Pastel Pencils and Blocks

Pastel Pencils and Blocks
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Lakeland
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Acco UK Ltd
Gatehouse Road
Aylesbury Bucks
HP19 8DT
England
www.acco.co.uk
Product Code No. 0700486
32991
39009
Pastel Blocks
32999
36000
36001
36002
36003
36005
Onion – Nick Haine
10
36004
01B
06B
11B
15B
20B
22B
25B
29B
32B
35B
36B
76B
77B
75B
46B
48B
51B
74B
Zinc Yellow
Deep Cadmium
Spectrum Orange
Geranium Lake
Crimson Lake
Magenta
Dark Violet
Ultramarine
Spectrum Blue
Prussian Blue
Indigo
Forest Green
Terre Verte
Hooker’s Green
Emerald Green
May Green
Olive Green
Dark Olive
12
24
36
72
Box
78B
79B
53B
54B
57B
57D
73B
62B
64B
65B
66B
67B
70B
70F
70D
70H
72B
72D
36
32992
24
0700307
May Green
May Green
May Green
Olive Green
Olive Green
Olive Green
Dark Olive
Dark Olive
Dark Olive
Green Umber
Green Umber
Green Umber
Umber
Umber
Umber
Sepia
Sepia
Sepia
Burnt Umber
Burnt Umber
Burnt Umber
Brown Ochre
Brown Ochre
Brown Ochre
Orange Earth
Orange Earth
Orange Earth
Burnt Sienna
Burnt Sienna
Burnt Sienna
Terracotta
Terracotta
Terracotta
Burnt Carmine
Burnt Carmine
Burnt Carmine
Chocolate
Chocolate
Chocolate
Ivory Black
French Grey
French Grey
French Grey
French Grey
Chinese White
36
Derwent Pastel Blocks offer the traditional beauty of pastels
in a firm, smoothly textured pastel block. The square shape is
ideal for creating broad, sweeping strokes or crisp lines, simply
by using the pastel on its side or short edge. Produced in a range
of 36 vibrant colours, Derwent Pastels are easy to mix and blend,
especially with the unique
32996
Derwent blender.
48B
48D
48F
51B
51D
51F
74B
74D
74F
78B
78D
78F
79B
79D
79F
53B
53D
53F
54B
54D
54F
57B
57D
57F
73B
73D
73F
62B
62D
62F
64B
64D
64F
65B
65D
65F
66B
66D
66F
67B
70B
70D
70F
70H
72B
24
erwent Pastel Pencils provide the colourful brilliance of
the pastel medium in a convenient, easy to use woodcase. They
can be mixed and blended just like conventional pastels but offer
greater control for more detailed work. Available in 90 stunning
colours, Derwent Pastel Pencils can be used wet or dry, and
work beautifully with other media.
Zinc Yellow
Zinc Yellow
Zinc Yellow
Deep Cadmium
Deep Cadmium
Deep Cadmium
Spectrum Orange
Spectrum Orange
Spectrum Orange
Geranium Lake
Geranium Lake
Geranium Lake
Crimson Lake
Crimson Lake
Crimson Lake
Magenta
Magenta
Magenta
Dark Violet
Dark Violet
Dark Violet
Ultramarine
Ultramarine
Ultramarine
Spectrum Blue
Spectrum Blue
Spectrum Blue
Prussian Blue
Prussian Blue
Prussian Blue
Indigo
Indigo
Indigo
Forest Green
Forest Green
Forest Green
Terre Verte
Terre Verte
Terre Verte
Hooker’s Green
Hooker’s Green
Hooker’s Green
Emerald Green
Emerald Green
Emerald Green
12
D
01B
01D
01F
06B
06D
06F
11B
11D
11F
15B
15D
15F
20B
20D
20F
22B
22D
22F
25B
25D
25F
29B
29D
29F
32B
32D
32F
35B
35D
35F
36B
36D
36F
76B
76D
76F
77B
77D
77F
75B
75D
75F
46B
46D
46F
12
Pastel Pencils
12
24
36
72
Box
Pastel Pencils and Blocks
Green Umber
Umber
Sepia
Burnt Umber
Brown Ochre
Brown Ochre
Orange Earth
Burnt Sienna
Terracotta
Burnt Carmine
Chocolate
Ivory Black
French Grey
French Grey
French Grey
French Grey
Chinese White
Blending White
11
32991
39009
Pastel Blocks
32999
36000
36001
36002
36003
36005
Onion – Nick Haine
10
36004
01B
06B
11B
15B
20B
22B
25B
29B
32B
35B
36B
76B
77B
75B
46B
48B
51B
74B
Zinc Yellow
Deep Cadmium
Spectrum Orange
Geranium Lake
Crimson Lake
Magenta
Dark Violet
Ultramarine
Spectrum Blue
Prussian Blue
Indigo
Forest Green
Terre Verte
Hooker’s Green
Emerald Green
May Green
Olive Green
Dark Olive
12
24
36
72
Box
78B
79B
53B
54B
57B
57D
73B
62B
64B
65B
66B
67B
70B
70F
70D
70H
72B
72D
36
32992
24
0700307
May Green
May Green
May Green
Olive Green
Olive Green
Olive Green
Dark Olive
Dark Olive
Dark Olive
Green Umber
Green Umber
Green Umber
Umber
Umber
Umber
Sepia
Sepia
Sepia
Burnt Umber
Burnt Umber
Burnt Umber
Brown Ochre
Brown Ochre
Brown Ochre
Orange Earth
Orange Earth
Orange Earth
Burnt Sienna
Burnt Sienna
Burnt Sienna
Terracotta
Terracotta
Terracotta
Burnt Carmine
Burnt Carmine
Burnt Carmine
Chocolate
Chocolate
Chocolate
Ivory Black
French Grey
French Grey
French Grey
French Grey
Chinese White
36
Derwent Pastel Blocks offer the traditional beauty of pastels
in a firm, smoothly textured pastel block. The square shape is
ideal for creating broad, sweeping strokes or crisp lines, simply
by using the pastel on its side or short edge. Produced in a range
of 36 vibrant colours, Derwent Pastels are easy to mix and blend,
especially with the unique
32996
Derwent blender.
48B
48D
48F
51B
51D
51F
74B
74D
74F
78B
78D
78F
79B
79D
79F
53B
53D
53F
54B
54D
54F
57B
57D
57F
73B
73D
73F
62B
62D
62F
64B
64D
64F
65B
65D
65F
66B
66D
66F
67B
70B
70D
70F
70H
72B
24
erwent Pastel Pencils provide the colourful brilliance of
the pastel medium in a convenient, easy to use woodcase. They
can be mixed and blended just like conventional pastels but offer
greater control for more detailed work. Available in 90 stunning
colours, Derwent Pastel Pencils can be used wet or dry, and
work beautifully with other media.
Zinc Yellow
Zinc Yellow
Zinc Yellow
Deep Cadmium
Deep Cadmium
Deep Cadmium
Spectrum Orange
Spectrum Orange
Spectrum Orange
Geranium Lake
Geranium Lake
Geranium Lake
Crimson Lake
Crimson Lake
Crimson Lake
Magenta
Magenta
Magenta
Dark Violet
Dark Violet
Dark Violet
Ultramarine
Ultramarine
Ultramarine
Spectrum Blue
Spectrum Blue
Spectrum Blue
Prussian Blue
Prussian Blue
Prussian Blue
Indigo
Indigo
Indigo
Forest Green
Forest Green
Forest Green
Terre Verte
Terre Verte
Terre Verte
Hooker’s Green
Hooker’s Green
Hooker’s Green
Emerald Green
Emerald Green
Emerald Green
12
D
01B
01D
01F
06B
06D
06F
11B
11D
11F
15B
15D
15F
20B
20D
20F
22B
22D
22F
25B
25D
25F
29B
29D
29F
32B
32D
32F
35B
35D
35F
36B
36D
36F
76B
76D
76F
77B
77D
77F
75B
75D
75F
46B
46D
46F
12
Pastel Pencils
12
24
36
72
Box
Pastel Pencils and Blocks
Green Umber
Umber
Sepia
Burnt Umber
Brown Ochre
Brown Ochre
Orange Earth
Burnt Sienna
Terracotta
Burnt Carmine
Chocolate
Ivory Black
French Grey
French Grey
French Grey
French Grey
Chinese White
Blending White
11
T echniques using Derwent products
HATCHING
GRADATIONS
Draw a series of parallel lines
closely together to create a tonal area.
To achieve greater depth, simply increase
the width and density of the lines.
FEATHERING
CROSS HATCHING
In this technique, an
area of tone or colour
is lightly drawn with
short strokes over
which the same or
another colour can
be used,still allowing
the original strokes
to show through.
As with hatching, draw two
or more sets of parallel
lines crossing each other at
an angle to create even greater
density of tone
and
colour.
These are smooth transitions
from a light to a darker tone
or from one colour to another.
The density of colour achieved
will vary depending on
the amount of pressure
applied to the
pencil.
SCRAPING
To add textural
interest to your
work scrape the
point of the pencil,
using
a scalpel,
over a
prewetted
area and
let the pieces
of the strip fall
onto the wet
surface. Several
colours can be
added for effect.
FROTTAGE
Lay a sheet of
paper over a
textured surface
such as wood, sandpaper,
stone or rough woven material,
then rub over the surface with a
soft pencil until the texture
shows through.
OVERLAYING
BLENDING
Lay colours on top of each
other to create new colours
and hues. This technique can
produce considerable depth
and richness of tone.
This is produced by laying
different colours on top and
varying the pressure of each
to achieve an infinite range
of tints and tones.
LINE AND WASH
Use a pen or non-soluble pencil to outline
your drawing and then colour in areas with
a watersoluble pencil or apply with a soft
brush to produce subtle areas of shading.
BRACELET SHADING
This method of shading follows
the contours of the form being
drawn, giving the illustration
a 3D effect.
22
POINTILLISM
To create a sparkling effect,
draw dots of different sizes,
densities and colours. This can
give the appearance of a single
colour when viewed from a
distance. An ideal technique
for small drawings.
BURNISHING
To burnish pigment together, rub either a
tortillon or white coloured
pencil across the colours
you have already laid
down. This technique
allows you to
blend as
well as
lighten the
colours and is
ideal for precise
and controlled
highlighting.
WASH EFFECTS
To create washes, brush clean
water over the surface of the
paper. Then scrape minute
particles from the pencil
strip with a knife into
the water. Wash over
with a large brush.
23
Techniques
HATCHING
GRADATIONS
Draw a series of parallel lines
closely together to create a tonal area.
To achieve greater depth, simply increase
the width and density of the lines.
FEATHERING
CROSS HATCHING
In this technique, an
area of tone or colour
is lightly drawn with
short strokes over
which the same or
another colour can
be used,still allowing
the original strokes
to show through.
As with hatching, draw two
or more sets of parallel
lines crossing each other at
an angle to create even greater
density of tone
and
colour.
These are smooth transitions
from a light to a darker tone
or from one colour to another.
The density of colour achieved
will vary depending on
the amount of pressure
applied to the
pencil.
SCRAPING
To add textural
interest to your
work scrape the
point of the pencil,
using
a scalpel,
over a
prewetted
area and
let the pieces
of the strip fall
onto the wet
surface. Several
colours can be
added for effect.
FROTTAGE
Lay a sheet of
paper over a
textured surface
such as wood, sandpaper,
stone or rough woven material,
then rub over the surface with a
soft pencil until the texture
shows through.
OVERLAYING
BLENDING
Lay colours on top of each
other to create new colours
and hues. This technique can
produce considerable depth
and richness of tone.
This is produced by laying
different colours on top and
varying the pressure of each
to achieve an infinite range
of tints and tones.
LINE AND WASH
Use a pen or non-soluble pencil to outline
your drawing and then colour in areas with
a watersoluble pencil or apply with a soft
brush to produce subtle areas of shading.
BRACELET SHADING
This method of shading follows
the contours of the form being
drawn, giving the illustration
a 3D effect.
22
POINTILLISM
To create a sparkling effect,
draw dots of different sizes,
densities and colours. This can
give the appearance of a single
colour when viewed from a
distance. An ideal technique
for small drawings.
BURNISHING
To burnish pigment together, rub either a
tortillon or white coloured
pencil across the colours
you have already laid
down. This technique
allows you to
blend as
well as
lighten the
colours and is
ideal for precise
and controlled
highlighting.
WASH EFFECTS
To create washes, brush clean
water over the surface of the
paper. Then scrape minute
particles from the pencil
strip with a knife into
the water. Wash over
with a large brush.
23