CAJUN FOLK SONGS
MVT. II – BELLE
FRANK TICHELI
q = 152-­‐160
12 5 F Major 3 + 2 17 31 Sand blocks begin rhythmic theme that will be consistent throughout piece Accented sustain in bsn, cl 1, tsax m. 3 – rhythmic, accented line in ob 1, asax 1 Syncopated, accented melody in fl, picc, ob 1, cl 1, asax 1 SupporKng rhythmic line in ob 2, cl 2 Sand blocks conKnue m. 20 – steady accented, syncopated line in cl 3, tsax Melody in tsax, hrn, tbn, euph 8th note osKnato in fl, tpt DoMed quarter/half note line in ob, cl m. 35 sus cym roll from p Tu+ cresc to ff in m. 37 22 Melody in tpt 1 – st. mute Decresc sustain in ob, bsn, cl 2, asax 1, tbn 1, cl 3 Sand blocks osKnato conKnues m. 11 – accented, syncopated 8th note line in cl 2, tpt 2 28 Melody in fl, cl 1, asax 1 Accented, syncopated 8th note osKnato in ob 1, cl 2 m. 26 – decresc to p into m. 27 44 37 Tu+ ff accented quarters m. 38 – driving 8ths in fl, ob, cl, asax, tsax, tpt, hrn, xylo m. 39 – heavily accented beat 3 in bsn, bcl, cbcl, low brass PaMern modulates and repeats into m. 44 Melody in fl 1, ob SupporKng syncopated line in ob 2, cl 1 Sand blocks rhythm becomes simpler m. 15 sustained doMed half in fl, ob, cl 1, cl 3, tsax Melody in fl, ob 8th note osKnato in cl 1, 2, asax Tambourine with 8th note rhythmic figure m. 30 – picc single 8th notes – xylo outlining melody Accented melody at f in fl, ob 1, cl 1, 2 Single note rhythmic line outlining melody in ob 2, cl 3, acl, asax Sustain in bsn, bcl, cbcl, bsax, low brass m. 51 – cresc quarter notes from p to ff – sus cym joins 52 64 Accented f quarters m. 53 – “call” in fl 1, cl 1 syncopated 8th note line – answer in accented quarter notes – bsn, bcl, cbcl, tsax, bsax, tpt, hrn, low brass m. 58 – melody back in fl, supporKng rhythmic line in ob, cl 3, asax m. 62 – syncopated 8th note melody in picc, fl, cl 1, 2 82 74 88 92 rit.-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐ q = c. 88 Tu+ ff Moving, syncopated accented 8ths – bsn, acl, bcl, cbcl, bsax, low brass Single note, syncopated accented 8ths – fl, ob, tsax, tpt, xylo m. 83 beat 3 – 16ths in picc m. 85 – accented quarters in asax, hrn – sustain with decresc into m. 87 m. 86 – trill in cl, rit into m. 88 Subito p then crescendo poco a poco Building syncopated 8th note line – beginning in ob, cl 1, 2, asax m. 75 – accented quarters building m. 76 – fl, asax, xylo with accented, syncopated 8ths m. 78 – building with ob, cl m. 79 – passed to tsax, hrn, tbn 1 m. 80 – in fl, ob, cl, xylo – pushing 16th note line into m. 82 at ff Accented quarters m. 65 – syncopated melody in asax, tsax, hrn – call Answer in bsn, acl, bcl, cbcl, low brass accented quarters SupporKng doMed line in cl m. 69 – tpt 1 with melody – m. 72 picc, fl, xylo joins to finish phrase Tenuto secKon – smooth quarters in tsax, hrn, euph Sustained cl trills into fermata Fl 1, 2 alternaKng each measure with trill Tu+ mp Tempo Io Melody in st. mute tpt 1 DoMed, rhythmic line supporKng melody in bsn 1 Steady 8th notes on marimba 96 101 Melody restated in fl, asax DoMed rhythmic supporKng line in euph, tuba Staccato single 8th note line in bsn Sustain in cl 2, 3, acl, bcl, cbcl, tsax St. muted tbns – alternaKng 8th note line Casts. enter with rhythm outlining melody 114 110 Melody in fl, ob 1, cl 1 Single note rhythmic outline of melody in ob 2, tpt, hrn 1 Steady 8ths in marimba Light, rhythmic tambourine m. 104 – melody in asax, tsax, hrn 2, tbn 1 – doMed quarter rhythm in fl, ob, tpt 120 Steady 8ths in hrn Moving quarters in asax 1, then bsn, tsax, bsax, tbn 2, 3, euph, tuba, Kmp – then back to asax DoMed quarters in asax 2, tpt, tbn 1 m. 118 – perc cresc from mf to f – Kmp, tom toms with 8th and 16th note line – sus cym roll – BD doMed quarter/8th Melody in ob, cl – picc, fl joins in m. 112 Single note rhythmic outline in asax, tsax Sustain in bsn, acl, bcl cbcl, bsax, tbn 2, 3, euph tuba Casts. with quarter/8th note line 126 Tu+ ff Melody in picc, fl, cl, tpt 1, xylo DoMed half/doMed quarter line in bsn, acl, bcl, cbcl, tsax, bsax, tpt 2, 3, low brass m. 121 – “rips” in asax, hrn G.P. Asax, tsax trill Sus cym roll – p cresc to ff Steady 8ths – ff -­‐ beginning in tpt 2, beat 2 – ob 1, hrn 1, tbn 1 – beat 3 – fl 1 m. 127 – 8ths conKnue in tpt 1 m. 130 – G.P. m. 131 – tu+ fff syncopated 8th note line m. 132 – rip in picc, tbn, xylo