and DEPARTMENT OF THEATER present URINETOWN THE MUSICAL Greg Kotis book & lyrics Mark Hollmann music & lyrics Jamie Horton director Keith Coughlin co-director, choreographer Kevin A. Smith music director Michael Ganio scenic designer Julie Solomon ’17 associate scenic designer Laurie Churba costume designer Dan Kotlowitz lighting designer Todd J. Hendricks sound designer Students in THEA 41 stage managers This performance is made possible in part through generous support from the Drew Dudley 1933 Memorial Endowment, the Michael Ellis 1939 Fund, the George E. Frankel 1931 Fund, the Frank L. Harrington 1924 Fund No. 4, the Goddard Lieberson Memorial Fund and the A. Robert Towbin 1957 Fund. URINETOWN is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI (www.MTIShows.com). URINETOWN was produced on Broadway in September, 2001 by the Araca Group and Dodger Theatricals in association with TheaterDreams, Inc., and Lauren Mitchell. Friday & Saturday, February 17 & 18 • 8 pm Thursday-Saturday, February 23-25 • 8 pm Sunday, February 19 & 26 • 2 pm 2017 • The Moore Theater • Dartmouth College CAST (IN ORDER OF APPEARANCE) Officer Lockstock������������������������������������������������������������������������������������������������� Zachary Gottschall ’20 Penelope Pennywise������������������������������������������������������������������������������������������������������� Naomi Lazar ’17 Bobby Strong������������������������������������������������������������������������������������������������������ Robert Scott Cueva ’17 Little Sally�������������������������������������������������������������������������������������������������������������������������� JoJo Boyle ’20 Hope Cladwell������������������������������������������������������������������������������������������������������������������Liza Couser ’17 Officer Barrel����������������������������������������������������������������������������������������������������������Brad Bartholomai GS Senator Fipp����������������������������������������������������������������������������������������������������������������Owen O’Leary ’19 Mr. McQueen����������������������������������������������������������������������������������������������������������� Matthew Treiber ’18 Old Man Strong���������������������������������������������������������������������������������������������������������������� Matt Burke ’19 Tiny Tom�����������������������������������������������������������������������������������������������������������������Gabriel Jenkinson ’20 Soupy Sue�����������������������������������������������������������������������������������������������������������������������Lela Gannon ’18 Little Becky Two Shoes���������������������������������������������������������������������������������������������� Virginia Ogden ’18 Robby the Stockfish���������������������������������������������������������������������������������������������������������Eni Oyeleye ’20 Billy Boy Bill���������������������������������������������������������������������������������������������������������������Brooke Bazarian ’20 French Jenny������������������������������������������������������������������������������������������������������������������ Claire Feuille ’18 Poor Man�������������������������������������������������������������������������������������������������������������������������Ryan Schiller ’17 Poor Woman������������������������������������������������������������������������������������������������������������������Rachel Webb ’19 Caldwell B. Cladwell������������������������������������������������������������������������������������������������������Ryan Spector ’19 Dr. Billeaux�������������������������������������������������������������������������������������������������������������� Tess McGuinness ’18 Mrs. Millenium������������������������������������������������������������������������������������������������������ Danielle Piacentile ’17 Urine Good Company (UGC) Executives���������������������������������Rachel Beck ’19, Jessica Campanile ’20, Ava Giglio ’19, Katelyn Pan ’17, Samantha West ’20 Cops.................................................................. Rachel Beck ’19, Jessica Campanile ’20, Ava Giglio ’19, Tess McGuinness ’18, Katelyn Pan ’17, Samantha West ’20 Josephine Strong�����������������������������������������������������������������������������������������������������������Rachel Webb ’19 Hot Blades Harry�������������������������������������������������������������������������������������������������������������Ryan Schiller ’17 Rebel��������������������������������������������������������������������������������������������������������������������������������� Matt Burke ’19 Rebel Ensemble................................................ Rachel Beck ’19, Jessica Campanile ’20, Ava Giglio ’19, Tess McGuinness ’18, Katelyn Pan ’17, Samantha West ’20 ORCHESTRA Conductor/Keyboard�������������������������������������������������������������������������������������������������������� Kevin A. Smith Bass................................................................................................................................... Paul Desmarais Drums........................................................................................................................ Christopher Roberts Reed....................................................................................................................................... Katie Runde Trombone.....................................................................................................................Matthew Hodgson Panel Discussion—Our Dystopian Moment: 2017 and the Politics of Urinetown tue FEB 21 • 4:30 pm • TOP OF THE HOP • Free Director Jamie Horton, Dartmouth Music Professor Steve Swayne and University of MassachusettsAmherst theater scholar Daniel Sack discuss how the dystopian vision of Urinetown resonates for audiences today. Cast members will perform a brief excerpt from the show. Reception follows on the Urinetown set. Post-Performance Discussion fri FEB 24 • THE MOORE THEATER • Free You are invited to remain in the theater immediately following the performance for an informal discussion with the director and members of the cast. MUSICAL NUMBERS ACT ONE Scene 1: Amenity #9, the poorest, filthiest urinal in town Urinetown���������������������������������������������������������������������������������������������������������������������������������� Company It’s a Privilege To Pee���������������������������������������������������������������������������������������������� Pennywise, The Poor It’s a Privilege To Pee (Lockstock’s Reprise)����������������������������������������������� Officer Lockstock, The Poor Scene 2: The good offices of Urine Good Company Mr. Cladwell.................... Caldwell B. Cladwell, Mr. McQueen, Dr. Billeaux, Hope Cladwell, UGC Staff Scene 3: A street corner Cop Song���������������������������������������������������������������������������������� Officer Lockstock, Officer Barrel, Cops Follow Your Heart..................................................................................... Hope Cladwell, Bobby Strong Scene 4: Amenity #9, the poorest, filthiest urinal in town Look at The Sky�������������������������������������������������������������������������������������������������Bobby Strong, The Poor Scene 5: The good offices of Urine Good Company Don’t Be the Bunny��������������������������������Caldwell B. Cladwell, Senator Fipp, Mr. McQueen, UGC Staff Scene 6: Amenity #9, the poorest, filthiest urinal in town Act I Finale�������������������������������������������������������������������������������������������������������������������������������� Company • FIFTEEN-MINUTE INTERMISSION • ACT TWO Scene 1: A secret hideout What Is Urinetown?.......................................................... Little Becky Two Shoes, Caldwell B. Cladwell, Bobby Strong, Little Sally, Officer Lockstock, The Poor Scene 2: A secret hideout Snuff That Girl........................................................Hot Blades Harry, Little Becky Two Shoes, The Poor Run, Freedom, Run.............................................................................................Bobby Strong, The Poor Follow Your Heart (Reprise)���������������������������������������������������������������������������������������������� Hope Cladwell Scene 3: The good offices of Urine Good Company Why Did I Listen to That Man?.......................................... Pennywise, Senator Fipp, Officer Lockstock, Officer Barrel, Hope Cladwell Scene 4: A secret hideout Tell Her I Love Her........................................................................... Little Sally, Bobby Strong, The Poor Scene 5: Various We’re Not Sorry������������������������������������������������������������������������������������������������������������������������ Company I’m Not Sorry (Reprise)...........................................................................Pennywise, Caldwell B. Cladwell I See a River������������������������������������������������������������������������������������������������������������������������������ Company The videotaping or other video or audio recording of this production is strictly prohibited. NOTE FROM THE DIRECTOR “Hail Malthus!” Who is this Thomas Robert Malthus and when does he make his appearance in Urinetown? And why? Underneath the satire and silliness of this play (Jamie Lloyd, director of the 2015 London production, said that “it must surely count as one of the oddest musicals ever conceived,” though he, too, loved it), there lie fundamentally serious questions about sustainability, corporate greed and the nature of rebellion. These are issues that resonate strongly at this moment in our history. In what some scientists call the Anthropocene age of our planet (where humans have become the predominant influence on the environment)—an age in which, ironically and dangerously, denials of science and its warnings are all too prevalent—the play takes satiric stabs at everyone, even its “heroes.” I have loved this musical since I first saw it in 2003, because of the boldness of the questions it asks, certainly, but even more so because of the brilliance of its form—its wit, its sense of humor about itself, and its biting, entirely modern, no-holds-barred approach to what Malthus first proposed in his Essay on the Principles of Population in 1798. An 18th-century essay on population. Hmm. As Little Sally herself might have said: “Doesn’t that sound like a great idea for some fun?” Welcome to Urinetown, The Musical! We dedicate this production of Urinetown to the memory of Reed Latrowski ’15. Reed, we salute your indomitable spirit, your life and your love of the theater. ABOUT THE CREATIVE TEAM Jamie Horton director, before joining the Dartmouth faculty as Associate Professor of Theater in 2006, was a principal actor and director with the Tony Award-winning Denver Center Theatre Company (DTDC) for twentythree years. He played over eighty leading roles on the DCTC stages and was an active part of the company’s new play development program. Directing and acting work have taken him to other theaters around the country, including the Creede Repertory Theatre, the Commonweal Theatre Company, the Mark Taper Forum, the Cleveland Play House, and, closer to home, the New London Barn Playhouse and Northern Stage, where he played George Orwell in the world premiere of Orwell in America (written and directed by Dartmouth colleagues Joe Sutton and Peter Hackett, respectively). That production went on to an Off-Broadway run at 59E59 Theater in New York City in October 2016. He had a twenty-year association with the National Theatre Conservatory’s MFA program as adjunct teacher, leading master classes in acting, directing student projects, and mentoring dozens of young actors making their transition into the professional theater. ABOUT THE CREATIVE TEAM He has worked extensively in film, television and radio as actor, screenwriter and producer. He was the recipient of a Fox Foundation Fellowship in 2003. Professor Horton teaches acting and directing, and is the current Director of Theater. Directing credits at Dartmouth include Julius Caesar, Stop Kiss, The Liar, Spring Awakening and In the Next Room (or the vibrator play). Keith Coughlin co-director and choreographer has worked as a performer, director, choreographer and master class teacher across the country. Choreography: The Mystery of Edwin Drood (NH Theatre Award, Best Choreography 2015), Singin’ in the Rain (NH Theatre Award, Best Choreography 2013), Ragtime (NH Theatre Award, Best Choreography 2012), The Drowsy Chaperone (NH Theatre Award, Best Choreography 2011), Pirates of Penzance (NH Theatre Award, Best Choreography 2010), Clifford the Big Red Dog Live (US National Tour), Hairspray, Spring Awakening, Chicago (Dartmouth College), Mary Poppins, Into the Woods, White Christmas (Northern Stage), Legally Blonde, Guys and Dolls, South Pacific, Thoroughly Modern Millie!, The Wizard of Oz (New London Barn Playhouse). Directing/ Choreography: Crazy for You (Moss Hart Award for Excellence in Theater-Professional Division 2016), The Mystery of Edwin Drood (NH Theatre Award nomination, Best Musical 2015), Kiss Me Kate (NH Theatre Award nomination, Best Musical, 2014), The Drowsy Chaperone (Cape Repertory Theatre), Click Clack Moo! (Theatreworks, US National Tour). Associate Choreography: The Toxic Avenger (Outer Critics Circle Best Off-Broadway Musical, 2009), Radio City Christmas Spectacular (Detroit Company). He is the Producing Artistic Director of the New London Barn Playhouse and also serves as a Visiting Lecturer in the Department of Theater. Special thanks to my family and friends for their CONTINUED unending support and, of course, Sarah, Samuel (our beautiful three-month old son), and Luna (our black Labrador), I couldn’t do it without you. Kevin A. Smith music director is a native of Omaha, Nebraska and recently graduated with a double master’s degree from Southern Illinois University in Carbondale, Illinois. New York City credits include: Theater 2020’s production of A Little Night Music and Three Act Theater’s production of Next to Normal. Regional credits include: McLeod Summer Playhouse’s productions of Hairspray, Spamalot, The Sound of Music, Chicago and Annie. Smith has been music director at The Rose Theater for the past eight seasons; productions include Mary Poppins, Tarzan, Joseph and the Amazing Technicolor Dreamcoat, Seussical, The Wizard of Oz and Cinderella. In his free time Smith has performed as a professional chorister with Opera Omaha and under the baton of early music legends Helmuth Rilling and Ton Coopman at Carnegie Hall. He has alsperformed with Abendchor (Lincoln, NE), Sounding Light (Ann Arbor, MI) and Spire Chamber Ensemble (Kansas City, MO). Michael Ganio scenic designer recently joined the Theater Department faculty at Dartmouth while maintaining an active professional career in the American theater. Most recently he designed The Death of a Salesman for American Players Theatre, A Raisin in the Sun for Seattle Repertory Theatre and All My Sons for The Repertory Theatre of Saint Louis. In January, he made his debut at Northern Stage where he designed the world premiere of Trick or Treat. This summer the new 700-seat theater he designed for American Players Theater will host its first performances in Spring Green, Wisconsin. His work has been seen nationally at Milwaukee Repertory, The Denver Center, The Center Theatre Group, Chicago Opera Theater, and ABOUT THE CREATIVE TEAM Portland Opera, among performing arts companies. other American Julie Solomon ’17 associate scenic designer is a theater major and English minor from Washington, DC. After taking Scene Design I her freshman winter, she assisted Georgi AlexiMeskhishvili on two MainStage productions (In the Next Room and Romeo and Juliet) and designed the sets for seven student productions, including Mud, Merrily We Roll Along and For Colored Girls. This year she is thrilled to be working with Michael Ganio on Urinetown as an independent study project. In addition to her work on Urinetown, she is conceiving, designing and co-directing a thesis production, titled Away This Night, to be produced this spring. Influenced by feminist and immersive theater traditions, Away This Night explores gender and space through scenes from three Shakespeare plays featuring women that cross-dress. After she graduates this spring she plans to move to New York to pursue a career in the arts. Laurie Churba costume designer has worked extensively in NYC and throughout regional theater as a costume designer in theater, television and film for over twenty-four years. She was on the design team at Saturday Night Live for eleven seasons where she designed costumes for commercial parodies, short films and celebrity photo shoots as well as live skits. She has also been a designer for various independent and feature filmsshot in and around New York. Broadway: The Price. Regional theaters: Mark Taper Forum, Huntington Theatre, Old Globe, Williamstown Theatre Festival, Berkshire Theater Festival, Arena Stage, Syracuse Stage, Geva Theatre, Westport Country Playhouse, Pittsburgh Public Theater, CONTINUED Goodspeed Opera House and Northern Stage. Laurie serves as faculty costume designer and associate professor in the Theater Department at Dartmouth College. lauriechurba.com Dan Kotlowitz lighting designer joined the Theater Department faculty in the winter of 1995. He is currently the Leon E. Williams Professor of Theater and designs lighting and projections for Theater Department MainStage productions. He served as Chair of the Department from 2011 until 2016, and has also been the Melville Strauss Fellow and Petit Family Fellow. In 2008 he was awarded the John M. Manley Huntington Memorial Award for outstanding teaching and research. Professor Kotlowitz has designed lights for over 250 professional productions. He recently designed A Doll’s House at the Huntington Theatre, and Macbeth and A Christmas Carol (lighting and projections) at Northern Stage. He is currently working on a new play, Faithful Cheaters, at Trinity Repertory Company. His work has been seen in New York at the New York Shakespeare Festival, Manhattan Theatre Club, Julliard Theater, Primary Stages, Playwrights Horizons, The Astor Place, The Promenade Theatre, The Joyce Theater, Serious Fun! Festival at Lincoln Center and the New Federal Theatre. He has designed in LORT theaters all over the country including: Centerstage, Hartford Stage, Long Wharf, Huntington Theatre, Trinity Repertory, La Jolla Playhouse, Cincinnati Playhouse in the Park, Berkeley Repertory Theater, Milwaukee Repertory Theatre, Berkshire Theatre Festival, and the George Street Playhouse. His design work for performance artist Diamanda Galas has been seen nationally and internationally. Professor Kotlowitz teaches Lighting Design, Composition for the Theater and Creativity and Collaboration. ABOUT THE CREATIVE TEAM Todd Hendricks sound designer is a sound designer, composer and musician who enjoys working in the theater. Todd has worked at off-Broadway and regional theaters as a sound designer and engineer and toured for three years with the John F. Kennedy Center for the Performing Arts Educational Theatre program. As a musician, he has performed in pit and symphony orchestras across the country, including performances in 40 states CONTINUED as bassist on the 25th Anniversary tour of Ain’t Misbehavin’. He currently holds the Master Sound Technician position at Dartmouth College’s Hopkins Center for the Arts and is co-owner of the company Wireless Mic Belts. Todd has an MFA in Sound Design from the University of California, Irvine and a bachelors in music from Southwestern University. toddjhendricks.com. PRODUCTION TEAM Director of Theater�������������������������������������������������������������������������������������������������������������� Jamie Horton Production Manager����������������������������������������������������������������������������������������������� Jennifer Collins Hard Production Stage Manager����������������������������������������������������������������������������������������� Kathleen Cunneen Technical Director����������������������������������������������������������������������������������������������������������������Jason Merwin Assistant Technical Director/Master Carpenter������������������������������������������������������������������ Scott Henkels Master Electrician/Carpenter����������������������������������������������������������������������������������������������� Joel Giguere Costume Shop Manager�����������������������������������������������������������������������������������������������������Jennifer Bilbo Master Dyer/Stitcher�������������������������������������������������������������������������������������������������������������� Joan Morris Cutter/Draper������������������������������������������������������������������������������������������������������������������������Anna Winter Department Administrator���������������������������������������������������������������������������������� Maggie Devine-Sullivan Academic Assistant����������������������������������������������������������������������������������������������������������������� Sarah Case Acting Academic Assistant����������������������������������������������������������������������������������������������� Milena Zuccotti Stage Managers........Nic Bergen ’20, Cameron Buxton ’19, Jordyn Fitch ’20, Maya Frost-Belansky ’20, Annie Furman ’19, Kerrigan Quenemoen ’20, Veronica Williamson ’17 Audio Engineer���������������������������������������������������������������������������������������������������������������� Todd Hendricks Audio Assistant��������������������������������������������������������������������������������������������Tegwyth Alderson-Taber ’17 Dance Captains������������������������������������������������������������������������������������Lela Gannon ‘18, Katelyn Pan ‘17 Follow Spot Operators.................................................................... Lydia Freehafer ’18, Will Maresco ’19, Kyla Mermejo-Varga ’17, Danielle Midulla ’16 Assistant to the Directors�����������������������������������������������������������������������������������������������Virginia Cook ’18 Costume and Wardrobe Crew����������������������������������Mychaela Anderson ’20, Jacqueline Crawford ’17, Maya Frost-Belansky ’20, Spencer Jorgensen ’17, Sophia Kinne ’20, Armando Ortiz ’19, Veronica Williamson ’17 Set and Prop Crew................ JoJo Boyle ’20, Cameron Buxton ’19, Annie Furman ’19, Alanna Hall ’20, Daniel Lein ’19, Will Maresco ’19, Kyla Mermejo-Varga ’17, Victoria Rowe ’17, Students in THEA 40* Lighting Crew����������������������������������������������������������������������������������� Students in THEA 40* & THEA 44** PRODUCTION TEAM CONTINUED Light Board Operators........................ Radheshwar Arora ’18, Jolene Berangene ’19, Victoria Rowe ’17 Backstage Crew........................................................................................................ Geovanni Cuevas ‘14 Theater Office Workers��������������������������������������������������������Kyla Mermejo-Varga ’17, Julie Solomon ’17 *THEA 40 Students............................Tegwyth Alderson-Taber ’17, Glen Brickman ’17, Liza Couser ’17, Leslie Duncan ’17, Lydia Freehafer ’18, Lela Gannon ’18, Darius George ’17, Brian Giegerich ’18, Alvin Heumann ’18, Thomas Latta ’18, Sarah Latuilpe ’17, David Mannes ’17, Moriah Morton ’17, Virginia Ogden ’18, Danielle Piacentile ’17, Ryan Schiller ’17, Justin Schlacks ’17 **Students in THEA 44.............Radheshwar Arora ’18, Jolene Bernagene ’19, Anup Chamrajnagar ’18, Robert Cueva ’17, Zachary Gottschall ’20, Heder Hayat ’18, Naomi Lazar ’17, Darryl Mobley Jr. ’19, James Rhodes ’19, Victoria Rowe ’17, Monik Walters ’19 SPECIAL THANKS Mali-Agat A. Obomsawin ’18 Stephen Langley and the Music Department Dry cleaning by Roger’s Fabricare, Servicing Carpet King & Tile, Norwich, VT Department of Theater TRIFLES by Susan Glaspell sat MAR 4 • 8 pm sun MAR 5 • 2 pm • WARNER BENTLEY THEATER Kelleen Moriarty ’19 director; Claire Feuille ’18 stage manager FREE Susan Glaspell’s one-act play is presented in a staged reading. SENIOR SPRING IN THE DARTMOUTH THEATER DEPARTMENT Each spring the Theater Department celebrates its majors and minors by producing culminating projects—often in the form of productions in the Bentley or Moore Theater. Join us as we bid farewell to our remarkable students and honor their artistry and contributions. For more information, visit theater.dartmouth.edu. We look forward to sharing our pride in their journeys with you. For tickets or more info, call the Box Office at 603.646.2422 or visit hop.dartmouth.edu. Share your experiences! #HopkinsCenter Royal Shakespeare Company in HD THE TEMPEST sat MAR 4 • 7 pm • SPAULDING AUDITORIUM Simon Russell Beale stars in this groundbreaking production, which uses motion-capture technology to fully realize the magic in Shakespeare’s play. Exhibition on Screen in HD REMBRANDT sun MAR 5 • 4 pm • LOEW AUDITORIUM A behind-the-scenes look the London National Gallery and Amsterdam Rijksmuseum exhibits which highlight pieces from the master painter’s final years. WAKKA WAKKA PRODUCTIONS MADE IN CHINA fri MAR 31 • 8 pm sat APR 1 • 8 pm • THE MOORE THEATER Obie-winning puppet troupe addresses human rights, consumerism and American-Chinese relations in this biting musical comedy. Recommended for ages 16 and up. Adult language, puppet nudity. DARTMOUTH DANCE ENSEMBLE fri & sat MAY 25 & 26 • 8 pm • THE MOORE THEATER Led by two New York City-based choreographers, the ensemble performs original works by John Heginbotham, Rebecca Stenn and ensemble member Philip Montana, plus one by Beyoncé collaborator Darrell Grand Moultrie— with the music of Bartók, Byrd and Biber sung and played by Dartmouth musicians. For tickets or more info, call the Box Office at 603.646.2422 or visit hop.dartmouth.edu. Share your experiences! #HopkinsCenter DEPARTMENT OF THEATER FACULTY AND STAFF Peter Hackett, Avalon Foundation Professor in the Humanities Daniel Kotlowitz, Leon E. Williams Professor of Theater Laura Edmondson, Associate Professor of Theater, Chair Jamie Horton, Associate Professor of Theater, Director of Theater Laurie Churba, Associate Professor of Theater Mara B. Sabinson, Associate Professor of Theater Michael Ganio, Assistant Professor of Theater Irma Mayorga, Assistant Professor of Theater Woon-Ping Chin, Visiting Professor of Theater Carol Dunne, Senior Lecturer James Goodwin Rice, Senior Lecturer Joseph Sutton, Senior Lecturer Keith Coughlin, Lecturer Kathleen Cunneen, Lecturer, Production Stage Manager/Advisor Melinda Evans, Lecturer Jennifer Collins Hard, Lecturer, Production Manager Chante Mouton Kinyon, Lecturer Christian Kohn, Lecturer Jason Merwin, Lecturer, Technical Director Scott Henkels, Assistant Technical Director/Master Carpenter Joel Giguere, Master Electrician/Carpenter Jennifer Bilbo, Costume Shop Manager Joan Morris, Master Dyer/Stitcher Anna Winter, Cutter/Draper Maggie Devine-Sullivan, Department Administrator, Theater/Hopkins Center Sarah Case, Academic Assistant, Theater/Hopkins Center Milena Zuccotti, Acting Academic Assistant, Theater/Hopkins Center HOPKINS CENTER DIRECTORATE Maria Laskaris ‘84 Interim Director Jay Cary ‘68, T’71 Business and Administrative Officer Joseph Clifford Director of Audience Engagement Margaret Lawrence Director of Programming Joshua Price Kol ‘93 Director of Student Performance Programs/ Interim General Manager Sydney Stowe Acting Director of Hopkins Center Film HOPKINS CENTER BOARD OF OVERSEERS Austin M. Beutner ’82, P’19 Kenneth L. Burns H’93 Barbara J. Couch Allan H. Glick ’60, T’61, P’88, GP’19 Barry Grove ’73 Caroline Diamond Harrison ’86, P’16, P’18 Kelly Fowler Hunter ’83, T’88, P’13, P’15, P’19 Please turn off your cell phone inside the theater. R Robert H. Manegold ’75, P’02, P’06 Michael A. Marriott ’84, P’18 Nini Meyer Hans C. Morris ’80, P’11, P’14 Chair of the Board Laurel J. Richie ’81 Trustee Representative Jennifer A. Williams ’85 Assistive Listening Devices available in the lobby. D A RT M O UTH RECYCLES If you do not wish to keep your playbill, please discard it in the recycling bin provided in the lobby. Thank you.
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