Concert Program - Chamber Orchestra of the Springs

Chamber Orchestra
of the Springs
29th Season 2012 - 2013
Fortunes
February 23 & 24, 2013
Thomas Wilson, Music Director
For the Love of Music
Fully invested in the performing arts
Deron Hickman
Herman Tiemens II, MBA, CFP®
Financial Advisor
Vice President – Investments
Senior Financial Advisor
Vice President – Investments
Cher Ford
David Villafuerte, MBA
Financial Advisor
Vice President – Investments
Financial Advisor
Proud to sponsor the Chamber Orchestra’s
2012-2013 concert season
Wells Fargo Advisors
90 S. Cascade Avenue, Suite 300
Colorado Springs, CO 80903
719-577-5365 • [email protected]
Investment and Insurance Products: u NOT FDIC Insured u NO Bank Guarantee u MAY Lose Value
Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company.
©2012 Wells Fargo Advisors, LLC. All rights reserved. 1112-00471
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11/9/12 9:02 AM
don’t miss our Season Finale!
April 27-28: The Promise of Spring
Chopin Piano Concerto No. 1 in in E Minor, op. 11
Michael Cheung, piano;
Amateur Pianists International Winner
Blumine
Symphony No. 3 in C, op. 52
Promise abounds with pianist Michael Cheung, 2011 winner
of the Amateur Pianists International competition, and
Chopin’s First Piano Concerto. Mahler’s “Blumine,” written as
part of his First Symphony and later discarded to conform to
traditional four-movement form, gets a rare performance. The
season ends with the neo-Classical, joyous, and triumphant
strains of Sibelius’ Third Symphony—and unusual side of the
Finnish composer at a pivotal moment in his creative development
Mahler Sibelius Tickets: Adults $20; Seniors $17; Youth (21 & under) $5
• At the door • Call (719) 633-3649 • Email to: [email protected]
•Online at www.chamberorchestraofthesprings.org
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Chamber Orchestra Of The Springs
The Chamber Orchestra of the Springs provides a unique opportunity for people in the Pikes
Peak region to hear and appreciate the wealth of orchestral music for small orchestras. Through
discovery, detailed rehearsal and exceptional performances, the Chamber Orchestra of the
Springs presents great classical repertoire, uncovers forgotten gems of the past, and brings new
music to our community.
Board Of Trustees
Nasit Ari, President
Charlease Bobo, Past President
Michael Grace, Vice President
Nicole de Naray, Treasurer
Helene Knapp, Volunteer Coordinator
Susan Loring, Dir. of Educational Outreach
Roslyn Block, Dir. of Community Relations
Chuck Cabell
Pam Marsh
Kelly Dean Pilarczyk
Christina Soper-Schwartz
Glen Whitehead
Sylvia Hutson, Administrative Manager
We wish to express our sincere appreciation to the following organizations:
The Hester & Edwin
Giddings
Foundation
H. Chase Stone
Trust
John G. Duncan
Charitable Trust
J. H. Edmondson
Foundation
Chamber Orchestra Of The Springs
P.O. Box 7911
Colorado Springs, CO 80933–7911
(719) 633–3649
www.chamberorchestraofthesprings.org
“For the Love of Music”
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Thomas Wilson
Music Director
Thomas Wilson is currently Music Director of the
Chamber Orchestra of Colorado Springs (known locally as
“Chamber Orchestra of the Springs”), Associate Conductor
of the Colorado Springs Philharmonic, and serves on the
music faculties at Colorado College and the Colorado
Springs Conservatory. He maintains an active schedule of
guest conducting and composing, and is an arranger and
orchestrator for several studios and prominent solo artists.
Thomas began studying piano at the age of four. Later
studies included trumpet, percussion, string bass, voice,
conducting and composition. He holds degrees from the
University of Northern Colorado, where he graduated
summa cum laude and received the School of Music’s
highest honor—the Departmental Scholar Award—and
from Colorado State University.
A strong advocate of collaboration and crossover in the
arts, which he views as essential to strengthening arts
organizations and music education, Thomas has been a tireless advocate for new music, blending of
styles and artistic genres, and creating new and meaningful opportunities for young musicians. His
performances and recordings reflect this diversity.
Thomas has been called “someone to watch” and “a very exciting conductor” by Michael Tilson Thomas,
one of the foremost conductors of our time.
The Chamber Orchestra Volunteer Corps
Thank You Volunteer Corps! We are grateful to all those who came a bit early to assist at the Feb. 2,3
concerts. Tania Cronin, CC professor, prepared a most interesting and lively preview for the attendees
of both concerts. Thank you, Tania, for sharing your valuable insights! Other volunteers included
Chuck and Hallie Cabell, Amy Kligerman, Susan Loring, Roslyn Block, Sheri Morse, Judy and Charles
Warren, Nicole DeNaray, Carlota Anderson, and Pam Marsh. You are all appreciated!!! Helene Knapp,
Volunteer Coordinator
“For the Love of Music”
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The Players Of The
Chamber Orchestra Of The Springs
Trumpet
*Glen Whitehead
Dan Bell
Percussion
*Carl Cook
Chris Lundberg
Flute
*Phyllis White
Oboe
*Angie Burtz
Kathryn Bloise
Clarinet
*Jay Norman
Alto Flute:
Karen Morsch
English Horn:
Kathryn Bloise
French Horn
Erin Powers
Gary Stephens
Bass Clarinet:
Ron Gann
Second Violin
Viola
*Kristen Kunkel
**Kelly Dean Pilarczyk
First Violin
Deborah Youngerman
*1Jacob Klock
Kadin Kostelic
Terri Moon
Andrea Bullock
Ryan Stauffer
Charlease Bobo
Gregory Gershteyn
Jesse Mauer
Ingri Fowler
Julie Moyer
Cynthia Robinson
Diane Israel
*1 Concert Master
* Principal
** Asst. Principal
*† Acting Principal
**† Acting Asst. Principal
*†Matthew Canty
**†Elizabeth Johnson
Dan Masterson
Kay Wehofer
Diana Zombola
Piano
Eric Wicks
Bassoon
*John Lawson
Paul Ruff
Contrabassoon:
Deb Torp
String Bass
*Jay McGuffin
Jan-Erik Hagglund
Cello
*Pamela Chaddon
** Veselka Kuzma
Emma Patterson
Timothy Ogilvie
Thomas Wilson
Conductor
Please help us save paper and money by recycling your program back to the COS
concert staff at the end of the Saturday evening concert. You are welcome to take your
program with you if you like, but if you don’t have a particular reason to hang onto it,
please consider leaving it with us for the use of a Sunday afternoon patron!
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Chamber Orchestra Of The Springs
Thomas Wilson, Music Director
Fortunes
February 23 & 24, 2013
We would like to dedicate this concert series to celebrate the memory of our dear
friend, patron, and lover of Chamber Music, Col. James Rynning.
Michael Daugherty
Tell My Fortune
(b. 1954)I.
Palm
II.
Crystal
III.
Card
Ernest Bloch
Concerto Grosso No. 2
(1880 – 1959)
I.
Maestoso; Allegro; Maestoso
II.
Andante
III.
Allegro
IV.
Tranquillo; Animato
Movements I & II, III & IV are played without pause.
Hausmusik
Rebecca Lee & Cynthia Robinson, violin
Sarah Richardson, viola
Jennifer Yopp, cello
INTERMISSION
Wolfgang Amadeus Mozart
Symphony No. 36 in C Major, K.425 “Linz”
(1756 – 1791)
I.
Adagio; Allegro con spirito
II.
Poco adagio
III.
Menuetto
IV.
Presto
Mozart’s Symphony No. 36 in C Major, K.425 “Linz” was a gift from the
Chamber Orchestra of the Springs flute section
Thanks for listening! Now we’d like to hear from you! Contact us at
[email protected] with your questions and comments. We’re all ears!
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Upcoming Events
Sunday, March 17, 3:00 p.m.
CS Youth Symphony
Friday, April 5, 7:30 p.m.
United States Air Force Academy
Rampart Winds
No matter who you
are or where you
are on life’s
journey, you are
welcome here.
Sunday, April 7, 3:00 p.m.
Pikes Peak Youth Ringers
Saturday, April 27, 7:00 p.m.
Chamber Orchestra of the Springs
The Promise of Spring
Two Sunday Services
9:00 and 11:00 a.m.
315 Lake Avenue • 473-1807
www.broadmoorchurch.org
Tickets may be purchased at the door
or by calling 633-3649
R cital
Hall aen
Cafe
NOd
W
OPEN
4460 Barnes Road
719.574.2001
Southern ColoradoÕs Largest Full Line Music Store
Band and Orchestra Instruments • Sheet Music • Private Lessons
Instrument Repairs • Pianos and Keyboards
PROUDLY SUPPORTING LIVE MUSIC IN COLORADO SPRINGS
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Featured Artists
Hausmusik is a Colorado Springs treasure. Formed
in 1992 by would-be audience members to fulfill the
desire for evenings of socializing and chamber music
in an intimate setting, it has been pleasing its faithful
audience for 21 years. Though the members of the
string quartet have changed over time, we like to say
our current roster Rebecca Lee and Cynthia Robinson,
violins, Sarah Richardson, viola and Jennifer Yopp,
cello, is the best. The skill with which they play,
spurred on by the enthusiasm with which they are
received, makes for a uniquely pleasurable musical
experience for audience and players alike. Hausmusik
gives four sets of performances every year in Woodland Park and Colorado Springs, often adding
a fifth musician to the string quartet to broaden their offerings. Concert-goers enjoy a reception
before the concert, a performance which includes more than the usual amount of interaction between
performers and audience, and a time for socializing after the performance.
“Fortunes” photo on cover: credit Gabriel Palmer
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4. Start building memories
Purple Elephant
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Remember our name for service you'll never forget!
David Zuercher, Broker
Supporting the ARTS in the Pikes Peak Region for over 30 years.
phone: 719.599.5962 ~ e-mail: [email protected]
www.purpleelephantrealty.com
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Program Notes
Michael Daugherty
Tell Muy fortune
Fortunes
bending of notes. The strings provide rhythmic
counterpoint, while two percussionists play
tuned crystal glasses and wind chimes. After
a dramatic cello solo, the third movement,
entitled “Card,” unfolds like a deck of tarot
cards, shuffled and spread across the table. The
movement ends in an exciting swirl of eastern
intrigue and relentless tambourine rhythms.
About Michael Daugherty: Michael Daugherty
is one of the most frequently commissioned,
programmed, and recorded composers on the
American concert music scene today, hailed by
The Times (UK) as “a master icon maker” with a
“maverick imagination, fearless structural sense
and meticulous ear.”
Born to a musical family in Cedar
Rapids, Iowa, on April 28, 1954, Daugherty
was immersed in music from a young age,
focusing his energies on the piano. He would
study composition and jazz at the University of
North Texas, the Manhattan School, and Yale
University, with strong influences from Barber,
Wuorinen, Babbitt, and Boulez. A Fulbright
Fellowship would allow him to move to Paris
to study computer music at IRCAM in 1979 –
1980. He has since served on the faculties at
the Oberlin Conservatory and the University of
Michigan.
Daugherty first came to international
attention when the Baltimore Symphony
Orchestra performed his Metropolis Symphony
at Carnegie Hall in 1994. Since that time,
Daugherty’s music has made him one of the ten
most performed living American composers.
Overview: Michael Daugherty
Born: April 25,1954, in Cedar Rapids, Iowa
Work Composed: 2004
Why It Matters: One of the most popular composers
of our time, Daugherty has made music for small
orchestra an important part of his output. Advised
by Leonard Bernstein to incorporate elements of
pop music, Daugherty’s
sound has a fun and edgy
quality that is thoroughly
modern and American.
Tell My Fortune (2004)
was commissioned for
the ProMusica Chamber
Orchestra of Columbus, Ohio, to commemorate
the orchestra’s 25th Anniversary and is dedicated
to Barbara K. Fergus, Loann W. Crane, and
the National Endowment for the Arts in
appreciation of their generous sponsorship. The
work was premiered by the ProMusica Chamber
Orchestra under the direction of Timothy
Russell on April 3 and 4, 2004 at the Southern
Theatre in Columbus, Ohio.
Tell My Fortune is a concerto for
orchestra, which visits the dark world of gypsies
and their methods of fortune telling: reading
palms, tarot cards and gazing into crystal balls.
In the first movement, entitled “Palm,” the lines,
marks, and patterns of a hand are read as though
it were a musical staff. Mysterious fanfares and
melodies are framed by chimes, sleigh bells, water
gong, and bowed vibraphone. “Crystal” features
the flute and alto flute in a haunting duet of
extended flute techniques such as fluttering and
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Program notes continue on page 15
events not to
be missed!
A Season of Firsts
x “Mahler’s Symphony No. 1”
Luciano Silvestri, Jr., Conductor
May 5, 2013, 3:00 p.m.
Sunday, May 5, 3 p.m. Pikes Peak Center
Sibelius: Symphony No. 1
x
Tickets $18-$20 at the PPC Box Office or at
520-SHOW
Tchaikovsky: 1812 Overture
Annual Auditions: May 7-11
Info and music will be posted
at www.csysa.com on April 1.
Young Artist Winner (TBA)
$10 adult $8 senior/student
Sand Creek High School Auditorium
7005 North Carefree Circle • 3 p.m.
Find us at: csysa.com,
offi[email protected], 633-3901
www.pikespeakphil.org
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Program Notes, continued
Ernest Bloch
Concerto Grosso No. 2
Baroque, and its overall concept unique
and original. Though overshadowed by the
Concerto Grosso No. 1, the piece has remained
a part of the concert repertoire and is one of
the few pieces available to feature a string
quartet in a solo capacity with orchestra.
About Ernest Bloch: Swiss composer Ernest
Bloch (1880 – 1959) began his musical
studies on the violin at age nine, and started
composing soon afterward. After intensive
study at the conservatory on Brussels
(including studies with violinist and composer
Eugène Ysaÿe) he began a period of moving
between major musical centers in Europe to
study with leading composers before returning
to Brussels in 1903. He moved to the United
States in 1916, becoming an American citizen
in 1924. In 1920, he founded the Cleveland
Institute of Music and moved on to lead
the San Francisco Conservatory of Music in
1925, a post which he also held for only five
years. In 1941, he moved to Agate Beach,
Oregon, a small coastal community, and lived
there happily and productively for the rest of
his life.
Bloch followed in the footsteps of the
German Romantic school, and many of his
early works reveal obvious nods to Richard
Strauss, but he also deeply admired Claude
Debussy. With these diverse influences, he
would develop a unique, personal style, fusing
it with Jewish liturgical and folk music in his
later works.
Overview: Ernest Bloch
Born: July 24, 1880, in Geneva
Died: July 15, 1959, in Portland, Oregon
Work Composed: 1952
Why It Matters: Despite the popularity of string
quartets in chamber music, there are very few pieces
that feature string quartet with
orchestra.
Bloch’s Concerto
Grosso No. 2 is one of the best.
The theory of atonality in itself
is an anomaly where genuine
music is concerned—a theory,
frankly, as impractical as it is
fundamentally stupid.—Ernest Bloch, to his
students at the Cleveland Institute of Music
Bloch’s style of composition was
decidedly traditional, a reaction against
atonality and the avante garde in an age
when innovation was almost more important
than quality. When he adopted the Baroque
concerto grosso form for his Concerto Grosso
No. 1 in 1925, his students were initially
skeptical … until they heard the piece, which
is now regarded as one of the greatest pieces
for strings of the twentieth century. Bloch
would follow up on this idea with his Concerto
Grosso No. 2 in 1952. Discarding the solo
piano from the first concerto, Bloch opted to
write for solo string quartet and strings. The
piece was premiered by the BBC Symphony
Orchestra on April 11, 1953, conducted by
Sir Malcolm Sargent. As with all of Bloch’s
music, the piece is so eclectic that it is very
hard to classify. Its harmonic language is
essentially late Romantic, its form and genre
Program notes continue on page 17
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We invite you to personalize your donation by underwritings one of
our Principal Chairs. This is a unique opportunity to honor a loved one or friends.
Your supporting donation will be acknowledged during the concert season
with a notation on our Orchestra Roster page indicating your support.
This affordable opportunity is available at three levels:
$2000 - Concertmaster • $1400 - String principals
$750 - Wind/Brass/Percussion principals
Please contact 633-3649 or [email protected]
to take advantage of this underwriting opportunity.
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Program Notes, continued
Wolfgang Amadeus Mozart
Symphony No. 36 in C Major,
K.425 “Linz”
took place on November 4, 1783, and was a
huge success for Mozart and the little town
of Linz. The piece is notable for the lack of
flutes from the usual Classical orchestra and
because every movement except the minuet is
in sonata form.
About Wolfgang Amadeus Mozart: Mozart
showed such a prodigious talent for music
in his early childhood that his father, also a
composer, dropped all other ambitions and
devoted himself to educating the boy and
exhibiting his accomplishments. Between
ages six and fifteen, Mozart was on tour over
half the time. By 1762, he was a virtuoso on
the clavier—an early keyboard instrument
and predecessor of the piano—and soon
became a good organist and violinist as well.
He produced his first minuets at the age of six,
and his first symphony just before his ninth
birthday, his first oratorio at eleven, and his
first opera at twelve. His final output would
total more than 600 compositions. Much has
already been said and studied in the popular
media about Mozart’s roguish lifestyle and
apprehension of conformity. It was this
aspect of his personality that never won him
the support of royalty or the church, which,
at that time, was critical to any composer’s
survival. As such, Mozart died young, ill,
poor, and relatively unappreciated … only
to become the mostly widely acknowledged
orchestral composer in history.
Overview: Wolfgang Amadeus Mozart
Born: January 27, 1756, in Salzburg
Died: December 5, 1791, in Vienna
Work Composed: November, 1783
Why It Matters: Mozart’s Linz Symphony, written
in just four days, is a brilliant example of the
composer’s ability to write quickly, clearly, concisely,
and with a steady flow of good ideas. With three of
the four movements in sonata form, this is also an
unusual structural symphony for Mozart. This is a
key look at Mozart’s symphonic style before his final
four symphonies, which are considered his highest
symphonic achievement
and a new direction in
symphonic writing.
I declare to you before
God, and as an honest
man, that your son is the
greatest composer I know, either personally or by
name. –Joseph Haydn, to Leopold Mozart.
On his return trip from Vienna
to Salzburg in late 1783, Mozart stopped
in the Austrian town of Linz. He had no
engagements scheduled and no intention to
make any contacts, but when word spread that
the great composer was in town, the people
of Linz went into action. The local court
immediately contacted Mozart and asked him
to give a concert, so Mozart decided to stay a
few days. He decided that a new symphony
for the town of Linz would be the perfect
centerpiece for the concert, and composed his
Symphony No. 36 in C Major, K. 425, “Linz,”
in just four days. The premiere in Linz
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Pikes Peak Opera League
Supporting the Arts in the Pikes Peak Region
This organization’s purpose is to promote knowledge and appreciation of opera and to
encourage and support aspiring singers in opera and musical theater. We support Opera
Theatre of the Rockies and Opera Theatre Goes to School.
Our regular monthly meeting is the first Wednesday of every month.
Please join us for the following:
March 6, 4:00 P. M. at Broadmoor Community Church
Program: Josep Caballe-Domenech, conductor of the Colorado Springs Philharmonic
March, 24, 2013 3:00 P.M. Young Voice Competition Finalists
Master Class with Martile Rowland, artistic director of Opera Theatre of the Rockies
Packard Hall, Colorado College
April 5, 7:00 P.M. at Broadmoor Community Church
Young Singer’s Voice CompetitionFinals Recital and Reception
Visit our website for more information,
Pikespeakoperaleague.org
or call Susan Loring, 593-8802
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Would you like to support the
Chamber Orchestra of the Springs in a unique way?
Each season we have music to purchase for our various performances, and your
sponsorship of a particular piece of music will help the Chamber Orchestra build its
library of great music for now and the future! You may choose to purchase in honor
or in memory of a loved one, or just because you love the Chamber Orchestra! The
following music for the 2013 - 2014 season is still available for purchase:
Copland: Quiet City
$52.00
Elgar: Serenade for Strings in E. Minor, op 20
$62.00
Ravel: Le tombeau de Couperin $225.00
Jean-Joseph Mouret: Premier Suite des Symphonies $75.00
Bach: Concerto for Two Violins BWV 1043
$100.00
Handel: Piangero la sorte mia
$42.00
Handel: Lascia ch'io piano $50.00
Handel: Let the Bright Seraphim $65.00
Bach: Orchestral Suite #4 BWV1069
$135.00
Saint-Saens: Morceau de Concert for horn and orch, op 94 $95.00
Schumann: Symphony #4, op 120
$350.00
For information about how you can purchase music for the
Chamber Orchestra call Phyllis White – 719-522-0153
or email [email protected]
Sponsor New Music for the Chamber Orchestra of the Springs:
30th Anniversary Composition Contest
Would you like to give a special gift to your orchestra in celebration of our 30th Season?
Become a sponsor of the 30th Anniversary Composition Contest. The winning piece will
be featured as a highlight of the 30th Anniversary of the orchestra in the season finale,
April 26-27, 2014. Winning prize is $3,000. Your gift can underwrite all or part
of this exciting opportunity.
For information about how you can become a competition contest sponsor,
call 633-3649 or email [email protected]
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Chamber Orchestra of the Springs
30th Anniversary Season, 2013 – 2014
Sneak Peek!
Current subscribers can renew now for next season!
Visit the box office table or call 633-3649 for more information!
October 12-13, 2013: Season Premiere: American Soundscapes
Aaron CoplandQuiet City
Angie Burtz, English Horn Glen Whitehead, trumpet
Charles Ives
Symphony No. 3 “Camp Meeting”
Samuel BarberViolin Concerto
Ed Kelly Sanford, violin (Shivers Artist)
Aaron Copland
Symphony No. 2 “Short Symphony”
November 23-24, 2013: Pure Elegance
Ottorino Respighi
Trittico Botticelliano (Three Botticelli Pictures)
Camille Saint-Saëns
Suite for Cello & Orchestra, op. 16
Gerald Miller, cello
Edward Elgar
Serenade for Strings in E Minor, op. 20
Maurice RavelLe Tombeau de Couperin
January 25-26, 2014: The Bold Baroque
Jean-Joseph Mouret
Premiere Suite des Symphonies
Johann Sebastian Bach
Concerto for Two Violins in D Minor, BWV 1043
Jacob Klock and Kristen Kunkel, violins
Michel Richard de Lalande
Symphony for the King’s Supper
Georg Frideric Handel
Piangero la sorte mia, from Julius Caesar (varies)
Georg Frideric Handel
Lascia ch’io piano, from Rinaldo (slow)
Georg Frideric Handel
Let the Bright Seraphim, from Sampson
(fast)
Angela Malek, soprano
Johann Sebastian Bach
Orchestral Suite No. 4 in D Major, BWV 1069
February 22-23, 2014: Ode to Joy! (at First United Methodist Church)
Morten LauridsenO Magnum Mysterium
Morten LauridsenMid-Winter Songs
Deborah Teske, conducting
Ludwig van Beethoven
Symphony No. 9 in D Minor, op. 125 “Choral”
Colorado Vocal Arts Ensemble
April 26-27, 2014: Season Finale: New Traditions
TBA
30th Anniversary Composition Contest Winner
Lars Erik Larsson
Concertino No. 5 for Horn & Orchestra, op. 45
Jesse McCormick, horn
Camille Saint-Saëns
Marceau de Concert for Horn & Orchestra, op. 94
Jesse McCormick, horn
Robert Schumann
Symphony No. 4 in D Minor, op. 120
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Chamber Orchestra Annual Giving Campaign 2012-2013
“For the Love of Music”
Thank you to all 128 households who responded generously to our year end letter and
donated $27,824 to support our music and orchestra. Audience members, who have
not received our letter but nevertheless would like to cheer us, can still contribute by
simply picking up donation envelopes available from our box office and our volunteers.
We are deeply grateful for your friendship.
Chamber Orchestra of the Springs Supporters
Season Underwriter
$5,000 & up
Bee Vradenburg Foundation
Chamber Orchestra Audience
25th Anniversary Fund
H. Chase Stone Charitable Trust
Kirkpatrick Family Fund
Concert Sponsor
$2,500 to $4,999
Michael and Susan Grace
Sam & Mary Alice Hall
Dusty and Kathy Loo Fund of the
Pikes Peak Community Foundation
Terry and Darryl Thatcher
Benefactor:
$500 to $999
Libby Rittenberg and Nasit Ari
Norton Bain,
Bain Family Foundation
The Hester and Edwin Giddings
Foundation
Gay & Lesbian Fund for Colorado
Pikes Peak Community
Foundation-Fund for the Arts
Herman Tiemens II &
Charlotte Maier
Charlease Bobo
Raymond & Barbara Brown
Nicole and Andrew De Naray
Walter & Esther Harder
Richard & Sandra Hilt
Helene Knapp
Terry & Elizabeth Lilly
Dr. Stephen & Pamela Marsh
Bob & Lisa Rennick
James Rynning
Verizon Foundation
On Behalf of John Lawson
Conductors Circle
$1,000 to $2,499
Sustainer:
$250 to $499
Ms. Esther Beynon &
Mr. Alfred Metzger
Virginia Snow and John Carter
Joseph Henry Edmondson
Foundation
El Pomar Foundation
William S. Becker
Judy Biondini
Charles & Annie Ruth Bobo
Charles & Hallie Cabell
Thomas & Tania Cronin
Frank & Elfriede Jopp
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Dorothy D. Kautzman
Doris Kneuer
Bonnie & Dave Linder
Richard & Jean McChesney
Sara McDaniel
Oliver & Gerda Nickels
Joyce & Steve Stivers
Robert Taylor
Dr. Susan R. Jensen & Mr. Tom Trainer
Webb Family Foundation
In Memory of Mrs. Barbara Webb
Allan & Gloria Wendt
Phyllis V. White
Thomas G. Wilson
Harry & Louise Wilson
Anonymous
Supporter:
$100 to $249
Phyllis E. Baker
Larry & Eve Barrett
Elizabeth Bockstahler
Frances Brewer
Ann Brosh
Mr. & Mrs. Dwight S. Brothers
Mary Margaret Brummeler
Alfred & Leigh Buettner
Judy & Duncan Burdick
Supporters continued on page 25
Amateur Pianists International
Presents the
Celebration of the Amateur Pianist
August 6 – 11 at Packard Hall, Colorado College
Featuring
•
•
•
•
•
•
The 2013 Rocky Mountain Amateur Piano Competition,
With top pianists from all over the world
A recital, master class and seminar by John Novacek
A recital by Angelina Gadileya
The Carnegie Room Recital
Receptions
See www.apiano.org for details and tickets
Thank You!
The members of the Chamber Orchestra play “for the love of music” and for you, our audience. Our
music is brought to you by the support of generous individuals, foundations and corporations who
share the vision of the Chamber Orchestra of the Springs being a vital part of the artistic life of our
community. We are very grateful for their contributions.
The Chamber Orchestra of the Springs welcomes corporate sponsorships for its programs and activities.
Please contact the Chamber Orchestra at 633-3649, for information on sponsorships and benefits.
Special Appreciation to...
• First Christian Church and Broadmoor Community Church
for the use of their wonderful sanctuary
• Graner Music for distribution of sheet music
•KCME-FM 88.7, A Voice for the Arts, for concert publicity
• Ruth Hjelmstad for professional accounting assistance
• Grace Episcopal Church for use of their rehearsal space
24
Chamber Orchestra of the Springs Supporters, continued
Supporter:, continued
Dr. John & Roberta Burrington
Dr. & Mrs. Robert Carlton
Eve Tilley & Sol Chavez
Judy Cunningham
Dr. & Mrs. Donald D. Dickenson
Joanna & Lindsay Fischer
Fran Folsom
Timothy & Kalah Fuller
Katherine L George
Harriet Kidd
John & Cherry Kinney
Shirley Kircher
CW4 Mary Koepp
Dale & Janine Lasater
Donald & Marie Logan
Patricia McGlothin &
James Tillman
Mary Elizabeth McKinley
Dion F. Mercier
Lynne Miller
Fred & Mary Jean Nelson
Denis & Beverley Pirio
Gary Pitts
Betty Jane Rickel
Eulalie & James Ringe
Edward & Monica Scott
Mark C. Seelye
Peggy Houston Shivers
In Memory of Clarence Shivers
John F. Slattery
Margaret Smith
Terry and Darryl Thatcher
In Honor of Pam Marsh
Charles Guy Theriot
Ann Van Horn
Charles & Judith Warren
Don & Marylin Werschky
Mary Wieger
Jacqueline Williams
Ms. Miwako Wilson
Anonymous
Friend:
$1 to $99
Anthony Ander
Susanne Anselmi
Ann Axelrod
Martha Booth
Inge Cordova
Paul & Janet Davidson
Phyllis DeHart
Dawn Eiber-Thurmond,
in Memory of Mary Eiber
Dorothy Farthing
Carlton Gamer & Elaine Freed
Donald & Barbara Gazibara
Sherry L. Hall
Ingrid Hart
Walter & Ann Hecox
William Hochman
Sylvia Hutson
Dunning & Mary Idle
Donald & Gwendolyn Jenkins
Kathy Jensen
Christina Jimenez
Susan Johnson
Gaylia Jones
Charles King
Sharon La Mothe
John & Linda LeFevre
Patricia Lipton
Barbara Logan
Scott & Susan Loring
Dr. Suzanne MacAulay
Helmut & Joyce Maile
Marianna Mc Jimsey
Mr. & Mrs. Michael McGrath
J. Terry and Judith M. McIntire
Carol & John Patten
Marie & Ron Pfister
Patricia Plank
Robert Rachlis
Ted & Phyllis Roth
John & Elaine Sartoris
Ted & Terry Schwartz
Elizabeth & Mark Scott
Colonel & Mrs. Charles Shay
Murl Sickbert
David & Barbara St. Andre
Frederica Thrash
William Tunstill
Herman White
B. June Williams
Anonymous
The Chamber Orchestra of the Springs makes every attempt to list our donors accurately.
If your name was inadvertently omitted or listed incorrectly, please accept our apologies,
and contact us at (719)633-3649 or [email protected] so that we can correct our records.
25
Cornerstone Theatre
26
Summer Music Festival
Susan Grace, Music Director
Intermezzo Season 2013
Find the full spring and June 2-23, 2013 summer performance schedule at
www.ArtsFestival.ColoradoCollege.edu/musicfestival
Tuesday, February 26, 7:30pm
An Evening of Dances
and Other Delectable Delights
Yumi Hwang-Williams, violin
Bil Jackson, clarinet
Susan Grace, piano
Intersection Trio
Wednesday, April 3, 7:30pm
Intersection Trio
"Soulful expression,
instrumental virtuosity,
playful banter"
Laura Frautschi, violin
Kristina Reiko Cooper, cello
John Novacek, piano
Thursday, April 25, 6:00pm
An Evening of Elegant Chamber Music~
Mozart, Beethoven and Brahms
Scott Yoo, violin
Toby Appel, viola
Michael Thornton, horn
Susan Grace, piano
All concerts at Packard Hall, Colorado College
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15th Crystal Anniversary Season
sponsored by El Pomar Foundation
Die Fledermaus
Johann Strauss
OPERA THEATRE OF THE ROCKIES
Saturday, March 2, 7:30 pm
Sunday, March 3, 3:00 pm
Pikes Peak Center for the Performing Arts
190 S. Cascade Ave, Colorado Springs
Adult Tickets Start at Just $25
Available at the PPC Box Office,
520-SHOW, TicketsWest outlets,
www.ticketswest.com
Joi n t he Par t y !
Don’t miss this once in a lifetime chance
to celebrate our 15th Anniversary with
a party at Prince Orlovsky’s palace!
Waltzing, pranks, disguises,
and laughter galore flow like
champagne’s delicious bubbles!!!
Order Tickets Today!
Like Us!
www.operatheatreoftherockies.org
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Cowan-Fouts
Foundation