LIGN 101 Lectures 7 – Phonology Caponigro LIGN 101 PHONOLOGICAL PROCESSES/RULES From last lecture: tick [tk] Lectures 7 – Phonology Caponigro RULE: EXAMPLE 1 RULE: In English, the phoneme /t/ is pronounced as: [] between two vowels when the preceding vowel carries the word stress /t/ [] / V__V [t] stick [stk] [t] later [er] [] kitten [kn] [] [] between a vowel and the alveolar nasal /t/ consonant [n] /t/ [] / V__ [n] [] [] V__V [t] V__ [n] [t] #__V elsewhere [t] at the beginning of a word when followed by a vowel /t/ [t] / #__V [t] elsewhere The phoneme (=mental object) /t/ is realized/pronounced by four different allophones (=sounds/phones) in English: [], /t/ [t] elsewhere [], [t], [t]. 1 LIGN 101 2 Lectures 7 – Phonology Caponigro RULE: EXAMPLE 2 Pam [pæm] __ [m] bean [bin] __ [n] broom [brum] __ [m] long [la] __ [] /v/ [v] Pat [pæt] __ [t] beat [bit] __ [t] LIGN 101 Lectures 7 – Phonology Caponigro But in French … laid [l] ‘ugly’ lin [l] ‘flax’ las [la] ‘tired’ lent [la] ‘slow’ bruise [bruz] __ [z] lock [lak] __ [l] lot [l] ‘prize’ long [l] ‘long’ in English speakers’ minds [v] // // /a/ /a/ // // [] [] [a] [a] [] [] in French speakers’ minds what English speakers utters ___ [m]/[n]/[] elsewhere what French speakers utters natural (they are all nasal consonants) class NATURAL CLASS A group of language sounds that shares one or more articulatory properties, to the exclusion of all the other sounds. Conclusion A nasal vowel and its non-nasal equivalent are allophones (= sound realizations) of different phonemes in French. Conclusion A nasal vowel and its non-nasal equivalent are allophones (=sound realizations) of the same phoneme in English. 3 4 LIGN 101 Lectures 7 – Phonology Caponigro We can conceive of the use of allophones as the result of rules which represent various phonological processes: PHONEMIC FORM (abstract sequence of phonemes/mental objects in the mind) Phonological Processes/Rules PHONETIC FORM (sequence of context-appropriate allophones/sounds that are actually pronounced) LIGN 101 Lectures 7 – Phonology Caponigro RULE: EXAMPLE 3 SPELLING I can ask I can play I can sing I can go I can bake I can count IN THE MIND PRONOUNCED /aj kæn æsk/ > /aj kæn ple/ > /aj kæn s/ > /aj kæn gow/ > /aj kæn bek/ > /aj kæn kawnt/> [aj kæn æsk] [aj kæm ple] [aj kæn s] [aj kæ gow] [aj kæm bek] [aj kæ kawnt] RULE: In English, the phoneme /n/ is pronounced (at least, for most speakers in casual speech at a normal speed) as: [m] before a bilabial consonant ([p], [b]) [] before a velar consonant ([k], [g]) [n] elsewhere [The phonetic transcriptions above are slightly different (nothing crucial!) from those in your assigned extra phonology reading, but they are consistent with your textbook.] 5 LIGN 101 Lectures 7 – Phonology 6 Caponigro NATURAL CLASSES What happens with /n/ also happens with /t/ and /d/: hat trick /hæt trk/ > [hæt trk] hit batsman night class bad dream head band bad guy /ht bætsmn/ > [hp bætsmn] /najt klæs/ > [najk klæs] /bæd drim/ > [bæd drim] /hd bænd/ > [hb bænd] /bæd gaj/ > [bæ gaj] LIGN 101 Lectures 7 – Phonology RULE: EXAMPLE 3 - GENERALIZED RULE: In English, the natural class of phonemes that are (pronounced in most environments as) nasal or non-nasal alveolar stops are pronounced as: labial stops before a bilabial consonant velar stops before a velar consonant alveolar stops elsewhere We say that the phonemes /t/, /d/ and /n/ form a natural class in English because their most common allophones (= the allophones that occur elsewhere, that is [t], [d], [n] respectively) share one or more phonetic properties, which no other sounds of English shares: [t], [d] and [n] are all the alveolar stops (oral or nasal) that are found in English. 7 Caponigro - Chance in place of articulation - No change in manner of articulation - No change in voicing - No change in nasality 8 LIGN 101 Lectures 7 – Phonology Caponigro LIGN 101 Lectures 7 – Phonology Caponigro TYPES OF ASSIMILATION PHONOLOGICAL PROCESSES/RULES Assimilation is the phonological process according to which if a phoneme (mental object) in a language is realized by two or more allophones (sounds), then the allophone that is chosen is the one that is more similar to a close or adjacent sound. Assimilation could involve voicing, place of articulation, manner of articulation, tongue height, lip rounding, etc. There’s a limited number of phonological processes used in languages. We can represent these phonological processes as “rules” using a formal notation. Some of these processes/rules are obligatory (they apply whenever the right environment occurs) some other are optional (they may apply or not when the right environment occurs) and may depend on factors like how fast or how formal one speaks (see examples below). EXAMPLE: English vowel nasalization (obligatory rule) Phonemes (mental objects) that are pronounced as vowels have two allophones (sounds) in English: a nasal one and a non-nasal one. The nasal allophone is produced right before a nasal consonant Pam /pæm/ > [pæm] Pat /pæt/ > [pæt] [For completeness, I also added the aspiration of the initial stop consonant, which is an example of strengthening (see below)] 9 LIGN 101 Lectures 7 – Phonology 10 Caponigro DISSIMILATION LIGN 101 Lectures 7 – Phonology Caponigro INSERTION Dissimilation is the phonological process according to which a phoneme (mental object) is realized by the allophone (sound) of another phoneme that is more dissimilar (in place or manner of articulation) to a close or adjacent sound: Insertion is the phonological process according to which a phone that is not present at the phonemic level (=as a phoneme/mental object) is added to the phonetic form (=actual pronunciation) of a word. amphitheater / æmfəθiətər / > [æmpəθiətər] [f] and [θ]: same manner of art. (fricative) [p] and [θ]: different manner of art. (stop and EXAMPLE: In English, it is possible (but not obligatory!) to insert a stop between a nasal consonant and [s] (optional rule): fricative) etcetera /tstr/ > [kstr] hamster /hæmstr/ > [hæmpstr] prince /prns/ > [prnts] presence /przns/ > [prznts] [t] and [s]: same place of art. (alveolar) [k] and [s]: different place of art. (velar and alveolar) 11 12 LIGN 101 Lectures 7 – Phonology Caponigro LIGN 101 DELETION EXAMPLE: English phonemes that would be pronounced as unstressed vowels may be (optionally!) deleted if found between an obstruent (stop, fricative, affricate) and a liquid ([l], [r]) (optional rule): /pls/ > /bliv/ > /pred/ > /trfk/ > [pls] [bliv] [pred] [trfk] Weakening is the phonological process according to which a phoneme is realized by a weaker allophone (= shorter or produced with more open constriction). EXAMPLE: flapping In many varieties of English, a phoneme that would elsewhere be pronounced as an alveolar oral stop is realized as a flap [] (briefly hitting the alveolar ridge with the tongue tip), if it is pronounced between two vowels the first of which is stressed: atom [æm] Italy [li] Stress matters! Compare: atomic [tmk], not *[mk] Italian [tæljn], not *[æljn] 13 LIGN 101 Lectures 7 – Phonology Caponigro WEAKENING Deletion is the phonological process according to which a phoneme (mental object) that is present in the phonemic level (mental level) is not pronounced, that is it is not associated to any allophone (sound) at the phonetic level. police believe parade terrific Lectures 7 – Phonology 14 Caponigro LIGN 101 Lectures 7 – Phonology Caponigro STRENGTHENING Strengthening is the phonological process according to which a phoneme is realized by a stronger allophone (= longer or produced with less open constriction). EXAMPLE: aspiration of voiceless stops in word initial position in English is a form of strengthening: tip /tp/ > [tp] pet /pt/ > [pt] cat /kæt/ > [kæt] Why did this student get the wrong class material? 15 Notice: /t/, /p/, k/ form a natural class in English since their most common allophones ([t], [p], and [k], respectively) are all and the only voiceless stops in English. 16 LIGN 101 Lectures 7 – Phonology Caponigro LIGN 101 Lectures 7 – Phonology Caponigro PROSODIC OR SUPRASEGMENTAL 1. Length FEATURES Consonants and vowels can have different length (=duration of their pronunciation). bean [bin] The pronunciation of [i] in bean lasts a bit longer than [] Features of phones/sounds that are over and above (=independent from) manner and place of articulation and from voicing: 1) length bin [bn] [] is the IPA symbol that means “long”. In some languages (but not in English), length is contrastive (= there are minimal pairs that only differ from the length of one sound): 2) stress 3) pitch and tone Examples of contrastive length with vowels: [bir] ‘building’ JAPANESE [bir] ‘beer’ Examples of contrastive length with consonants: [tapan] ‘I kill’ FINNISH [tapan] ‘I meet’ [pala] ‘shovel’ ITALIAN [pala] ‘ball’ 17 LIGN 101 Lectures 7 – Phonology 18 Caponigro LIGN 101 2. Stress In some languages, certain syllables are louder, slightly higher in pitch (see below), and somewhat longer in duration than other syllable in the word. They are stressed syllables. incite [n’sajt] insight [’nsajt] digest [’dajdst] digest [daj’dst] [ ’ is the IPA symbol that precedes the syllable(s) of a word that are stressed] Change in stress can trigger vowel and consonant changes in English: [’foræf] Lectures 7 – Phonology 3. Pitch and tone The pitch depends on how fast the vocal folds vibrate: the faster they vibrate, the higher the pitch. If the larynx is small, like in women and children, the shorter vocal folds vibrate faster and the pitch is higher. There are languages in which a change in the pitch on a syllable is contrastive, that is it produces two or more words with different meaning. These languages are called tone languages. Most languages are tone languages, for instance, Mandarin Chinese, Burmese (spoken in Burma), Thai, Nupe (spoken in Nigeria). Mandarin Chinese [ma] high ‘mother photography [f’tarfi] [ma] high rising ‘hemp’ Italy [’li] [ma] low falling rising ‘horse’ [ma] high falling ‘scold’ photograph Italian [’tæljn] 19 Caponigro 20
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