Early Theatre Style Sheet TableofContents RevisedMarch2016 PartA:Copy-EditingModernProse Abbreviations BooksoftheBible Capitalization CitingDrama CitingMajorPoets Commas&Dashes Dates Ellipses Font ForeignLanguages Images Italics LatinTerms Margins Numbers Paragraphs Periods&Apostrophes Quotations Spacing Spelling Transcriptions PartB:End-noteCitationInstructions&Examples GeneralInstructions Books ChaptersinBooks MultipleVolumes ArticlesinJournals Dissertations ShortEntriesinNotes REEDVolumes STCReferences Manuscripts OnlineSources Abbreviations: Commonabbreviations,includingthosewhichmayoccurinREEDvolumes,arelistedbelow.Avoid extraneouspunctuation.Asageneralrule,ifanabbreviationendsmid-word,useaperiod(egvol. forvolume).Butiftheabbreviationendsinthelastletteroftheword,noperiod(eg=edn,for “edition”,vols,for“volumes”). WhencitingsourcessuchastheOEDorDNB,writeoutthetitleinfullatfirstmention,followedbythe acronym:OxfordEnglishDictionaryOnline(OED).Ifyouhavereferencestoboththeonlineandthe printversionsofanysource(asforinstancetheOEDorDNB),pleasealerttheeditorsbeforethe copyeditingstage. Aantiquariancompilation ACantiquariancollection ambeforenoon ANAnglo-Norman bborn BLBritishLibrary EarlyTheatreStyleSheet ndnodate nfnofoliation n,nnnote(s) no(s)number(s) npnoplace npubnopublisher Page1 Early Theatre Style Sheet BodlBodleianLibrary cacirca c.century comp(s)compiler(s) ddorse d.died ed.Editor edsEditors ednEdition EEBOEarlyEnglishBooksOnline EETSEarlyEnglishTextSociety esextraseries ESTC:EnglishShortTitleCatalogue f,fffolio(s) facsfacsimile gened(s)generaleditor(s) introintroduction l,llline(s) mb(s)membrane(s) MEMiddleEnglish MLMedievalLatin MS,MSSmanuscript(s) nsnewseries NANationalArchives (formerlyPROPublicRecordOffice)OED OxfordEnglishDictionary osoldseries pmafternoon p,pppage(s) parparagraph prefpreface pt(s)part(s) rrecto rev(s)reviser(s),revised rptreprint sdstagedirection serseries sssupplementaryseries STCShortTitleCatalogue,Pollard/Redgrave printedition(seealsoESTC) trans.translator(s),translation transcrtranscriber(s) vverso VCHVictoriaCountyHistory vol.volume volsvolumes BooksoftheBible: Punctuation:Mt10:5-10,2Cor5:2-6 Capitalization: Onlycapitalizepropernames(eg,KingJamesorQueenElizabeth),propertitles(eg,DeanHuttonor King(ifthatisthecharacter’sname),andcasesinwhichconfusionmightresultiflowercasewere used(eg,SpiritforHolySpirit,todifferentiatefromspiritasahumancharacteristic). Guildnamesarerenderedas'Bakers'guild',butindividualmembersofaguilddonothavetheir occupationcapitalized(eg,JohnWhitmore,baker).'Jr'and'Sr',however,followinganameare capitalizedandsetoffwithcommas,eg,CharlesH.Donohue,Jr,isamemberoftheBakers’guild. Usecapitalsforthefollowing:MiddleAges,Renaissance,Reformation,Restoration,and Enlightenment. Uselowercasefor:medieval,civilwar,earlymodern. Uselowercaseonoffices(eg,attorneygeneral,masteroftherevels,andprivycouncil). EarlyTheatreStyleSheet Page2 Early Theatre Style Sheet Quotedmaterialcanretainitscapitalization(eg,Hamletsays‘Gettheetoanunnery’,not‘[g]etthee toanunnery’).Wealsomakeexceptionsforwordswewouldnotnormallycapitalizeiftheyappear capitalizedinquotedmaterial. Capitalizeallwordsintitles,exceptforarticlesandconjunctions.Thisruleappliestoalltitles, includingtitlesofmanuscriptsandearlybooks,withtheexceptionoflengthysub-titlesofearly worksandforeigntitles(seeForeignLanguagesbelow).Donotaddcapitalstoquotedphrases withintitles.Usecapitalsforhyphenatedwordsintitles:Twice-ChangedFriarNOTTwice-changed Friar. Ibidisnotautomaticallycapitalizedunlessitappearsatthebeginningofasentence. Generally,thefollowingstyleshouldbeadopted: • thedeanofYork-DeanHutton • thefeastoftheTranslationofStWilliam • Protestant • puritan • RomanCatholic • CorpusChristiDay • thecollegesofOxford-ExeterCollege • thesheriffofChester-SheriffHardware • thevirginqueen-QueenElizabeth • themayor-MayorScawsby SmallCapitals:Usesmallcapsforallstandardacronyms(EEBO,LION,HTML,REED,OED,DNB). Speechprefixesshouldappearinsmallcaps.Noperiodafterspeechprefix,onlytwospaces,then speech.Pleasenotethatthisistheonlyexceptiontotheruleofonespacebetweenwordsand sentences. DonotusesmallcapsforstateabbreviationsortoabbreviatejournaltitleslikeStudiesinEnglish LiteratureandEnglishLiteraryHistory.Insteadspelloutthenameofthejournaltitlesinfull. CitingDrama: Punctuation:Giveact,scene,andlinenumbersinarabic;eg,HenryIV,PartOne2.4.432,orthe standardabbreviation,1H42.4.432.Useparentheticalcitationsforplay-references;donotput act/scene/linereferencesintheend-notes.Thefirstreferencetoaplay,however,shouldhaveboth anoteprovidingthesourceandaparentheticalcitationgivingtheact,scene,lineorpage information. EarlyTheatreStyleSheet Page3 Early Theatre Style Sheet Whencitingstagedirections,usethesimplestformatasfollowsforcitingastagedirection(sdno punctuation)whetherinalineordirectlybeneathaline.Here,quotingfromM.L.Wine'seditionof Marston'sTheDutchCourtesan: SOURCE: FREEVILKissher,man,withamorefamiliaraffection.So![Freevil kissesFrancheschina.]--Come,whatentertainment?Goto yourlute. ExitFranceschina. CITING: FreevilordersMalheureuxtokisstheDutchcourtesanbyshowinghimhow:'Freevilkisses Francheschina'(1.2.84-5sd). SOURCE FREEVILOh,yes.,[ToPage.]Come,via!Away,boy!On! Exit,hisPagelightinghim. [Re-]enterFreevillandseemstooverhearMalheureux. CITING: Malheureuxspeaks,thinkingheisalone,butFreevillsneakily'seemstooverhear'him(1.2.123.2 sd)=fromact1,scene2,thesecondstagedirectionafterline123. Whenincorporatingblockquotationsofdialogueputthespeaker’snameinsmallcapswithno punctuationafterit,followedbyanemspace,andthenthefirstlineofdialogue.Subsequentlinesof thesamespeechshouldbeindentedbyonetab.Parentheticalcitationsofoffsetmaterial(when theyoccur)shouldbeonetabpasttherightmarginofthequote,eitheronthelastlineofthequoted material(spacepermitting)oronanewline. Whenreferringtoanactandscenewithintheproseofthearticle,usenumbersanddonot capitalize,ie,‘Inact5…’Forsignaturenumbers,pleaseindicatebothrectoandverso,butdonot superscripttheabbreviationsforthesedesignations. Example: MOLOSSOBotheryetalive,themischief’sdonealready, Butnotthevengeance,thoushaltthatbehold, Tillthenthere’smotheringcanbecall’drevenge: Goebringu’mSango,thoughhasthadthyfill. SANGOOfNectar,sweeterfarthanthatofIove. (H1v) MedievalDrama:Theso-called'cycles'arenotreallypartofthetitlesofthesegroupsofplays. RefertoYork,Chester,Towneley,orN-Townas'plays':Yorkplays,Chesterplays,etc.Youmayuse 'cycle'withYorkorChester,butonlylowercased(eg,Yorkcycle)giventhatcycle,thougha convenientterm,isnotaformalororiginaltitleofthecollectionofpageants. EarlyTheatreStyleSheet Page4 Early Theatre Style Sheet Forindividualplays,refertothetitlesinyoursourcetext(eg,LumianskyandMills,TheChester MysteryCycle;Beadle,TheYorkPlays),traditionallycitedinvariouswaysdependingoncontext(eg, Chester's'TheShepherds'ortheChesterShepherdsplay).NotethatShepherdsisplural(thereare 3shepherds),notpossessive.Ifyouquoteaspeech-headingwithdialoguefromaneditionofthe plays,thenciteasinthetext:PASTOR1,orSHEPHERD1,butifreferringonlytoalltheshepherds singingtogether,forexample,noinitialcapitalisrequired.Thatis,distinguishbetweenan individualspeakerandactionbyunnamedcharacters.Capitalsarereservedforpropernamesof characters,speech-headings,orplay-typesbasedonevents:theCrucifixion(thespecificoccasionof Jesus'sdeath)vscrucifixion(punishmentmetedouttocriminals).InreferringtotheplayinYork, Chester,N-Town,orelsewhere,theShepherdsortheShepherdsplayorpageantdenotestheplaytype;similarly,Crucifixion,Nativity,Buffeting,Trial,andsoon. If,asinYork,theplayorpageanthasaspecifiedtitle,eg,'TheDreamofPilate'sWife',thenusethat titleinquotationmarks.ThesoleexceptionisSecundaPastorem,orTheSecondShepherdsPlay;that is,thesecondplayabouttheshepherds.Itisafull-lengthplayonitsown,andwasprobablynever presentedina'cycle',butratheronlyasaChristmasshow. Theplaysinsomecollectionsarenumbered(eg,Chester):usethenumbertohelpidentifytheplay, asin(7.46)=Play7['TheShepherds'],line46. ForusefulexamplesofthisREED-basedsystemofcitation,seeTheChesterCycleinContext,1555– 1575:Religion,Drama,andtheImpactofChange,edsJ.Dell,D.Klausner,andH.Ostovich(Ashgate, 2012). CitingMajorPoets/Poetry Whencitingmajorworksofpoetry(suchasParadiseLostorTheFaerieQueene)youmayshorten thetitletoPLorFQafterthefirstreference. Punctuation:Giveabbreviatedtitle,booknumber(ifapplicable),cantonumber(ifapplicable), followedbylinesnumbers(egFQIII.iv.46-54).Useparentheticalcitationsforpoetryreferences;do notputbooknumber,cantonumber,andlinenumbersintheend-notes.Thefirstreferencetoa poem,however,shouldhavebothanoteprovidingthesourceandaparentheticalcitationgiving thecanto,book,and/orlinenumber. Commas&Dashes: Commas:Removeunnecessarycommas,butuseacommabefore'and','or',and'but'inaseries ofthreeormoreitems. Examples: • HeheldlandinDorset,Devon,andCornwall. EarlyTheatreStyleSheet Page5 Early Theatre Style Sheet • • • • UnliketheYorkplaysthoseoftheTowneleymanuscriptseemtobecollectedfrom severalsources. Shecouldnotdance,sing,orplaygames. Clearlytheevidenceindicatestheparishsponsoredplays. In1588Englandwaspoor,weak,butdetermined. Usecommastosetoffcountynamesappearingaftercitynamesbutdonotuseacommatoseparate partsofacompoundsentencejoinedbyaconjunction. Examples: • RichardThomaswasanativeofShrewsbury,Shropshire,andfirstbecamemayorin 1560. • RichardThomaswasanativeofShrewsburyandfirstbecamemayorin1560. • RichardThomas,anativeofShrewsbury,Shropshire,firstbecamemayorin1560. Asageneralrule,followTheChicagoManualofStyle,16thed.,optingforthe'openstyle'. Dash:Useanendash(equivalenttohyphen)betweenfigures(eg,1306-7,42-3).Useanemdash spacedtosetoffparentheticalmaterial:itdemarcatesaparentheticalthought—likethisone—or somesimilarinterpolation. Pleasenote:donothyphenatetheword‘onstage’. Dates: Theformatis1January1546,forexample,andJanuary1452,withoutpunctuation.Use'the1920s' withoutanapostrophe,butwriteout'thethirties'.UseacommainMonday,1January.Writeoutthe namesofmonthsinfull. Ellipses: Usethreeunspaceddotswithonespaceoneithersideforamedialellipsis=eg...Donotuse squarebracketsaroundellipses.Useclosingpunctuationiftheellipsiscomesattheendofa sentence.Generally,youshoulduseonlymedialellipsis;avoidopeningorclosingellipsis. Font: Avoidusingmultiplefonts.OnlyuseTimesNewRoman12pt. EarlyTheatreStyleSheet Page6 Early Theatre Style Sheet ForeignLanguages: ForeignwordsnotinOEDshouldbeitalicized.Shortforeignphrasesthatarenotquotationsshould alsobeitalicized.Quotedphrases,sentences,orparagraphsinforeignlanguagesshouldNOTbe italicized;instead,theyshouldappearinthenon-italicizedoriginallanguageinstandardTimesNew Roman12ptfont.Directlyaftertheoriginallanguagequotation,anEnglishtranslationshould appearinbrackets. Foreignlanguagetitlesofworksshouldfollowsentence-stylecapitalizationrulesasoutlinedinthe 16theditionofTheChicagoManualofStylesections16,8.156,and11.30.Onlythefirstwordofa title,thefirstwordofanysubtitle,andanypropernounsshouldbecapitalized. Images: Greyscaleimagesmustbe300DPIandatleastthreeincheswide(or900pixels). Linedrawings,suchaswoodcutsormusicalscoreswithnogreyscale(justblackandwhite),must be1200DPIandatleastthreeincheswide(or3600pixels). Colourimageswillbeprintedattheauthor’sexpense.Normallyweprintonlyblackandwhiteor greyscaleimages.However,ifyouarewillingtopaytheextracostsofcolourprinting,each gatheringoffourpagesincolourwillcost$500.Youmayhavefourfull-sizephotos;eighthalf-size; etc.Evenifonlyonepageisacolourphotograph,thecostremains$500.Imagesmustbe300DPI andatleastsixincheswide. Imagefilesshouldbesavesinoneofthefollowingformats(indescendingpreference):.tiff,.jpg, .bmp,.gif,.pdf,or.png.Pleasesendimagesasseparatefiles,notembeddedinMSWord, PowerPoint,orotherfiles. Italics: Whenquotingfrommanuscripts,italicsshouldbeusedtoindicateMSexpansions(andshouldbe preservedwhenquotingfromthetextofREEDvolumes,whereitalicsservethesamepurpose). Italicsshouldalsoberetainedwhenquotingpassageswithitalicizedwordsinearlyprintedbooks (REEDprintstheseinRomantype)andindocumentdescriptionsoftitle-pagesofearlyprinted bookstorepresentitalicsthere.Bold-faceisonlyusedinessaystoindicatethearticletitleor subtitles.Foritalicizinguntranslatedforeignwordsandphrases,seeForeignLanguages,above. LatinTerms: EarlyTheatreStyleSheet Page7 Early Theatre Style Sheet UseofLatininnotesisdiscouraged.Donotuse'loc.cit.'or'op.cit.';insteaduseshorttitleofthe bookreferredto(seecitationinstructionsfor‘ShortEntriesinNotes’).Exception:ibidfor immediatelysequentialnotes. CommonLatinabbreviationssuchas'etc','eg',and'ie'aresetinRomantypewithoutperiodsbut shouldbeavoidedwhenpossible. Margins: Marginsforallpagesmustbesetatoneinchor2.54cmallthewayaround. Numbers: Wherepossibleintheessay(thatis,wherenoinconsistencywouldoccurinreferringtoaseriesof numbers),thefollowingarespelledoutinordinarytext(writteninfull):wholenumbersfromone throughninety-nine.Fornumbers100andlarger,usenumerals. Usethefewestpossiblenumbersexceptforthe'teens':88,88-9,800-1,but18-19.Romannumerals mustbewritteninfull:xx-xxiiandccxx-ccxxii.Insterlingsums,thereisnospaceandno punctuationbetweenthenumberandthedenomination,eg,22d,8s. Usecommasinfive-digitnumbers(eg,20,000). Paragraphs: Donotindentthefirstlineofthefirstparagraphofanytextorseparatesectionthereof.Indentall subsequentparagraphs.Donotinsertextralinesbetweenparagraphs.IfyouareusingMicrosoft Office2007,pleaseensureitisadjustedproperly.Turnoffthe‘WidowsandOrphans’setting,asthe journaltypesetterwilltrytokeeptexttogetherwherenecessary. Donotusefulljustification.Setjustificationatleftonly. Periods&Apostrophes: Usesparinglyandomitafterstandardabbreviationswiththeexceptionofl.(line);ll.(lines);d. (died),contrastd(dorse);c.(century),contrastca(circa).AbbreviationssuchasMr,Dr,St,Co,Inc, Ltd,am,pm,no(not#)donotrequirepunctuation. EarlyTheatreStyleSheet Page8 Early Theatre Style Sheet Singlepossessivesshouldbeformedwith’sinallinstances,inkeepingwiththe16theditionofThe ChicagoManualofStyle. Quotations: Quotationsthatofferonlypartoftheoriginalsentence–aword,phrase,orsomeotherunit–will beenclosedbysinglequotationmarks,withend-punctuationoutsidethequotationmark,with theexceptionnotedbelow;butifyouquoteanentiresentence,theend-punctuationmaybeinside thefinalquotationmark.Ifindoubt,puttheend-punctuation(aperiod,eg)outsidethe quotationmark. Examples:‘Thissaladislabelled“fresh”,butwhatdoesthatreallymean?’‘Andfinallyinafrenzyof grief,Learrails,“Whyshouldadog,ahorse,arat,havelife,/Andthounobreathatall?”’(5.3.306). ‘Nothingwillcomeofnothing;speakagain’(1.1.92),Leardemands. AllquotationsmustbecheckedagainsttheirprintedorMSsourcesandshouldcorrespondexactly inspelling,capitalization,andinternalpunctuation.Donotindentquotationsseveraltabs,or usedouble-sidedindentation(fromeithermargin).Setyourindentedquotationsfromtheleft onetab. Speechprefixesshouldappearinsmallcaps,withnoperiodafterthespeechprefix,andfollowed bytwospacesbeforethespeech.Pleasenotethatthisistheonlyexceptiontotheruleofone spacebetweenwordsandsentences. Shortquotations(ie,underfivelines)shouldberunoninthetext,withtheexceptionofpoetry (includingversedrama),whichshouldbesetoffwhenmorethantwolinesarequoted.Displayed indentedquotationsshouldbeindentedwithalinespaceaboveandbelow. Spacing: Donotinsertextraspaces.Onlyuseonespacebetweenwordsandbetweensentences. Alltext(includingindentedquotes,notes,andappendices)shouldbedouble-spaced.Donotinsert extraspacesbetweenparagraphs. Spelling: ThestyleisbasicallyCanadianspelling,favouring'ize'over'ise',withtheseexceptions: acknowledgment(s)andjudgment. EarlyTheatreStyleSheet Page9 Early Theatre Style Sheet Transcriptions: TranscriptionsfromMSSshouldberenderedaccordingtoREEDguidelinesusingitalicsfor expansions.AllpreviouslyunpublishedtranscriptionsmustbecheckedintheREEDoffice.Sendyour electroniccopyofunpublishedmanuscriptsfromwhichyouquote,and/ordigitalphotographsas soonasyourarticleisaccepted.Trytoanticipatecorrecttranscriptionpracticebyconsultingthe paleographyfile. GeneralInstructionsforEnd-Notes: Givefullbibliographicinformationforbooks,articles,etc,whentheyarefirstcited.Pagenumbers followdirectlyafterthepublicationinformation(whichisinparentheses)withnouseofporpp.All informationshouldbesuppliedinthenotes.DonotincludeaWorksCitedpage. Allnotesshouldbepreparedasend-notes.Notesshouldcorrespondtoconsecutive, superscriptnumbersinthearticle.Theyshouldalsobedouble-spaced. Examples: 9VCH:Herefordshire,1.409. 10ThedeaneriesandarchdeaconriesareindicatedregularlyintheConsistoryCourtActsof Office(describedon18-21). 11NA:E36/229,ff73-82. Giveshortreferences(author's/editor'snameandtitleorshorttitle)foritemspreviouslyreferred toinfullinthenotes.Theseshortreferencesarefollowedbyacomma,andthenthepagenumbers. TitlesofarticlesareenclosedinsinglequotesandsetinRoman;titlesofbooksandjournalsare italicized.Ifyouhaveastringofimmediatelysequentialreferencestothesameauthor/title,then use'Ibid',followedbyacommaifcitinganewpagenumber.Ifthereisagapbetweensubsequent references,thenyoumustreturntoauthor/shorttitle/page.Ifyouarefrequentlycitingdramaor poetry,pleasereferbacktooursectionon‘CitingDrama’or‘CitingPoetry’above. Exampleofnoteseries: 4DavidKnowlesandR.NevilleHadcock,MedievalReligiousHouses:EnglandandWales (London,1971),69. 5Ibid. 6Ibid,68. 7C.A.J.Skeel,'TheCounciloftheMarchesintheSeventeenthCentury',EnglishHistorical Review30(1915),22. 8KnowlesandHadcock,MedievalReligiousHouses,69. 9Skeel,'TheCounciloftheMarches',22. EarlyTheatreStyleSheet Page10 Early Theatre Style Sheet 10Ibid,45. 11JamesF.Hoy,'RecordsofDramaticActivityinMedievalYork:aTranslatedCollection', PhDthesis(UniversityofMissouri,1970),10. 12JoanThirsk(ed.),TheAgrarianHistoryofEnglandandWales,8vols(Cambridge,1967), 4.186. Forpunctuation,seeChicagoManualofStyleandexamplesbelow. Books: MaryDormerHarris,TheHistoryoftheDrapers'CompanyofCoventry(Coventry,nd),20. Fortitlesofbookreviewsonly,includepublisherinformation,givingonlythefirstcityof publicationlisted:EugeneGiddens.HowtoReadaShakespeareanPlayText.Cambridge:Cambridge UniversityPress,2011.Ppix,187. ChaptersinBooks: JohnH.Harvey,'RichardIIandYork',F.R.H.DuBoulayandCarolineM.Barron(eds),TheReignof RichardII:EssaysinHonourofMayMcKisack(London,1971),202-17. BookswithMultipleVolumes: Forabookwithtwoormorevolumes: JoanThirsk(ed.),TheAgrarianHistoryofEnglandandWales,8vols(Cambridge,1967),4.186. Forsubsequentcitations: Thirsk,TheAgrarianHistoryofEnglandandWales,4.67. ArticlesinJournals: C.A.J.Skeel,'TheCounciloftheMarchesintheSeventeenthCentury',EnglishHistoricalReview30 (1915),22. ThomasHughes,'StGeorge'sDayatChester',TheCheshireSheaf,1stser,1(1879),204-5. EarlyTheatreStyleSheet Page11 Early Theatre Style Sheet ElaineTrehairne,‘TristisAmor:AnUnpublishedVerseLoveLetterfromLadyElizabethDacre HowardtoSirAnthonyCooke’,RenaissanceStudies26.5(November2012),673-90, http://dx.doi.org/10.1111/j.1477-4658.2011.00765.x. Donotabbreviatejournaltitles.Instead,writeoutofthenameofthejournalinfull. Dissertations: JamesF.Hoy,'RecordsofDramaticActivityinMedievalYork:aTranslatedCollection',PhDthesis (UniversityofMissouri,1970),10. ShortEntryfromSameSourceinEnd-notes: Forimmediatelysequentialnotes,useibidandpage(egibid,76).Otherwise,useauthorandshort titleforlaternotes. FullCitation:DavidKnowlesandR.NevilleHadcock,MedievalReligiousHouses:EnglandandWales (London,1971),69. ShortCitation:KnowlesandHadcock,MedievalReligiousHouses,216and225. Forfurtherexamplesrefertoourgeneralinstructions. REEDVolumes: Theorderofinformationshouldbeasfollows: AlanH.Nelson(ed.),REED:Cambridge(Toronto,1989),1.316. Thatis,thevolumenumberprecedesthepagenumberusingthisformat.Theimmediately subsequentnotewouldbesimplyIbid,2.415.Ifthereisagapbetweenreferencestothissame author/title,thenthecorrectnotationwouldbeNelson,REED:Cambridge,1.25. ForreferencestoaREEDvolumeforthcoming: BarbaraD.PalmerandJohnWasson,Derbyshire,forthcomingintheREEDseries. EarlyTheatreStyleSheet Page12 Early Theatre Style Sheet STCandWingReferences: ForreferencestopagesinbooksthatappearintheSTCorWing,placeallthepublication informationtogether,inbrackets,beforegivingthesignatureorpagenumber:(London,1588;STC: 12345),B2ror(London,1702;Wing:56789),33. Manuscripts: ManuscriptcitationsgenerallylistthenameoftheholdinglibraryfollowedbyMSandthe manuscriptnumberassignedbythearchive. Initialmanuscriptcitationsshouldincludethenameofthelibraryinfull: BritishLibraryAddMS10309. NewYorkPublicLibraryDrexelMS4041. BodleianRawlisonMS291. Subsequentmanuscriptcitationsshouldabbreviate: BLAddMS10309. NYPLDrexelMS4041. BodlRawlMS291. OnlineSources: Forreferencestowebsitesoronlinesources,useaDOIwhenavailable.DOIs(digitalobject identifiers)arepreferabletoURLs,becausetheyprovideauniqueandmorestableidentificationof thesource. Often,theDOIispresentinthepublisher’sbibliographiccitation.Ifthisisnotthecase,authors mustuseCrossRef’sDOILookupTooltocheckeachcitedworktoensureitdoesnotcarryaDOI. Thistoolisavailableinthe“MetadataSearch”windowat<http://www.crossref.org/>. HereisoneexampleofhowtoformataDOIendnotecitation: SarahSalih,'StagingConversion:theDigbySaintPlaysandTheBookofMargeryKempe', SamanthaJ.E.RichesandSarahSalih(eds),GenderandHoliness:Men,Women andSaintsinLateMedievalEurope(London,2002),128, http://dx.doi.org/10.4324/9780203994603. EarlyTheatreStyleSheet Page13 Early Theatre Style Sheet Foradditionalexamples,aswellasmoreinformationonhowtosearchforandreferenceDOIs, pleaseconsultourStyleSheetSupplementonthistopic: https://earlytheatre.org/public/journals/3/Style_Sheet_Supplement_on_DOIs.pdf Foronlinesourcesaccessibleonlythroughsubscription,suchastheDNBorOED,omitURLs.Omit accessdatesforallonlinesources. Forwell-knowndatabaseswithacronyms,suchasTheOxfordEnglishDictionaryorTheDictionary ofNationalBiography,usesmallcapsanditalicsfortheacronym:OED,DNB.Writeoutthefulltitle alongwiththeacronyminthefirstreference,anduseonlytheacronyminsubsequentreferences: EarlyEnglishBooksOnline(EEBO). Example: DudleyNorth,AForestofVarieties(1645),EEBO,92. EarlyTheatreStyleSheet Page14
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