BY ADLER AND SULLIVAN ž Located at 701 Chestnut St. the Wainwright Building was designed by the famed architects Dankmar Adler and Louis Sullivan in 1891. ž ž ž ž ž Upon its initial completion, the Wainwright Building was "popular with the people" and received "favorably" by critics. The Wainwright building was initially rescued from demolition by the National Trust for Historic Preservation when the Trust took an option on the structure. The neighboring Lincoln Trust building (later known as the Title Guaranty building; designed by Eames and Young, built in 1898 at 706 Chestnut St.) was demolished to make way for the Gateway Mall in 1983. Architect John D. Randall led an extensive letterwriting campaign to the governor and other noted officials; the campaign resulted in the restoration of the building as a state office building instead of its demolition. After a period of neglect, the building now houses Missouri state offices. The building was the target of a recent terrorist bombing threat by Mark Anthony Grady due to some misunderstanding and bad blood between him and the government. The Wainwright building is credited for being the first successful utilization of steel frame construction. The first two floors are faced in brown sandstone, the next seven stories rise in continuous brick piers. Terra cotta panels of ornate foliage relief's decorate the each floor. The tenth story is a frieze of intertwined leaf scrolls framing circular windows, and is capped with Sullivan's characteristic overhanging roof slab. The building became a City Landmark in 1972. The Wainwright building also became a National Historic Landmark in 1968. The Wainwright building was commissioned by Ellis Wainwright, a St. Louis brewer. ž Wainwright needed office space to manage the St Louis Brewers Association. It was the second major commission for a tall building won by the Adler & Sullivan firm. ž As designed, the first floor of the Wainwright Building was intended for street-accessible shops, with the second floor filled with easily accessible public offices. The higher floors were for "honeycomb" offices, while the top floor was for water tanks and building machinery. ž ž ž ž Aesthetically, the Wainwright Building exemplifies Sullivan's theories about the tall building, which included a tripartite (three-part) composition based on the structure of the classical column, and his desire to emphasize the height of the building. He wrote: "[The skyscraper] must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line." His 1896 article cited his Wainwright Building as an example. Despite the classical column concept, the building's design was deliberately modern, featuring none of the neoclassical style that Sullivan held in contempt. Palazzo style refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two hundred years, regardless of date, provided they are a symmetrical with neat rows of windows. Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century and it Neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains separate identities to each of its parts. ž ž ž The ornamentation for the building includes a wide frieze, which expresses the formalized yet naturalistic celery-leaf foliage typical of Sullivan and published in his System of Architectural Ornament, decorated spandrels between the windows on the different floors and an elaborate door surround at the main entrance. "Apart from the slender brick piers, the only solids of the wall surface are the spandrel panels between the windows..... They have rich decorative patterns in low relief, varying in design and scale with each story." The frieze is pierced by unobtrusive bull's-eye windows that light the top-story floor, originally containing water tanks and elevator machinery. The building includes embellishments of terra cotta, a building material that was gaining popularity at the time of construction. ž Wikipedia (www.wikipedia.com) ž Google (www.google.com) THANK YOU. OPIYO TED IRO B02/319538/2013
© Copyright 2026 Paperzz