C:\Scores\Save The Last Dance For Me (5444) parts\17 Vocals.sib

Vocals
q = 135 (Latin)

   
3

3
A
(Sing 8vb)


    
 
You can dance
10

      
3
         
dance with the guy who gives you the eye,
14
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
let him
ev - ery

hold you tight
  
You can



 


















 
  
 

smile
18
ev - ery smile for the man who held your hand be - neath the pale moon - light


       
            

Butdon't for - get who's tak - ing you home
22

  
27
             
 
So, dar - ling, save
the
last dance for
B







 
     
31
know

  
that the mus - ic's fine,
3
  


      

  
C

me
  

Oh,
I
3


        
like spar - kling wine,
go and
have your fun
            
 
butwhilewe're ap - art don't
give your heart
to an - y - one
           



And don't for - get who's tak - ing you home
and in who's arms you're gon - na be
3
              

So

3
Laugh and sing
36
40
and in who's arms you're gon - na be
dar - ling, save the last
dance for
me
    

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
Ba - by, don't youknow I
2
45
Vocals
D

       
49
love you
       
so
Can't you feel it when we

       
53
   
touch
     
let you go

I will nev - er, nev - er


  
I love you oh, so much
You can
E
  


  








      




57
dance
Go and car - ry
on









If
61
tell
65
if you're all a - lone,
F



82
7
Save
the last
to go
home? You must
dance for
and in who's arms


me
H













    

 

Oh, I know
 
 

85




   

you're gon - na be
G
can he walk you
'Cause don't for - get who's tak - ing you hoem
     

71
time
           



   
him no
gone and it's
              
he asks

   

'till the night is

 
have your fun

thatthe mus - ic's fine, like spar - kling wine, go and
 

 
Laugh
and

sing,
               



 
 

ap - art don't give
your heart
to
an - y - one
   
but

while


we're

  
And don't for -
89
Vocals
I
  


         


get who's tak - ing you
92



97
home

and in who's arms
           
 
3
So dar - ling,
save the last
J
        



you're
me
and in
So dar - ling, save thelast
dance for me
106
           


   
the last
dance
for me
114
dance
for
L
         



dance
the ver - y last dance
So, don't for -

  
Oh,
   
ba - by, won't you
Ooh, you make a prom - ise that you'll
  
    






   


the last
  
         
110
save
3
who's arms you're gon - na be
             
 
save


K



gon - na be
          


get who's tak - ing you home
101
dance for
    


3
    
me
    
for
me
Save

the last
3
Tenor Saxophone II
q = 135 (Latin)
  
Save The Last Dance For Me
3

          
     


 
 
 
 
mf
(Vocals)
8
    


 
A
18
B Opt. Tacet If Using Strings



40

    




p


f
47
        




C
 
52

E


pp
f
33
Michael Buble ver.
Trans. Shaun Evans
 


 

  
D (Play)

      


3

mp

      



  

   
  

f
3
           



mf
61
        
 

  


65
  
 
68
  
 

 
 




F
 
    


 

   


mf
f


     

 

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
3




  
 
2
Tenor Saxophone II



  
  

   








         


  


       
 
71
G



                       
       
 


  
75
ff
79
3
H
 
 
        
   






 
 
 
mp
85
        
     




         
   
 



mf cresc.
89
I
 
 
 
    
93
  
 
mf
3
     

 
 
      



  
 









        
mf cresc.
             
 

 

97
  

      
J
f

  
mf
  
3
Tenor Saxophone II



 
  
 
 











     



106

 

 
    
 
 











     



110

 

 
    
 
         





102
K
    
  
f
    
  
    
  
114
L
    
  
118

 

 
    
 
      

 


 
    
 
   
   

mf cresc.








            
  
f
ff
Tenor Saxophone I
q = 135 (Latin)
  
3

          
     


 
 
 
 
(Vocals) mf
   

   
8
A
18
f
33







 
p
    

    

  
E

 


  



3
  
 

mp
   
   


3
f
           


mf
        
 

  


  
 
  


     

     

61
65

D (Play)
f
47
68


pp

40

B Opt. Tacet If Using Strings
C
 
52
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
 

 




F
    
 

 

   

 
     

3


mf


f
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
  
 
2



71
  
  






   



           

  



      
 
Tenor Saxophone I
G


  
  









    

     
  
       



 

  
75
ff
79
H
 
 
3

  

   












 
 
 
mp
85
   
   



    
              

  

mf cresc.
89
I
      
 
 
93
  
 
mf
3
   

   
  
  


  


 

 

            

mf cresc.

















      

 
 
 
97

  
J
f
mf
  

  
3
Tenor Saxophone I
 

    
 











     



106
 

    
 











     



110
 

  














    



102
K
      
   
f
      
   
      
   
114
L
   
      
118
 
    
      

 


 
    

 
mf cresc.

   



   













f
ff
q = 135 (Latin)
 
3


(Vocals)
  

  
8
18
A
  
         
 





mf
B Opt. Tacet If Using Strings

f
33


40
   






f
47
    



 

E



pp
p



C
 
52
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Alto Saxophone II
 

3
  

 


  
D (Play)
  
      

mp
    


 
  
    


f

 

           

3


mf

 
              

 
61
65
  
 
69
  
 
 


 

F

    
 
3
 

mf
3















  
3
3

f
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
     
 

  

  
   
2
Alto Saxophone II
                          
 





71
G
  

75
       
           
   
  
    
         
 

 
ff
79
H
 
 
3
   
   








  






mp
   






  
    






        

85
mf cresc.
89
I
      
 
 
93
  
 
mf
     
3     


  


            
 

mf cresc.

                
 
 
97
  
      
J
f
mf
  

  
3
Alto Saxophone II
102
K
      
 
 
f
106
   
     
110
    
 

114
L

 

   
     
 
    
    
    



  
 

  
   
    




  




 

    

         

 
118
 

   


 

    
    

 

  
 
  
mf cresc.




            
f
ff
q = 135 (Latin)
 
3

  
  
8

(Vocals)
18
A
         
 





B Opt. Tacet If Using Strings






pp

 
  
mf
f
33
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Alto Saxophone I


C

  

 

p
40
  



  


D (Play)
  
      
f
47
    


 
52


E

 

3
mp
    




  

f

   

     
 


 
  
3
mf


    
        

 
61
65
  
 
 


 

F

  


3 
   


  

mf
69
  
 

3
3














  
3

f
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
  
   
2
Alto Saxophone I
                             
 



71
G
                       
 



 
75
ff
79
H
 
 
3
   
   








  






mp
   






  
    






        

85
mf cresc.
89
I
      
 
 
   

   
  


  

 

 
f
93
  
 
mf
3     


  
 
   
       
mf cresc.
       







  


 
 
97
J
f
  

mf
  

3
Alto Saxophone I
102
K
  
 

 

 

 

 
   
    




  

 

 

 

 
   
    




  
f
106
  
 
   
   
110
114
L
  
 

 

 
   


 


  

 

  

     


 

  
 
   
mf cresc.

         

 
118




            
f
ff
Save The Last Dance For Me
Baritone Saxophone
q = 135 (Latin)
 
3

8
  
      

A
          

 
 

mf
(Vocals)
18


46

pp




C
 
40
     
 

B Opt. Tacet If Using Strings
f
33
Michael Buble ver.
Trans. Shaun Evans



 
 


 
 
59

p
   

D
    



   


E


  
 

    



    


mp
f

      




(Play)



 

51

 
   



f
55

 

mf
   


   
   








   


   


     







   
   

  



 


63
F
 
  


   
     

 



 



Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!




2
67
 
 
mf
Baritone Saxophone
3
      

 

 


    


   



f
 
    
 
























 
   
  
   
71
G
   
  
75
79

 

   
3
H
 
 

 
      










          
ff
          




        

mp
85
 

    



          

 








          
mf cresc.
89
I
 
 
 
    
93
 
 
mf
3

     

 
      

 
  


 

  



         



   
 
mf cresc.
97
Baritone Saxophone
J

 



                
f
102
 


  

mf





 
    
 
 

 





 
    

106



 
    
 
 

 






 
    

110



 
    
 
 

 






 
    




 
    
 
K
    
 

f

 



 


 



 

114
L
    
 

118
      
 
    
 
    
 
3
 
     
 

mf cresc.




       


   

f
ff
q = 135 (Latin)
  
3

          
     


 
 
 
 
mf
(Vocals)
8
f


18
A
  


    
44
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trumpet III
6
D
 
10
B
6
C
f
        

mf
   
   

3
3
E
 


8
f
61
F
        
 

  


mf
65
 
  
69
  
 

 




 
          
  
3
 
  
mf
  







  
       
3
3
3

G
  

  

  
 
f


  
         

           


  



    
 


72

        
 

76
79
H
 
 
8
   

       





 

 
mf cresc.
ff
 
    

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
89
Trumpet III
I


 



               
93
  
 
mf
97
J
 
 
3
  

      

 
mf cresc.
 







 
 
  
 

        
 
      
  

   
  
f
mf
 






 

  


 















  
 




106

 

  




         





110

 

  




 











    



102
K
  
    
f
    
  
    
  
114
L
    
  
118

 

  

    

     




 




   
  


mf cresc.
   




        
f
ff
q = 135 (Latin)
  
  

 

  
44

3

8

Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trumpet II
          
     


 
 
 
 
A
f
mf
(Vocals)
18
6
D
 
10
B
C
6
3

mf

   
 


f

8
E
 


3
   
f
61
F
        
 

  


mf
65
  
 
69
  
 

 


3
 


 










 
3
3

           

 

3
 

mf
  
  
G
  

  

  
 
f
 











                  
  

      

 
72


  
    


 

76
79
H
 
 
8
   






 
       


  


mf cresc.
ff
 
    

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
89
  
      
Trumpet II
I
               

 

 
93
  
 

   
    
      
3
     


mf
97
mf cresc.
J
   
        
102
K
   
      
f
106
      
   
110
    
  
114
L
    
  
118

 

 









f

  
 





mf
 
    















  
 




 
    
         





 
    
 
 











    



 
    
 
    

     
 
    
 
   
  


mf cresc.
   





       
f
ff
q = 135 (Latin)
  
3

  

    
8

44

Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trumpet I
f
D
 
          
     


 
 
 
 
A
mf
(Vocals)
18
6

f
10
B
  
6
C

 

 
3
3


    
mf
8
E
 


f
61
        
 

  


mf
F

           

 
      


3
65
3
3
       
3

     

 

mf

G

70
  
  














     












     


  
 




  
  















          

    




  
f
74
   
   

 
78
H
8
        


 

ff
mf cresc.
I
89
  





                
     

 

 

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
93
  
 
   
    
      
Trumpet I
     


3
mf
97
mf cresc.
J
       
 








Opt. 8va!!

 
f
mf
  


 
    
   
    




   
 


    
    
 
    
   


 

       
 
 
 
   
    




  
 

       
 
102
K
f
106
110
 


    
    
114
L
 
    

     
   
 
    

 
mf cresc.
118
      

 




   
f






   
   



   
ff
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trumpet IV
q = 135 (Latin)
  
3

8
A
  



  

 
f


 

44
          
     


 
 
 
 
mf
(Vocals)
18
6
C

E
   
   

f
3
        
3
mf
6
D
10
B
 


8
f
61
F
        
 

  


mf
65
 
 
69

 
  

 

3
3

 
mf
3



 
           
3
 
  










     
    


f
72
  
        
75


G


  

      





         

  







  
   
  














                    

79
H
 
 
8
ff
 

 
mf cresc.
 
    

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
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2
89
Trumpet IV
I
  

   
  
 
                

93
 
  

3
  
      
 












  
 
mf
97
J
 
 
mf cresc.

        
 
      
f
mf
 

  




 



















  
 




106




 




         





110




 




 











    



102
K
  
    

f
    
  

    
  

114
L
    
  

118




 

    

     

 







   
  


mf cresc.
   













f
ff
q = 135 (Latin)
  

3

   
   







         

mf
(Vocals)


       

8
A
18
10
B
C Opt. Tacet If Using Strings
40
f
        
 
E



  


47
 
3
D (Play)
  
      

mp
   
     


   
     

f

   

     
 


3
mf

   

    
  
  
61
65
   

  
  
   

G
   

f
 
F
 


 

   
   

3 
  






  

 
mf
70
75
  


p

    

 

f
52
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trombone III



     

   
 
       
   
     

 
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
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ff
2
79
H
89
I
3
Trombone III
   
   








  






mp
   
85
   








               


 


mf cresc.
              

94
    

98
 
102
     
 
f
106
     
 
110
     
 
114
L
     
 
  

J
mf cresc.

mf
     
 

 

3 

 

 

    
   
    




   


  
 

   
 
   






   
 

    
    
    



   
f
 

    
 
   


    
118
 

            


       

K



mf
 

    

  
 
   




            
mf cresc.
f
ff
q = 135 (Latin)
  

3

  

      

8
40
    

A

mf
(Vocals)
18
B
10
E



C Opt. Tacet If Using Strings




47
     
   

 
   
   







         

f
52
D
 
     

f

3
   

  

     

(Play)
mp

  

f

   

     
 

   
   





  
   
61
  

 
p
mf
65
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trombone II

F
  
   

 

3
   
   
3           
 


mf

70



   G                    
  
 
  




                    
    



74
f
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
   
  

78
84
3
Trombone II
H
ff
            
 

    I  
88


    

  
       
92
    

     
96
101
   
J
K

   
     





 

mp
   








 
 

mf cresc.

      
      

3     


mf
mf cresc.
              
 

 

    
f
 
   



    


  
 
   




     
 

    
 
   




     
L
105
109
113
117
 
 
mf cresc.
  
 

 

    
  
  
  

f
   

 

 
   


 
    
    



  

 

  

  

 
mf

  

 
  
            
 
    
  

f
ff
q = 135 (Latin)
  

3

  

 

40
f
A

E

18
B

47
     
   



   
   







         

mf
(Vocals)
8
   
     


52

10
C


 
     



   
  

  

 
     

(Play)
mp


  
f




         
   
 
   
   


  
   
61

D
f
3
Opt. Tacet If Using Strings
p
mf
65
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Trombone I

F
  
   

 

3
   
   
3      

  


 
mf


  

G




70
 
                 
    
  





  
  










74
  
          
  
    



f
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
   
78
  

3
H
   
  
Trombone I
    
   
mp


   




84






   
    
 




 


ff
   



    
88
  

       
92
96
   
    
  


 
101
J
K
I
  
   
   
   
mf cresc.
3     



  

  
           


 
mf
mf cresc.

  
 
    

 
 
   
  

f
   

 
mf
 
   



    

  

 

  

 
   


 
   




     
 
    

  

 
    


 
   




     
L
f
105
109
113
117
 
 
mf cresc.

  

 
 
    
 
    
  
   


 

          

    

  

f
ff
q = 135 (Latin)
  

3

8
       
 
 

    
45
          
     

 
  
 

mf
A
(Vocals)
18

  



D

49
         

E

mf
57
  
 

     

61

65
C Opt. Tacet If Using Strings

   


  
p
         

53
10
B
f
39
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Bass Trombone


 

  


   

   


mf

f



  



   

 


   


F
mp
      

 
   



 
f

  
 


 



   

(Play)

   


 
    


   


     

 
3
             
  




Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2
70

f

 
75
 
79
Bass Trombone
G
H


3










     
   



     


  
   
ff   
          
     






 


mp
85
         
    




              
mf cresc.
89
I

 
    
93



mf
97
     

 
      

 
3




     

   



mf cresc.
         

   
 
J


 

             
f
    
   


mf
3
Bass Trombone
102




 


 
       

 
 



106




 


 
       

 
 



110



 
    
 
 

 





 
    

K
   

f
   

   

114
L
   




 
    
 
118
     



 
    
 

  


f
 

    


mf cresc.

    



   

ff
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Bass
q = 135 (Latin)
  

3

8
       
 

A
17
(Vocals)
 
         
 

mf

 
f
30
Bb9sus
34
Bb9sus
37
C Ab
42
Bb7
Bb7

Bb7
  

     
 

  
 
 
  
mf
  


  
B Eb
Abmaj7
Fm7/Eb

Fm7/Eb
Bb9sus

 

Eb
 
 
  


Eb
Gm7/C
 
 
Bb7
  

 

 
    

 



Cm7
Fm11


  
                  


    


   
  
 




D Bb7sus
Eb%


      













     
f
mf
47
Eb
Bb7sus
  

 Bb




 





 



  
   

52



57
E E




  
Bb
Eb%
      


Eb
f
B7

   
   
        

 
 


mf

F#m7
B7
E


     
   
             








   
62

  


cresc.
F A
F#m7/E
E
G#m7/C# C#m7
 
 


      
















 
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2
Bass
B9 E%


        


 



    
  
     
f
67
F#m11
B9sus

  

72
77
B6
E%


     
E
 
 


E%

        


  
   
ff   
91
F#m7/E

94

B9sus
 

E6
 


B6
  
97
JA
102
K F#m11
107
B9sus
B9
112
E%
Emaj9/D#


B9

H
G#m7/C#
E%
G B7
B7 






   
10
F#m11
/B
G#m7(b5)/D
 

    


      
 
         
cresc.
B9sus




         
C#m7
    


B9
E%


  
IA
f
G#m7/D#
   

 

  


 

A6/C# E/B
 


   
F#m7/E E6
/B E13


G#m7/C# C#m7
 
  
      
    

Emaj9/D#
C#7(#5b9)
F#m11


       
            
 
     
  

E%
Emaj9/D#
C#7(#5b9)
F#m11
B9sus
B9
      
                   
  
   
     

117
C#7(#5b9)
L
              
          
  
  
   
 
E

              

 
 

mf cresc.
    E%
 
       

  

f
ff
q = 135 (Latin)

   
3



mf
(Vocals)
8
 

     
  






  
 

Clean/Accoustic (Solo)
A Eb
Bb9sus Bb7(#5)
   

   
 
12
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Guitar

 
               
         
sim...
mf
f
Bb7
                     

17
Eb
Ab
Eb

                     
22
Bb7sus
Bb
Eb

                     
27
B Eb
      
                      
31
Bb7
Bb9sus
36
Eb
C Ab
sim...
Bb7
Bb9sus
Bb7
Bb9sus
   
Fm7/Eb

                     

40

   
Gm7/C
Cm7
Abmaj7
Fm7/Eb
Eb
        
Fm11
Bb7
Eb%
sim...



                  
f
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2
45
D Bb7sus
Guitar
Bb
Eb
             

 
mf
49
sim...
Bb7sus

     
53
E E
57
mf
Bb
Eb


   
  
  






 Eb%

 


f
B7


                     
sim...
F#m7
B7
E


                   
62


   
F A
G#m7/C# C#m7
E
                  
cresc.
66
F#m7/E
sim...
F#m11
B9sus
B6
B9
E%



                
f
71
G B7
E%


             
sim...
75
B7


   

79
 


H
mf


   






E
E%
 




  

 
ff















85
 


Guitar






90




cresc.
F#m7/E


E6


           
B9sus
97
JA
B6
B9


    
E%
 G#m7/D#


   
f
      
  
/B G#m7(b5)/D
C#m7
 


    





      
K F#m11
sim...
105
C#7(#5b9)
110
F#m11
B9sus
114
L F#m11
B9sus
   
F#m11
B9sus
B9
B9sus
F#m7/E
E/B


E6
       
B9
   
E%
   
A6/C#
     
 
cresc.
G#m7/C#
F#m11
/B E13
 





               
101
3
IA
G#m7/C# C#m7
sim...
94


E%
Emaj9/D#
   
Emaj9/D# C#7(#5b9)


                   


   


   
118
B9
E%
   
C#7(#5b9)
   
B9
   
         

        
Emaj9/D#
   
   
E
       
       
mf cresc.
E%

          
  
 


  
f
ff

 


q = 135 (Latin)
3

                

3
(Snares Off)
 

        
  
      
4
mf
3
3
7

  
 
11
    
    
    
16
    
21
    

   
     
            
3
3
3
               
               
mf
(Vocals)

A
3
3
3
3
            
    
f
mp
   
   
   
   
   

   
   
(10)
(6)

    
 Cross-stick
B
26
3
       
    3
       
  

3
    
 

33
   
(14)
3
3
    
  
C
  
(16)
3
sim...
   
(8)
3
   
(12)

   
         


 
              

   
 

 
    
37
sim...
   
(4)
(8)
29
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me
Drums
3
   
(6)
        


 
              
              
sim...
Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
   
(4)
2
Drums
41
3
3
  



        

        
3
3
f
D
45 
                  


 
   

  
 
49
(6)
mf
  

E
53 
  

  
58
 
   
 
f
mf
(4)
            
                   
    

F
63 
     

  

68


       
       
sim...
(6)
   
(4)
(6)
    
(6)
sim...
   
   
(8)
   
   
Fill
cresc.
(4)
         
                 



      
  
        
sim...
G

 




    
  

        
          
       
 
   
   
sim...
 
H 
76
                      

          
     

           
 
 
  ff   mf  
80
                        







 

 
  
 
72
f
sim...
Drums
84
  
 
 
(6)

I
89 
   
  

 
  
 

 
 
 

 
 
 
(8)
cresc.
   
Fill
(4)
            
               
f
sim...

J
94
(6)
         Fill
 


     
  
    


 
 
 

  









 
          
98 Fill
cresc.

 

 

102
K

 

 
106
110
118



sim...
   
(4) Fill
  
   
   
   
  
   
   
   
L

 
    
  
(6)

 

 

114
   
            
       
             
   
  

   




(10)
3
(8)
Fill
Fill
 

      
            

          
  

   
 
Fill
mf cresc.
    
 


       
   
          

          
f
ff


Piano
q = 135 (Latin)
   
 
 
 
      
 
mf 

  
          


  
 
5
  
  
mf 
Ab6 Bb9sus Bb7(#5)

8
 
  



  
  

31
Bb7
 
  
Eb

  

 
  
34
Bb9sus

  


 
  

    

          

 

 


 
     


   
  

25
Michael Buble ver.
Trans. Shaun Evans
Save The Last Dance For Me

  

 
f
  
 
 
A


  


Bb7

  

mf












     
 


Eb



B Eb





Ab
10












Bb7sus
Bb











Bb9sus




               




  
 
10
(Vocals)
   

  


     



 
 
 
Bb9sus


 

Fm7/Eb

 
 
 

  





 


 



 
 
 
Bb7


 


Eb


  
 

  


 


     
  
  






Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!


2
 
  
37
C Ab

 

 
    
 

 
  
41
Fm11

 
 
  
    
  
 
 
45
D Bb7sus
  

mf

 


Abmaj7

Bb7sus

 

    
 

Bb7


 
     
   


Bb
Fm7/Eb
Bb
Eb
  
Gm7/C
Eb%



Cm7

 

    
 

 






  






         
      
Eb
   





        


   
   




 

      


     

 
 


   
49
Piano
Eb


  


  
 

   

f


  



 
  

 
Eb%

      
  
    

f
 
     
    


  



   
 




 

                   
53
EE


mf
   

  

B7
   

  

   

 

 




  

 




  

 

                   
58
F#m7


cresc.
FA
 




 


  

 

 
67
F#m11
 




 


  

 


71
G B7

 
     

  
 


75
E


             
   
   


       








  






 

 
63
Piano
B7
B7

 
     

  
 
 
F#m7/E
    



 

  

B9sus
 
B6

B9
E%
 
 

    




 

    


G#m7/C#
 
  
  

  
 
f
   

  

E%


 

 


E
 


 




 

 





C#m7
    
   

  



 


  


E

 








 

    

  
E%


      

 ff    


  

   

   
3
4
 


mf



83
  

79
H
Piano
        
  







 





  















 

   


    

 

 

86
  




  


I
89
A
 

   


   



 
 
 
 
 
 

 
93
F#m11
 

 





B9sus
JA
 
B6
B9
  

    

  
   

 

 
 
 
 
     cresc.
 
 

 
 
97
    


    


 
  
 
 
  

      


     



 
        



 
cresc.










 


 

   


f


    
    


    
F#m7/E
E6
    
E%
 




G#m7/C#

C#m7
   
    
   
G#m7/D# /B G#m7(b5)/D
/B E13
A6/C# E/B
          
       










        

     


 



  

F#m7/E E6




 
 




G#m7/C# C#m7



 
 
 
  
  
     


     
Piano
102
B9sus
B9
E%
Emaj9/D# C#7(#5b9)
F#m11
 

                   
K F#m11

 
 

 

 
 
 

 
107
B9sus
B9
 
    



111
B9sus
 

 
 
Emaj9/D#
 
B9

  

 
 



E%





L
 


117
E
      

    

mf cresc.
     

    



   



   




C#7(#5b9)
 
 

   


 








114
E%

 
 
 
 
 

Emaj9/D#



 

 


F#m11
 


C#7(#5b9)
 




 
 






  







 

E%


      
    

   
f
ff   


     

   








      
  
 

   


 

        

     
 


5
Save The Last Dance For Me
q = 135 (Latin)
(Snares Off)
3
    
Drums 
    
q = 135 (Latin)
  mf 
  
  
Piano
mf
  
  




Michael Buble ver.
Trans. Shaun Evans
3
3


           
               






  



  
  
 
      
 

  


Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
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
 
  








2

A. Sax. I 
4
A. Sax. II
T. Sax. I
T. Sax. II




Tpt I  
Bar. Sax.
Tpt II
Tpt III
Tpt IV
Tbn. I



 



 
Tbn. III


B. Tbn.
 
Tbn. II

3
 
  
 
Guitar  
 
Bass
 
  
   

Pno
    
  
Dr.
 


   
mf



     
mf


 
   
mf



mf
     

 

   
mf



     
mf


 
   
mf



     
mf


   
mf



   
mf



   
mf



mf
     

 
 3


     mf      
            

mf

     

mf
     



mf



 



     


   

mf



 
  


 
  

 
     

     

    

 
     

     

     

     

  

 
  


 
  

 
     
3
 
      
       
   
  


     



     
  

A. Sax. I


A. Sax. II
T. Sax. I
T. Sax. II





Tpt I  
Tpt II  
Bar. Sax.
Tpt III
Tpt IV
Tbn. I


 

 


    


     

 
   


     
 


   


     

 
   


     

    



    


    


     
 
 3
       
       

     

     




 
Tbn. III


B. Tbn.
 
Dr. 
 
Guitar   
 
Bass
 

Vocals   
 
 
Pno
 
  

Tbn. II
A
 

(Vocals)



  
 

    f
 (Vocals) 
  

 (Vocals) 
    f

 

 (Vocals) 
    f



f
      (Vocals) 

 
(Vocals)


    f

  

 (Vocals) 
    f

 

 (Vocals) 
    f

 
    f    (Vocals) 

    f   (Vocals) 
 

 (Vocals) 
    f
 
(Vocals)

    f





f
      (Vocals) 
 3 3 3 
3
  

 
(Vocals)

f  


   Bb9sus
 Bb7(#5)
  AClean/Accoustic
Eb
(Solo)
f 





mp
      (Vocals)
      
 

    f   mf(Vocals) 

 (Sing 8vb)
f 

    
Ab6
Bb9susBb7(#5)



      (Vocals) 
 



            

  

 f 
  
7
3



4
10
Dr.





Vocals

Dr.
Guitar
Vocals

Dr.
Guitar
Vocals
Pno
       
          
             
sim...
Guitar
   

  
14



   

     
   
    
 
 
 
 
         

   
 
 

 
3
   

 
   
   
Eb
   

 
 
 
   



                   
 
    
18
       
sim...
   
 
     
Bb7
Ab
   
Eb
   
                    






Ab
mf







Eb












22
Dr.

   



 
 

   
 
 
 
 
Guitar      
        


            
Vocals    
 
Bb7sus
Bb
 


 










Pno





  




Bb7sus
Bb
5
Eb
   









 

Eb
6


26
A. Sax. I
A. Sax. II
T. Sax. I
T. Sax. II




B Opt. Tacet If Using Strings


pp
Opt. Tacet If Using Strings



pp
Opt. Tacet If Using Strings


pp
Opt. Tacet If Using Strings


Bass
Vocals
  
 


  
 
  



Pno

  




pp
Opt. Tacet If Using Strings

pp 
  Cross-stick
3
3
 
  






 
    
Dr. 

BEb
 
    
Guitar     
 
 
Bar. Sax.



mf
  

Eb

     3       

  
    
  
     
  
sim...
 
 




Eb











 



 










 











T. Sax. I
 


T. Sax. II
 




29
A. Sax. I
A. Sax. II
Bar. Sax.
Dr.


  3  



 
Guitar    
Bass
Vocals
Pno
 
  



  

       3  
 




 



 
  


  

 



Bb9sus



  

Bb9sus
3
  

    
 
 
Bb9sus






  

Bb7
 
Bb7
 
 

   
 

sim...
7



3

  
 
 
Bb7

   




8

A. Sax. I 











T. Sax. I
 




T. Sax. II
 








   
   
 





32
A. Sax. II
Bar. Sax.
Dr.


 
Guitar     
 
Bass
Vocals
Bb9sus
Bb7
Bb9sus
Bb7
Bb9sus
Bb7
Bb9sus
Bb7
Bb9sus
Bb7
     
  


  
Pno

   
    
 
     
Bb9sus
   
     
 
 
Bb7
   
    

 
 
   
Fm7/Eb
   
Fm7/Eb

 
      

 
3
    

 

    




Fm7/Eb
   

 

 




36
A. Sax. I
C


 

 

 
9
p
A. Sax. II
T. Sax. I
T. Sax. II


 
p
 
p

 


 
Opt.
Tacet
If
Using
Strings

p 
 

Tbn. I

Opt. Tacet If Using Strings

p 



Tbn. II

Opt. Tacet If Using Strings
p
 



Tbn. III

Opt. Tacet If Using Strings
p
 

B. Tbn.


 
 3       p 3      
Dr. 

   C     

Eb
Ab
 
Guitar   
     
p
Bar. Sax.
 
Bass
 

Vocals   
 
 
Eb


Eb

Pno

  
  

 



 
 





 




Ab
 


Ab


 
  





  



 
 
 

 
 
  3      
      
Abmaj7
   
Abmaj7

  
 
Abmaj7


 



sim...
sim...

  



   


  


10

A. Sax. I 
39
A. Sax. II
T. Sax. I
T. Sax. II














































  
 
 
Tbn. I



Tbn. II




Tbn. III

 
B. Tbn.
  
Bar. Sax.
Dr.




 













       

   

   
 
              
Fm7/Eb
Eb
Gm7/C Cm7
Fm11
Bb7 
 


















  





    
Bass



  



3
 

            
Vocals   



Fm7/Eb
Eb
Gm7/C Cm7
Fm11
Bb7
 
                  
Pno

 

     


 






   
 


  
 
  


Guitar
Fm7/Eb
Eb
Gm7/C
Cm7
Fm11
Bb7








A. Sax. I 
43
A. Sax. II
T. Sax. I
T. Sax. II


 
 

 


Tpt I  
Bar. Sax.
Tpt II
Tpt III
 
 
 






f

f



f


   3 3 
f




mf
f




   3 3








 mf   3 3 f







mf
f
    3 3 

mf
f

 



Tbn. I




Tbn. II

 
Tbn. III


B. Tbn.
  
 
Dr. 

Eb%
   

 
Guitar    Eb%
  
 
 
Bass
     
  

Vocals 
Eb%

 
    
Pno
 
 
     
   
Tpt IV
f
f


f

3
f

 

f


f
 
f



f
 
 
f







D












  



mp
  
(Play)



   
(Play)
mp

(Play)
mp
    
(Play)
  



  mp

mp

(Play)
11
 
 
 


 


    


(Play)
 
      
(Play)
mp
 
(Play)

 
 
mp     
(Play)
    




  mp
 
  3       
3

  
  
mp D 

Bb7sus
 
  
mf
 
       
Bb7sus
 
mf
 




mf





Bb7sus
 

   
 


mf
   
 



  


12

A. Sax. I 
46
A. Sax. II
T. Sax. I
T. Sax. II






 
 
Tbn. I


Bar. Sax.
Tbn. II
Tbn. III
 

   


   

 

 




 
 

Dr. 

Bb
 
Guitar    
B. Tbn.
Bb
  
  

Vocals    
Bass

    
  
  



     

 
   
 




 



  
  
 
    
  



 
 3       
  
  
Eb
sim...
      
Eb

 sim...


 
 


         
   
  

Pno
   
 

Bb

  



 
  
 


 

 
  



 











  
 




     
   
   








 
   
 
    
  
  





 
Eb

A. Sax. I 
49
A. Sax. II
T. Sax. I
T. Sax. II



 
 
 
 
Tpt I 
Tpt II  
Bar. Sax.










Tpt IV  

   
Tbn. I
 
   
Tbn. II

   
Tbn. III
 


B. Tbn.
  
Dr. 















  
  








   
   





 
Guitar    

Bb7sus


 

Bass
 
 
Vocals     
Bb7sus
    
  

Pno

   





 



 





Bb

Bb


Bb

  
  

f


f
f
f











 
 





f
f


  
  

 



Tpt III
Bb7sus
  
  
  
  








Eb


Eb

f
f
f
f







f 
 f 
 
f
  
  

f
f

 
 
 

 

 
 
 
 

 

 












  
 

 
      Eb f 



    
  
  


 f   
   
 


  
   


 

 

 



 
 

 

 

 

 

 

 

 

 
 
13


























 


  Eb%

  Eb%

 
  

Eb%
 
  
 
   
 

14



 
 
E
 


mf


52
Bar. Sax.
B. Tbn.
Dr.



mf
 


  



 


  


                 


  
  


   
   
mf
 
Guitar   
 

sim...
EE

             
mf
Bass
Vocals
 
 

  
 
 
E


  



sim...
 














  




mf
E
mf


 








  



Pno

 





  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 

Bar. Sax. 


 

Tbn. I
55
Tbn. II
Tbn. III
B. Tbn.
Dr.




  







 
Guitar 

Bass


Vocals 
 

Pno


 

 

 
mf

 

mf
    











  



  
  
  
 

  
  
  
 





 
A







  


mf
    
 
mf

 
 


 
 
mf
  

 
mf

 

 
mf

 
  
  

A

  

     

A
 
  

 

















    


    

   

   



    
   

  
15

    


    


    


 

 

   


 


 

 
  
16
  
   

Bar. Sax. 



58
 
B. Tbn.
 
Dr.

 
Guitar 

Bass

Vocals


 



   












   




   












 
 


 
 
 
 
B7


 
 
 
B7

   

F#m7
 
F#m7
   


F#m7
 

    
 











     
   
B7


 
 
 




  
  
 


  
  
Pno


   

  

   

     



A. Sax. I 



   
    


A. Sax. II 
      
 

 
T. Sax. I 




 
     
  
T. Sax. II 

 
   


Bar. Sax. 







          

 
Tpt I 




  mf
     
  
Tpt II 




  mf

    
  
Tpt III 




  mf

    
  
Tpt IV 
    

 mf 

Tbn. I



   







Tbn. II



   





 
Tbn. III

   

B. Tbn.

 Fill

Dr. 


   
E
 
cresc.
Guitar 




 
E

    cresc. 
Bass


  
cresc.



Vocals 


E
 

 
   
Pno

    cresc. 









61
 

   

 
 


  

 
  

  


  



 


  

   



 

   

 

 












F
17
   
 

   
 

   
 
 

   
 


   

    
 

    
 
 

    
 




   


 


 

 




         
  
 F A
   
 A        
 



  
  

  

A
    



 
 
  



18
  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 
Bar. Sax. 
 
   

Tpt I 
 

Tpt II 

  

Tpt III 
 

Tpt IV 
64
Tbn. I


Tbn. II

Tbn. III

B. Tbn.

Dr. 
 
Guitar 

Bass
 
 
Vocals 
 

Pno





 

 
 

 
 







  

  
 
 


  

  


    












     

   
  

  


  


  




  
 
   
 






  












   

  





      

    
 


 
        
  E
     F#m7/E
       sim...
F#m7/E
  
E 
 sim...   E 
 








    



    
F#m7/E
E

      
 

 



   




  





mf
mf


mf

mf

mf


mf
mf
mf



mf
   mf

   mf



 mf



mf
G#m7/C#
 C#m7  F#m11

3 

 
 3 
3 

3 
 3 

 
3 

3 

 
 3 
 
 3 
3 



3
3
3


 
 
 
G#m7/C#
 C#m7
   F#m11
 
       
 


G#m7/C#C#m7
F#m11
      
       
       
 






   

A. Sax. I 
68
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 

  

Bar. Sax. 






  














      

Tpt I 

      

Tpt II 

     

Tpt III 
    


Tpt IV 
  

 



Tbn. I
    


Tbn. II

    
Tbn. III

    
B. Tbn.


Dr. 
  B6  B9
B9sus

  
Guitar 
  B6  B9
B9sus











Bass

 



  B6  B9
Vocals 
B9sus
 

 
 
Pno  





 
  











3

3   3


f









3   3
3











f





f
 

    

f


  



f










3
  3   3

 










3
  3   3



f




3  3 3  f 










3  3
3

f

   




 
f  



    

f






    
f 
    

f
 





 
   


f
E%
     

 

f 
  

E%

   

f











f
E%


  



 

f










  
   
19
  
   
  
 
  

   
  

  
 
  

   
 

   







 



20
G
   

A. Sax. I 
  
 
A. Sax. II 

   
 
T. Sax. I 

   

T. Sax. II 
  
 
Bar. Sax. 


    
 
Tpt I 

   
 
Tpt II 

   

Tpt III 
  
 
Tpt IV 
 
Tbn. I


71
Tbn. II


B. Tbn.

Tbn. III

 
Guitar 

Bass

 

Dr.
Pno




      


      


     


     



      
     


     


     




     
  


     

 



      
   
G B7     
   
B7 



B7    
   

    




     
   
   



     
   
   




    
    
   

  

    
    
 

  

     
  

            
 
  



    
    
   

  

    
    
   
  

         
   
     

  

            
  

  

  


  

       
    
sim...
   



sim...
    
   

    



  
  
  
  
E%
  
  
E%
 
  
E%
 
  
 



  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 

Bar. Sax. 

  

Tpt I 
 

Tpt II 
 

Tpt III 
 

Tpt IV 

74
Tbn. I
Tbn. II
Tbn. III
B. Tbn.





 
Guitar 

Bass

 

Dr.
Pno
















21
               





    

            


   
  

















  
   
   



               
  
 
   





 
               
                 
 





                  
 


               

  

 








                
 








 

                 



 
  











    

   


  





   
   
B7
    B7   



 


  






B7


 
       
          
 
  




 
   



   

   

    


22
    
    

A. Sax. I 

   
    

A. Sax. II 



   
    
 
T. Sax. I 
      

 
T. Sax. II 

 
  
Bar. Sax. 
     
  

   
  

Tpt I 
      

 
Tpt II 
   
    
 
Tpt III 

   
  
Tpt IV 
     



  
   
Tbn. I


 


 
  
Tbn. II

       


Tbn. III

  
B. Tbn.


   
 







Dr. 

    
E
 
 
Guitar 

E   

  
Bass
 

 
 

Vocals 
E
 

     
 
Pno

    


 

 
77




































H
 

 

 


  
 
  
  
 


 

 
  

 

 



 
 

     


H
ffE%
mf

   
 E%
 

   
ff 
 mf
   

ff
 E%
   
     






   

ff
      mf  

   

   
 
 
 
 ff  
 
 ff  
ff  
 
 ff  
 

ff  
 
ff 
 
 ff 
 
ff  
ff 
 
 ff 
 
ff  
 ff 
ff  
  
  












 
    





 
 

 
 
  

A. Sax. I 
 

A. Sax. II 
80
T. Sax. I
T. Sax. II
 
 
 
 
 

Bar. Sax. 

 

Tbn. I
Tbn. II
Tbn. III



B. Tbn.

Dr.


















 
 
           



  

Guitar 






Vocals 
 
      
 

Pno
    








  

  


23
 



mp
 



mp
 

 
mp
 

 
mp


    
 
mp
 
 




mp
 



 
  
 
mp
mp


 
 
mp
      







  

   
 
   



 
 
 
 

 
     
     
 
sim...




  
 
24
       

A. Sax. I 
 

 








A. Sax. II 
 
     

T. Sax. I 
  
     

T. Sax. II 
  
 
      
Bar. Sax. 

  

     

Tbn. I
83
Tbn. II
Tbn. III
B. Tbn.




 







  

 


 







   

 

   
       


 

  

Guitar 


 
Vocals 
    


Pno
   


Dr.

 



 

 



 

 



 
 







      

 
 

 


  





      
 
      
 
 
      


      



   


  


 

     
 
     
 











  
 
    


 
 
 
  
 







          

   
  



   
  







 
  
  
 
  


  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 

Bar. Sax. 

  

Tpt I 
 

Tpt II 
 

Tpt III 
 

Tpt IV 

Tbn. I

Tbn. II
86


B. Tbn.

Dr. 
Tbn. III
  

 

  

 

  

 
  




 
    



  

 












  
 

 
 
 

 
      
  
 mfcresc.
 
 
 mfcresc.
   


mf cresc.    
  


mf cresc.  


  

mfcresc.    



mf cresc.    



mf cresc.    
 

mf cresc.    

 
  



mf 
cresc.
  

 mfcresc.

  
 mfcresc.
 



  


  
   


  

   


  


  


  


  


  



  


  
mf cresc.
      

 Fill 
  
mfcresc.

 
 
 
 
  




Guitar 




     cresc.

Vocals 
    
 
   



     



Pno
 
cresc.
   





  






cresc.



25
 

 

 

 

 
    
 

 

 

 
 


 

 


 




 
    

    

  
  
  

  


26
I
   
   

 
A. Sax. I 
  
   

A. Sax. II 
 
 
  


T. Sax. I 
   
 
 
 
T. Sax. II 
 
 
 
  
Bar. Sax. 
   

 
   


Tpt I 
  
  
    
 
Tpt II 
 
 
 
 
Tpt III 
    
 
 
 
Tpt IV 



   
   

Tbn. I

 

 
   
Tbn. II

 




   
Tbn. III

 

B. Tbn.



         

  
Dr. 

   
If A
 

 
Guitar 
A     

 f
 

Bass





 f 

Vocals 
A

 


  
Pno
 f
  




89























 
 

 

 
 
  







 







 

 

 


 

 


 
 



 

 

 


 

 









   
   
   
   






   


sim...
F#m7/E
    F#m7/E



 
sim...
      
F#m7/E

   
  












  

  







 





 

  

  
E6
 E6  
   


E6

 
 


  
3     


           



A. Sax. I 
3     
  f       mf


A. Sax. II 






3  
         mf
  


T. Sax. I 


3 
         mf
 3     

T. Sax. II 
  


 

mf












Bar. Sax. 




3    
  





 


 

       mf


       
Tpt I 
3     
     mf

    
Tpt II 


3     
    
mf








Tpt III 
  





    
 3     
        mf
Tpt IV 
3     
  








      mf
Tbn. I
3     
  



mf

 
Tbn. II

3



 
        mf

  




Tbn. III




3


mf







B. Tbn.




 
   

mf
Dr. 
 C#m7  F#m11
    B9sus
 B6  B9
G#m7/C#
 
Guitar 
 C#m7
   F#m11
    B9sus
 B6  B9
G#m7/C#

     





Bass


 






3


 

          
Vocals 
G#m7/C# C#m7
B9sus B6 B9
 F#m11

 

         
Pno

     



  

 
   
   


92
27
    
 
      
 


mfcresc.
     

mfcresc.
     

 
mf cresc.  
      
mf cresc.     
 





mfcresc.     

 cresc.
mf
    
  

mfcresc.
       
mf cresc.    
     
mf cresc.   
  




mf cresc.    
mf cresc.

     



 




mf cresc.
 G#m7/D#
 /B G#m7(b5)/D

E%

  
      
E%
G#m7/D# /B

  G#m7(b5)/D
    


 G#m7/D# /B G#m7(b5)/D
E%
    
     

     


 

mf cresc.
28
J




         

A. Sax. I 
  

 


     
A. Sax. II 
        


T. Sax. I 

    
 
    
T. Sax. II 
     
Bar. Sax. 

 
   
   

     
Tpt I 
        


Tpt II 
 
 







Tpt III 





       

   
Tpt IV 






   
Tbn. I
 




    


Tbn. II
 





    
Tbn. III
     

B. Tbn.






Fill 
     
Dr. 
 
   
JA
  E/B
/B E13
A6/C#







          

Guitar 


 E13 A6/C#
/B
E/B
A


   



Bass

     

3
  
Vocals 
 E/B A 
/B E13
A6/C#
 

     







Pno
        
  




96
    

    

    

    


 Opt.
 8va!!
  
    

    


      
      
    

    

    


    
      
  
cresc.
  

      

cresc.

    
cresc.
    

     
 
     
 
 
    
     
 
     
 
 
     
 
     
   
     
 
     
 
 
     Fill
    
   
 

 


  


 



   




    

     

    
cresc.
    
      

    
  

A. Sax. I 
99

f
  
  
A. Sax. II 
  f 

T. Sax. I 
  f 

T. Sax. II 
  f 
Bar. Sax. 
   
    f
 
Tpt I 
  f

Tpt II 
  f 

Tpt III 
  f 
 
Tpt IV 



 f
Tbn. I




f

Tbn. II
 f 


Tbn. III



f
B. Tbn.
   

f
Dr. 


 
Guitar 





Bass

 
  
Vocals 

 


Pno
 






















mf 


 

mf

 





 





 
mf 




mf

 


  




mf 




mf 








mf 







mf



 

 



mf



 


mf



 


mf 




  
mf





  




   mf                  

 
    
   
F#m7/E
E6
G#m7/C#
C#m7


 
F#m7/E
 

       



29


F#m7/E





 E6   
  
   

E6

 
 
  
 
  
G#m7/C#
   C#m7
 
 

 
   

 

G#m7/C# C#m7 
 


  
   

 
  



sim...



30
K 
       

A. Sax. I 


   



  f 










A. Sax. II 

 


   
  f    



T. Sax. I 








   f    

  

T. Sax. II 


 
  f    
  


Bar. Sax. 












   f    
   

Tpt I 


  f    






Tpt II 




 
  f  





Tpt III 


   



  f 










Tpt IV 










f    
  


Tbn. I











f    
   
Tbn. II








f



 
   

Tbn. III


 




f

   
  
B. Tbn.
 


                

f
 
  
Dr. 
KF#m11
     B9sus
   B9
 
Guitar 
    B9sus
  B9
F#m11







Bass





 



      
Vocals 


F#m11
B9sus
B9

 

   
  
Pno

  
 








102



















  






























 
 
 
 
 
 
 


 
 


   



  
  Emaj9/D#
 
 E%
 sim...E%
  Emaj9/D#

      


  E%

Emaj9/D#
   
 





 
 

        


A. Sax. I 

      
  
A. Sax. II 
      

T. Sax. I 
  

  
      
T. Sax. II 
       

Bar. Sax. 
  

   
   
Tpt I 
      

Tpt II 


 
   



Tpt III 
  

        

Tpt IV 
   
    
Tbn. I

   



     
Tbn. II

   



     
Tbn. III






B. Tbn.
        Fill
Dr. 
 

C#7(#5b9)
 
Guitar 
 

C#7(#5b9)
    
Bass



 

Vocals 
C#7(#5b9)
 

 

Pno
    



105
 





















 
    
 
    
 
    
 
  
 
      
 
    
 

  
 
 
    
 
  
 
    
 

    
 
    
 
    
  
   

F#m11

F#m11
 
    
 

    
 

    
 
  
 
      
 
    
 

  
 
 
    
 
     
 
    
 
    
 
    
 
  
 
  B9 
B9sus
   B9sus
  B9

  
  


 

 

   
        
F#m11
B9sus
 B9

   
  
 
  








31
 
 

32
  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 

Bar. Sax. 

  

Tpt I 
 

Tpt II 
 

Tpt III 
 

Tpt IV 

Tbn. I
Tbn. II
Tbn. III
108




Dr. 
 
Guitar 

Bass


Vocals 
 

Pno


B. Tbn.


















  





 



  


 

   

 


 



 


  Emaj9/D#

E%

E%


E%



   
 

   

 
    
  

       
  

       






      

   

      
  

       
  

       
   
 

   
   
 

   

 
    
  




       
Fill
 C#7(#5b9)
 

 Emaj9/D#
  C#7(#5b9)

      

 

C#7(#5b9)
Emaj9/D#
   
 
























 
    
 
    
 
    
 
  
 
      
 
    
 

  
 
 
    
 
  
 
    
 

    
 
    
 
    
  
   

F#m11

  F#m11
   


  
  
 


       
 
F#m11

     
 
  





     

A. Sax. I 

 

  
A. Sax. II 
    


T. Sax. I 

 
   
T. Sax. II 
    

Bar. Sax. 


  
   
Tpt I 
    

Tpt II 


 


Tpt III 
 
    

Tpt IV 

   
Tbn. I


   
Tbn. II



   
Tbn. III



B. Tbn.
     

Dr. 

 
B9sus
 
Guitar 
 
B9sus
  
Bass


 
Vocals 
B9sus
 

 
Pno

 


111

 
 

 





 
 

 


 



 

 

 

 
 
B9

B9

 


 


 


  


 

   
 



  


 

   

 


 



 


  Emaj9/D#

E%

E%
 Emaj9/D#


   
   



      
E%
Emaj9/D#
 B9
 
  

 






   
 

   

 
    
  

       
  

       






      

   

      


      





       
   
 

   
   
 

   

 
    
  




       
Fill
 C#7(#5b9)
 

 C#7(#5b9)
 
   

 

C#7(#5b9)













33












 

  
 
 



34
L
   

A. Sax. I 
 

A. Sax. II 
  

T. Sax. I 
 
 
T. Sax. II 
  

Bar. Sax. 

  
 
Tpt I 
  

Tpt II 
 
 
Tpt III 
  

Tpt IV 
 
114
Tbn. I
Tbn. II
Tbn. III
B. Tbn.





 
Guitar 

Bass


Vocals 
 
Pno
 
Dr.

 
 

 


 


 

 

 


 

 

 


  

  

  
   
 
LF#m11
 

 
 

 


 




 

 


 



 
 

 



 
  
 
  
  



   


 



  

  


  

  

  

  

  


  


  

  

  

  

  
     
 B9sus
 


  
 





 
 
    
 
   


 
 
   


 

 
    
 

 

    
 

 
 
    

 
 
    

 

 



   

 

  

 
 
    

 
 
    

 
    
 

 
  
 
    Fill  
 B9    
  

  


 
  

  







     
 
   
  

   

A. Sax. I 
 mfcresc.

A. Sax. II 
  mf cresc.
 
T. Sax. I 
  mf cresc.
 
T. Sax. II 
  mf cresc.
Bar. Sax. 
  
    mf cresc.
 
Tpt I 
  mf cresc.
 
Tpt II 
  mf cresc.
 
Tpt III 
  mf cresc.
 
Tpt IV 


  mfcresc.
Tbn. I
 mfcresc.
Tbn. II
 mfcresc.
117
Tbn. III


Dr. 
B. Tbn.
 
Guitar 
mf cresc.
 
mfcresc.

mfE cresc.
 
 
mfEcresc.

Bass
 
  mf cresc.
Vocals 
E
 


Pno
 mf cresc.



  

    

 
 
 
 
 
 
  

 
 
 
 
 
 
 



  

    



  

 
 
   

   
   
   
   
 
   


   

  
   

  















































































































    



  

 

     


  



   



  



  

 
  



  



  



  



  
 
   


   


   

 
  
  
 











 

  
  

 



 
 
 
 
35


 
 
 























36
  

A. Sax. I 
 

A. Sax. II 
 

T. Sax. I 
 

T. Sax. II 
 

Bar. Sax. 

  

Tpt I 
 

Tpt II 
 

Tpt III 
 

Tpt IV 

119
Tbn. I
Tbn. II
Tbn. III



B. Tbn.


 
Guitar 

Bass

 

Dr.
Pno





f




f

f
f
f

f




f


f
f
f
f
f
  
f



   f
 

f

f


f













































































































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