William J. Scheick BOOKS - UT College of Liberal Arts

William J. Scheick
BOOKS (critical studies):
The Will and the Word: The Poetry of Edward Taylor.
Athens: University of Georgia Press, 1974.
The Writings of Jonathan Edwards: Theme, Motif, and Style.
College Station: Texas A&M University Press, 1975.
The Slender Human Word: Emerson's Artistry in Prose.
Knoxville: University of Tennessee Press, 1978.
The Half-Blood: A Cultural Symbol in Nineteenth-Century American Fiction.
Lexington: University Press of Kentucky, 1979.
The Splintering Frame: The Later Fiction of H. G. Wells.
Victoria, B. C.: University of Victoria English Literary Studies, 1984.
Fictional Structure and Ethics: The Turn-of-the-Century English Novel.
Athens: University of Georgia Press, 1990.
Design in Puritan American Literature.
Lexington: University Press of Kentucky, 1992.
Paine, Scripture, and Authority: The Age of Reason as Religious and
Political Idea.
(With Edward H. Davidson) Bethlehem: Lehigh University Press, 1994.
The Ethos of Romance at the Turn of the Century.
Austin: University of Texas Press, 1994.
Authority and Female Authorship in Colonial America.
Lexington: University Press of Kentucky, 1998.
BOOKS (editions and edited collections):
The Life and Death of That Reverend Man of God, Mr. Richard Mather.
By Increase Mather.
Bainbridge, New York: York Mail-Print, 1974.
The Writings of Patrick White: Theme, Technique, and Tradition.
Austin: University of Texas Press, 1979. [TSLL, 21 (Summer, 1979).]
Critical Essays on Jonathan Edwards.
Boston: G. K. Hall, 1979.
Three Contemporary Women Novelists: Hazzard, Ozick, and Redmon.
(With Catherine Rainwater) Austin: University of Texas Press, 1983. [TSLL, 25 (Summer,
1983).]
Contemporary American Women Writers: Narrative Strategies.
(With Catherine Rainwater) Lexington: University Press of Kentucky, 1985.
Two Mather Biographies: Life and Death and Parentator.
Bethlehem: Lehigh University Press, 1989.
The Critical Response to H. G. Wells.
New York: Greenwood Press, 1995.
Structures of Belief / Narrative Structures.
Austin: University of Texas Press, 1995. [TSLL, 37 (Winter 1995).]
Alice Maude Ewell's Atlantic Monthly Fiction, 1892-1905.
Delmar, N. Y.: Scholars' Facsimiles & Reprints, 1997.
Alice Maude Ewell's Peterson's Magazine Fiction, 1883-1893.
Delmar, N. Y.: Scholars' Facsimiles & Reprints, 1998.
Alice Maude Ewell’s Manuscripts and Miscellaneous Writings.
Ann Arbor, Michigan: Scholars' Facsimiles & Reprints, 2008.
BOOKS (bibliographies):
Seventeenth-Century American Poetry: A Reference Guide.
(With JoElla Doggett) Boston: G. K. Hall, 1977.
H. G. Wells: A Reference Guide.
(With J. Randolf Cox) Boston: G. K. Hall, 1988.
ARTICLES (1500-1800):
"A Viper's Nest, the Featherbed of Faith: Edward Taylor on the Will," Early American
Literature, 5 (Fall 1970): 45-56.
"Anonymity and Art in The Life and Death of That Reverend Man of God, Mr. Richard
Mather," American Literature, 42 (January 1971): 457-467.
"Nonsense from a Lisping Child: Edward Taylor on the Word as Piety," Texas Studies in
Literature and Language: 13 (Spring 1971), 39-53.
"Tending the Lord in All Admiring Style: Edward Taylor's Preparatory Meditations,"
Language and Style, 4 (Summer, 1971): 163-187.
"Nathaniel Ward's Cobbler as 'Shoem-Aker'," English Language Notes, 9 (December, 1971):
100-102.
"Man's Wildred State and the Curious Needlework of Providence: The Self in Edward
Taylor's Preparatory Meditations," Tennessee Studies in Literature, 17 (1972): 129-137.
"Morton's New English Canaan," Explicator, 31 (February 1973): item 47.
"The Widower Narrator in Nathaniel Ward's The Simple Cobler of Aggawam in America,"
New England Quarterly, 47 (March 1974): 87-96.
Reprinted in Literature Criticism from 1400 to 1800, Vol. 113, ed. Schoenberg
(Detroit: Gale Research, 2005), pp.
"The Theme of Necessity in Bradford's Of Plymouth Plantation," Seventeenth-Century News,
32 (Winter 1974): 88-90.
Reprinted in the Electronic Library by Encyclopedia.com (2000).
"Family, Conversion, and the Self in Jonathan Edwards' A Faithful Narrative of the
Surprising Work of God," Tennessee Studies in Literature, 19 (1974): 79-89.
"Standing in the Gap: Urian Oakes's Elegy on Thomas Shepard," Early American
Literature, 9 (Winter 1975): 301-306.
"Typology and Allegory: A Comparative Study of George Herbert and Edward Taylor,"
Essays in Literature, 2 (Spring 1975): 76-86.
"The Grand Design: Jonathan Edwards' History of the Work of Redemption," EighteenthCentury Studies, 8 (Spring 1975): 300-314.
Reprinted in Critical Essays on Jonathan Edwards (Boston: G. K. Hall,
1979), pp. 177-188.
"'That Blazing Star in Joshua': Edward Taylor's 'Meditation 2.10' and Increase Mather's
Kometographia," Seventeenth-Century News, 34 (Summer-Fall 1976): 36-37.
"Chaos and Imaginative Order in Thomas Jefferson's Notes on the State of Virginia," in
Essays in Early Virginia Literature, ed. J. A. Leo Lemay (New York: Burt Franklin & Co., 1977), pp.
221-234.
"'The Inward Tacles and the Outward Traces': Edward Taylor's Elusive Transitions," Early
American Literature, 12 (Fall 1977): 163-176.
"The Jawbones Schema of Edward Taylor's Gods Determinations," in Puritan Influences in
American Literature, ed. Emory Elliott (Urbana: University of Illinois Press, 1979), pp. 38-54.
"Introduction," Critical Essays on Jonathan Edwards (Boston: G. K. Hall, 1980), pp. ix-xxv.
"Seventeenth-Century American Poetry: A Reference Guide Updated [1971-1980],"
Resources for American Literary Study, 10 (Autumn 1980): 121-145. [With Catherine Rainwater.]
"The Problem of Origination in Brown's Ormond," Critical Essays on Charles Brockden
Brown, ed. Bernard Rosenthal (Boston: G. K. Hall, 1981), pp. 126-141.
"Telling a Wonder: Dialectic in the Writings of John Bartram," The Pennsylvania Magazine
of History and Biography, 107 (April 1983): 235-248.
Expanded version printed in Dictionary of Literary Biography, Volume 31:
American Colonial Writers, 1735-1781, ed. Emory Elliott (Detroit: Gale Research
Co., 1984), pp. 22-32.
"Edward Taylor's Optics," American Literature, 55 (May 1983), 234-240.
"Edward Taylor's Herbalism in Preparatory Meditations," American Poetry, 1 (Fall 1983):
64-71.
"Roger Wolcott," Dictionary of Literary Biography, Volume 24: American Colonial Writers,
1606-1734, ed. Emory Elliott (Detroit: Gale Research Co., 1984), pp. 372-376.
"Phillis Wheatley and Oliver Goldsmith: A Fugitive Satire," Early American Literature, 19
(Spring 1984): 82-84.
"Tombless Virtue and Hidden Text: New England Puritan Funeral Elegies," Puritan Poetry
and Poetics: Seventeenth-Century American Poetry in Theory and Practice, ed. Peter White (University
Park: Pennsylvania State University Press, 1985), pp. 286-302.
"The Poetry of Colonial America," The Columbia History of American Literature, ed. Emory
Elliott (New York: Columbia University Press, 1987), pp. 83-97.
"Order and Disorder in Taylor's Poetry: Meditation 1.8," American Poetry, 5 (Winter 1988):
2-11.
"Education, Class, and the French Revolution in Sarah Wood's Julia," Studies in American
Fiction, 16 (Spring 1988): 111-118.
"The Theme, Structure, and Symbolism of Anne Bradstreet's "Contemplations',"
Américana [Institut d'Études Anglaises et Nord-Américaines, Université de Paris], 4 (1989): 147-156.
"Anonymity and Signature: Two Mather Biographies," Two Mather Biographies
(Bethlehem: Lehigh University Press, 1989), pp. 11-32.
"Unfolding the Serpent in Taylor's 'Meditation 1.19'," Studies in Puritan American
Spirituality, 1 (1990): 34-64.
"'An Allegorical Description of a Certain Island and Its Inhabitants': Eighteenth-Century
Parable or Satire?" New England Quarterly, 63 (September 1990): 468-474.
[Letter, NEQ, 64 (December 1991), 665-666.]
"Benjamin Franklin and Lord Bute: Legendary Eighteenth-Century Representations,"
Library Chronicle, 20, no. 3 (1990): 64-73.
"Authority in Paine's Common Sense and Crisis Papers," Studies in the Humanities, 18
(December 1991): 124-134. [With Edward H. Davidson.]
"Phillis Wheatley's Appropriation of Isaiah," Early American Literature, 27 (Fall 1992): 135140.
"The Other Song in Phillis Wheatley's 'On Imagination'," Studies in the Literary
Imagination, 27 (Spring 1994): 71-84. (With Michele McKay.)
Reprinted in 'All Things to All People': Reinventing America 500 Years after
Columbus, ed. Reiner Smolinski (New York: AMS Press, 199 ), pp.
"Logonomic Conflict in Bradstreet's 'Letter to Her Husband'," Essays in Literature, 21 (Fall
1994): 166-184.
Reprinted in the Electronic Library by Encyclopedia.com (2000).
Reprinted in Literature Criticism from 1400 to 1800, Vol. 130, ed. Thomas J.
Schoenberg and Lawrence J. Trudeau (Detroit: Thomson Gale, 2007), pp. 14-24.
"Friendship and Idolatry in Esther Edwards Burr's Letters," University of Mississippi
Studies in English, n.s. 11-12 (1993-95): 138-50.
"The Newtonians and the Transmission of Authority," Library Chronicle, 25, no. 3 (1995): 31
-49.
"Authority and Witchery: Cotton Mather's Ornaments and Mary English's Acrostic,"
Arizona Quarterly, 51 (Spring 1995): 1-32.
"Subjection and Prophecy in Phillis Wheatley's Verse Paraphrases of Scripture," College
Literature, 22, iii (October 1995): 122-30.
Reprinted in the Electronic Library by Encyclopedia.com (2000).
"Taylor's 'Prologue'," Explicator, 55 (Fall 1996): 12-14.
"Logonomic Conflict in Hanson's Captivity Narrative and Ashbridge's Autobiography,"
The Eighteenth Century: Theory and Interpretation, 37 (1996): 3-21.
Reprinted in Literature Criticism from 1400 to 1800, Volume 147, ed. Thomas J. Schoenberg
and Lawrence J. Trudeau (2008).
"Puritan Ethos in a Renaissance Garden," English Language Notes, 37 (1999): 45-55.
"Freneau's Honey Bee," Society of Early Americanists Newsletter, 11, ii (1999): 15-16.
"Taylor's 'Meditation 1.30'," Explicator, 58 (Fall 1999): 8-10.
Reprinted by Literature On-line (2000).
"Early Anglo-American Poetry: Genre, Voice, Art and Representation," Teaching the
Literatures of Early America, ed. Carla Mulford (New York: Modern Language Association, 1999),
pp. 187-99.
Reprinted in Teaching American Literature: Background Readings, ed. Venetria
Patton(Boston: Bedford/St. Martin 2005), pp.
"Tableaux of Authority: The Titlepages of Sixteenth-Century Bibles," Explorations in
Renaissance Culture, 26, (2000): 177-97.
"Signing at Cross Purpose: Resignation in Donne's 'Holy Sonnet I'," John Donne Journal,
19 (2000): 139-61. [With Kate Frost.]
"Taylor's 'Meditation 1.12," Explicator, 59 (Fall 2000): 14-16.
"Renaissance Art and Puritan Heraldry: Edward Taylor's 'Meditation 1.15'," Studies in
Puritan American Spirituality, 7 (2001): 81-109.
"The Exile Hasteth: Increase Mather, Meditation, and Authority," Early American
Literature, 36 (2001): 183-200.
"An Inward Power and Authority: John Davenport's Seditious Piety," Religion and
Literature, 33 (Spring 2001): 1-21.
"Animal Testimony in Renaissance Art: Angelic and Other Supernatural Visitations,"
Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture, ed.
Mary S. Pollock and Catherine Rainwater (New York: Palgrave Macmillan, 2005), pp. 65-79.
[Presentation version: "Animal Testimony in Renaissance Art,' Discoveries
18, no. 2 (Fall 2001): 1-2, 15-18.)
“Glorious Imperfection in Heemkerck’s Lukean Portraits of the Virgin,” Konsthistorisk
tidskrift 72, no. 4 (2003): 287-97.
“Taylor’s ‘Meditation 1.7’,” Explicator 63 (Winter 2005): 68-71.
“The Redemption of History in Edwards’ The History of the Work of Redemption,” The
History of the Work of Redemption by Jonathan Edwards (Scholars' Facsimiles, 2006), pp. 5-12.
“Dung-Carters and Holy Avarice in Edward Taylor’s ‘Meditation 1.46,’” SeventeenthCentury News 64 (2006): 249-54.
“Early American Anglican Architecture and Thomas Jefferson’s Blind Spot,” The
Eighteenth Century: Theory and Interpretation. [Essay review]
ARTICLES (1800-1880):
"Aspiring to the Highest: Imagery in Emerson's The American Scholar," Notre Dame
English Journal, 8 (Fall 1972): 34-42.
"'The Seven Sons of Lara': A Washington Irving Manuscript," Resources for American
Literary Study, 2 (Autumn 1972): 208-217.
"The Slender Human Word: Language as Organizing Principle in Emerson's 'Prudence',"
ESQ: A Journal of the American Renaissance, 18 (4th Quarter 1972): 249-257.
"Epic Traces in Darwin's On the Origin of Species," South Atlantic Quarterly, 72 (Spring
1973): 270-279.
"The House of Nature in Thoreau's A Week," ESQ: A Journal of the American Renaissance,
20 (2nd Quarter 1974): 111-116.
"Frontier Robin Hood: Civilization, Wilderness and the Half-Breed in Irving's A Tour on
the Prairies," Southwestern American Literature, 4 (1974): 14-21.
"The Half-Breed in Snelling's Tales of the Northwest," The Old Northwest (Miami Univ.,
Ohio), 2 (June 1976): 141-151.
"Power, Authority, and Revolutionary Impulse in John Neal's Rachel Dyer," Studies in
American Fiction, 4 (Autumn 1976): 143-155.
Reprinted in Nineteenth-Century Literature Criticism, ed.
(Detroit: Thomson Gale, 2006), pp.
"Bryant's River Imagery," College Language Association Journal, 20 (December 1976): 206209.
Reprinted in Nineteenth-Century Literature Criticism, ed. Joseph Cerrito and Marie
Lazzaro (Detroit: Gale Research, 1994), 46: 38-39.
"Whitman's Grotesque Half-Breed," Walt Whitman Review, 23 (September 1977): 133-136.
"The Hieroglyphic Rock in Hawthorne's 'Roger Malvin's Burial'," ESQ: A Journal of the
American Renaissance, 24 (2nd Quarter 1978): 72-76.
"The Geometric Structure of Poe's 'The Oval Portrait'," Poe Studies, 11 (June 1978): 6-8.
"Emerson the Poet: A Twenty-Year Retrospective," American Poetry, 1 (Spring 1984): 2-19.
"The Angelic Artistry of Margaret Fuller's Woman in the Nineteenth Century," Essays in
Literature, 11 (Fall 1984): 293-298.
"Sea Shells Wet Upon the Beach," The Critical Perspective, Volume 8, ed. Harold Bloom
(New York: Chelsea, 1989), pp. .
"The Commodious 'Life-Preserver' in Melville's The Confidence-Man," American Literature,
62 (June 1990): 306-309. [With James Duban.]
"The Dramatis Personae of Robert Browning and Herman Melville," Criticism, 32 (Spring
1990): 221-240. [With James Duban.]
"Strategic Ellipsis in Harper's 'The Two Offers'," Southern Literary Journal, 23 (Spring
1991): 14-18.
"A Verbal Trace in Browning's 'Pictor Ignotus'," Victorians Institute Journal, 20 (1992): 3948.
"An Intrinsic Luminosity: Poe's Use of Platonic and Newtonian Optics," Southern Literary
Journal, 24, No. 2 (Spring 1992): 90-105.
Reprinted in American Literature and Science, ed. Robert Scholnick (Lexington:
University Press of Kentucky, 1992), pp. 77-93.
"The Author's Corpse and the Humean Problem of Personal Identity in Hawthorne's The
House of the Seven Gables," Studies in the Novel, 24 (Summer 1992): 131-153.
Reprinted in Critical Essays on Hawthorne's "The House of the Seven Gables," ed.
Bernard Rosenthal (New York: G. K. Hall, 1995), pp. 91-113.
"Melville's 'Tuft of Kelp' As Imagiste Poem," The Journal of Imagism, 1 (1996): 18-24.
"The Parenthetical Mode of Whitman's 'When I Read the Book'," Walt Whitman Quarterly
Review, 13 (1996): 221-224.
"Assassin in Artful Disguise: The De-Signed Designs of Charles Brockden Brown's
'Somnambulism'," Profils Americains, 11 (1999): 27-45.
“Whitman and the Afterlife: ‘Sparkles from the Wheel’,” Walt Whitman Review, 20 (Fall
2002): 80-85.
“Death and the Afterlife,” A Companion to Whitman, ed. Donald D. Kummings (Oxford,
Engl.: Blackwell, 2006), pp. 325-40.
“Rethinking Liberal Individualism in the Early American Novel,” Studies in the Novel 39
(2007): 368-75. [Essay review].
ARTICLES (1880-1930):
"The Thing That Is and the Speculative If: The Pattern of Several Motifs in Three Novels by
H. G. Wells," English Literature in Transition, 11, no. 2 (1968): 67-78.
"Symbolism in The Education of Henry Adams," Arizona Quarterly, 24 (Winter 1968): 350360.
"The Spunk of a Rabbit: An Allusion in The Adventures of Huckleberry Finn," Mark Twain
Journal, 15 (Summer 1971): 14-16.
[Included in Huck Finn: The Complete Buffalo Manuscript, Teaching and
Research Digital Edition, ed. Victor Doyno (Buffalo and Erie County
Library Foundation, 2001).]
"Compulsion toward Repetition: Sherwood Anderson's 'Death in the Woods'," Studies in
Short Fiction, 11 (Spring 1974): 141-146.
Reprinted in Short Stories for Students, Volume 10, ed. Kathleen Wilson (Detroit:
Thompson Gale, 2000), pp.
"Chance and Impartiality: A Study Based on the Manuscript of Galsworthy's Loyalties,"
Texas Studies in Literature and Language, 17 (Fall 1975): 653-672.
"William Dean Howells to Bret Harte: A Missing Letter," American Literary Realism, 9
(Summer 1976): 276-279.
"The Ending of O'Neill's Beyond the Horizon," Modern Drama, 20 (September 1977): 293-
298.
"The Twilight Harlequinade of Chesterton's Father Brown Stories," The Chesterton Review,
4 (Fall 1977-78): 104-114.
[Letter, CR, 4 (Spring 1978): 318-321.]
"The Fourth Dimension in Wells's Novels of the 1920s," Criticism, 20 (Spring 1978): 167190.
Excerpted in Modern British Literature, Vol. V, eds. Denis Lane and Rita Stein (New
York: Ungar, 1984), pp. 574-575.
"Two Letters by Eugene O'Neill," Resources for American Literary Study, 8 (Spring 1978):
73-80.
"Marketable Footle: Bennett and Wells's 'The Crime'," Cahiers d' Etudes et de Recherches
Victoriennes et Edouardiennes, 7 (1979): 165-180.
"Marginal Characters and the Image of Texas in the Dime Novel," New Mexico Humanities
Review, 3 (Fall 1980): 5-19.
"Yours H. G.: Some Missing Letters to Arnold Bennett," English Literature in Transition,
25, no. 1 (1982): 10-20.
"Lost Places in Dreams and Texts: H. G. Wells's The Autocracy of Mr. Parham," The
Kentucky Review, 4 (Winter 1983): 56-64.
"Compassion and Fictional Structure: The Example of Gissing and Bennett," Studies in the
Novel, 15 (Winter 1983): 293-313.
Excerpted in Twentieth-Century Literary Criticism, ed. Dennis Poupard (Detroit:
Gale, 1986), 20: 35-37.
"Fictional Structure and Ethics in the Edwardian, Modern, and Contemporary Novel,"
Philological Quarterly, 62 (Summer 1984): 287-311.
"Cupid without Bow and Arrow: The Age of Innocence and The Golden Bough," Edith
Wharton Newsletter, 2 (Spring 1985): 2-5.
"Hesitation in Kipling's 'The Phantom 'Rickshaw'," English Literature in Transition, 29, no.
1 (1986): 48-53.
Excerpted in Short Story Criticism, ed. Thomas Votteler (Detroit: Gale, 1990), 5:
297-99.
"Revisionary Artistry in Wells's The Passionate Friends," in British Novelists since 1900, ed.
Jack I. Biles (New York: AMS Press, 1987), pp. 29-39.
"The In-Struction of Wells's 'In the Abyss'," Studies in Short Fiction, 24 (Spring 1987): 155159.
Excerpted in Short Story Criticism, ed. Thomas Votteler (Detroit: Gale, 1990), 6:
408-9.
"Schopenhauerian Compassion, Fictional Structure, and the Reader: The Example of Hardy
and Conrad," in Twilight of Dawn: Studies in English Literature in Transition, ed. O. M. Brack, Jr.
(Tucson: University of Arizona Press, 1987), pp. 45-67, 212-218.
"The De-Forming In-Struction of Wells's The Wonderful Visit and The Sea Lady," English
Literature in Transition, 30, no. 4 (1987): 397-409.
"The Letter Killeth: Edward Bellamy's 'To Whom This May Come'," ATQ: NineteenthCentury American Literature and Culture, new series, 3 (March 1989): 55-67. [Special issue devoted to
utopian fiction and guest-edited by Jean Pfaelzer.]
"The Other Bellamy: An Introduction," in "Reading Edward Bellamy Against the Grain,"
Texas Studies in Literature and Language, 32 (Summer 1990): 297-301. [A preface for two critical
essays edited by WJS for a segment of this issue.]
"Ethical Romance and the Detecting Reader: The Example of Chesterton's The Club of
Queer Trades," The Cunning Craft: Original Essays on Detective Fiction and Contemporary Literary
Theory, ed. Ronald G. Walker and June M. Frazer (Macomb: Western Illinois University, 1990), pp.
86-97.
"Adolescent Pornography and Imperialism in Haggard's King Solomon's Mines," English
Literature in Transition, 34, no. 1 (1991): 19-30.
"A Medical Source for James's The Turn of the Screw," Studies in American Fiction, 19
(Autumn 1991): 217-220.
"Aliens in the Garden: The Re-Visionary Art of Mary Cholmondeley's Red Pottage,"
Philological Quarterly, 71 (Winter 1992): 101-119. [With Catherine Rainwater.]
"Mary Austin's Disfirgurement of the Southwest in The Land of Little Rain," Western
American Literature, 27 (Spring 1992): 37-46.
"The Ethos of Stevenson's 'The Isle of Voices'," Studies in Scottish Literature, 27 (1992): 143149.
"The Narrative Ethos of Glasgow's 'A Point in Morals'," Ellen Glasgow Newsletter, 30
(Spring 1993): 1-4.
"Ethical Romance: Kipling's 'The Man Who Would Be King'," Transforming Genres: New
Approaches to the British Fiction of the 1890s, ed. Nikki Lee Manos and Meri-Jane Rochelson (New
York: St. Martin's Press, 1994), pp. 109-129.
"Chambered Intimations: The King in Yellow and The Descendant," Ellen Glasgow
Newsletter, 34 (Fall 1995): 1, 4, 8-9.
Reprinted in Short Story Criticism, Vol 92, ed. Larry Trudeau (Detroit: Thomson
Gale, 2006), pp. .
"H. G. Wells and the Literate Subconscious," The Critical Response to H. G. Wells (New
York: Greenwood Press, 1995), pp. 1-17.
"Dipolarity and Narrative in Glasgow's The Descendant," Mississippi Quarterly, 49 (Spring
1996): 373-388.
"'Murder in My Soul': Genre and Ethos in Zangwill's The Big Bow Mystery," English
Literature in Transition, 40 (1997): 23-33.
"The Layered Lair of Ellen Glasgow's Poetry," Ellen Glasgow Newsletter, 38 (Spring 1997):
1, 3-6.
"Female Legacy, Narrative Agency and Identity in Alice Maude Ewell's Fiction," Alice
Maude Ewell's Atlantic Monthly Fiction, 1892-1905 (Scholars' Facsimiles, 1997), pp. 7-25.
"Alice Maude Ewell: A Profile," Ellen Glasgow Newsletter, 39 (Fall 1997): 6-7.
Expanded version printed in American Women Writers, 1900-1945, ed.
Laurie Champion (Westport: Greenwood Press, 2000), pp. 97-100.
"Identity, Mediation, and Narration in Alice Maude Ewell's Early Fiction," Alice Maude
Ewell's Peterson's Magazine Fiction, 1883-1893 (Scholars' Facsimiles, 1998), pp. 7-23.
"Art of Estrangement: Four Imagiste Poems by Amy Lowell," Journal of Imagism, 3 (1998):
29-40.
"The Art of Maternal Nurture in Mary Austin's The Basket Woman," Literature and the
Child: Romantic Continuations, Postmodern Contestations ed. James Holt McGavran, Jr. (Iowa City:
University of Iowa Press, 1999), pp. 211-32.
Reprinted in Short Story Criticism, Vol 104, ed. Larry Trudeau (Detroit: Thomson
Gale, 2007), pp. .
"The Shadow Narrative in Mary Wilkins Freeman's 'Silence'," ATQ: Nineteenth-Century
American Literature and Culture, new series, 13 (September 1999): 233-45. [Special issue devoted to
Mary Wilkins Freeman edited by Shirley Marchalonis.]
"Imagiste Allegory: Amy Lowell's 'Off the Turnpike'," Journal of Imagism, 5 (2000): 46-53.
"Overlooked among Good Company: A 1897 Glasgow Publication Found," Ellen Glasgow
Newsletter, 45 (2000): 6-7.
“Glasgow’s Persistent Ghosts,” Ellen Glasgow Newsletter, 48 (2002): 2-3.
“Robert Frost’s ‘October’,” Explicator, 62 (Winter 2004): 96-98.
“Afterword” [to an edition of Alice Maude Ewell’s “Miss Stacey’s ‘Buryin’ Money’”], Ellen
Glasgow Newsletter, 52 (Spring 2004): 18.
“Excitement and Consciousness in the Romance Tradition,” A Companion to American
Fiction, 1865-1914, ed. Robert Paul Lamb and G. R. Thompson (Oxford, Eng.: Blackwell, 2005), pp.
35-52.
“Literature of the United States,” The Fifties in America, ed. John C. Super (Pasadena:
Salem Press, 2005): II: 572-80.
“Land of Little Rain,” American History through Literature, 1870-1920, ed, Tom Quirk and
Gary Scharnhorst, (Detroit: Charles Scribner's Sons, 2006), pp. 577-581.
“Going to Find Stanley: Imperial Narratives, Shilling Shockers, and Three Men in a Boat,”
English Literature in Transition 50 (2007): 403-14.
“‘Gone the Way of Most Things’: Recovering Alice Maude Ewell’s Writings,” Alice Maude
Ewell’s Manuscripts and Miscellaneous Writings (Ann Arbor: Scholar’s Facsimiles, 2008), pp. 7-23.
ARTICLES (1930-2000s):
"Reality and the Word: The Last Books of H. G. Wells," English Literature in Transition, 12,
no. 3 (1969): 151-154.
"The Womb of Time: Spengler's Influence on Wells's Apropos of Dolores," English
Literature in Transition, 18, no. 4 (1975): 217-228.
"'An Intercourse Not Well Designed': Talk and Touch in the Plays of Tennessee Williams,"
in Tennessee Williams: A Tribute, ed. Jac L. Tharpe (Jackson: University of Mississippi Press, 1977),
pp. 763-773.
"Circle Sailing in Bellow's Mr. Sammler's Planet," Essays in Literature, 5 (Spring 1978): 95100.
"Discarded Watermelon Rinds: The Rainbow Aesthetic of Styron's Lie Down in Darkness,"
Modern Fiction Studies, 24 (Summer 1978): 247-254.
Reprinted in The Critical Response to William Styron, ed. Daniel W. Ross (Westport,
Conn.: Greenwood Press, 1995), pp. 23-31; selected for inclusion but not used
(because of Purdue Research Foundation fee) in Critical Essays on William Styron,
ed. Arthur D. Casciato and James L. West (Boston: G. K. Hall, 1982).
"The Gothic Grace and Rainbow Aesthetic of Patrick White's Fiction," Texas Studies in
Literature and Language, 21 (Summer 1979): 131-146.
"Schopenhauer, Maori Symbolism, and Wells's Brynhild," Studies in the Literary
Imagination, 13 (Spring 1980): 17-29.
"Towards the Ultra-Science-Fiction Novel: Wells's Star Begotten," Science-Fiction Studies, 8
(March 1981): 19-25.
Excerpted in Twentieth-Century Literary Criticism, ed. Dennis Poupard (Detroit:
Gale, 1984), 12: 513-515.
"'Some Godlike Grammar': An Introduction to the Writings of Hazzard, Ozick, and
Redmon," Texas Studies in Literature and Language, 25 (Summer 1983): 181-211. [With Catherine
Rainwater.]
Sections on Ozick reprinted as "The Unsurprise of Surprise," in Modern Critical
Views: Cynthia Ozick, ed. Harold Bloom (New York: Chelsea, 1987), pp. 69-78.
"Flannery O'Connor's 'A Good Man Is Hard to Find' and G. K. Chesterton's Manalive,"
Studies in American Fiction, 11 (Autumn 1983): 241-245.
Reprinted in The American Writers Casebook on Flannery O'Connor's "A Good Man
Is Hard to Find", ed. Frederick Ansals (New Brunswick: Rutgers University Press,
1993).
"Exorcising the Ghost Story: Wells's The Croquet Player and The Camford Visitation,"
Cahiers d' Etudes et de Recherches Victoriennes et Edouardiennes, no. 17 (April 1983): 52-62.
First part of revised version reprinted in Short Story Criticism, ed. Thomas Votteler
(Detroit: Gale, 1990), 6: 400-402.
"Annie Dillard: Narrative Fringe," in Contemporary American Women Writers: Narrative
Strategies, ed. C. Rainwater and W. Scheick (Lexington: University Press of Kentucky, 1985), pp. 5167.
Excerpted in Contemporary Literary Criticism, ed. Jeffrey W. Hunter and Timothy J.
White (Detriot: Gale Group, 1999): CXV: 169-75.
"Memory in Larry Woiwode's Novels," North Dakota Quarterly, 53 (Summer 1985): 29-40.
"Mark Helprin," Dictionary of Literary Biography: Yearbook 1985, ed. Jean W. Ross
(Detroit: Gale Research Co., 1986), pp. 351-359.
"Self and the Art of Memory in Inge's My Son Is a Splendid Driver," Kansas Quarterly, 17,
no. 4 (1986): 131-137.
"Laura Furman," Dictionary of Literary Biography: Yearbook 1986, ed. J. M. Brook (Detroit:
Gale Research Co., 1987), pp. 294-302.
"Continuative and Ethical Predictions: The Post-Nuclear Holocaust Novel of the 1980s,"
North Dakota Quarterly, 56 (Spring 1988): 61-82.
Reprinted in Visions of Peace, ed. Vito Perrone (Grand Forks: North Dakota
Quarterly Press, 1988), pp. 61-82.
Recast and expanded version printed as "Romantic Tradition in Recent PostNuclear Holocaust Fiction," English Romanticism and Modern Fiction, ed. Allan
Chavkin (New York: AMS Press, 1993), pp. 163-191.
"Afterword," The Year the Lights Came On, by Terry Kay (Athens: University of Georgia
Press, 1989), pp. 289-300.
"Fictional Self and Mythic Art: Ghose's A New History of Torments and Don Bueno," Review
of Contemporary Fiction, 9 (Summer 1989): 209-219.
"Two Metaphysical Thrillers: Moore's The Color of Blood and Redmon's Second Sight,"
Religion and Literature, 21 (Autumn 1989]: 43-59.
"Reflexive Matriarchal Art As Re-Vision of Nuclear Fear: Stephanie S. Tolan's Pride of the
Peacock," The Lion and the Unicorn, 18 (December 1994): 171-177.
"The Bi-Nuclear Voice of Hersey's Hiroshima," Nuclear Texts and Contexts, 11 (1995): 2-6.
"Structures of Belief / Narrative Structures: Mojtabai's Ordinary Time and Erdrich's The
Bingo Palace," Texas Studies in Literature and Language, 37 (Winter 1995): 363-75.
"Narrative and Ethos in Erdrich's 'A Wedge of Shade'," The Chippewa Landscape of Louise
Erdrich, ed. Allan Chavkin (Tuscaloosa: University of Alabama Press, 1999), pp. 117-29.
"Morley's 'Your Color'," Explicator, 60 (Winter 2002): 102-4.
“Rolando Hinojosa,” Critical Survey of Mystery and Detective Fiction, ed. Carl Rollyson
(Pasadena: Salem Press, 2008), pp. 928-32.
ARTICLES (critical theory):
"Nuclear Criticism: An Introduction," Papers on Language and Literature, 26 (Winter
1990): 3-12.
Reprinted in Twentieth-Century Literary Criticism: Topics Volume, ed. Laurie
DiMauro (Detroit: Gale Research Co., 1993), pp. 376-378.
"Post-Nuclear Holocaust Re-minding," The Nightmare Considered: Critical Studies in
Nuclear War Literature, ed. Nancy Anisfield (Bowling Green: Bowling Green State University
Popular Press, 1991), pp. 71-84.
Reprinted in Twentieth-Century Literary Criticism: Topics Volume, ed. Laurie
DiMauro (Detroit: Gale Research Co., 1993), pp. 329-335
"The Ethos of New Historicism," Soundings, 76 (Winter 1993): 571-589.
[Scheduled for publication in Thought Quarterly Review before Fordham U
P suddenly canceled the journal.]
ARTICLES (miscellaneous):
"New England Puritanism and the New Left," Thought Quarterly Review, 46 (Spring 1971):
72-82.
Reprinted as "Agencies of Historic Change," in New Theology, No. 9, ed. Martin E.
Marty and Dean Peerman (New York: Macmillan, 1972), pp. 107-118.
"Who's Next: A Reappraisal," Popular Music and Society, 3 (Spring 1974): 41-45.
"Getting Published: From Formula to Common Sense," Editors' News (Spring 1979), pp. 1214.
"Frontier Half-Blood: Man or Devil?," Old West, 26 (Fall 1989): 28-33.
“Books Oft Have Such a Charm: A Memory,” North Dakota Quarterly, 58 (Summer 1990):
97-101.
Reprinted in The Pushcart Prize XVI: The Best of the Small Presses, ed. Bill
Henderson (Wainscott, N. Y.: Pushcart Press, 1991), pp. 206-211.
Reprinted in The Norton Reader, 10th edition, ed. Linda Peterson, Brereton, and
Joan Hartman (New York: Norton, 2000), pp.
"Atomizing a Postage Stamp (1955)," Papers on Language and Literature, 26 (Winter 1990):
182-185.
"Subliminal Suggestion Is Hard to Lick[: Cultural Literacy and Critical Thinking]," Images,
13 September 1990, pp. 12-13, 15.
"Ethics and Copy-Editing for a Scholarly Journal," Editors' Notes, 10, ii (Fall 1991): 12-15.
"The Literary Canon and the Scholarly Journal," College Literature, 19 (February 1992):
104-106.
"Arrows and Atoms," Nuclear Texts and Contexts, 9 (1994): 3-4.
“The Gortian Key,” Nuclear Texts and Contexts, 10 (1994): 2-3.
“U. S. Postal Representations of Cultural Authority during the Cold War,” The Journal of
Contemporary Thought, 5 (1995): 57-74.
“Learning by 'Timely' Casual Encounter,” The Teaching Professor, 10, vii (AugustSeptember 1996): 6.
[Edition of and commentary on Amy Lowell's “Fragment”], Stained Glass Quarterly, 91
(Fall, 1996): 176.
[Edition of Amy Lowell's “Off the Turnpike”], Alfred Hitchcock Mystery Magazine, 42
(January 1997): 148-155.
[Edition of Charles W. Coleman, Jr.’s “The Recent Movement in Southern Literature”
(1887)], Ellen Glasgow Newsletter 47 (2001): 5-11, 16-20; 48 (2001): 5-12.
“Reader’s Forum,” Parabola, 27, no. 3 (Fall 2002): 124-125.
[Answers concerning Hibiscus syriacus], Texas Gardener, 22 (July-August 2003): 46.
[Edition of Alice Maude Ewell’s “Miss Stacey’s ‘Buryin’ Money’,” Ellen Glasgow Newsletter
52 (2004): 3-4, 10-18. [With Afterword.]
“Floral Images from Childhood,” Fourth Genre 6, no. 2 (Fall 2004): 1-5.
http://muse.jhu.edu/journals/fourth_genre_explorations_in_nonfiction/v006/6.2sch
eick.html
Adapted version, “Dad’s World of Concrete,” Austin American Statesman 135, no.
324 (17 June 2006): E1, E3.
http://www.statesman.com/life/content/life/stories/gardening/06/17plantman.html
[Edition of Will Payne’s "The Detectives"], Alfred Hitchcock Mystery Magazine, 49
(September 2004): 134-39.
INTERVIEWS:
"An Interview with Shirley Hazzard," Texas Studies in Literature and Language, 25
(Summer 1983): 213-221. [With Catherine Rainwater.]
Reprinted in Contemporary Literary Criticism, ed. Jeff Hunter (Detroit: Thomson
Gale, 2006), vol. 218, pp. .
"An Interview with Cynthia Ozick," Texas Studies in Literature and Language, 25 (Summer
1983): 255-265. [With Catherine Rainwater.]
Reprinted in Short Story Criticism, ed. Dave Segal (Detroit: Gale Research, 1994),
pp.
"An Interview with Anne Redmon," Texas Studies in Literature and Language, 25 (Summer
1983): 323-342. [With Catherine Rainwater.]
ENTRIES IN DICTIONARIES, GUIDES, & ENCYLOPEDIAS:
"Edward Taylor," in American Writers before 1800: A Biographical and Critical Dictionary,
ed. J. A. Levernier and D. R. Wilmes (Westport, Conn.: Greenwood Press, 1983), pp. 1411-1413.
"Michael McCollum," Dictionary of Literary Biography: Yearbook 1987, ed. J. M. Brook
(Detroit: Gale Research Co., 1988), pp. 360-365.
"American Literature: Early Period," "Anne Bradstreet," "Jonathan Edwards," "Puritan
Literature: American," Edward Taylor," and "H. G. Wells," Reader's Guide to Literature in English,
ed. Mark Hawkins-Dady (Chicago & London: Fitzroy Dearborn Publishers, 1996), pp. 26, 83-84,
240-241, 635-636, 774-775, 833-834.
"H. G. Wells," St. James Guide to Science-Fiction Writers, Fourth Edition, ed. Jay P.
Pederson (Chicago: St. James Press, 1996), pp. 989-994.
"Texas Studies in Literature and Language," New Handbook of Texas, ed. L. Tuffy Ellis
(Austin: Texas State Historical Association, 1996), VI: 435.
"United States: The Eighteenth-Century," Encyclopedia of the Novel, ed. Paul E. Schellinger
(Chicago: Fitzroy Dearborn Publishers, 1998), 2: 1370-73.
"Robert Louis Stevenson," Dictionary of World Biography: Volume VI, The 19th Century, ed.
Frank N. Magill (Pasadena: Salem Press, 1999), p. 2139-42.
"William Bradford," "Jonathan Edwards," and "Edward Taylor," Encyclopedia of
American Literature, ed. Steven R. Serafin (New York: Continuum, 1999), pp.118-20, 315-17, 112830.
"Stranger in a Strange Land (Heinlein)," The Sixties in America, ed. Carl Singleton
(Pasadena: Salem Press, 1999), 3: 684.
"Anne Bradstreet," The Oxford Companion to United States History, ed. Paul Boyer (New
York: Oxford University Press, 2001), p. 85.
"Amy Lowell," American Women Writers, 1900-1945, ed. Laurie Champion (Westport:
Greenwood Press, 2000), pp. 198-206.
"Robinson: Miniver Cheevy," Encyclopedia of American Poetry: The Twentieth Century, ed.
Eric Haralson (Chicago: Fitzroy Dearborn Publishers, 2001), p. 622-23.
"Lowell (Amy): Patterns," Encyclopedia of American Poetry: The Twentieth Century, ed. Eric
Haralson (Chicago: Fitzroy Dearborn Publishers, 2001), p. 414-15.
"Comet Hale-Bopp: Scientific and Cultural Phenomenon," Great Events: 1900-2001, ed. R.
Kent Rasmussen (Pasadena: Salem Press, 2002): 2825-26.
"Frederick Douglass," Writers of the American Renaissance, ed. Denise D. Knight (Westport:
Greenwood Press, 2003), pp. 101-8
“Hannah Adams,” Encyclopedia of Protestantism, ed. Hans Hillerbrand (New York:
Routledge, 2004), pp. 5-6.
“Anne Bradstreet,” Encyclopedia of Protestantism, ed. Hans Hillerbrand (New York:
Routledge, 2003), p. 291.
“Jeremiad,” Encyclopedia of Protestantism, ed. Hans Hillerbrand (New York: Routledge,
2003), p. 983.
“Increase Mather,” Encyclopedia of Protestantism, ed. Hans Hillerbrand (New York:
Routledge, 2003), pp. 1182-83.
“Destination Moon (1950),” The Fifties in America, ed. John C. Super (Pasadena: Salem
Press, 2005): I: 266-67.
“Edward Taylor,” Greenwood Encyclopedia of American Poets and Poetry, ed. Jeffrey Gray
(Westport: Greenwood Press, 2006), pp. 1579-84.
“Wells, Herbert George,” The New Encyclopedia of Unbelief, ed. Tom Flynn (Amherst, N.Y.:
Prometheus Books, 2007), pp. 816-17.
“Science-fiction films,” The Seventies in America, ed. John C. Super (Pasadena; Salem Press,
2006), pp. 802-4.
“Phillis Wheatley,” Great Lives from History: The Eighteenth Century, ed. John Powell
(Pasadena: Salem Press, 2006), pp.1070-73.
“Franklin Demonstrates the Electrical Nature of Lightning,” Great Events from History: The
Eighteenth Century, ed. John Powell (Pasadena: Salem Press, 2006), pp. 362-65.
“Edwin Arlington Robinson” [“Richard Cory,” “Miniver Cheevy,” “Flammonde,” “Mr.
Flood’s Party,” and “Demos and Dionysus”], Magill’s Survey of American Literature, Revised Edition,
ed. Stephen G. Kellman (Pasadena: Salem Press, 2007), pp. 2206-2211.
“Chesterton Critiques Modernism,” Great Events: The Twentieth Century, 1901-1940, ed.
Robert F. Gorman (Pasadena: Salem Press, 2007), pp. 2066-69.
“Edward Taylor,” Thomson Anthology of American Literature, ed. Ralph Bauer
“The Connecticut Wits,” Encyclopedia of the American Enlightenment, ed. Mark G. Spencer
(New York: Thoemmes Continuum Press, 20xx), p.
“Charles Simic,” Critical Survey of Poetry: Third Revised Edition, ed. Tracy Irons-George
(Pasadena: Salem Press, 20xx), pp. [With Angela Ball.]
PUBLISHED LETTERS and COMMENTARY:
[The problem of illiteracy], The Daily Texan 90 (24 January 1979): 5.
[On D. J. Singal's "The Other Crisis in American Education"], The Atlantic Monthly, 269
(February 1992): 10.
[Commentary in “Enquête,” on reading and literary study], South Central Review 12 (Spring
1995): 13.
“Silber's Categorical Imperatives,” Lingua Franca, 5 (January-February 1996): 7.
[The physics of medieval stained glass], Stained Glass Quarterly, 93 (Fall 1998): 233.
[The role of red oaks in the spread of oak wilt], Oak Hill Gazette, 4 (16 October 1998): 8.
[The fear of nuts], Science News, 155 (20 February 1999): 115.
[Why working-dogs disappear], Oak Hill Gazette, 5 (25 June 1999): 2.
[Boundaries in the abortion debate], First Things, 111 (March 2001): 4-5.
"Is It Worth Reporting?" Dallas Morning News cyber letters for 11 June 2001.
<www.dallasnews.com/editorial/letters/389005_1/cyberletters.html>
[On Christina Nehring’s “The Higher Yearning”], Harper’s Magazine, 303 (December 2001):
5.
“What’s in a Name?” Vegetarian Times, (September 2003): 8.
<http://www.looksmartpets.com/p/articles/mi_m0820/is_313/ai_106762020>
“Campus Stress,” Dallas Morning News 154 (29 September 2003): 16A.
“Statesman’s Endorsements,” Austin Chronicle 28 October 2004.
<http://www.austinchronicle.com/gbase/Community/Postmarks?StartTime=2004-10-22>
[Lilacs and memory], Organic Gardening 53 (April-May 2005): 7.
“Possessions” [memoir], The Sun, no. 354 (June 2005): 32.
[Quoted on gardening & snakes], Austin American-Statesman 135, no. 2 (30 July 2005): E12.
“Concern over Nandina,” The American Gardener 84 (September-October 2005): 6.
[Books on the impact of history and culture on gardens], Austin American-Statesman 135, no.
121 (26 November 2005): E12.
“Introduction,” Desert Candle 3, no. 10 (2006): 3.
“Will Ignores Real Point,” Dallas Morning News 157, no. 282 (9 July 2006): 2P.
<http://www.dallasnews.com/sharedcontent/dws/dn/opinion/letters/stories/DN2pletters_0
709edi.ART.State.Edition1.23e2f4e.html>
[Quoted on fashion legislation], Dallas Morning News 157, no. 334 (30 August 2006): 10B.
“Grounds for Concern,” Texas Gardener’s Seeds 1, no. 35 (20 December 2006).
<http://www.texasgardener.com/newsletters/061220/default.htm>
[Paragraph on New Year’s gardening resolution], Austin American-Statesman 136, no, 155
(30 December 2006): F10.
<http://www.statesman.com/life/content/life/stories/gardening/12/30/30garden.html>
“Sins of Omission,” Texas Gardener 26 (July-August 2007): 5.
“A Rose as Lovely as Lady Bird,” Dallas Morning News 158, no. 293 (20 July 2007): G1.
http://www.dallasnews.com/sharedcontent/dws/fea/home/gardening/stories/DNNHG_ladybird_0720liv.ART.State.Edition1.42dc7aa.html
“Jeepers Creepers,” Texas Gardener 27 (September-October 2008): 5.
“Foamflower Faux Pas,” American Gardener 88 (May-June 2009): 6.
POETRY:
"This Corpulent Ground," New South Writing, 1, ii (1976): 7.
Reprinted in The Texas Arts Journal, 1 (1977): 82.
"Honeysuckle Reverie," The Texas Arts Journal, 1 (1977): 82.
"Squinting," New Mexico Humanities Review, 2 (Spring 1979): 27.
"Mr. Bleu Reads a Short Story," Skylark, 21 (1992): 50.
"Among Wolves," New Texas, 4 (2000): 137.
"Dusk's Prelude," Southern Humanities Review 35 (Fall 2001): 394.
Excerpted in "Poem of the Week", The Austin Chronicle 19, xi (12
November 1999): 98.
"Suspicion," New Texas, 7 (2003): 68.
“Lindow Man (d. 100 AD),” Red River Review, 5 (Winter 2004): 33.
“In the Garden,” Pebble Lake Review, 1, no. 2 (Spring 2004): 25.
“Memory Through a Glass Darkly” [1. “Barbershop,” 2. “Kidnapper,” 3. “Lost Memory”],
Desert Candle 3, no. 12 (2007): 27.
HUMOROUS VERSE:
"Mary Rowlandson," Society of Early Americanists Newsletter, 12, i (Spring
2000): 16.
"Cotton Mather," Society of Early Americanists Newsletter, 12, ii (Autumn
2000): 9.
“Edward Taylor,” Society of Early Americanists Newsletter, 15, ii (Autumn 2003): 8.
SHORT STORIES:
"Watchman, What of the Night?" Four Quarters, new series, 4 (Spring 1990): 47-55.
"Border Crossing," Pleiades, 11 (1991): 52-62.
"Kissing the Cobra," RiverSedge, 9,ii (Spring 1995): 57-61.
Reprinted in Mattoid: A Journal of Literary and Cultural Studies, 52/53 (Winter
1997):
"Taillights," New Texas, 6 (2002): 206-9.
"Hey, Dad–," Aries, 8 (2001): 20-23.
“In the Library, Then,” New Texas, 8 (2004): 58-62.
“Gridlock,” Literary Austin, ed. Don Graham (Fort Worth: Texas Christian University
Press, 2007), pp. 443-46.
“Lost Garden Tale,” Texas Gardener’s Seeds
ALS: CHAPTER 11:
"Literature to 1800," American Literary Scholarship: An Annual, 1978, ed. J. Albert Robbins
(Durham: Duke University Press, 1980), pp. 181-197.
"Literature to 1800," American Literary Scholarship: An Annual, 1979, ed. James Woodress
(Durham: Duke University Press, 1981), pp. 179-195.
"Literature to 1800," American Literary Scholarship: An Annual, 1980, ed. J. Albert Robbins
(Durham: Duke University Press, 1982), pp. 195-213.
"Literature to 1800," American Literary Scholarship: An Annual, 1981, ed. James Woodress
(Durham: Duke University Press, 1983), pp. 183-198.
"Literature to 1800," American Literary Scholarship: An Annual, 1982, ed. J. Albert Robbins
(Durham: Duke University Press, 1984), pp. 185-199.
"Literature to 1800," American Literary Scholarship: An Annual, 1983, ed. Warren French
(Durham: Duke University Press, 1985), pp. 199-210.
"Literature to 1800," American Literary Scholarship: An Annual, 1984, ed. J. Albert
Robbins (Durham: Duke University Press, 1986), pp. 193-208.
"Literature to 1800," American Literary Scholarship: An Annual, 1985, ed. J. Albert Robbins
(Durham: Duke University Press, 1987), pp. 189-204.
"Literature to 1800," American Literary Scholarship: An Annual, 1986, ed. David J. Nordloh
(Durham: Duke University Press, 1988), pp. 183-200.
"Literature to 1800," American Literary Scholarship: An Annual, 1987, ed. James Woodress
(Durham: Duke University Press, 1989), pp. 175-193.
"Literature to 1800," American Literary Scholarship: An Annual, 1988, ed. J. Albert Robbins
(Durham: Duke University Press, 1990), pp. 179-195.
"Literature to 1800," American Literary Scholarship: An Annual, 1989, ed. David J. Nordloh
(Durham: Duke University Press, 1991), pp. 175-191.
"Literature to 1800," American Literary Scholarship: An Annual, 1990, ed. Louis Owens
(Durham: Duke University Press, 1992), pp. 191-208.
"Literature to 1800," American Literary Scholarship: An Annual, 1991, ed. David J. Nordloh
(Durham: Duke University Press, 1993), pp. 167-180.
"Literature to 1800," American Literary Scholarship: An Annual, 1992, ed. David J. Nordloh
(Durham: Duke University Press, 1994), pp. 161-175.
"Literature to 1800," American Literary Scholarship: An Annual, 1993, ed. Gary
Scharnhorst (Durham: Duke University Press, 1995), pp. 145-164.
"Literature to 1800," American Literary Scholarship: An Annual, 1994, ed. David J. Nordloh
(Durham: Duke University Press, 1996), pp. 187-201.
"Literature to 1800," American Literary Scholarship: An Annual, 1995, ed. Gary
Scharnhorst (Durham: Duke University Press, 1997), pp. 193-205.
"Literature to 1800," American Literary Scholarship: An Annual, 1996, ed. David J. Nordloh
(Durham: Duke University Press, 1998), pp. 201-13.
"Literature to 1800," American Literary Scholarship: An Annual, 1997, ed. Gary
Scharnhorst (Durham: Duke University Press, 1999), pp. 203-17.
"Literature to 1800," American Literary Scholarship: An Annual, 1998, ed. David J. Nordloh
(Durham: Duke University Press, 2000), pp. 197-212.
"Literature to 1800," American Literary Scholarship: An Annual, 1999, ed. Gary
Scharnhorst (Durham: Duke University Press, 2001), pp. 223-41.
"Literature to 1800," American Literary Scholarship: An Annual, 2000, ed. David J. Nordloh
(Durham: Duke University Press, 2002), pp. 211-26.
"Literature to 1800," American Literary Scholarship: An Annual, 2001, ed. Gary
Scharnhorst (Durham: Duke University Press, 2003), pp. 231-50.
"Literature to 1800," American Literary Scholarship: An Annual, 2002, ed. David J. Nordloh
(Durham: Duke University Press, 2004), pp. 201-13.
"Literature to 1800," American Literary Scholarship: An Annual, 2003, ed. Gary
Scharnhorst (Durham: Duke University Press, 2005), pp. 225-41.
"Literature to 1800," American Literary Scholarship: An Annual, 2004, ed. David J. Nordloh
(Durham: Duke University Press, 2006), pp. 223-40.
“Literature to 1800,” American Literary Scholarship: An Annual, 2005, ed. Gary Scharnhorst
(Durham: Duke University Press, 2007), pp. 217-32.
“Literature to 1800,” American Literary Scholarship: An Annual, 2006, ed. David Nordloh
(Durham: Duke University Press, 2008), pp. 201-19. [With Jim Egan.]
“Literature to 1800,” American Literary Scholarship: An Annual, 2007, ed. Gary Scharnhorst
(Durham: Duke University Press, 2009), pp. 235-56. [With Jim Egan.]
“Literature to 1800,” American Literary Scholarship: An Annual, 2008, ed. David Nordloh
(Durham: Duke University Press, 2010), pp. . [With Jim Egan.]