"EFOREß2EADING 4HEß#ASKßOFß!MONTILLADO "ASEDßONßTHEßSHORTßSTORYßBYß%DGARß!LLANß0OE Is REVENGE ever justified? 4HEßNARRATORßOFß±4HEß#ASKßOFß!MONTILLADO²ßWANTSßREVENGEßAGAINSTßANOTHERß MANßHEßBELIEVESßHASßHARMEDßHIMß7HENßYOUßTAKEßREVENGEßAGAINSTßSOMEONEß YOUßHARMßTHATßPERSONßTOßGETßEVENßWITHßHIMßORßHERßFORßHARMINGßYOU Problems with Revenge 1. That person may take QROK>KAQ>IH 4AKINGßREVENGEßMAYßSOUNDßLIKEßAßSATISFYINGßWAYßTOßGETß EVENßWITHßSOMEONEßBUTßITßCANßHAVEßNEGATIVEßCONSEQUENCESß7HATßAREßSOMEß OFßTHEßPROBLEMSßTHATßMAYßRESULTßFROMßTAKINGßREVENGEßONßANOTHERßPERSONß 7RITEßYOURßEXAMPLESßINßTHEßNOTEPADßTOßTHEßLEFTß4HENßDISCUSSßYOURßLISTßWITHß AßPARTNER revenge in return. 2. It may hurt others by mistake. 4EXTß!NALYSISß-OOD -OODßISßTHEßFEELINGßORßATMOSPHEREßTHEßWRITERßCREATESßFORßTHEßREADERß±4HEß #ASKßOFß!MONTILLADO²ßISßAßTERRIFYINGßSTORYßABOUTßAßMANßWHOßPLOTSßAßSHOCKINGß ACTßOFßREVENGEß0OEßDOESßNOTßREVEALßWHATßTHISßACTßOFßREVENGEßISßUNTILßTHEß STORYßISßALMOSTßOVERß)NSTEADßHEßKEEPSßUSßINßSUSPENSEßAßCONTINUALßSTATEßOFß EXCITEMENTßABOUTßWILLßHAPPENßNEXTß"UTßFROMßTHEßBEGINNINGßTHEßMOODß0OEß CREATESßMAKESßUSßFEELßTHATßSOMETHINGßHORRIFYINGßISßABOUTßTOßHAPPEN 0OEßCREATESßTHISßMOODßOFßSUSPENSEßANDßHORRORßBYßUSINGßIMAGERYßTOßDESCRIBEß THEßSTORY´SßSETTINGßWHEREßTHEßSTORYßTAKESßPLACEß4OßCREATEßTHISßIMAGERYßHEß USESßSENSORYßDETAILS°DETAILSßTHATßAPPEALßTOßSIGHTßHEARINGßTASTEßTOUCHßORß SMELLß!SßYOUßREADßYOUßWILLßFILLßOUTßAßCHARTßLIKEßTHEßONEßBELOWß4HISßSTEPßWILLß HELPßYOUßIDENTIFYßHOWß0OEßUSESßIMAGERYßTOßCREATEßAßSUSPENSEFULßMOOD -//$ß3USPENSEFULßHORRIFYING %XAMPLEßOFßIMAGERY ÒDrops of moisture trickle among the bones.Ó (lines 73¯74) !$!04%$ ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß 3%44).' ß -//$ ß !.$ )-!'%29 7HICHßSENSESßDOESßIMAGERYßUSE touch, sight 2EADINGß3KILLß0ARAPHRASE 4OßMAKEßSUREßYOUßUNDERSTANDßTHEßEVENTSßINßTHISßSTORYßTRYßPARAPHRASING° RESTATINGßINßYOURßOWNßWORDSßTHEßINFORMATIONßYOU´VEßREADß!ßPARAPHRASEß CONTAINSßALLßTHEßDETAILSßOFßTHEßORIGINALßTEXTß)NßTHISßEXAMPLEßTHEßNARRATORß WHOßTELLSßTHEßSTORYßMEETSßAßMANßAGAINSTßWHOMßHEßSECRETLYßPLANSßREVENGE 4EXT -YßPARAPHRASE ÒI smiled at him as usual whenever I met him. He didnÕt guess that I smiled at the thought of destroying him.Ó (lines 5¯6) The narrator pretends he is happy to see the other man, but he is lying. What he really wants to do is crush him. !SßYOUßREADßTHISßSTORYßYOUßWILLßFILLßOUTßAßCHARTßLIKEßTHEßONEßABOVEßTOßHELPßYOUß UNDERSTANDßDIFFICULTßPASSAGESßINßTHEßSTORY 6OCABULARYßINß#ONTEXT .OTEß7ORDSßAREßLISTEDßINßTHEßORDERßINßWHICHßTHEYßAPPEARßINßTHEßSTORY )MPUNITYßIMß09//ßNUHßTEEßISßAßNOUNßTHATßMEANSßFREEDOMßFROMß PUNISHMENT (EßISßNOTßAFRAIDßOFßBEINGßPUNISHEDßFORßWHATßHEßDOESßBECAUSEßHEßHASß IMPUNITY 2EPOSEßRIHß0/(:ßISßAßVERBßTHATßMEANSßTOßLIEßDEADßORßATßREST -ANYßBURIEDßBODIESßREPOSEßINßTHEßTOMBSßUNDERGROUND !PERTUREß!0ßUHRßCHUHRßISßAßNOUNßTHATßMEANSßANßOPENINGßSUCHßASßAß DOORWAY (EßENTEREDßTHEßDARKßROOMßTHROUGHßANßAPERTUREßINßTHEßWALL 3UBSIDEßSUBß39$ßISßAßVERBßTHATßMEANSßTOßSLOWßORßDECREASE 7HENßHEßREALIZESßTHATßNOßONEßHEARSßHIMßHISßSCREAMSßSUBSIDE 6OCABULARYß0RACTICE 2EVIEWßTHEßWORDSßANDßSAMPLEßSENTENCESßABOVEß4HENßBASEDßONßTHESEß WORDSßDISCUSSßWITHßAßPARTNERßWHATßYOUßTHINKßMIGHTßHAPPENßINß±4HEß#ASKßOFß !MONTILLADO²ß"EßSUREßTOßUSEßTHEßWORDSßINßYOURßDISCUSSION 4(% #!3+ /& !-/.4),,!$/ -ONITORß9OUR #OMPREHENSION The 3%4ß!ß0520/3%ß &/2ß2%!$).' 2EADßTHISßSTORYßTOßFINDßOUTß HOWßAßMYSTERIOUSßNARRATORß PLANSßREVENGEßAGAINSTßHISß WORSTßENEMY Cask of "ASEDßONßTHEßSHORTßSTORYßBY EDGARßALL ANßPOE ?>@HDOLRKAß ,ONGßAGOßINß)TALYß#HRISTIANSßBURIEDßTHEIRß DEADßINßSMALLßROOMSßINSIDEßLONGßUNDERGROUNDßTUNNELSß CALLEDßCATACOMBSß+!4ßUHßKOHMZß,ATERßRICHßFAMILIESßBUILTß CATACOMBSßUNDERNEATHßTHEIRßHOMESßSTORINGßCONTAINERSßOFß WINEßINßTHEßTUNNELS´ßCOOLßDARKßROOMSß-UCHßOFßTHISßSTORYß TAKESßPLACEßINßCATACOMBSßUNDERßTHEßHOMEßOFßTHEßSTORY´Sß MAINßCHARACTERß4HEßTITLEßREFERSßTOßAßCONTAINERßOFßAßRAREßANDß EXPENSIVEßTYPEßOFßWINE 6/#!"5,!29 4HEßWORDßIMPUNITYßIMß09//ß NUHßTEEßISßAßNOUNßTHATßMEANSß FREEDOMßFROMßPUNISHMENTß I put up with Fortunato1 for years. When he insulted me, however, I decided to fight back. I wouldn’t threaten him. Instead, I would punish him with impunity—I wanted to make him suffer, but I did not want to get caught. I smiled at him as usual whenever I met him. He didn’t guess that I smiled at the thought of destroying him. Fortunato was a man to respect and fear. But he had a weakness: He was too proud of his knowledge of wines. He thought he knew everything about them. I plotted to use his pride against him. ß ß &ORTUNATOßFORßTOOß.!(ßTOH !$!04%$ ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß 3%44).' ß -//$ ß !.$ )-!'%29 -ONITORß9OURß#OMPREHENSION One evening during carnival2 I ran into Fortunato. He wore a clown costume, and bells jingled on his cone-shaped cap. He was drunk. I said, “It’s lucky we met. I just bought some wine. It’s supposed to be Amontillado.3 I have my doubts.” “Amontillado? To buy such a fine wine during carnival—impossible!” “Silly me, I paid the full price. I should have talked to you first. But I couldn’t find you and I was afraid of losing a bargain.” “Amontillado!” “I have my doubts,” I said. “Amontillado!” “I want to know the truth.” “Amontillado!” ).ß/4(%2ß7/2$3ß -ONTRESORßTHEßCHARACTERßTELLINGßTHEßSTORYßSAYSßTHATß &ORTUNATOßHASßSOMEHOWßINSULTEDßHIMß-ONTRESORßPLANSßREVENGEßONß &ORTUNATOßTOßGETßEVENßFORßTHISßINSULTß-ONTRESORßTELLSß&ORTUNATOßTHATßHEß ISßWORRIEDßTHATßTHEßEXPENSIVEßWINEßHEßRECENTLYßBOUGHTßMAYßBEßFAKE “Since you’re busy, I’ll go to Luchesi.4 If anyone knows wine, he does. He’ll tell me—” “Luchesi!” Fortunato snorted, laughing loudly to show his low opinion of the man. “He just pretends to know about wine. He doesn’t know what he’s talking about.” “Some think he knows as much as you do about wine.” “Let’s go to your cellars so I can taste the Amontillado.” “No. The cellars are damp; I can see that you already have a bad cold. Besides, you have other plans. Luchesi—” “I don’t have plans. Come,” he insisted. “You obviously have a bad cold. The cellars are very damp.” Your cold will get much worse.” “Let’s go anyway. This cold is nothing.” I pulled on a cloak to keep warm and let him lead me to my palace. Aß ß ß CARNIVALß+!2ßNUHßVUHL AßFESTIVALßTHATßINCLUDESßCOLORFULßCOSTUMESßMASKSß ANDßFEASTS ß ß !MONTILLADOßUHßMAHNßTEEß9!(ßDOH AßTYPEßOFßPALEßDRYßWINEß ß ß ,UCHESIßLOOß+%(ßSEE A ß ß 0!2!0(2!3% 0ARAPHRASEßLINES߯ßBELOW -Yß0ARAPHRASE 4HENßWITHßAßPARTNERßDISCUSSß WHETHERß-ONTRESORßISßHONESTß WITHß&ORTUNATO 4(% #!3+ /& !-/.4),,!$/ -ONITORß9OUR #OMPREHENSION ).ß/4(%2ß7/2$3ß -ONTRESORßSAYSßHEßWILLßASKß,UCHESIßANOTHERßWINEß LOVERßTOßJUDGEßTHEßWINEß&ORTUNATOßWANTSßTOßPROVEßTHATßHEßKNOWSßMOREß ABOUTßWINEßTHANß,UCHESIß(EßINSISTSßTHATßTHEYßGOßTOß-ONTRESOR´SßWINEß CELLARßTOßTASTEßANDßJUDGEßTHEßWINE ß7ITHßAßPARTNERßDISCUSSßHOWß-ONTRESORßPERSUADESß&ORTUNATOßTOßVISITß HISßPALACE Bß ß -//$ 2EREADßLINES߯ß5NDERLINEßTHEß WORDSßORßPHRASESßTHATßESTABLISHß AßMOODßOFßSUSPENSEßANDßHORRORß INßTHISßDESCRIPTIONßOFßTHEßSTORY´Sß SETTINGß As I expected, the servants had all gone to the carnival, so no one was home. Carrying torches, we went down many stairs to the catacombs, a series of cold, damp cellars under my palace. They held the bones of my ancestors, the Montresors. I also used them to store wine. My drunken friend walked unsteadily, as if he might fall down; his bells jingled. “The Amontillado?” he said. “It’s farther on.” I said. “Look; do you see the white lines like cobwebs on the walls? It is niter, salt deposits left because of the dampness. . . . How long have you had that cough?” Bß “Ugh! ugh! ugh!— ugh! ugh! ugh!” My friend coughed so hard he could not answer me for several minutes. “It’s nothing,” he said at last. “Come,” I said. “We’ll go back. Your health is important. You are rich, respected. You are happy—as I was once. Besides, I can ask Luchesi—” “I won’t die of a cough,” he said. “True,” I replied. “But you should be careful. Here, this wine will keep you warm.” I offered him wine from a bottle that lay in our path. !$!04%$ ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß 3%44).' ß -//$ ß !.$ )-!'%29 -ONITORß9OURß#OMPREHENSION “I drink to the dead that repose here,” Fortunato said. “And I drink to your long life,” I replied. ).ß/4(%2ß7/2$3ß -ONTRESORßLEADSß&ORTUNATOßINTOßTHEßCATACOMBSß WHEREßHISßANCESTORSßAREßBURIEDßANDßHISßWINEßISßSTOREDß&ORTUNATOßISßSICKß ANDß-ONTRESORßPRETENDSßTOßTRYßTOßPERSUADEßHIMßTOßLEAVEßTHEßCOLDßANDß DAMPßCATACOMBSß&ORTUNATOßINSISTSßTHATßTHEYßKEEPßGOING “These tombs go on and on,” he said as we continued. “The Montresors were a great family,” I answered. “I forget what your family’s coat of arms is.” “Two symbols represent the Montresors: a human foot crushing a snake. The snake is biting deeply into the heel.” “And the motto?” he asked. “‘Nobody attacks me without being punished.’” I replied. “Good!” he said. We went farther into the catacombs. I paused. “The niter!” I said. “See how much more there is. We’re below the river. The air is terribly damp. Drops of moisture trickle among the bones. Let’s return before it’s too late. Your cough—!” “No,” he said. “Let’s go on. But first, more wine.” Cß ).ß/4(%2ß7/2$3ß -ONTRESOR´SßFAMILYßMOTTOßMEANSß±.OBODYßATTACKSß MEßWITHOUTßBEINGßPUNISHEDßFORßIT²ß&ORTUNATOßDOESßNOTßREALIZEßTHISß MOTTOßREVEALSß-ONTRESOR´SßDESIREßTOßPUNISHßHIMß-ONTRESORßSUGGESTSß THATßTHEYßTURNßBACKß&ORTUNATOßREFUSESßAGAINß(EßISßALREADYßDRUNKßBUTß HEßASKSßFORßMOREßWINE ß7HATßIMAGEßAPPEARSßONßTHEßCOATßOFßARMSßOFß-ONTRESOR´SßFAMILYß 6/#!"5,!29 4HEßWORDßREPOSEßRIHß0/(:ßISßAß VERBßTHATßMEANSßTOßLIEßDEADßORßATß REST 2EREADßLINES߯ß-ONTRESORß PLANSßTOßTAKEßREVENGEßONß &ORTUNATOß"UTßHEßPRETENDSßTOß BEßWORRIEDßABOUTß&ORTUNATO´Sß HEALTHßGIVESßHIMßMOREßWINEß ANDßDRINKSßTOßHISßLONGßLIFEß7ITHß AßPARTNERßDISCUSSßWHYß-ONTRESORß DOESßTHIS Cß ß -//$ )NßLINES߯ß0OEßCREATESß SUSPENSEßBYßHAVINGß-ONTRESORß DESCRIBEßTHEßSETTINGßASßHEß ANDß&ORTUNATOßGOßDEEPERßINTOß THEßCATACOMBSß5NDERLINEßTHEß IMAGERYß0OEßUSESßTOßDESCRIBEß THEßSETTINGß7ITHßAßPARTNERß DISCUSSßHOWßTHISßIMAGERYßCREATESß AßSCARYßMOOD #IRCLEßßTHEßSTATEMENTßTHATßTELLSßYOU I broke open another bottle. He drank it all and then, with his hand, made a strange gesture I did not understand. I looked at him in surprise. “Aha,” he said. “I see you are not a Mason.”5 -ASONß-!9ßSUHN Aß&REEMASONßAßMEMBERßOFßAßSECRETßCLUBßWITHßITSßOWNß RITUALSßANDßSIGNSß-EMBERSßUSEßSECRETßSIGNSßTOßRECOGNIZEßEACHßOTHER 4(% #!3+ /& !-/.4),,!$/ -ONITORß9OUR #OMPREHENSION ).ß/4(%2ß7/2$3ß &ORTUNATOßISßAßMEMBERßOFßAßSECRETßGROUPßTHEß &REEMASONSß(EßINSULTSß-ONTRESORßBYßSAYINGßTHATß-ONTRESORßCOULDßNEVERß BEßAß-ASONßAßMEMBERßOFßTHISßGROUPß&ORTUNATOßASKSß-ONTRESORßTOßSHOWß HIMßTHEßSECRETßSIGNßTHATßPROVESßHEßISßAß-ASONß-ONTRESORßREVEALSßTHATßHEß SECRETLYßHASßBEENßCARRYINGßAßTROWELßAßTOOLßUSEDßBYßBUILDERSßCALLEDßMASONSß &ORTUNATOßTHINKSß-ONTRESORßISßMAKINGßAßJOKEßBASEDßONßTHEßWORDßMASONß 6)35!,ß6/#!"5,!29 !ßTROWELß42/7ßUHLßISßAßTOOLß USEDßFORßBUILDINGßWALLSß4HEß TROWELßISßUSEDßTOßSMOOTHßMORTARß -!72ßTERßMATERIALßTHATßHOLDSß BRICKSßORßSTONESßTOGETHER 6/#!"5,!29 4HEßWORDßAPERTUREß!0ßUHRß CHUHRßISßAßNOUNßTHATßMEANSßANß OPENINGßSUCHßASßAßDOORWAY “Oh, yes,” I said, “Yes, I am.” “You? Impossible! Show me the secret sign,” he said. “It is this,” I answered, pulling a trowel from my cape. “You’re joking,” he said, drawing back. “But let’s go on.” As we continued, our torches barely glowed in the bad air. Finally, we entered a small chamber. Bones lined three of its walls. The bones from the fourth wall were on the ground. This bare wall opened into another small room that ended in a wall of solid rock. “The Amontillado is inside,” I said. “As for Luchesi—” “He’s a fool,” said Fortunato. He swayed into the dark aperture with me behind him as we entered the room. Even with his torch, he could barely see where it ended. Bumping into the rock wall, he stopped, confused. Quickly I chained him to the wall. He was too surprised to stop me. I stepped back. “Move your hand along the wall,” I said. “You’ll feel the niter. It is very damp. Once more let me beg you to return. No? Then I must leave you.” “The Amontillado!” he cried. “True,” I replied, “the Amontillado.” Among the pile of bones I found building stones and cement. Using my trowel, I began to build a wall in front of the room’s opening. !$!04%$ ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß 3%44).' ß -//$ ß !.$ )-!'%29 -ONITORß9OURß#OMPREHENSION ).ß/4(%2ß7/2$3ß -ONTRESORßLEADSß&ORTUNATOßDEEPßINTOßTHEßDAMPß CATACOMBSß!LLßAROUNDßTHEMßAREßTHEßBONESßOFßTHEßDEADß4HEYßREACHßAß SMALLßROOMß"EFOREß&ORTUNATOßKNOWSßWHATßISßHAPPENINGß-ONTRESORß CHAINSßHIMßTOßONEßOFßTHEßROOM´SßWALLSß-ONTRESORßBEGINSßTOßBUILDßAßWALLß INßFRONTßOFßTHEßROOM´SßENTRANCE ß$ISCUSSßWITHßAßPARTNERßWHATßMAYßHAPPENßNEXT The wine’s effect on Fortunato was wearing off. His moaning wasn’t the cry of a drunken man. Then there was a long silence. I added several more rows to the wall. Then I heard the furious rattling of the chain. It went on for several minutes. I stopped working briefly, listening to it with satisfaction. When the rattling subsided, I continued building the wall. It was now as high as my chest. I shone my torch into the room to see how my work was going. Then the chained man screamed—so loudly that I became worried. But feeling the thick walls of the catacomb, I became calm again. I simply screamed back, longer and louder until Fortunato’s screams stopped. Dß ).ß/4(%2ß7/2$3ß &ORTUNATOßRATTLESßHISßCHAINSßANDßSCREAMSß"UTß -ONTRESORßISßSUREßTHATßTHEßWALLSßOFßTHEßCATACOMBSßAREßSOßTHICKßTHATßNOß ONEßCANßHEARß&ORTUNATOßSCREAMß 6/#!"5,!29 4HEßWORDßSUBSIDEßSUBß39$ßISßAß VERBßTHATßMEANSßTOßSLOWßDOWNßORß WEARßOFF D ß ß -//$ 2EREADßLINES߯ß"RACKETßß ;ß=ßTHEßSENSORYßIMAGERYßINßTHESEß LINESß)DENTIFYßWHICHßOFßTHEßFIVEß SENSESß0OEßUSESßTOßCREATEßAß FEELINGßOFßHORRORßINßTHESEßLINESß !DDßTHEMßTOßTHEßBOXßBELOW 7HICHßSENSESßDOESß0OEßUSE Around midnight, I was almost finished. I was putting the last stone in place in the wall. Then I heard a low laugh that made my hair stand up. It was followed by a sad voice. “Ha! ha! ha!— a very good joke. We’ll laugh about it later. Over our wine—he! he! he!” Eß “The Amontillado!” I said. “He! he! he—yes, the Amontillado. But isn’t it late? Lady Fortunato will be waiting for me. Let’s go.” “Yes,” I said, “Let’s go.” “For the love of God, Montresor! ” Eß ß 0!2!0(2!3% 2EREADßLINES߯ß)NßYOURßOWNß WORDSßWRITEßWHATßHAPPENSßBELOW -Yß0ARAPHRASE 4(% #!3+ /& !-/.4),,!$/ -ONITORß9OUR #OMPREHENSION “Yes,” I said, “for the love of God!” He didn’t answer. I called out, “Fortunato!” No answer. I heard only the jingling of bells. My heart grew sick—because of the dampness. I hurried to complete my work. I finished sealing up the wall. I piled the bones up against it. For half a century no one has moved them. May he rest in peace. 2EREADßLINES߯ß7ITHßAß PARTNERßDISCUSSßWHATßHAPPENSß INßTHEßLASTßLINESßOFßTHEßSTORYß$OESß -ONTRESORßSUCCEEDßINßTAKINGß REVENGEßAGAINSTß&ORTUNATOß $OESß&ORTUNATOßDESERVEßWHATß -ONTRESORßDOESßTOßHIMß7HYßORß WHYßNOT ).ß/4(%2ß7/2$3ß &ORTUNATOßBEGSß-ONTRESORßTOßRELEASEßHIMß-ONTRESORß PUTSßTHEßLASTßSTONEßINßPLACEßANDßSEALSßUPß&ORTUNATOßFOREVERß(EßPILESßTHEß BONESßAGAINSTßTHEßWALLßTOßHIDEßHISßWORKß3INCEßTHENßNOßONEßHASßFOUNDß &ORTUNATO !$!04%$ ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß 3%44).' ß -//$ ß !.$ )-!'%29 !FTERß2EADING 4EXTß!NALYSISß-OOD 4HEßUNIQUEßSETTINGßOFß±4HEß#ASKßOFß!MONTILLADO²ßHELPSßCREATEßAßFRIGHTENINGß MOODßORßFEELINGßOFßHORRORßANDßSUSPENSEßINßTHEßSTORYß0OEßUSESßSENSORYß IMAGERYßTHATßAPPEALSßTOßONEßORßMOREßOFßTHEßFIVEßSENSESßTOßDESCRIBEßTHEß CATACOMBSßWHICHßAREßDARKßDAMPßANDßFILLEDßWITHßTHEßBONESßOFßTHEßDEAD &ILLßOUTßTHEßCHARTßBELOWßWITHßTHEßEXAMPLESßOFßIMAGERYßFROMßTHEßSTORYßTHATß GAVEßYOUßTHEßSTRONGESTßFEELINGßOFßSUSPENSE -//$ß3USPENSEFULßHORRIFYING %XAMPLEßOFßIMAGERY 7HICHßSENSESßDOESßIMAGERYßUSE ÒDrops of moisture trickle among the bones.Ó (lines 73¯74) touch, sight 7HYßDOßYOUßTHINKßTHESEßEXAMPLESßOFßIMAGERYßHADßSUCHßAßPOWERFULßEFFECTß ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????? Is REVENGE ever justified? 7HATßDOßYOUßTHINKßISßTHEßRIGHTßTHINGßTOßDOßWHENßYOUßBELIEVEßSOMEONEßHASß WRONGEDßORßHARMEDßYOUß%XPLAIN ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????? 4(% #!3+ /& !-/.4),,!$/ !FTERß2EADING 2EADINGß3KILLß0ARAPHRASE 2EREADßTHEßFOLLOWINGßPASSAGEßFROMß±4HEß#ASKßOFß!MONTILLADO²ßANDßTHENß PARAPHRASEßITßINßTHEßSPACEßBELOWß)NCLUDEßTHEßNAMESßOFßCHARACTERSßINßYOURß PARAPHRASE 4EXT 4HEßWINE´SßEFFECTßONß&ORTUNATOßWASßWEARINGßOFFß(ISßMOANINGßWASN´TßTHEßCRYß OFßAßDRUNKENßMANß4HENßTHEREßWASßAßLONGßSILENCEß)ßADDEDßSEVERALßMOREßROWSß TOßTHEßWALLß4HENß)ßHEARDßTHEßFURIOUSßRATTLINGßOFßTHEßCHAINß)TßWENTßONßFORß SEVERALßMINUTESß)ßSTOPPEDßWORKINGßBRIEFLYßLISTENINGßTOßITßWITHßSATISFACTION LINES߯ -YßPARAPHRASE ???????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????? 6OCABULARYß0RACTICE #IRCLEßßTHEßPARTßOFßEACHßSENTENCEßTHATßANSWERSßTHEßQUESTION ß )FßYOUßACTßWITHßIMPUNITYßWILLßYOUßBEßPUNISHEDßFORßSOMETHINGßYOUßDIDßORß GETßAWAYßWITHßIT ß )FßYOUßHAVEßAßHEADACHEßANDßTHEßPAINßBEGINSßTOßSUBSIDEßDOßYOUßFEELßBETTERß ORßWORSE ß )FßYOUßAREßINßAßSTATEßOFßREPOSEßAREßYOUßSTANDINGßUPßORßLYINGßDOWN ß ß )FßSOMEONEßTELLSßYOUßTOßWAITßATßTHEßNEARESTßAPERTUREßWILLßTHEYßMEETßYOUßATß AßDOORWAYßORßAßWALL !$!04%$ ).4%2!#4)6% 2%!$%2 5.)4 3%44).' -//$ !.$ )-!'%29 !CADEMICß6OCABULARYßINß3PEAKING 4HEßWORDßPERCEIVEßPUHRß3%%6ßISßAßVERBßTHATßMEANSßTOßNOTICEßORßBECOMEß AWAREßOF 7HENßHEßPERCEIVESßTHATßONEßOFßHISßFRIENDSßISßINßNEEDßHEßOFFERSßTOßHELP QROK>KAQ>IH 7HYßISß-ONTRESORßABLEßTOßTRICKß&ORTUNATOßSOßSUCCESSFULLYß (OWßWELLßDOESß&ORTUNATOßPERCEIVEßWHATß-ONTRESORßISßTHINKINGß$ISCUSSßYOURß IDEASßWITHßAßPARTNERß"EßSUREßTOßUSEßTHEßWORDßPERCEIVEßINßYOURßDISCUSSION !SSESSMENTß0RACTICE $)2%#4)/.3ß 5SEß±4HEß#ASKßOFß!MONTILLADO²ßTOßANSWERßQUESTIONS߯ ß -ONTRESORßTHEßNARRATORßWANTSßREVENGEß BECAUSEß° ! 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