CERAMICS
BAUMAN, JOHN
Booth 107
http://www.baumanstoneware.com
I work in the tradition of the American art potter, exploring designs and expressions
in functional pottery.
BEBER, KRISTY JO
Booth 100
http://www.kristyjobeber.com
Each piece is formed on the potter’s wheel. Glaze designs are drawn free-hand,
leaving some raw clay exposed. Black & white combo, plus blues & greens with raw
clay. Gas fired to 2350 degrees.
BELSKY, LISA | SIMPLY TANGLED CERAMICS
Booth 24
http://www.simplytangled.com
The work is wheel thrown using white stoneware clay. Each piece is hand carved
to create the surface designs. All glazes are formulated and mixed from original
recipes. The work is fired to cone 6 in oxidation (electric kilns).
BOVE, JASON | BOVE POTTERY STUDIO
Booth 99
http://www.bovepottery.com
I strive to create a body of work that is functional, yet can stand alone as a piece of
visual art.
DRAKE, BETTE
Booth 148
Clay is a basic material, and a forgiving medium. You can do almost anything with
it. I am influenced, like many potters, by historical pottery and natural forms. I like
making primarily functional pieces, and use them as blank canvases for decoration.
High fire glazes are not totally predictable, so one must leave room for things to
happen.
CERAMICS
EGENOLF, ADAM
Booth 88
http://www.egenolfceramics.com
My intent for using crystalline glazing on my work is to show the many different
ways that these glazes can be used. Crystalline glaze becomes a liquid at its peak
temperature and emulates different characteristics of water movement. When the
glaze is cooled quickly, the motion, depth, and fluidity of the glaze becomes frozen
in time and gives a snapshot of a specific moment in the firing.
FRAIOLI, MADDY
Booth 114
I purposefully make work to be used and enjoyed in kitchen, dining, and
entertainment settings. The patterns, largely fruit and floral, are carefully articulated
by hand.
HAMLIN-SMITH, MICHAEL
Booth 11
http://www.hamlin-smith.com
Elegantly designed functional forms with buttery smooth or crusty textured glazes.
Designed to enhance the home or office.
HERGESHEIMER, DAVID | CATALPALANEPOTTERY
Booth 16
http://catalpalanepottery.com
We design and make all our work in our studio. We have no apprentices.
HITCHMAN, SAMUEL | SAM HITCHMAN CERAMICS
Booth 14
Forms are inspired by the lines and colors found in nature.
CERAMICS
KESLER, JONATHAN | EARTHLY ARTS POTTERY
Booth 50
I integrate art and beauty into peoples lives by creating artwork which allows beauty
to function in sycrinisity with their living.
KLINGER, JAMES
Booth 72
http://www.klingerart.com
My raku process begins with clay which is hand-built or thrown. The piece is dried
and fired in an electric kiln; then smoke-fired or glazed with glazes containing
copper and silver; then fired in an outdoor kiln, removed with tongs and placed into
a can of straw.
LALLY, KATE
Booth 39
http://www.katelally.com
The surface is glazed using a wax resist technique. The wax burns off in the firing.
LAMB, ELAINE
Booth 124
http://www.mudmotherspottery.com
Working in porcelain I design my functional work with abstract and nature designs.
NEAL, GREG
Booth 58
http://www.nealpottery.com
I produce all of my work from start to finish by myself. Wheel thrown stoneware,
some pieces are altered and assembled. I use several types of glazes and firing
methods ranging from cone 6 oxidation to cone 11 reduction.
CERAMICS
PARSLEY, JASON | PARSLEY POTTERY
Booth 47
http://www.parsleypottery.com
Each piece of pottery is hand shaped into its eventual purpose Specially formulated
glazes are used for the decoration.
RORICK, KIMBERLY
Booth 83
http://[email protected]
I describe my work as being stylized interpretation of people, men and women. I
began by making tall slender women with stamped bodices using symbolism to
make each one different. As I continue with this theme I find myself experimenting
with facial expression and gesture to help define the individuals.
RUSSELL, GAIL
Booth 121
http://www.peachblowpottery.com
Wheel thrown and handbuilt high fired porcelain.
RUSSELL, JEANNE | RUSSELL-WEBSTER POTTERY
Booth 129
As an Artist/Potter I try to combine design and brushwork in my pottery. I am also
very interested in color interaction and try to reflect that in my work. I also try to
conserve on resources whenever possible knowing that pottery is not the most
planet friendly media.
SNYDER, CAROL
Booth 10
http://www.carolsnyder.artspan.com
My inspiration comes from patterning in the landscape-either man-made or naturally
occurring.
CERAMICS
TAKADA, KANAME | STUDIOTAKADA
Booth 89
Most of our pieces are hand-thrown but a few are hand-built. Designs are first carved
into leather-hard ware and then filled with colored slips. Excess slips are removed
and surfaces are cleaned before the bisque firing prior to the glaze
WENDER, ANDREW
Booth 104
http://www.wenderpottery.com
Pieces are thrown,extruded and carved, then glazed with over 30 colors and
assembled into larger compositions. The shades are made from handmade papers.
WURST, MARY ANN
Booth 19
http://[email protected]
The use of nature motifs are enhanced by the harmony of earth colors. Of special
interest are the irregular shapes with curved and meandering lines.