The Iowa Review Volume 14 Issue 1 Winter: One Hundred Years After Huck: Fiction by Men in America 1984 The Tambourine Lady John Wideman Follow this and additional works at: http://ir.uiowa.edu/iowareview Part of the Creative Writing Commons Recommended Citation Wideman, John. "The Tambourine Lady." The Iowa Review 14.1 (1984): 180-182. Web. Available at: http://ir.uiowa.edu/iowareview/vol14/iss1/16 This Contents is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in The Iowa Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. Article 16 The Tambourine I LAY NOW John Wideman Lady ME DOWN TO ... there would be SLEEP could as new. in the morning. New shoes and an old dress white as as and hair perfect heat and grease and starched angel wings to as she rose up to it her would be skull. There hands hold press from the curb new shoes White which Avenue, the one took you from Homewood step which as heaven. to the door of the church wide nowhere, across to steady her to the velvet cushioned she'd need Hands from onto was cement the tall, red doors, the threshold, wobble of God's purple carpet. to His world. Like that first step off the as she unsteady passed 'sDepartment stairs in Kaufmann Always moving Store downtown when you think you might be falling and the hard cold floor rushing up to crack hand, your knees and elbows. At the door of the church her mother's to in her soft white the hands of Miss Goings her gloves help through. stutter but she wouldn't lose her breath, her heart would She might fall. in her starched nurse's uniform. Her hand was Old Miss Goings like petting who'd wide a rabbit. Miz like Johnson's Goings smelling Baby Powder or or so the Bless you, Darling daughter say, My sweet girl just Sugar doors did not swallow you or slam in your face. shoes pinched your feet sometimes. Too big, too small, too much too ladies who sold them would money, ugly for anybody. The white stick any old thing on your feet and smile. But sometimes when her feet were in new shoes she couldn't feel them at all. She floated, unsure New whether or not the shoes were still down if she'd lost them, wondering a time ago because them lost has, nobody long were to her when the shoes didn't belong they stepped, she stepping when and costing money that's how they felt. Like there, brand new new and shiny because and shiny like them. She was nobody, nowhere, dream new shoes she'd never own, shoes that wouldn't a little in about ing girl be down there if she looked to the end of the white socks at the ends she wasn't new of her black legs. New be trusted. Even if you polished them till you shoes couldn't saw your face inside. So in the 'd she them morning again and then polish wash and dry her face and clean her hands and tug the yellow sash sure of in the mirror Make then check the mirror, everything straight. on the threshold in the gray sky, of AMEZ the mirror church, again in the brick wall, the mirror of her mother's the mirror hand and the 180 University of Iowa is collaborating with JSTOR to digitize, preserve, and extend access to The Iowa Review ® www.jstor.org hand of Miss Goings she would promising She said her reaching not fall. prayers and for closed hers, her patting eyes her and heard ashy skin and tambourines. Crashing like a pocketful of change in her Daddy's pantswhen he stuck his hand in and rattled round, teasing out a piece of money for her. Like somebody saying dish dish dish dish and every dish piled with thing good Dish. Dish. some to eat. ... more crack funny because before I wake. You walked if I die on the way home from school. You used the some than sidewalk places street to get past the real bad busted up parts. You looked both ways but die. A thousand times. A thousand times I've told you you knew you might And to stay out the street, girl. But if the sidewalk looked like a witch's face over than step on a crack and break Mama's runned rather get you'd back. So you looked both ways up and down the street like Mama always said.You looked and listened and hoped you wouldn't get hit like little fat Angela everybody called Jelly who was playing in CassinaWay and the car mashed her up against the fence where you can still see the spot to this day. She'd felt mashed like Jelly when Tommy Bonds pushed her down. Said you ain't hurt and ran away. called her crybaby. laughed and over no little blood snot on her knee. She no she wasn't crybaby Pushed her into the spider web of cracks cried cause he hurt her Mama. He But She'd told him her secret one day she was playing. was. He hated were friends. But he never she thought they really her and pushed her right dead down in a whole mess of snakes. Crying on more. He hated her. cause she couldn't get out without stepping her and called her nasty till she stopped, hands on hips, and Followed was Boy I ain't studying you. Study this you nasty bitch and he running her down the street. She was scared or playing or just happy to have him to do. his fists, his after her again no matter what he wanted Forgetting as street he flew down the after her. nasty mouth, everything forgetting see now. what he want And all he Then she stopped. Said to herself, wanted was to push her down. Kill her Mama. into the street her secret. That day he'd detoured She'd told Tommy cars with her game and the her. Played past on Hamilton whipping cause he knew what when Avenue when had never had she cared killing louder, closer, their wind up under her clothes Face City. And never the twenty steps past Witch because who ever heard of a car less about getting mashed he ran with been her two at a time. 181 Tommy, rope would Bonds. If she didn't duck just in time the Tommy Tommy cut off her neck. If she didn't bounce high enough there down the street all by they ownselves. go her cut-off feet hopping Say was when the rope popped the ground. Tommy it, girl. Say it. Bonds three times while the loop turned lazy in the air. it to the east, Shake it to the west. Now tell the one you love the best. Say it out loud, girl. We ain't turning for nothing. Bonds. She is not crying because it hurts. Tommy Tommy Tommy on her knee next A little snotty blood. Scab all. looking day. That's That's not why, Mister Mister But Know-it-all. she can't Smarty-pants. Shake say his name, can't and ears and mouth say what she's come thinking because the tears in her nose out her eyes. might spilling and sang in church was a Russell. lady who beat the tambourine was church so this was Tomorrow Saturday night and her Mama ironing The in the kitchen and her Daddy away so long he mize well be dead and the new leather shoes in their box beneath her side of the bed. patent Saying her prayers she thought how long it took to get to the end, how to the world be over and gone while you still saying the words yourself. The words her mother had taught her taught her and said her mother so not always be saying them. So God would somebody would forget was his children. the words this she lost as she Saying Saturday night was sometimes in new shoes. Now I lay me down . . . like the words were to doors and she had she spoke and so much there, peek inside everyone so wide to see and bad she could look forever. Good she wanted things want to say all scrambled up things she didn't together. What kept her from falling, what kept the words the like coming lazy rope snapping on time at the pavement was the wish that maybe that lady be singing her tambourine in church. song tomorrow morning 182
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