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Volume 1.1, 1971
Statement of Purpose adopted by the Historians Film Committee, Dec 29, 1970
Film News: AHA Feature Film Project; Computers and Film Research; British
Films
Jackson, Martin A. (Book Review) Films Beget Films by Jay Leyda (1964)
Source Notes: Sources of Film and Ideas for their Effective Use
Film Reviews: A Child is Dying; Williamsburg; The Story of a Patriot; Durer and
the Renaissance; Night and Fog
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Volume 1.2, 1971
Film News: The Matsunaga Bill, HR35
Source Notes: Guides to educational films and filmstrips
Film Reviews: The World Turned Upside Down; The Blue Angel; The Life of
Emile Zola
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Volume 1.3, 1971
Questionnaire Report on use of film by members of the Historians Film
Committee
Film News: Introduction of Bill HR 9700 (a National Film Center and Archive); the
American Anthropological Association and Ethnographic Film Program
Source Notes: The British Universities Film Council, and the journal University
Vision
Film Reviews: Of Peoples and a Vision; The Spanish Armada; The Twisted
Cross; You Are There; The Salem Witch Trials; Truman versus McArthur; The
Inheritance; The Forgotten American
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Volume 1.4, 1971
Wreszin, Michael. An Essay on Joe Hill
Film News: Reports on Documentary symposiums and workshops
Source Notes: List of University Media Centers
Film Reviews: Yankee Doodle Dandy; The Migrant; Decision to Drop the Bomb
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Volume 2.1, 1972
Small, Melvin. Motion Pictures and the Study of Attitudes: Some Problems for
Historians
O’Connor, James E. The Documentary Film for Historians: An Appreciation of
Public Television
Hanke, Louise and Jane M. Loy. Films on Latin America: A Project
Rubini, Dennis. History through Film: Issues in Western Tradition
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Volume 2.2, 1972
Griffin, Patrick. Film Document and the Historian
Griffin, Patrick. The Making of Goodbye Billy
Schoenbaum, David. Kuhle Wampe: An Expression of Communism in the
Weimar Republic
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Cripps, Thomas. Circumstances Within Our Control: Television as a Synthesizer
of Multi-Media Teaching Resources
Stults, Taylor. History Through Film: The Teacher
Humphrys, Barbara. The Archivist
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Volume 2.3, 1972
Leab, Dan J. From Sambo to Super Spade: The Black in Film
Murphy, William T. Film at the National Archives: A Reference Guide
Samuels, Stuart. History through Film: Film as Social and Intellectual History
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Volume 2.4, 1972
Smith, Arthur. Filming the Past at Colonial Williamsburg
Schuursma, Rolf. Film & History in the Netherlands
Herman, Gerald. History through Film: Making Multi-Media Lectures for
Classroom Use
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Volume 3.1, 1973
Aldgate, Athnony. British Newsreels and the Spanish Civil War
Sorrell, Richard. History through Film: Films and American Civilization
Godfrey, Donald. History Held a Microphone
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Volume 3.2, 1973
Oehling, Richard. Germans in Hollywood Films: The Changing Image 1914-1939
Gilson, Gary. Film & History Interview; Costa Gavras
Hirshfield, Claire. History Through Film: Film and American History
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Volume 3.3, 1973
Rollins, Peter and Harris J. Elder. Environmental History in Two New Deal
Documentaries
Stumpf, Vernon O. Film Propaganda and British Films
Schleh, Eugene P.A. Modern War and Its Images
Curtis, James C. and J. Joseph Huthmacher. The American Dream on Film
Sakmyster, Thomas L. History and Films of East Europe
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Volume 3.4, 1973
Reilly, Kevin. Save the Last Tango for History
Holmes, Larry. History through Film: The History of Civilization Since 1660
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Volume 4.1, 1974
Licata, Sal. From Plymouth Rock to Hollywood in Film and Dance: Yankee
Mythology in the Film Musical
Hirshfield, Claire. Teaching History to the Disadvantaged College Student: A
History Through Film Approach
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Volume 4.2, 1974
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Vanderwood, Paul. Film & History Interview with Sidney Pollack
Oehling, Richard. Germans in Hollywood Films: Part II
Rollins, Peter. Document & Drama in Desert Victory (1943)
LeGacy, Arthur. Images of the City: Teaching History through
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Volume 4.3, 1974
Kagan, Norman. Two Classic Silent Era War Films: Birth of a Nation & Shoulder
Arms
Oehling, Richard. Germans in Hollywood Films: Part III
Hughes, William. The Propagandist’s Art
Vanderwood, Paul. History through Film
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Volume 4.4, 1974
Burns, E. Bradford. Conceptualizing the Use of Film to Study History: A BiblioFilmography
Blewett, Mary. Women in American History: A History through Film Approach
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Volume 5.1, 1975
Vanderwood, Paul. Latin America in Ferment: The Vision of Saul Landau
Mraz, John. Lucia: History and Film in Revolutionary Cuba
Woll, Allen L. The Dilemma of Juarez (1939)
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Volume 5.2, 1975
Menig, Harry. Woody Guthrie: The Columbia and the Bonneville Power
Administration
Documentary Hydro
Quart, Leonard and Paul Rabinow. The Ethos of Mean Streets (1973)
Plesur, Milton. Movies and Modern American Society
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Volume 5.3, 1975
Murray, Lawrence L. Feature Films and the American Revolution: A Bicentennial
Reappraisal
Isenberg, Michael T. World War I Film Comedies and American Society: The
Concern with Authoritarianism
Hanlon, Lindley P. Film Document and the Myth of Horst Wessel: A Sampler of
Nazi Propaganda
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Volume 5.4, 1975
West, Elliott. Good Guys, Bad Guys: The Movie Western and the Popular Mind
Cripps, Thomas. Film: The Historians’ Dangerous Friend
Garton, Joseph. Lookiing Back on The Best Years of Our Lives (1946)
Weinberg, Sydney. Jan Pittman’s Story
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Volume 6.1, 1976
Murphy, William T. John Ford and the Wartime Documentary
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Bird, Keith. History through Film
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Volume 6.2, 1976
Hey, Ken. “Someday This Will Be Ours”: Automobile Consciousness and the
American Film
Travers, Timothy. The Shape of Things to Come: H.G. Wells and Radical Culture
in the 1930’s
Aldgate, Tony. Guernica and the Gaumont British Newsreel
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Volume 6.3, 1976
Penna, Anthony N. and Mathias von Brauchitsch. The Design and Teaching of
Dramatic Films
An Approach to Values Education
Hundley, Patrick D. People of the Cumberland (1937): An Attempt at Synthetic
Documentary
Volume 6.4, 1976
Horowitz, Robert F. Between a Heartache and a Laugh: Two Recent Films on
Immigration
Meerse, David E. To Reassure a Nation: Hollywood Presents World War II
Harvey, Richard. Film in the Classroom: A Comment
Volume 7.1, 1977
Rollins, Peter C. The Making of Will Rogers’ 1920’s
Welsh, James M. and Steven Philip Kramer. Film & History Interview: Peter
Watkins (Part 1)
Therapeutic Cinema and the Repressive Mind (Part 1)
Loy, Jane. Simon Bolivar
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Volume 7.2, 1977
Pettit, Arthur. Viva Zapata! A Tribute to Steinbeck, Kazan and Brando
Welsh, James M. and Steven Philip Kramer. Film & History Interview: Peter
Watkins (Part 2)
Therapeutic Cinema and the Repressive Mind (Part 2)
Botjer, George F. Nationalism on Film: A Seminar Appraisal
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Volume 7.3, 1977
Gustafson, Richard. The Vogue of the Screen Biography
Quart, Leonard. Altman’s Metaphoric America
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Volume 7.4, 1977
Brauer, Ralph. The Fractured Eye: Myth and History in the Westerns of John
Ford and Sam Peckinpah
Firestone, Bruce M. A Man Named Sioux: Nostalgia and the Career of William S.
Hart
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Volume 8.1, 1978
Walsh, Andrea. Films of Suspicion and Distrust: Undercurrents of Female
Consciousness in the 1940’s.
Maland, Charles. Mr. Deeds and American Consensus
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Volume 8.2, 1978
Suid, Lawrence. The Sands of Iwo Jima, The United States Marines, and the
Screen Image of John Wayne
Oehling, Richard A. Hollywood and the Image of the Oriental, 1910-1950, Part I
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Volume 8.3, 1978
Fishbein, Leslie. Women on the Fringe: A Film Series
Oehling, Richard A. Hollywood and the Image of the Oriental, 1910-1950, Part II
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Volume 8.4, 1978
Yavenditti, Michael J. Atomic Scientist & Hollywood: The Beginning or the End
(1947)
Schleh, Eugene P.A. All Quiet on the Western Front: A History Teacher’s
Reappraisal
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Volume 9.1, 1979
Herman, Gerald. For God and Country: Khartoum (1966) as History and as
“Object Lesson” for Global Policemen
Travers, Tim. Comment: The New Consciousness and the Origins of Film
Volume 9.2, 1979
Grottle Strebel, Elizabeth. The Voortrekkers: A Cinematographic Reflection of
Raising Afrikaner Nationalism
Fishbein, Leslie. A Lost Legacy of Labor Films
Volume 9.3, 1979
Willson, Robert F Jr. On the Air/On the Line: Parallel Structure and
Contemporary History in The China Syndrome (1979)
Peck, Jeff. The Heroic Soviet on the American Screen
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Volume 9.4, 1979
Berets, Ralph. Recent Cinematic Images of Nazism: The Night Porter and Seven
Beauties
Hey, Kenneth R. On the Waterfront: Another Look
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Volume 10.1, 1980
Small, Melvin. Hollywood and Teaching About Russian American Relations
Horton, Andrew. History as Myth and Myth as History in Bertolucci’s 1900
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Volume 10.2, 1980
Allen, Robert C. Historiography and the Teaching of Film History
Gomery, Douglas. Rethinking US Film History: The Depression Decade and
Monopoly Control
Lee, Alfred. Fact, Fiction and the CIA: Peter Davis’ Paperback Vigilante
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Volume 10.3, 1980
Zboray, Ronald J. The Real and the Unreal in Down to the Sea in Ships (1923)
Utterback, W.T. The Suitland, Maryland, Nitrate Film Fire: An Opinion
Hey, Kenneth R. Come Back Africa (1960): Another Look
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Volume 10.4, 1980
Mareth, Paul and Alan Bloom. Basil Wright: An Interview
Bohn, Thomas and Joseph Millichap. Film Images of Oklahoma
Miller, Charles A. A Note on Pare Lorentz’s The River (1937)
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Volume 11.1, 1981
McCreary, Eugene C. Film Criticism and the Historian
Hey, Kenneth J. Splendor in the Grass: Another Look
Maxwell, John A. The West Virginia University History Film Forum
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Volume 11.2, 1981
Kahn Atkins, Irene. Seeds of Destiny: A Case History
Baird, Jay W. Nazi Film Propaganda and the Soviet Union
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Volume 11.3, 1981
Corn, Joseph. Selling Technology: Advertising Films and the American
Corporation 1900-1920
Smith, Julian. Transports of Delight: The Image of the Automobile in Early Film
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Volume 11.4, 1981
Musser, Charles. The Eden Musee in 1898: The Exhibitor as Creator
Burns, Paul E. Cultural Revolution, Collectivization, and Soviet Cinema:
Eisenstein’s Old and New and Dovzhenko’s Earth
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Volume 12.1, 1982
Norden, Martin F. America and Its Fantasy Films: 1945-1951
Hey, Kenneth R. The Girl Can’t Help It: Another Look
Fishbein, Leslie. Rosie the Riveter (1980)
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Volume 12.2, 1982
Rossi, John. Hitchcock’s Foreign Correspondent (1940)
Lee, Patricia Ann. The Frozen Moment: History and Some Uses of Film
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Volume 12.3, 1982
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Toplin, Robert Brent. The Making of Denmark Vesey’s Rebellion
Benson, Edward. Décor and Decorum From La Chienne to Scarlet Street:
Franco-US Trade in Film During the Thirties
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Volume 12.4, 1982
Burns, Paul E. An NEP Moscow Address: Abram Rooms’s Third Meshchanskaia
(Bed and Sofa) in Historical Context
Lewis, Cliff and Carroll Britch. Light Out of Poland: Wajda’s Man of Marble and
Man of Iron
Rollins, Peter C. Bye, Bye Brazil: An Ambivalent Allegory About 3rd World
Development
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Volume 13.1, 1983
Herzstein, Robert E. Crisis on the Eastern Front, 1941-42: A Comparative
Analysis of German
and American Newsreel Coverage
Siegel, Joanna. The Uprising (1982): History Through Film
Fishbein, Leslie. Anarchism as Ideology and Impulse: Anarchism in America
(1981)
Volume 13.2, 1983
Easley, Larry J. The Santa Fe Trail, John Brown, and the Coming of the Civil War
Herzstein, Robert E. Crisis on the Eastern Front, 1941-42: A Comparative
Analysis of German and American Newsreel Coverage Part II
Brown, Josh. Bearing Witness: Michael Lesy and Photography as Historical
Resource
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Volume 13.3, 1983
Benson, Ed. Martin Guerre, The Historian and the Filmmakers: An Interview with
Natalie Zemon Davis
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Volume 13.4, 1983
Nelson, Richard Alan. “High Flyer” Finance and the Silver Screen: The Rise and
Fall of the National Film Corporation of America
Stevens, John D. Sex as Education: A Note on Pe-1930 Social Hygiene Films
Burns, E. Bradford. Trembling Mountains, Flaming Frontiers: Two Films on
Central America
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Volume 14.1, 1984
Neve, Brian. The Screenwriter and the Social Problem Film, 1936-38: The Case
of Robert Rossen at Warner Brothers
Travers, T.H.E. Gallipoli: Film and the Traditions of Australian History
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Volume 14.2, 1984
Fulks, Barry A. Walter Ruttman, The Avant-Garde Film, and Nazi Modernism
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Geehr, Richard S. and Gerda Geehr. Film as Teacher: Goebbels’ Speech for the
Opening of the Film Project of the Hitler Youth
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Volume 14.3, 1984
Mould, David H. and Charles M. Berg. Fact and Fantasy in the Films of World
War One
Shor, Francis. Biographical Moments in the Written and Cinematic Text:
Deconstructing the Legends of Joe Hill and Buffalo Bill
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Volume 14.4, 1984
Fishbein, Leslie. Native Land: Document and Documentary
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Volume 15.1, 1985
Krantz, Charles. Teaching Night and Fog: History and Historiography
Rebhorn, Marlette. A Self-Contained Project for Using Film in History Courses
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Volume 15.2, 1985
Susman, Warren I. History and Film: Artifact and Experience
Carpenter, Lynette. “There’s No Place Like Home”: The Wizard of Oz and
American Isolationism
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Volume 15.3, 1985
Geehr, Richard S. John Heineman and Gerald Herman. Wien 1910: An Example
of Nazi Anti-Semitism
Levy, Richard S. Wien 1910: A Comment
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Volume 15.4, 1985
Fritz, Ronald. Werner Herzog’s Adaptation of Histoy in Aquirre, The Wrath of
God
Stevens, John D. The Unfading Image from The Front Page
Zaller, Robert. The Bostonians and Swann in Love: A Note on the New Misogyny
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Volume 16.1, 1986
Norden, Martin F. Sunrise at Campobello and 1960 Presidential Politics
Gallagher, Joseph T. Henry Morton Stanley, I Presume
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Volume 16.2, 1986
Vernon, Kathleen. Re-Viewing the Spanish Civil War: Franco’s Film Raza
Lera, Jose Maria Caparros. The Cinema in the Spanish Civil War, 1936-1939
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Volume 16.3, 1986
O’Connor, John E. Special Report: The Moving-Image Media in the History
Classroom
O’Connor, John E. Edward R Murrow’s Report on Senator McCarthy: Image as
Artifact
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Volume 16.4, 1986
Aldgate, Anthony. Teaching About Censorship in the British Film Industry of the
1930s
Kupperman, Karen Ordahl. The Confrontation of Cultures: A Review of Roanoak
(1986)
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Volume 17.1, 1987
Doherty, Thomas. Representing the Holocaust: Claude Lanzmann’s Shoah
Stern, Dagmar C. A German History Lesson: Edgar Reitz’s Heimat (1984)
Peterson, Brian. The Hunstruck in the Pre-Nazi Era: Film & Reality
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Volume 17.2, 1987
Natanson, Nicholas. Politics, Culture, and the FSA Black Image
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Volume 17.3, 1987
Fishbein, Leslie. The Fallen Woman as Victim in Early American Film: Soma
Versus Psyche
Neve, Brian. The Immigrant Experience on Film: Kazan’s America America
(1963)
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Volume 17.4, 1987
Grindon, Leger. Drama and Spectacle As Historical Explanation in the Historical
Fiction Film
Ferro, Marc. Does a Filmic Writing of History Exist?
Crofts, Stephen. Not a Window on the Past: How Films and Television Construct
History
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Volume 18.1, 1988
Sorlin, Pierre. Historical Films as Tools for Historians
Uricchio, William. The City Reviewed: Berlin’s Film Image on…its 750th
Anniversary
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Volume 18.2, 1988
Jowett, Garth S. Hollywood, Propaganda and the Bomb: Nuclear Images in Post
World War Two Films
Loader, Colin. Social Language in The Last Laugh (1924)
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Volume 18.3, 1988
Cripps, Thomas. Following the Paper Trail to The Birth of a Race and Its Times
Fishbein, Leslie. John Sayles’ Matewan (1987): Violence and Nostalgia
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Volume 18.4, 1988
Caltvedt, Lester. Herzog’s Fitzcarraldo and the Rubber Era
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Fredriksen, John C. Teaching History with Video: Japanese Perspectives on
WWII
Fishbein, Leslie. The Business of America…: American Labor and the Souring of
the American Dream
Volume 19.1, 1989
Rollins, Peter C. Teaching International Politics: What the Historian-Filmmaker
Has to Offer
Hacker, Barton C. Radioactivity on Film: Operation Crossroads at Bikini, 1946
Volume 19.2, 1989
Watson, Mary Ann, Adventures in Reporting: John Kennedy and the Cinema
Verite Television
Documentaries of Drew Associates
Volume 19.3, 1989
Youngblood, Denise J. The Fiction Film as a Source for Soviet Social History:
The Third Meschchanskaia Street Affair
McCreary Eugene C. Film and History: New Wave Cinema and ’68
Stevens, John D. A Note on Hollywood and Baseball: On the Ball At Last?
Volume 19.4, 1989
Jones, Thomas B. The Good, The (not so) Bad, and the Ugly: Using “Historical”
Movies With Adult Learners in the American History Classroom
Willson, Robert F. Romantic Propaganda: A Note on Casablanca’s Prefigued
Ending
Brecher, Frank W. Lawrence of Arabia as History
Volume 20.1, 1990
Raack, R.C. Poor Light on the “Dark Side of the Moon”: Soviet Actuality Film
Sources for the Early Days of World War I
Mindich, Jeremy. Re-reading Ninotchka: A Misread Commentary on Social and
Economic Systems
Volume 20.2, 1990
Norden, Martin F. The Racism-Ableism Link in Home of the Brave and Brave
Victory
Mjagkij, Nina. Know Your Occupied Ally: The Image of France in Passage to
Marseilles
Ripmaster, Terence. A Note on Emile de Antonio: Historical Documentarist
Volume 20.3, 1990
Friedman, Mihal Three Periods of French Resistance Films: The Case of The
Red Poster
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Schweitzer, Rick. Born To Kill: S. Kubrick’s Full Metal Jacket (1987) as Historical
Representation of America’s Experience in Vietnam
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Volume 20.4, 1990
Helgeson Fuller, Kathryn. Boundaries of Participation: The Problem of
Spectatorship and American Film Audiences, 1905-1930
Plater, Edward M.V. The Captain of Kopenick: A Faithful Adaptation?
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Volume 21.1, 1991
Guneratne, Anthony. Cinehistory and the Puzzling Case of Martin Guerre
Cachidi, Victoria. Representing South Africa: Apartheid from Print to Film
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Volume 21.2/3, 1991
Lichty, Lawrence W. Introduction
Sterling, Christopher H. An Appreciation of Erik Barnouw’s A History of
Broadcasting in the United States
Montgomery, Kathryn C. Erik Barnouw: Chronicler, Critic, Conscience
Gomery, Douglas. Methods for the Study of the History of Broadcasting and
Mass Communication
Dates, Jannette L. Cultural Diversity in American Media History
Watson, Mary Ann. Open End: A Mirror of the 1960’s
Cornfield, Michael. The “First Rough Draft”? Reflections on Presidential Politics,
Journalism and History
Steele, Janet. Doing Media History Research
Schreibman, Fay C. A Succinct History of American Television Archives
Lichty, Lawrence W. A Conversation with Erik Barnouw
Helgesen Fuller, Kathryn. Erik Barnouw: A Selected Bibliography and
Filmography
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Volume 22.1/2 1992
Rollins, Peter C. Introduction: The Gulf War and Television
Trotta, Liz. Press vs. Army: Front Action in an Old Battle
Taylor, Philip M. The Gulf War and Media: Some Conclusions
MacGregor, Brent. Peter Arnett, CNN, Reporting Live From Baghdad
Surber, Scott and Peter C. Rollins. The Gulf War and Television: An Annotated
Bibliography
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Volume 23.1-4 1993
Jojola, Ted. Absurd Reality: Hollywood Goes to the Indians
O’Connor, John. The White Man’s Indian
Salmi, Hannu. The Indians of the North: Western Traditions and Finnish Indians
Nolley, Ken. John Ford and the Hollywood Indian
Manchel, Frank. Cultural Confusion: A Look Back at Delmar Dave’s Broken
Arrow
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Kasdan, Margo and Susan Tavernetti. The Hollywood Indian in Little Big Man A
Revisionist View
Sandos, Jim and Larry Burgess. Film as Mirror, Film as Mask: The Hollywood
Indian versus Native Americans in Tell Them Willie Boy is Here
Baird, Robert. Going Indian Through Dances with Wolves
Walker, Jeffrey. Deconstructing an American Myth: Hollywood and the Last of the
Mohicans
Volume 24. 1/2 1994
Braine, F.S. Technological Utopias: The Future of the Next Generation
Worland, Rick. From the New Frontier to the Final Frontier: Star Trek from
Kennedy to Gorbachev
Franklin, H. Bruce. Star Trek in the Vietnam Era
Henderson, Mary. Professional Women in Star Trek, 1964-1969
Bernardi, Daniel. Infinite Diversity in Infinite Combinations Diegetic Logics and
Racial Articulations in the Original Star Trek
Volume 24. 3/4 1994
Davis, Ben. Beginnings of the Film Society Movement in the United States
Catapano, Peter. Creating “Reel” Value: The Establishment of MOMA’s Film
Library, 1935-37
Lane, Jim. Critical and Cultural Reception of the European Art Film by 1950s
America: A Case Study of The Brattle Theatre (Cambridge, Massachusetts)
Davidson, John E. Contacting the Others: Traces of Migrational Colonialism and
the Imperial Agent in Wener Herzog’s Fitzcarraldo
Cochran, David. Violence, Feminism, and the Counterculture in Peter Fonda’s
The Hired Hand
Rossi, John. The Iron Curtain: A Premature Anti-Communist Film
Volume 25. 1/2 1995
Rollins, Peter C. Tales From the Cutting Room Floor
Winokur, Mark. The Green Pastures as an Allegory of Accomodation
Long, Jerome H. Reflections on A Soldier’s Story: For Blacks, A War Within the
War
Calvert, Pamela. Liberators: Documentary and the Construction of Public History
Mintz, Steven. The Cinematic Treatment of Age, Ethnicity, Gender, Region,
Religion, and Sexuality
Chinen Biesen, Sheri. Censorship, Film Noir, and Double Indemnity
Volume 26. 1-4 1996
Rollins, Peter. Overview of Our Mega-Issue on the West
Yawn, Mike and Bob Beatty. John Ford’s Vision of the Closing West: From
Optimism to Cynicism
Reitinger, Douglas. Too Long in the Wasteland: Visions of the American West in
Film, 1980-1990
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Leuthold, Steven. Representing Truth and History in Native American
Documentary: Indigenous Efforts to Counter Mass Media Stereotypes
Opt, Susan K. American Frontier Myth and The Flight of Apollo 13: From News
Even to Feature Film
Kassel, Michael B. The American Jewish Immigrant Family in Film and History:
The Historical Accuracy of Barry Levinson’s Avalon
Eagan, Eileen. Our Town in Cold War America
Silver, David. From Celluloid to Silicon: A Practical Guide to Film Resources on
the World Wide Web
Mintz, Steven. Western Films: A Bibliography
Briley, Ron. The Hollywood Feature Film as Historical Artifact
Broderick, Suzanne. Make Time for Movies in Time
Dvorak, Ken. Independence Day: A Survival Guide for the Next Invasion
Dixon, John. Aliens ‘R’ Us: A Critique of D4
McCrillis, Neal R. Shtetl and Hotel Terminus: History and Memory of the Shoah
Volume 27. 1-4 1997
Bennett, Michael Todd. Anglophilia on Film: Creating an Atmosphere for Alliance,
1935-1941
Birdwell, Michael. A Change of Heart: Alvin York and the Movie Sergeant York
Frazer, Heather and John O’Sullivan. “All Unquiet on the Hollywood Front”: Actor
Lew Ayers as Conscientious Objector
Donald, Ralph R. Awakening a Sleeping Giant: The Pearl Harbor Attack on Film
Paris, Michael. Democracy Goes to War: Air Force (1943)
Cabaniss, Dan. This is the Army: The Show Musical Goes to War
Broderick, Suzanne. Tough ‘Ombres and Battleground: The Reel War and the
Real War
Gruner, Elliott. Differing Understandings of Captivity in Uranus
Shaw, Daniel G. Individual Commitment in To Have and Have Not
Gustainis, J. Justin and Deborah Jay DeSilva. Archetypes in Propaganda in
Hitchcock’s “Lost” World War II Films
Nichols, John G. The Atomic Agincourt: Henry V and the Filmic Making of
Postwar Anglo-American Cultural Relations
Rollins, Peter C. America, World War II, and the Movies: An Annotated Booklist
Hoppenstand, Gary, Floyd Barrows and Erik Lunde. Bringing the War Home:
William Wyler and World War II
Doherty, Thomas. An Elusive Factoid: World War II Motivation at Warner Bros.?
Volume 28. 1/2 1998
Briley, Ron. Teaching JFK (1991): Potential Dynamite in the Hands of Our
Youth?
Arsenault, Raymond. Stoned on Wall Street (1987): The Stockbroker’s Son and
the Decade of Greed
Dunn, Millard. Oliver Stone. A poem
Cohen, Joseph. Yiddish Film and the American Immigrant Experience
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Badikian, Beatriz. Food and Sex, That’s All We’re Good For: Images of Women
in Like Water for Chocolate (1993)
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Volume 28. 3/4 1998
Davis, Jack E. New Left, Revisionist, In-Your-Face History: Oliver Stone’s Born
on the Fourth of July Experience
Graden, Dale T. and James W. Martin. Oliver Stone’s Salvador (1986):
Revolution for the Unacquainted
Courtwright, David T. Way Cooler than Manson: Natural Born Killers (1994)
Raack, R.C. Remembering Sergei Mikhailovich Eisenstein, 1898-1998:
Wagnerian Opera in Stalin’s Diplomacy
Rollins, Peter C. An Encomium to Richard Raack, Historian-Filmmaker
Landon, Phil. Realism, Genre, and Saving Private Ryan
Ditmann, Laurent. Make You Look: Towards a Critical Evaluation of Steven
Spielberg’s Saving Private Ryan
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Volume 29. 1/2 1999
Driver, Martha. Writing About Medieval Movies: Authenticity and History
Williams, David John. Looking at the Middle Ages in the Cinema: An Overview
Williams, David John. Medieval Movies: A Filmography
Scala, Elizabeth. Pretty Women: The Romance of the Fair Unknown, Feminism,
and Contemporary Romantic Comedy
Srebnick, Walter. Re-presenting History: Ivanhoe on the Screen
Benson, Ed. Culture Wars Medieval and Modern in Le Moine et la Sorciere
Volume 29. 3/4 1999
Driver, Martha. More on Medieval Movies: Surveys from the Field
Yervasi, Carina. The Faces of Joan: Cinematic Representations of Joan of Arc
Ray, Sid. Hunks, History, and Homophobia: Masculinity Politics in: Braveheart
and Edward II
Knight, Stephen. A Garland of Robin Hood Films
Abend Callahan, Leslie. Perceval le Gallois: Eric Rohmer’s Vision of the Middle
Ages
Torregrossa, Michael. Merlin Goes to the Movies: The Changing Role of Merlin in
Cinema Arthuriana
Horton, Andrew. Kosovo, the Movie: Humanity and Humor in Balkan Cinema
Sutton, Donald. Rituals of Smoking in Hollywood’s Golden Age: Hawks,
Furthman and the Ethnographic History of Film
Volume 30.1 2000
Edgerton, Gary. Television as Historian: An Introduction
Anderson, Steve. Loafing in the Garden of Knowledge: History TV and Popular
Memory
White, Mimi. Indy & Dr. Mike: Is Boy to Global World History as Woman is to
Domestic National Myth?
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Marcus, Daniel. Profiles in Courage: Televisual History on the New Frontier
Curtin, Michael. Connections and Differences: Spatial Dimensions of Television
History
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Volume 30.2 2000
Edgerton, Gary. Television as Historian, Part 2: Reframing the Past From Inside
the TV Environment
Taves, Brian. The History Channel and the Challenge of Historical Programming
Gomery, Douglas. Rethinking Television Historiography
Baughman, James L. Nice Guys Last Fifteen Seasons: Jack Benny on
Television, 1950-1965
Hanke, Robert. Quantum Leap: The Postmodern Challenge of Television as
History
Bell, Peter. Uncle Sam Prepares: The Presentation of the United States in British
Newsreels Before the Second World War
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Volume 31.1 2001
Holt, Jennifer. Hollywood and Politics Caught in the Cold War Crossfire (1947)
Sickels, Robert. All East on the Western Front: John Ford’s My Darling
Clementine (1946)
Singer, Marc P. Fear of the Public Sphere: The Boxing Film in Cold War America
(1947-1957)
Birdwell, Michael. “Oh, You Thing from Another World, You”: How Warner Bros.
Animators Respond to the Cold War (1948-1988)
Chapman, Roger. George F. Kennan as Represented by Chuck Jones: Road
Runner and the Cold War Policy of Containment (1948-1980)
Scholz, Anne-Marie. “Eine Revolution des Films”: The Third Man (1949), The
Cold War and Alternatives to Nationalism & Coca-colonization in Europe
Lemisch, Jesse. Students For a Democratic Society, Heroically Portrayed, Before
the Inexplicable Fall: Consensus History in a Left Film
Bazin, Andre. On Why We Fight: History, Documentation, and the Newsreel
(1946)
Volume 31.2 2001
McCrillis, Neal R. “Simply try for one hour to behave like gentlemen”: British
Cinema during the Early Cold War, 1945-1960
Edwards, Brian T. Yankee Pashas and Buried Women: Containing Abundance in
1950 Hollywood Orientalism
Pierson, David. ABC-TV’s Combat, World War II, and the Enduring Image of the
Combat Cold Warrior
Fitzpatrick, Kathleen. Network: The Other Cold War
Kirschner, Jonathan. Subverting the Cold War in the 1960s: Dr. Strangelove, The
Manchurian Candidate, and Planet of the Apes
Bowdoin Van Riper, A. From Gagarin to Armageddon: Soviet-American Relations
in the Cold War Space Epic
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Volume 32.1 2002
Hirsch, Joshua. Posttraumatic Cinema and the Holocaust Documentary
Rice, Louisa. The Voice of Silence: Alain Resnais’ Night and Fog and collective
memory in post-Holocaust France, 1944-1974
Geller, Jay. The Rites of Responsibility: The Cinematic Rhetoric of Claude
Lanzmann’s Shoah (1985)
Zeman, Scott C. and Mark Chasins Samuels. “The Truth of a Mad Man”:
Collective Memory and Representation of the Holocaust in The Partisans of Vilna
(1986) and the Documentary Genre
Guerin, Frances. Reframing the Photographer and His Photographs:
Photographer (1995)
Rapaport, Lynn. Hollywood’s Holocaust: Schindler’s List and the Construction of
Memory
Volume 32.2 2002
Thomas Brown, Nancy. From Weimar to Hollywood: Christian Images and the
Portrayal of the Jew
Wolfgram, Mark A. West German and Unified German Cinema’s Difficult
Encounter with the Holocaust
Baron, Lawrence. Holocaust Iconography in American Feature Films About NeoNazis
Haase, Christine. Theordor Kotulla’s Excerpts from a German Life (Aus einem
deutschen Leben, 1977) or The Inability to Speak: Cinematic Holocaust
Representation in Germany
Sterling, Eric. All Rules Barred: A Defense of Spielberg’s Schindler’s List
Sherman, Jodi. Humor, Resistance, and the Abject: Roberto Benigni’s Life is
Beautiful and Charlie Chaplin’s The Great Dictator
Gallagher, Edward J. Reel American History: An Archive Built By Novices
Doyle, Robert C. Special on Hart’s War (2002): A Technical Advisor’s
Retrospective
Volume 33.1 2003
Smythe, J.E. Cimarron: The New Western History in 1931
Hearne, Joanna. The “Ache for Home” in Anthony Mann’s Devil’s Doorway
(1950)
Costello, Matthew. Rewriting High Noon: Transformations in American Popular
Political Culture During the Cold War
Quiring, Loren. Dead Men Walking: Consumption and Agency in the Western
Keller, Alexandra. Historical Discourse and American Identity in Westerns Since
the Reagan Administration
Volume 33.2 2003
Howe, Winona. Professional Women—Women in The Professionals (1966)
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Sultze, Kimberly. Rewriting the West as Multi-Cultural: Legend Meets Complex
Histories in la Frontera in John Sayles’ Lone Star (1966)
Langford, Barry. Revisiting the “Revisionist” Western
Manon, Hugh S. Henry Hathaway’s Rawhide and the Hermetic Frontiers of Film
Noir
Turner, Matthew R. Cowboys and Comedy: The Simultaneous Deconstruction
and Reinforcement of Generic Conventions in the Western Parody
Pierson, David. Turner Network Television’s Made-For-TV Western Films and the
Social Construction of Authenticity
Stevens, Brian. American History through Feature Films: A Middle School Unit
Volume 34.1 2004
Tal, Tzvi. San Martin, from Bronze to Celluloid: Argentina’s Liberator as Film
Character
Falicov, Tamara L. U.S.-Argentine Co-productions, 1982-1990: Roger Corma,
Aries Productions, “Schlockbuster” Movies, and the International Market
Acevedo-Munoz, Ernesto R. Sex, Class and Mexico in Alfonso Cuaron’s Y tu
Mama Tambien
Rodrigues, Maria de los Angeles Cadena. Contemporary Hi(stories) of Mexico:
Fictional Re-Creation of Collective Past on Television
Baugh, Scott L. Manifesting La Historia: Systems of ‘Development’ and the New
Latin American Cinema Manifesto
Torres, Hector A. A Conversation with Lordes Portillo
Volume 34.2 2004
Hoefert de Turegano, Teresa. The International Politics of Cinematic
Coproduction: Spanish Policy in Latin America
Baugh, Scott L. Developing History/Historicizing Development in Mexican Nuevo
Cine Manifestos around “la Crisis”
Solorzano-Thompson, Nohemy. Developing History/Historicizing Development in
Mexican Nuevo Cine Manifestos around “la Crisis”
Manzano, Valeria. Combates por la historia: Interpretaciones de la historia del
movimiento obrero en el cine militante argentino al principio de los 1970’s
Alvaray, Luisela. Imagi(ni)ng Indigenous Spaces: Self and Other Converge in
Latin America
Baugh, Scott L. Latin American History and Critical Media Studies: Curricular
Explorations
Volume 35.1 2005
Briley, Ron. Basketball’s Great White Hope and Ronald Reagan’s America:
Hoosiers (1986)
Donald, Ralph S. From “Knockout Punch” to “Home Run:” Masculinity’s “Dirty
Dozen: Sports Metaphors in American Combat Films
Daniels, Dayna B. You Throw Like a Girl: Sport and Misogyny on the Silver
Screen
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Ormrod, Joan. Endless Summer (1964): Consuming Waves and Surfing the
Frontier
Cossar, Harper. Televised Golf and the Creation of Narrative
Volume 35.2 2005
Diffrient, David Scott. An Olympic Omnibus: International Competition,
Cooperation, and Politics in Vision of Eight
Jones, Glen. “Down on the floor and give me ten sit-ups”: British Sports Feature
Film
Hughson, John. The ‘Loneliness’ of the Angry Young Sportsman
Elmwood, Victoria A. “Just Some Bum From the Neighborhood”: The Resolution
of Post-Civil Rights Tension and Heavyweight Public Sphere Discourse in Rocky
(1976)
Motley, Clay. Fighting for Manhood: Rocky and Turn-of-the-Century
Antimodernism
Schoenecke, Michael. Bobby Jones, Golf, and His Instructional Reels
Hunter, Latham. “What’s Natural About It?”: A Baseball Movie as Introduction to
Key Concepts in Cultural Studies
Cipriano, Katherine. Hoops: Escape or Illusion? A Review Essay
Volume 36.1 2006
Grindley, Carl James. Arms and the Man: The Curious Inaccuracy of Medieval
Arms and Armor in Contemporary Film
Thompson, Frank. Reprinting the Legend: The Alamo on Film
Stoddard. Jeremy D. and Alan S. Marcus. The Burden of Historical
Representation: Race, Freedom, and “Educational” Hollywood Film
Chambers, John Whiteclay II. Technology and “Real Patriotism” in American Film
Advertising of the World War I Era
Miller, Cynthia J. The “B” Movie Goes to War in Hitler, Beast of Berlin (1939)
Dunn, Millard. Sands of Iwo Jima
Volume 36.2 2006
Levin, Ben. Don Staples: Teacher, Scholar, Administrator, Filmmaker
Youngblood, Denise J. The Master of the Movies: A Tribute to Frank Manchel
Toplin, Robert Brent. Hollywood’s D-Day From the Perspective of the 1960’s and
the 1990’s: The Longest Day and Saving Private Ryan
Brown, Kathleen A. “Vestments of civil live” in Caine Mutiny and Attack
Bushnell, LCDR William S. Paying for the Damage: The Quiet American
Revisited
Westrup, Laurel. Toward a New Cannon: The Vietnam Conflict Through
Vietnamese Lenses
Volume 37.1 2007
Taddeo, Julie and Ken Dvorak. The PBS Historical House Series: Where
Historical Reality Succumbs to Reel Reality
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Edwards, Leigh H. The Endless End of Frontier Mythology: PBS’s Frontier House
2002
Rymsza-Pawlowska, Malgorzata. Frontier House: Reality Television and the
Historical Experience
Diffrient, David Scott. History as Mystery and Beauty as Duty in The 1940’s
House (1999)
Arrow, Michelle. “That History Should Not Have Ever Been How It Was”: The
Colony, Outback House and Australian History
Gapps, Stephen. Adventures in The Colony: Big Brother Meets Survivor in
Period Costume
Volume 37.2 2007
Jadis, Fred. Citizen Funt: Surveillance as Cold War Entertainment
Crew, Richard. PM Magazine: A Missing Link in the Evolution of Reality
Television
Matheson, Sarah A. The Cultural Politics of Wife Swap: Taste, Lifestyle Media,
and the American Family
Brancato, Jim. Domesticating Politics: The Representation of Wives and Mothers
in American Reality Television
Egging, Katie. The Ritual of Dark Play in Brat Camp
Volume, 38.1 2008
Hodgkins, John. Hearts and Minds and Bodies: Reconsidering the Cinematic
Language in The Battle of the Somme
Lancioni, Judith. The Civil War: A Battleground of Meaning
Winn, J. Emmett. Documenting Racism in an Agricultural Extension Film
Greenberg, Udi. The Holocaust Repressed: Memory and the Subconscious in
Lars von Trier’s Europa
Torchin, Leshu. Cultural Learnings of Borat for Make Benefit Glorious Study of
Documentary
Volume 38.2 2008
Cragin, Thomas. Making Anti-Fascism into Fascism: The Political Transformation
of Tiro al Piccione (1961)
Porter, Deborah. Character Assassination?: Empire Building and Cultural
Pathology in Chen Kaige’s The Emperor and the Assassin
Cople Jaher, Frederic and Blair B. Kling. Hollywood’s India: The Meaning of
RKO’s Gunga Din
Kirschke, James J. Say Who Made Her So: Breaker Morant and British Empire
Poindexter, Mark. ABC’s The Path to 9/11, Terror-Management Theory, and the
American Monomyth
Volume 39.1 2009
Weaver, Heather A. Beyond Apples and Ice Cream: The Teacher-Student
Relationship as Cinematic Romance, 1909-1939
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Golub, Adam. “They turned a School Into a Jungle!”: How The Blackboard Jungle
Redefined the Education Crisis in Postwar America
Petersen, Anne Helen. Their Words, Our Story: Freedom Writers as Scenario of
Pedagogical Reform
Shouse, Roger. Beyond Legend: Stand and Deliver as a Study in School
Organizational Culture
Hanlon, Dennis. Does Anyone Have the Right to Say, “I Don’t Care”?:
Resistance and Reverence at Schindler’s List