ARISTOTLE UNIVERSITY OF THESSALONIKI SCHOOL OF ENGLISH G-LSUD3 EnLit330: The 18th Century Novel Spring Semester 2015 Instructor: Dr. Kanarakis Yannis ([email protected]) Class: Office hours: Mondays 11:30-14:00 COURSE DESCRIPTION The course looks at the emergence, development, diffusion and popularity of the novel in 18th-century Britain. It examines the formal characteristics that differentiate the novel from earlier forms of prose fiction and the relation between culture and genre, i.e. the novels’ response to changing modes of perception as these were affected by the new philosophy and science, the rise of the middle classes and free trade ideas, the influence of the Press and the taste of new reading publics. Focusing on the work of major canonical writers (Fielding, Richardson, Sterne), we shall examine how their novels relate to such changes in outlook, values and practices, what image of ‘reality’ and ‘human nature’ they construct, and how the novels reflect, respond to or try to resolve the tension between traditional orthodoxies and new developments. The course will also explore all major subgenres that have contributed to the rise and popularity of the novel, such as, epistolary writing, the picaresque, Augustan satire, and sentimentality. COURSE ASSESSMENT/REQUIREMENTS - Students can choose either to take the end-of-semester exam which will cover the entire semester OR write an MLA-styled research paper of about 4.000 words (40%) and answer only one question in the final exam (60%). Students who opt for the essay should have some experience in the writing of research papers. The topic will be chosen individually by each student after consultation with the instructor. Papers should be handed in at appointed dates during the semester. The intention of the essay scheme is to provide the opportunity for the exercise of research and critical skills to those students who are seriously interested in pursuing this line of academic occupation. For further details, as well as advice on methodological assistance, please contact the instructor. - Even though there will be no specific percentage of your grade attached to participation and attendance, contributing regularly to class discussions will help your grade significantly. To this purpose, you will be expected to study the assigned material before coming to class. COURSE MATERIAL Books 1) Samuel Richardson, Pamela, or Virtue Rewarded (1740). 2) Henry Fielding, Joseph Andrews (1742). 3) Laurence Sterne, A Sentimental Journey Through France and Italy (1768). 2 WORKING SCHEDULE Weeks 1, 2, 3, The Rise of the Novel: Background reading on theories of the novel and debates about its origins. Eagleton, Terry. «What is a Novel?» in The English Novel: An Introduction. Watt, Ian. «Realism and the Novel Form» and «The Reading Public and the Rise of the Novel» in The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Bakhtin, Mikhail M. «Epic and Novel» in Hoffman and Murphy (eds) Essentials Of the Theory of Fiction. Chapter 3. Armstrong, Nancy. «The Rise of the Domestic Woman,» in Desire and Domestic Fiction. Hunter, Paul. «The Novel and Social/Cultural History,» in Richetti, John, The Cambridge Introduction to The 18th Century Novel, 1998. McKeon, Michael. «Generic Transformation and Social Change: Rethinking the Rise of the Novel,» 1985. Weeks 4, 5, 6 KEY TEXT: Samuel Richardson, Pamela, or Virtue Rewarded (1740). The epistolary novel The rise of print Culture Female Domesticity Romance Doody, Margaret Anne. A Natural Passion: A Study of the Novels of Samuel Richardson, 1974. McKeon, Michael. «The Institutionalization of Conflict (i): Richardson and the Domestication of Service,» in The Origins of the Novel: 1600-1740, 2002. Armstrong, Nancy. «Strategies of Self-Production: Pamela» in Desire and Domestic Fiction: A Political History of the Novel, 1987. Watt, Ian. «Love and the Novel: Pamela,» The Rise of the Novel: Studies in Defoe, Richardson and Fielding, 2001. Gwilliam, Tassie. «Pamela and the Duplicitous Body of Femininity,» in Samuel Richardson’s Fictions of Gender, 1993. Whyman, Susan. «Letter Writing and the Rise of the Novel: The Epistolary Literacy of Jane Johnson and Samuel Richardson,» 2007. Weeks 7, 8, 9, 10 KEY TEXT: Henry Fielding, Joseph Andrews (1742). Augustan Satire / The Burlesque / Mock-Heroic / Parody Picaresque Narrator & Reader: The Rising Reading Public Digression Realism Richetti, John. The Cambridge Companion to the 18th Century Novel, 1996. 3 Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding, 1966. Eagleton, Terry. «Henry Fielding and Samuel Richardson,» in The English Novel: An Introduction, 2005. Lund, Roger. «Augustan Burlesque and the Genesis of Joseph Andrews,» 2006. McCrea, Brian. «Rewriting Pamela: Social Change and Religious Faith in Joseph Andrews,» 1984. Baines, Paul. «Pamela» in Claude Rawson, The Cambridge Companion to Henry Fielding, 2007. Weeks 11, 12, 13 KEY TEXT: Laurence Sterne, A Sentimental Journey Through France and Italy (1768). Sentimentality Travel Writing Stream of Consciousness Eagleton, Terry. «Laurence Sterne,» in The English Novel: An Introduction, 2005. Manning, Susan. «Sensibility,» in Keymer, Tom, The Cambridge Companion to English Literature from 1740 to 1830, 2004. Chandler, James. «The Politics of Sentiment: Notes Toward a New Account,» 2010. Keymer, Thomas. «A Sentimental Journey and the Failure of Feeling,» in Keymer, Thomas (ed), The Cambridge Companion to Laurence Sterne, 2009. Watts, Carol. «The Modernity of Sterne,» in Pierce, David & Voogd Peter Jan de. Laurence Sterne in Modernism and Postmodernism, 1996. SELECTED BIBLIOGRAPHY THE RISE OF THE NOVEL Armstrong, Nancy & Tennenhouse Lenny. The Imaginary Puritan: Literature, Intellectual Labour and the Origins of Personal Life. Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Brink, Andre. The Novel: Language and Narrative from Cervantes to Calvino. Brown, Laura. Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature. Castle, Terry. Masquerade and Civilization: The Carnivalesque in 18th-Century English Culture and Fiction, 1986. Davis, Lennard. Factual Fictions: The Origins of the English Novel. Doody, Margaret Anne. The True Story of the Novel. Ellis, Markman. The Politics of Sensibility: Race, Gender, and Commerce in the Sentimental Novel, 1996. Galagher, Catherine. Nobody’s Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820. Hobsbawm, E.J.. Industry and Empire Hunter, J. Paul. «What was New about the Novel?» in Before Novels: The Cultural 4 Context of Eighteenth-Century English Fiction. Lukacs, Georg. The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature. Meiksins, Ellen. The Origin of Capitalism. McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. McKeon, Michael. Origins of the English Novel, 1600-1740. Nixon, Cheryl L. (ed). Novel Definitions: An Anthology of Commentary on the Novel, 1688-1815. Perry, Ruth. Novel Relations: The Transformation of Kinship in English Literature and Culture, 1748-1818, 2004. Rawson, Claude Julien. Satire and Sentiment: 1660-1830, 1994. Richetti, John. The English Novel in History, 1700-1780. Scholes, Robert, James Phelan & Robert Kellogg. The Nature of Narrative. Chapters 1-3. Uphaus, Robert W. (ed). The Idea of the Novel in the Eighteenth Century. Van Ghent, Dorothy. The English Novel: Form and Function. Van Sant, Ann Jessie. 18th-Century Sensibility and the Novel: The Senses in Social Context, 1993. Berker-Benfield, G.J. The Culture of Sensibility: Sex and Society in 18th Century Britain, 1992. Keymer, Tom. The Cambridge Companion to English Literature from 1740 to 1830, 2004. SAMUEL RICHARDSON Chung, Ewha. Samuel Richardson’s New Nation: Paragons of the Domestic Sphere And «Native» Virtue, 1998. Day, Robert Adams. «Speech Acts, Orality, and the Epistolary Novel,» 1980. «Epistolarity: Approaches to a Form,» 1984. Doody, Margaret Anne. Samuel Richardson: Tercentenary Essays, 1989. Fasick, Laura. «The Edible Woman: Eating and Breast-Feeding in the Novels of Samuel Richardson,» 1993. Habermas, Jurgen. The Structural Transformation of the Public Sphere. Garcia, Pedro Javier. «Novel, Romance and Quixotism in Richardson’s Pamela,» 1996. Morrison, A.D. «Pamela and Plato: Ancient and Modern Epistolary Narratives,» 2014. Mullan, John. Sentiment and Sociability: The Language of Feeling in the 18th Century, 1990. Park, William. «What was New about the ‘New Species of Writing,’» 1970. Poovey, Mary. «Aesthetics and Political Economy in the 18th Century: The Place of Gender in the Social Constitution of Knowledge» Richetti, John. The Cambridge Companion to the 18th Century Novel, 1996. Townsend, Alex. Autonomous Voices: An Exploration of Polyphony in the Novels of Samuel Richardson, 1970. Warner, William. «The Elevation of the Novel in England: Hegemony and Literary History,» 1992. Woertendyke, Gretchen. «Romance to Novel: A Secret History,» 2009. HENRY FIELDING Baker, Sheridan. «Fielding and the Irony of Form,» 1968. Bartolomeo, Joseph. «Interpolated Tales as Allegories of Reading: Joseph Andrews», 1991. 5 Battestin, Martin. The Moral Basis of Fielding’s Art: A Study of Joseph Andrews, 1959. Cauthen, B. I.. «Fielding’s Digressions in Joseph Andrews», 1956. Cruise, James. «Fielding, Authority, and the New Commercialism in Joseph Andrews,» 1987. Keymer, Tom. The Cambridge Companion to English Literature from 1740 to 1830, 2004. Park, William. «Fielding and Richardson,» 1966. Perl, Jeffrey. «Anagogic Surfaces: How to Read Joseph Andrews,» 1981. Rivero, Albert. Critical Essays on Henry Fielding, 1998. Rawson, Claude. Henry Fielding: A Critical Anthology, 1973. Order from Confusion Sprung: Studies in 18th Century Literature from Swift to Cowper, 1985. LAURENCE STERNE Braudy, Leo. «The Form of the Sentimental Novel» Duncan, Jeffrey. «The Rural Ideal in 18th Century Fiction,» 1968. Hartlrey, Lodwick Charles. Laurence Sterne in the 20th Century. Traugott, John. Laurence Sterne: A Collection of Critical Essays. MacLean, Kenneth. «Imagination and Sympathy: Sterne and Adam Smith». Mullan John. Sentiment and Sociability: The Language of Feeling in the 18th Century. Lamb, Jonathan. Sterne’s Fiction and the Double Principle. «The Comic Sublime and Sterne’s Fiction». Smitten, Jeffrey. «Spatial Form as Narrative Technique in ‘A Sentimental Journey’», 1975. Kay, Carol. Political Constructions: Defoe, Richardson and Sterne in Relation to Hobbes, Hume and Burke, 1988. Van Sant, Ann Jessie. 18th-Century Sensibility and the Novel: The Senses in Social Context, 1993. McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Rawson, Claude Julien. Satire and Sentiment: 1660-1830, 1994. Ellis, Markman. The Politics of Sensibility: Race, Gender, and Commerce in the Sentimental Novel, 1996. Berker-Benfield, G.J. The Culture of Sensibility: Sex and Society in 18th Century Britain, 1992.
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