© ATOM 2012 A STUDY GUIDE by Katy Marriner http://www.metromagazine.com.au ISBN: 978-1-74295-198-0 http://www.theeducationshop.com.au Left: Director Trevor Graham Could a love of hummus be the recipe for peace in the Middle East? This was the question on director Trevor Graham’s mind when he set out to film Make Hummus Not War (2012). One of the oldest known prepared foods in human history, hummus is claimed by multiple Middle Eastern nationalities. So when Graham, a selfdescribed hummus tragic, learned of a Lebanese plan to sue Israel for acting as if it had proprietary rights over the dish, he was intrigued. In 2008, the Association of Lebanese Industrialists ignited the ‘Hummus War’, by deciding to sue Israel in an international court, claiming Israeli food manufacturers were promoting traditional Arab cuisine as an Israeli product. Graham’s decision to document the intense rivalry over chickpeas and who ‘owns’ the hummus heritage lead him to the hummus bars of the Middle East where he met people for whom hummus is a near religious obsession. Funny, lively and insightful, Make Hummus Not War, offers a different take on the politics and strife that has engulfed the Middle East since the foundation of Israel in 1948. Visit Make Hummus Not War online at <http://www. makehummusnotwar.com>. and <https://www. facebook.com/pages/Make-Hummus-Not-War/ 306468009386692>. The official trailer for Make Hummus Not War can be viewed online at <http:// www.youtube.com/watch?v=yITOS8jrgbc>. Curriculum links Make Hummus Not War offers an insight into conflict in the Middle East and how this conflict plays out in the everyday life of those who live in this region. It acknowledges the pre-21st century events that students need to understand to contextualise the contemporary conflict between Israel and Palestine. The documentary also provides students with the opportunity to discuss the possibility of conflict resolution and reconciliation. Make Hummus Not War invites students to see themselves as global citizens and a primary aim of the activities in this study guide is to raise students’ interest in and awareness of global politics. In completing the tasks of this study guide, students will explore, explain and evaluate a global political conflict, the forces that have shaped this conflict and the responses to this conflict. Students are also encouraged to critically analyse Make Hummus Not War as a medium for presenting information about a controversial issue and telling personal stories. Teachers are advised to begin their online research at <http://www.besthistorysites.net/index.php/ modern-history/middle-east-conflict>. SCREEN EDUCATION © ATOM 2012 Make Hummus Not War is suitable for secondary students in Years 9 – 12 undertaking Arabic, English, Geography, Global Politics, Food and Technology, History, Media and Religion. Ur Levy from Hummus Talpiot, in Jerusalem 2 1 Trevor Graham | Director Dr Trevor Graham has worked as a writer, producer and director of documentary in the Australian industry for almost thirty years. His documentaries have been screened and broadcast nationally and around the world. He has made numerous co-productions and commissioned works for Channel 4 and the BBC (Britain), WGBH (America), ARTE (France/ Germany), AVRO (Netherlands), SBS and ABC TV (Australia). In 1997, Graham wrote and directed Mabo Life of an Island Man, a feature film about Eddie Mabo’s personal struggle for recognition of his native title rights to his home on Murray Island in the Torres Strait. The film won the Australian Film Institute Award for Best Documentary, was nominated for a Logie and won both the prestigious NSW Premier’s History Award and the NSW Premier’s Award for Best Screenplay. Throughout 2002 and 2003, Graham lived for a year in Arnhem Land where he directed and filmed Lonely Boy Richard for ABC TV, an intimate account of alcohol addiction and one man’s personal journey to jail. The project was nominated for an AFI Award Best Documentary in 2004. Graham was employed by ABC TV throughout 2008 and 2009 as both a Series Producer and Executive Producer on the broadcaster’s flagship Indigenous weekly TV strand Message Stick. • Did you enjoy watching Make Hummus Not War? • Did Make Hummus Not War make you hungry? • Media releases and reports about Make Hummus Not War have described the documentary as humorous, educational, inspired, poignant, important, original and powerful. What words would you use to describe Make Hummus Not War? Endorse your choices with evidence from Make Hummus Not War. 2 How to make hummus ‘Wikipedia, lists six different spellings for hummus. It’s a dip made from chickpeas – cooked and mashed – blended with tahini, lemon juice, salt and garlic. Hummus is a staple in the Middle East. And now on supermarket shelves in New York, Paris, London and Sydney where I live.’ – Trevor Graham Writer and Director: Trevor Graham Producers: Ned Lander and Trevor Graham Executive Producer: Andrew Myer Editor: Denise Haslem ASE Cinematographer: Jenni Meaney Music: David Bridie Animation supervisor: Tim Richter Hummus is one of the oldest known prepared foods in human history. Israeli author, Meir Shalev, argued in an article titled ‘Hummus is Ours’ that references to the food date back to Biblical times. ‘At mealtime come thou hither, and eat of the bread, and dip thy morsel in the hometz’ – Ruth 2:14 For Israelis, Lebanese, Syrians, Egyptians, Jordanians, Palestinians, Turks and Iraqis, hummus is a culinary icon and a staple of their diet. Hummus has also become a global food commodity, manufactured and sold everywhere. • ‘It’s just a dried up, wrinkled pea. So why does its signature dish arouse so much passion.’ – Trevor Graham Hummus: just another dip? -- Trevor Graham, the director of Make Hummus Not War admits that he is a ‘hummus tragic’. What about you? Do you like hummus? Have you ever made hummus? Is hummus part of your family’s cultural background? Do you know the origin of your family’s hummus recipe? • Why eat hummus? Use print and electronic resources to determine the nutritional and health benefits of hummus. • ‘Did Jesus munch hummus at his Last Supper? Perhaps Moses wolfed down chickpeas as he delivered his people to the Promised Land?’ – Trevor Graham Left: Director, Trevor Graham, a Bondi Beach (Australia) ‘hummus tragic’ Above: Tasty humus at the Sultan Ibrahim Restaurant Beirut. SCREEN EDUCATION © ATOM 2012 Prior to this Graham was a Commissioning Editor for Documentary at Australia’s multicultural broadcaster SBS-TV, where he worked for three years. At SBS Graham commissioned over ninety hours of prime time television; including Eco House Challenge a series promoting environmental sustainability in the family home, Destination Australia, and I’ll Call Australia Home. He has also worked in online documentary producing and directing Homeless for ABC online and Mabo - The Native Title Revolution. In 2010, Graham was awarded a Doctorate of Creative Arts from the University of Technology Sydney UTS. First impressions 3 Claudia Roden’s Hummus recipe Directions: Claudia Roden Ingredients: --250 g chickpeas, soaked in cold water overnight --2 lemons, juice of --3 tbsp tahini --3 garlic cloves, crushed --salt --4 tbsp olive oil --Garnish with: --1 tbsp olive oil --1 tsp paprika --1 tsp ground cumin --2 sprigs parsley, finely chopped 1Drain the chickpeas and simmer in fresh water for about an hour or until tender. Reserve the cooking water. 2Process the chickpeas in a blender (or food processor) with the lemon juice, tahini, garlic, olive oil, salt and enough of the cooking liquid to obtain a soft creamy consistency. 3Serve on a flat plate, garnished with a dribble of olive oil, a dusting of paprika and ground cumin (this is usually done in the shape of a cross) and a little parsley. 4Serve with warm pita bread for dipping. Above: Animation, “Did Moses munch chickpeas as he delivered his people to the promised land? publisher Janna Gur books are respected for their writing as much as for their recipes. -- Try Claudia Roden’s recipe for hummus (left inset). • ‘So there is Jerusalem hummus that is fluffier and lighter, and there is Galilean that is chunkier. And there is Jaffa, which I think is spicier. There are differences, from village to village, and from hummus joint to hummus joint.’ – Janna Gur Janna Gur is an Israeli food writer, editor, expert on Israeli-Jewish cuisine and the author of The Book of New Israeli Food (2008). Gur was born in the Latvian capital Riga in the former Soviet Union and immigrated to Israel in 1974, when she was 16. Gur and her husband Ilan are the co-founders, in 1991, of Al Hashulchan, a popular Israeli food and wine magazine. Visit Janna Gur’s website at <http://www. jannagur.com>. Her recipe for hummus can be found online at <http://www.jannagur.com/108704/ Basic-Hummus-Dip-1>. • Do you have a favourite brand of store bought hummus? Organise a class taste test to determine which supermarket brand of hummus deserves to be honoured. Document the taste test and report your findings using Tumblr. Each student needs to be assigned a role. Each student is expected to contribute to the class tumblelog. Tumblr is a blogging platform that allows users to post text, images, videos, links, quotes and audio to their tumblelog, a short-form blog. • Humusiya is a newly coined Hebrew word for a restaurant serving hummus. Have you ever eaten hummus at a humusiya? SCREEN EDUCATION © ATOM 2012 -- Drawing on make Hummus Not War and other print and electronic sources, construct a timeline that depicts the history of hummus. -- While you may choose the format of your timeline, you should use both words and images to depict this passage in time. You may use sound. This is your chance to be creative but keep in mind that the timeline must be historically accurate. • What other Middle Eastern food has become part of the Australian diet? • ‘Every recipe tells a story and chickpeas are so common in the Arab world that they could be a symbol of it.’ – Claudia Roden Food writer Claudia Roden is the doyenne of Middle Eastern food. Roden was born in Cairo, Egypt, in 1936. Three of her grandparents were from Aleppo, in what is now Syria, and one came from Istanbul, in Turkey. Her family was part of the extensive Sephardic Jewish community living in Egypt until the 1956 Suez Crisis. The experience of exile propelled Roden to begin her career as a cookbook writer of Middle Eastern cuisine. Her first book, A Book of Middle Eastern Food was published in 1968. Since then over a dozen others have followed including The Book of Jewish Food – An Odyssey from Samarkand and Vilna to Present Day in 1997. Claudia has also taught Middle Eastern cooking from her home in London. She was a foreign food correspondent for The Daily Telegraph, and hosted a BBC TV series Claudia Roden’s Mediterranean Cookery. Roden’s Israeli food writer and 4 -- Use Table 1 (page 6) to record your observations about the cafes and restaurants that Graham visits in Make Hummus Not War, the people who own and operate these establishments, the customers and of course the hummus. -- Share your observations with others in the class. Spend time discussing the similarities and differences. What conclusions can you make? • ‘Hummus is not a food. Hummus is a subculture, okay?’ – Shooky Galili Trevor visits Shooky Galili, otherwise known as ‘the hummus guy’. Shooky is an Israeli journalist and blogger – the founder of The Hummus Blog – a website for global compulsives infatuated with chickpeas. -- Read Shooky’s blog at <http://humus101. com/EN/> and visit the Facebook page at <https://www.facebook.com/pages/The -Hummus-Blog/162032376831?sk=info>. -- Share your discoveries about hummus and your impressions of just how obsessive people are about hummus with your peers. 3 The battleground Make Hummus Not War takes its audience to places steeped in conflict. Trevor Graham travels to Israel, Lebanon and Palestine to learn more about the war over hummus. Shooky Galili hi/middle_east/03/v3_israel_palestinians/maps/ html/>. -- Students are encouraged to draw on these maps and the accompanying descriptions to arrive at a knowledge and understanding of the conflict. • To learn more about Israel, the Palestinian territories and Lebanon visit: http://www.bbc.co.uk/news/world-middle-east -14628835 http://www.bbc.co.uk/news/world-middle-east -14630174 http://www.bbc.co.uk/news/world-middle-east -14647308 4 Ownership Teachers are advised to discuss the concept of ownership in a more general way, encouraging students to share how they perceive ownership before tackling Activities 4 and 5. • The Oxford Dictionary defines ownership as the act, state, or right of possessing something. -- What do you claim as your own? -- Why is ownership important? -- What are the advantages of owning something? Are there any disadvantages? -- Can you recall a time in your life when ownership caused conflict? Clockwsie top left: xxxxxx xxxx xxx; Palestinian protestors against the Separation Wall in Bil’in Village Palestinian West Bank; Spice store in the Old City, Jerusalem. SCREEN EDUCATION © ATOM 2012 • On a blank map of the Middle East, label the major Middle Eastern countries and their capitals. Add the places that Trevor Graham visited during the filming of Make Hummus Not War. Your map should have a border, legend and title and it should indicate orientation, scale and source. -- Annotate the map by providing a brief description of each place that Trevor Graham visits Make Hummus Not War. • Ownership of land is at the core of the IsraeliPalestinian conflict. A series of maps showing the history of the Israeli-Palestinian conflict over land can be accessed at <http://news.bbc.co.uk/2/shared/spl/ ‘Hummus is not a food. Hummus is a subculture, okay?’ 5 Table 1 THE EXPERTS Your observations George Salameh and his family are the owners of Afteem, a legendary hummus cafe that has been on the fringe of Manger Square in Bethlehem since 1948. George’s family was originally from the Palestinian port town of Jaffa, now part of greater Tel Aviv, but fled as refugees in 1948 to Bethlehem. Jordan annexed the city in the 1948 Arab-Israeli War, it was occupied by Israel in the 1967 Six Day War and since 1995 has been governed by the Palestinian National Authority. George’s parents initially ran a small bakery but moved eventually into hummus and falafel. Afteem was until the building of the wall surrounding Bethlehem, and travel restrictions, a popular destination for Israeli hummus lovers. ‘You have to feel the pita. You have to feel the hummus. It’s sort of a ceremony’ – Uri Levy Uri Levy is the co-owner of a family owned restaurant, Hummus Talpiot, in the industrial suburb of the same name, on the outskirts of Jerusalem. Uri’s father’s family was originally from Iraq and his mother’s from Spain. He is a hummus maker by day and a popular Jerusalem DJ by night. Hummus Talpiot is almost entirely staffed by Palestinians. ’All my life is hummus. I dream about hummus. I make hummus. I love hummus.’ – Meir Micha SCREEN EDUCATION © ATOM 2012 Meir Micha is the owner of Pinati, a chain of hummus restaurants throughout Israel. The original store is in the heart of West Jerusalem. Meir started making hummus when he was a young boy, by watching his Turkish grandfather who had a small falafel and hummus stall at the Jerusalem market. The first Pinati restaurant was opened by Meir in its current location in 1975. It was a Turkish restaurant. At that time all the hummus was made without machines, by hand. Pinati today is a Jerusalem hummus landmark. 6 Table 1 ‘Maybe most of the people who come here now are Israelis, because it’s difficult for other people to come here, like people from the West Bank. But we get all kinds here, Arabs, Jews, foreigners and tourists.’ – Gahleb Zahdeh Ghaleb Zahdeh is a prince of Palestinian hummus. He has been in the business for about 35 years and his handcrafted hummus has influenced his outlook on life. He has been in the Old City premises for 35 years. Situated in the Christian Arab quarter, Lina hummus is one of the best, lightly spiced with a jalapeno pepper. ‘Mmm. Incredible hummus. Every day I taste it. Every day is like the first day. Mmm. I love my stuff. It’s the best.’ – Ruth Tavour Hummus Ashkara has a reputation for offering the best in Tel Aviv. Ruth Tavour’s hummus is light and fluffy. Ruth, who has an Italian father and a Tunisian mother, was born on the ship that brought her parents to Israel in 1962. Hummus is not part of the Tunisian kitchen, so Ruth’s appreciation and love of hummus comes from her life growing up in Israel. In Lebanon, Trevor visits the gastronomic landmark in the capital, Beirut – The Sultan Ibrahim Restaurant. He dines with Lebanon’s Tourism Minister Fadi Abboud. Together they sample what Trevor Graham refers to the ‘complete arsenal’ of Lebanese hummus. SCREEN EDUCATION © ATOM 2012 Soucci is a hummus institution in downtown Beirut. Trevor Graham rates the hummus in his top ten. The owner Raji Kebbe comes from a long line of hummus makers. His trade has been inherited from his grandfather Abu Mahmoud El Soucci, who started in the hummus business at the Beirut market in the late nineteenth century. Raji started in the business when he was fourteen years old and has been a hummus maker for over fifty years. 7 Above: Animation, Does hummus as claimed by author Meir Shalev, date back to biblical times. • Do you have a room of your own? What other places and spaces do you claim ownership of? Why are these places and spaces important to you? Has your ownership of these places and spaces ever been threatened? How did you respond? 5 Meir Micha, a top gun in the Hummus War, Culinary War ‘I want to know – can a nation own a food? – Trevor Graham In 2008, the National Association of Lebanese Industrialists decided to sue Israel in an international court, because the Jewish state claimed propriety over traditional Arab cuisine such as falafel, tabbouleh and hummus, which Lebanese consider their own. For Fadi Abboud, Lebanese Minister for Tourism, the move was considered theft, no different from stealing land. Battle has raged ever since over who invented hummus and who has the right to claim it as their own. Abboud has been a loud voice in the Hummus War. He is also a hummus producer. His company Naas is one of the few in Lebanon making fresh hummus in tubs. a biblical grenade when he wrote and published a newspaper article titled, ‘The Hummus Is Ours’. Drawing on the fact that there are now an overabundance of sushi bars in the towns and cities of Middle Eastern countries, hummus maker Meir Micha questions why the Japanese have not rushed to assert ownership. His intention is to prove that no one can own a food, and that any claim on hummus is preposterous. Hummus activist, Shooky Galili, Israeli journalist and hummus blogger agrees, ‘Trying to make a copyright claim over hummus is like claiming for the rights to bread or wine. Hummus is a centuries old Arab dish – nobody owns it, it belongs to the region.’ Trevor travels around the globe in search of an answer. In London he meets with cookbook writer Claudia Roden, hoping to settle the dispute once and for all. She suggests that hummus may belong to Syria, one of the earliest great civilisations. Hummus fanatic and foodie Janna Gur has a more moderate perspective on the hummus war, acknowledging that the shift of cuisine from one country to another is the way food culture works. • Is it possible to own a food? • Write a historical account of the hummus war. Your account should be objective. Or Adopting the style of writing used by war correspondents, write an account of the battle over chickpeas. Or Use Comic Life to tell the story of the Hummus SCREEN EDUCATION © ATOM 2012 Above: Palestinians with takeout hummus in plastic bags – Hebron, Palestinian West Bankv By 2009, Lebanon and Israel had found a different way to settle their hummus differences: a competition to build the world’s single largest dish of the stuff. When the chefs of Israel made a world record breaking dish of hummus, the battle for culinary glory escalated. Reclaiming the record became a matter of national pride for Lebanon. In May 2010, Lebanon set the record for the largest ever serving of hummus, weighing in at 11.5 tons, double the previous Israeli effort. The Israelis retaliated, claiming that taste matters more than size. Team Palestine entered the fray, making culinary claims of its own. In the Palestinian town of Ramallah, Trevor Graham meets with Dr Hanan Ashrawi, a Palestinian legislator, activist, and scholar, believes that holding onto hummus is about asserting a distinct identity. Acclaimed author Meir Shalev threw from Pinati in Jerusalem. 8 • ‘Throughout history of food everywhere, recipes and dishes move from place to place, from the country to the country. And that’s how culinary culture…that’s how food culture works.’ – Janna Gur As Make Hummus Not War reveals, Trevor Graham’s tastes have certainly changed over the years, ‘When I was a kid, I thought there were three types of food: canned spaghetti, meat pies and chips with tomato sauce and vanilla slices.’ -- Spend time as a class, discussing how Australia’s culinary culture has changed. Identify the changes that have occurred this century. Raed Taha owner of Abu Shukri in the Old City – Jerusalem. Animation frame: Trevor meets Juliette’s family Above: Varieties of delicious hummus served at Al-Falamanki, in Beirut. Identify the changes that occurred during the twentieth century. -- Share Gur’s claim with your parents and grandparents. Is this their experience of food culture? -- What factors have contributed to the changes that the class have identified? • ‘The global march of Israeli hummus, even extends to my supermarket in faraway Bondi Beach, Australia.’ – Trevor Graham Hummus is now a global success story generating huge profits for the big manufacturers, particularly in the lucrative US market. Two Israeli companies control two thirds of the American market. Israeli food giant Strauss bought out Sabra salads in 2006 and Osem, took over Tribe in 2008. -- Who makes the hummus on Australian supermarket shelves? -- What do the results of your investigation suggest about who controls the global hummus market? 6 ‘Nothing symbolises the Palestinian-Israeli divide more than Israel’s Separation Wall.’ – Trevor Graham Visit the Make Hummus Not War website to view a film clip about the Israeli-Palestinian conflict. In this SCREEN EDUCATION © ATOM 2012 War. Or Script and then present to the class, a panel discussion that would occur on a current affairs program about the chickpea conflict. • ‘… we don’t mind calling it a Middle Eastern dish. But, you know, to have the audacity, to write that this is an Israeli traditional dish, is beyond belief.’ – Fadi Aboud ‘Well hummus is a very important part of our culture, of our identity. It’s not just a food. It’s not just a type of meal. But it’s part of our history. It’s part of the fact that we do have a distinct identity, and that as we see everything else being taken away from us, we don’t want to see our cuisine also confiscated.’ – Dr Hanan Ashrawi ‘I think that hummus is an Israeli food.’ – Anastasia Michaeli ‘Hummus is a Lebanese invention.’ – Fadi Abboud -- Why is it so important to Israel, Lebanon and Palestine to determine who owns hummus? • In the end, Trevor Graham concludes that he owns hummus, as does everyone else who makes, eats and enjoys it. -- Do you agree? • Does your grandmother make the best chocolate cake you have ever tasted? Is your mum’s home made pizza superior to those from the local take away? Who really knows how to work the barbecue in your backyard? Is there a recipe in your family that incites competition? Do any of the cooks in your family boast that they can make a particular dish of food better than any other member of the family? -- Share your experiences of family culinary rivalry and glory with the class. -- Write a personal narrative about one of these moments. Include an image that reflects the focus of the narrative in your final submission. • In Make Hummus Not War, Graham wonders if a food can tell a story about who we are and where we come from. If this is the case, what food can you family lay claim to? 9 Table 2 – Topic: Israeli-Palestinian Conflict What I know: What I want to know: What I learned: SCREEN EDUCATION © ATOM 2012 10 exist. And Jewish people have their own right to be here in Israel.’ – Anastasia Michaeli Anastasia Micaheli is an Israeli politician. She is a member of Knesset for the Yisrael Beiteinu political party and has been a member of the Israeli parliament since March 2009. -- Spend time as a class discussing the opinions of Dr Hanan Ashrawi and Anastasia Michaeli regarding the Separation Wall, and the reasons why they hold these opinions. -- How does Make Hummus Not War portray the Separation Wall and its impact on everyday life? 7 sequence of film, Trevor Graham visits Palestinian farmer Ali Salah, who shows Graham his chickpea crop, and over a breakfast of hummus and pita shares his perspective of the conflict over land and how the Separation Wall threatens his livelihood. Afterwards, Graham crosses the wall to meet a young Jewish woman Bat El and sample her mother’s hummus. Like Ali Salah, Bat El shares her opinion of the unrest in her homeland. Above: Ali Salah and family after a hummus breakfast, a-Khadar village, Palestinian West Bank. Below: The Separation Wall forms a giant canvas of protest pictures in Bethlehem. Conflict is a fundamental part of human existence. Everyone encounters a range of conflicts during their life. Conflict may occur because of a difference in beliefs. It may be prompted by a clash of cultures. Sometimes fear leads to conflict and at other times it may be disappointment that causes friction. Conflict can be resolved but sometimes reconciliation may be short lived and the conflict will occur again. A complex conflict may remain unresolved because of a failure to negotiate, compromise or find common ground. Teachers are advised to begin the close analysis of the Israeli-Palestinian conflict with the viewing and discussion of this film clip. ‘Nothing symbolises the PalestinianIsraeli divide more than Israel’s Separation Wall.’ Trevor Graham There are many types of conflict, ranging from conflicts within communities and conflicts between nations, to smaller conflicts between family members and individuals and even the conflict that an individual may have within themselves. -- Extra personal conflict is conflict between groups. -- Interpersonal conflict is conflict between individuals -- Personal conflict is when an individual experiences inner conflict. SCREEN EDUCATION © ATOM 2012 • What is the Separation Wall? What purpose does it serve? • What can we learn from Ali Salah and Bat El’s accounts of lives governed by the existence of the Separation Wall? • ‘The wall is much more than just a physical impediment. It is the embodiment of the ugliness of the occupation. The worst horrors that you can see in the occupation. I’ve always described it as their attempt to steal your horizon. Their attempt to prevent you from seeing beyond this grey, ugly cement wall. But of course, they imprison themselves on the other side, because they steal their own horizon.’ – Dr Hanan Ashrawi Dr Hanan Ashrawi is one of the most wellknown faces of the PLO. She was an important leader during the First Intifada, served as the official spokesperson for the Palestinian Delegation to the Middle East peace process, and has been elected numerous times to the Palestinian Legislative Council. She is the first woman elected to the Palestinian National Council. In 2003, Dr Ashrawi was awarded the Sydney Peace Prize. ‘The conflict of this land is the conflict for many years. And I think Israel has its own right to 11 • Tell the story of a time when you encountered conflict. In your writing, consider the type of conflict, its causes and its consequences. Was the conflict resolved? What did you learn? The struggle between the Israelis and the Palestinians is one of the most enduring and explosive of all the world’s conflicts. The Israelis believe that they are entitled to the land now known as Israel, while the Palestinians believe that they are entitled to the land they call Palestine. Both sides claim the same land; they simply call the land by different names. Make Hummus Not War begins it examination of the conflict with the arrival of Jewish refugees from war torn Europe during the years of World War Two and the establishment of the State of Israel in 1948. Surrounding Arab nations opposed the existence of the new Jewish nation and wars between Israel and a coalition of Arab States broke out in 1948, 1956, 1967 and 1973. Since then there have been numerous wars and many failed attempts to reach a lasting and peaceful settlement acceptable to all sides. Each group accuses the other of initiating violence and unrest. The conflict has prompted intervention from global actors, as well as security and human rights concerns. • Ask students to maintain a KWL chart to record their knowledge and understanding of the conflict between Israel and Palestine on Table 2 (page 10). Teachers should advise students that accounts of the conflict between Israel and Palestine vary. In researching the conflict, students must remain conscious of the source of any information and the perspective from which it is written. 8 Finding non-violent ways of resolving conflicts is necessary for states and governments, just as it is for individuals, groups in families, schools and communities. • What is conflict resolution? • Why have efforts to resolve the conflict between Israel and Palestine and establish peace failed? From top: Animations Insets above: Varieties of delicious hummus served at Al-Falamanki, in Beirut. SCREEN EDUCATION © ATOM 2012 • Why was the State of Israel created in 1948? Working as a class, compile a PowerPoint about the history of Israeli-Palestinian conflict since 1948. The PowerPoint should refer to the wars fought over the Israeli state: - 1948 – War of Independence - 1956 – Sinai War - 1967 – Six-Day War - 1973 – Yom Kippur War The PowerPoint should explain the Intifada of 1987–1994 and the Second Intifada of 2000– 2006. Several slides should explain the conflict in the Post Intifada. Include a series of ‘Who’s Who’ slides that identify the people and the organisations that have played a part in the conflict between Israel and Palestine. Incorporate a glossary of words and terms associated with the conflict. Begin your online research at <http://news. bbc.co.uk/2/shared/spl/hi/middle_east/03/ v3_ip_timeline/html/>. • What claim does each side make on Jerusalem? • What part has religious belief played in the Israeli-Palestinian conflict? • In 2011, Palestinian leader Mahmoud Abbas launched an international campaign to achieve recognition by the United Nations for an independent Palestinian state. -- Why do the Palestinian people want their own state? -- Who opposes the recognition of Palestinian as a state? Why? • Write a news bulletin that describes the current state of conflict between Israel and Palestine. • How does Make Hummus Not War, portray the conflict between Israel and Palestine? 12 Psychotherapist and BDS activist Susan Landau in Philadelphia. Her slogan “No Justice No Chickpeas” ‘How can you not love the idea that a working class boy from Sunshine made good, is going to solve the Middle East crisis by making a documentary about chick peas?’ Ned Lander 9 ‘When my old friend and colleague, Trevor Graham, told me he was planning to make a documentary called, Make Hummus Not War, I said, “What?” and started laughing. I’ve been laughing ever since. How can you not love the idea that a working class boy from Sunshine made good, is going to solve the Middle East crisis by making a documentary about chick peas?’ – Ned Lander Make Hummus Not War suggests that finding common ground, is a way of bridging divisions. Given the one thing all people in the Middle East have in common is their love of hummus, Trevor Graham proposes that the chickpea dip is the real Middle East mediator. • ‘Call me crazy, call me naïve, but if hummus is a food of love, could it be the food of peace?’ – Trevor Graham It is Trevor Graham’s opinion that hummus traverses frontiers – cultural, religious, national and personal – and is a symbol of our common humanity. Others agree: ‘Hummus makes love, not war.’ – Ruth Tavour ‘When you eat together, you can’t betray each other.’ – Claudia Roden ‘You know one day, Insha’Allah – God willing – it will become the food of peace.’ – Janna Gur ‘We say that our vision of peace is having hummus in Damascus.’ – Meir Shalev ‘The most important thing to us is that everyone would sit at the same table and that peace SCREEN EDUCATION © ATOM 2012 -- What are the basic arguments each side has regarding resolving the conflict? What concessions does each side expect of the other? • Many attempts have been made to broker a two-state solution, involving the creation of an independent Palestinian state alongside an independent Jewish state or next to the State of Israel. A number of contentious issues have caused the conflict to remain unresolved. Since the November 2007 Annapolis Conference, the current outline for an Israeli-Palestinian peace agreement has been a two-state solution. -- What is the two-state solution? Why is there opposition to the two-state solution? • Working as a class, make a list of past peace plans. When the list is complete, divide into small groups and investigate the peace plans. Each small group is responsible for presenting a summary and an analysis of one of the peace plans to the class. • For and against: Name the individuals and groups who have worked and are working to establish peace. Name the individuals and groups who have in the past and who are currently opposing peace. • Then and now: What role have other countries played in the conflict between Israel and Palestine? What role should other countries play? • In your opinion, is a peaceful resolution of the conflict possible? • ‘Don’t buy Sabra and Tribe. Don’t buy into Israeli apartheid.’ Make Hummus Not War documents a protest by Jewish and Palestinian activists against Israel’s occupation of the West Bank. Susan Landau from ‘Jews for a Just Peace’ and the ‘Coalition for Boycott, Divestment and Sanctions’ against Israel explains the use of a flash mob to convince supermarket shoppers to boycott Sabra and Tribe food products. The activists argue that the profits from the sales support the illegal occupation and human rights abuses created by the government of Israel against the Palestinian people. -- What is a boycott? -- Have you ever participated in a boycott? Share your experience with the class? -- Do you think boycotting hummus is a means to achieve peace? Or do you think boycotts such as these create greater division? Wouldn’t it be better to buy both Israeli and Palestinian products? -- Working as a class, make a list of reasons for and against boycotts as a protest against the actions of both the Israeli and Palestinian governments. When you have finished compiling the list, spend time discussing whether boycotts are constructive or destructive to the peace process in the Middle East. 13 Raji Kebbe, co-owner Soucci Restaurant Beirut with his hummus family photos dating back to the nineteenth century ‘The most important thing to us is that everyone would sit at the same table and that peace would reign.’ in the fast-paced, fast-food world of competing falafel stands in the West Bank, David and Fatima, are determined that their love can withstand their families’ animosity and the ongoing conflict between Israel and Palestine. Watch the trailer online at <http://www.youtube. com/watch?v=M18vvLliJNU>. -- Can films like West Bank Story aid the peace process? • ‘I believe passionately that documentaries are a vital part of international culture and democracy with a unique role to play in reflecting the way we live – challenging our ideas, assumptions and fears about the past, present and future of our world.’ – Trevor Graham -- Do you think Make Hummus Not War can play a role in promoting a more peaceful and democratic world? -- What can you do to promote peace on a local, national and global level? 10 ‘I’ve grown up and lived my entire life with the ongoing Middle East conflict, fortunately viewing it from the safety of Australia. But the conflict touches my life directly and indirectly in many significant ways. It’s affected my love life at different stages as outlined in the film’s story. Raji Kebbe Ruth Tavour of Hummus Ashkara Tel Aviv Then there is my father’s story, just another example of how, although we are on the other side of the world, Australian’s are deeply connected to the Middle East. Dad, because of his war service loved the Old City – Jerusalem – one of the oldest cities in the world.’ – Trevor Graham • ’My hummus story starts far away from the chickpea frontline, in another era at the bottom of the world.’ – Trevor Graham Trevor Graham’s personal relationship with hummus began in Melbourne in the sixties, when he was seventeen and fell in love with SCREEN EDUCATION © ATOM 2012 would reign.’ – Raji Kebbe -- Is it possible that hummus could be a means to achieve peace between Israel and Palestine? • Who are Chefs for Peace? Visit the Chefs for Peace website at <http://chefs4peace.weebly.com>. -- Can Chefs for Peace make a difference? -- Discuss Chefs for Peace approach to the conflict between Israelis and Palestinians. • ‘A little singing, a little dancing, a lot of hummus.’ – tagline for West Bank Story Ari Sandel’s Oscar-winning West Bank Story (2005) is a musical comedy about a cross-cultural romance between David, an Israeli soldier, and Fatima, a Palestinian fast food cashier. Set I’ve had many Lebanese and Palestinian friends, refugees from various conflicts who’ve taken haven in Australia. I’ve also had Israeli draft dodger friends who came here to hide, escape the army, and live their lives in a way we take for granted. Two of my dearest friends Yosl and Audrey Bergner live in Tel Aviv. During the first Gulf War, in 1990, they would ring me in Melbourne to tell me they were sitting in their living room, on their sofa, staring at each other wearing gas masks, as outside their windows air raid sirens blared warning of approaching Scud missiles. They were in their early seventies at the time and married for over forty years. “What a sight”, Yosl told me, “After forty years, now we talk to each other through gas masks”. 14 A documentary is a non-fiction text that represents events and people from real life. The purpose of a documentary could be to provoke thought, to educate or to persuade. To be successful a documentary also needs to engage its audience. ‘a caftan wearing Jewish girl’. Archive footage takes the audience of Make Hummus Not War to the streets of Melbourne’s CBD, as Trevor relates the story of his love for Juliette and their shared passion for falafel in pita with lashings of creamy, dribbly hummus. Later in the documentary, Trevor confesses that hummus and midlife crisis hormones usurped his love life yet again, when he met Lisa-Marie at a film festival in Toronto. With a Syrian father and a Lebanese mother, chickpeas were in Lisa-Marie’s blood but a mutual love of hummus was not enough to bridge an age difference of twenty years. For Trevor, it was a case of third time lucky when he met and married his ‘Portuguese rose’, a woman who also loves her hummus. -- Why is the autobiographical narrative told by Make Hummus Not War an essential part of the documentary? What would be lost if we didn’t know how Trevor Graham became a hummus tragic? 11 Make Hummus Not War is a documentary. Trevor Graham SCREEN EDUCATION © ATOM 2012 ‘I wanted the film to be a mixture of styles, observational moments bringing to life hummus on screen for an audience, so they would leave the cinema hungry for more – both for the hummus and its delicious history. I found great characters with great stories and humour. It was an honour to meet them all and have the opportunity of filming aspects of their lives.’ – Trevor Graham I wanted the film to be a mixture of styles, observational moments bringing to life hummus on screen for an audience, so they would leave the cinema hungry for more • Have you watched other documentaries? Share your experiences of this genre with the class. In what ways is Make Hummus Not War like other documentaries that you have watched? How does it differ? • The title Make Hummus Not War is a play on the ‘Make Love Not War’ sloganeering of the sixties. Why do you think Trevor Graham settled on this as the title of the documentary? • Discuss and evaluate Trevor Graham’s decision to narrate Make Hummus Not War. • Why does Make Hummus Not War rely on humour, after all the conflict in the Middle East is a serious issue? What moments of the documentary did you find funny? • Describe and evaluate the way that Make Hummus Not War uses interviews to explore the war over hummus and the conflict between Israel and Palestine. • Explain and evaluate the use of archive footage in Make Hummus Not War. • ‘Animation was always a key ingredient to enhance the humour and to tell my personal family story. With animator Tim Richter we developed a style that draws on Terry Gilliam’s, Monty Python’s Flying Circus. The animations are often whimsical, mixed media with references to art, history and religion.’ – Trevor Graham For information about Monty Python’s Flying Circus visit <http://en.wikipedia.org/wiki/ Monty_Python%27s_Flying_Circus>. You can watch Monty Python’s Flying Circus on YouTube. Begin your viewing at <http://www. youtube.com/watch?v=mA973KVWyr4>. -- Drawing on this claim and the information about Monty Python’s Flying Circus, discuss Trevor Graham’s use of animation in Make Hummus Not War. Your analysis should refer to one or more of the animation sequences in the documentary. • How is music used to tell the multiple stories of Make Hummus Not War? • Make Hummus Not War was filmed in The Palestinian Territories, Lebanon, Israel, the United Kingdom, the United States of America and Australia. -- As a class, discuss the possible challenges of filming in these locations. • Who would enjoy watching Make Hummus Not War? Who do you think should watch the documentary? 15 This study guide was produced by ATOM. (© ATOM 2012) ISBN: 978-1-74295-198-0 [email protected] For information on Screen Education magazine, or to download other study guides for assessment, visit <http://www.metromagazine.com.au>. Join ATOM’s email broadcast list for invitations to free screenings, conferences, seminars, etc. Sign up now at <http://www.atom.asn.au/lists/>. For hundreds of articles on Film as Text, Screen Literacy, Multiliteracy and Media Studies, visit <http://www.theeducationshop.com.au>. 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