mozart THE MARRIAGE OF FIGARO When Only The Best Will Do THE MARRIAGE OF FIGARO VOLUME 40 ISSUE 3 18 ALL I NEED TO KNOW I LEARNED FROM COMIC OPERA Jonathan Dean 20 AIDAN LANG’S CINEMATIC FIGARO Travis Vogt 44IN MEMORIAM: GIO ROSS Production Essentials 10 The Marriage of Figaro Production Sponsors 11 The Cast of The Marriage of Figaro 12 The Story of The Marriage of Figaro 13 About the Artists 16Chorus 16Orchestra 39 Season Program and Event Sponsors Departments Seattle Opera Editor Jessica Murphy Moo Graphic Design Karin Kough, Art Director Kelly Colglazier Photo Researcher Monte Jacobson The Marriage of Figaro Contributing Editors Mary Brazeau Jonathan Dean Ed Hawkins David McDade Rob Wiseman Cover Image: Wade Kernot and Emma Pearson, 2010 New Zealand Opera Marriage of Figaro © Neil McKenzie 6 Service Directory 7 From the General Director 8 Board of Directors 9 From the President 22 Seattle Opera Staff 23 Staff Chat 24 Annual Fund 26 Institutional Donors 27 In-Kind Sponsors 27 Volunteer Fundraising 28 Leadership Circle 29 Individual Donors 40 Seattle Opera Foundation 42 The Campaign for Seattle Opera 45 Upcoming Events 47 Amusements 47 Online at seattleopera.org 3 January 2016 Volume 40, No. 3 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Gwendolyn Fairbanks, Ann Manning Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Ad Services Coordinator Carol Yip Sales Coordinator Leah Baltus Editor-in-Chief Paul Heppner Publisher Marty Griswold Associate Publisher Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor TRISHA BROWN DANCE COMPANY FEB 4-6 FINAL PERFORMANCES OF THE LEGENDARY CHOREOGRAPHER’S STAGE WORK PRESENT TENSE / Son of Gone Fishin’ / Rogues / You can see us 206-543-4880 | UWWORLDSERIES.ORG 4 Amanda Manitach Visual Arts Editor Paul Heppner President Mike Hathaway Vice President Marty Griswold Director of Business & Community Development Genay Genereux Accounting Sara Keats Marketing Coordinator Ryan Devlin Events / Admin Coordinator Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. ©2016 Encore Media Group. All rights reserved. Reproduction without written consent of Seattle Opera and Encore Media Group is prohibited. Seattle Opera 2015/16 Season This sneak peek behind the scenes comes to you from Portland Opera’s costume and prop shops. The sets from the Maurice Sendak production of The Magic Flute were destroyed by a hurricane years ago, but we are rebuilding them for the opening work of our inaugural Spring/Summer Season. Plan today to join us for the world re-premiere of this sparkling masterpiece! 2016 Portland Opera EXPERIENCE THE MAGIC FLUTE Mozart May 6, 8m, 12, 14 Keller Auditorium SWEENEY TODD Sondheim June 3, 5m, 9, 10, 11 Keller Auditorium EUGENE ONEGIN Tchaikovsky July 8, 10m, 14, 15, 17m, 23 & 26 Newmark Theatre THE ITALIAN GIRL IN ALGIERS Rossini July 22, 24m, 27, 29, & 31m; August 4 & 6 Newmark Theatre Packages On Sale Now 503-241-1802 | 866-739-6737 Photos © Jonathan Ley PortlandOpera.org SEATTLE OPERA DIRECTORY Unless otherwise indicated, the following numbers are in the 206 area code. Seattle Opera Audience Services Phone: 389.7676 Outside Seattle: 800.426.1619 For TTY Service: 800.833.6388 Fax: 389.7689 24-Hour Information Line: 676.5800 Tickets Online: www.seattleopera.org Group Sales: 676.5588 Website: www.seattleopera.org Seattle Opera Donor Services Phone: 389.7669 E-mail: [email protected] Norcliffe Room reservations: 389.7669 or [email protected] Seattle Opera Administrative Offices Phone: 389.7600 Fax: 389.7651 1020 John Street Seattle, WA 98109-5319 Two blocks west of Fairview Website: www.seattleopera.org 2016/17 SEASON © Philip Newton Marion Oliver McCaw Hall Location: 321 Mercer Street Phone: 733.9725 www.mccawhall.com Head Usher: 733.9722 Security Office: 733.9735 For TTY Service: 684.7100 Restaurant—Prelude: 615.0404 Ticket Donations (day of show): 676.5544 Lost and Found: 684.7200 and 684.7192 Parking: 684.7340 Traffic and Transportation Hotline: 233.3989, ext.1 Monorail: 905.2620 and 396.5009 Hall Rental: 684.7103 Seattle Center Information: 684.7200 FREE PARKING WHEN YOU SUBSCRIBE TODAY Visit the Subscription Desk in the Grand Lobby. Current subscribers: bring your Figaro ticket stub or your invoice. PHONE ONLINE 206.389.7676 seattleopera.org/subscribe2016 SEASON SPONSOR: SEATTLE OPERA GUILD IN MEMORY OF MARIAN E. LACKOVICH & CAPTAIN LOUIS J. LACKOVICH 6 Amusements: Gifts of Artistic Expression Hours: 5:00 p.m. for evening performances and 11:30 a.m. for matinee performances; during intermissions Phone: 774.4990 E-mail: [email protected] Gift Shop Manager: Kate Farwell Amusements is operated jointly by Seattle Opera and Pacific Northwest Ballet. BRAVO! Phone: 389.7676 E-mail: [email protected] Seattle Opera Guild Phone: 232.8723 E-mail: [email protected] Seattle Opera Guild is an organization independent of Seattle Opera. The Sowing Circle Phone: 676.5516 E-mail: [email protected] Wagner and More (WAM) Phone: 389.7669 E-mail: [email protected] Seattle Opera 2015/16 Season © RICK DAHMS FROM THE GENERAL DIRECTOR I am often asked the deceptively simple question “What is your favorite opera?” Having devoted my entire working career to this art form, I can tell you it is an impossible question to answer. During that time, I have put on works that span the entire range of the operatic canon: from Monteverdi to the contemporary, from the cornerstones of the repertoire to works that sit on the outer fringes of obscurity; and I have pretty much loved them all. But if pressed, if forced to choose one opera that I would take with me if abandoned on a desert island, it would have to be the opera you will be seeing tonight: The Marriage of Figaro. I said ‘seeing’ rather than ‘hearing’ because seeing is a vital part of the Figaro experience. I can think of many works where the music, rather than the drama, provides the chief point of interest; but not so The Marriage of Figaro. It demands to be experienced in the theater. It is often said that its plot is the most complicated of all opera, but this is something to be relished and not to be feared. Its complexity is part of its raison d’être. Life is complicated, and Figaro reflects that. Indeed, the more convoluted the situations that the characters find themselves in, the more we enjoy it. But while The Marriage of Figaro is constructed in the manner of a farce, there is a lot more to the piece than just its storyline. Mozart’s music fleshes out his characters to an extraordinary degree, and whatever their foibles and weaknesses, he imbues each of them with warmth and humanity. These are real people on the stage, people with whom we can readily identify. We must identify with them if we are to comprehend the next level of the work. For what we see on stage is a microcosm of society, a palace that encompasses an entire social system—but one on the verge of collapse. Servants plot against their masters, and the sense of social and moral duty that is the mark of a true aristocrat is compromised by the behavior of the head of this particular household, Count Almaviva. It is hardly surprising that the French Revolution was just around the corner. The Marriage of Figaro has cropped up at significant points throughout my life and career. It was in fact the first professional opera I ever saw, the first production I worked on at the Glyndebourne Festival, the first opera I presented during my stint at Opera Zuid in the Netherlands and the first piece I directed for New Zealand Opera, the same production we give you this evening. It has never once lost its freshness for me, and has remained as relevant to the human condition as it was when it was first written. So sit back and enjoy the ride, for you are about to embark on one of the greatest experiences that opera has to offer. The Marriage of Figaro 7 BOARD OF DIRECTORS 2015/16 Season Chairman John F. Nesholm President Maryanne Tagney Treasurer Robert Comfort Secretary Moya Vazquez Vice Presidents Thomas H. Allen Susan Macgregor Coughlin James D. Cullen Robert Fries Diana Gale Richard Gemperle Ron Hosogi Brian Marks Bruce R. McCaw Louise Miller Steven C. Phelps James David Raisbeck Jonathan Rosoff Stephen A. Sprenger John Starbard John Sullivan William T. Weyerhaeuser Directors Willie C. Aikens Richard Albrecht Kim A. Anderson Toby Bright Brenda Bruns, M.D. Jonathan Caves Gregory Chan, M.D. Janice C. Condit Charles B. Cossé Susan Detweiler, M.D. Carolyn Eagan Paul Goodrich Jeffrey Hanna Jim L. Hodge Kennan Hollingsworth, M.D. Gary Houlahan Bruce E. H. Johnson Tom McQuaid Brendan Murphy Rosemary W. Peterson Tom Puentes Matthew Segal Martha Sherman Russell F. Tousley James Uhlir Susanne Wakefield, Ph. D Joan S. Watjen Judith A. Whetzel Scott Wyatt Advisory Board Connie Bloxom John M. Bloxom, Jr. Beverly Brazeau Norma B. Croco David R. Davis Jane Davis Betty Hedreen Victoria Ivarsson Betty McCurdy James G. McCurdy Linda Nordstrom Judy Schuchart Eulalie Schneider Virginia B. Wright Honorary Life Members Beverly Brazeau Susanne F. Hubbach Donald L. Johnson Duff Kennedy Michael M. Scott Seattle Opera Foundation Jeffrey Hanna, President James D. Cullen Sandra B. Dunn Jay Lapin Steven C. Phelps Anne M. Redman Maryanne Tagney, ex officio Michael Tobiason Moya Vazquez Past Presidents Norma B. Croco Albert O. Foster† Max E. Gellert† Harold H. Heath† H. Dewayne Kreager† Francis A. LeSourd† James M. McDonald Jr.† Stanley N. Minor John F. Nesholm Sheffield Phelps† Steven C. Phelps Russell F. Tousley Richard S. Twiss William T. Weyerhaeuser Howard S. Wright† Representatives to the Board Christine Szabadi, Seattle Opera Guild Gail Neil, Seattle Opera Chorus Eoin Hudson, BRAVO! Eric Jacobs, The Seattle Symphony and Opera Players’ Association † Deceased 8 Seattle Opera 2015/16 Season FROM THE PRESIDENT © JONATHAN VANDERWEIT When the curtain rises on The Marriage of Figaro, you are going to see and, I hope, understand why this production was for at least this member of the Search Committee a factor in selecting Aidan Lang as General Director. When the Search Committee is in Seattle and the candidate is 7007 miles away in Auckland, Google becomes a very good friend. Many of the committee members spent significant time looking at YouTube snippets of various productions from all the candidates. What we saw of this production, which Aidan directed while holding down the job of General Director of New Zealand Opera, convinced many of us that he was someone with great artistic vision, who dared to mix tradition with experiment and had the experience and ability to pull it all off. For me, the information that the costumes used recycled denim contributed by local people, a decision made to foster community engagement and ownership, was a clue about Aidan’s willingness to experiment even within a period costume production and to incorporate current values (Reduce, Reuse, Recycle!) into an historic setting. So now Seattle audiences are getting the benefit of Aidan’s past life as a director as he repeats his balancing act of directing one of our operas while also holding the reins of the whole company. The other exciting happening this month is the announcement of our 2016/17 season. All the information, whether in print or online, looks incredible in our new colors, format, and style. I hope you will agree with me that the website and brochures are truly eye-catching as well as SO. informative and SO. much easier to use! Our 2016/17 season includes two operas that are completely new to Seattle Opera, The Wicked Adventures of Count Ory and Katya Kabanova; a Hansel & Gretel production from Glyndebourne (see some great clips on YouTube); a modern, dramatic, and unusual staging of La traviata from English National Opera/Oper Graz; and finally a return of our own much-loved Magic Flute. Seattle can’t get enough of Zandra Rhodes’s costumes! And along with an inspiring number of artists making their debut we also have some local favorites such as Lawrence Brownlee as Count Ory, with Sarah Coburn as his Countess, and later in the season Sarah Larsen as Hansel and Marcy Stonikas as Gertrude. Our former Young Artists are making a strong showing this season. I am also glad to see two female artists in leadership roles on our creative teams next season—a rarity in the opera world. Director Lindy Hume heads the team for our new production of Count Ory. Julia Jones, acknowledged as one of Britain’s most successful conductors, leads our Magic Flute. With this wonderful array of future performances I hope that if you are not already a subscriber you will consider becoming one for the upcoming season. If you already are a subscriber or donor, I thank you. Subscribing gives you the flexibility of changing your “opera night” if necessary—a very useful benefit in most people’s busy lives— and gives us, Seattle Opera, very meaningful support. —Maryanne Tagney, President, Seattle Opera Board of Directors The Marriage of Figaro 9 © NEIL MACKENZIE PRODUCTION SPONSORS ANN P. WYCKOFF MICROSOFT 10 Seattle Opera 2015/16 Season THE MARRIAGE OF FIGARO Music by Wolfgang Amadeus Mozart Libretto by Lorenzo da Ponte This production is dedicated to the memory of Angelamaria “Gio” Ross. Premiere: Vienna, Burgtheater, May 1, 1786 Seattle Opera Premiere: January, 1971 Performed at Marion Oliver McCaw Hall: January 16, 17m, 20, 23, 24m, 27, 29, and 30, 2016. In Italian with English captions. Performances 7:30 p.m. Matinees 2:00 p.m. Latecomers and those who leave during the performance will not be seated once the music begins. Acts I and II: 1 hour 35 minutes Intermission: 30 minutes Acts III and IV: 1 hour 15 minutes CONDUCTOR LIGHTING DESIGNER Gary Thor Wedow Duane Schuler STAGE DIRECTOR CHOREOGRAPHER Aidan Lang † Wade Madsen SET DESIGNER HAIR AND MAKEUP DESIGNER Robin Rawstorne † Joyce Degenfelder COSTUME DESIGNER ENGLISH CAPTIONS Elizabeth Whiting † Jonathan Dean CAST (in order of vocal appearance) FIGARO DON BASILIO Shenyang † (1/16, 20, 23, 27, and 30) Aubrey Allicock (1/17, 24m, and 29) Steven Cole SUSANNA Bernarda Bobro † (1/16, 20, 23, 27, and 30) Caitlin Lynch (1/17, 24m, and 29) Nuccia Focile (1/16, 20, 23, 27, and 30) Laura Tatulescu † (1/17, 24m, and 29) MARCELLINA Margaret Gawrysiak DR. BARTOLO Arthur Woodley † Seattle Opera debut Margaret Gawrysiak, Caitlin Lynch, Amanda Opuszynski, Elizabeth Pojanowski, and Morgan Smith are former Seattle Opera Young Artists. A New Zealand Opera Production. English captions by Jonathan Dean © 2016 Seattle Opera. Makeup provided by M·A·C. The fortepiano is a replica of an Anton Walter instrument (Vienna, 1795) built by Rodney Regier of Freeport, ME, and is from the keyboard-instrument collection of Tamara Friedman and George Bozarth in Seattle. Opera presentation and production © 2016 Seattle Opera. Copying of any performance by camera, audio, or video recording equipment, and by any other copying device, and any other use of such copying devices during the performances is prohibited. The Marriage of Figaro COUNTESS ALMAVIVA ANTONIO Charles Robert Austin † DON CURZIO Alasdair Elliott BARBARINA CHERUBINO Amanda Opuszynski Karin Mushegain (1/16, 20, 23, 27, and 30) Elizabeth Pojanowski † (1/17, 24m, and 29) BRIDESMAIDS COUNT ALMAVIVA Jennifer Bromagen Melissa Plagemann Morgan Smith (1/16, 20, 23, 27, and 30) John Moore † (1/17, 24m, and 29) ASSISTANT CONDUCTOR MUSICAL PREPARATION Philip A. Kelsey Philip A. Kelsey, David McDade, John Keene ASSISTANT DIRECTOR Dan Wallace Miller CHORUSMASTER STAGE MANAGER Yasmine Kiss John Keene 11 SYNOPSIS A castle–the home of the Count and Countess Almaviva–near Seville, in the late 1700s ACT I Figaro and Susanna, the valet and maid of Count and Countess Almaviva, are to marry today. Susanna tells Figaro that the Count has been trying to seduce her, and Figaro vows to teach the Count a lesson. Meanwhile, Dr. Bartolo, still seeking vengeance on Figaro for the events of The Barber of Seville, consults with his former servant, Marcellina. She is determined to collect on an old loan made to Figaro. According to the terms, Figaro must either pay her back or marry her. Marcellina fights with her younger rival, Susanna. The teenage page Cherubino wants Susanna to plead on his behalf with the Countess to reinstate him in the Count’s good graces—the Count has banished Cherubino from the castle after finding him with the gardener Antonio’s daughter, Barbarina. They hear the Count approaching, and Cherubino hides. The Count attempts to arrange a rendezvous with Susanna, and he, too, hides when Don Basilio, the music teacher, arrives. When Basilio gossips about Cherubino’s crush on the Countess, the jealous Count steps forward. He is telling the story of how he found Cherubino with Barbarina when he discovers Cherubino in yet another compromising situation. Figaro enters and tries to force the Count to marry him to Susanna on the spot. But the Count delays the wedding and orders Cherubino to enlist in his personal regiment in the army. ACT II The Countess is heartbroken by her husband’s philandering. Susanna sympathizes with her. Figaro enters and explains his plan to the ladies: he has sent the Count an anonymous note telling him that the Countess is expecting a lover while the Count is out hunting. Figaro hopes to keep the Count embroiled in this ruse to deflect his attention from Marcellina’s troublesome claim. Figaro also asks Susanna to arrange a rendezvous with the Count later that evening in the garden; Cherubino, dressed as a girl, will go in Susanna’s place. The Count will be caught in the act and forced to mend his ways. The Countess and Susanna begin to disguise Cherubino. Susanna steps out for a moment. The Count arrives in a jealous fury, having read the anonymous note. He knocks on the bedroom door and finds it locked. The Countess, terrified, hides Cherubino in the closet and then lets the Count in. Susanna re-enters, unnoticed. The Countess refuses to unlock the closet, so the Count leaves, taking the Countess with him, in search of tools to break the lock. Susanna helps the boy escape through the window, and then she hides in the closet, surprising both the Count and Countess when they find her there. Figaro arrives and tries to get everyone to come to the wedding festivities. When the gardener enters and claims someone has jumped out of the window, Figaro takes the blame. Marcellina bursts in with Bartolo and Basilio and demands her case against Figaro be heard. INTERMISSION ACT III The Countess alters Figaro’s plan: Susanna will ask the Count to meet her in the garden that evening, but instead of Cherubino, the Countess will go in her place. The Count eagerly agrees to meet Susanna, but he hears her tell Figaro that they have already “won the case” and he is once again filled with suspicion. The Countess remembers her love for the Count when they first met, and still cares enough to brave danger to win him back. Don Curzio, chosen by the Count to hear Marcellina’s case, judges that Figaro must either pay off his debt or marry Marcellina. Figaro claims that, as the son of an aristocrat, he cannot marry without the consent of his parents, and since he was a foundling, he doesn’t expect to be able to find them. Hearing the story of his childhood abduction, Marcellina realizes that she is Figaro’s mother and that his father is Dr. Bartolo. Susanna re-enters with money the Countess has given her to pay off Figaro’s debt. Enraged at first at seeing Figaro embrace Marcellina, Susanna calms down when she learns that Figaro has found his parents, who plan to wed that very day. The Countess dictates a note for Susanna to give to the Count, specifying the location of their supposed rendezvous later that evening in the garden. During the double wedding (of Figaro to Susanna and Bartolo to Marcellina), Susanna slips this note to the Count. The Count is to return a pin used to seal the note as an acknowledgment that he will meet her. He gives the pin to Barbarina to give to Susanna. ACT IV Barbarina is looking both for Cherubino and for the pin the Count gave her. She tells Figaro about Susanna’s pin, and he jumps to the conclusion that Susanna really is planning to betray him. Crushed, he hides in the garden and plans his revenge. Susanna and the Countess arrive and switch cloaks to disguise themselves as each other. Their scheme to fool the Count is disrupted by 12 the inopportune arrival of Cherubino. Figaro eventually realizes what is going on and gets even with Susanna by wooing her in her Countess disguise. Mistaking Susanna for his wife, the Count attempts to shame her publicly, but when the real Countess appears, the Count is the one who must ask for forgiveness. Seattle Opera 2015/16 Season ARTISTS AUBREY ALLICOCK Figaro JOYCE DEGENFELDER Hair and Makeup Designer (Los Angeles, CA) Bass-Baritone (Tucson, AZ) Seattle Opera Debut: Cesare Angelotti, Tosca (’15) Recently: Uncle Joe/Rangwan, Koanga (Wexford Festival Opera); Argante, Rinaldo (Glyndebourne Festival Opera); Mamoud, The Death of Klinghoffer (Metropolitan Opera) Upcoming: Cadmus, Semele (Opera Omaha); Iron Mullah, Shalimar the Clown (world premiere by Jack Perla at Opera Theatre of St. Louis); Soloist, El niño (Stichting Omroep Muziek, Amsterdam) CHARLES ROBERT AUSTIN Antonio Seattle Opera Debut: Parsifal (’03) Previously at Seattle Opera: The Pearl Fishers (’15); Nabucco (’15); Ariadne auf Naxos (’15) Recently: Come From Away (Seattle Repertory Theatre); Chitty Chitty Bang Bang (Seattle Children’s Theater); The Nutcracker (Pacific Northwest Ballet) Upcoming: Constellations (Seattle Repertory Theatre); Brooklyn Bridge (Seattle Children’s Theater); Assassins (A Contemporary Theatre) ALASDAIR ELLIOTT Don Curzio Bass (Seattle, WA) Seattle Opera Debut Recently: Bluebeard, Bluebeard’s Castle (Virginia Arts Festival, Buffalo Philharmonic, and Seattle Symphony); Soloist, Belshazzar’s Feast (Virginia Symphony); Praise-God Tewke, Merry Mount (Rochester Philharmonic Orchestra at Carnegie Hall) BERNARDA BOBRO Countess Almaviva NUCCIA FOCILE Susanna Soprano (Maribor, Slovenia) Seattle Opera Debut Recently: Tytania, A Midsummer Night’s Dream (Grand-Théâtre de Genève); Violetta, La traviata (New National Theatre Tokyo); Gretel, Hansel und Gretel (Opéra National de Paris) Upcoming: Donna Anna, Don Giovanni (Oper Stuttgart) STEVEN COLE Don Basilio Tenor (Baltimore, MD) Seattle Opera Debut: Goro, Madama Butterfly (’89) Previously at Seattle Opera: Spalanzani, The Tales of Hoffmann (’14); Spoletta, Tosca (’08); Nick, La fanciulla del West (’04) Recently: Don Buscone, Veremonda (Spoleto Festival USA); Abbé de Chazeuil, Adriana Lecouvreur (Opéra Nice) Upcoming: Don Basilio, The Marriage of Figaro (Lyric Opera of Kansas); Creation/Creator (world premiere by Christopher Theofanidis at Atlanta Symphony); Recital (Kennedy Center) The Marriage of Figaro Tenor (Hamilton, Scotland) Seattle Opera Debut: Spoletta, Tosca (’15) Recently: Bardolfo, Falstaff (Royal Opera Covent Garden); Red Whiskers, Billy Budd (Glyndebourne Festival); First Jew, Salome (Netherlands Opera) Upcoming: Balthazar Zorn, Die Meistersinger von Nürnberg (Glyndebourne Festival); various roles, The Nose and Innkeeper, Der Rosenkavalier (Royal Opera Covent Garden) Soprano (Militello, Sicily) Seattle Opera Debut: Tatyana, Eugene Onegin, (’02) Previously at Seattle Opera: Violetta, La traviata (’09); Nedda, Pagliacci (’08); Iphigénie, Iphigénie en Tauride (’07) Seattle Opera Artist of the Year: Elle, La voix humaine (’13) Recently: Despina, Così fan tutte (Houston Grand Opera); Mimì, La bohème (New Israeli Opera); Musetta, La bohème (Royal Opera Covent Garden) Upcoming: Concerts in Berlin and San Francisco MARGARET GAWRYSIAK Marcellina Mezzo Soprano (Geneseo, IL) Seattle Opera Young Artist: 2007/08; 2008/09 Seattle Opera Debut: Vera Boronel, The Consul (’14) Recently: Marquise, The Daughter of the Regiment (Arizona Opera); Mrs. DeRocher, Dead Man Walking (Dayton Opera); Ježibaba, Rusalka (North Carolina Opera) Upcoming: Mistress Hibbons, The Scarlet Letter (Opera Colorado); Mrs. Lovett, Sweeney Todd (Townsend Opera) 13 ARTISTS CONT. AIDAN LANG Stage Director JOHN MOORE Count Almaviva Selected by the Seattle Opera Board of Directors after a two-year, international search process, Aidan Lang became Seattle Opera’s General Director on September 1, 2014. He served as General Director of New Zealand Opera from 2006 to 2013 and has also held positions of artistic leadership at Buxton Festival, Glyndebourne, and Opera Zuid. As a freelance director, Lang staged the first Brazilian production of Wagner’s Ring at the historic Teatro Amazonas in Manaus. Other noted productions include Count Ory (Welsh National Opera), Monteverdi’s Il ritorno d’Ulisse in patria (Lisbon), The Turn of the Screw (Salzburg), and the British premieres of The Magic Fountain by Frederick Delius (Scottish Opera) and Cornet Christoph Rilke’s Song of Love and Death by Siegfried Matthus (Glyndebourne). CAITLIN LYNCH Countess Almaviva Soprano (Detroit, MI) Seattle Opera Debut: Micaëla, Carmen (’11) Seattle Opera Young Artist: 2006/07 Recently: Marguerite, Faust (Michigan Opera Theatre); Yadwiga, Enemies, A Love Story (Palm Beach Opera); Dvořák’s Stabat Mater (Omaha Symphony) Upcoming: Donna Anna, Don Giovanni (English National Opera); Violetta, La traviata (Chautauqua Opera); Out of Darkness, world premiere by J. Heggie (Music of Remembrance) WADE MADSEN Choreographer (Albuquerque, NM) Seattle Opera Debut: Don Giovanni (’07) Previously at Seattle Opera: Ariadne auf Naxos (’15); Don Giovanni (’14); The Marriage of Figaro (’09) Professor of Dance, Cornish College of the Arts and Instructor, Velocity Dance Center Other Credits: ACT, Bellingham Repertory Dance, Bumbershoot, D-9 Dance Collective, On the Boards, Rockhopper Dance, Seattle Dance Project, Spectrum Dance Theater, Seattle Repertory Theatre, Seattle Shakespeare 14 Bass (Milford, IA) Seattle Opera Debut Recently: Figaro, The Barber of Seville (Opera Omaha); Count Almaviva, The Marriage of Figaro (Atlanta Opera); Papageno, The Magic Flute (Metropolitan Opera) Upcoming: Tadeusz, The Passenger (Florida Grand Opera); Papageno, The Magic Flute (Portland Opera); Adario, Les Indes galantes (Munich Opera Festival) KARIN MUSHEGAIN Cherubino Mezzo Soprano (Pasadena, CA) Seattle Opera Debut: Cenerentola, La Cenerentola (’13) Recently: Zerlina, Don Giovanni (Austin Lyric Opera); El Gato, El Gato con botas (Gotham Chamber Opera); Rosina, The Barber of Seville (Lyrique en mer, France) Upcoming: Cenerentola, La Cenerentola (Bob Jones University) AMANDA OPUSZYNSKI Barbarina Soprano (Menlo Park, CA) Seattle Opera Young Artist: 2010/11; 2011/12 Seattle Opera Debut: Frasquita, Carmen (’11) Previously at Seattle Opera: Naiad, Ariadne auf Naxos (’15) Recently: Micäela, Carmen (St. Petersburg Opera); Messiah (Orchestra Seattle); Frasquita, Carmen (Pacific Symphony Orchestra) Upcoming: Musetta, La bohème (South Dakota Symphony); Clorinda, La Cenerentola (Boston Symphony); Bess Erne, Riders of the Purple Sage (world premiere by C. Bohmler at Arizona Opera) ELIZABETH POJANOWSKI Cherubino Mezzo Soprano (Astoria, New York) Seattle Opera Debut Seattle Opera Young Artist: 2007/08, 2008/09 Recently: Sadie, Morning Star (Cincinnati Opera); Dorabella, Così fan tutte (Annapolis Opera); Mercédès, Carmen (Cincinnati Opera) Upcoming: Isolier, Count Ory (Loft Opera) Seattle Opera 2015/16 Season ROBIN RAWSTORNE Set Designer (Auckland, New Zealand) LAURA TATULESCU Susanna Seattle Opera Debut Recently: Creative Director, ‘The Idea Collective’ at MOTAT (exhibition showcasing New Zealand innovation); Set Designer, Moko (Atamira Dance Company, Sky City Theatre, Auckland, NZ); Creative Director, ‘Fascination Porsche’ (modular exhibition touring China to showcase Porsche brand) Upcoming: Designer, James Watson Reserve Pavilion (Auckland, NZ); Set Designer, RUAMOKO Project (Atamira Dance Company and Auckland Philharmonic Orchestra for Auckland International Arts Festival 2016); Designer, Interior of Children’s Library, Auckland Soprano (Munich, Germany) Seattle Opera Debut Recently: Helena, A Midsummer Night’s Dream and Blanche, Dialogues of the Carmelites (Stadttheater Klagenfurt); Serpetta, La finta giardiniera, and Despina, Così fan tutte (Bavarian State Opera) Upcoming: Norina, Don Pasquale (Florida Grand Opera); Marzelline, Fidelio (Cincinnati Opera); Musetta, La bohème (Maggio Musicale Fiorentino) DUANE SCHULER Lighting Designer (Elkhart Lake, WI) Seattle Opera Debut: Giulio Cesare (’07) Previously at Seattle Opera: Semele (’15), Don Giovanni (’14); La voix humaine/Suor Angelica (’13) Faculty, The Juilliard School of Music Recently: Messiah (St. Thomas Choir of Men and Boys); Concerts (Alabama Symphony Orchestra); Don Giovanni (Lyric Opera of Kansas City) Upcoming: The Marriage of Figaro (Utah Opera); Gluck’s Orphée et Eurydice, Berlioz version (Des Moines Opera Festival); Dvořák Requiem (Berkshire Choral Festival) Seattle Opera Debut: Norma (’94) Previously at Seattle Opera: Nabucco (’15); Don Giovanni (’14), The Consul (’14) Recently: Bel Canto (world premiere at Lyric Opera of Chicago); Norma (LA Opera); Tosca (Houston Grand Opera) Upcoming: Der Rosenkavalier (Lyric Opera of Chicago); Maometto II (Canadian Opera Company); Béatrice et Bénédict (Glyndebourne Festival) SHENYANG Figaro Bass (Tianjin, China) Seattle Opera Debut Recently: Alidoro, La Cenerentola (Opernhaus Zurich and Washington National Opera); Figaro, The Marriage of Figaro (National Centre for the Performing Arts, Beijing); Missa Solemnis, (Sydney Symphony Orchestra) Upcoming: Escamillo, Carmen (Singapore Symphony Orchestra); Recitals (New York’s Metropolitan Museum of Art, Shanghai, Taipei); Concerts (China Philharmonic Orchestra, Shanghai Symphony Orchestra) MORGAN SMITH Count Almaviva Baritone (Seattle, WA) Seattle Opera Debut: Donald, Billy Budd (’01) Seattle Opera Young Artist: 1999/00, 2000/01 Previously at Seattle Opera: Jim, An American Dream (’15); Silvio, Pagliacci (’08); Don Giovanni, Don Giovanni (’07) Recently: Starbuck, Moby-Dick (Los Angeles Opera); Sharpless, Madama Butterfly (L’Opéra de Montréal); Escamillo, Carmen (Pittsburgh Opera) Upcoming: Don Giovanni, Don Giovanni (Arizona Opera); Four Villains, The Tales of Hoffmann (Madison Opera); Lassiter, Riders of the Purple Sage (Arizona Opera) The Marriage of Figaro GARY THOR WEDOW Conductor (LaPorte, IN) ELIZABETH WHITING Costume Designer (Aukland, New Zealand) Seattle Opera Debut Recently: Angels in America (Q Theatre); La bohème and Don Giovanni (New Zealand Opera); Lady Killers (Maidment Theatre) Upcoming: Tosca (New Zealand Opera); World of WearableArt (design competition in Wellington, exhibition touring to Seattle’s EMP in June) ARTHUR WOODLEY Dr. Bartolo Bass (New York, NY) Seattle Opera Debut: Dr. Bartolo, The Marriage of Figaro (’97) Previously at Seattle Opera: Crespel, The Tales of Hoffmann (’14); Colline, La bohème (‘13); Alidoro, La Cenerentola (‘13) Recently: Don Alfonso, Così fan tutte (Florida Grand Opera); Joe, Showboat and Father Trulove, The Rake’s Progress (Portland Opera) Upcoming: Emile Griffith, Champion (Opera Parallèle); Dick Hallorann, The Shining (world premiere by P. Moravec at Arizona Opera) 15 “smart... surprising... shocking” ARTISTS CONT. Presented in association with GOODMAN THEATRE and BERKELEY REPERTORY THEATRE CHORUS —THE NEW YORK TIMES “A dramatic triumph” —HUFFINGTON POST “BREATHTAKING! Raw and blistering.” “Profoundly moving” —SAN FRANcIScO cHRONIcLE —ASSOcIATEd PRESS Soprano Tenor Jennifer Bromagen Jennifer Ceresa Karen Early-Evans Melanie Hingson Dana Johnson Jon Farmer Tim Janecke Dustin Kaspar Joshua Quesada Stephen Wall Mezzo-Soprano Bass Lorraine Burdick Laura Eichelberger YeonSoo Lee Gail Neil Melissa Plagemann Daniel Aarthun Ryan Bede Michael Dunlap Craig Grayson Misha Myznikov ORCHESTRA Violin I Bernard White, Nisi Sturgis, J. Anthony Crane and Zakiya Young in the Goodman Theatre production of Disgraced. Photo by Liz Lauren. BY Ayad Akhtar DIRECTED BY Kimberly Senior Violin II January 8 - 31 January 22 - February 21 “Nick PayNe’s gorgeous two-character drama may be The mosT sophisTicaTed daTe play broadway has seen.” -the new york times by NICK PAYNE TICKETS ON SALE NOW 16 Michael Miropolsky Principal Gennady Filiminov Asst. Principal Steve Bryant Linda Cole Sande Gillette Andrew Yeung Viola Susan Gulkis Assadi, Principal Timothy Hale, Asst. Principal Wesly Dyring Joseph Gottesman Sayaka Kokubo Laura Renz Cello Eric Han, Principal Roberta Downey Joy Payton-Stevens Asst. Principal Chuck Jacot directed by DESDEMONA CHIANG seattlerep.org // 206.443.2222 Simon James, Concertmaster Mariel Bailey Blayne Barnes Jennifer Caine Provine Leonid Keylin Mae Lin, Asst. Concertmaster Clark Story Jeannie Wells Yablonsky season sponsor Bass Joseph Kaufman, Principal Ted Botsford Asst. Principal Flute Zartouhi Dombourian-Eby Judith Kriewall Oboe Ben Hausmann, Principal Winnie Chengwen Lai Clarinet Laura DeLuca, Principal Eric Jacobs Bassoon Seth Krimsky, Principal Eddie Burns Horn Mark Robbins, Principal Rodger Burnett Trumpet Alexander White, Principal Vince Green Timpani Matt Drum, Principal Fortepiano Philip A. Kelsey Personnel Manager Scott Wilson Assistant Personnel Manager Keith Higgins The Orchestra is composed of members of the Seattle Symphony Orchestra. Rotating members of the string section are listed alphabetically. Seattle Opera 2015/16 Season EDUCATION SPONSORS Your support ignites a passion for opera in arts lovers young and old. Seattle Opera’s learning and engagement programs connect with classrooms and neighborhood centers across the Puget Sound, establishing a firm and growing relationship with the community. We share sincere thanks for the sponsors of Seattle Opera’s Education and Community Engagement programs in the 2015/16 season. Listed below are commitments of $5,000 and more as of November 13, 2015. LEAD SPONSORS ($25,000 and more) The Boeing Company The Chisholm Foundation Classical KING FM The Hot Chocolate Fund Peach Foundation Seattle Opera Foundation True-Brown Foundation GENERAL SUPPORT ($5,000 - $24,999) C. Keith Birkenfeld Endowed Fund Brenda Bruns, M.D. and Richard Deininger Jeff Carnevali Jonathan Caves and Patricia Blaise-Caves Robert and Loretta Comfort Susan Coughlin and John Lauber William Randolph Hearst Endowed Fund Neil and Ciara Jordan James and Lora Melhorn Tom and Gretchen Puentes Seattle Opera Guild Gertrude E. Sprenger Education Endowment Stephen Sprenger COMMUNITY PROGRAMS GENERAL SUPPORT © ALAN ALABASTRO Richard B. and Barbara B. Odlin Foundation support Seattle Opera and sponsor The Marriage of Figaro. Providing exceptional opera experiences on stage and in local communities, Seattle Opera plays an important role in the Pacific Northwest’s standing as a great place to live and work. Enjoy the performance! True-Brown Foundation OPERA America’s Building Opera Audiences Grant Program Stephen Sprenger YOUTH PROGRAMS YOUTH PROGRAMS Youth Programs Lead Sponsor Microsoft and our employees are proud to THE BELONGING(S) PROJECT The Boeing Company GENERAL SUPPORT BNSF Railway Foundation Safeco Insurance U.S. Bank Foundation Peg & Rick Young Foundation YOUTH COMMUNITY PROGRAMS Dress Rehearsal Sponsor Delta Airlines Experience Opera Media Sponsor Classical KING FM IN SCHOOL PROGRAMS General Support The Clowes Fund, Inc. Costco Wholesale Carmen Elizabeth Delo Endowed Fund Perry Lorenzo Endowed Fund Dr. Stanley M. Pier Endowed Fund Scott and Jenny Wyatt/ NBBJ Wyman Youth Trust Opera Goes to School The Foster Foundation Mrs. Charlotte Totten Our Earth Peach Foundation Seattle Opera additionally acknowledges the many donors not listed here who have supported Education & Community Engagement efforts. On pages 29-36, those marked with a † symbol have made a restricted gift toward these programs. The Marriage of Figaro 17 ALL I NEED TO KNOW I LEARNED FROM COMIC OPERA By Jonathan Dean In the history of comedy, The Marriage of Figaro owes its special place to its extraordinarily perfect balance of humor and wisdom. Its philosophy, when embraced, can bring to lowly mortals a nearly divine joy. Among Figaro’s chief lessons: PEOPLE ARE WEAK. BUT THAT’S ALSO WHY WE’RE LOVEABLE. We go to tragedy to experience pity and fear as we witness how the mighty have fallen. But when we go to comedy, watching a bunch of idiots screw up their lives makes us supremely happy. We may admire or respect the mighty martyrs of tragedy; but we love the delightful, deluded dopes of comedy. Why is it so easy to connect with them? Because they’re just as flawed as we are. We recognize Figaro’s conceit, the Countess’s passivity, Cherubino’s raging hormones, Susanna’s bossiness, Bartolo’s pompous arrogance, and the Count’s quick temper and wandering eye. And the golden rule of comedy offers consolation: we know that no matter how ridiculous these people are, how foolish their choices, a happy ending awaits them. 18 THERE’S A LOT GOING ON. PAY ATTENTION! The Marriage of Figaro rewards those who keep their eyes and ears open and think on their feet. Figaro, for instance, scores big at the end because he catches every ball that comes his way. He observes Cherubino jump out the window, notices the Count prick his finger with the pin, even sees through Susanna’s disguise in the darkness of the garden. (He wins that little game, first by playing along, to get back at her for tormenting him; and then by instantly transforming her fury into affection with an argument she can’t refuse: those magic words, “I recognized the voice I love.”) Meanwhile the Count, Figaro’s antagonist in this comic plot, loses points because he’s just not that quick on the uptake. He has a hard time noticing Cherubino, who’s like his shadow, hiding everywhere he goes; he falls for the ruse of Figaro’s letter, and he bets on the wrong horse when he supports Marcellina. More damningly, he underestimates Susanna and fails to recognize his own wife, even when he’s making love to her. Lucky for him, everyone around him understands that despite all his bluster, he’s harmless, so it’s easy for them to love and forgive him. NOTHING IS CERTAIN. BUT IF YOU CAN ADAPT, YOU’LL SURVIVE. Characters in comic operas usually announce their desires, goals, and plans early on. But nothing ever goes according to plan. You think you’re singing a duet? It’ll turn into a trio (then a quartet, a quintet, and so on and on, as more and more unwelcome people crowd into wherever you are). No sooner has Character A hidden behind a curtain upstage left, than someone else will enter and hide behind a chair downstage right. Life in comic opera is constant chaos; it’s sailing in rough seas, and it’s not enough just to keep from drowning: the successful character learns how to surf. Cherubino has the right idea. He seizes every possible opportunity, whether that means kissing any available woman or going for the window when the door is locked. The Count and Figaro want to make a man of him? He goes along with it. And a few minutes later, Susanna and the Countess want to transform him into a girl? Why not! He gives everything the old college try, and at least earns an ‘E’ for effort. Seattle Opera 2015/16 Season © NEIL MACKENZIE LOVE SHOWS US OURSELVES. When a mirror isn’t available, you need a lover in order to see yourself and learn who you are. As Cherubino sings in his brilliantly paired arias, he doesn’t know who he is or what he’s doing anymore; but perhaps the ladies, who know what love is, can teach him. All personal growth in this opera is accomplished through the mechanism of love. Bartolo and Marcellina are transformed when they finally acknowledge the love that connects them to each other and to Figaro. Despite the cooling of their original ardor, the Count and Countess need each other desperately. Figaro is only Figaro because Susanna forces him to stay on top of his game. And without Figaro’s jealousy and mistrust, Susanna would never sing her Act Four love song—a fake, a cheat, and a ruse, but simultaneously the most sincere love music in the opera and her one opportunity to figure out who she really is. The Marriage of Figaro FORGIVENESS MAKES THE WORLD A GREAT GOOD PLACE. Dr. Bartolo was the villain of this opera’s prequel, The Barber of Seville. When he first comes onstage in The Marriage of Figaro, he still hasn’t forgiven Figaro, the Count, and Rosina for getting the better of him: “Forgiveness is for cowards,” he sings. But he learns better. The Marriage of Figaro is an unusually sunny piece: it has conspicuously few moments of darkness or minor keys. Its crucial, final moment of forgiveness makes this opera’s extreme happiness possible. In the context of the plot, it may be possible to dispute the wisdom of that ultimate act of forgiveness. But Mozart’s music for that scene lifts us out of the plot. None of its twists and turns matter anymore; what matters now, and we hear it, is that that spring of love will never run dry. GOD MUST EXPERIENCE CREATION AS A MAGNIFICENT ENSEMBLE COMEDY. None of the characters in The Marriage of Figaro really understands everything that happens on this exhausting, baffling, wonderful day. But we in the audience do. The clockwork brilliance of Beaumarchais’s plot, the luscious lines of Da Ponte’s verse, and Mozart’s effortlessly perfect music combine to create an adorably entertaining whirligig. We’ll never get tired of winding up this toy and playing with it; it offers a bliss that can only be described as divine. Don’t you think that’s what God feels when smiling down upon creation, watching our lives, and listening to the song of all our hearts? I just hope we put on half so good a show. 19 AIDAN LANG’S CINEMATIC FIGARO By Travis Vogt How do you make a live opera “cinematic”? Opera and film are fundamentally different forms of storytelling. For Seattle Opera General Director Aidan Lang, adapting some of the techniques of cinema became the key to bringing clarity to what is known as opera’s most complicated plot. Lang first brought this striking production to life in 2010 for New Zealand Opera, and it’s easy to understand why he was eager to share the production with audiences in Seattle. “We’re applying film logic to The Marriage of Figaro,” says Lang. “What we said was, ‘What would Robert Altman of Gosford Park do?’” The Altman comparison is spot on. Altman was enthralled with creating intense, realistic interplay between characters, trying to depict coherently how people behave and speak in real life. Characters in his films talk over each other, interrupt, fail to listen, and generally behave like autonomous beings, each with a singular and unpredictable inner life. Only in the hands of a master does this approach not result in total cacophony. Figaro is not all that different. “Figaro can so easily confuse,” says Lang. “But actually the confusion for me is the joy. But it needs to be controlled confusion.” That control is easily accomplished in film, as “complexity of plot is something which cinema is most good at.” Camera placement and editing can parcel out information in the order that best tells the story. Opera productions can’t do that. Or can they? 20 Lang’s Figaro uses cinematic techniques to draw the viewer to the most essential elements of the story while subtly clarifying elements that might be confusing to modern audiences. The movements of the meticulously designed set help the storytelling: cross-section views of multiple rooms organize the characters into groups so the viewer can easily discern who is eavesdropping on whom, who is in cahoots with whom. “It’s quite complex, but it doesn’t look complex,” Lang says. “With a number of moving panels and a moving floor, we’re able to have a structure which allows us to do what would be a cut in a film.” Eliminating any possible confusion over characters’ relationships allows the audience to appreciate the manic plotting and escalating absurdity—a farcical and pleasing kind of disorientation that had been strictly intended by Mozart and Da Ponte. Another challenge is to bridge the gap between modern audiences and those of the late eighteenth century. That’s an awfully big generational gap. Many of the social intricacies of the world in which Figaro is set can seem alien to people of the twenty-first century—particularly Americans. “Figaro was written around the time of the American Revolution, which was so successful Americans today don’t automatically understand oppressive European class systems,” Lang explains. Cinematic shorthand once again comes to the rescue, as Lang fills the space with many subtle cues that we might not consciously perceive, but which immediately register in the back of the mind. “The walls are tall, high. The characters are trapped. The smaller you go, the taller it looks. You’re meant to be dwarfed—there’s an oppressiveness to this society.” Many great films have shaved pages and pages off of their scripts by using these sorts of visual cues. Citizen Kane’s many up-angled and deep-focus shots are constantly explaining characters’ relationships without a single wasted word. Operas are usually limited to just a few different locations, but Lang’s Figaro brings multiple visual tableaus to a single act. This technique is most useful during the first and third acts, where the action is incredibly diffuse. We first meet Figaro and Susanna in the middle of the stage in narrow, confined servants’ quarters. This sliver of stage light goes all the way up Seattle Opera 2015/16 Season © PHILIP NEWTON Stage Director Aidan Lang works with Cherubino (Elizabeth Pojanowski) at a Marriage of Figaro staging rehearsal. to the rafters—their position is cramped and inescapable. (It’s so claustrophobic, it’s not even clear the marriage bed will fit—a design choice which motivates Figaro’s opening action, measuring the floor, better than a more spacious opening scene.) When we see Countess Almaviva’s room in the next act, it lavishly takes up the entire stage—with an inviting, ovular window that looks like a portal to freedom. (Eventually, of course, it is used as just that!) Lang believes that “this plot doesn’t work unless you nail not only the class system, but the lack of mobility.” Watching his Figaro, you don’t have to The Marriage of Figaro have grown up in a caste system to feel the vast gulf between Figaro’s and the Count’s experiences. The set design is a useful device, but it’s also a powerful aesthetic choice. The shifting backdrops are a single color. It’s tempting to use the term “minimalistic” to describe the sets, but once again, the visual simplicity is a functional choice Lang has employed to focus attention. Too much busyness in the backdrop adds another layer of confusion. “Rococo productions I’ve seen can be very ornate, but the performers can be so blurred,” he says. “When there’s too much going on visually, you can’t follow the action. You need to be able to zoom in, just like film.” Lang’s approach reminds me of the films of Wes Anderson, which use vivid primary colors, simple-yet-powerful designs, and precise close-ups to bring an immediate distinction to his characters. Ironically, the goal of all of these cinematic techniques is to showcase this eighteenthcentury opera to best advantage. Lang’s intention is to focus the viewer’s attention on the music and the story—“by suggesting, but not imposing a reaction.” It is an intimate, close reading of the material, but it allows you to interact with it on your own terms, which is something altogether rare in the world of film. “If you are spoon-fed your emotional response, then you are being denied a huge part of your relationship with the piece,” he says. “What opera does at its best is spark creative response in the viewer.” Lang’s thoughtful production of The Marriage of Figaro will be making a lot of sparks. Travis Vogt is a comedian, filmmaker, film buff, and writer whose column, “Going to the Opera with Grandma,” is published by Encore Arts Seattle. 21 SEATTLE OPERA STAFF Lisa Bury Director of Development Aren Der Hacopian Director of Artistic Administration Vincent A. Feraudo Director of Production ARTISTIC AND ADMINISTRATION Mary Brazeau Executive Assistant to Aidan Lang AIDAN LANG, GENERAL DIRECTOR Alvin Alexander Henry Director of Marketing and Communications Melanie G. Ross Director of Artistic Operations and Season Planning Barbara Lynne Jamison Director of Education and Community Engagement Robert D. Schaub Technical and Facilities Director EDUCATION Mark Allwein School Programs Manager Jennifer Beaty Data Analyst and Researcher Cathi Turner Executive Assistant to Melanie Ross Kristina Hammer Community Programs Coordinator Jonathan Dean Dramaturg Nick Malinowski Community Programs Manager Raluca Marinescu Artist Services Coordinator & Artistic Administration Assistant Melody Rahbari Administrative Coordinator Emmy Ulmer Titlist Dianna Jeong Intern DEVELOPMENT Janell Johnson Planned Giving Officer Isabel Bethke Development Associate ANNUAL GIVING AND DONOR SERVICES Rob Wiseman Associate Director of Development Marcella Morrow Donor Communications Manager Michael L. Moore Development Operations Manager Jacob Roy Development Operations Coordinator Ilona Davis Donor Stewardship Manager Caroline D’Ambro Donor Stewardship Associate Jennifer Potell Development Intern CAPITAL CAMPAIGN Jackie Ernst Capital Campaign Officer Krina Turner Capital Campaign Manager INDIVIDUAL GIVING Allison Rabbitt Associate Director of Development—Individual Giving Bonita Hagbom, Tracy Reich Individual Giving Officers Annie Walters Individual Giving Manager Kim Ositis Development Research Manager Catherine Merlo Individual Giving Coordinator INSTITUTIONAL GIVING Christine Johnson-Duell Foundation and Government Giving Manager Alex Kyger Corporate Giving Manager Dwight Beckmeyer, Ann Marie Caldwell, Becca Cantrell, John Coons, Casie Dietrich, Serena Eduljee, Gabriel Gargari, Paul Gauger, Michael Heitmann, Li-Tan Hsu, Tim Janecke, Rachel Kessler, Laura Loge, Jessica Milanese, Debbie Pierce, Greg Smith, Lucy Weber Teaching Artists FINANCE Marissa Betz-Zall Controller Michael Joyce Senior Financial Analyst Randee Byrd Payroll Manager SALES AND SERVICES COSTUMES Michelle M. Carrasquillo Associate Director of Marketing, Sales and Services Susan I. Davis Costume Shop Manager Dana Johnson Senior Manager of Ticketing Operations Emily van der Harten Audience Services Manager Kathryn Wahlberg Lead Audience Services Representative Alex Hagen, Stephen Jackson, Debbie McKinney, Isaac Novak, Michael Seidel, Catherine Söderlind, Kylie Steinbach, N. Donn Talenti, LaShawn Williams Audience Services Representatives Bri Ludvigsen Subscriber Relations Coordinator DIRECT SALES Dan Murphy Direct Sales Manager Bernard Pack Direct Sales Assistant Manager Mary Hobbs, Albert Sanders Senior Account Representatives Trevor Torres Payroll Assistant Lindsey Gander, Erin Hart, Virginia Jackson, James Lewis, Toni Zeigler Account Representatives INFORMATION SYSTEMS PRODUCTION Kristina Austin IT Manager Iain Quigley Desktop User Support Technician Stuart McLeod Software Systems Administrator MARKETING AND COMMUNICATIONS Kristina Murti Associate Director of Marketing Ed Hawkins Marketing Manager/Copywriter Brittany Rall Digital Marketing Manager Kelly Colglazier Graphic Designer Erika Norris Web Producer Lindsey Morck Marketing Coordinator PRODUCTION ADMINISTRATION Angie Kamel Assistant Production Director Paula Podemski Production Supervisor Meggie Watson Production Administration Assistant Jenn Holstine Production Administration Intern STAGE MANAGEMENT Yasmine Kiss Production Stage Manager Mike Janney, Thea Railey Assistant Stage Managers Madeline Levy Production Assistant Roxanne Foster Stage Management Intern MUSIC Ksenia Popova Marketing Coordinator Sarah Kern Potter Music Administrator MEDIA RELATIONS Philip A. Kelsey Assistant Conductor Jessica Murphy Moo Communications Editor Gabrielle Nomura Gainor Media Relations Manager Monte Jacobson Media Relations Coordinator David McDade Head of Coach-Accompanists John Keene Chorusmaster Emily Cabaniss Music Assistant/Company Librarian Stephen Wall Chorus Personnel Coordinator Beth Kirchhoff Chorusmaster Emeritus 22 Nancy Del Villar Vivé Director of Human Resources Richard A. Johnson Chief Financial Officer Heidi Zamora Costume Show Manager/Costume Design Coordinator Ieva Ohaks Costume Rental-Stock Coordinator Sophy Wong Costume Assistant Mary Ellen Walter Lead Cutter Lia Surprenant Crafts Supervisor Shanna Sincell Cutter Cynthia Abbott, Denise Barry First Hands Kate Hartman, Andrea Herman, Yoko Niendorf, Lacee Renhart, Laura Mé Smith, Morgana Spake, Anji Wetherill Stitchers Jim Nash Master Electrician Martin Cunningham Assistant Master Electrician Dave Hult Audio/Video Supervisor Desirae Brownlee, Chris Dimoff, Jim Gable, John Small Assistant Electricians Petrude W. Olds Jr. Properties Master Sandy Burke Assistant Properties Master Jason Montgomery Properties Assistant Candy Solie Lightboard Operator Jack Burke Master Sound Technician/Designer SCENIC STUDIOS Michael Moore Scenic Studios Manager Madeline DeGracia Wardrobe Head Phillip Lienau Associate Resident Scenic Designer Christy Kazimour Assistant Wardrobe Head Mark Schmidt Drafting HAIR AND MAKEUP Liesl Alice Gatcheco Hair and Makeup Manager Shelby Adele Rogers Lead Principal Hair and Makeup Artist Calli Day, Eva Robins, Trisha Partida, Ashlee Naegle Principal Hair and Makeup Artists MJ Fjellestad, Jenn Hill, Kelly Schmidt, Terry Wright, Patti BarilaWilmot Hair and Makeup Artists Faith Matthews Assistant Hair and Makeup Manager Danielle Hrachovek Hair and Makeup Intern TECHNICAL TECHNICAL ADMINISTRATION Robert F. Reynolds Associate Technical Director Chris Reay Assistant Technical Director Connie Yun Assistant Lighting Designer Linda Kenworthy Properties Coordinator Alicia Moriarty Technical Financial Administrator STAGE CREW Charles T. Buck Master Stage Carpenter Jack F. Harrison Assistant Master Stage Carpenter Justin Loyd Head Flyman Scot Allison, Chris Balducci, Jason Balter, Dallas Duell, Ian Gardner, Adam Lantz, Jason Wagoner Assistant Stage Carpenters Bruce Warshaw Master Scenic Carpenter George Howard Jr. Assistant Master Scenic Carpenter Scott Staheli Lead Scenic Carpenter Kitty Kavanaugh Master Scenic Artist Kevin Wilson Assistant Charge Artist Susannah Anderson, Rick Araluce, Kevin Koch Lead Scenic Artists James Easter Purchasing FACILITIES AND OPERATIONS Claudia Gallagher Associate Facilities Director Cynthia Moore Facilities and Technical Assistant Principals, stage directors, choristers, stage managers, assistant stage managers, and assistant directors employed in this production are members of the American Guild of Musical Artists AFL-CIO. The musicians are represented by the Seattle Symphony and Opera Players’ Organization, a Chapter of the International Guild of Symphony, Opera, and Ballet Musicians. Scenery construction and stage crew work is performed by employees represented by I.A.T.S.E., Local #15. Costume and wardrobe work is performed by employees represented by T.W.U., Local #887. Scenic artists and hair/makeup work is performed by employees represented by I.A.T.S.E., Local #488. Seattle Opera 2015/16 Season STAFF CHAT ROB REYNOLDS YOUR WORK SEEMS HIGHLY DETAILORIENTED. HOW LONG HAVE YOU BEEN DOING THEATER? Yes, if a designer says, “I want a white wall here,” I’d say, “What shade of white? Is it an 8-foot wall, or 7’6”?” We work out the details ahead so that when the final design goes to the shop floor, most of the questions are already answered. Since I was a student at Bellevue High School. After undergrad at Central Washington University I worked in Hawaii for several years, then moved back to Seattle to get an MFA from UW and joined Seattle Opera in December 1987 as a draftsman. My first job was to document what they were building at the shop at the time—Robert Dahlstrom’s Rigoletto. YOU SCHEDULE CREWS FOR REHEARSALS AND PERFORMANCES. HOW MANY PEOPLE, ON AVERAGE? Between carpenters, electricians, and props we average 23 people back there, but it can go up to 50 or down to 15. YOU AND YOUR COLLEAGUE CHRIS REAY TAKE TURNS ORGANIZING ALL THESE DETAILS FOR OUR SHOWS. HE DID PEARL FISHERS, AND YOU’RE DOING MARRIAGE OF FIGARO. If you had to do them all, you’d get your shows confused, or you’d burn out. There’s a lot of turnover in companies with a really intense schedule but a limited amount of people. WHAT ABOUT WHEN OTHER COMPANIES RENT SCENERY FROM US? I work with Alicia [Moriarty, Technical Financial Administrator] to execute those contracts and then I answer all their technical questions about how the scenery works. WHAT’S OUR HOTTEST-RENTING SHOW? The old Sormani Tosca we did last season. That’s gone out twice this year. If you spend the time lighting it so that it looks as rich as it can, it’s a good showcase for the singers and the story. The Marriage of Figaro 28 YEARS IS A LONG TIME...WHAT’S THE MAGNETISM OF SEATTLE OPERA FOR YOU? It’s the people. We really work as a team. There’s no reason to go somewhere else if you enjoy your colleagues and you’re continually challenged. They’re always thinking up new things for us to do. WHICH SEATTLE OPERA PRODUCTION EXCEEDED YOUR OWN EXPECTATIONS? The Chihuly Pelléas et Mélisande. We had to reproduce small glass objects on a large scale. We filled plastic bags full of air and painted them, and it looked like glass. WHAT ARE THE CHALLENGES OF SHARING OR RENTING OPERA PRODUCTIONS FROM OTHER COMPANIES? There are only five or six opera companies in this country that work in theaters of a similar size to ours. When a show comes to us configured for a smaller venue, we may have to expand it, to make it feel comfortable in our space. Sometimes we’ll add ten or sixteen feet in the middle of a set, and paint it so you don’t notice. Or find a way to mask it. Or build a new piece that matches the style. © PHILIP NEWTON For almost 30 years Associate Technical Director Rob Reynolds has been a key member of the team that imagines, builds, and deploys the scenery that transforms our stage into every conceivable location. Look for him directing truck traffic on Speight Jenkins Way during load-in, or photographing dress rehearsals from Row Y. During performances, you’ll almost always find Rob reading backstage—except for War and Peace, when he (and his daughter) swelled the onstage crowds. –Jonathan Dean HOW DID THIS MARRIAGE OF FIGARO SET GET HERE FROM NEW ZEALAND? It was packed into four shipping containers, and then spent 40 days sailing from Auckland to Korea to Japan to Vancouver to Seattle. ARE WE CHANGING OR ADAPTING THIS PRODUCTION? Because our proscenium is bigger, we figured out how to make its sliding walls slide four feet farther offstage. We may build some flats to help frame the picture, so you’re not just looking at black fabric on the sides. And we’re talking about enhancing the garden scene with some projections to make it pop out a bit more. We want people still to be interested in looking at the scene all the way to the end. WHEN THE SET IS READY, THEN COMES LOAD-IN. YOU PROBABLY REMEMBER WHAT THAT WAS LIKE IN THE OLD SEATTLE OPERA HOUSE... Yeah, I’m glad we don’t have to do a U-turn in the middle of Mercer St. with a 53-foot trailer anymore! Load-in typically involves 40 people moving four to five trailers full of scenery, plus four trailers of equipment, over the course of a twelve-hour day. WHAT’S YOUR FAVORITE OPERA? Don’t have one. I like much of the Ring, but that may be familiarity...I’ve listened to it a lot! 23 EVERLASTING LOVE OF OPERA Seattle Opera is alive and thriving thanks to the dedicated support of subscribers and donors like you. Our Seattle Opera donor family is filled with diversity, comprised of arts lovers young and old, near and far, opera beginners and veterans. We are united by our passion for opera and our commitment to community. Every person makes a meaningful difference. TOGETHER, WE WILL BUILD A STRONG AND EXCITING FUTURE FOR OPERA. We need your help to raise $4.1 million before June 30 to support the 2015/16 season of programs built for you and our community. Join Seattle Opera’s donor family today! CALL 206.389.7669 EMAIL [email protected] VISIT SEATTLEOPERA.ORG/GIVE 24 25 © NEIL MACKENZIE INSTITUTIONAL DONORS Seattle Opera is exceedingly grateful for the following corporate, foundation, and government agency grants made between July 1, 2014 and November 13, 2015. The impact of these organizations and individuals keeps opera and the arts thriving in our community. $1,000,000 and more Seattle Opera Foundation $500,000-$999,999 Anonymous Seattle Opera Guild in memory of Marian E. Lackovich and Captain Louis J. Lackovich $250,000-$499,999 Nesholm Fa mi ly F ou n dat ion $100,000-$249,999 C.E. Stuart Charitable Trust True-Brown Foundation $50,000-$99,999 The Chisholm Foundation Ann and Gordon Getty Foundation John Graham Foundation William Randolph Hearst Foundation $25,000-$49,999 The Hot Chocolate Fund Spark Charitable Foundation 26 Peach Foundation Trimble Fund Seattle Opera 2015/16 Season $15,000 - $24,999 Thurston Charitable Foundation Vulcan, Inc. Wyman Youth Trust The Peg and Rick Young Foundation R. B. and Ruth H. Dunn Charitable Foundation OPERA America’s Building Opera Audiences Grant Program Safeco Insurance $3,000 - $4,999 $10,000 - $14,999 Costco Wholesale The Foster Foundation Janet Wright Ketcham Foundation Norman Archibald Charitable Foundation U.S. Bank Foundation $5,000 - $9,999 ArtsWA BNSF Railway Foundation Colymbus Foundation Cornerstone Advisors, Inc. Creelman Foundation The Dabney Point Fund Firestone Family Foundation Lease Crutcher Lewis MetLife Financial Planning Division, an office of MetLife Nuckols-Keefe Family Foundation Richard B. and Barbara B. Odlin Foundation VOLUNTEER FUNDRAISING $1,500 - $2,999 Catherine Gay Communications Madden Associates D.V. and Ida J. McEachern Charitable Trust Pacific Coast Feather Company PRCN Foundation SkyOpera Fund Volunteer support demonstrates exceptional community spirit, great generosity, and a love of artful experiences. Seattle Opera sincerely appreciates these gifts. $1,000 - $1,499 List reflects gifts made between July 1, 2014 and November 13, 2015. Charles Maxfield and Gloria F. Parrish Foundation The Seattle Foundation: Poncho Legacy Fund Apex Foundation Educational Legacy Fund The Reed McClure Firm $25,000 AND MORE Gemperle Holiday Soiree 2014 Gemperle Holiday Soiree 2015 The Sowing Circle $500 - $999 $7,500 - $24,999 Carol Mae Cook Trust Leathercare, Inc. Norm Hollingshead Birthday Fund Seattle Opera Guild–Lakeside Preview Group Seattle Opera Guild–Mercer Island Preview Group OFFICIAL IN-KIND PARTNERS Seattle Opera thanks these companies for providing major in-kind support throughout the 2015/16 season. $5,000 - $7,499 Seattle Opera Guild–Amici Preview Group Seattle Opera Guild–Parties and Previews Wagner and More–San Francisco Trip $3,000 - $4,999 Seattle Opera Guild–Bellini Preview Group Seattle Opera Guild–Magnolia/Queen Anne Preview Group IN-KIND DONORS Seattle Opera thanks the following donors for generous in-kind support between July 1, 2014 and November 13, 2015. Chateau St. Michelle City Catering Perkins Coie Cossé International Securities Garvey Schubert Barer Richard and Mary Beth Gemperle Heartland Matthew Keri Mr. and Mrs. Brian Lyson Paula’s Choice Talking Rain Rose and the late John Southall Barbara and Charles Wright In Memory of Evelyn T. Pressentin $1,500 - $2,999 Seattle Opera Guild–Allegro Preview Group Seattle Opera Guild–Vivace Preview Group $1,000 - $1,499 Opera Plus–Horizon House $500 - $999 Seattle Opera Guild – Bel Canto Preview Group MATCHING GIFTS Seattle Opera offers its thanks to the following companies for matching gifts received or pledged between July 1, 2014 and November 13, 2015. These gifts support the heightened artistic quality of Seattle Opera, and they qualify employees to receive enhanced donor benefits based on the combined value of their gift and the corporate match. For questions about corporate matching, contact Donor Services at 206.389.7669 or [email protected]. Amgen Apple AT&T Bank of America Bill & Melinda Gates Foundation The Boeing Company The Bullitt Foundation Cambia Health Foundation Carnegie Corporation of New York The Marriage of Figaro Chevron Charles Schwab Foundation Coca-Cola COSTCO Wholesale ECG Management Consultants, Inc Expedia Inc. ExxonMobil F5 Networks Gannett Foundation General Electric Google IBM Johnson & Johnson Laird Norton Family Foundation Macy’s Inc. Microsoft Corporation Oracle Puget Sound Energy Quaker Hill Starbucks Shell Oil Company Texas Instruments U.S. Bancorp United E-way VMware Foundation 27 LEADERSHIP CIRCLE Take your place in the circle of Seattle Opera’s most visionary supporters. Leadership Circle Members Through a multiyear Annual Fund as of November 13, 2015 you can join the Leadership Circle commitment of $100,000 or more, Not pictured: and help realize an unbounded Anonymous (1) vision for Seattle Opera’s future. William and Sally Neukom By providing an enduring level Toby Bright and Nancy Ward Loretta and Robert Comfort Christopher and Carolyn Eagan of support, Leadership Circle members act as pillars for our community, ensuring the vitality of the arts that enrich our region’s culture. Thank you to our members for keeping Seattle Opera connected and thriving. Eric Hawley and Gwen Lowery Gary and Parul Houlahan Carol Maione and Brian Marks LEADERSHIP CIRCLE GIFTS • Are customized gifts planned in advance for three years or more totaling $100,000+. • Give you premium recognition and access to your opera company. • Allow you to create a lasting Nesholm Family Foundation James and Sherry Raisbeck Joan Snelson Maryanne Tagney and David Jones impact! Members will join General Director Aidan Lang for an intimate dinner as a token of gratitude for their meaningful gifts. To learn more about the Leadership Circle, contact Director of Development Lisa Bury at 206.676.5530 or [email protected]. True-Brown Foundation 28 Jay and Susanne Wakefield Gail and William Weyerhaeuser Seattle Opera 2015/16 Season INDIVIDUAL DONORS Seattle Opera acknowledges with appreciation its individual donors, whose philanthropy allows the company to continue its commitment to artistic excellence and fiscal stability. In this program book we celebrate our most loyal donors, recognizing that gifts of all sizes are essential to sustaining great opera in Seattle each and every season. The list below reflects annual donors at the Amethyst level and higher ($500 and more) beginning July 1, 2014 through November 13, 2015. FOUNDING BENEFACTORS The late Priscilla Bullitt Collins The late Marion Oliver McCaw Michael M. Scott 35 OR MORE SEASONS Anonymous (9) Mary Alberg George Allen Chap and Eve Alvord Pamela and the late Dr. Harold Amoss Dan and Portia Anderson Dr. Larry S. Anderson Ronald L. Barclay Dr. Sanford C. Barnes and Dr. Calvin L. Tregar Kathryn Bartholomew and Richard Beuthel Evelyn and Richard Bateman Dr. Ronald and Ruth Beck Dr. and Mrs. Forrest C. Bennett Patricia M. Bentz H Karen and Herb Berry Ellen Bierman Verle M. Bleese Jack and Connie Bloxom ^ ³ Phillip and Beverly Brazeau Bonita and David Brewer Karen Carlson-Iffert and Jena Marie Myers Jack T. Cashdollar Ronald D. Chase Steven and Judith Clifford Tom Coffey and Ron Sheriff Patricia and Ted Collins Mike and Yoko Colpitts Frank and Joan Conlon Norma B. Croco ^ Barbara L. Crutcher Janine H. de Saint Giles Patricia K. Dowd Dennis and Karen Dunn Glenn and Bertha Eades H MaryAnn Eschbach Dr. William Etnyre and Mr. David Claus ^ ³ Mrs. Gerry Fardal Lyn and Paul Fenton † ^ Gerald B. Folland Priscilla A. Fortiner Clive and Shari Freidenrich Dr. and Mrs. Howard L. Fultz Ruth and the late Bill Gerberding Gene O. Graham † Dr. and Mrs. J. Thomas Grayston † = Learning and Engagement Donor The Marriage of Figaro Dr. and Mrs. T. K. Greenlee, Jr. Dr. and Mrs. Arthur S. Grossman Marie and Richard Haase Jenny Hartley ^ ³ Frederick and Catherine W. Hayes Terrill and Jennifer Hendrickson Suzanne Hittman Barbara Howell ^ Connie and Dan Hungate Bruce and Judy Hutchison Janet Johnson and the late Paul W. Johnson Norman and L. Jane Hastings Johnson Paul D. Joppa and Marguerite McCarty Travis and Suzanne Keeler George E. and Mary P. Kenny Margaret Dean Kleyn Kathy Kreps Dr. George S. Kriz Mrs. Jean and the late Dr. Paul F. Krynicki Frances J. Kwapil ^ Sandra Labadie ^ Marian E. Lackovich Isabelle S. Lamb Robert and Joan M. Lawler Delores D. Leonard Mrs. Maria Levenson Geo and Carol Levin Mark P. Lutz Nancy M. Macdonald Barbara Maly Dr. and Mrs. Charles Mangham Jean Manwaring Dr. James E. Marcia Dr. and Mrs. Edgar K. Marcuse Dale and Shirley Martin Kathleen Maryatt Barbara J. Mauer † James and Betty McCurdy Mr. and Mrs. Dean A. McManus Renate McVittie Gwynn Meden Donald and Linda Miller Elaine Miller † Egon and Laina Molbak H= Opera Star Monthly Donor Coe Tug Morgan Elizabeth and Allen Moses Diana Neely John F. and Laurel Nesholm ^ ³ Lois H. North George and Linda Ojemann Sarah M. Ovens ^ Dr. Roy C. and Patricia R. Page Dr. Zaiga Alksne Phillips H Sylvia B. Pollack and Molly McGee † Douglass and Katherine Raff Rita M. Rambo Anne M. Redman Russell and Julia Reid Dr. Alex and Mr. Bruce A. Ritzen Frances Rogers and the late Fred Rogers James T. and Barbara Russell ^ Dr. and Mrs. Charles E. Salzer Frederick and Connie Scheetz Mr. and Mrs. Thomas Scheidel Mrs. R. Scheumann Mrs. Chella Schmidt Judith A. Schweikhardt Allen and Virginia Senear ^ Christine Seyfried and William Catterall Dr. and Mrs. Stuart S. Shorr Amy Sidell Pamela Jackson Smyth Sonia Spear B.H. Stephanus Jane and Alec Stevens ^ Matthew Stewart and Marshall Bilderback Frederick B. Strom R. Patton Swaim and Sandra Gurosko Delma Tayer ^ Beryl A. Thompson ^ Ian L. Thompson, M.D. ^ Linda Thompson and Carol Pearson Gertrud Tobiason Arthur and Louise Torgerson Russell F. and Sarah M. Tousley ^ Betty L. Wagner † ^ Bill and Carol Warren ^ Don and Gloria Swisher ^ Nancy and Stanley Zeitz † Donors continued next page ^ = Encore Society Member l= SOWING Circle Member ³= Wagner and More Member 29 INDIVIDUAL DONORS CONT. 30-34 SEASONS Anonymous (9) † ^ Mr. and Mrs. Willie C. Aikens † ³ Richard R. and Constance Albrecht Byron L. and Pauline P. Anderson Gilbert and Mary Jane Anderson Jere L. Bacharach and Barbara Fudge Ivan G. Barker Dr. Bertha Barriga Marcia I. Batchelor Robert Bergman Gloria A. Breed William B. and Ann S. Burstiner ^ ³ William F. Calderhead Dr. T.G. and Mrs. Vaira Pelekis Christopher Dr. Susan E. Detweiler and the late Dr. Alexander Clowes ^ ³ Katherine and Rudy Cologna Charles and Sandra Cossé Sandra and Richard Counts Charles Cowan and Rhonda Levitt James and Wendy Cullen ^ Jane and David R. Davis Suzanne DeWitt and Ari Steinberg Johanna and Bill Dock Sandra B. Dunn ^ Dr. and Mrs. Milton T. English Jean Burch Falls Dr. Kathryn Fantasia and Mr. Zane Weaver The late Gretchen and Jim Faulstich Alan and Linda Freyd Mr. Bryant Fujimoto Diana Gale and Jerry Hillis ^ Bernard Garbusjuk David L. Gemes, M.D. Claire and Michael Gordon ^ Dr. Martin L. Greene Dr. and Mrs. Edward Gross Richard and Diane Haelsig Mrs. Gail A. Halpern Rod J. Halpin Lenore M. Hanauer Dr. Geraldine A Hashisaki Dorothea and John Headlund H Robert and Donna Hegstrom Hans and Heidi Herrmann Jean M. Large and Fred F. Herzberg H Cynthia C. Holdren, M.D. and Robert A. Gold Norm Hollingshead’s Opera Plus † Gary and Parul Houlahan ³ Mr. and Mrs. Robert L. Houston III Robert Howell and Jackie Bardsley Victoria Ivarsson Bonnie Johnson Bruce E.H. Johnson and Sandra E. Davis H. David Kaplan ^ Daniel Kerlee and Carol Wollenberg Robert H. Koehler Ursula Kuepfer and Jon Paddock The Kuzeja Family George and Lisa Lackermayer Winnie and Ven T. Lee Thomas A. and Kathleen B. Lemly Marjorie J. Levar † ^ Rowana Trott Mr. Everil Loyd, Jr. ^ Robert Mack Edith Maffeo John R. Mason Dr. and Mrs. John McFatridge John and Martha Melcher † Juris Mindenbergs D.C. Morse Jr. and Jan Marchbanks Susan and Furman Moseley Mary Murphy John W. Nemanich, M.D. and Ellendee Pepper, M.D. Marilyn W. Newland Diana C. and Angela C. Oberti Pamela A. Okano † ^ John W. O’Meara † Gordon H. Orians Helen A. Overton Karen M. Place Mr. and Mrs. W. H. Purdy ^ James and Sherry Raisbeck ^ Anonymous (24) † ^ ³ • Marianne and Jim LoGerfo • Harlan and Asja Adams • Paul G. Allen • Linda and Tom Allen ^ ³ • Robert L. and Rosemarie Anderson ^ ³ • Virginia R. Anderson • Joe and Lee Ashley • Barrie and Margaret M. Austin • William and Madeleine Ball • Leslye and Robert Bohrer • Beatrice and William Booth • J. Cleve and Judith Borth • Thomas and Virginia Brewer • Herb Bridge and Edie Hilliard • Marilyn Brockman • Gilbert and Mary Ann Brokaw • Marshall and Jane Brown ^ • Lisa Burkett • Rosemary P. Burkhart • Carol Campbell • Corinne A. Campbell ^ • Dr. and Mrs. Charles H. Caplan • Jack Clay • Dan and Karen Clements • Fran Clifton • Candace Coe • Janice C. Condit ^ • Amy H. and Larry Corey • Dr. and Mrs. J. Terrence Coyle • In Memory of James H. Crichton • Norma and Alex Cugini • Wendy H. del Valle • Michael and Natalie de Maar • Anne Denman • Donald Desalvo and Susan Wagner • Mary Dickinson l • Lorraine J. and Ferris L. Dracobly • Fred and Adele Drummond ^ • Michael G. Dryfoos and Ilga Jansons ^ ³ • Christopher and Carolyn Eagan ³ • Richard D. Eidal • Ashley and Linda Emery • Jeannie Gayle Engle • John Erickson • Victor and Patricia Feltin • Peggy Fogliano • Ludmeela M. Fraser • Donald and Ann Frothingham • Joyce E. Ferm † ³ • Richard and Mary Beth Gemperle ³ • Dr. and Mrs. Robert Gibbons ^ • Jan Frederick and Warren Gibbs • Rebecca C. Gillette † ^ • Ben Goetter and Kathryn Hinsch • Dr. and Mrs. Joel E. Haas • Judy Haney, Luana Joslin-Lester and James Lester • Steven T. Haney • Christine R. Hansen and Peter T. Hurd ^ • Hylton and Lawrence Hard • Gini Harmon • Dr. H. HascheKluender and H. Shahri • Dr. and Mrs. Fred I. Hasegawa • Kenneth and Susan Hassenmiller • Julia Hecht and Ken Walkky • Mr. and Mrs. Jahn R. Hedberg • Mr. and Mrs. Richard C. Hedreen • Charlie and Janice Helming • Patricia Hofmann and Michael O’Brien • H. Lee Holcomb • Dr. Kennan Hollingsworth ^ • Bob Holtz and Cricket Morgan • Carol and Greg Home • Jim Horne • Lembhard G. Howell • Darrell and the late Ruth Jackson • Douglas Jackson • Stephen O. and Kerry Louise Jacobson • Warren and Mary Jane Jessop • Charles E. and Joan Johnson • Ken and Karen Jones • Dale Kalbfleisch • Jay and Jeanne Kapsi • Martha Noerr and T. Jeffrey Keane • Nancy J. King • Kenneth Kreer • Eric and Janice Lamers ^ • Barbara Laughlin • Marie Lauritano and Dr. Richard Wohns • Dr. and Mrs. Edward Reifel Steven and Fredrica Rice Lanse and Rebecca Richardson Drs. Tom and Christine Robertson Arnold and Rosalyn Rom Cornelius and Penny Rosse ^ ³ Nancy and Richard Rust Werner E. and Joan Samson Irwin and Barbara Sarason ^ Betsy R. and Jason Schneier, MD Mr. and Mrs. Kenneth L. Schubert, Jr. ^ Jean E. Schweitzer ³ Mary Scott and Ron Rogers Marilyn R. Sellers H Evelyn E. Simpson H ^ A. McNair Smith, M.D. Stephen A. Sprenger with Dr. Jay D. Sprenger † ^ ³ Shannon and Donna Stafford Mari Stamper Janet and Peter Stanley Drs. Gordon and Mary Starkebaum Joseph and Betty Sullivan Fredric and Marilyn Tausend Dawson and Lois Taylor Fredrick C. and Natalie Toevs Harold and Helen Tukey Doris and Richard Turner Edith Ulatoski Peter J. Vennewitz Judith Warshal and Wade Sowers ^ Eugene Webb and Marilyn Domoto Webb Ralph and Virginia Wedgwood Sally Anne West Judith A. Whetzel ^ Kathryn Williams Mary A. and David L. Williams Dr. Antoinette Wills ³ Karyl and Norman Winn † ^ Carolyn and Vincent Wirkman Virginia and the late Bagley Wright Scott and Jenny Wyatt l 25-29 SEASONS † = Learning and Engagement Donor 30 H= Opera Star Monthly Donor ^ = Encore Society Member Mary and Chris Lawrence • Gordon D. Lazerte • Rosemary Leong-Miller ^ • In memory of Mr. Norman Levin and Mr. Martin Hochfeld • Carla and Don Lewis • Mark and Jeri Lloyd • Laura Lundgren • James Lutz and Debra Boone • Patricia A. Magnuson • Dr. and Mrs. C. Patrick Mahoney • Dr. and Mrs. Theodore Mandelkorn • Lucille May • Michael and Rosemary Mayo • Louise McAllister • Marcella McCaffray • Anne Meeker • James and Karen Mhyre • Drs. Ernest and Erika Michael • Ann H. Milam ^ • Carolyn and Roger Miller ^ • Elaine Miller † • Henry Mills • Theresa Moore • Walter C. Moore and Susanne M. Forderer • Gordon and Mary Ellen Mulder • Beth Naczkowski • Eunice Nakao and Roy Tribelhorn ^ ³ • John C. Narver • Sarah Navarre ^ ³ • Arleen B. Nelson • Kirsten Nesholm • Bill and Sally Neukom • Susan H. Nivert • Dennis M. Oliver • Roger J. Oliver and Carol Hahn • George and Terry Pagos • Teresa Parker • Dr. Robert A. Pearlman • Meg and Ovidio Penalver • Martha Pendergast • Barbara B. Peterson • Shane and Janet Peterson • Steve Phelps ^ • Jocelyn Phillips and Warren Bakken ³ • Charles and Lena Plunkett • Edward A. and Eleonore Pottenger • Joseph and Lucile Prior • Lynn Prunhuber and David Stobaugh l= SOWING Circle Member ³= Wagner and More Member Seattle Opera 2015/16 Season • Harry F. Reinert and Cecilia M. Paul • Jane Remsberg and Jerome Anderson • Joyce C. and Saul Rivkin ^ • Joy Rogers and Bob Parker • David and Patricia Ross • David S. Roys, M.D. • Norman and Elisabeth Sandler • Paul and Lorrie Scott • Mr. and Mrs. Douglas J. Shaeffer • B. Wayne Smith • Mrs. Barbara Smith • Joan Snelson ^ • Mr. and Mrs. Evan Sorby • Dr. Estelle Yamaki and Mr. Robert H. Spaulding • Joanne E. Sprunger • Michael Steiner, M.D. • Dr. and Mrs. Morton A. Stenchever • Mr. and Mrs. John W. Stephanus • Philip R. Stoller • Irene Strand • Maryanne Tagney and David Jones l³ • N. Donn Talenti and the late Julian Patrick ³ • Tamlyn P. Thomas • Mrs. Alvin J. Thompson • Mary Anne Thorbeck • Evelyn M. Troughton ^ ³ • Ev Trout • Jim and Camille Uhlir • Joan Underwood • Hans H. van der Velden • Vilma Vojta • Jay S. Wakefield and Susanne M. Wakefield, Ph.D. ^ • Norman Walton • Joan and the late Craig Watjen ³ • Richard D. Weller • Donald G. Wilson • Jerry and Nancy Worsham • Ann P. Wyckoff • Frank and Virginia Wyland • Charles A. Zaragoza ^ • Only at Mirabella Seattle 20-24 SEASONS Anonymous (15) ^ ³ • Lee Acton and Lucinda Wilson • Dr. and Mrs. John H. Addison • David and Heidi Adkisson • Reverend and Mrs. John M. Allen ^ • Mary Ann Allen • Connie J. Alley • Virginia Alonzo • Carlton C. Anderson • Dr. Philip Anderson • Martha K. Bargren • Kirk Barker • Redmond J. and Suzanne W. Barnett • Carla R. Becker • Diana N. Bennett • Dona Strombom Biermann • Richard and Nancy Bishop H • Toby Bright and Nancy Ward ^ • Alec and Maddy Brindle • Joseph Brown and Rachel Lawson • Kenneth Brown and Joyce Erickson • Mr. and Mrs. Robert Bruland • David C. Brunelle • Dr. Joseph and Barbara Buchman • Dr. Nancy Buffington H • Roger K. Burk and Meg Murch • John Butler • Ruth Cannon • Jeanne and Jon Cantalini • Barbara A. Capron and David A. Holm • Betty R. Carter ^ ³ • Jonathan and Patricia Caves † l³ • Mark Chandler • Virginia D. Chappelle • Heidi Charleson • Michael and Gayle Charlesworth • Royce F. Church • Conni and Doug Clarke † • Frances and Gerry Conley • Debra Dahlen and Robert Fries • Laurie and William Daniel ^ • John J Demakas • Clinton Diener and Diane Lasko • Virginia Dombrowski • Lois Gamble Duncan and George Rolfe • Jeanne E and Michael Milligan • Carolyn and Lindsey Echelbarger • Carol and Karl Ege ^ • Richard L. Egilsrud • Carol Jean Ehlers • Dr. and Mrs. William N. Elledge • Julie Elliott • Georgiana Ellis, M.D. • Michael Emanuel • Laura and Robert Emmerichs • Alice B. Evans • Marian E. Evans H • Edward Faust • Craig and Kerri Feeney • Timothy D. and Elizabeth Feetham • Dr. Raya Fidel • Meredith Fine • Gerry and Betsy Finkel • Russell R. Fosmire and Nancy J. Fosmire ^ • Ernest and Elizabeth Frankenberg ^ • Cheryl Gagne • Beth Garrett • Natalie Gendler † ^ ³ • Hi and Mary Gibson • Michael and Katharine Gibson • Dr. and Mrs. Michael L. Gilbert • Dianne E. Goddard and Dennis Edmonds • Paul Goodrich and Shannon Sperry • Martin and Karen Graham • Nancy and David Grant • Drs. Basil and Verena Grieco • Darcy Roennfeldt • Ivan and Gerlinde Gruber • Mr. and Mrs. W.D. Pete Hale • Mr. and Mrs. David Haley • Paul and Becky Haley • Jeffrey and Rosario Hanna ^ • Living here means being surrounded by the best the city has to offer. With easy access to such popular restaurants as Canlis, Osteria Rigoletto, and Aqua, you’ll experience sophisticated urban living at its most delicious. Call today for a tour and find out how you can retire in the middle of it all. (206) 254-1441 retirement.org/mirabellaseattle 116 Fairview Avenue North Seattle, WA 98109 Mirabella Seattle is a Pacific Retirement Services Community. Equal Housing Opportunity. Donors continued next page The Marriage of Figaro 31 INDIVIDUAL DONORS CONT. Karen Harvey and Steve Shelton † • Janice Hayes H • Andrew and Delney Hilen • Phil Hillstrom • Jim and Gail Hodge • Mark Hogden • Pamela Hughes and Robert Munoz • Ron J. Hull • Stan Hungerford • James Jacobsen • Jane C. James • Laurence Jewell • Darryl and Kathleen Johnson • Douglas and Robin Johnson • Mark J. Johnson • Harvey Jones and Nancy Iannucci • Gilbert Joynt • Pat and Paul Kaald • Marlyn and Gordon Keating • Dan and Pat Kinney • Dr. Mark Kiviat • Albert and Elizabeth Kobayashi • Mr. and Mrs. Gordon Kramer • Lucy Lauterbach • Jennifer M. Lee • Andrea C. Lewis • Lisa Lewis H • Dr. Lois Lowden-Lunde • Cheryl L. Lundgren ^ • Catherine Banchero and Stephen K. Malshuk • Paul and Yaffa Maritz • Anna Martin • William B. Maschmeier and Patricia Haggerty ^ • Bruce Crowley and Brenda Matter • David and the late Leslie Mattson ^ • Bruce R. McCaw • Lillian C. McDermott • A. Wayne McGuire • Robert M. McIntosh • Karen and Rick McMichael ³ • Kathleen McNeill • Eric and Marina McVittie • Kelly A. Meagher • R. Meenk • Howard and Catherine Miller • Stafford and Louise Miller † l³ • Kristine Moore H • Dr. and Mrs. Dudley T. Moorhead • John M. and Lee C. Neff † • Vivien and Cliff Olofson • Joan Ostendorff • Margaret and John C. Pageler • Richard M. Parker, M.D. • Gayle Peach • Dr. Mary Lee Peters • Alice and David Phillips • Alice and Don Porter • Jack and Carolynn Prelutsky • Thomas and Marilyn Price • Richard and Karen Prince • Megan and Greg Pursell H ^ ³ • Carol Ann and Thomas Quinsey • K. Carolyn Ramamurti • Lewis and Martha Randall • Tom and Sue Raschella • Murray and Wendy Raskind • Dana Rasmussen • Charlotte Straub Roe † • Bob and Kay Schertzl • James L. Schindler ^ • Garry and Ruth Schneider • Ann R. Schuh • Mr. and Mrs. Giles F. Shepherd H • Graham Shorthill • Susan Simons • Mr. and Mrs. William Smith • Andrea Smith-Clarke • Mario and Karen Sorci • Rose and the late John Southall ^ ³ • Mary Jo and Michael Stansbury • Peggy Stearns • Sheila and Craig Sternberg • Betty Strand • Ann and Daniel Streissguth • Marilyn Mathisen Sullivan • M. and H. Sussman • Carolyn Sutton and Cort Liddell • Lore and Henry Tenckhoff • Mary C. Tevis • Thomas J. and C. Susan Thatcher • Michael P. Theisen, M.D. • Maureen Toelkes • Suzanne K. Tomlinson • Patricia Torode • Thurbon Tukey • Mark W. and Margaret Van Gasken • Mike Vanderlinde and Linda Teri • Alice and Bill Van Pelt H • Moya Vazquez ^ l³ • Dr. Mark Veigl and Charles West • Jan Wagner • Susan F. Wagner • Christine Wallace • Mary and Findlay Wallace • Mr. and Mrs. Edward Walter • Barbara and John Ward • Raleigh Watts ^ • Julie and Mike Weisbach • John and Jane Whiteley • Susan Winokur and Paul Leach • Rachel and David Bukey • M. Diane Moss and Robert Zawalich • Mrs. Louis J. Zorotovich 15-19 SEASONS Anonymous (22) † H ^ ³ • Mr. and Mrs. Steven M. Ahrens • Marian Alexander and David E. Netboy H • James and Anita Allen • June Allison • Grieg Anderson • Kim A. Anderson • Paul W. Anderson • Thomas R. Arlander, M.D. • Dr. Ross E. Armstrong • Dr. Jeanne Arvidson • In memory of Joseph S. Axup • Betty Azar and Larry Harris • Nancy Bachant and Kevin Freeman • Joan Baldwin and James Walsh H • Leonie Barnes • Peter and Jane Barrett • Tim and Tony Barrick • Mike Barta and Cynthia Shelly • John Bates and Carolyn Corvi • Ralph and Catherine Bauman • Ward Beattie • Cheryle Beighle and Stephen Schroeder • Sheryl and Ross Beirne • Charles and Marie Bender • Anna Bergman H ^ • Marianne Bergstrom • Mr. and Mrs. Malcolm J. Best • Dr. Bruce Bigley • Sharon Bitcon H • Roxanne Blanco-Mitchell • Neil M. and Kathleen Bogue ^ • Christopher and Linda Borland • John and the late Joyce Bozeat • Nancy Rieketts Bradley • Lenox and Trudy Brassell • Victoria Bratvold • Paul B. Brown and Margaret A. Watson • Thomas A. Brown • Colin Bryar • Katharine Bullitt • Carl Bunje and Patricia Costello • Dave and Marcia Butchart H • Cy and Kathleen Butler • Christina Byrne • Dianne F. Calkins ³ • April Cameron • Maria Cantrell H • Eric Carnell and Angela Walker † • Orin Chalker and Anne Theiss • Drs. Darlene and Gregory Chan • Annette and Des Chanez • Ellen and Paul Chatel • Patricia Church • Thomas J. Coad • Bruce and Mary-Louise Colwell • Robert and Loretta Comfort † • Laura Connor and George Klawitter • Carl Corbin ^ • Beth and Marc Cordova † • J. Cramer and S. Poppema • Roger and Emma Crew • Leonora Cross • William Cullen • David Darrow • Marc and Maud Daudon l • Frederick B. Davis and Ms. Harriet Platts • Leslie Decker • Ann De Lancey • Peter and Diane Demopulos • Nan Dickerson • Blair and Laura Dillaway • Doug and Robin Doucette • Mr. and Mrs. Richard Doyle • Tim Dreyling • Vasiliki Dwyer • Elaine Eigeman and Daniel Schalke • Karen and Keith Eisenbrey • Dr. Sadek El-Alfy • Pamela Elderkin • † = Learning and Engagement Donor 32 K. Carole and the late William Ellison • Lise Ellner • Marc D. and Maria Erlitz • Lorri Falterman and Stephen Strong • Dr. Robert Fink and Patricia Watson • Steve and Susan Ford • Jim Fox • Steve and Kay Frank • Maureen Frisch l • Nina Fuller • Ben, Charlotte and Carrie Fulton • Virginia and Albert Furtwangler • Mitzi Galus • Robert and Sandra Gannan • Bruce Gardner • Nancy Garrett and Jim Armstrong • Kent Lowry and Melinda Gause • Gail J. Gazda ^ ³ • Leslie Giblett ^ • Mary Jane Gibson • Glenn and Marcy Gidlof H • Deborah Giles • Peter Goldman and Martha Jane Kongsgaard l • John M. Goodfellow • Jennifer Gosnell • Kristopher K. Gould • Allen and Carol Gown • Renate and Patrick Grant • Noah and Monica Greenberg • Kim Grieff • Brian Grimes • Lyn and Jerry Grinstein • Marcia and James Gudger • Kristina Haight • Richard M. Halffman • Tania and Tim Halladay • Adrian Hanauer • David and Carole Hardy • Samuel and Catherine Hardy • Benson and the late Pamela Harer • Bruce L. 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Kristal and Jason Lamb • Janet Kusler and Mary Pat Connors • Don and Kristi Larson H= Opera Star Monthly Donor ^ = Encore Society Member • Melissa Lattimore • Dr. Barbara Leigh • Nancy and Charles Lennstrom † • Henry Li • Richard A. Lind • Margrit R. Boswell Lindal ^ • Lex Lindsey and Lynn Manley • Merrilee Lipthrott • Kathleen Lofstedt and Susan Lofstedt • Al and Margaret Lowe • Major General Timothy and Mrs. Timothy Lowenberg • Mr. and Mrs. Louis M. Lundquist • Robert A. and Kathleen O. Lutz • Peggy and David Mainer • Richard and E. Ann Marks • James Martinek • Dr. Patrick Mathiasen and Jenner Roth-Mathiasen • Dr. Susan Matt • Carolyn T. Mattern • John and Mary Ellen Matthews • Geoff Corso and Marshall McClintock • Mary H. McConnell • Sarah McCoy and Jim Buchanan • Mr. and Mrs. James P. McGough • Sharon McGrayne and George Bertsch • Dr. William McKee • Dr. and Mrs. David L Mehlum • Dr. Robert Meier • Bryant and Hilda Merrick • Zemin Mi • Barbara and Jim Miller • Mark C. 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Slack • Landry Slade and Gretchen Van Meter • Del and Tony Smith • Joshua and Laura Smith • Lori Smith • Christopher Snow • Yana Solovyeva and Igor Zverev • David and Jannie Spain • Sarah Speck, M.D. • Robert and Jeanne Spreen • Martin and Carol Stacey • Carlyn Kaiser Stark • Chuck Stempler and Sally McKenzie • Dr. Ted and Donna Steudel • Charles and Delphine Stevens • John Sullivan and Paula Stokes • Kent and Linda Streissguth • Duane and Barbara Swank ^ • Ann Tanner • Joe N. Terteling • George Thornton • Patricia Thorpe • Thomas and Lisa Tocher • Julie Trautmann • Dr. M. R. Tribble and Gary Tribble • Mr. and Mrs. Stanley W. Vail • Dallas and Shirley Viall • Dr. and Mrs. Mike Waring • Ruth and Todd Warren • Dr. and Mrs. Brownlee Waschek • Steven M. Watson and Edwin Garretson • William and Marilyn Watson • David and Romayne Watt • Richard and Laurie Weinman • H.G. and and Sarondae Wells • Ms. C. A. Wen and Mr. David Garlow • Drs. William and Gail Weyerhaeuser ^ • Kathleen and Christopher White • Jean and Peter Wick • Julie Wieringa ^ • Joseph L. and Susan Willhoft • Timothy Williams • Ina Willner • Anne and Dan Willott † • Carl Wilson and Kathleen Smith • Steven and Gail Wish H • Ann K. Wittkowsky and Katherine L. Powell • Jodie Wohl, M.D. • Vaew Jon Wongsurawat • Flip Wood • Michael Wood • Larry and James Woods-Palmer • Albert and Angelina Yen • Chris and Jane Zimmerman † • Gregory A. Ziuzin, CPA FEBRUARY 18 MOZART SYMPHONY NO. 40 SPECIAL PERFORMANCES Pablo Rus Broseta, conductor Mary Lynch, oboe / Seth Krimsky, bassoon Emma McGrath, violin Meeka Quan DiLorenzo, cello / Eric Han, cello YEFIM BRONFMAN FEBRUARY 4 & 6 BEETHOVEN PIANO CONCERTO NO. 2 Ludovic Morlot, conductor Yefim Bronfman, piano Roomful of Teeth BEETHOVEN: Leonore Overture No. 3 HAYDN: Sinfonia Concertante FAURÉ: Elégie for Cello and Orchestra MOZART: Symphony No. 40 Don’t miss this special one-night-only performance as members of the orchestra perform masterful selections by Beethoven, Haydn, Fauré and Mozart. The Seattle Symphony’s own principal musicians step into the spotlight for this enchanting evening of classics. R. STRAUSS: Don Juan BEETHOVEN: Piano Concerto No. 2 BERIO: Sinfonia for Eight Voices and Orchestra Beethoven’s Piano Concerto No. 2 is in the good hands of renowned pianist Yefim Bronfman. Plus, Grammy-winning Roomful of Teeth will perform in the sensational sonic collage of music quotations, spoken text and virtuosity that is Berio’s Sinfonia — prepare for a one-of-a-kind experience! Yefim Bronfman’s performances are generously underwritten by Mel and Leena Sturman. FEBRUARY 11, 13 & 14 BEETHOVEN “EROICA” SYMPHONY Ludovic Morlot, conductor Jean-Efflam Bavouzet, piano IVES: Three Places in New England BARTÓK: Piano Concerto No. 3 BEETHOVEN: Symphony No. 3, Eroica The great Jean-Efflam Bavouzet lends his incredible virtuosity to Bartók’s Piano Concerto No. 3. Then, bask in the unmatched grandeur of Beethoven’s Symphony No. 3, Eroica, a tour de force of symphonic power. Jean-Efflam Bavouzet’s performances are generously underwritten by James and Sherry Raisbeck. ITZHAK PERLMAN FEBRUARY 29 ITZHAK PERLMAN DISTINGUISHED ARTISTS Itzhak Perlman, violin Rohan de Silva, piano LECLAIR: Sonata for Violin and Piano BRAHMS: Scherzo from the Sonatensatz BEETHOVEN: Sonata for Violin and Piano RAVEL: Sonata for Violin and Piano No. 2 Grammy- and Emmy-winning violin virtuoso Itzhak Perlman is a true legend. Don’t miss your chance to experience his incredible artistry. Media Sponsor: FO R TI C K ETS: 206.215.4747 | SEATTLESYMPHONY.ORG Donors continued next page The Marriage of Figaro 33 INDIVIDUAL DONORS CONT. Premier Retirement Living Whatever your passion, Era Living offers eight unique retirement communities designed to bring you closer to everything you love. Aljoya Mercer Island (206) 230-0150 Aljoya Thornton Place (206) 306-7920 Ida Culver House Broadview (206) 361-1989 Ida Culver House Ravenna (206) 523-7315 Call for a personal visit, or learn more at eraliving.com 34 The Gardens at Town Square Downtown Bellevue (425) 688-1900 The Lakeshore South Seattle (206) 772-1200 University House Issaquah (425) 557-4200 University House Wallingford (206) 545-8400 Barry Davison • Thomas DeBoer and Durga Doriasamy • Maria Delgado • Mary Desjardins • Dr. Diane DeWitt and Mr. Curtis Thompson ³ • Bill DeYoung • David and Helen Dichek • Diane Divelbess • Diane Dixon-Payne and Daniel L. Payne • Steven Driscoll • Michael Droker and Irene Stearns • Lauren Dudley • Maria M. Durham † • Patricia DuRuz • Sam and Mona Dworkin • Mr. and Mrs. Curt Ebbesmeyer • Heidrun and Lee Eberhardt • Scott Eby • Russell Elliott † • Helene Ellner • Kristina Erickson • Myron P. Erickson and Marcia McClellan Barton • Ellen L. 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Shimabukuro • Jane and John Simpson • George and Joleen Sloniker H • Evelyn and Leroy Smith • Noel Snyder and Laura Maffei • Mr. and Mrs. James Solimano • Karen and Michael Souter l³ • Cindy and Peter Sprenger † H • Sheila Squillace • Gene and Jean Stark • Christoph and Ellen Stauder • Anne Steele • Carolann and Gary Steinhoff • Lisa and John Stewart • Richard M. Stewart • Robert Stewart and Harriet Winkelman • Dr. Steven Stoll • Larry Stonesifer and Ron Angress • Howard and Vivienne Strickler • Stephen Swartz • Linda Tady • Teruhisa and Yasuko Takeuchi • Steve Tarkan • Janetta Taylor • Pamela and Ronald Taylor • Marvin Theimer • Robert Thorson and Leone Murphy • Mr. and Mrs. Thomas Tjarnberg • Gerard Tolentino • Mr. William Tonkin and Ms. Esther Holt • Robert Toren • Torolf and Anna Torgersen • John and Anne Trench • Kevin Trent • Judy Tsou and David Carlson • Hiro Tsuji and James Knodell • Rae Tufts ^ l • Harriet and Diana Turner • Janet Turpen • Izabella and Andrzej Turski † • Dean and Kelly Tweeddale • Marjorie and Thomas Tyler • Lance Vail and Terri Traub ³ • Manijeh Vail • Padmaja Vrudhula • David Wachter • Morris and Penny Wade † • Keith Keyt • In honor and memory of Helen English Walker • Roger A. 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Mathisen • Gustavo Matute-Bello • Kathryn McAuley • David McClure • Cathy McCown • Caroline McCullam • Margaret McGraw • Therissa McKelvey and Heli Roiha • Wren McNally • Mollie McWhorter • William Means • Greg Meldahl ^ ³ • James and Lora Melhorn † ^ • Julia Metzner • Jerry Meyer and Nina Zingale • John and Susan Meyer • † = Learning and Engagement Donor H= Opera Star Monthly Donor l= SOWING Circle Member ³= Wagner and More Member The Marriage of Figaro ^ = Encore Society Member Bischofberger Violins est. 1955 Professional Repairs Appraisals & Sales 1314 E. John St. Seattle, WA 206-324-3119 www.bviolins.com 2015-16 Season Orchestra Seattle Chamber Singers BV 071811 Seattle repair 1_12.pdf Expect THE UNEXPECTED Clinton Smith, music director, George Shangrow, founder Fauré: Requiem • 2/6 Concerto Competition Winner Bach: St. John Passion • 3/12 Poulenc Gloria • 4/16 Brahms: Symphony No. 1 Chopin Competition Winner Elgar: Bavarian Highlands • 5/22 Mozart: Piano Concerto No. 23 Elgar: Serenade for Strings www.osscs.org | 800-838-3006 WORLD CLASS SOLOISTS Professional Registered Parliamentarian John R. Berg, PRP Consultant on the practical application of Robert’s Rules of Order who can help your organization and meetings run fairly and efficiently www.JohnRBerg.com PRP is the highest accreditation of the NATIONAL ASSOCIATION OF PARLIAMENTARIANS® Donors continued next page 35 INDIVIDUAL DONORS CONT. Michael and Elaine Michaelidis • Laura Middaugh and Adam Kline H l • LaTourelle/Middaugh • Marilyn Milberger • Elizabeth M. Miller • Paul Miller H • Robert and Jean Miller • Ronald E. Miller and Murl G. Barker • Terri Mitchell and Therese MacIsaac • Andrew Murphy and Michelle Duffy • Charlotte Nelson • Kate Ness • Craig Norton and John French • Worth Norton • Brian Olpin • Martha Oman † • Nancy Ostrom • David Parent • Janice Parker • Suzanne Patneaude • Brian Patton • Mallory Paxton • Michael Pederson • Dean Peterson • Ingrid M. Peterson and Charles Alpers • Rosemary Peterson • John and Catherine Petrek • Beth and Jeff Pfost • Sean Pierce • Ron Pilcher • Tom Platt • Richard Plunkett and Marilyn Mason-Plunkett • Mr. Donald Pogoloff • Suzanne Powell • Barbara Puddicombe • Tom and Gretchen Puentes † • Judith Ramey • Charlotte Reaber • Mr. and Mrs. Joe K. Reasons • Robert Reece • Dennis Reichenbach, MD • Patrick Reilly • Jan Richards † • Janice Richardson • Mr. J. Karl and Mrs. Christina Ris • Carol Jane Robinson • Sharon Robinson † • Robert Rodriguez-Lawson • Ansel Rognlie and David Steindl • Patricia Rognlin • Neil Roseman • Jonathan Rosoff and Kristin Winkel • Lawrence R. Ross • Weston Roth • Irene Rozet • Thomas and Patty Ruehle • Mark Ruffo • Joanna Ryan • June Ryder and Michael Church • Jean Sanders • Bev Schaaf and Rick Kirkwood H • Tim Schoenfelder • Aaron Schutzer • Cheryl Scott • Matthew Segal and Corrie Greene • Jennifer Serne • Kathlyn Shaw • Stephen Sheehy • Albert Sheldon • Jeff and Martha Sherman • Marilyn Sherron • Christine Shigaki • Sarah Shreeve H • Kathryn F. Siewert • Bernard and Susan Silbernagel • Jillian Simmons • Thomas Simpson • Sergey Smirnov • Judith L. Smith-Foote • J. Andrew and Sue W. Snyder • Dorothy Somers • Amy and Roy Sparks • Patricia Spotanske • Laurie Staley • Kathleen Stamm † • John Starbard • Ms. Carol Starin • Dr. Richard and Mrs. Joyce Stark • Alan and Bonnie Steele • Carlyn J. Steiner • Charles and Susan Stillman • Jane Stockert • Kurt Stromberg • Diane V. Summerhays • Charles Surine • Sharon Egretta Sutton • Darci Swanson • Aggie and Chick Sweeney • Bob Swoffer • Rafael Tello • Suzanne and John Terrible • Carole Terry and Alan Fine • Dennis Tierney and Grace Grant • Kathleen Tozer • Dennis and Dorene Tully • Kim Turner † • Terrence Turner • Drs. Robert and Phyllis Tyson • Kathie Uno H • Case van Rij • William A. Vance • Pieter and Tjitske Van der Meulen • Judy Vandever and Ray Kube • George and Jean Wagner • Leah Ward • Marc Wautier • Tom and Joan Wekell • Ms. Dean Weldon • Janet Westin and Mike McCaw • Stephen and Leslie Whyte • Evelyn Bittner and Jason Williams • Michael Williams • Kenneth and Rosemary Willman • Adrienne Wilson • Patrick Wineman • Craig Wolfe • David and Susan Woodrum • Rozanne Zanchi • Christian and Joyce Zobel 1-4 SEASONS Anonymous (15) H • John Abrams and Karl Compton • Aaron Adee • Ken Albinger • Carolyn Aldredge H • Susan Allan • Victor and Lisa Allen • Susan Allen • Richard Altig • Ignacio Alvarado • Ronald Andersen • Rebecca Andrews • Dr. Fred and Dita Appelbaum • Mr. Ben Armstrong and Mrs. Werona Armstrong • Wade Austin • Nate Averyt H • Shawn Baker • Fred and Gwyn Barkman • Diann Barry • Jamie Barton • Alexandrea Bartow • Philip Bayne and Anne Schmidt • Lynly Beard • Thaddeus Belefski • Mr. Arnold and Mrs. Judith Bendich • Terri Blair • Teresa and Andrew Bliss • Robert and Betty Blossey • Kathleen Borowski • Molly Bostic • David Branch • † = Learning and Engagement Donor 36 Larry and Jessica Breitbarth H • Stephen Brenner • Brad Brickman • Marcela Brink • Richard Brown • Aleta Brunkel • Harriet Bullitt • Gloria Burch • Dr. Boyce Burdick • Olivia Burkland • Sheila Burns and Aaron Van Derslice • Lisa Bury and John R. Taylor † ^ l • Susan Buske l³ • Alan A. Butchman • Sonya Byrd • Dr. and Mrs. Norm Cadman • Brendan and Margaret Camarda • Irene Campbell • John Carmichael and Michael Partlow † • Jeff Carnevali † • James and Barbara Caro • Brett Carr • Dorothy Cervinsky • Donna Cheesebrough • Daniel Chertudi • Bonnijo Chervenock • Leslie Chihuly • Melody Clark † • Bob Clement, in memory of my brother Larry • Donna Cole H • Joe Bailey Cole • Jene Colin • Dr. Lisa Conaghan • Kevin Connolly • Stephanie Cook • Don and Margaret Coppock • John Crowe • Greg and Gina Crumbaker • Bill and Diana Dameron • Mary Darr • Dana Davenport • Joan Davis • Sherry De Leon • Crystal DeFrate • John Delo and Elizabeth Stokes ^ ³ • Greg and Pamela DeMichillie • Stuart and Joanne Depina • Kyl Dinsio • Teresa Donahue • Zander and Hilary Doroski • Dan and Elizabeth Douglass • Paule and Anne Drayton • Patricia Dubrow † ^ ³ • Amy Duerr Day • Candy Dumars • Erin Earl • Barney Ebsworth and Rebecca Layman-Amato • Lewis and Susan Edelheit • Mitra Ehsan and Harold Prow • Duane and Laura Eichelberger • Ian and Maria Einman • Rhee Eliker † • Grace England-Markum • Mark England-Markun • John and Michelle Estelle • Marius Fahlbusch • Ferric Fang • Juli Farris • Karen and Elizabeth Faye • Deborah Ferse • Paul Feuerpfeil • Heidi Fivash • David Fliegel • Jan Flom • Joseph Flynn • Jordan Forbes • Gregory and Kathleen Fowler l • Allen and Judith Freedman • Celia and Toby Freeman • Betty L. 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Kvarda • Russell La Claire • Aidan Lang and Linda Kitchen • Teresa Lauver • Nora Leblanc • David Lee • John Lefor • Ellen Lehman and Charles Kennel • Francesca Leonetti • Sue Lesser • Mike Leu • H= Opera Star Monthly Donor ^ = Encore Society Member Jerry and Marguerite Lewis • Stefan Lewis • Victor Li • Douglas Lindsey • Aimee Louck • Jim Lyle • Nathan Machin • Ellen Mack and Edward Gomez • Christopher Maley • Jana Mandic • Kathryn Mann • Tom Marsh • Estela Martinez • James Mason • Jeremy Mathis • Jerri Matson • Judy McBroom • Pat McCarthy • Patricia McDonald-Scott • Lesley McGalliard • James McIntire and Christina Koons l • Bruce and Emmanuelle Meaker • Francisco Medina • Dylan Meissner and Tung Ho • Gunda and Uwe Meissner • Suzanne Merriman • Suzanne and Paul Merriman • Richard Meyer • Dominic Meylor • Dolly and Dave Milkowski • Abraham Miller • Laura Miller • Dennis and Deborah Minium • Connie Missimer Carlson • Jean Moon • Don and Jacolyn Moore • Peter Moran • Robert Moretti • Claire Tuohy-Morgan H • Ludovic and Ghizlane Morlot • Daniel Morris • Charles Morton • William and Debra Mowat • Petr Mracek • Brian Muirhead • Ernesto Munoz • Michael Murphree • Brendan Murphy • Carmen Murphy • Sharon Murphy • Kazuko Nakao † • David Nicol • Dr. David C. 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Showalter † • Alison Shuler • Craig and Nancy Shumate • Charles and Lisa Simonyi • Peter Smith • Ted Smith • Susanne E. Snortland • Judy Soferman and Marc Rosenshein • Kristian Soholm • Stephanie Solien l • Deborah Spenser • John Stefanchik • Nina Steidl • Paul and Carolyn Steinberg • Marion Stewart • Mary Stowell • Christa Strakeljahn • Heinz Strobl • Shawn Sullivan • Frank and Elizabeth Swart • Herschel Tabiando • Dan Taggart • Abbot Taylor • Charles Taylor • Jennifer Thill • James Toomey • Paul Torelli • Heidi O. Torrance • Susan Tyler • Joseph Van Buren • Stephen Van Dolsen • Don Van Dyke H • James Vernon • Cynthia Walk • Maggie and Doug Walker l • Jost Wanden • Alex Wang • Joel Ware IV † • Dorothy Watson • Danielle Webber • William Weiss • Emily Westbrook • Linda Westbrook • Greg Wetzel • Mr. and Mrs. Robert Wiesenthal • Carrie and Mark Williams † ³ • Jean Williams • Peter Wilson • Robert and Diahann Witter • Mark Wittlinger H • Elizabeth and Troy Wormsbecker • Gary Wright • Michael Zampani • Samuel Zinner and Walt Mason l= SOWING Circle Member ³= Wagner and More Member Seattle Opera 2015/16 Season GET WITH IT Visit EncoreArtsSeattle for an inside look at Seattle’s performing arts. EncoreArtsSeattle.com PROGRAM LIBRARY BEHIND THE SCENES ARTIST SPOTLIGHT WIN IT PREVIEWS DEVELOPMENT STAFF CONTACT INFORMATION Lisa Bury, Director of Development 206.676.5530; [email protected] Isabel Bethke, Development Associate 206.676.5569 [email protected] Janell Johnson, Planned Giving Officer 206.676.5534 [email protected] CAPITAL CAMPAIGN Jackie Ernst, Capital Campaign Officer 206.676.5535; [email protected] Krina Turner, Capital Campaign Manager 206.676.5579; [email protected] ANNUAL GIVING AND DONOR SERVICES Rob Wiseman, Associate Director of Development 206.676.5561 [email protected] Marcella Morrow, Donor Communications Manager 206.676.5838 [email protected] Michael L. Moore, Development Operations Manager 206.676.5578 [email protected] Jacob Roy, Development Operations Coordinator 206.676.5509; [email protected] Ilona Davis, Donor Stewardship Manager 206.676.5568; [email protected] Caroline D’Ambro, Donor Stewardship Associate 206.676.5529 Caroline.D’[email protected] INDIVIDUAL GIVING Allison Rabbitt, Associate Director of Development – Individual Giving 206.676.5519 [email protected] Bonita Hagbom, Individual Giving Officer 206.676.5842 [email protected] © Philip Newton Tracy Reich, Individual Giving Officer 206.676.5533; [email protected] Annie Walters, Individual Giving Manager 206.676.5508; [email protected] POWERFUL HISTORICAL DRAMA Witness a high-stakes showdown between Queen Elizabeth I and Mary Queen of Scots. The riveting battle of wills comes to Seattle Opera for the very first time with a “first-rate production” (Opera News) featuring extravagant period costumes and stately scenic design. Kim Ositis, Development Research Manager 206.676.5531; [email protected] With English Subtitles. Evenings 7:30 p.m. Sunday 2:00 p.m. Featuring the Seattle Opera Chorus and members of Seattle Symphony Orchestra. PRODUCTION SPONSORS: TAGNEY JONES FAMILY FUND AT SEATTLE FOUNDATION; LENORE M. HANAUER 38 Catherine Merlo, Individual Giving Coordinator 206.676.5516 [email protected] INSTITUTIONAL GIVING Christine Johnson-Duell, Foundation and Government Giving Manager 206.676.5528 [email protected] Alex Kyger, Corporate Giving Manager 206.676.5536; [email protected] Seattle Opera 2015/16 Season PROGRAM AND EVENT SPONSORS 2015/16 Season Seattle Opera is wholeheartedly grateful for the following generous donors for their support of special events and projects during the 2015/16 season. Listed below are commitments for $5,000 and more as of November 13, 2015. PRODUCTION AND PERFORMANCE SPONSORS Nabucco Seattle Opera Foundation Kreielsheimer Endowment Fund Russell Investments—August 9, 2015 Eulalie Schneider—August 15, 2015 Susan and Furman Moseley—August 19, 2015 Barnard Griffin—August 22, 2015 ARTIST SPONSORS Nabucco Gary and Parul Houlahan—Mary Elizabeth Williams Joan Snelson—Russell Thomas Jay S. Wakefield and Susanne M. Wakefield, Ph.D.—Christian Van Horn The Pearl Fishers True-Brown Foundation Jay S. Wakefield and Susanne M. Wakefield, Ph.D.—Emmanuel Joel-Hornak James and Sherry Raisbeck—Maureen McKay Prof. Ann H. Milam—Anthony Kalil The Pearl Fishers The Marriage of Figaro An American Dream Marks Family Foundation Toby Bright and Nancy Ward—October 17, 2015 The Marriage of Figaro Ann P. Wyckoff Microsoft SAVOR…McCaw Hall—January 16, 2016 Mary Stuart Tagney Jones Family Fund at Seattle Foundation Lenore M. Hanauer The Flying Dutchman Artsfund Office of Arts & Culture | Seattle In Memory of Mary Lou Everett—May 7, 2016 Joan and the late Craig Watjen—Caitlin Lynch Mary Stuart Jan Condit—Mary Elizabeth Williams Sally Anne West—Serena Farnocchia The Flying Dutchman Eileen and James Birge—Daniel Sumegi EVENT SPONSORS Delta Air Lines—2015/16 Dress Rehearsals Events related to An American Dream received funding from OPERA America’s Opera Fund. Lease Crutcher Lewis—The Marriage of Figaro Spotlight Dinner Sponsorships and benefits can be customized to meet your giving priorities. For further information, please contact Director of Development Lisa Bury at 206.676.5530 or [email protected]. The Marriage of Figaro 39 FOUNDATION Seattle Opera’s strong foundation of support is thanks to donors like you who create a lasting legacy gift with an endowed fund. An endowment gift today provides a brighter picture for our future! When you make a donation to our endowment, you give a gift with both immediate and long-term benefits. To learn more about the Endowment at Seattle Opera Foundation, please contact Planned Giving Officer Janell Johnson at 206.676.5534 or [email protected]. Visit seattleopera.org/plannedgiving for more information. Endowment for Seattle Opera at Seattle Opera Foundation The Seattle Opera Foundation is a separate 503(c)3 organization to hold unrestricted and restricted funds for Seattle Opera’s benefit. The donors listed below have given cumulative gifts of $5,000 or more for endowment purposes with outright gifts, estate gifts, or irrevocable planned gifts through a charitable remainder trust or charitable gift annuity from 1968 through November 13, 2015. $1,000,000 AND MORE Kreielsheimer Endowment Fund Gladys and Sam Rubinstein $500,000 - $999,999 Max E. Gellert Memorial Fund Ruth H. Hoffman Seattle Opera Guild in Memory of Marian E. Lackovich and Captain Louis J. Lackovich Endowed Fund Howard D. Wigle $250,000 - $499,999 Anonymous (1) C. Keith Birkenfeld Memorial Trust for Education Marion Oliver McCaw Garrison Eulalie Schneider Fund for Artistic Excellence $100,000 - $249,999 Diana M. Blackmore Endowed Fund The Clowes Fund, Inc. Carmen Elizabeth Delo Endowed Fund for Education In memory of H. Wendell Endicott Jim and Gretchen Faulstich Endowed Fund Margaret Rose Gray William Randolph Hearst Endowed Fund Dr. Phyllis Bagdi and Dr. Kennan Hollingsworth Endowed Fund Suzanne Dressler Kellar Speight Jenkins Endowed Fund Mildred King Dunn Karen S. Larson Lundgren Endowment for New Works Stanley M. Pier Endowed Fund Braiden Rex-Johnson and Spencer A. Johnson Endowed Artist Fund Gertrude E. Sprenger Education Endowment James T. Williams $50,000 - $99,999 Garvey Schubert Barer Edward S. Brignall Leopold R. Gellert Family Trust Hartmut B. Gottschau Endowed Fund George H. Lancaster Mary F. Stowe Fund Patricia A. Wilson $25,000 - $49,999 Robert L. and Rosemarie Anderson Henriette Baum Doris H. Caka Arnold H. Chin David B. Felch Margery Friedlander Jeffrey and Rosario Hanna 40 Dale Lehrman/Paul Beckley in memoriam Delorez Rossell Ruth M. Rystogi Frances Stillman Hodges The Lawrence W. Wells Trust Judith A. Whetzel © NEIL MACKENZIE A FOUNDATION OF STEADFAST SUPPORT CAPITAL SUPPORT We are in the early stages of a capital campaign to build a creative center for Seattle Opera at Mercer Arena adjacent to McCaw Hall. We deeply appreciate the vision and generosity of the following early donors. List reflective of contributions to the capital campaign totaling $5,000 or more received between July 1, 2005, and November 13, 2015. In-kind donors are noted with an asterisk. To learn more, contact Capital Campaign Officer Jackie Ernst at 206.676.5535 or [email protected]. Anonymous (5) 4Culture and King County, Building for Culture Mr. and Mrs. Willie C. Aikens Richard R. and Constance Albrecht Thomas H. and Linda L. Allen Kim A. Anderson Virginia Anderson Apex Foundation Jack and Connie Bloxom Toby Bright and Nancy Ward Brenda Bruns, M.D. and Richard Deininger Lisa Bury and John R. Taylor Jonathan Caves and Patricia Blaise-Caves Drs. Gregory and Darlene Chan Steven and Judith Clifford Collins Group, a division of Campbell & Company* Robert and Loretta Comfort Janice C. Condit Charles and Sandra Cossé Susan M. Coughlin and John Lauber Dr. Susan E. Detweiler and the late Dr. Alexander Clowes Patricia Dubrow Chris and Carolyn Eagan Sally and John Endriz Jack M. and Marsha S. Firestone Debra Dahlen and Robert Fries Diana H. Gale and Jerry Hillis Richard and Mary Beth Gemperle Natalie Gendler John Goodfellow and Barbara Peterson Shannon Sperry and Paul Goodrich Lenore M. Hanauer Jeffrey and Rosario Hanna Heartland* Dr. Kennan H. Hollingsworth 42 Ron Hosogi Gary and Parul Houlahan H. David Kaplan Janet Wright Ketcham Foundation Kreielsheimer Endowment Fund The Hot Chocolate Fund Laura Lundgren Marks Family Foundation James and Lora Melhorn Stafford and Louise Miller NBBJ* Nesholm Family Foundation Pacifica Law Group* The Peg and Rick Young Foundation Rosemary Peterson to honor the late Richard H. Peterson Steven C. Phelps Tom and Gretchen Puentes James and Sherry Raisbeck Jonathan Rosoff and Kristin Winkel Eulalie Schneider Judith Schoenecker and Christopher L. Myers Seattle Opera Guild Jeff and Martha Sherman Heidi Munzinger and John Shott Stephen A. Sprenger John F. Starbard Paula Stokes and John Sullivan Maryanne Tagney and David Jones Russell F. and Sarah M. Tousley James R. Uhlir and Camille M. Uhlir Moya Vazquez WA State Dept of Commerce Jay and Susanne Wakefield David and Romayne Watt Judith A. Whetzel Jennifer and Scott Wyatt Seattle Opera 2015/16 Season ArtsFund strengthens the community by supporting the arts through leadership, advocacy and grant making. Campaign 2015 Donors Thank you to all our donors for sharing and supporting our vision of a community with a dynamic and world-class arts and cultural sector where the arts are accessible to all and valued as central and critical to a healthy society. Pledges and donations made between 7/1/14 - 6/30/15 Visit www.artsfund.org for a full list of our donors and to learn more about ArtsFund $350,000 and up $100,000 - $349,999 $50,000 - $99,999 $25,000 - $49,999 Support from Microsoft Corporation, The Boeing Company, Sellen Construction, Starbucks Coffee Company, KING 5 and POP includes employee workplace giving. $25,000 - $49,999 $10,000 - $24,999 DLA Piper* 4Culture Amazon CenturyLink Chihuly Garden and Glass Clise Properties Inc. The Commerce Bank of Washington* Dapper + Associates Davis Wright Tremaine LLP* Dorsey & Whitney LLP* K&L Gates* King County Getty Images* King County Employee Charitable Campaign* Little Big Show – KEXP, STG & Starbucks Perkins Coie* Stoel Rives LLP* Washington State Combined Fund Drive* Arts Benefactor Circle Gold Club Conductor’s Circle $50,000 - $150,000 $10,000 - $24,999 Neukom Family Nancy Alvord Mary Pigott Pete and Julie Rose $25,000 - $49,999 Bamford Foundation Judi Beck and Tom A. Alberg Allan E. and Nora Davis Jim and Gaylee Duncan Ray Heacox and Cynthia Huffman Peter and Peggy Horvitz Jon and Mary Shirley Foundation William Beeks Glenn Kawasaki Carl and Renee Behnke Deborah Killinger Katharyn Alvord Gerlich Thomas and Gwen Kroon Mr. and Mrs. Lawrence and Mary Ellen Hughes John Graham Foundation Joshua Green Foundation Patricia Britton and Stellman Keehnel Sandy and Chris McDade Norcliffe Foundation Moccasin Lake Foundation Stephen P. and Paula R. Reynolds The Marriage of Figaro Charlotte Lin and Robert Porter Faye Sarkowsky Mary Snapp Anonymous (1) First Chair $5,000 - $9,999 Chap and Eve Alvord Steve Behnen and Mary Hornsby Michael and Anne Bentley Matthew N. Clapp Jr. Creelman Foundation Mrs. Jane Davis and Dr. David R. Davis Medical Consultants Network, Inc.* Nordstrom, Inc. R.D. Merrill Company RealNetworks Foundation Russell Investments Union Bank Visit Seattle $5,000 - $9,999 Alaskan Copper & Brass Company and Alaskan Copper Works Bellevue Arts Commission BNY Mellon Wealth Management Rosanne Esposito-Ross and Louis Ross Kevin and Lynne Fox William Franklin Heather Howard The Hugh and Jane Ferguson Foundation Ed Kim Loeb Family Charitable Foundations Blanche and Stephen Maxwell Douglas and Joyce McCallum Anthony R. Miles Nesholm Family Foundation Norman Archibald Charitable Foundation Judy Pigott Carol and Doug Powell Ann Ramsay-Jenkins and the William M. Jenkins Fund James and Katherine Tune Vijay and Sita Vashee Richard and Leslie Wallis Richard L. Weisman Dr. Clyde and Mrs. Kathleen Wilson Ann P. Wyckoff Lynn Hubbard and David Zapolsky Anonymous (1) Encore Columbia Bank Ernst & Young LLP Fishing Company of Alaska Gaco Western, Inc. Gensler Architects Neiman Marcus Nintendo of America Inc. Puget Sound Business Journal Raisbeck Foundation Seattle Office of Arts & Cultural Affairs Virginia Mason $2,500 - $4,999 Kim A. Anderson Bob and Clodagh Ash Bill and Nancy Bain Michelle Barnet John H. Bauer Annette and Daniel Becker Sue and Artie Buerk Judith Chapman Ms. Melanie Curtice Peter and Susan Davis Karl John Ege Michael and Melanie Fink Robert Fleming Jed Fowler and Elisabeth Beaber Rod Fujita Lynn and Brian Grant Maria Gunn Aya Hamilton Richard and Marilyn Herzberg Pete Higgins and Leslie Magid Higgins Mari Horita Dan and Connie Hungate Jeff Ing in Honor of Vera and Joey Ing Randle Inouye in Honor of Frank Fujii *Includes employee workplace giving Janet Wright Ketcham Foundation Dana and Roger Lorenze Michael and Barbara Malone Tim Mauk and Noble Golden Bruce and Jolene McCaw Alison and Glen Milliman Douglas E. & Nancy P. Norberg Nancy S. Nordhoff Glenna Olson and Conrad Wouters Cara Postilion Marlene Price Scott Redman Mark and Daryl Russinovich Stan and Ingrid Savage Schoenfeld-Gardner Foundation Keith Schreiber and Clare Kapitan Alane and Doyle Simons Jane Simpson Elaine Spencer and Dennis Forsyth John Starbard Charles and Delphine Stevens Brad Smith and Kathy SuraceSmith Gail and Bill Weyerhaeuser Anonymous (1) 43 © Philip Newton IN MEMORIAM GIO ROSS ARE YOU A 21-39 YEAR OLD WHO ENJOYS FUN NIGHTS OUT? Join BRAVO!, save money, and have fun! BRAVO! members enjoy: This production of The Marriage of Figaro is dedicated to the memory of Angelamaria “Gio” Ross, known as the “First Lady” of Seattle Opera. Together with her husband, Glynn Ross, she helped establish Seattle as a major destination in the opera world. Born in Naples, Italy, in 1917, Gio was the daughter of Ermanno Solimene, a high Mason and prominent attorney, and Amalia Tieri, a concert pianist. During World War II, Gio met Glynn on the island of Ischia, where he was serving in the United States Army. They were married in Naples in 1946 and moved to Seattle eighteen years later to found an opera company. Glynn, Seattle Opera’s visionary first general director, had an ‘all-hands-ondeck’ approach to producing opera. His wife, an accomplished artist, was already accustomed to painting scenery and creating costumes for his productions when they moved to Seattle. Here, in addition to fulfilling such backstage responsibilities, she was a gracious host to visiting singers, board members, patrons, and press at their home on the shore of Lake Washington. In 1983, the Rosses moved to Arizona, where Glynn took over the Arizona Opera and turned it around, his wife by his side. At the final performance of Seattle Opera’s 50th Anniversary season in 2014, Speight Jenkins honored Gio Ross, whom he considered “one of the more remarkable people I have known in my life,” praising her charm and empathy. Gio continued to attend Seattle Opera; last summer she was thrilled to attend Verdi’s Nabucco, that most Italian of operas, at the company she helped create. 50% off season tickets 30% off individual tickets Free wine and coffee at intermission Parties and special events And more for just $79 in annual dues! LEARN MORE OR SIGN UP ONLINE BY PHONE seattleopera.org/bravo 206.389.7676 Glynn and Gio Ross. 44 Seattle Opera 2015/16 Season UPCOMING EVENTS FAMILY FUN AND YOUTH PROGRAMS TALKS AND PUBLIC PRESENTATIONS Pre-Performance Talks FOR DONORS Annual Fund donors are invited to attend these upcoming events. Please see the corresponding gift levels below. Mary Stuart Dress Rehearsals February 24 & 25, 2016 Watch the final details come together at the last rehearsals prior to opening night. (Annual Fund donors of $250 or more) Spotlight Dinner: Mary Stuart February 25, 2016 General Director Aidan Lang hosts this insightful three-course dinner prior to the Mary Stuart Dress Rehearsal. (Annual Fund donors of $500 and more) BRAVO! McCaw Hall, 90 minutes before every Seattle Opera performance Nesholm Family Lecture Hall, McCaw Hall, Price: $7 Opera Talk Backs Free. In the Allen Room at McCaw Hall after every performance. Space is limited due to high demand. Join us post-show for Opera Talk Backs! This 30 minute free event is hosted by a member of the artistic staff and will feature a special guest from the cast or creative team. Join us to explore a variety of perspectives on performance and production. Seattle University Series Wyckoff Auditorium, 7:00 p.m. January 26 – Carlisle Floyd’s Susannah and the Condition of New American Opera February 23 – Donizetti’s Mary Stuart: Does Opera Make Good History? Free Neighborhood Previews (Mary Stuart) Frost Fest February 6, 2016, 2:00 p.m. Don’t miss our second annual Frost Fest! Join our Youth Opera Chorus, Teen Opera Players, and a host of Seattle Opera local professional musicians for an engaging afternoon of family performances. Drop in. Activities in the lobby pre-concert beginning at 12:30 p.m. For more information or to purchase tickets, visit seattleopera.org/FrostFest Spring Break Camps April 4–8 or 11–15, 2016 Swords And Sprites (Grades 7-12) Fairytales And Fantasies (Grades 2-6) Save the date! Spend your spring break at Seattle Opera, exploring opera and musical theater works in fantastically fun camps. Build performance skills through singing, acting, and dancing with a supportive team of skilled professionals. No experience necessary and financial assistance is available. Winter Teen Opera Players Workshop Saturdays, January 13–February 19, 2016; 1:15 p.m.–4:00 p.m. (Grades 7-12) BRAVO! Nights during The Marriage of Figaro Feb. 12 Everett Library, 2:00 p.m. Feb. 21 Frye Museum of Art, 2:00 p.m. Save the date! Sharpen your performance skills through vocal coaching, stage movement, dance, and diction for singers. Under the direction of our stellar faculty, teens will perform scenes that include solos, duets, and ensemble work, providing something meaningful for every skill level. No experience necessary. Saturday, January 16; Wednesday, January 20; Friday, January 29; Saturday, January 30 Feb. 23 Queen Anne Library, 2:00 p.m. Visit SEATTLEOPERA.ORG/FORKIDS Laser Opera Feb. 24 Ballard Library, 2:00 p.m. BRAVO! Nights BRAVO! members enjoy complimentary wine and coffee in the BRAVO! Lounges during intermission. February 20, 2016 at 6:30 p.m. This annual BRAVO! tradition features a live laser show choreographed to a soundtrack of operatic favorites. Age 21+. Tickets and information: seattleopera.org/bravorsvp SEATTLEOPERA.ORG/BRAVO The Marriage of Figaro Feb. 9 Freeland Library, 12:00 p.m. Feb. 9 Coupeville Library, 2:00 p.m. Feb. 23 Third Place Books, 7:00 p.m. Feb. 24 Edmonds Library, 6:30 p.m. Feb. 25 Central Library, 12:00 p.m. Additional community previews by Norm Hollingshead are available throughout King, Pierce, and Kitsap counties. Visit SEATTLEOPERA.ORG/SPEAKERSBUREAU for a full list of dates and events. OPERA ON THE RADIO January 23 – The Marriage of Figaro, 7:30 p.m. Tune to 98.1 Classical KING-FM every Saturday evening for more great opera, including live performance from the Seattle Opera stage and great recordings hosted by Aidan Lang or Jonathan Dean. KING.ORG 45 gala featuring greer grimsley SATURDAY, APRIL 16, 2016 MUSEUM OF HISTORY & INDUSTRY, 7:00 PM MANY VOICES, ONE SONG Engaging the community is at the core of all we do. Join Seattle Opera for a glamorous evening benefiting nearly 80,000 children, teens, and adults who connect through opera each year outside McCaw Hall. You’ll enjoy gourmet food and wine, live and silent auctions, delightful surprises and more; all in support of community programs that unite the Pacific Northwest through powerful songs and stories. CO-CHAIRS Linda Kitchen and Moya Vazquez CORPORATE PREMIER TABLE HOSTS COMMITTEE Rebecca Amato Milkana Brace Maureen Frisch Mary Beth Gemperle Laurel Nesholm Sherry Raisbeck Janet Sears Susanne Wakefield PREMIER TICKET HOLDERS Janet Sears Eugene and Jean Stark Moya Vazquez BENEFACTOR TABLE HOSTS Tagney Jones Family Fund at Seattle Foundation Jay and Susanne Wakefield Ann P. Wyckoff BENEFACTOR TICKET HOLDERS Jack and Connie Bloxom Susan Coughlin and John Lauber Susan Detweiler Christopher and Carolyn Eagan A. Richard and Mary Beth Gemperle Brian Marks and Carol Maione WINE ADVISORY COMMITTEE Jonathan Caves Gregory Chan Michael de Maar Brian Marks John Nesholm CORPORATE BENEFACTOR TABLE HOSTS Microsoft PATRON TABLE HOSTS Nesholm Family Foundation John Sullivan and Paula Stokes Tables from $7,500 Tickets from $750 Proceeds benefit Seattle Opera and its Education and Community Engagement Programs. RSVP TODAY! CALL EMAIL VISIT 206.389.7669 [email protected] seattleopera.org/gala AMUSEMENTS Gifts of Artistic Expression SEATTLE OPERA ONLINE Located on the Kreielsheimer Promenade Level of McCaw Hall. Open two and a half hours prior to curtain and during intermission. Shop Amusements online at seattleopera.org/shop. Visit seattleopera.org to find trailer videos, photos, audio clips and interactive guides about The Marriage of Figaro and all the operas we present. The Marriage of Figaro CD Take home the wondrous music of Mozart’s most popular opera! James Levine conducts the Metropolitan Opera Chorus and Orchestra in this 1991 production with Ferruccio Furlanetto as Figaro and Dawn Upshaw as Susanna. Also features Kiri Te Kanawa, Thomas Hampson, Anne Sofie von Otter, and Tatiana Troyanos. 3 CD set includes libretto & synopsis. $59.95 SO Awake Travel Mug Take your morning caffeine with you and stay “SO AWAKE!” 18 ounce, double wall, foam insulated, 18/8 stainless steel tumbler with push-on plastic slide lid. Matte black and silver mug with copper and turquoise lettering. $21.95 Exclusive Artwork Gift Items Designer Karin Kough created this illustration exclusively for Seattle Opera’s production of Mozart’s sublime comedy. When the catty Count tries to seduce his manservant’s fiancée, the love birds turn the tables on him. Prices vary. VIDEOS Period Profiles, Unconventional Materials A costume preview with a twist! Shop staffers take you on a tour of key Figaro costumes, giving special attention to the use of non-period materials (such as metal zippers and denim) to recreate period silhouettes. This featurette includes a look at the original designer renderings and close ups of fine details such as rivets, repurposed blue jean pockets, etc. One-Minute Trailer A montage of dress rehearsal footage from Seattle Opera’s The Marriage of Figaro. Meet the Artists of The Marriage of Figaro Hear the artists offer their insights into their characters and the ways in which they prepare and perform them. Each of their unique interpretations shows why no two performances are alike! AUDIO PLAYER Musical Excerpts Sample audio clips and highlights from The Marriage of Figaro and many other Seattle Opera performances at soundcloud.com/seattle-opera. ALSO ON THE WEB #SOFigaro The Marriage of Figaro 47 FLÂNEUR FOREVER Bellevue The Shops at the Bravern (425) 467-0500 Hermes.com
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