:10:22 MS SLIPPERY AT THE
PETROL BOWSER
REACTS.
39:12:05 MS PAN WITH WILLIE AS
HE RUNS TO THE DOOR,
HURRIED BY TADPOLE.
39:13:21 MCU ANNIE IN DRIVER'S
SEAT.
39:14:13 MCU SLIPPERY REACTS.
30
39:15:10 FS BETTY COMES FROM
BEHIND THE COUNTER
WITH A SHOTGUN.
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60
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
61
DUR
CHARACTER
DIALOGUE
39:16:19 WS THE VAN STARTS TO
MOVE OFF, WITH THE
DOORS STILL OPEN AND
SLIPPERY STILL BY THE
PETROL BOWSER.
30
39:18:06 MS PAN WITH SLIPPERY
AS HE RUNS AFTER THE
VAN.
407
39:18:14 39:20:12 1 :22 SLIPPERY
Wait for me. Wait for me.
408
39:21:12 39:27:11 5 :23 TADPOLE
Jump, jump, jump.
409
39:34:16 39:36:02 1 :10 SLIPPERY
You stupid, stupid man.
410
39:35:03 39:36:10 1 :07 TADPOLE
You should have seen you …
411
39:36:18 39:38:01 1 :07 WILLIE
See what you've done! Look
what ... look what this is!
412
39:38:20 39:40:02 1 :06 TADPOLE
Mate, look what I got, eh?
39:20:13 WS BETTY EMERGES
FROM THE ROADHOUSE.
39:21:12 WS PAN WITH VAN AS
SLIPPERY CATCHES UP.
39:22:14 MCU SLIPPERY RUNS
ALONGSIDE THE VAN.
39:23:21 CU BETTY RAISES THE
SHOTGUN.
39:24:08 MS PAN AS SLIPPERY
JUMPS IN THE MOVING
VAN.
39:25:08 CU BETTY FIRES.
39:25:23 TS SIDE OF VAN - THE
DOORS ARE CLOSED.
39:27:23 MS BETTY RELOADS.
39:28:16 TS GUN TILT TO CU
BETTY AS SHE TAKES
AIM.
39:31:04 TS SIDE OF VAN SLIDES
THROUGH SHOT.
39:32:08 CU BETTY FIRES.
INT. KOMBI. Tadpole
shows Slippery what he
stole.
39:34:07 MCU-3 SLIPPERY AND
TADPOLE, WILLIE B/G.
30
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61
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
62
DUR
CHARACTER
DIALOGUE
413
39:41:20 39:42:23 1 :03
Who likes Rolf Harris?
414
39:42:23 39:44:07 1 :08 WILLIE
I hate Rolf Harris!
415
39:44:10 39:45:09 0 :23 SLIPPERY
Who is Rolf Harris?
416
40:05:21 40:10:15 4 :18 SLIPPERY
Oooohhmmmmm.
417
40:12:23 40:17:18 4 :19
Oooohhmmmmm.
40:14:21 CU TADPOLE.
418
40:16:10 40:17:14 1 :04 TADPOLE
You want a sausage?
40:17:16 CU WILLIE.
419
40:18:19 40:21:01 2 :06 WILLIE
But stealing is a sin.
40:21:04 CU TADPOLE.
420
40:21:16 40:26:08 4 :16 TADPOLE
Well you can either be a
sinner or you can starve.
30
39:45:07 TS TRACK WITH VAN AS
IT RECEDES FROM SHOT.
EXT. ROAD. Benedictus
drives down the road.
39:47:18 WS BENEDICTUS CAR
APPROACHES IN THE
DISTANCE.
39:51:13 CU BENEDICTUS DRIVES.
EXT. BUSH HIDEOUT.
Slippery and Annie
meditate while Tadpole
and Willie sit by the fire.
39:55:02 MCU ANNIE COMMUNING
WITH NATURE.
31
39:57:13 DISSOLVE TO MCU ANNIE
COMMUNING WITH
NATURE.
40:00:19 DISSOLVE TO CU ANNIE
COMMUNING WITH
NATURE.
40:05:05 MS SLIPPERY SQUATS,
MEDITATING.
40:07:17 WS THE GROUP RELAXES
UNDER THE TREES, THE
VAN PARKED B/G.
40:11:21 CU WILLIE.
40:13:13 TS SAUSAGES
BARBECUING ON THE
FIRE.
BRAN NUE DAE Post Production Script
62
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
40:26:16 MCU SLIPPERY, TADPOLE
AND WILLIE B/G.
SPOT
NO.
TC IN
TC OUT
63
DUR
CHARACTER
DIALOGUE
421
40:27:17 40:31:07 3 :14 SLIPPERY
He is right, old man. Stealing
is very very wrong.
422
40:32:12 40:33:12 1 :00 TADPOLE
Shut up, Buddha.
423
40:34:04 40:40:18 6 :14 SLIPPERY
Your stealing nearly get us
killed! Me - killed! My
girlfriend - killed!
40:41:01 MCU ANNIE.
424
40:41:04 40:42:16 1 :12 ANNIE
He just wants to feed us.
40:42:21 FS TADPOLE AND ANNIE,
PAST SLIPPERY F/G.
425
40:43:01 40:44:06 1 :05 TADPOLE
Got plenty of tucker here.
40:29:03 FS SLIPPERY TURNS TO
FACE THEM.
40:31:10 CU TADPOLE OFFERS A
SAUSAGE.
40:33:07 CU WILLIE TAKES THE
OFFERED SAUSAGE.
40:33:22 CU SLIPPERS STANDS
AND WALKS TO MWS
GROUP AROUND FIRE.
40:35:17 MS SLIPPERY.
40:37:23 CU WILLIE.
40:39:07 MS SLIPPERY.
Aboriginal colloq: tucker =
food.
40:44:05 MCU SLIPPERY.
426
40:44:12 40:46:01 1 :13 ANNIE
We must respect their ways.
427
40:48:00 40:52:19 4 :19 SLIPPERY
I wish I had never met you.
These flies!
428
40:54:05 40:56:20 2 :15
Flies ... Ahhh!
40:44:18 MCU ANNIE EATS.
40:46:05 CU TADPOLE.
40:47:04 MCU ANNIE.
40:48:03 MCU SLIPPERY.
40:50:01 MCU ANNIE.
40:50:23 MCU SLIPPERY.
40:52:22 MCU TADPOLE.
32
40:53:23 FS GROUP AROUND FIRE.
SLIPPERY RUNS OFF.
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SHOT DESCRIPTION
MUSIC
40:57:17 WS BUSH SLIPPERY RUNS
TOWARDS AND PAST,
FOLLOWED BY ANNIE.
SPOT
NO.
TC IN
TC OUT
64
DUR
CHARACTER
DIALOGUE
429
40:58:12 41:03:02 4 :14 ANNIE
Slippery. Wait. Slippery.
Slippery, wait.
430
41:09:10 41:15:13 6 :03 BETTY
So, would you like to come
out back in the kitchen for a
hot cup of tea.
431
41:16:22 41:20:23 4 :01 BENEDICTUS
No.Actually I'm in a big
hurry. Thanks.
41:31:10 CU WILLIE.
432
41:31:16 41:32:09 0 :17 TADPOLE
You got a woman?
41:35:00 MCU TADPOLE.
433
41:36:05 41:37:12 1 :07 WILLIE
Well I got this girl Rosie …
41:37:23 MCU TADPOLE.
434
41:38:12 41:39:03 0 :15 TADPOLE
Rosie.
41:39:15 CU WILLIE.
435
41:40:11 41:44:12 4 :01 WILLIE
Yeah, she back in Broome.
She different one from me.
436
41:47:16 41:50:08 2 :16
But like, I don't know if she
like me, Uncle.
32
EXT. ROADHOUSE.
Benedictus waits for
Betty to refuel his car.
41:03:00 MWS BENEDICTUS
STANDS BY BETTY AT
THE FUEL BOWSER.
41:06:06 MCU BETTY.
41:08:18 MCU BENEDICTUS.
41:13:02 MCU BETTY.
41:15:23 MCU BENEDICTUS.
41:19:21 MCU BETTY.
41:22:11 MS BETTY SHUTS HIS
FUEL CAP.
41:24:08 WS BENEDICTUS' CAR
RECEDES DOWN THE
ROAD.
EXT. BUSH HIDEOUT.
Willie and Tadpole sit
around the fire.
41:28:00 TS FIRE TILT WITH
SAUSAGE AS ITS RAISED
TO CU TADPOLE.
41:36:16 CU WILLIE.
41:44:23 MCU TADPOLE.
41:46:08 CU WILLIE.
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24FPS TIMECODE
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MUSIC
SPOT
NO.
TC IN
TC OUT
65
DUR
CHARACTER
DIALOGUE
41:49:22 MCU TADPOLE.
41:51:12 CU WILLIE.
437
41:53:00 41:54:03 1 :03 TADPOLE
But ...
41:53:18 MCU TADPOLE.
438
41:54:03 41:55:17 1 :14
I don't know if she like me,
Uncle.
* parodying Willy
41:56:20 MCU TADPOLE.
439
41:57:03 41:58:12 1 :09
When you find them you got
to grab them.
41:58:20 CU WILLIE.
440
41:59:06 41:59:19 0 :13 WILLIE
Grab them?
41:59:20 MCU TADPOLE.
441
42:00:06 42:00:23 0 :17 TADPOLE
Yeah grab them.
42:03:10 MCU TADPOLE.
442
42:04:07 42:14:03 9 :20
Look, look, look. See, when
God made man and God
made woman, he made them
different, see?
42:14:23 CU WILLIE.
443
42:15:19 42:18:09 2 :14
And then when they find
each other - they do this.
444
42:20:08 42:20:17 0 :09
You never …
42:22:22 MCU TADPOLE.
445
42:26:16 42:28:02 1 :10
I won't tell anyone then.
42:28:19 CU WILLIE.
446
42:29:05 42:29:19 0 :14 WILLIE
Thankyou Uncle.
42:32:05 FS-2 TADPOLE AND
WILLIE.
447
42:32:18 42:34:06 1 :12 TADPOLE
Willie, a virgin.
448
42:38:01 42:40:04 2 :03
Willie, a virgin.
41:55:04 CU WILLIE.
42:01:17 CU WILLIE.
42:16:02 FS-2 TADPOLE AND
WILLIE.
42:18:11 CU WILLIE.
42:19:12 MCU TADPOLE.
42:21:05 CU WILLIE.
42:34:03 CU WILLIE STANDS,
ANNOYED.
33
42:36:14 FS TADPOLE LAUGHING,
AS WILLIE CROSSES F/G.
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NO.
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66
DUR
CHARACTER
DIALOGUE
EXT. EXT ROCK POOL.
Annie and Slippery swim.
42:41:18 MS ANNIE SWIMS
UNDERWATER.
449
42:43:06 42:50:16 7 :10 ANNIE
Stay awhile little darlin' stay
awhile with your love
450
42:50:16 42:57:14 6 :22
keep me safe in your loving
secure in your touch.
451
42:57:14 43:05:16 8 :02
Let us just grow together as
loving must grow
452
43:05:16 43:12:18 7 :02
and we'll bathe together in
the afterglow.
453
43:42:11 43:51:02 8 :15
And we'll bathe together in
the afterglow.
454
43:51:12 43:53:14 2 :02 SLIPPERY
I can't take it anymore,
Annie.
455
43:54:15 43:56:16 2 :01
It's me or it's them.
33
42:45:09 MS ANNIE SWIMS
UNDERWATER.
42:48:04 WS ROCK POOL PAST
WILLIE F/G.
42:51:02 CU WILLIE WATCHES.
42:54:01 MCU ANNIE SINGS, PAN
TO MCU SLIPPERY
ALONGSIDE HER.
43:12:01 MCU ANNIE.
43:21:23 CU WILLIE.
43:23:17 MCU-2 ANNE AND
SLIPPERY DROP BELOW
THE SURFACE.
43:27:23 MS ANNIE SWIMS
UNDERWATER.
43:31:02 MS-2 SLIPPERY AND
ANNIE REACH FOR EACH
OTHER UNDERWATER.
43:37:06 TS SLIPPERY AND
ANNIE'S HANDS HOLDING
TOGETHER.
43:40:04 MS-2 ANNI AND SLIPPERY
HOLD EACH OTHER
UNDERWATER.
43:43:18 MCU-2 SLIPPERY AND
ANNIE EMBRACE
UNDERWATER.
33
43:45:21 MCU-2 SLIPPERY AND
ANNIE EMBRACE.
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MUSIC
SPOT
NO.
TC IN
TC OUT
67
DUR
CHARACTER
DIALOGUE
43:56:23 MCU-2 SLIPPERY AND
ANNIE STAND FACING
EACH OTHER.
33
EXT. BUSH HIGHWAY.
Slippery and Annie leave
Willie and Tadpole on the
side of the road. Tadpole
points the bone at them
and their Kombi blows
up.
44:02:13 LS THE VAN IS STOPPED,
TADPOLE AND WILLIE
GET OUT, AND THE VAN
U-TURNS AND DRIVES
OFF.
44:19:17 MCU ANNIE LOOKS FROM
THE MOVING VAN.
456
44:19:22 44:21:05 1 :07 ANNIE
(SILENTLY)
I'm sorry.
44:23:19 MS-2 WILLIE AND
TADPOLE WATCH THE
VAN GO.
44:28:01 WS THE VAN EXITS AS
TADPOLE GOES TO HIS
PILE OF BELONGINGS.
44:31:08 MS TADPOLE WAVES A
BONE IN HIS HANDS AT
THEM, THEN HOLDS THE
BONE IN FRONT OF HIS
FACE.
33
44:35:04 CU TADPOLE LOOKS
ALONG THE BONE
TOWARDS THE VAN.
44:39:05 LS THE VAN STOPS IN A
CLOUD OF SMOKE.
44:43:08 MS-2 WILLIE AND
TADPOLE WATCH.
TADPOLE THROWS THE
BONE TO WILLIE AND
BOTH EXIT SHOT,
SHOCKED.
44:47:11 LS THE VAN SITS,
STOPPED, SMOKING.
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MUSIC
EXT. BUSH HIGHWAY.
Tadpole studies the
Kombi engine. A car
passes.
44:49:18 FS SLIPPERY STANDS,
TADPOLE AT THE VAN
F/G, WILLIE AND ANNIE
SITTING B/G. TADPOLE
HOLDS OUT A BROKEN
FANBELT.
SPOT
NO.
TC IN
TC OUT
68
DUR
CHARACTER
DIALOGUE
457
44:51:21 44:53:07 1 :10 TADPOLE
Have you got another one of
these?
458
44:56:11 44:57:16 1 :05
Useless hippy.
459
45:08:05 45:08:20 0 :15 SLIPPERY
Hello.
460
45:17:05 45:21:14 4 :09 TADPOLE
What kind of people would
leave folks lying out here in
the middle of nowhere,
hmm?
44:53:11 MCU SLIPPERY SHAKES
HIS HEAD.
44:55:13 MCU TADPOLE.
45:00:03 MCU SLIPPERY LOOKS TO
THE DISTANCE.
45:01:22 LS A VEHICLE
APPROACHES.
45:04:07 MCU SLIPPERY SMILES
AND WAVES.
45:06:21 MCU TADPOLE LOOKS.
45:07:20 FS THE CAR
APPROACHES.
45:09:16 WS FROM REAR THE CAR
PASSES, WITH SLIPPERY
JUMPING CLEAR JUST IN
TIME.
45:10:10 MCU SLIPPERY JUMPS
ASIDE.
45:11:03 FS ANNIE WATCHES IT
PASS.
45:12:17 WS THE CAR RECEDES.
45:15:06 MCU TADPOLE.
34
45:21:20 MS SLIPPERY.
45:23:09 FS-2 ANNIE SITS BY
WILLIE.
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NO.
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69
DUR
CHARACTER
DIALOGUE
EXT. HIGHWAY.
Benedictus' car traverses
the landscape.
45:27:06 EWS BENEDICTUS' CAR
TRAVERSES THE
LANDSCAPE.
34
EXT. BUSH HIGHWAY.
Annie reads to Willie from
her Tarot cards. Willie
leaves on a truck.
45:30:16 LS A TRUCK
APPROACHES PAN PAST
MS SLIPPERY WORKING
ON THE VAN TO CU
ANNIE PAST WILLIE.
461
45:32:14 45:37:17 5 :03 ANNIE O/S
The beginning of a new lifecycle. Energy, happiness and
optimism.
462
45:38:03 45:43:05 5 :02
The overturning of the
status quo or current states
by unexpected happenings.
463
45:44:00 45:45:23 1 :23
Important decisions to be
made.
464
45:45:22 45:46:07 0 :09 WILLIE O/S
Ah ha.
465
45:46:15 45:50:00 3 :09 ANNIE
The seven of wands
reversed. Indecision and
retreat.
466
45:50:21 45:55:13 4 :16
A lack of decisiveness which
causes the challenge to be
lost through hesitation.
467
45:56:15 45:59:10 2 :19
Giving in just as the end was
in sight.
45:50:22 FS-2 ANNIE AND WILLIE
SIT TOGETHER.
45:53:16 LS THE TRUCK
APPROACHES.
45:55:22 FS-2 ANNIE AND WILLIE.
45:57:07 CU ANNIE PAST WILLIE.
34
45:58:18 LS THE TRUCK
APPROACHES.
46:00:20 FS-2 ANNIE AND WILLIE WILLIE STANDS AND
HEADS ONTO THE ROAD.
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46:05:13 MS WILLIE WALKS UP TO
THE TRUCK PULLING UP,
A GROUP OF ABORIGINES
ON THE TRAY.
SPOT
NO.
TC IN
TC OUT
70
DUR
CHARACTER
DIALOGUE
468
46:05:13 46:06:04 0 :15
What are you doing?
469
46:12:15 46:14:00 1 :09 WILLIE
Where are you going? I'm
going to Broome.
470
46:14:07 46:16:01 1 :18 DRIVER
Jump in. We're going to play
football.
471
46:19:03 46:19:16 0 :13 WILLIE
Hello boys.
472
46:31:09 46:33:15 2 :06 ANNIE
Willie. Don't go.
34
46:12:02 MCU WILLIE PAST TRUCK
DRIVER.
46:17:06 MCU WILLIE CLIMBS
ONTO THE TRAY, JOINING
THE OTHERS. THE TRUCK
RECEDES AS ANNIE
CALLS.
46:32:15 MWS ANNIE STANDS ON
THE ROAD.
46:34:10 FS ANNIE STANDS F/G
AS THE TRUCK RECEDES.
EXT. ON BACK OF TRUCK.
The Aborigines dance to
Zorba the Greek.
46:37:00 MCU ABORIGINAL MAN
STANDS AT THE FRONT
OF THE TRAY.
34
46:41:20 MCU PAN MEN ON THE
TRAY.
46:44:07 FS TRACKING WITH THE
TRAY - ONE MAN
THROWS SOME OCHRE
ON THE FRONT
STANDING MAN.
46:45:23 MCU FRONT MAN TURNS.
46:46:22 MS FRONT MAN GETS
MORE OCHRE THROWN
AT HIS. AN OCHRE FIGHT
STARTS.
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70
24FPS TIMECODE
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71
DUR
CHARACTER
DIALOGUE
46:50:01 MCU-2 ABORIGINAL BOYS
COVERED IN OCHRE.
35
46:51:20 LA MS BOYS ON TRAY.
46:53:04 MCU-2 BOYS START TO
DANCE.
46:54:19 MS-2 BOYS DANCE.
46:56:21 MS WILLIE PAST F/G BOY.
EXT. BUSH HIGHWAY.
Benedictus swears at his
broken car.
46:58:18 FS BENEDICTUS BY HIS
CAR, BONNET OPEN,
STEAM COMING FROM
THE ENGINE.
473
47:01:09 47:01:14 0 :05 BENEDICTUS
Ah! Scheisse!
474
47:05:13 47:07:00 1 :11 TADPOLE
Shhh.
INTERCUT EXT. BACK OF
TRUCK / EXT. BUSH
HIGHWAY / EXT.
HIGHWAY. The
aborigines dance to
Zorba the Greek; Tadpole
kills a snake and uses the
skin for a fanbelt;
Benedictus get his car
going.
47:01:19 MCU DANCER.
47:02:13 MS GROUP DANCING.
47:03:06 MS-2 DANCERS.
47:04:04 FS TADPOLE TREADS
CAREFULLY THROUGH
THE BUSH, FOLLOWED BY
ANNIE AND SLIPPERY
F/G.
47:05:13 MCU TADPOLE.
47:06:18 TS A SNAKE SLITHERS
PAST TADPOLE'S BOOTS.
35
47:07:16 CU DANCERS.
47:09:07 MS DANCERS.
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MUSIC
47:11:09 MCU TADPOLE HOLDS A
SNAKE IN FRONT OF HIM.
SPOT
NO.
475
TC IN
TC OUT
72
DUR
47:12:00 47:15:18 3 :18
CHARACTER
DIALOGUE
Mate, this is going to hurt
me more than it's going to
hurt you.
35
47:15:19 MS DANCERS.
47:16:19 MS DANCERS.
47:17:15 CU DANCERS.
47:18:17 CU WILLIE.
47:20:11 MS TADPOLE SWINGS
THE SNAKE AGAINST A
TREE, SLIPPERY AND
ANNIE B/G. SLIPPERY
RUNS OFF.
47:23:14 MS DANCERS.
47:24:20 MCU DANCER.
47:25:22 MS DANCERS.
47:26:15 TS THE SNAKE SKIN IS
WRAPPED AROUND THE
ENGINE PULLEY. ZOOM
OUT TO MCU TADPOLE.
47:30:01 MCU DANCERS.
47:32:10 FS THE VAN PASSES.
47:33:14 MS DANCERS.
47:34:03 WS THE VAN RECEDES.
47:34:22 MS DANCERS.
47:35:11 MCU BENEDICTUS
DRIVES.
47:36:13 MS DANCERS.
47:37:03 WS THE VAN PASSES.
47:38:13 MS DANCERS.
35
47:40:04 CU WILLIE.
47:41:05 MCU DANCERS.
47:42:09 MCU DANCER.
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NO.
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73
DUR
CHARACTER
DIALOGUE
47:43:09 WS BENEDICTUS SQUATS
AT THE SIDE OF THE
ROAD, HIS CAR NEARBY.
35
47:45:15 WS THE TRUCK TURNS
TOWARDS PORT
HEDLAND, A ROAD SIGN
F/G.
EXT. TONGS CHINESE
RESTAURANT. Willie get
taken to the restaurant.
47:55:16 WS THE TRUCK PULLS UP
OUTSIDE THE
RESTAURANT.
48:05:13 FS GROUP OF BOYS
START TO CLIMB OFF
THE TRAY.
48:09:06 WS THE GROUP HEADS
TO THE RESTAURANT.
476
48:09:13 48:10:20 1 :07 BOYS
Welcome to Port Hedland.
48:12:00 MS TRACK BEHIND WILLIE
AS HE APPROACHES THE
RESTAURANT. THE
COACH TURNS TO HIM
MS.
477
48:12:00 48:13:07 1 :07
Proper deadly place this one.
colloq: proper deadly = high
quality
478
48:19:01 48:21:07 2 :06 WILLIE
Hey Coach! What happened
to Broome?
479
48:22:00 48:26:13 4 :13 WALTER
Broome? Yeah, when we
beat Port Hedland then we
take you Broome next week.
480
48:27:12 48:29:20 2 :08
Come on. Come and have
some Chinese.
481
48:35:12 48:35:21 0 :09
Come on.
48:22:06 MCU WILLIE.
48:23:03 MCU COACH.
48:24:13 MCU WILLIE.
48:28:13 MCU COACH. HE TURNS
AND WALKS TO THE
DOOR. RACK FOCUS TO
CU WILLIE.
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74
DUR
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DIALOGUE
48:46:17 TS DOG ON GROUND.
48:50:01 WS RESTAURANT. WILLIE
SITS ON A BENCH
OUTSIDE.
482
48:50:12 48:57:08 6 :20 LESTER V.O.
Black girl, Black girl
Won't you love me tonight.
INT. ROEBUCK HOTEL.
Lester sings to Rosie
48:57:09 MS-2 LESTER AND ROSIE,
LESTER PLAYING GUITAR
AND SINGING.
483
48:58:08 49:05:07 6 :23 LESTER
(CONT)
Won't you come over darling
make everything right
49:05:13 CU LESTER SINGING.
484
49:05:18 49:21:12 15 :18
I know, I know, It's hard for
you
And you know darlin' it's
hard for me too
49:15:20 ECU ROSIE.
485
49:21:12 49:36:16 15 :04
I know, I know I love you true
Come over darlin' say you
love me too
486
49:37:08 49:52:04 14 :20
Black girl, black girl, Won't
you love me tonight?
Come over darlin' make
everything right.
487
49:53:20 50:10:01 16 :05 LESTER V.O.
(CONT)
Black girl, black girl, Won't
you love me and then
Come over darlin' and love
me again.
36
48:54:15 MCU WILLIE.
49:22:13 ECU LESTER SINGING.
49:28:02 MCU LESTER SINGING.
49:29:16 ECU ROSIE.
49:33:14 ECU LESTER SINGING.
49:36:20 ECU ROSIE.
49:41:22 ECU LESTER SINGING.
49:48:23 CU ROSIE.
EXT. TONGS CHINESE
RESTAURANT. Willie
meets Roxanne.
49:52:05 MS WILLIE SITS ON THE
BENCH.
36
49:56:20 FS ROXANNE STANDS
NEARBY.
50:01:04 MCU WILLIE.
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75
DUR
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DIALOGUE
50:03:15 MCU ROXANNE.
36
50:06:14 MS WILLIE, ROXANNE
B/G.
488
50:11:19 50:18:09 6 :14 ROXANNE
Hey, excuse me. Yeah you.
What's your name?
50:20:05 MCU ROXANNE.
489
50:20:06 50:21:05 0 :23
I'm Roxanne.
50:22:23 MCU WILLIE.
490
50:23:14 50:24:03 0 :13 WILLIE
I'm Willie.
50:24:12 MCU ROXANNE.
491
50:24:23 50:25:23 1 :00 ROXANNE
Where you come from,
Willie?
50:26:10 MCU WILLIE.
492
50:26:18 50:29:06 2 :12 WILLIE
Broome. But I've been in
Perth.
493
50:30:09 50:34:09 4 :00 ROXANNE
Perth eh? Ooh, I've been
going Perth long time ago,
you know.
Aboriginal colloq: I was in
Perth a long time ago
494
50:35:01 50:43:15 8 :14
Hey proper cold that place
cold weather time, eh? Not
like this place. Hot all year
round. Like us women!
Aboriginal colloq: very cold in
winter
50:45:12 MCU ROXANNE.
495
50:46:01 50:47:16 1 :15
What you doing here all on
your own?
50:47:19 MS WILLIE, ROXANNE B/G
APPROACHES.
496
50:49:08 50:50:17 1 :09 WILLIE
Just passing through.
50:14:01 MCU ROXANNE.
50:17:04 MS WILLIE, ROXANNE B/G
APPROACHES.
50:19:00 MCU WILLIE.
50:27:01 MS WILLIE, ROXANNE B/G
STOPS AT THE
ENTRANCE DOORWAY.
50:30:03 MCU ROXANNE.
50:36:19 MCU WILLIE.
50:39:23 MCU ROXANNE.
50:44:13 MCU WILLIE.
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76
DUR
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DIALOGUE
50:52:01 MS-2 ROXANNE SITS
NEXT TO WILLIE.
497
50:56:05 50:57:17 1 :12 ROXANNE
You want to come drink with
us?
50:57:17 CU ROXANNE PAST
WILLIE.
498
50:58:03 51:00:03 2 :00 WILLIE
Umm. I don't know.
499
51:01:17 51:03:22 2 :05 ROXANNE
Don't you drink? Are you
under age?
500
51:04:02 51:05:04 1 :02 WILLIE
No, I drink.
501
51:07:04 51:11:07 4 :03 ROXANNE
Yeah, you look like a real
man.
51:13:21 CU ROXANNE PAST
WILLIE.
502
51:14:10 51:16:10 2 :00
Come on. Come on.
51:15:08 MS-2 WILLIE AND
ROXANNE. ROXANNE
STANDS.
503
51:17:05 51:18:00 0 :19
Come with me.
51:17:10 MS ROXANNE SWINGS
AROUND THE VERANDA
POST.
504
51:22:00 51:23:19 1 :19
I show you a condom tree.
51:07:15 TS ROXANNE'S HAND
CARESSES WILLIE'S
KNEE.
51:09:20 CU ROXANNE PAST
WILLIE.
51:12:12 TS WILLIE'S HAND
PUSHES ROXANNE'S
HAND OFF HIS KNEE.
51:23:20 MS WILLIE.
EXT. CONDOM TREE.
Willie and Roxanne drink
together until caught by
Roxanne's man. Tadpole,
Annie and Slippery turn
up.
51:25:05 FS PAN ACROSS TREE
FULL OF HANGING
INFLATED CONDOMS.
51:32:22 DISSOLVE TO TS
CONDOM.
37
51:36:21 TS DEFLATED CONDOM.
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
77
DUR
CHARACTER
DIALOGUE
51:38:11 WS WILLIE AND
ROXANNE SIT UNDER THE
TREE, DRINKING.
505
51:41:05 51:42:06 1 :01 ROXANNE
Yeah.
51:45:11 CU-2 WILLIE AND
ROXANNE.
506
51:50:22 51:52:20 1 :22 WILLIE
You look like … an angel.
507
51:55:07 51:56:00 0 :17 ROXANNE
Yeah.
508
51:58:21 52:00:21 2 :00 WILLIE
A black angel.
509
52:03:01 52:06:03 3 :02 ROXANNE
Well … that’s what I am,
Willie.
510
52:10:02 52:13:18 3 :16
Yeah, lets see what you
saltwater boy can show this
desert woman eh?
511
52:16:20 52:21:21 5 :01
Yeah, you show proper
Kimberly woman a proper
good time eh ...
52:23:23 CU ROXANNE SCREAMS
AS SHE IS GRABBED
FROM BEHIND.
512
52:24:07 52:25:00 0 :17
Ahhh.
52:25:07 MCU WILLIE.
513
52:26:06 52:28:00 1 :18 MAN
What you doing under my
woman?
52:27:22 MCU WILLIE.
514
52:28:00 52:29:03 1 :03 WILLIE
I didn't know she was your
woman!
52:29:05 FS SCARY MAN
SNATCHES THE CONDOM
FROM WILLIE.
515
52:29:06 52:29:20 0 :14 MAN
What's that eh!?
516
52:30:07 52:32:03 1 :20 WILLIE
It’s … from the condom
tree.
517
52:32:06 52:32:16 0 :10 MAN
Get up.
52:07:07 CU WILLIE - ROXANNE
CLIMBS ON TOP OF HIM.
52:09:09 MCU ROXANNE, AS SHE
STARTS TO REMOVE
WILLIE'S CLOTHES.
37
52:14:03 MCU WILLIE.
52:18:15 CU ROXANNE.
52:22:12 MCU WILLIE.
52:26:10 FS SCARY MAN STANDS
OVER WILLIE.
52:30:13 MCU WILLIE.
52:32:06 MCU SCARY MAN.
52:32:20 MCU WILLIE STANDS.
BRAN NUE DAE Post Production Script
77
24FPS TIMECODE
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SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
78
DUR
CHARACTER
DIALOGUE
52:34:01 MS-2 THE SCARY MAN
CHASES WILLIE AROUND
THE TREE THEN LINES UP
TO HIT HIM. THE KOMBI
PULLS IN B/G.
52:46:02 MCU SCARY MAN STRIKES
AT WILLIE.
38
52:46:16 MS-2 SCARY MAN HITS
WILLIE IN THE STOMACH.
52:47:05 MCU FROM BEHIND
WILLIE BENDS OVER.
52:47:15 MWS THE KOMBI
APPROACHES TO A STOP.
52:50:21 MS SCARY MAN LOOKS
UP.
52:52:01 MWS SLIPPERY AND
ANNIE READY THEIR
FISTS AS TADPOLE
WALKS UP TO MS.
52:58:02 MCU SCARY MAN PAST
TADPOLE.
518
52:53:14 52:54:04 0 :14
Who are you?
519
52:55:01 52:58:11 3 :10 TADPOLE
Young fella, young fella,
young fella. What are you
hitting the kids for, eh?
520
52:59:02 53:00:22 1 :20
That's my nephew that boy.
53:00:18 MCU TADPOLE PAST
SCARY MAN.
53:01:21 TS TADPOLE'S FOOT
STOMPS ON SCARY
MAN'S FOOT. TILT TO
MCU TADPOLE THROWS
A PUNCH TO THE GUT.
38
53:03:09 TS SCARY MAN'S GUT
BEING HIT.
53:04:11 MWS TADPOLE SWINGS A
MIGHTY PUNCH.
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78
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
53:05:12 MS SCARY MAN FALLS
TO THE GROUND, TILT TO
FS TADPOLE READY FOR
ANOTHER.
SPOT
NO.
TC IN
TC OUT
79
DUR
CHARACTER
DIALOGUE
521
53:07:15 53:08:16 1 :01
Come on, come on.
53:09:23 MS TADPOLE AS SCARY
MAN RUNS OFF B/G.
522
53:12:02 53:14:18 2 :16
Hey Willie, I just give him the
old one two three.
53:14:23 MCU-3 WILLIE IS CARRIED
BY SLIPPERY AND ANNIE.
523
53:15:02 53:16:19 1 :17 WILLIE
What? How did you find me?
524
53:17:12 53:19:15 2 :03 TADPOLE
All young fellas end up here
at the condom tree.
53:20:22 MCU TADPOLE.
525
53:21:02 53:24:10 3 :08
Hey Willie, we're going to
Broome, we're going to
Broome. Even Slippery want
to go to Broome. Right,
Slippery?
53:24:09 MS-3 WILLIE, ANNIE AND
SLIPPERY. WILLIE VOMITS
THEN THEY CONTINUE
ON.
526
53:24:10 53:27:08 2 :22 SLIPPERY
Yeah. We go to Broome. It's
just up the road, yeah?
527
53:27:08 53:27:19 0 :11 ANNIE
Yeah?
528
53:30:10 53:32:12 2 :02 SLIPPERY
That's okay. That's okay.
38
53:08:16 MS SCARY MAN COWERS
BY THE TREE.
53:18:08 MS TADPOLE.
53:19:13 MS-3 WILLIE, ANNIE AND
SLIPPERY.
53:32:22 WS THEY HELP WILLIE
INTO THE KOMBI VAN.
EXT. ROAD. Benedictus
shaves by the side of the
road.
53:37:08 WS THE SUN RISES.
38
53:45:08 WS BENEDICTUS' CAR IS
STOPPED ON THE SIDE
OF THE ROAD.
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79
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
53:47:04 MS BENEDICTUS SHAVES
IN THE CAR MIRROR.
SPOT
NO.
529
TC IN
TC OUT
80
DUR
CHARACTER
53:47:04 53:52:06 5 :02 BENEDICTUS
DIALOGUE
Ah Broome ich komme. Ahh,
ja.
German: Broome, I'm
coming. Oh yes.
38
INT. KOMBI. They
discover they have
Roxanne in the car.
53:52:07 MCU WILLIE LIES BACK IN
HIS SEAT.
53:55:11 MCU SLIPPERY DRIVES.
PAN AS HE PASSES A
JOINT TO MCU TADPOLE
WHO TAKES A PUFF AND
PASSES IT TO ANNIE B/G.
530
54:02:09 54:03:18 1 :09 SLIPPERY
It's good, ja ?
German: ja = yes
54:04:11 MCU WILLIE PAST ANNIE.
ROXANNE SITS UP FROM
BEHIND WILLIE'S SEAT.
531
54:07:00 54:07:14 0 :14 WILLIE
Roxanne?
532
54:09:02 54:11:11 2 :09 ROXANNE
How hard is it for a woman
to get some sleep back here.
54:11:15 MCU SLIPPERY.
533
54:11:17 54:13:07 1 :14 SLIPPERY
How did you get in my van?
54:13:03 MCU ROXANNE.
534
54:13:17 54:21:03 7 :10 ROXANNE
Black magic. Hey - tell ya,
that old town gonna light up
when Roxanne get to
Broome! Whoo!
Colloq: gonna = going to.
38
54:07:16 MCU ROXANNE.
54:08:14 MCU TADPOLE.
54:09:12 CU WILLIE.
54:10:09 MCU ROXANNE.
54:15:02 CU WILLIE.
54:16:03 MCU TADPOLE.
54:17:21 MCU ROXANNE.
BRAN NUE DAE Post Production Script
80
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
EXT. ROADS. The Kombi
and Benedictus' car
travel along.
54:21:04 MWS THE KOMBI ZOOMS
PAST.
SPOT
NO.
TC IN
TC OUT
81
DUR
CHARACTER
DIALOGUE
535
54:21:05 54:30:14 9 :09 ROLF
HARRIS ON
TAPE (O/S)
… old man kangaroo keep
pulling on the sleigh
Hey six white boomers, snow
white boomers
Racing Santa Claus through
the blazing sun …
536
54:30:14 54:36:10 5 :20 TADPOLE
AND
SLIPPERY
Six white boomers. Snow
white boomers.
On his Australian run.
537
54:37:14 54:38:17 1 :03 SLIPPERY
What is a boomer?
538
54:38:21 54:40:21 2 :00 TADPOLE
It's a bloody big kangaroo.
539
54:43:09 54:47:18 4 :09 SLIPPERY
And who is this Rolf Harris?
Is he an Aborigine like you?
540
54:48:07 54:49:12 1 :05 TADPOLE
Yeah. He's my cousin's
brother.
541
54:49:20 54:50:07 0 :11 SLIPPERY
Ahh.
542
54:52:00 54:53:03 1 :03 TADPOLE
Hey. What am I?
543
54:54:21 54:55:23 1 :02 SLIPPERY
I don't know.
544
54:56:09 54:57:13 1 :04 TADPOLE
I'm a koala.
545
54:59:20 55:01:08 1 :12 SLIPPERY
We are in the dreamtime!
546
55:02:05 55:03:23 1 :18 TADPOLE
Hey, watch out for those
roos.
39
54:23:03 FS PAN BENEDICTUS' CAR
TRAVELS ALONG.
54:27:03 MWS THE KOMBI PASSES.
INT. KOMBI. The
occupants share a joint.
The police pull them over.
54:29:08 MCU WILLIE REACHES
OVER ROXANNE AND
OFFERS THE JOINT TO
THE FRONT OCCUPANTS
THEN TO ANNIE IN THE
REAR.
39
54:32:03 MCU-2 TADPOLE B/G
SLIPPERY F/G.
40
54:47:13 CU TADPOLE PUTS A
SPOON ON HIS NOSE.
54:58:16 MCU-2 TADPOLE B/G
SLIPPERY F/G. TADPOLE
POINTS AHEAD.
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81
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
55:04:07 MS THE REAR
OCCUPANTS GET JOLTED
ABOUT.
SPOT
NO.
TC IN
TC OUT
82
DUR
CHARACTER
DIALOGUE
547
55:05:23 55:07:21 1 :22 SLIPPERY
Don't touch the wheel. Don't
touch.
548
55:11:14 55:16:05 4 :15 TADPOLE
Um, um, cops. Police. Police,
you stupid hippy.
55:16:06 MS-3 ANNIE IN THE FAR
BACK, WILLIE AND
ROXANNE F/G.
549
55:16:11 55:17:12 1 :01 ANNIE
Quick, chuck me the stuff.
55:17:11 CU SLIPPERY, TADPOLE
B/G.
550
55:17:12 55:18:09 0 :21 TADPOLE
Oh shut up you.
551
55:18:09 55:19:03 0 :18 SLIPPERY
I will do the talking.
55:19:05 MS-3 ANNIE IN THE FAR
BACK, WILLIE AND
ROXANNE F/G.
552
55:19:07 55:20:03 0 :20 WILLIE
Now look what you have
done!
55:20:04 CU SLIPPERY, TADPOLE
B/G.
553
55:20:09 55:21:21 1 :12 TADPOLE
Shut up, you two. Shut up.
554
55:22:02 55:22:18 0 :16 WILLIE
Pull over.
555
55:23:04 55:27:13 4 :09 ANNIE
Why do they persecute us?
We are free, we're just
trying to have a good time!
55:07:01 MCU-2 TADPOLE B/G
SLIPPERY F/G.
40
55:08:03 WS AN OLD LAND ROVER
PULLS ALONGSIDE THE
KOMBI AS IT HEADS
TOWARDS.
55:10:04 TS THE LAND ROVER
PULLS ALONGSIDE, THE
WORDS 'POLICE DEPT'
ON ITS DOOR.
55:11:00 MCU-2 TADPOLE B/G
SLIPPERY F/G.
55:13:00 TS SIDE WINDOW OF
KOMBI - ANNIE LOOKS
OUT.
55:14:22 MCU-2 TADPOLE B/G
SLIPPERY F/G.
40
55:21:23 TS SIDE WINDOW OF
KOMBI - ANNIE EMPTIES
THE BAG OF MARIJUANA
OUT THE WINDOW.
BRAN NUE DAE Post Production Script
82
24FPS TIMECODE
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SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
83
DUR
CHARACTER
DIALOGUE
55:23:15 FS THE POLICE CAR
PASSES THE KOMBI.
55:24:13 MS-2 WILLIE F/G, ANNIE
B/G (OVER ROXANNE
LYING ON THE SEAT).
40
55:26:06 TS SIDE WINDOW OF
KOMBI - ANNIE CALLS
OUT.
55:26:22 TS POV OF PASSING
POLICE CAR.
55:27:14 CU TADPOLE.
556
55:27:16 55:28:06 0 :14 TADPOLE
Shut up.
55:28:06 TS SIDE WINDOW OF
KOMBI - ANNIE CALLS
OUT.
557
55:28:06 55:30:21 2 :15 ANNIE
We're free, we're free and
we'll always be free.
55:30:21 MS-2 WILLIE F/G, ANNIE
B/G (OVER ROXANNE
LYING ON THE SEAT).
558
55:30:21 55:31:23 1 :02 TADPOLE &
WILLIE
Shut up.
559
55:32:11 55:32:22 0 :11 ANNIE
What?
55:31:11 CU SLIPPERY, TADPOLE
B/G.
55:32:09 TS POV OF PASSING
POLICE CAR.
55:33:19 CU SLIPPERY LOOKS AT
THE POLICE AND SMILES.
55:35:05 TS POV OF PASSING
POLICE CAR - THE
POLICEMAN INDICATES
FOR THEM TO PULL
OVER.
55:36:14 CU SLIPPERY AS THE
KOMBI PULLS TO A STOP.
BRAN NUE DAE Post Production Script
83
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
INT. LOCKUP. Bruce
interviews Slippery. Willie
tries to run away.
55:39:23 MS SLIPPERY STANDS AT
THE COUNTER,
POLICEMAN BRUCE F/G,
TADPOLE AND ANNIE
AND WILLIE SEATED B/G.
SPOT
NO.
560
TC IN
TC OUT
84
DUR
CHARACTER
55:40:02 55:44:12 4 :10 SLIPPERY
DIALOGUE
I do not know these people. I
only met them yesterday.
That is right, ja ?
German: ja = yes
561
55:46:18 55:46:23 0 :05 TADPOLE
Yeah.
562
55:47:11 55:51:11 4 :00 SLIPPERY
I was on my way to visit my
father when that man
jumped in front of my van.
563
55:56:11 55:57:00 0 :13 BRUCE
What's your name?
564
55:58:02 55:59:14 1 :12 SLIPPERY
Wolfgang Benedictus.
55:58:20 MS-3 ROXANNE, WILLIE
AND ANNIE. WILLIE
LOOKS UP.
565
55:59:23 56:01:08 1 :09 BRUCE
How do you spell that,
Adolph?
56:01:16 MS SLIPPERY PULLS OUT
HIS WALLET AND SHOWS
A PHOTO.
566
56:02:15 56:09:12 6 :21 SLIPPERY
B E N E D I C T U S. You
cannot hold me here. My
father is a priest.
56:09:13 CU WILLIE.
567
56:10:03 56:10:23 0 :20
He will come and get me.
568
56:14:19 56:15:06 0 :11
Thankyou.
56:24:00 MCU WILLIE.
569
56:24:10 56:27:13 3 :03
Yes, hello, I wish to speak to
Father Benedictus.
56:27:09 MCU SLIPPERY WITH
PHONE.
570
56:27:13 56:29:21 2 :08 VOICE ON
PHONE
(O/S)
I'm sorry. That's not
possible. He's gone.
55:51:12 MCU BRUCE.
55:53:15 MS SLIPPERY AT THE
COUNTER.
56:11:08 MS SLIPPERY AT THE
COUNTER IS HANDED A
TELEPHONE.
56:13:09 MCU POLICEMAN.
56:14:09 MCU SLIPPERY.
56:21:05 CU WILLIE STANDS.
56:22:13 MCU SLIPPERY WITH
PHONE.
41
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84
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
85
DUR
CHARACTER
DIALOGUE
571
56:29:21 56:30:08 0 :11 SLIPPERY
Gone?
572
56:30:08 56:31:07 0 :23 VOICE ON
PHONE
(O/S)
Yes.
573
56:31:07 56:31:22 0 :15 SLIPPERY
Gone where?
574
56:31:22 56:33:22 2 :00 VOICE ON
PHONE
(O/S)
He's travelling to Broome on
school business.
575
56:35:19 56:36:07 0 :12 SLIPPERY
Thankyou.
576
56:47:12 56:48:19 1 :07
He is on his way to Broome.
577
56:52:06 56:53:21 1 :15 ANNIE
Get off him. Get off him.
578
56:54:08 56:58:11 4 :03 SLIPPERY
Annie, Annie, what are you
doing? Don't get involved.
579
56:58:11 57:06:11 8 :00
Stop it, Annie, what are you
doing?
580
57:06:11 57:15:03 8 :16
Stop him … Annie ... Annie
….
41
56:30:21 MCU WILLIE.
56:32:10 MS SLIPPERY WITH
PHONE, WILLIE STANDING
B/G.
56:48:07 MCU WILLIE RUNS FOR
THE DOOR.
56:50:15 MS SLIPPERY F/G TRACK
TO MWS POLICEMAN
GRABS WILLIE AT THE
DOOR.
56:51:19 MS ANNIE TRIES TO STOP
THE POLICEMAN
GRABBING WILLIE.
56:55:03 MWS BRUCE JOINS THE
SCUFFLE.
56:57:07 MS ANNIE JUMPS ON THE
POLICEMAN.
41
57:00:04 MWS THE SCUFFLE
CONTINUES AS TADPOLE
WALKS UP TO THE
COUNTER MS AND
STARTS TO QUIETLY
REMOVE HIS HAT AND
JUMPER.
BRAN NUE DAE Post Production Script
85
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
86
DUR
CHARACTER
DIALOGUE
EXT. POLICE CELLS .
Slippery, Annie, Roxanne,
Tadpole and Willie are
locked up in the cells.
57:15:04 WS THE POLICEMEN
MANHANDLE ANNIE AND
WILLIE TO THE CELLS
WHICH ALREADY HOLD
TADPOLE AND SLIPPERY.
57:17:07 MS ANNIE STRUGGLES IN
THE POLICEMAN'S HOLD.
581
57:15:11 57:18:08 2 :21 ANNIE
It's not fair at all.
582
57:20:17 57:22:03 1 :10 TADPOLE
You just come in here, Willie.
583
57:29:11 57:30:08 0 :21 SLIPPERY
Stop struggling, Annie.
584
57:31:02 57:35:07 4 :05 ANNIE
Willie ... Willie.
57:31:15 MS-2 ANNIE IS GRASPED
BY SLIPPERY, POLICEMAN
F/G. ANNIE RUNS TO THE
BARS.
585
57:36:04 57:38:05 2 :01
This is physical harassment,
man.
57:38:09 MS-2 TADPOLE'S LIES
WILLIE IN HIS LAP.
586
57:43:04 57:46:03 2 :23
Not cool at all. Not cool at
all.
587
57:46:18 57:50:18 4 :00 WILLIE
Uncle, blackfellas die in jail
eh?
57:18:21 WS THE POLICEMEN
MANHANDLE ANNIE AND
WILLIE TO THE CELLS.
41
57:20:17 MCU WILLIE AND
POLICEMAN.
57:22:08 WS WILLIE IS PUSHED
INTO TADPOLE'S CELL.
57:25:02 MCU WILLIE TRIES TO
GET OUT AND IS
PUNCHED IN THE GUT.
57:26:18 WS WILLIE IS PUSHED
INTO TADPOLE'S CELL,
ANNIE INTO SLIPPERY'S
CELL.
57:44:01 MS-2 ANNIE IS PULLED
AWAY FROM THE BARS
BY SLIPPERY.
57:46:07 MS-2 TADPOLE'S LIES
WILLIE IN HIS LAP.
57:47:18 CU WILLIE.
BRAN NUE DAE Post Production Script
86
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
57:52:13 CU TADPOLE.
SPOT
NO.
TC IN
TC OUT
87
DUR
CHARACTER
DIALOGUE
588
57:52:15 57:55:16 3 :01 TADPOLE
Come on, Willie. You get
some sleep. Come on.
589
58:27:09 58:34:05 6 :20 TADPOLE
Man of the gun come shot
up the son
And the girl and the child
and the mother
590
58:35:07 58:42:16 7 :09
But the child is the son
And the son is the child
And the child is the son of
the father.
591
58:43:17 58:51:04 7 :11
And the passage of time just
follows the line
Of the law of the land and
the dreaming.
592
58:54:16 58:59:16 5 :00
Listen to the news talking
'bout the blues of our
people.
57:58:10 WS CELLS.
58:02:02 HA WS POLICE STATION.
EXT. POLICE CELLS /
DREAM SEQUENCE. Willie
dreams.
58:06:09 CU WILLIE ASLEEP.
42
58:10:13 MS ROXANNE ASLEEP.
58:14:19 MS SLIPPERY ASLEEP.
58:18:07 CU TADPOLE,
THOUGHTFUL.
58:23:01 CU WILLIE ASLEEP.
58:26:09 CU TADPOLE, SINGING.
58:30:23 MWS SLOW TRACK
TOWARDS TADPOLE'S
CELL.
58:34:19 CU TADPOLE, SINGING.
58:36:23 CU WILLIE ASLEEP.
58:43:08 MWS TRACK TO MS
TADPOLE STANDS AS
B/G BECOMES IMAGES OF
KIMBERLEY MEN
STANDING FS.
42
58:54:21 MCU KIMBERLY MAN 1.
58:56:17 MCU KIMBERLY MAN 2.
58:58:17 MS TADPOLE SINGING.
BRAN NUE DAE Post Production Script
87
24FPS TIMECODE
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TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
88
DUR
CHARACTER
DIALOGUE
59:01:02 MS-2 KIMBERLEY MEN
TAKE OFF THEIR NECK
CHAINS.
59:01:14 FS KIMBERLEY MEN
THROW DOWN THEIR
NECK CHAINS.
59:02:04 MS WILLIE ASLEEP.
59:03:03 TS NECK CHAINS HIT THE
GROUND.
593
59:03:03 59:08:06 5 :03
Listen to the news talking
'bout the blues of our
people.
594
59:10:23 59:18:11 7 :12
So look to the day
when the sun shines its rays
'cos I know that a new day is
dawning.
595
59:19:12 59:26:22 7 :10
And dawn it will come
when the people as one
shall rise to the light of the
morning.
42
59:03:11 MWS TRACK IN TO MCU
TADPOLE SINGING.
59:04:18 WS ABORIGINES DANCE.
59:05:16 MS ABORIGINES DANCE.
59:07:09 WS ABORIGINES DANCE
UP TO THE KIMBERLY
MEN.
59:11:08 TS DANCING LEGS.
59:11:13 FLASH CUT TO MS CRANE
UP DANCERS.
59:12:23 WS DANCERS, TADPOLE
STANDING SINGING F/G.
59:14:10 FS DANCERS.
59:15:05 FS TADPOLE SINGING,
DANCERS B/G.
59:16:07 FS TADPOLE SINGING,
DANCERS B/G.
59:17:07 TS DANCERS' FEET.
59:18:06 MS TADPOLE SINGING,
DANCERS B/G.
42
59:18:21 FS TADPOLE SINGING,
DANCERS DANCE PAST
HIM.
BRAN NUE DAE Post Production Script
88
24FPS TIMECODE
BRAN NUE DAE Post Production Script
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MUSIC
SPOT
NO.
TC IN
TC OUT
89
DUR
CHARACTER
DIALOGUE
59:19:22 FLASH CUT TO WS
DANCERS, TADPOLE
CENTRE.
59:21:17 TS DANCING LEGS.
42
59:22:14 MCU WILLIE ASLEEP.
59:23:16 FS DANCERS, TADPOLE
CENTRE.
59:24:07 MCU DANCERS.
59:24:23 FS DANCERS, TADPOLE
CENTRE.
596
59:28:05 59:33:10 5 :05 TADPOLE &
KIMBERLEY
MEN
Listen to the news
talkin' 'bout the blues of our
people.
597
59:36:16 59:41:19 5 :03
Listen to the News
talkin' 'bout the blues of our
people.
59:28:07 FLASH CUT TO MCU
DANCERS.
59:28:17 MS TADPOLE AMONG
DANCERS.
59:30:00 CU DANCERS.
59:31:18 CU DANCERS' BODIES.
59:32:13 MCU TADPOLE SINGING.
59:33:18 MCU DANCERS.
59:34:05 FLASH CUT TO MS PAN
ALONG WILLIE ASLEEP.
59:36:06 BLURRY F/G
59:36:14 TS TREE LEAVES (IN
DANCER'S HANDS)
59:37:08 CU DANCERS.
59:37:16 CU WILLIE ASLEEP.
59:38:12 MCU TRACK TO CU
TADPOLE.
42
59:39:00 MCU DANCERS.
59:39:20 CU TADPOLE PULL BACK
TO MS.
59:42:11 FLASH CUT TO MCU
ABORIGINE.
BRAN NUE DAE Post Production Script
89
24FPS TIMECODE
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SHOT DESCRIPTION
MUSIC
59:44:06 TS TREE LEAVES (IN
DANCER'S HANDS)
SPOT
NO.
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TC OUT
90
DUR
CHARACTER
DIALOGUE
598
59:44:15 59:50:17 6 :02
Everyday
Every day
599
59:52:07 59:59:21 7 :14
Discussing a way
Discussing a way
42
59:45:06 FS DANCERS.
59:46:21 WS WITH MOON ABOVE.
59:48:04 MCU TADPOLE SINGING.
59:50:08 MCU WILLIE SITS UP.
59:51:16 TS TREE LEAVES (IN
DANCER'S HANDS)
59:52:12 MS WILLIE SITS UP.
59:53:17 WS WITH MOON ABOVE.
59:54:13 CU WILLIE.
59:56:05 MS DANCERS PAN TO
WILLIE.
59:57:21 FLASH CU TO MS WILLIE,
DANCERS B/G.
59:59:18 WS WITH MOON ABOVE.
START TIMECODE 02
00:00:08 MS WILLIE, DANCERS
B/G.
00:01:04 WS WITH MOON ABOVE.
00:01:20 MS WILLIE, DANCERS
B/G.
600
00:02:05 00:10:13 8 :08
Oo la la la la - la la la la la la –
la la la la la la - la la la la la
00:02:09 WS WITH MOON ABOVE.
00:03:01 MCU WILLIE, DANCERS
F/G.
00:03:22 FS WILLIE TRACK IN TO
MS.
00:05:15 HA FS WILLIE LOOKING
UP.
42
00:06:07 FLASH CUT TO WS WITH
MOON ABOVE. WILLIE
FLOATS ABOVE THE
DANCERS.
00:07:09 MS DANCERS.
BRAN NUE DAE Post Production Script
90
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91
DUR
CHARACTER
DIALOGUE
00:07:19 WS WITH MOON ABOVE.
WILLIE FLOATS ABOVE
THE DANCERS.
42
00:08:09 TS WILLIE'S SHIRT.
00:09:03 FS DANCERS.
00:10:03 TS LEAVES.
601
00:10:13 00:15:15 5 :02
Is this the end?
Is this the end of our
people?
602
00:19:00 00:23:17 4 :17
Is this the end?
Is this the end of our
people?
00:10:14 FLASH CUT TO HA MWS
WILLIE FLOATS ABOVE
THE DANCERS.
00:12:17 HA FS WILLIE FLOATS
ABOVE THE DANCERS.
00:16:13 MS TADPOLE DANCING.
00:17:11 WS WITH MOON ABOVE.
WILLIE FLOATS ABOVE
THE DANCERS.
00:18:13 TS DANCERS' LEGS.
00:19:04 MS TADPOLE DANCING.
00:20:23 HA FS WILLIE FLOATS
ABOVE THE DANCERS.
00:22:00 MS TADPOLE DANCING.
00:22:16 WS WILLIE FLOATS
ABOVE AS THE DANCERS
THROW DIRT IN THE AIR.
00:23:03 FLASH CUT TO FS WILLIE
ABOVE DANCERS, DIRT IN
THE AIR.
42
00:23:22 MS TADPOLE.
00:24:17 MWS DANCERS DROP
DOWN AS WILLIE FLOATS
ABOVE.
00:25:13 CU WILLIE.
BRAN NUE DAE Post Production Script
91
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92
DUR
CHARACTER
DIALOGUE
EXT. POLICE CELLS .
Slippery, Annie, Roxanne,
Tadpole and Willie are
locked up in the cells.
00:29:12 CU WILLIE AWAKENS.
603
00:29:19 00:32:03 2 :08 TADPOLE
Come on Willie. Wake up.
Wake up boy. Wake up.
00:37:19 MS WILLIE SITS UP.
TADPOLE SITS NEXT TO
HIM MS-2.
604
00:42:21 00:45:22 3 :01 WILLIE
Last night, I had a dream.
605
00:48:03 01:00:20 12 :17
There were bush people
here, with you, but it wasn’t
here - it was somewhere
else.
606
01:03:10 01:06:23 3 :13 TADPOLE
Those are the old people
looking after us.
607
01:12:17 01:17:06 4 :13
You alright? Hey? Nothing
broken?
01:18:06 MCU-2 TADPOLE TICKLES
WILLIE.
608
01:18:20 01:20:06 1 :10 WILLIE
No. It's not that
01:21:11 CU TADPOLE.
609
01:22:05 01:24:02 1 :21
Slippery’s father is Father
Benedictus.
610
01:24:08 01:30:16 6 :08
He's going to go and tell
mum about me, that I'm a
sinner and a thief and now I
won't be able to go back to
Broome.
611
01:30:23 01:32:21 1 :22
And I won't be able to go
back to Clontarf.
612
01:33:12 01:36:08 2 :20
I’ll have nowhere to go. I’ll
end up like you!
613
01:44:09 01:45:16 1 :07 TADPOLE
Your mummy will forgive
you.
614
01:46:06 01:46:23 0 :17 WILLIE
You don’t know my mum.
01:06:04 CU WILLIE.
01:13:12 CU TADPOLE.
01:27:17 CU WILLIE.
01:36:06 CU TADPOLE.
01:39:02 CU WILLIE.
01:41:16 CU TADPOLE.
BRAN NUE DAE Post Production Script
92
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MUSIC
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93
DUR
CHARACTER
DIALOGUE
615
01:48:00 01:52:00 4 :00 TADPOLE
Well … I'll fix it with your
mum then. Don't you worry
about that.
616
01:52:16 01:53:16 1 :00
I'll talk to her about it.
617
01:54:17 01:58:16 3 :23
What we got to do is beat
that mongrel Father
Benedictus to Broome.
02:01:05 MS-2 TADPOLE AND
WILLIE (SOUND OF CELL
BEING UNLOCKED O/S).
618
02:09:15 02:10:16 1 :01 LOU
Okay, you can go now.
02:10:21 MWS TADPOLE AND
WILLIE SITTING POLICEMAN EXITS F/G
LEAVING CELL DOOR
OPEN. TADPOLE STANDS.
619
02:14:09 02:15:01 0 :16
Come on Willie.
02:18:20 CU TADPOLE.
620
02:20:13 02:25:12 4 :23
Come on, Willie. Stand up.
Come on Willie. Willie?
621
02:30:00 02:30:19 0 :19
Get up!
02:41:18 CU-2 WILLIE AND
TADPOLE. WILLIE GIVES
TADPOLE A HUG.
622
02:42:01 02:52:09 10 :08
Hey … we're going to
Broome. Today is a bran nue
dae.
Aboriginal colloq: brand new
day.
02:58:01 CU TADPOLE.
623
03:01:10 03:03:03 1 :17
Come on boy. Let's go
01:58:14 CU WILLIE.
02:21:13 MS-2 TADPOLE
STANDING, WILLIE
REMAINS SEATED.
02:26:01 CU WILLIE.
43
02:29:14 CU TADPOLE.
02:31:16 CU WILLIE FINALLY
STANDS.
02:38:08 CU TADPOLE.
03:03:18 MS-2 TADPOLE AND
WILLIE WALK OUT OF
THE CELL.
BRAN NUE DAE Post Production Script
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94
DUR
CHARACTER
DIALOGUE
EXT. / INT. KOMBI VAN.
The Kombi travels to
Broome.
03:05:19 WS AERIAL TRACK WITH
KOMBI DRIVING ON THE
ROAD.
43
03:10:19 FS PAN KOMBI AS IT
RECEDES DOWN ROAD PAN TO SIGN 'BROOME
180'.
03:18:17 WS AERIAL TRACK WITH
KOMBI DRIVING ON THE
ROAD.
03:28:10 MCU-3 SLIPPERY F/G,
WILLIE AND TADPOLE
B/G.
03:35:07 MCU-2 ANNIE DRIVING
F/G, ROXANNE B/G.
624
03:28:20 03:30:14 1 :18 TADPOLE
See, I told you it's just up
the road.
625
03:31:15 03:32:21 1 :06 SLIPPERY
So where do we go now?
626
03:33:04 03:35:08 2 :04
Turn here, turn here, turn
here. We go to Roebuck
first.
627
03:36:04 03:37:09 1 :05 TADPOLE
Oohh. I need a drink.
628
03:37:09 03:38:18 1 :09 ROXANNE
You and me both fella.
629
03:38:19 03:39:07 0 :12 TADPOLE
Yeah.
630
03:51:13 03:52:09 0 :20 TADPOLE
Let me out, me let me out.
631
03:53:22 03:55:14 1 :16
The Roey hotel!
632
03:55:08 03:56:09 1 :01 WILLIE
Uncle, you promised.
43
03:38:19 MCU WILLIE.
03:43:16 TS POV SIGN 'THE
ROEBUCK BAY HOTEL'.
03:46:16 MCU WILLIE.
EXT. ROEBUCK HOTEL.
The group get out of the
Kombi and head for the
hotel.
03:49:21 WS THEY HEAD FROM
THE KOMBI TOWARDS
THE HOTEL.
BRAN NUE DAE Post Production Script
94
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SHOT DESCRIPTION
MUSIC
03:58:06 MCU TADPOLE PAN TO
CU WILLIE.
INT. ROEBUCK HOTEL.
Rosie sings.
04:06:05 MCU ROXANNE WALKS
INTO THE HOTEL.
SPOT
NO.
TC IN
TC OUT
95
DUR
CHARACTER
DIALOGUE
633
03:57:03 03:57:19 0 :16
Wait Uncle!
634
03:58:11 04:04:21 6 :10 TADPOLE
It's been a long time
between drinks and I'll talk
to your mummy later but
now, just one drink, just one
little drink.
635
04:06:06 04:08:21 2 :15 ROXANNE
Hi, Roxanne here for a proper
good time.
636
04:16:22 04:34:21 17 :23 ROSIE
Sometimes its hard to be a
women
Giving all your love to just
one man, oh yeah.
637
04:34:21 04:49:05 14 :08
You’ll have bad times,
We’ll have good times
Doing things that you don’t
understand .
04:10:03 MWS ROXANNE IS
FOLLOWED BY TADPOLE
AND ANNIE.
44
04:12:04 FS ROXANNE DANCES
AROUND.
04:14:00 MCU ROXANNE DANCES.
04:16:02 CU ROSIE SINGS AT A
MICROPHONE.
04:22:14 MCU WILLIE WALKS OFF.
04:24:22 MCU WILLIE LOOKS
BACK.
04:27:12 FS ROSIE SINGS.
04:33:15 MS TADPOLE AT THE
BAR RAISES HIS GLASS.
04:34:17 MS ROXANNE DRINKS
FROM A BOTTLE.
04:37:02 MS-2 SLIPPERY AND
ANNIE DANCE.
04:38:14 WS DANCE AREA.
04:39:16 MS ROSIE.
04:40:17 MWS DANCERS.
44
04:41:21 FS DANCERS.
BRAN NUE DAE Post Production Script
95
24FPS TIMECODE
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96
DUR
CHARACTER
DIALOGUE
04:43:02 MS DANCERS.
04:45:17 MS WILLIE TENTATIVELY
ENTERS THROUGH
DOORWAY.
44
04:49:00 MS DANCERS.
04:50:16 FS SLIPPERY DANCING
AMIDST THE CROWD.
04:51:10 MS ROSIE SINGING.
638
04:51:10 05:00:06 8 :20
Stand by your man
Give me two arms to cling to
639
05:00:06 05:08:13 8 :07
And something warm to
come to
When the nights are cold
and lonely
640
05:08:13 05:25:04 16 :15
Stand by your man
And show the world you love
him
He’s giving you all the love
he can, oh yeah.
04:54:04 MCU WILLIE.
04:55:19 MS ROSIE SINGING.
04:59:07 MCU WILLIE.
05:00:05 MS ROSIE SINGING.
05:03:20 MCU-2 ROXANNE IS IN
THE ARMS OF A MAN.
05:07:21 MCU ROSIE SINGING.
05:08:23 MCU ANNIE DANCING.
05:10:12 MCU WILLIE.
05:12:22 MS ROSIE SINGING.
05:14:16 MCU DANCER.
05:15:20 MCU ROXANNE DOWNS
ANOTHER DRINK.
05:17:06 MCU ANNIE DANCING
WITH SLIPPERY B/G.
44
05:19:12 MCU-2 DANCERS.
05:21:08 MS ROXANNE DANCING.
05:22:21 MS-2 DANCERS.
BRAN NUE DAE Post Production Script
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97
DUR
CHARACTER
DIALOGUE
05:23:22 MS-2 DIFFERENT
DANCERS.
05:24:17 CU DANCER - HIS
PARTNER JUMPS UP.
44
05:25:21 CU ROSIE SINGING.
05:27:01 CU WILLIE COLLAPSES.
05:27:15 WIP PAN TO MCU WILLIE
ON THE FLOOR.
641
05:28:06 05:35:04 6 :22 TADPOLE
Willie, Willie, get up, get up,
come on, come on, Willie,
come on, get up man.
642
05:35:04 05:36:09 1 :05
Get up, get up, get up.
643
05:36:17 05:38:02 1 :09
What's wrong with you?
644
05:38:20 05:39:14 0 :18 WILLIE
That's him there.
645
05:40:09 05:41:02 0 :17 TADPOLE
Who's him.
646
05:43:02 05:51:08 8 :06 ROSIE
Stand by your man
And show the world you love
him …
647
05:52:10 05:56:13 4 :03 TADPOLE
Oh Lordy, Lordy. Really?
648
05:57:09 05:59:20 2 :11
Now you find him you want
to get up there and grab
him.
colloq: him = her.
649
05:59:20 06:01:14 1 :18 WILLIE
But I feel big shame. I'm
dirty.
650
06:01:14 06:04:12 2 :22 TADPOLE
We all dirty. Come on.
05:30:00 JUMP CUT TO MCU WILLIE
ON THE FLOOR.
05:31:15 JUMP CUT TO MCU WILLIE
ON THE FLOOR. TILT AS
HE IS HELPED BY
TADPOLE TO STAND MCU2.
05:38:03 MCU WILLIE PAST
TADPOLE.
05:44:19 FS POV ROSIE SINGING TRACK TO MCU.
05:51:14 MCU-2 TADPOLE AND
WILLIE. TADPOLE TURNS
BACK TO WILLIE.
44
06:01:09 MCU TADPOLE PAST
WILLIE.
BRAN NUE DAE Post Production Script
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24FPS TIMECODE
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MUSIC
SPOT
NO.
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98
DUR
CHARACTER
DIALOGUE
06:03:00 CU TRACK WITH
TADPOLE AS HE WALKS
TOWARDS ROSIE. WILLIE
TURNS THE OTHER WAY
B/G.
06:06:14 MCU ROSIE FINISHES
SINGING.
651
06:06:14 06:07:03 0 :13 ROSIE
Yes.
652
06:14:13 06:19:05 4 :16 TADPOLE
Hello my dear. My name is
Tadpole. Steven Johnson.
653
06:19:10 06:20:07 0 :21 ROSIE
Uncle Tadpole.
654
06:20:19 06:21:20 1 :01 TADPOLE
And this here my boy …
655
06:23:01 06:24:05 1 :04
Well, he was here.
656
06:25:01 06:25:20 0 :19 ROSIE
What's his name?
657
06:26:14 06:27:01 0 :11 TADPOLE
Willie.
658
06:27:15 06:28:04 0 :13 ROSIE
Willie?
659
06:28:07 06:30:15 2 :08 TADPOLE
Yeah. And he want to see
you.
06:07:09 MCU-2 DANCERS CHEER.
06:08:17 MCU ROSIE.
06:11:06 MS-2 AMONGST CROWD
SLIPPERY AND ANNIE
APPLAUD.
06:12:14 MCU ROXANNE CHEERS.
06:13:21 MCU TADPOLE PAST
ROSIE.
06:15:11 MS ROSIE PAST
TADPOLE.
06:17:03 MCU TADPOLE PAST
ROSIE.
06:19:05 MCU ROSIE PAST
TADPOLE.
06:21:03 MCU TADPOLE TURNS TO
WILLIE WHO IS NOT
THERE.
06:26:08 MCU ROSIE PAST
TADPOLE.
06:29:03 MCU TADPOLE PAST
ROSIE.
06:31:17 MCU ROSIE PAST
TADPOLE.
06:33:02 CU WILLIE.
BRAN NUE DAE Post Production Script
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SHOT DESCRIPTION
MUSIC
06:34:23 MCU ROSIE PAST
TADPOLE. SHE WALKS
OFF.
SPOT
NO.
TC IN
TC OUT
99
DUR
CHARACTER
DIALOGUE
660
06:36:04 06:37:23 1 :19 ROSIE
Well you can tell Willie that
he's too late.
661
06:50:12 06:51:00 0 :12 ROSIE
Hello Willie.
662
06:52:05 06:52:20 0 :15 WILLIE
Hello Rosie.
06:58:20 MCU WILLIE - ROSIE
CROSSES F/G.
663
07:00:00 07:00:19 0 :19 ROSIE
Well, I'd better go now.
07:01:07 MCU ROSIE.
664
07:01:10 07:04:03 2 :17 WILLIE
Hey, wait. I want to talk to
you.
665
07:04:14 07:05:08 0 :18 ROSIE
What about?
07:05:04 MS-3 WILLIE AND LESTER
PAST ROSIE.
666
07:07:03 07:07:22 0 :19 LESTER
Excuse me, who are you?
07:08:02 MCU-2 LESTER AND
ROSIE PAST WILLIE.
667
07:08:21 07:13:12 4 :15
Oh … I remember now.
You're that little boy.
668
07:16:18 07:17:20 1 :02
Rosie's little friend.
06:38:08 MCU TADPOLE TURNS TO
LOOK AT WILLIE.
06:39:09 MCU WILLIE WALKS INTO
THE CROWD.
06:41:22 MCU LESTER WATCHES.
EXT. BACKSTAGE ROEBUCK HOTEL. Willie
meets Rosie backstage.
Lester joins them.
06:44:09 MCU ROSIE IN MIRROR WILLIE REFLECTED
APPROACHES TO MCU-2.
06:53:11 MCU WILLIE.
06:55:05 MCU-2 ROSIE AND WILLIE
REFLECTED IN MIRROR.
45
07:13:08 CU WILLIE.
07:14:11 MCU-2 LESTER AND
ROSIE PAST WILLIE.
07:18:03 CU WILLIE.
BRAN NUE DAE Post Production Script
99
24FPS TIMECODE
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100
DUR
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DIALOGUE
07:19:03 MS-3 WILLIE AND LESTER
PAST ROSIE.
669
07:19:10 07:20:03 0 :17
Rosie, leave us.
07:20:14 MS-3 ROSIE, WILLIE AND
LESTER.
670
07:20:15 07:20:23 0 :08 ROSIE
What?
07:21:13 CU LESTER.
671
07:22:01 07:22:19 0 :18 LESTER
I said get out.
672
07:26:06 07:27:07 1 :01 WILLIE
Hey, don't talk to her like
that.
673
07:29:21 07:32:00 2 :03
Listen Lester, just move.
674
07:35:22 07:36:08 0 :10 WILLIE
Rosie.
675
07:40:01 07:42:08 2 :07 BARMAN
O/S
Alright everyone. Last
drinks.
07:22:19 CU WILLIE.
45
07:23:23 MCU LESTER. ROSIE
WALKS OFF.
07:26:07 CU WILLIE.
07:27:05 MCU LESTER STEPS
FORWARD TO CU.
07:27:22 CU WILLIE.
07:29:13 MS-2 LESTER STANDS
CLOSE TO WILLIE. WILLIE
PUSHES HIM AND RUNS
OFF.
46
07:33:04 MCU LESTER CHECKS
HIMSELF IN THE MIRROR
THEN EXITS.
INT. ROEBUCK HOTEL.
Willie chases Rosie
through the bar.
07:35:02 MCU ROSIE WALKS
THROUGH THE CROWD PAN WITH WILLIE MS AS
HE FOLLOWS HER
OUTSIDE.
46
07:41:18 MCU PAN LESTER
FOLLOWS THEM.
BRAN NUE DAE Post Production Script
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101
DUR
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DIALOGUE
EXT. ROEBUCK HOTEL.
Lester and Willie fight. A
procession of pentacosts
sing and preach.
07:43:01 MWS HOTEL ROSIE
COMES OUT THE DOORS
CLOSELY FOLLOWED BY
WILLIE.
676
07:43:02 07:44:22 1 :20 WILLIE
Rosie, wait. Rosie!
677
07:45:18 07:49:02 3 :08 LESTER
Hey, I told you, didn't I? Stay
away from my woman.
678
07:54:10 07:55:01 0 :15
Get up.
679
08:02:16 08:05:05 2 :13 TADPOLE
Hey Willie! Give him the old
one two three, Willie!
680
08:05:21 08:06:08 0 :11 LESTER
Oww.
46
07:43:14 FS WILLIE - ROSIE EXITS
AS LESTER COMES OUT
THE DOORS FOLLOWING
WILLIE.
07:44:10 MS-2 LESTER GRABS
WILLIE AND PUNCHES
HIM TWICE IN THE GUT.
07:50:12 MWS HOTEL THE
VERANDA IS FILLING
WITH PATRONS AS
LESTER THROWS WILLIE
TO THE GROUND.
07:51:15 MS WILLIE HITS THE
GROUND.
07:52:15 FS LESTER STANDS BY
WILLIE, CROWD B/G.
07:54:23 MS WILLIE STANDS.
07:57:01 MWS LESTER RAISES HIS
FISTS FOR MORE.
07:57:12 MS WILLIE, LESTER F/G.
07:58:01 MWS LESTER PUNCHES
WILLIE - WILLIE FALLS.
TILT UP TO LESTER AS
TADPOLE ARRIVES.
08:03:04 MCU WILLIE STEPS
FORWARD, FISTS RAISED.
46
08:05:13 TS WILLIE'S FOOT
STAMPS ON LESTER'S.
08:05:22 MCU LESTER BENDS
THEN IS HIT IN THE GUT
BY WILLIE.
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DIALOGUE
08:07:12 MS WILLIE THROWS
ANOTHER PUNCH,
LESTER F/G.
08:08:05 MS ROXANNE, LESTER
FALLS THROUGH SHOT
F/G.
08:08:21 MS LESTER HITS THE
GROUND.
08:09:13 CU LESTER.
46
08:10:21 MCU ONLOOKERS
APPLAUD.
08:11:12 MCU WILLIE TURNS TO
ROSIE B/G.
08:13:05 MS LESTER RUNS
TOWARDS WILLIE AND
THROWS A PUNCH THAT
DECKS HIM. ROSIE RUNS
TOWARDS B/G.
681
08:15:10 08:16:11 1 :01 ROSIE
Willie, watch out!
08:18:18 CU LESTER.
682
08:19:23 08:25:11 5 :12
Willie, Willie. Say something.
Talk to me, say something.
08:25:17 CU WILLIE.
683
08:27:05 08:28:03 0 :22 WILLIE
I love you, Rosie.
08:29:05 CU ROSIE.
684
08:29:19 08:30:16 0 :21 ROSIE
Oh Willie.
08:31:05 MCU LESTER WALKS OFF.
685
08:32:05 08:33:03 0 :22 TADPOLE
Ahhh.
686
08:38:18 08:40:15 1 :21 ROSIE
Quick Willie, your mum's
coming. Get up.
687
08:40:08 08:54:09 14 :01 CHOIR
All the way Jesus, just all the
way Lord
Bend me and shape me, give
me your reward.
08:20:18 MS-2 ROSIE ATTENDS TO
WILLIE.
47
08:23:22 CU ROSIE.
08:33:13 CU ROSIE.
08:34:21 CU WILLIE.
08:37:07 CU ROSIE.
08:38:10 FS-2 ROSIE HELPS WILLIE
SIT UP.
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103
DUR
CHARACTER
DIALOGUE
08:41:08 FS GROUP OF
PENTECOSTS APPROACH,
SINGING.
08:44:08 MCU ROSIE LEADS WILLIE
AWAY.
08:46:23 MCU SINGER.
08:49:17 WS PENTECOSTS
APPROACH THE CROWD.
47
08:54:06 TS TRACK ALONG
ONLOOKERS.
688
08:54:09 09:10:05 15 :20
Let me lie in your body,
when I'm wracked in my pain
And just light up the loving,
that always remains.
689
09:10:05 09:14:04 3 :23 PASTOR
FLAKKON
Brothers and sisters! Tonight
is the night of miracles …
09:14:03 FS CONGREGATION.
690
09:14:04 09:15:11 1 :07 CONGREGAT
ION
Hallelujah!
09:15:03 MCU-2 SLIPPERY AND
ANNIE.
691
09:15:21 09:17:12 1 :15 PASTOR
FLAKKON
Come and be reborn.
692
09:17:12 09:18:05 0 :17 CONGREGAT
ION
Be reborn.
693
09:17:22 09:18:07 0 :09 ANNIE
Yes.
694
09:18:07 09:19:22 1 :15 PASTOR
FLAKKON
Leave this house of sin.
695
09:19:22 09:21:14 1 :16 CONGREGAT
ION
Leave this house of sin.
08:57:17 FS PENTECOSTS.
09:02:13 TS TRACK ALONG
ONLOOKERS TO MCU
TADPOLE.
09:09:20 FS PASTOR FLAKKON,
HIS CONGREGATION B/G.
09:12:18 MCU-2 SLIPPERY AND
ANNIE.
09:16:03 MCU PASTOR FLAKKON.
09:17:09 MCU-2 SLIPPERY AND
ANNIE.
09:18:10 MCU PASTOR FLAKKON.
09:19:22 MCU THERESE.
09:21:09 MCU-2 SLIPPERY AND
ANNIE.
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DUR
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DIALOGUE
09:22:07 MCU TADPOLE.
696
09:21:14 09:22:06 0 :16 ANNIE
Leave it.
09:24:16 FS PASTOR FLAKKON,
ANNIE F/G.
697
09:22:14 09:23:13 0 :23 CONGREGAT
ION
Come and join us.
09:25:16 MCU THERESE.
698
09:24:17 09:25:20 1 :03 PASTOR
FLAKKON
Come and join us.
09:26:13 FS ANNIE JOINS THERESE,
SLIPPERY FOLLOWS.
699
09:25:16 09:31:05 5 :13 CONGREGAT
ION
Come and join us … sister
brother ...
700
09:43:14 09:47:02 3 :12 ROXANNE
Why don’t you let a proper
Kimberley woman show you
proper good time?
09:55:09 CU WILLIE PAST ROSIE.
701
09:53:12 09:54:15 1 :03 ROSIE
I thought you were ashamed
of me.
09:57:15 CU ROSIE PAST WILLIE.
702
09:55:23 09:57:08 1 :09 WILLIE
I could never be ashamed of
you.
48
09:29:12 TS CONGREGATION,
ROXANNE TURNS TO MCU
F/G AND EXITS.
09:34:17 MCU CONGREGATION
WOMAN.
09:36:04 MS LESTER.
09:37:09 CU ROXANNE
(APPROACHES LESTER).
09:42:16 MCU LESTER - ROXANNE
GIVES HIM A FRIENDLY
TAP.
09:45:16 CU ROXANNE.
09:49:19 MCU LESTER.
EXT. BEACH. Rosie and
Willie kiss.
09:51:13 MS-2 WILLIE AND ROSIE
STAND FACING EACH
OTHER.
49
09:53:02 CU ROSIE PAST WILLIE.
10:00:02 CU WILLIE LEANS TO
ROSIE.
10:01:06 CU-2 WILLIE AND ROSIE
KISS.
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105
DUR
CHARACTER
DIALOGUE
10:05:20 MS-2 WILLIE AND ROSIE
KISS.
10:08:05 MCU-2 WILLIE AND ROSIE
KISS.
49
10:10:15 CU-2 WILLIE AND ROSIE
KISS.
10:12:13 CU-2 WILLIE AND ROSIE
KISS.
10:14:20 CU-2 WILLIE AND ROSIE
KISS.
10:17:08 CU WILLIE PAST ROSIE.
10:20:07 CU ROSIE PAST WILLIE.
10:24:16 CU WILLIE PAST ROSIE.
703
10:25:12 10:27:00 1 :12 PASTOR
FLAKKON
O/S
Do you believe?
704
10:27:17 10:28:19 1 :02 CONGREGAT
ION
We believe.
705
10:29:05 10:32:03 2 :22 PASTOR
FLAKKON
Tonight is the night of
miracles.
10:32:03 TS CONGREGATION.
706
10:32:13 10:33:06 0 :17 CONGREGAT
ION
Yes.
10:33:10 MS PASTOR FLAKKON.
707
10:33:12 10:44:10 10 :22 PASTOR
FLAKKON
Are there anyone among you
who wants to testify. I can
feel that someone need to
testify.
EXT. BEACH. The
pentacosts assemble on
the beach.
10:28:01 TS CONGREGATION.
10:29:09 MS PASTOR FLAKKON.
49
10:35:08 TS CONGREGATION.
10:36:15 MWS CONGREGATION ON
BEACH, ROSIE AND
WILLIE HIDING IN THE
BUSHES F/G.
10:38:20 MS PASTOR FLAKKON.
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106
DUR
CHARACTER
DIALOGUE
10:40:04 FS ANNIE STEPS
FORWARD FROM THE
CONGREGATION.
10:43:02 CU PASTOR FLAKKON.
10:44:08 MS-2 ANNIE AND
SLIPPERY STEP FORWARD
- ANNIE DROPS TO HER
KNEES.
708
10:44:16 10:45:19 1 :03 ANNIE
I want to testify.
709
10:45:19 10:46:10 0 :15 SLIPPERY
Shut up Annie.
710
10:47:16 10:48:20 1 :04 PASTOR
FLAKKON
Are you a sinner, woman?
711
10:48:20 10:52:18 3 :22 ANNIE
Oh yes. I've been a bad
person. I've been bent on
free love.
10:52:23 CU ANNIE.
712
10:53:04 10:58:06 5 :02
I had a child out of wedlock
when I was sixteen and I
gave it away and I'm not
worthy.
10:57:11 CU CONGREGATION
MEMBER.
713
10:58:06 11:01:15 3 :09
I'm a sinner and I'm sorry.
I'm sorry.
714
11:01:15 11:04:00 2 :09 PASTOR
FLAKKON
Let's sing it one more time
for our sister.
715
11:04:14 11:10:15 6 :01 CONGREGAT
ION
All the way Jesus, just all the
way Lord …
716
11:09:05 11:15:12 6 :07 THERESA
I too have lost a child and I
too have been a sinner.
717
11:16:15 11:19:21 3 :06
I had a child to another man.
718
11:19:21 11:22:10 2 :13 PASTOR
FLAKKON
Behold! A vision from God!
51
10:58:08 MCU-2 CONGREGATION
MEMBERS.
10:59:06 CU ANNIE. SLIPPERY
ENTERS TO HELP HER.
11:02:22 MS PASTOR FLAKKON SLIPPERY HELPS ANNIE
AWAY F/G.
50
11:06:06 MS THERESE WALKS
FORWARD.
11:15:21 CU PASTOR FLAKKON.
51
11:16:13 MS THERESE.
11:17:21 MCU-2 CONGREGATION
MEMBERS.
11:18:15 MS THERESE.
11:19:10 MCU PASTOR FLAKKON.
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107
DUR
CHARACTER
DIALOGUE
11:20:04 CONGREGATION F/G,
BENEDICTUS ON THE
DISTANT HILLTOP B/G.
11:21:09 MCU PASTOR FLAKKON.
51
11:22:01 TS CONGREGATION
TURNS TO LOOK.
11:22:22 LS ZOOM TO FS
BENEDICTUS STANDING,
ARMS OUTSTRETCHED.
11:26:04 CU BENEDICTUS.
11:28:17 CU THERESE LOOKS.
11:30:15 FS BENEDICTUS WALKS
FORWARD.
11:32:04 WS BENEDICTUS F/G,
DISTANT CONGREGATION
B/G.
719
11:33:07 11:43:01 9 :18 BENEDICTUS
We are all sinners, my
children. We are all angels
and devils. Lux in Tenebris!
Light in the darkness.
720
11:42:18 11:45:10 2 :16 THERESA
I had a child to that man
there.
721
11:48:05 11:52:15 4 :10
He took my child away to
Germany twenty years ago.
11:34:18 MWS CONGREGATION ON
BEACH, ROSIE AND
WILLIE HIDING IN THE
BUSHES F/G.
11:35:23 MS TRACK WITH
BENEDICTUS WALKING.
11:38:20 TS CONGREGATION
WATCHES.
11:39:16 MS TRACK WITH
BENEDICTUS WALKING.
11:40:11 CU THERESE.
11:41:17 CU BENEDICTUS.
11:42:20 CU THERESE.
11:44:13 CU BENEDICTUS
ABRUPTLY STOPS.
51
11:46:17 CU PASTOR FLAKKON.
11:47:12 CU BENEDICTUS.
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108
DUR
CHARACTER
DIALOGUE
11:48:07 CU THERESE.
11:52:09 CU BENEDICTUS.
51
11:54:04 MWS SLIPPERY RUNS UP
TO BENEDICTUS F/G.
722
11:54:14 11:57:21 3 :07 SLIPPERY
Mein vater! Mein vater!
German: My father!
11:56:00 MS-2 BENEDICTUS IS
HUGGED BY SLIPPERY,
CONGREGATION B/G.
723
11:59:19 12:04:05 4 :10 BENEDICTUS
Wolfgang? My son? My son!
724
12:05:01 12:05:16 0 :15 SLIPPERY
Father.
725
12:05:20 12:14:02 8 :06 BENEDICTUS
Wolfy, this is your mother,
Theresa. Well, not the
Mother Theresa - but she is
your mother Theresa.
12:06:06 MS-2 BENEDICTUS AND
SLIPPERY - THERESE
ENTERS F/G.
726
12:17:12 12:19:15 2 :03
Hello Theresa
12:20:03 CU-2 BENEDICTUS AND
SLIPPERY.
727
12:20:11 12:30:05 9 :18 SLIPPERY
Meine mutter? Meine
mutter? Meine mutter?
German: My mother?
728
12:30:05 12:35:01 4 :20 THERESA
My son? My son! My prayers
have been answered.
12:00:12 MCU-2 BENEDICTUS AND
SLIPPERY. THEY
EMBRACE.
12:04:09 CU THERESE WALKS
FORWARD.
12:22:02 CU THERESE.
12:24:01 CU SLIPPERY STEPS
FORWARD.
12:26:22 CU THERESE.
12:28:15 CU SLIPPERY.
12:30:22 MCU-2 THERESE AND
SLIPPERY.
12:31:22 MCU SLIPPERY AND
THERESE EMBRACE.
51
12:33:14 MCU-2 THERESE AND
SLIPPERY IN EACH
OTHERS' ARMS.
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12:35:14 CU-2 ROSIE AND WILLIE.
SPOT
NO.
TC IN
TC OUT
109
DUR
CHARACTER
DIALOGUE
729
12:35:14 12:36:18 1 :04 ROSIE
Willie, you have a brother.
730
12:43:18 12:45:04 1 :10 SLIPPERY
I am an Aborigine!
12:53:03 MCU TADPOLE.
731
12:54:20 12:57:07 2 :11 TADPOLE
I got a story to tell if anyone
want to listen.
12:57:13 CU PASTOR FLAKKON.
732
12:58:08 13:04:04 5 :20
When I was young I got
married but my wife had a
child to another man.
13:04:18 CU PASTOR FLAKKON.
733
13:04:18 13:06:00 1 :06 PASTOR
FLAKKON
Where is that woman now?
13:06:04 CU TADPOLE TURNS TO
MS THERESE AND
OTHERS B/G.
734
13:08:16 13:09:19 1 :03 TADPOLE
That's her right there.
13:10:17 CU THERESE.
735
13:12:20 13:16:11 3 :15 THERESA
Stephen? Stephen Johnson.
13:16:11 CU TADPOLE.
736
13:18:01 13:23:08 5 :07 PASTOR
FLAKKON
He's returned to be saved.
No more drinking, no more
loose women.
737
13:23:08 13:24:17 1 :09 TADPOLE
No, no, no hang on a minute.
738
13:24:17 13:29:09 4 :16 THERESA
I never meant to do it,
Stephen. It was the devil's
work.
12:39:08 MS-2 SLIPPERY LOOKS
AROUND.
51
12:42:23 MCU SLIPPERY.
12:45:05 MS-3 SLIPPERY, THERESE
AND BENEDICTUS. THE
CONGREGATION CHEERS
B/G.
12:48:17 CU-2 SLIPPERY
EMBRACES THERESE,
THEN KISSES
BENEDICTUS.
12:58:19 MCU TADPOLE.
13:19:22 CU TADPOLE.
13:22:03 CU PASTOR FLAKKON.
13:23:07 CU TADPOLE TURNS TO
THERESE MS B/G.
51
13:27:01 TS GROUP, THERESE F/G.
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110
DUR
CHARACTER
DIALOGUE
13:30:00 MCU-2 BENEDICTUS AND
SLIPPERY.
13:32:03 CU TADPOLE WALKS
OFF.
51
13:33:06 CU THERESE.
739
13:33:12 13:34:06 0 :18
Where are you going?
13:34:10 MS TADPOLE WALKS
PAST BENEDICTUS,
FOLLOWED BY THERESE
THEN SLIPPERY.
740
13:34:13 13:35:14 1 :01 TADPOLE
I need a drink.
741
13:36:00 13:41:00 5 :00 THERESA
You don't need a drink,
Stephen. Wait for me. Wait
for me, Stephen.
742
13:38:21 13:44:16 5 :19 SLIPPERY
Mutti, my mutti … wait for
me. My mutti, my mutti …
German: mutti = mummy
743
13:47:08 13:47:16 0 :08 WILLIE
Mum?
744
13:48:06 13:52:06 4 :00 THERESA
Willie? What are doing here?
You're meant to be in
school.
745
13:53:00 13:53:18 0 :18
Did you bring him?
746
13:54:16 13:55:04 0 :12 BENEDICTUS
No.
747
13:55:17 13:56:21 1 :04 WILLIE
I ran away from Clontarf.
748
13:57:16 14:04:21 7 :05 THERESA
You run away! I work like a
dog, for you to study hard
and be a priest … and you
run away?!
13:43:06 TS BENEDICTUS AND THE
CONGREGATION FOLLOW.
13:46:08 MWS EVERYONE
APPROACHES AS WILLIE
STEPS INTO F/G.
13:48:23 MCU WILLIE.
13:50:01 FS GROUP, THERESE
CENTRE.
13:55:14 MCU WILLIE.
51
13:58:20 MCU THERESE.
14:03:04 MCU WILLIE.
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MUSIC
14:04:19 FS GROUP, THERESE
CENTRE.
SPOT
NO.
TC IN
TC OUT
111
DUR
CHARACTER
DIALOGUE
749
14:04:21 14:09:00 4 :03
And what are you doing with
that girl! Have you turned
your back on God?
14:08:23 MCU WILLIE.
750
14:09:00 14:10:02 1 :02 WILLIE
No Mum, I haven't.
14:09:21 MCU THERESE.
751
14:10:02 14:12:17 2 :15 THERESA
Oh Lord. Have you lost your
faith?
14:12:16 MCU WILLIE.
752
14:12:17 14:14:15 1 :22 WILLIE
No Mum, I just don't want to
be a priest.
14:14:16 CU BENEDICTUS.
753
14:15:19 14:19:07 3 :12 THERESA
I don't understand. What do
you want Willie?
754
14:19:07 14:28:06 8 :23 WILLIE
I want this! To be at home,
under the stars, fishing, to
be with you … and with my
girl, Rosie.
755
14:30:19 14:33:14 2 :19
God is here. This is heaven.
756
14:37:18 14:40:16 2 :22 THERESA
Well you better talk to your
father about what he thinks.
757
14:43:13 14:47:10 3 :21
No, not that Father, your
father - Stephen Johnson
Tadpole.
14:05:13 FS WILLIE PAST THERESE.
ROSIE APPROACHES B/G.
51
14:07:00 MCU THERESE.
14:16:05 MCU THERESE.
14:19:01 CU WILLIE.
14:26:23 MS-2 WILLIE AND ROSIE.
THEY HOLD HANDS.
14:30:17 CU WILLIE.
14:35:07 MS-2 WILLIE AND ROSIE.
14:37:09 MCU THERESE.
14:39:09 MS BENEDICTUS.
51
14:40:23 MS-2 WILLIE AND ROSIE.
WILLIE STEPS FORWARD.
14:43:03 MCU THERESE.
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MUSIC
SPOT
NO.
TC IN
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112
DUR
CHARACTER
DIALOGUE
14:44:14 FS GROUP, THERESE
CENTRE. TADPOLE IS
WALKING FORWARD,
THEN STOPS.
51
14:47:10 MCU TADPOLE TURNS.
14:48:14 MS-2 TADPOLE F/G,
WILLIE B/G.
758
14:48:23 14:49:08 0 :09 TADPOLE
Willie?
14:49:16 CU WILLIE.
759
14:49:17 14:50:17 1 :00 WILLIE
Uncle Tadpole?
14:56:15 CU TADPOLE EMBRACES
WILLIE CU.
760
14:56:16 14:57:06 0 :14 TADPOLE
Willie.
14:59:08 MS WILLIE AND TADPOLE
HUG, SLIPPERY RUNS IN
TO HUG THEM.
761
14:59:14 15:00:08 0 :18 SLIPPERY
My brother.
762
15:04:13 15:13:08 8 :19 BENEDICTUS
We are all one in the eyes of
God. We thank the Lord for
everything he provides and
for watching over his flock.
Amen.
15:10:08 CU ROXANNE F/G,
FAMILY B/G.
763
15:13:08 15:14:08 1 :00 ALL
Amen.
15:14:10 MCU ROXANNE LEANS TO
TOUCH LESTER F/G.
764
15:15:04 15:16:20 1 :16 THERESA
Come on you mob, the
soup's getting cold.
765
15:19:14 15:21:06 1 :16 ANNIE
Actually I've got another
confession.
14:51:05 MCU THERESE NODS.
14:52:02 MCU TADPOLE POINTS
AT HIMSELF,
QUESTIONING.
14:54:09 CU WILLIE.
INT. WILLIE’S HOUSE.
Everyone sits around the
table for dinner.
15:04:01 MWS FAMILY AROUND
TABLE, SAYING GRACE.
15:15:07 MCU THERESE, TADPOLE
B/G.
15:16:18 CU-2 ROSIE AND WILLIE
EAT.
51
15:18:01 MS-2 ANNIE AND
SLIPPERY.
15:19:14 MS-3 THERESE, TADPOLE
AND BENEDICTUS.
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112
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SHOT DESCRIPTION
MUSIC
15:21:20 MS ANNIE.
SPOT
NO.
TC IN
TC OUT
113
DUR
CHARACTER
DIALOGUE
766
15:22:15 15:31:20 9 :05
I was adopted out as a child.
All I remember is being
pulled from a sea of wailing
black faces and being raised
in the city to be white.
15:32:02 MCU ANNIE.
767
15:32:09 15:35:21 3 :12
Yet I'm one of you guys. I'm
an Aborigine too.
15:35:21 CU-2 ROSIE AND WILLIE.
768
15:37:13 15:38:23 1 :10 TADPOLE
You got to be kidding.
15:41:09 CU TADPOLE.
769
15:42:05 15:45:12 3 :07
Today, everyone’s an
Aborigine!
15:45:10 MWS GROUP AT TABLE.
770
15:45:12 15:47:19 2 :07 ALL
Yeah.
15:47:12 FS GROUP AT TABLE.
THEY ALL START
SINGING.
771
15:48:06 15:56:08 8 :02
There's nothing I would
rather be than to be an
Aborigine
and watch you take my
precious land away.
772
15:57:22 16:05:20 7 :22 ALL
For nothing gives me greater
joy
Than to watch you fill each
girl and boy
With superficial existential
shit.
51
15:30:06 MS-3 THERESE, TADPOLE
AND BENEDICTUS.
15:37:21 CU TADPOLE.
15:39:09 FS GROUP AT TABLE.
52
15:51:18 MCU-2 TADPOLE AND
THERESE.
15:54:22 CU-3 ROSIE, WILLIE AND
SLIPPERY.
15:55:23 FS GROUP AT TABLE.
EXT. FINALE MONTAGE.
15:57:22 MS-2 ROSIE AND WILLIE
DANCING, SURROUNDED
BY CONGREGATION,
TADPOLE AND
BENEDICTUS.
16:02:12 WS ABORIGINES ON
ROAD.
BRAN NUE DAE Post Production Script
113
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
16:05:17 MS-2 ABORIGINES WITH
FISH.
SPOT
NO.
TC IN
TC OUT
114
DUR
CHARACTER
DIALOGUE
773
16:07:16 16:17:01 9 :09
Now you may think I'm
cheeky but I'd be satisfied
to rebuild your convict ships
and sail you on the tide.
774
16:17:01 16:25:03 8 :02
There's nothing I would
rather be than to be an
Aborigine,
And dream of just what
heaven must be like.
775
16:26:16 16:34:19 8 :03
Where moth and rust do not
corrupt
When I die I know I'll be
going up,
Cos you know that I've had
my hell on earth.
52
16:07:17 TS PUB CROWD.
16:12:01 TS WILLIE, ROSIE AND
TADPOLE AMONG
CONGREGATION.
16:14:08 HA WS CROWD WITH
LEADS AT FRONT.
16:17:02 TS WILLIE, ROSIE AND
TADPOLE AMONG
CONGREGATION.
16:19:05 FS BETTY AT FRONT OF
HER SHOP.
16:21:15 FS LEADS, BENEDICTUS
CENTRE.
16:26:12 MS ROSIE AND WILLIE.
16:28:18 MCU ROSIE AND WILLIE.
16:30:19 HA WS CROWD WITH
LEADS AT FRONT.
16:35:02 MS BENEDICTUS DANCES,
CONGREGATION B/G.
16:37:12 TS BENEDICTUS' LEGS.
16:38:14 MS BENEDICTUS DANCES,
CONGREGATION B/G.
52
16:39:07 FS GROUP AT TABLE
PLAYING SPOONS.
BRAN NUE DAE Post Production Script
114
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
115
DUR
CHARACTER
DIALOGUE
16:40:06 MCU BENEDICTUS
PLAYING SPOONS.
16:41:03 MS BENEDICTUS DANCES,
CONGREGATION B/G.
52
16:41:19 FS BETTY DANCES WITH
SHOTGUN.
16:42:21 TS ABORIGINAL LEGS.
16:43:18 MS BENEDICTUS FAUX
FINALE.
16:44:13 MS-2 ABORIGINES WITH
FISH.
16:45:14 CU BENEDICTUS AT
TABLE.
776
16:45:18 16:59:18 14 :00
God gave us ten
commandments,
We know we are informed.
Judgement day is coming,
We're always being warned.
777
17:01:07 17:09:13 8 :06
There's nothing I would
rather be
Than to be an Aborigine
16:47:23 MS PAN ROSIE, WILLIE,
SLIPPERY DANCING.
16:51:00 FS CROWD, BENEDICTUS
CENTRE.
16:54:03 TS PUB CROWD.
16:57:01 HA WS CROWD WITH
LEADS AT FRONT.
16:59:13 FS BETTY RAISES HER
ARMS.
17:00:17 FS CROWD, BENEDICTUS
CENTRE.
17:01:19 FS BETTY DANCES.
17:03:09 FS CROWD, BENEDICTUS
CENTRE.
17:04:23 WS ABORIGINES ON
ROAD.
52
17:08:00 FS BETTY DANCES.
BRAN NUE DAE Post Production Script
115
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
17:09:13 FS CROWD, BENEDICTUS
CENTRE.
SPOT
NO.
778
TC IN
TC OUT
116
DUR
17:09:13 17:24:22 15 :09
CHARACTER
DIALOGUE
And watch you take my
precious land away.
No no no no And watch you take my
precious land away.
17:10:21 TS PUB CROWD.
52
17:12:13 FS CROWD, BENEDICTUS
CENTRE.
17:14:02 TS PUB CROWD.
17:14:21 WS ABORIGINES ON
ROAD.
17:15:23 FS CROWD, BENEDICTUS
CENTRE.
17:17:05 MS BETTY SINGS INTO
HER SHOTGUN.
17:18:19 FS CROWD, BENEDICTUS
CENTRE.
17:19:19 MCU ABORIGINES.
17:21:08 FS CROWD, BENEDICTUS
CENTRE.
17:22:16 FS ABORIGINES ON ROAD.
17:23:22 FS CROWD, BENEDICTUS
CENTRE.
17:24:23 MS-4 BENEDICTUS,
WILLIE, ROSIE, TADPOLE.
TIGHTEN TO MCU-2
WILLIE AND ROSIE.
52
17:27:09 HEART SHAPE WIPE
FRAMES THEM, THEN
WIPE TO BLACK.
BRAN NUE DAE Post Production Script
116
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
117
DUR
CHARACTER
DIALOGUE
17:29:17 START END CREDITS
53
779
17:49:01 19:32:12 103 :11LESTER SONG
LYRICS
(REPEATED)
On the way to a Bran Nue
Dae
Everybody everybody say
On the way to a Bran Nue
Dae
Everybody everybody say.
780
19:45:10 22:11:11 146 :01LESTER SONG
LYRICS
Nyul nyul girl
you’re the one I love
You're from Bilyard scrub
You’re the only one I love
54
Nyul Nyul girl
walking out at night
teeth shining white
ain’t nothing else in sight
Cos I love you, I'll love you
until
there's arrajina Djarindjin hills
arrajina ungarrabin goolil.
Nyul Nyul girl
I love you from your toes
To your gumbi nose
That’s just the way it goes
Cos I love you, now I'll love
you until
there's arrajina Djarindjin hills
arrajina ungarrabin goolil.
Yes I'll love you now I love
you until
there's arrajina Djarindjin hills
arrajina ungarrabin goolil.
55
781
22:14:08 24:50:07 155 :23JIMMY CHI SONG
LYRICS
This song is called Millya
Rumarra which means Bran
Nue Dae.
This fellas song is all about
the aboriginal people.
Solid people, black people
long Australia.
BRAN NUE DAE Post Production Script
117
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
118
DUR
CHARACTER
DIALOGUE
Here I live in this tin shack
Nothing here worth coming
back
To drunken fights and awful
sights
People drunk most every
night.
55
On the way to a Bran Nue
Dae
Everybody everybody say
On the way to a Bran Nue
Dae
Everybody everybody say.
We've nothing old, an
nothing new
want us all to be like you.
We've no future we have no
past
Hope the sun will shine at
last.
On the way to a Bran Nue
Dae
Everybody everybody say
On the way to a Bran Nue
Dae
Everybody everybody say.
Other day I bin go along to
social security
I bin asked for a job.
They would say 'What's your
working experience?'
I would tell them I got
nothing.
They say "How come?"
Just got rights after all the
wrongs
Still we find we don’t belong
Now they want to take it all
away
What kind this one this Bran
Nue Dae
55
On the way to a Bran Nue
Dae
Everybody everybody say
On the way to a Bran Nue
Dae
Everybody everybody say.
BRAN NUE DAE Post Production Script
118
24FPS TIMECODE
BRAN NUE DAE Post Production Script
TIMECODE IN
SHOT DESCRIPTION
MUSIC
SPOT
NO.
TC IN
TC OUT
119
DUR
CHARACTER
DIALOGUE
They bin talk about this kind,
that kind, any kind, every
kind,
but still same kind and boy,
make me sad ...
55
On the way to a Bran Nue
Dae
Everybody everybody say
On the way to a Bran Nue
Dae
Everybody everybody say.
They bin talk about this kind,
that kind, any kind, every
kind,
but still same kind and boy,
make me sad ...
Bran Nue Dae. Oooohhh!!
24:48:19 LAST FRAME IMAGE
BRAN NUE DAE Post Production Script
119
BRAN NUE DAE
END CREDITS
TIMECODE IN: 02:17:29:17
Bran Nue Dae
Based on the Stage Musical with Original Songs by
JIMMY CHI and KUCKLES
PATRICK DUTTOO BIN AMAT
JIMMY CHI
GARRY GOWER
MICHAEL MANOLIS MAVROMATIS
STEPHEN PIGRAM
Director
RACHEL PERKINS
Producers
ROBYN KERSHAW
GRAEME ISAAC
Screenplay
REG CRIBB
RACHEL PERKINS
JIMMY CHI
Executive Producers
CHRISTOPHER MAPP
MATTHEW STREET
DAVID WHEALY
Line Producer
TATTS BISHOP
Director of Photography
ANDREW LESNIE ACS, ASC
Editor
ROCHELLE OSHLACK
Production Designer
FELICITY ABBOTT
Choreographer
STEPHEN PAGE
Costume Designer
MARGOT WILSON
Bran Nue Dae songs producer
DAVID BRIDIE
Composer
CEZARY SKUBISZEWSKI
1st Assistant Director
TOBY PEASE
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 1
BRAN NUE DAE
END CREDITS
starring
ROCKY McKENZIE
JESSICA MAUBOY
ERNIE DINGO as Uncle Tadpole
with
MISSY HIGGINS
and
GEOFFREY RUSH
DEBORAH MAILMAN
TOM BUDGE
MAGDA SZUBANSKI
NINGALI LAWFORD-WOLF
STEPHEN BAAMBA ALBERT
DAN SULTAN
Cast
ROCKY McKENZIE Willie
JESSICA MAUBOY Rosie
ERNIE DINGO Uncle Tadpole
MISSY HIGGINS Annie
GEOFFREY RUSH Father Benedictus
DEBORAH MAILMAN Roxanne
TOM BUDGE Slippery
MAGDA SZUBANSKI Roadhouse Betty
NINGALI LAWFORD-WOLF Theresa
STEPHEN BAAMBA ALBERT Pastor Flakkon
DAN SULTAN Lester
JOSIAH PAGE Tommy
HUNTER PAGE Peter
SAMSON PAGE Daryl
DAYLE GARLETT Dorm Boy
PAULLY EDGAR Sam
SYLVIA CLARKE Woman on Beach
ALI TORRES Woman on Beach
FERDY MAUBOY Rosie’s Dad
ROWAN ALBERT Boy at Sun Pictures
EMMA SIBOSADO Rosie’s Gang
SOPHIE KELLY Rosie’s Gang
IRENE SHADFORTH Rosie’s Gang
KELTON PELL Mean Drunk
JIMMY EDGAR Footy Coach
TONY BRIGGS Scary Black Man
PETER WEST Lou (Policeman)
ROB GREENOUGH Bruce (Policeman)
BRODIE TAYLOR Barman (Broome)
DAMON LOCKWOOD Barman (Perth)
RICARDO DEL RIO Priest
NICK BRITTON Priest
MICHAEL SMITH Willie Stunt Double
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 2
BRAN NUE DAE
END CREDITS
Lester’s Band - Kuckles
PATRICK DUTTOO BIN AMAT MICHAEL MANOLIS
MAVROMATIS
GARRY GOWER
Roebuck Hotel Dancers
NGAIRE PIGRAM TARA GOWER
GINA RINGS PEGGY MISSI
DEBORAH BROWN WAANGENGA BLANCO
SERMSAH BIN SAAD TREVOR JAMIESON
SANI TOWNSON PERUN BONSER
DAVID PAGE RACHELLE WATKINS
Listen to the News Dancers
JIMMY EDGAR PETER FRANCIS
PHILLIP GREEN ROY WIGGAN
ROBERT DANN
BRADLEY ANGUS BRIAN BIN SAABAN
SERMSAH BIN SAAD WAANGENGA BLANCO
PERUN BONSER AARON BRAND
BHAN COPELANDI PATRICK GEORGE
LOWELL HUNTER LOUIS ISAAC
TERRANCE JACK (TJ) LEON JACKY
TREVOR JAMIESON MURRAY MANOLIS
HIROSHI MASATORA DAVID PAGE
SANI TOWNSON NAV YAPA
The Chooky Dancers
TERRY NUPURRA DARREN MATAN
ANGUS MALAKUNYA NATHAN GUYMANGURA
JASON YIRRMAL SIMON BAPADJAMBANG
Chooky Dancer’s Manager
JOSHUA BOND
Crew
Associate Producers GLENNIE ALLAN
ANDREA DISTEFANO
Production Manager JULIE SIMS
2nd Assistant Director DREW BAILEY
2nd 2nd Assistant Director BREEZE CALLAHAN
3rd Assistant Director EMMA GOODLAND
Additional Assistant Directors STUART MORRICE
CLAIRE BLAKE
LUKE HARDMAN
Director’s Assistant STEPHEN PAGE
Script Supervisor CHRISSIE O’CONNELL
Script Editor LOUISE GOUGH
Production Co-ordinator KELLY VINCENT
Travel Co-ordinator ANNA McDONNELL
Production Secretary BIATTA CZERKIES
Production Assistant (Perth) POPPY DOWLE
Production Runners (Broome) KARTIKA CHRISTOPHERS
JO HILLAERT
Production Runners (Perth) LIZ KEARNEY
DANIELLE FERNANDES
Additional Production Runners CRAIG MATHIESON
JEFF SKINNER
Additional Coordinator (Perth) NICK COPPING
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 3
BRAN NUE DAE
END CREDITS
Production Accountant (Shoot)
Additional Accountant (Broome)
Post Production Accounting
Accounts Assistant (Perth)
Art Director
Art Dept Co-ordinator
Set Decorator
Props Buyer/Dresser
Standby Props
Assistant Buyer/Dresser
Art Dept Assistants
Props Buyer/Dresser (Perth)
Assist Buyer/Dresser (Perth)
Assistant Scenic Artist
Graphic Artist
Construction Manager
Carpenters
Kombi Painter
Painter
Special Effects Co-ordinator
Vehicle Co-ordinator
Vehicle Co-ordinator (Perth)
Blacksmith
Snake Wrangler
Horse Wrangler
Camel Wrangler
Camera Operator/Steadicam
Focus Puller
“B” Camera Focus Puller
Clapper Loaders
Video Split Operator
Camera Attachment
Gaffer
Best Boy
3rd Electrics
4th Electrics
Additional Electrics/Grips
BRAN NUE DAE POST PRODUCTION SCRIPT
DIANNE BROWN
CHRISTINE ROBSON
KAT SLOWIK (MONEYPENNY
SERVICES)
KARI SCRUBY
SOPHIE NASH
SUE ELPHINSTONE
TANIA EINBERG
PETER MALATESTA
PETER KODICEK
MICHAEL MULHOLLAND
TERRANCE JACK (TJ)
SOPHIE BURKETT
ELOISE STUART
TANIA FERRIER
CHRIS HILL
KEN LAU
CAMERON STANTON
GLEN WEBSTER
MALCOM WARD
JEANNE BROWNE
CHRISTOPHER “FIN”
DOUGLAS
JABIN DICKENS
DANIEL PROCKTER
JUSTIN GRIFFITHS
WILL THOMAS
CHRIS MITCHELL
DEBORAH VINCENT
ALISON BIRD
SIMON HARDING
COLIN DEANE
CHRISTIAN LUXTON
INAKE DE UBAGO
MELISSA OZICH
PSEMBI KINSTAN
DEVINA McPHERSON
PAUL BOOTH
STEVE GRAY
GRANT WILSON
ARNHEM HUNTER
TIM GOODACRE
GAVIN COLE
MARK McCUMBER
DREW MERRIFIELD
CHRIS MITSKINS
STEVE BINNS
MICHAEL FILIPPIDIS
FABIAN ULRICH
TERRANCE McCOY
MARK WHITE
JOHN BATT
CREDITS 4
BRAN NUE DAE
END CREDITS
Additional Electrics/Playback Op
Additional Luggers
DAMIAN WATKISS
CLINT LAWRENCE
LEE JANKOWSKI
Key Grip
Best Boy Grip
Grip Assistants
WARREN GRIEEF
MICK RICH
MATT WOLTERS
GRANT FLETCHER
DANIEL MITTEN
COREY SMITH
Additional Grips
Sound Recordist
Boom Swinger
Cable Runner & Playback
Operator
Additional Playback Operator
SCOTT MONTGOMERY
IAN THOMSON
LOUIS ISAAC
Costume Supervisor
Costume Buyer
Standby Costume
Costume Assistants
LYN ASKEW
MARY-LOU DA ROZA
HELEN MATHER
LAUREN TRIVETT
JULIE BRYANT
LAUREN WIDDICOMBE
RENNE KIRSTENSEN
KATE GOODSUELL
WAAPA Costume Attachments
Casting
Extras Casting
Extras Casting Assistants
(Broome)
Additional Extras Casting
ScreenWest Producers
Attachments (Perth)
Screen Australia Director
Attachment (Broome)
Producer’s Assistants
Location Manager (Broome)
Assistant Locations Manager
(Broome)
Cultural Advisor
Cultural Advisor/Locations
(Broome)
Cultural Liaison Minyirr Park
Location Manager (Perth)
Key Make up
Hairdresser
Make Up Assistant
BRAN NUE DAE POST PRODUCTION SCRIPT
LEE UCICH
ROBYN KERSHAW
REBBECCA SARIAGO
MANDELA YU
MIKKA POELINA
JUB CLARKE
TARYNE LAFFAR
IRMA WOODS
GENEVIEVE GRIEVES
ALICE ANSARA
ALEKS RADOVIC
MIKE MONTAGUE
NICOLE OSTINI
JIMMY EDGAR
NEIL McKENZIE
MICHAEL CORPUS
TIM BURNS
KT CROCKER
ANNETTE SCAFFIDI
DANNI MILLER
CREDITS 5
BRAN NUE DAE
END CREDITS
Additional Hairdressers
Additional Make Up Assistant
Dance Tutor
MANDY CAHILL
KARTIKA CHRISTOPHERS
TINA COATE
HEATHER WYLES
ROMY VAN DEN BURG
PAULA MARZO
PAULINE MCLAUGHLIN
ALBA IOMMAZZO
TAHNYA STEVENSON
TISA CROCKER
SERMSAH BIN SAAD
Singing Teacher
LEA CULLENS
Dialogue Coach
School Tutor
CATH BANKS
TRACEY EVANS
Post Production Supervisor
MARC VAN BUUREN
1st Assistant Editor (Sydney)
1st Assistant Editor (Broome)
Additional Assistant Editor
Post Production Consultant
JEFF PARKER
KIMBERLY WEST
CHRISTINE CHEUNG
JANE MAGUIRE
Visual FX by
Executive Producer
Visual FX Producer
Visual FX Supervisor
Visual FX Co-ordinator
Senior Compositor
Compositors
ILOURA
SIMON ROSENTHAL
INEKE MAJOOR
PETER WEBB
GEORGIA SMITH
CHRIS BETTERIDGE
DOMINIC HELLIER
MATT OMOND
JARETT LEE
TOM KENEALLY
MICHAEL NIX
Digital Artists
VFX Assistant
Main Title Design Creative Director
Environments
Character Designer
Animator
Sound Post Production
Sound Designer
Dialogue Editor
Foley
ADR Recordists
Sound Mixer
Sound Post Production Manager
BRAN NUE DAE POST PRODUCTION SCRIPT
GLENN MELENHORST
JOSH SIMMONDS
KATE MOON
NICK TRIPODI
SOUNDFIRM AUSTRALIA
STEVE BURGESS
PETER MILLS
MARIO VACCARO
BLAIR SLATER
RALPH ORTNER
MICHAEL THOMPSON
LIESL PIETERSE
ANDREW NEIL
HELEN FIELD
CREDITS 6
BRAN NUE DAE
END CREDITS
Laboratory & Digital Intermediate
Services
Digital Producer
Digital Colourist
Digital Liaison
Senior Compositor
Compositors
I/O Supervisor
I/O Operators
“Making of” Director & Script
“Making of” Cinematographer
“Making of” Additional camera
“Making of” Editor
Video Post
Sound Post
Safety/Stunt Supervisor
Safety Supervisor
Safety Rigger
Unit Nurse
Caterer (Broome)
Caterer’s Assistants (Broome)
Caterer (Perth)
Unit Publicist
Stills Advisor
Press Kit
EPK
Stills Photographers (Broome)
Stills Photographer (Broome/Perth)
Stills Photographers (Perth)
Stills Photographer (Kununurra)
Assistant Unit Manager (Broome)
Assistant Unit Manager (Perth)
BRAN NUE DAE POST PRODUCTION SCRIPT
DELUXE AUSTRALIA
IAN ANDERSON
IAN LETCHER
PAUL CROSS
KASPAR ZWIRNER
KEVIN LYNCH
SARAH SPARNNEN
ROSS MITCHELL
JASON TURPIN
FRANCO DiCIERO
CHRIS BONZON
ADRIAN WILLS
CAMPBELL HYNAM-SMITH
TIM ALEWOOD
EUGENE PEREPLETCHIKOV
ANDREW SOO
THE LAB
CORNER POST
ROB GREENOUGH
PETER WEST
NARELLE SIMPSON
CATHERINE CONNOR
BLOOMS CAFÉ RESTAURANT
SHAMA VANVARIA
BUDDA TANGWEI
RONNIE ROE
ANSON JAN
BRIAN JAMES
LINDA COATES
VICTORIA BUCHAN
FRAN LANIGAN
SUE O’NEILL
ZEALOT
DOUGLAS KIRKLAND
NIGEL GAUNT
CAMPBELL HYNAM-SMITH
INGETJE TARDOS
MATT NETTHEIM
DAVID DARE PARKER
AVE GASSMAN
KIM GLADMAN
CHRIS VEERHUIS
CREDITS 7
BRAN NUE DAE
END CREDITS
Unit Assistants
Additional Unit Assistant
2nd Unit Director of Photography
2nd Unit Assistant Director
2nd Unit Focus Puller
2nd Unit Grip
Legal Services
Insurance
Completion Guarantor
Film Stock
LOCKIE PATTERSON
KIRAN WILSON
BILL MILLER
BOB LOOKER
MICHAEL McDERMOTT
RICHARD McGRATH
GAVIN HEAD
GREG STIRLING
NINA STEVENSON and
ASSOCIATES
NINA STEVENSON
SHEILA JAYADEV
MAUREEN BARRON
HW WOOD
TONY GIBBS
FILM FINANCES
ANNI BROWNING
FUJIFILM
Camera Equipment
Supplied by ARRI Australia Pty
Ltd
Stock Footage
ITN SOURCE
BRITISH PATHE/ITN SOURCE
Additional Cast Broome
Alby Abram
Brian Cox
Nathalie Ishiguchi
Dyann Pigram
Joseph Albert
Curtley Cox
Shayden Ishiguchi
Jesse Pigram
Julie Ann Alderman
Helena Cox
Catherine Jaenicke
Kelly Pigram
Angela Alibrando
Kathleen Cox
Brayden Janel
Leroy Pigram
Lara Alsop
Mark Cox
Lucas Karadada
Gallen Pilkington
Bradley John Angus
Yasmin Curran
Leonie Kelly
Katie Pinchas
Terry Armstrong
Robert Dann
Sandra Kelly
Danny Pinchas
Rachel Atkinson
Anthea Demin
Samantha Lambot
Kimberley Prado
Marcia Augustine
Ivan Dia
Levi Lani
Ellen Puertollano
John Badal
Albert Dolby
MinWah Leung
Rainer Raja
Caroline Bainbridge
Jillian Dolby
Jessica Lindsay
Louise Ray
Chantelle Ball
Imick Dolby
Kelly Loseby
Scott Robertson
Danielle Bangmorra
Patricia Edgar
Ken Lowth
Brian Saabin
Harold Bani
Jake Edwards
Wendy Lowth
Raymond Sahanna
Erikka Banks
Chris Edwards
Emer Lumba
Craig Sampi
Lillian Banks
Lydia Edwards
Robyn Lynch
Marley Sharp
Telsey Banks
Richard Fagen
Carlson Mandijalu
Steven Simpson
Sherrina Barker
Sarah-Jane Fagen
Leelah Martin
Kevin Spratt
Barry Bartlett
Samantha Fahey
Akira Masuda
Crystal Stacey
Chantelle Bartlett
Chloe Fahey
Evelyn Masuda
Mitch Stephenson
David Beech
Annika Farrell
Colleen Masuda
Jake Stephenson
Michael Beines
Mary Farrell
Jonno Matsumoto
Jackie Stephenson
Katrtina Bellemore
Cara Farrell
Terrance McCoy
Marcie Sterner
Kevin Billy
Omar Farrell
Liam McKenzie
Jamie Taylor
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 8
BRAN NUE DAE
END CREDITS
Corey Billycan
Ben Floyd
Michael McKenzie
Dimity Telfer
Sally Bin Demin
Yasmin Fogliani
Marlley McNamara
Michael Torres
John Bin Salleh
Kelly Francis
Reanne McPhee
Tornina Torres
Christie Bishop
Mark Freeman
Robyn Metledge
Leah Valente
Gary Bonney
Olive Freeman
Jemma Milne
Soleil White
Margo Boyle
Paddy Freeman
Caitlyn Morrison
Ulanda White
Kerry Bryant
Emily Fryer
Rosalie Moulding
Vicki White
Brennon Charlie
Warren Fryer
Kaiesha Nanudie
Lloyd Wilridge
Maxine Charlie
Juanita Gower
Ebony Orazi
Mark Wungundin
Gabriel Chi
Floyd Grant
Elizabeth Ostini
Louie Yanawana
Jhi Clarke
Kristopher Hamaguchi
Mihkel Paapsi
Narelle Young
Craig Clements
Kim Harris
Ray Paul
Coco Yu
Mark Coles Smith
Jedda Hill
Marlika Perdrisaf
Shonelle Yungabun
Matilda Connor
Prince Hill
David Phillips
The Masuda Gang
Bianca Cook
Terry Hunter
Bart Pigram
Quilon Councillor
Candy Ishiguchi
Clare Pigram
AJ Cox
Dasia Ishiguchi
David Pigram
Michael Thorne-Blenkinsopp
Big thanks to the rest of the Broome Mob
Music – Songs and Score
Songs Produced & Arranged by
Kuckles Music Supervisor
Recorded & Mixed by
Studios
Drums
Guitars
Bass Guitar
Double Bass
Brass
Cello
Violins/Violas
BRAN NUE DAE POST PRODUCTION SCRIPT
DAVID BRIDIE
MICHAEL MANOLIS
MAVROMATIS
TIMOTHY COLE
STUDIO 44 BROOME
THE ENORMODOME
NORTHCOTE
ANTHONY SHORT
DAVE FOLEY
GREG PATTEN
ALAN PIGRAM
DAN SULTAN
MANNY MAVROMATIS
MICHAEL MANOLIS
MAVROMATIS
PHIL WALES
ROSS HANNAFORD
STEPHEN PIGRAM
PATRICK BIN AMAT
PAUL CARTRIGHT
DEAN ADDISON
ADAM HUTTERER
KEN GARDNER
MATTHEW HABBEN
FRANCESCA MOUNTFORT
HELEN MOUNTFORT
AARON BARNDEN
ANDREA KEEBLE
ATTILA KUTI
ERKKI VELTHEIM
SUSIE NG
SHARNI WILLIAMS
XANI KOLAK
CREDITS 9
BRAN NUE DAE
END CREDITS
Accordion
Keyboards
Strings Arranged by
Brass Arranged by
Programming by
Chorus Vocals
Spensely Street School Choir
DAVID ABUISO
DAVID BRIDIE
DAN SULTAN
DAVID BRIDIE
HELEN MOUNTFORT
ADAM HUTTERER
TIMOTHY COLE
ALBERT BEVAN
ALLISON TORRES
DAVID BRIDIE
EMMA SIBOSADO
JIMMY EDGAR
KERRIANNE COX
KIRK PAGE
NAOMI PANAIA
NGAIRE PIGRAM
NINGALI LAWFORD
PAUL CARTRIGHT
SERMSAH BIN SAAD
STEPHEN BAAMBA ALBERT
STELLA BRIDIE
SURI BIN SAAD
STEPHEN PIGRAM
SYLVIA CLARKE
HAEZAN VROLAND
MATTHEW LYNAS
HUGH THOMSON
GEORDIE ANDERSON
RHODES
OLLIE DYSON
PAM WESTWOOD
Original Music Composed and Produced by CEZARY SKUBISZEWSKI
 2009 Albert Music (APRA)
Assistant Composer
Orchestrations
Brass Arrangements
Choral Arrangements
JAN SKUBISZEWSKI
ROB JOHN
DARYL McKENZIE
DAVID ASHTON SMITH
Performed by the BRAN NUE DAE GYPSY ORCHESTRA
and the ASHTON SMITH SINGERS OF AUSTRALIA
Recorded and Mixed by ADAM RHODES
at SING SING STUDIOS MELBOURNE, AUSTRALIA
Original Music from the BRAN NUE DAE Stageplay
ALL THE WAY JESUS
Performed by Jessica Mauboy
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
BRAN NUE DAE POST PRODUCTION SCRIPT
IF I GAVE MY HEART
Performed by Jessica Mauboy
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
CREDITS 10
BRAN NUE DAE
END CREDITS
SEEDS THAT YOU MIGHT SOW
Performed by Dan Sultan
Written by
Chi/Manolis/Pigram/Gower/Bin
Amat
Licensed by Universal Music
Publishing Pty Limited
LIGHT A LIGHT
Performed by Jessica Mauboy &
Brendon Boney Written by Jimmy
Chi
Licensed by Universal Music
Publishing Pty Limited
CHILD OF GLORY
Performed by Bob Faggetter
Written by Jimmy Chi
Recording licensed by Jimmy
Chi Pty.Ltd. for Kuckles
Licensed by Universal Music
Publishing Pty Limited
NOTHING I WOULD RATHER
BE
Performed by Brendon Boney
Arrangement and Production
Cezary Skubiszewski
Brass Arrangement by Daryl
McKenzie
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
LONG WAY AWAY FROM MY
COUNTRY
Performed by Ernie Dingo
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
AFTERGLOW
Performed by Missy Higgins
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
LISTEN TO THE NEWS
Performed by Ernie Dingo
Written by Chi/Manolis/Gower
Licensed by Universal Music
Publishing Pty Limited
BRAN NUE DAE
Performed by Dan Sultan
Written by Chi/Manolis
Licensed by Universal Music
Publishing Pty Limited
FEEL LIKE GOING BACK
HOME
Performed by Ernie Dingo &
Missy Higgins
Written by Stephen Pigram
Licensed by Universal Music
Publishing Pty Limited
BLACK GIRL
Performed by Dan Sultan &
Brendon Boney
Written by Jimmy Chi
Publishing Jimmy Chi Pty Ltd
NOTHING I’D RATHER BE
(Finale)
Performed by The Cast
Written by Jimmy Chi
Licensed by Universal Music
Publishing Pty Limited
BRAN NUE DAE – Millya
Rumarra recording
Vocals by Jimmy Chi
Written by Chi/Manolis
Performed and arranged by
Kuckles
Recording licensed by Jimmy
Chi Pty Ltd. for Kuckles
Licensed by Universal Music
Publishing Pty Limited
NYUL NYUL GIRL
Performed by Dan Sultan
Written by Jimmy Chi
Licensed by Universal Music Publishing Pty Limited
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 11
BRAN NUE DAE
END CREDITS
Additional Songs
SIX WHITE BOOMERS
Performed by Rolf Harris
Courtesy of EMI Records Ltd
Under license from EMI Music
Australia Pty Limited
Written by Rolf Harris/John D.
Brown
©1960 EMI Music Publishing
Australia Pty Limited
for the World
ZORBA’S DANCE
Produced by David Bridie
Written by Mikis Theodorakis
©1965 EMI Miller Catalog Inc.
STAND BY YOUR MAN
Performed by Jessica Mauboy
Written by Sherrill/Wynette
GOD SAVE THE QUEEN
Vocal David Bridie
Arr/Hanson/Oehrl B
KPM 0574
 EMI Al Gallico Music Corp.
Administered by J Albert & Son Pty
Limited
Used with permission
All rights admin. and Licensed
by EMI
Catalogue Partnership Australia
Pty Limited
Thank You
The filmmakers wish to thank the Yawuru and Djugan Yawuru people of Broome, the Djaber Djaber, Nyul
Nyul and Bardi people of the Dampier Peninsular, the Karajarri people, the traditional owners of the West
Kimberley Region, The Miriwoong people of Kununurra and the Nyoongah people of Perth for
permission to film on their country.
Script Development
Thanks for script advice from Guillermo Arriaga, Merata Mita, Alison Tilson, Tony Ayres, Ray Lawrence,
Paddy Cunneen, Long Black, Arista/Screen Tasmania/Screen Australia, Michael Brindley
Broome Thanks
The producers are grateful for the assistance and support from the Yawuru Native Title Holders
Aboriginal Corporation and the Kimberley Land Council, the people of the Beagle Bay Community, the
Beagle Bay Catholic Church, the Broome Anglican Church, the Shire of Broome, Nirrumbuk Aboriginal
Corporation, Goolarri Media, Kevin Fong, Dot West, Jodie Bell and The Goolarri Board, Marion Joyce,
Marilynne Paspaley, the students from St Mary’s High School and Broome Senior High School, Broome
Camel Safaris – The Camels in Blue! Streeter and Male, Roebuck Plains Station, Carol Martin, Francoise
Kirkland, Johanna and Terry McGuirk, Broome Historical Society, State Library of Western Australia
Battye Library Bill Reed, Bishop Chris Saunders, Pat Dodson, Jackie Turfrey, Peter & Sarah Yu, Albert
Bevan, Kerry-Anne Cox, Peter Bibby, Marissa Ferrez, Vicki Thompson
Perth Thanks
Clontarf Aboriginal College, Peter Hann, Sue Riegert and Governor Stirling High School, Wayne Morrow
and Swan View Senior High School, Porters Paints, VW Kombi Club – WA,
University of Western Australia, University of Notre Dame Australia
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 12
BRAN NUE DAE
END CREDITS
Thanks to our supporters
Ruth Harley, Ross Matthews, Sally Riley, Scott Meek, Tait Brady
Christopher Mapp, Matthew Street, David Whealy and Manisha Goyal,
Ian Booth, Harry Bardwell, Liz Sward, Debra Miller
Miranda Dear, Kim Dalton,
Claire Dobbin, Richard Moore, Mark Woods
Jenni Tosi, Sue Edwards
Sue Milliken, Helen Watts, Steve Ransohoff, Kurt Woolner
Hilary Davis, Stephen Kelliher, Phil Hunt and the Bankside Team
Mike Selwyn, Brian Rosen
Richard Payten, Andrew Mackie
Alaric McAusland, Gordon McPhail, Anthos Simon
Roger Savage
Ann Churchill-Brown, Sue Muggleton, David Champion, John Watson, Tracey Silvester, Helen Pandos
Buzz Thompson, Darren Dale, Jill Munro, Priscilla McKenzie
Swinburne University School of Film & Television, Outsight Pty Ltd
Bangarra Dance Theatre
Special Thanks
Martin Nunn, Peter Kirby, Jack & Spike for their love and generosity with Chez Georgina, Jill Bilcock,
Jane Menelaus, Marion Pilowsky, Jason Moody, Paul Dainty and the team at DCE, Anousha Zarkesh,
David Field, Alan White, Matt LeNevez, Deborah Kurtz Casting Inc (Los Angeles), Alex Keay, Alex White,
Selin Yaman, Sally Hussey, Lousje Skala, Jane Tewson, Sarah Bond, Susan Moyland Coombs, Trevor Graham, Cyrille
Carron, Sarah Watt, Charlotte Hannah, Ron Grey, Lorraine Kershaw, Terrie Kershaw, Debbie Philpot, Darya
Bishop, Jan Palmer, Bill Davis, Jackie McKimmie
In Memory Of
Duncan Campbell, John Sahanna, Stanley Mirrindo, Lindsay Cox, Paddy Roe, Peter Angus, Sandy
Paddy, Father Francis, Bobby McCloud, Brian Syron, Oodgeroo Noonuccal, Justine Saunders, Rob Riley
This film began life as a stage musical and we thank the following for their creative and
financial contributions
Stage Play Script Development
Andrew Ross, Peter Bibby, Marita D’Arcy, Aboriginal National Theatre Trust, Aboriginal Arts Board, Jack
Davis, Richard Walley
Broome Musicians Aboriginal Corporation, Marion Granich, Ali Torres, Sue Smith, Bran Nue Dae
Productions Aboriginal Corporation Ronny Carter, Peter Yu, Stephen Albert, Patrick Bin Amat, Jimmy
Chi, Garry Gower, Michael Manolis Mavromatis, Stephen Pigram
Key Supporters/Personnel
Maria Mann, Peter Strain, Duncan Campbell, Jill Munro, Chris McGuigan
The Board and Managements of the Western Australian Theatre Company and Black Swan Theatre Company
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 13
BRAN NUE DAE
END CREDITS
Funding Bodies and Patrons
Australia Council Performing Arts Board, Australia Council Aboriginal Arts Board, Department for
Aboriginal Affairs, Aboriginal Affairs Planning Authority WA, Department for Employment Education and
Training, WA Department for the Arts, Ansett WA, Lord Alistair McAlpine, Janet Holmes à Court, BHP,
Bill Reed, Cable Beach Club
First Production Festival of Perth 1990
Andrew Ross, Duncan Ord, Bran Nue Dae Productions, WA Theatre Company, Michelle Torres-Hill,
John Moore, Ernie Dingo, Bob Faggetter, Lynda Nutter, Alan Charlton, David (Walla) Sampi, Stephen
(Baamba) Albert, Maroochy Barambah, Rohanna Angus, Sylvia Clarke, Josie (Ningali) Lawford, Michael
Leslie, Della Morrison, Vanessa Poelina, Patrick Bin Amat, Duncan Campbell, Alan Pigram, Stephen
Pigram, Phillip Pigram, Robert Juniper, Cordula Albrecht, Garry Snowdon, Pam McDonald
1990 Tour
Rohanna Angus, John Moore, Stephen Albert, Bob Faggetter, Lynda Nutter, Alan Charlton, Jimmy
Edgar, Sylvia Clarke, Rasidah Bin Omar, Cecelia Dann, Josie (Ningali) Lawford, Michael Leslie, Delia
Morrison, Ricky Hajinoor, Brian Saaban, Patrick Bin Amat, Arnhem Hunter, Sue Irvin, Michael Manolis,
John Sahanna, Richard Mellick, Joe Angus
National Tour 1993
Heath Bergerson, Trevor Jamieson, Alice Haines, Ali Torres, James Hancock, Stephen (Baamba) Albert,
Steve Kidd, Leah Purcell, Jimmy Edgar, Sylvia Clarke, Syvanna Doolan, Jac Hill, Djunawong Stanley
Mirindo, John Collard, Brett Dimer, Vanessa Johnson, Lynette Lewis, Josie (Ningali) Lawford, Brian
Saaban, Richard Talonga, Ali Torres, Stephen Pigram, Alan Pigram, Patrick Bin Amat, Phillip Pigram,
Duncan Campbell, Sue Irvin, Pam Farrell, Kathy Edgar, Chong Lim, Steve Nolan, Michael Leslie, Lindsay
Field, John Scandret & System Sound Pty Ltd, Don Eikhoff, Brett Lyons, Duncan Ord, Dean Morris,
Richard Mellick, Tanya Dytelwyski-Socorro, Pam McDonald, Cathryn Ashton, Justine Coultham, Jerome
Barfield, Frances Andrijich, Jeff Busby, Robert Frith, Richard Woldendorp, St George Cathedral Perth,
Janet Holmes à Court
For inspiration and encouragement in the very early years Kuckles thanks
The Broome Arts Group, Geoff Buchan, Centre for Aboriginal Studies in Music, Auntie Leila, Ben Yengi,
Big Terry at the Roebuck, Franky Martin, Tony Bin Sali, Donny D’Antoine
For the Recordings many thanks to
Ric Van de Velte, Shane Howard, Chaz Garnett and Poon’s Head, John Villani, Wayne Barker, Stephen
Pigram, Michael Manolis
Kuckles appreciates the support of the following people and organisations
Kimberley Aboriginal Law and Culture, Mamabulanjin, Goolarabooloo, Paddy Roe, Paul Sampi, Peter
Angus, Sandy Paddy, Elizabeth Puertollano, Father Francis, Father John Lummen, Christian Brothers at
Aquinas and Clontarf, St John of God Nuns, The Tommy Moore Boys, Dr Carmen Lawrence, Jim
McGinty, Tony Hutchinson, Individuals and businesses in Broome who supported the 1990 production at Sun
Pictures, Bill Reed, Kim Male, Ron Johnson, Shire of Broome, Currency Press, Magabala Books, Charlie
Giglia, Peter DuCane, Phillip Hedley, Frankel Lawyers, Sue Milliken, Seng Fai Chan,
Chinatown Music, Gaye Wotherspoon, Troppo Sounds, Mick Connolly, Raena Lea Shannon, Michael
Frankel, UMG Music, Richard Walley, Oodgeroo Noonuccal (Kath Walker), Ernie Dingo, Brian Syron, Wal
Saunders, Justine Saunders, Stephen Page, Ron Richards, Daryl Kickett, Anna Haebich, Maxine Chi,
Rob Riley, Northern Building Company, Tom Zubryski, Jim Shipstone
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 14
BRAN NUE DAE
END CREDITS
DOLBY
DTS
DELUXE AUSTRALIA
BRAN NUE DAE was developed in association with
The Indigenous Branch of Screen Australia
SCREENWEST and LOTTERYWEST
and
Film Victoria
was developed and produced in association with the
AUSTRALIAN BROADCASTING CORPORATION
Produced with the financial assistance of
THE MELBOURNE INTERNATIONAL FILM FESTIVAL (MIFF) PREMIERE FUND
Executive Producer MARK WOODS
An initiative of the State Government of Victoria, Australia
Produced with the assistance of
FILM VICTORIA
Produced with the assistance of
SCREENWEST AND LOTTERYWEST
Production financed with the assistance of
OMNILABMEDIA
MAYFAN FILMS
and
ROBYN KERSHAW PRODUCTIONS
Principal Investor
Screen Australia
Filmed on location in Broome, Kununurra and Perth.
NO ANIMALS WERE HARMED IN THE MAKING OF THIS MOTION PICTURE.
THE ANIMALS FEATURED IN THIS PRODUCTION WERE HANDLED WITH
CARE AND CONCERN FOR THEIR SAFETY AND WELLBEING.
THE CHARACTERS AND EVENTS DEPICTED IN THIS MOTION
PICTURE ARE FICTIONAL. ANY SIMILARITIES TO ACTUAL PERSONS LIVING
OR DEAD, OR TO ANY OTHER ACTUAL EVENTS, FIRMS, AND INSTITUTIONS OR
OTHER ENTITIES IS COINCIDENTAL AND UNINTENTIONAL.
THIS MOTION PICTURE IS PROTECTED UNDER THE LAWS OF THE UNITED STATES OF AMERICA
AND OTHER COUNTRIES, AND ITS UNAUTHORIZED DUPLICATION, DISTRIBUTION OR
EXHIBITION MAY RESULT IN CIVIL LIABILITY AND CRIMINAL PROSECUTION.
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 15
BRAN NUE DAE
END CREDITS
COPYRIGHT © 2009 ALL TERRITORIES OF THE WORLD
Screen Australia, ScreenWest Inc., Film Victoria, Filmfest Limited,
BND The Film Pty Ltd & Bran Nue Dae The Film Pty Ltd
ALL RIGHTS RESERVED
(ISAN Barcode logo)
COUNTRY OF FIRST PUBLICATION
AUSTRALIA
TIMECODE OUT : 02:24:48:19
BRAN NUE DAE POST PRODUCTION SCRIPT
CREDITS 16
MUSIC CUES
24fps continuous timecode
BRAN NUE DAE
TRACK NO.
TIMECODE IN
TIMECODE
OUT
TRACK TITLE
1
2
3
4
5
6
7
8
9
10
11
12
13
14
00:08:00
00:09:00
00:50:00
02:25:00
02:54:00
04:13:00
05:17:00
07:59:00
08:38:00
09:08:00
09:57:00
11:13:00
12:44:00
13:46:00
00:49:00
00:50:00
02:55:00
02:35:00
03:40:00
04:35:00
07:21:00
08:38:00
09:08:00
09:40:00
11:13:00
11:28:00
13:48:00
14:30:00
BND OPENING TITLES
ALL THE WAY JESUS VOCAL OVER SCORE
ALL THE WAY JESUS
JESS AS VENUS
BND LOVE THEME 1
IF I GAVE MY HEART TO YOU
SEEDS THAT YOU MIGHT SOW
BND LOVE THEME 2
JAZZ IN CINEMA
GOD SAVE OUR QUEEN
LONGING THEME
BACK AT SCHOOL
CHILD OF GLORY
MEMORIES OF BROOME
15
16
17
18
19
20
21
22
23
24
25
26
27
15:41:02
16:06:02
17:57:02
18:59:02
19:17:02
19:57:02
21:28:02
23:20:02
24:04:02
25:38:02
27:21:02
29:53:02
31:16:02
16:06:02
17:36:02
18:37:02
19:17:02
19:28:02
20:57:02
23:16:02
24:04:02
25:28:02
26:30:02
28:47:02
30:48:02
31:31:02
SCORE INTRO LIGHT A LIGHT
LIGHT A LIGHT
NIGHT ADVENTURE
FATHER BENEDICTUS IS COMING
BND THEME
THEFT AND PILLAGE
THERES NOTHING I WOULD RATHER BE
LONGING THEME 2
LONG WAY AWAY FROM MY COUNTRY
LONG WAY AWAY FROM MY COUNTRY
UNCLE STEVEN
MONEY
COMBI VAN
28
29
30
31
32
33
34
35
33:36:21
35:34:21
38:38:21
39:53:21
40:51:21
42:33:21
45:15:21
46:45:21
35:07:21
37:51:21
39:53:21
40:18:21
41:06:21
44:40:21
46:46:21
47:45:21
TITLE MUSIC
FEEL LIKE GOING BACK HOME
RUN, RUN, RUN
KRISHNA
DANCE OF THE FLIES
AFTERGLOW
I’M GOING TO BROOME
ZORBA’S DANCE
36
37
38
39
40
41
42
43
44
48:33:16
51:24:16
52:34:16
54:20:16
54:36:16
56:27:16
57:59:16
02:15:16
04:06:16
50:12:16
52:24:16
54:07:16
54:36:16
55:32:16
57:25:16
00:28:16
03:50:16
06:06:16
BLACK GIRL
CONDOM TREE
THE RESCUE
6 WHITE BOOMERS
MY COUSIN BROTHER
ARRESTED
LISTEN TO THE NEWS
TODAY IS A BRAN NUE DAE
STAND BY YOUR MAN
BRAN NUE DAE POST PRODUCTION SCRIPT
MUSIC CUES
24fps continuous timecode
BRAN NUE DAE
TRACK NO.
45
46
47
48
49
50
51
52
53
54
55
TIMECODE IN
07:01:09
07:31:09
08:18:09
09:25:09
09:47:09
11:03:09
10:48:09
15:47:09
17:29:09
19:34:09
22:13:09
BRAN NUE DAE POST PRODUCTION SCRIPT
TIMECODE
OUT
07:31:09
08:18:09
09:10:09
09:47:09
10:39:09
11:12:09
15:46:09
17:29:09
19:34:09
22:13:09
24:51:09
TRACK TITLE
IT’S TOO LATE
THE DUEL
ALL THE WAY JESUS
ALL THE WAY JESUS
BND LOVE THEME 3
ALL THE WAY JESUS
THE REVELATIONS
NOTHING I WOULD RATHER BE (FINALE)
BRAN NUE DAE
NYUL NYUL GIRL
BRAN NUE DAE MILLYA RUMARRA