The Iowa Review Volume 17 Issue 1 Winter Article 22 1987 Looking at a Photograph of My Father at My Age Jeffrey Skinner Follow this and additional works at: http://ir.uiowa.edu/iowareview Part of the Creative Writing Commons Recommended Citation Skinner, Jeffrey. "Looking at a Photograph of My Father at My Age." The Iowa Review 17.1 (1987): 75-76. Web. Available at: http://ir.uiowa.edu/iowareview/vol17/iss1/22 This Contents is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in The Iowa Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. others?), and god knows I no longer blame the pleasant receptionist who one hundred three questions must ask times a to return she wants day, while only to the for sexual attraction rating in Redbook; or the manager doing his best to rise, to think, someday, he trembles to an enclosed office on row, mahogany his service awards and aged brandy and elegant in the glass cabinet; or the ones who believed TV promises hushed and now sit before terminals, pale green light like a sigh on their faces; or the guys trading in the mailroom, numbers half joking, half praying for the combination thatmight land them in the local paper, their arm around a woman with an uncertain smile; or even ones the strong willed each noon from glassy clouds, the ones who've learned to say three things at once without anger and appear kind, who descend some are their even teeth?for showing one of them unnatural. kind, and not I light a third keeps me waiting. The painting check my watch. cigarette, on the is wall before me, calm, lobby right My client inside easy to look at, so little movement to describe. it is impossible I touch my forehead and my fingers smear a thin line of moisture. Looking The The receptionist at a Photograph graying brushcut is waving. of my Father at My Age stands up like a warning: This black andwhite face is square, lean and dangerous. Seven years out of the FBI and he 75 University of Iowa is collaborating with JSTOR to digitize, preserve, and extend access to The Iowa Review ® www.jstor.org still wears the SI trenchcoat. Hands in pockets, at a curl in lips, one eye squinting cigarette . . . The is only partial? of smoke. posing never worked vice in Harlem undercover Bogart or chased a racketeer of Buffalo. As my The hunger down a reticence outweighing the frozen streets is real. flat cruelty of the mouth for the tales was real, sometimes in by Hoover trained (whose scary pug face guarded the den wall), and I'd get one bare bones cops and robbers Iwanted before bed. How much those shoulders! ? Level andwide enough to hold my sister one and me, one brandys, to a side. He'd do kip-ups, between flipping arm push-ups on our Levitt own lawn, my friends hamburgers awed into quiet. This was about the time I began to withdraw, amazed to find more love for Kipling than hardball. Mixing my Gilbert in the attic, chemicals stroking a wan guitar. . . . I slip the photograph back under drafts of old study my face in the bathroom mirror. to resemblence Enough imagine us as brothers, the one to step in perhaps?the photograph work, the reflection when caused a fight in some bar. a little some compose might a sweet poem, to smooth out the thing, photograph's She'd be touchy, emotional, shadow wife. crisp Later, the reflection to his strength. Mum guardian of his weakness. A Grace Let's have no more poems, and we So much 76 J remember at least not until can move easily lunatic pruning the self thaws in more out than one direction. in a dead garden,
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