bibliography

BIBLIOGRAPHY
MAYA ANGELOU
PRIMARY SOURCES
(i) Autobiographies
Angelou, Maya :
I Know Why the Caged Bird Sings. New York: Random, 1970.
____________ . :
Gather Together in My Name. New York: Random, 1974.
____________ . :
Singin’ and Swingin’ and Gettin’ Merry Like Christmas. New
York: Random, 1976.
____________ . :
The Heart of a Woman. New York: Random, 1981.
____________ . :
All God’s Children Need Travelling Shoes. New York: Random,
1986.
____________ . :
A Song Flung Up to Heaven. New York: Random House,
2002.
(ii) Musings
____________ . :
Wouldn’t Take Nothing for My Journey Now. New York: Random,
1993.
____________ . :
Even the Stars Look Lonesome. New York: Random, 1997.
(iii) Autobiographical Essays
____________ . :
“Why I Moved Back to the South.” Ebony (February 1982):
130-34.
____________ . :
“My Grandson, Home at Last.” Woman’s Day (August 1986): 4655.
(iv) Children’s Literature
____________ . :
Mrs. Flowers. With artist Etienne Delessert. Minneapolis, MN:
Redpath, 1986.
____________ . :
Life Doesn’t Frighten Me. Painting by Jean-Michel Basquiat. New
York: Stewart, 1993.
342
____________ . :
My Painted House, My Friendly Chicken, and Me. Photographs by
Margaret Courtney-Clarke, New York: Clarkson N. Potter, 1994.
____________ . :
Kofi and His Magic. Photographs by Margaret Courtney-Clarke.
New York: Clark-son N. Potter, 1996.
(v) Poetry
____________ . :
“A Brave and Startling Truth.” Internet. Available:
http://w3.rizona.edu/~amun/unpoem. html
____________ . :
Just Give Me a Cool Drink of Water Fore I Diiie. New York:
Random, 1971.
____________ . :
Oh Pray My Wings Are Gonna Fit Me Well. New York: Random,
1973.
____________ . :
And Still I Rise. New York: Random, 1978.
____________ . :
Shaker, Why Don’t You Sing? New York: Random, 1983.
____________ . :
Poems: Maya Angelou. New York: Random, 1986.
____________ . :
Now Sheba Sings the Song. With artist Tom Feelings. New York:
Dutton, 1987.
____________ . :
I Shall Not Be Moved. New York: Random, 1990.
____________ . :
The Complete Collected Poems of Maya Angelou. New York:
Random, 1994.
____________ . :
“Maya Angelou’s Million Man March Poem.” 16 October 1995.
Internet. Available: http://www.lgc.apc.org/africanam/hot/
maaya.html
____________ . :
Phenomenal Woman. 1978. New York: Random, 1995.
(vi) Film
____________ . :
Cook, Fielder, dir. I Know Why the Caged Bird Sings. Screenplay
by Maya Angelou. Learning Corp. America, 1978.
(vii) Plays, Screenplays and Television (Produced)
____________ . :
“Cabaret for Freedom” (musical revue), 1960.
____________ . :
“The Least of These” (two-act drama), 1966.
343
____________ . :
“Blacks, Blues, Black” (ten one-hour programs), National
Educational Television, 1968.
____________ . :
“Georgia, Georgia,” (Film), 1972.
____________ . :
“Ajax,” adapted from Sophocles' play (two-act drama), 1974.
____________ . :
“All Day Long,” American Film Institute, 1974.
____________ . :
“And Still I Rise,” (one-act musical), 1976.
____________ . :
“The Legacy,” (Afro-American Television Special), 1976.
____________ . :
“The Inheritors,” (Afro-American Television Special), 1976. “I
Know Why the Caged Bird Sings,” with Leonora Thuna (Film),
1979.
____________ . :
“Sister, Sister,” (drama) NBC-TV, 1982.
(viii) Recordings
“Miss Calypso” songs, Liberty Records, 1957.
“The Poetry of Maya Angelou,” GWP Records, 1969.
“Maya Angelou,” Center for Cassette Studies, 1974.
“Maya Angelou Talks About Her Life, Her Mother and Grandmother and Various
Influences,” 1976.
“Maya Angelou,” Tapes for Readers, 1978, 1979.
“Maya Angelou,” An Interview. Tapes for Readers, 1979.
“Women in Business,” University of Wisconsin, 1981.
“Maya Angelou,” Minneapolis Public Library and Information Center, 1981.
“Maya Angelou the Writer/the Person,” Nebraska ETV Network for
Educational Television Council for Higher Education, 1981.
the
Nebraska
“Maya Angelou,” PBS Video, 1982, 1987.
“Maya Angelou Takes Interviewer, Bill Moyers, Through Her Small Town in Rural
Arkansas,” 1986.
344
“Maya Angelou at HSU,” 1986.
“Maya Angelou Speaks at Russell Sage,” 1987.
“Maya Angelou,” “The Faces of Evil,” Filmed in Chicago and Dallas with Bill Moyers.
Public Affairs Television. WNET/New York, 1988.
“Maya Angelou, African American Artist.” History on Video, 1989.
“Maya Angelou,” ICA Video, 1989.
“Maya Angelou Lecture,” History on Video, 1990.
(ix) Uncollected Articles
“Cicely Tyson: Reflections on a Lone Black Rose.” Ladies' Home Journal (February
1977): 40-46.
“Why I Moved Back to the South.” Ebony 37 (Feb. 1982): 130-4.
“Save the Mothers.” Ebony 4 (Aug. 1986): 38-39.
“Why Blacks Are Turning To Their Southern Roots.” Ebony 45 (April. 1990): 44.
(x) Bibliography
Cameron, Dee Birch. “A Maya Angelou Bibliography.” Bulletin of Bibliography 36, 1
(Jan/March. 1979): 50-52.
(xi) Interviews
Caruana, Stephanie. “Maya Angelou: An Interview.” Elliot, 29-37.
Chrisman, Robert. “The Black Scholar Interviews Maya Angelou.” Black Scholar 8.4
(January/February. 1977): 44-53.
Crane, Tricia. “Maya Angelou.” Elliot, 173-78.
Crockett, Sandra. ‘Poetic Angelou Can Sing, Cut a Rug.” Baltimore Sun 9 (Sept. 1997):
EI, 8.
345
Davis, Curt. “Maya Angelou: And Still She Rises.” Elliot, 68-76.
Elliot, Jeffrey M., ed. Conversations With Maya Angelou. Jackson: University Press of
Mississippi, 1989.
Forma, Aminatta. “Kicking Ass.” Elliot, 161-64.
Guy, Rosa. “A Conversation between Rosa Guy and Maya Angelou.” Elliot, 218-40.
Harris, Russell. “Zelo Interviews Maya Angelou.” Elliot, 165-72.
Kay, Jacke. “The Maya Character.” Elliot, 194-200.
Kelley, Ken, “Visions: Maya Angelou.” Mother Jones. http://www.mojones.com/motherjones/MJ95/kelley.html
Lupton, Mary Jane. “Talking with an Icon: An Interview with Maya Angelou.” (16 June
1997). Unpublished.
Moyers, Bill. “Portraits of Greatness.” PBS Home Video, Pacific Arts, 1982.
Neubauer, Carol E. “An Interview with Maya Angelou.” Massachusetts Review 28
(1987): 286-92.
Plimpton, George. “The Art of Fiction CXIX: Maya Angelou.” Paris Review 32: 116
(1990): 145-67. Rpt. “Maya Angelou with George Plimpton.” Contemporary
Literary Criticism 77 (1994): 14-21.
Randall-Tsuruta, Dorothy. “An Interview with Maya Angelou.” Elliot, 102-8.
Rich, Marney. “In Maya Angelou, A Caged Bird Sings.” Elliot, 125-30.
Sarler, Carol. “A Life in the Day of Maya Angelou.” Elliot, 214-17.
Toppman, Lawrence. “Maya Angelou: The Serene Spirit of a Survivor.” Elliot, 140-45.
Webster, Valerie. “A Journey Through Life.” Elliot, 179-82.
346
(xii) Reviews
Angelou, Maya
: “Maya’s Journey Home” Reader’s Digest, 121. (1982): 89-94.
Excerpt from I Know Why the Caged Bird Sings.
____________ .
: Mrs. Flowers; A Moment of Friendship. Minneapolis: Redpath
Press, 1986.
____________ .
: “One Heart Land Black Artist Speaks of Other Heart Land Black
Artists.” International Review of African American Art, 7(3),
(1987): 4-5.
SECONDARY SOURCES
Books and Articles
Adam David Miller, a “Review of The Heart of a Woman,” in The Black Scholar, Vol.13,
Nos. 4&5, Summer (1982), 48-9.
Adams, Phoebe. “Rev. of Gather Together in My Name”. Atlantic (June 1974): 233.
Almeida, Ruth E. “Rev. of Gather Together in My Name”. Library Journal 1 (June
1974): 1538.
Als, Hilton. “Song Bird: Maya Angelou takes Another Look at herself.” New Yorker, 78
(22, 2002): 72-76.
Andersen, M. Studying across difference: Race, Class, and Gender in Qualitative
Research in Stanfield, J. & Dennis, R. eds. Race and Ethnicity in Research
Methods, Newbury Park, CA: Sage publications, (1993), 39-52.
Andrews, William A. Sisters of the Spirit: Three Black Women’s Autobiographies of the
Nineteenth Century. Bloomington: Indiana University Press, 1986.
Andrews, William, L. To Tell a Free Story. Englewood Cliffs, NJ: Prentice Hall, 1993.
_____ . (ed.). African American Autobiography. A Collection of Critical Essays,
Englewood Cliffs, NJ: Prentice, Hall, 1993.
Angelou, Maya. “Shades and Slashes of Light.” In Black Women Writers (1950-1980): A
Critical Evaluation, (Ed.). Mouri Evans, Jackson, MS: University Press of
Mississippi, 1984.
Anne, Moody. Coming of Age in Mississippi. New York: The Dial Press, 1968.
347
Anonymous [probably Pauline Hopkins]. “Venus and Apollo Modelled from Ethiopians.”
Colored American Magazine 6 (June 1903): 465.
Aptheker, Herbert. Not Turner’s Slave Rebellion. New York: Humanities press, 1966.
Arensberg, Liliane K. “Death as Metaphor of Self in I Know Why the Caged Bird Sings.”
College Language Association Journal 20 (1976): 273-96.
_____ . “Death as Metaphor of Self in I Know Why the Caged Bird Sings.” College
Language Association Journal, 20, 2 (1976).
Article on Caged Bird. http://www.planetout.com/pno/newsplanet/article.html/1998/
01/13/4.
“A Song Flung Up to Heaven (Book)”. Publishers Weekly 249 (5): 61. 2002-02-04.
“A Song Flung Up to Heaven (Book)”. Kirkus Reviews 70 (1): 25. January 2002.
Aunt Sally. Aunt Sally, or the Cross the Way of Freedom. Narrative of the Slave-Life and
Purchase of the Mother of Rev. Isaac Williams of Detroit, Michigan. Cincinnati:
American Reform Tract and Book Society, 1858.
Bailey, Hilary. “Growing Up Black.” Guardian Weekly, 130.6, 1984.
Baker, Houston, “Rev. of All God’s Children Need Travelling Shoes”. New York Times
Book Review 11 (May 1986): 14.
Baker, Houston, A., Jr. “The Problem of Being. Some Reflections on Black
Autobiography.” Obsidion, 1975.
Baker, Houston, A., Jr. The Journey Black: Issues in Black Literature and Criticism.
Chicago: The University of Chicago Press: 1980.
Baldwin, James. No Names in the Street. New York: Dial Press, 1972.
Baldwin, James. Nobody Knows My Name. New York: Dial Press, 1961.
Baldwin, James. Notes of a Native Son. Boston: Beacon Press, 1955.
Banyiwa-Horne, N. “The Scary Face Of The Self: An Analysis Of The Character Of Sula
In Toni Morrison’s Sula” SAGE: A Scholarly Journal on Black Women, Spr.
(1985 v.2 n. 1), 28.
Barton, Rebecca C. Witnesses for Freedom: Negro Americans in Autobiography. New
York, Harper, 1948.
348
Baumbach, J., & Turner, L. “Female Gender Disorder: A New Model And Clinical
Applications”, Journal of Psychology and Human Sexuality (1992, v.5 n.4), 107.
Baurdiue, Fierre, and J.C. Passerson. Reproduction in Education, Society and Culture.
Beverley Hills: Sage 1977.
Beaulieu, Elizabeth Ann. Black Women Writers and the American Neo-Slave Narrative:
Feminity Unfettered. West Port Conn.: Green Wood Press, 1999.
Beaulieu, Elizabeth Ann. Black Women Writers And The American Neo-Slave Narrative:
Femininity Unfettered. Westport, Conn.: Greenwood Press, 1999.
Belinda. “The Cruelty of Men, Whose Faces Were Like the Moon.” Petition of an
African Slave to the Legislature of Massachusetts. The American Museum or
Repository of Ancient and Modern Fugitive Pieces & Prose and Poetical (June
1787).
Bell Hooks. Ain’t I a woman? Black Woman and Feminism, Boston: South End Press,
1996.
_____ . Feminist Theory: From Margin to Centre. Boston, South End Press, 1984.
Bell, Bernard W. The Afro-American Novel and its Tradition, Amherst, New York:
University of Massachusetts Press, 1987.
Bell-Scott P. Life notes: Personal Writing by Contemporary Black Women, xxx: W.W.
Norton, 1993.
Benjamin, L. & Stewart, J. “The Self-Concept Of Black and White Women: The
Influences Upon Its Formation of Welfare Dependency, Work Effort, Family
Networks, and Illnesses.” American Journal of Economics and Sociology,
(Apr.1989 vA8 n.2), 165.
Benjamin, M.A. Question of Identity: Women Science and Literature, New Brunswick,
N.J.: Rutgers Univ. Press, c1993.
Benson, Carol. “Out of the Cage and Still Singing.” Writer’s Digest, 1975.
Benstock, Shari. The Private Self: Theory and Practice of Women’s Autobiographical
Writings. Chapel Hill: U of North Carolina. 1998.
Betrolina, James. “Maya Angelou is Three writers: I Know Why the Caged Bird Sings”,
in Censored Books: Critical View Points. Ed. Karolides, Nicholas. J. Burress,
Lee, Kean, John. M. Metchen, N.J. Scarecrow, 1993.
349
_____ . “Maya Angelou is Three Writers”. In Modern Critical Interpretations: Maya
Angelou’s I Know Why the Caged Bird Sings, Harold Bloom, ed. New York:
Chelsea House Publishers, 1996.
Bibb, Henry. Narrative of the Life and Adventures of Henry Bibb. New York: Westport,
Conn.: Negro University Press, 1969.
Billdt, “Review of The Heart of a Woman,” Booklist, Vol.78, No.1, (September 1,
1981): 1.
Black Images in American Literature. Rochelle Park, NJ.: Hayden Book Co., 1977.
Black Southern Voices: An Anthology of Fiction, Poetry, Drama, Non-Fiction and
Critical Essays, New York, Meridian (1992).
Black Women Writers (1950-1980): A Critical Evaluation. Garden City, N.Y.: Anchor
Press/Doubleday, 1984,1983.
Blackburn, Regina. “In Search of the Black Female Self: African-American Women’s
Autobiographies and Ethnicity.” Jelinek, (1989): 133-48.
Blake, Margaret Jane. Memoirs of Margaret Jane Blake of Baltimore, Md. and Selections
in Prose and Verse by Sarah R. Leavering. Philadelphia: Press of Innes and Son,
1897.
Bloom, Cynnz. “Heritages: Dimensions of Mother-Daughter Relationship in Women’s
Autobiographies.” Davidson and Broner, (1980): 291-303.
Bloom, Lynn Z. “Maya Angelou.” Dictionary of Literary Biography. Vol.38, Detroit:
Gale, (1985): 3-12.
Blumberg, R. Afterword: Racial Ethnic Women’s Labour: Factoring in Gender
Stratification, in Rae L. Blumber, Ed. Gender, family and economy: The triple
overlap, Newbury Park, CA: Sage publications, (1991): 201-208.
Blundell, Janet Boyarin. “Rev. of All God’s Children Need Traveling Shoes”, Library
Journal 15 (Mar. 1986): 64.
_____ . “Review of All God’s Children Need Travelling Shoes”, Library Journal (March
15, 1986).
Boswell, James. The Life of Samuel Johnson. New York: Modern Library, n.d., 1960.
Boyd-Franklin, N. “Group Therapy For Black Women: A Therapeutic Support Model”
American Journal of Orthopsychiatry, Jol. (1987 v.57 n.3). 394.
350
Braxton, Joanne. “Maya Angelou.” In Modern American Women Writers, Ed., Elain
Shwalter, Lea Baccher, and A. Walton Litz. New York: Charles Scribner’s Sons,
1991.
Brown, Claude. Man Child in the Promised Land. New York: Macmillan, Signet Book,
1996.
Brown, H. Rap. Die Nigger Die. New York: Dail Press, 1969.
Brown, Jane. Narrative of the Life of Jane Brown and Her Two Children. Hartford: n.p.,
1860.
Brown, William Wells. Narrative of William Wells Brown, Boston, 1847.
Brown-Collins, A. & Sussewell, D. “The Afro-American Woman’s Emerging Selves” in
Journal of Black Psychology, (Aug. 1986 v.13 n. 1): 1.
Burton, Annie Louise. Memoirs of Childhoods Slavery Days. Boston: n.p., 1909.
Burton, Annie. Memories of Childhood – Slavery Days. Amsterdam, Netherlands:
Rodopi, 1909.
Buss, Hellen, M. “Reading for the Doubled Discourse of American Women’s
Autobiography.” A/B: Autobiography Studies, (6, 1991).
Butler, J. & Scott, J. Feminists Theorize the Political, New York: Routledge, 1992.
Butler, Richard Austen. The Difficult Art of Autobiography. Oxford: The Clarendon
Press, 1968.
Butterfield, Stephen. Black Autobiography in America. Amherst: University of
Masschusetts Press, 1974.
Cannon, L, Higginbotham, E, & Leung, M. Race and Class Bias in Qualitative Research
on Women. Lober, J. & Farrell, S. eds. The Social construction of gender.
Newbury Park, CA: Sage publications, 1991, 237-248.
Carby, Hazel V. Reconstructing Womanhood: The Emergence of the Afro-American
Women Novelist, New York: Oxford University Press, 1987.
Chamblee-Carpenter-Dana. “Searching for a Self in Maya Angelou’s I Know Why the
Caged Bird Sings”, Publications of the Mississippi Philological Association,
(1996): 6-12.
Chick, Nancy. “Maya Angelou: A Twentieth Century Scheherazade,” Master’s Thesis,
University of Georgia, (1992).
351
Christian, Barbara. Black Feminist Criticism: Perspectives on Black Women Writers
New York: Pergamon Press, 1985.
Clifton Taulbert. Once Upon a Time When We Were Colored. Urbana, IL: University of
Illinois Press, 1989.
Collier, Eugenia. “Maya Angelou: From ‘Caged Bird’ to ‘All God’s Children.’” In New
Directions, a publication of Howard University (October 1986): 22-27.
_____ . “Maya Angelou: From ‘Caged Bird’ to All Gods Children.” New Direction,
Howard University Publication, 1986.
Collins, P. “The Social Construction of Black Feminist Thought” Signs, (Sum. 1989 v.14
n.4): 745.
_____ . The Sexual Politics of Black Womanhood in Bart, P. & Moran, E. eds. Violence
Against Women: The Bloody Footprints. A Gender and Society Reader, Newbury
Park, CA: Sage publications, (1993): 85-104.
Columan, Wanda. “Review of All God’s Children Need Travelling Shoes”, The Los
Angles Times Book Review, April B, 1986, 4.
Conference on the History of Women. Woman's Being. Woman's Place: Female Identity
and Vocation in American History, Boston: Hall, 1979.
Conjuring: Black Women, Fiction, And Literary Tradition. Bloomington, IN: Indiana
University Press, 1985.
Cooper, Anna Julia. A Voice from the South: By a Black Woman of the South. Xenia,
Ohio: Aldine Publishing House, 1892.
Cosgrave, M.S. “Review of The Heart of a Woman”. Horn Book (Feb. 1982): 84.
Countee Cullen, ed. Caroling Dusk: An Anthology of Verse by Black Poets of the
Twenties. Secaucus, N.J. Carol Publication Group, 1993.
Couser, G. Thomas. “The Shape of Death in American Autobiography.” Hudson Review,
(31, 1978).
Croft, Robert W. A Zora Neale Hurston Companion I Robert W. Croft. Westport, Conn.:
Greenwood Press, 2002.
Cross, W.E. Models of Psychological Nigrescence: A Literature Review in R.L. Jones ed.
Black Psychology 2nd. ed., New York: Harper & Row, pp.81-98.
352
Cudjoe, Selwyn, R. “Maya Angelou and the Autobiographical Statement,” in Black
Women Writers (1950-1980): A Critical Evaluation. Ed. Mari Evans. Garden
City: Anchor Doubleday, 1984.
_____ . “Maya Angelou: The Autobiographical Statement Updated.” In Reading Black:
Reading Feminist, Ed. Henry Louis Gates Jr. New York: Meridian, 1990.
“Cycles of Psychological Nigrescence” Counselling Psychologist, (Apr. J 989 v.l7 n.2):
187.
Daisy Aldan. “Review of The Heart of a Woman”, World Literature Today, Vol.56, No.4,
(Autumn 1982): 697.
Danahay, Martin. A. “Breaking The Silence: Symbolic Violence and the Teaching of
Contemporary ‘Ethnic’ Autobiography.” College Literature, 18(3), 1991.
Davenport, D. & J. Yurich “Multicultural Gender Issues,” Journal of Counseling And
Development, (Sept/Oct. 1991 v.70n.l): 64.
Davies, C. “Mothering And Healing In Recent Black Women's Fiction” Sage: A
Scholarly Journal on Black Women, (Spr. 1985 v.2 n. 1): Al.
Davis Angela. An Autobiography. 1974, New York: Random House, 1976.
Davis Bernadette Adams. “Remembering Mama: Images of mothers, good, bad, real or
fictive Found in Our Literary Tradition”, Black Issues Book Review, 15220524,
(May/June 2005): Vol.7, Issue 3.
Davis, Mary. “’Becoming’: A Course in Autobiography.” English Journal, (1985):
34-36.
Davis, Naoh. Narrative of William Wells Brown. Boston, 1847.
Dearborn, Mary V. Pocahontas's Daughters: Gender And Ethnicity in American Culture.
New York: Oxford University Press, 1986.
Delany, Lucy. From the Darkness Cometh the Light, or Struggles for Freedom. St. Louis:
Publishing House of J. T. Smith, n.d.
Demetrakopoulous, Stephanie A. “The Metaphysics of Matrilinearism in Women’s
Autobiography: Studies of Mead’s Blackberry Winter, Hellman’s Pentimento,
Angelou’s I Know Why the Caged Bird Sings, and Kingston’s The Women
Warrior.” In Women’s Autobiography: Essays in Criticism. Ed. Estelle Jelinek.
Bloomington: Indiana University Press, 1980. 180-205.
353
Dorothy, Spruill Redford. Somerset Homecoming: Recovering a Lost Heritage. M.A.:
Beacon Press, 1988.
Double stitch: Black Women Write About Mothers And Daughters. Boston: Beacon Press,
1991.
Douglass, Frederick The Life and Times of Frederick Douglass. 1892: London: Collier
Book, 1962.
_____ . My Bondage and My Freedom. New York: Miller, Orton and Mulligan, 1855.
_____ . Narrative of the Life of Frederick Douglass. 1845. New York: Signet, 1968.
Dove, Rita. The Darker Face of the Earth: A Verse Play in Fourteen Scenes.
Brownsville, OR: Story Line Press, 1994.
Drumgoold, Kate. A Slave Girl’s Story, 1898. Philadelphia, Chelsea House, 1903.
_____ . A Slave Girls Story: the Autobiography of Kate Drumgoold. New York: n.p.,
1898.
Du Bois, Silvia. [C. Wilson Larison.] A Biography of the Slave Who Whipt Her Mistress
and Gand Her Freedom. Ringos, NF, 1883.
Du Bois, W.E.B. Autobiography of W.E.B. DU Bois. Ed. Aptheker: New York:
International, 1968.
_____ . Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept. New
York: Harcourt, Brace & Co., 1940.
Dugger, K. “Social Location And Gender-Role Attitudes: A Comparison of Black And
White Women”, Gender and Society, (Dec. 1988 v.2 n.4): 425.
_____ . Social Location and Gender Role Attitudes: A Comparison on Black and White
Women in Lober, J. & Farrell, S. eds. The Social construction of gender. Newbury
Park, CA: Sage publications, (1991): 38-59.
Earle, Victoria. See Matthews, Victoria Earle.
Early, Sarah J., and Hallie Quinn Brown. “The Organized Efforts of the Colored Women
of the South to Improve Their Condition.” In May Wright Sewell, ed., World's
Congress of Representative Women. Chicago: Rand McNally, 1894.
Elam, Patricia (May 2002). “A Triumphant Last Song”. New Crisis 109 (3): 49.
Eldridge, Elleanor. Elleanor's Second Book. Providence: B.T. Albro, 1842.
354
_____ . [Francis Harriet Greene McDougalL] Memoirs of Elleanor Eldridge. Providence:
B. T. Albro, 1838.
Ellen Milla Cases, “Review of The Heart of a Woman” in Best Sellers, Vol.41, No.10,
(January 1982):.376-77.
Elliot, Jeffery. M. “Maya Angelou: in Search of Self.” Negro History Bulletin, (40:
1977).
Ellison, Ralph. Invisible Man. 1947; New York: Signet Books, 1968.
Estes Hicks, Onita. “The Way We Were: Precious Memories of the Black Segregated
South.” African-American Review, (27(1), 1993): 9-18.
Evans, Mari. Ed. Black Women Writers (1950-1980): A Critical Evaluation. Garden City,
New York: Anchor Press, 1984.
Fauset, Jessie. The Chinaberry Tree. Philadelphia: Frederick A. Stokes, 1931.
_____ . Comedy American Style. New York: Frederick A. Stokes, 1933.
_____ . Plum Bun. New York: Frederick A. Stokes, 1928.
_____ . There Is Confusion. New York: Boni & Liveright, 1924.
Fields, Mamie. Lemon Swamp and Other Places. New York: Free Press, 1983.
Fiona Maddocks, “Review of I Know Why the Caged Bird Sings”, New Statesman,
Vol.107, No.2758, (January 27, 1984): 26.
Flitterman-Lewis, S. “Imitation(s) of Life: The Black Women's Double Determination As
Troubling “Other” Literature and Psychology (1988, v.34 n.4): 44.
Foster, Frances Smith. Witnessing Slavery: The Development of Ante-Bellum Slave
Narrative. West Port, Connecticut: Greenwood Press, 1979.
Fox; Genovese, Elizabeth. “Myth and History: Discourse of Origins in Zora Neale
Hurston and Maya Angelou.” Black American Literature Forum, (24-1, 1990):
221-36.
Friedman, Paula (2002-05-19). “Books in Brief: Nonfiction”. New York Times Book
Review: 49.
Froula Christine. “The Daughter’s Seduction: Sexual Violence and Literary History.”
Signs: Journal of Women in Culture and Society, (11-4, 1986): 621-44.
355
Fuller, Edmund. “The Bookshelf: The Making of a Black Artist.” Wall Street Journal,
(1970).
Gainor, K. “Internalized Oppression As A Barrier To Effective Group Work With Black
Women”, Journal for Specialists in Group work, (Nov. 1992 v.17 n.4): 235.
Gates, Henry, Louis, Jr. Reading Black Reading Feminist: A Critical Anthology. New
York: Meridian (1990).
Gay, G. & Baber, W. eds. Expressively Black: The Cultural Basis of Ethnic Identity, New
York: Praeger Publishers, 1987.
Gergen, M. & Gergen, K. Narratives of the Gendered Body in Popular Autobiography, in
Josselson, R. & Lieblich, A. The narrative study of lives Vol. 1, Newbury Park,
CA, (1993):191-218.
Gilbert, Susan. “Maya Angelou’s I Know Why the Caged Bird Sings: Paths to Escape.”
Mount Olive Review, (1.1, 1987): 39-50.
Giovanni, Nikki. Gemini: An Extended Autobiographical Statement on My First Twenty
Five Years of Being a Black Poet. Indianpolis: Bobbs - Merrill, 1971.
Glenn, E. Racial Ethnic Women's Labour: The Intersection of Race, Gender, and Class
Oppression, in Rae L. Blumber, Ed. Gender. Family and Economy: The Triple
Overlap, Newbury Park, CA: Sage publications, (1991): l73-201.
Glikin, Ronda. Black American Women in Literature: A Bibliography, 1976 through
1987. Jefferson, N.C.: McFarland & Co., 1989.
Gold Marita. (ed.). Wild Women Don't Wear no Blues: Black Women Writers on Love,
Men and Sex. New York: Double Day, 1993.
Goodwin, Ruby Berkley. It’s Good to Be Black. New York: Doubleday & Co., 1953.
Gooley, R. “The Role Of Black Women In Social Change”, Western Journal of Black
Studies, (Win. 1989 v.13 n.4): 165.
Gottlieb, Annie. “Review of Gather Together in My Name.” New York Times Book
Review. (16 June 1974): 87.
_____ . “Rev. of Gather Together in My Name”. New York Times Book Review, 1974: 3.
Rpt. In Leone, et al. Readings of Maya Angelou, 128-29.
Gouesser, John C. “Afro-American Travel Literature and African Discourse.” Black
American Literature Forum, (24.1, 1990): 7-20.
356
Graham, Joyce L. “Freeing Maya Angelou’s Caged Bird” (Ph.D. Dissertation, Newman
Library, Virginia Polytechnic Institute, Blacksbury, VA, 1991).
Grandy, Moses. Narrative of the Life of Moses Grandy. Boston: Oliver Johnson, 1844.
Gray, Thomas. Confessions of Nat Turner. 1831. In Herbert Apthekar, Nat Turner’s
Slave Rebellion.
Griffiths, Mattie. Autobiography of a Female Slave. 1857. Maimi: Mnemosyne, 1969.
Gropman, Jackie. “Review of All God’s Children Need Traveling Shoes”. Southern
Literary Journal (Aug. 1986): 113.
Gropner, Jackie “Review of All God’s Children Need Travelling Shoes.” Southern
Literary Journal 32 (August, 1986): 113.
Gross, R.A. “Growing Up Black.” Rev. of I Know Why the Caged Bird Sings. Newsweek
(2 Mar. 1970): 90-91.
Gruesser, John C. “Afro-American Travel Literature and Africanist Discourse.” Black
American Literature Forum 24 (1990): 5-20.
Gudjoe, Selwyn, R. “Maya Angelou and the Autobiographical Statement.” In Black
Women Writers (1950-1980): A Critical Evaluation. Ed. Mari Evans. Garden
City, NY: Doubleday, 1984. 6-24.
_____ . “Maya Angelou: The Autobiographical Statement Updated.” In Reading Black,
Reading Feminist. Ed. Henry Louis Gates Jr. New York: Penguin, 1990. 272-306.
Guiney, E.M. “Review of I Know Why the Caged Bird Sings”, Library Journal (16 Mar.
1970): 1018.
Gunn, Janet Varner. Autobiography: Towards a Poetics of Experience. Philadelphia:
University of Pennsylvania Press, 1982.
Gusdorf, George. “Conditions and Limits of Autobiography.” Tran. James Olney.
Autobiography: Essays Theoretical and Critical. Princeton: Princeton University
Press, 1980.
Gutierrez, L. “Working With Women Of Color: An Empowerment Perspective” Social
Work, (Mar. 1990, v.35 n.4): l65.
Hagan, Lyman, B. Heart of a Woman, Mind of a Writer, and Soul of a Poet; A Critical
Analysis of the Writings of Maya Angelou. Lanham, Maryland: University Press
of America, 1996.
357
Hagen, Lyman, B. Heart of a Woman, Mind of a Writer, and Soul of A Poet: A Critical
Analysis of the Writings of Maya Angelou, Lanham, MD: University Press of
America, 1997.
Hall, C., Evans, B. & Salice, S. Black Females in the United States: A Bibliography from
1967 to 1987, Washington, D.C.: APA, 1989.
Harper, Frances Ellen Watkins. “Colored Women of America.” English woman's Review,
(January 1878): 10-15.
_____ . “Duty to Dependent Races.” National Council of Women of the United States,
Transactions. Philadelphia: National Council of Women of the United States,
1891, 86-91.
_____ . Idylls of the Bible. Philadelphia: George S. Ferguson, 1901.
_____ . Iola Leroy, or Shadows Uplifted. Philadelphia: Garrigues Brothers, 1892.
_____ . Moses: A Story of the Nile. n.p., 1869.
_____ . “National Woman’s Christian Temperance Union.” AME Church Review (5,
1889): 242-45.
_____ . Poems on Miscellaneous Subjects. Boston: J. B. Yerrington and Son, 1854.
_____ . Sketches of Southern Life. Philadelphia: Ferguson Brothers, 1872.
_____ . The Sparrow's Fall and Other Poems. n.p., n.d.
_____ . “The Triumph of Freedom-A Dream.” Anglo-African Magazine, (January 1860):
21-22.
_____ . “The Two Offers.” Anglo-African Magazine, (September 1859): 288-91;
(October 1859): 311-13.
_____ . “The Woman's Christian Temperance Union and the Colored Woman.” AME
Church Review 4 (1888): 313-16.
_____ . “Woman's Political Future.” In May Wright Sewell, ed., World's Congress
Representative Women. Chicago: Rand McNally, 1894.
of
Harriet, Tubman. Scenes in the Life of Harriet Tubman. 1869, Aristotle University of
Thessaloneki, 1941.
Harris, D. “A cultural model for assessing the growth and development of the African
American female”, Journal of Multicultural Counselling and Development. (Oct.
1992 v.20 n.4):.l58.
358
Harrison, A. Black Working Women: Introduction to a Life Span Perspective, in R. L.
Jones Black Adult Development and Aging, Berkeley: Cobb & Henry Publishers,
(1989): 91-115.
Hatch, L. “Informal support patterns of older African-American and White women”
Research on Aging, (June 1991 v.13 n.2): 144-170.
Haw, K. “Interactions of Gender And Race—A Problem For Teachers? A review of The
Emerging Literature”, Educational Research, (Spr. 1991, v.33 n.1): 12.
Heinze, Denise. The Dilemma of Double-Consciousness in Toni Morrison's Novels.
Athens: University of Georgia Press, 1993.
Henson, Josaiah. Father Henson's Story of His Own Life. New York: Corinth Books,
1962.
Herndon, Angelo, Let me Live. New York: Random House, 1937.
Hernton, Calvin C. The Sexual Mountain And Black Women Writers: Adventures in Sex,
Literature, And Real Life, New York: Anchor Press, 1987.
Hernton, Calvin C. “The Sexual Mountain and Black Women Writers”, Adventures in
Sex Literature and Real Life. New York: Anchor Press, 1987.
Hoare, C. “Psychosocial identity development and cultural others” Journal of
Counselling and Development, (Sept/Oct. 1991 v.70 n. l): 45.
Holloway, Karla F.C. Codes of Conduct: Race, Ethics, and the Color of Our Character.
New Brunswick, N.J. Rutgers University Press, 1995.
Holte, James Craig. The Ethnic I : A Sourcebook for Ethnic-American Autobiography.
New York: Greenwood Press, 1988.
Hopkins, L. “Assessment of identity status in college women using outer space and inner
space interviews” Sex Roles, (May 1982 v.8 n.5): 557.
Hopkins, Pauline Elizabeth. “As the Lord Lives, He Is One of Our Mother's Children”.
Colored American Magazine 6 (November 1903): 795-801.
_____ . “Bro'r Abr'm Jimson's Wedding. A Christmas Story.” Colored American
Magazine 4 (December 1901): 103-12.
_____ . Contending Forces: A Romance Illustrative of Negro Life North and South.
Boston: Colored Co-operative Publishing Co.,1900.
359
_____ . “A Dash for Liberty.” Colored American Magazine 3 (August 1901): 243-47.
_____ . “Echoes from the Annual Convention of Northeastern Federation of Colored
Women's Clubs.” Colored American Magazine 6 (October 1903): 709-13.
_____ . “Elijah William Smith.” Colored American Magazine 6 (December 1902): 96100.
_____ . “Escape from Slavery. A Musical Drama.” n.p., 1880.
_____ . “Famous Men of the Negro Race.” Colored American Magazine 23 (December
1900-October 1901).
_____ . “Famous Women of the Negro Race.” Colored American Magazine 4-5
(November 1901-0ctober 1902).
_____ . “General Washington. A Christmas Story.” Colored American Magazine 2
(December 1900): 95-104.
_____ . [Sarah A. Allen.] Hagar's Daughter. A Story of Southern Caste Prejudice.
Colored American Magazine 2-4 (March 1901-March 1902).
_____ . “Heroes and Heroines in Black.” Colored American Magazine 3 (January 1903):
206-11.
_____ . [Sarah A. Allen.] “Latest Phases of the Race Problem in America.” Colored
American Magazine 6 (February 1903): 244-51.
_____ . “Munroe Rogers.” Colored American Magazine 6 (November 1902): 20-26.
_____ . “The Mystery Within Us.” Colored American Magazine 1 (May 1900): 14-18.
_____ . [Sarah A. Allen.] “A New Profession.: Colored American Magazine 6
(September 1903): 661-63.
_____ . Of One Blood. or, the Hidden Self. Colored American Magazine 6 (November
1902-November 1903).
_____ . A Primer of Facts pertaining to the Early Greatness of the African Race and the
Possibility of Restoration by Its Descendents. Cambridge, Mass.: P. E. Hopkins &
Co., 1905.
_____ . “Reminiscences of the Life and Times of Lydia Maria Child.” Colored American
Magazine 6 (February-June 1903).
360
_____ . “Talma Gordon.” Colored American Magazine I (October 1900): 271-90.
_____ . [Sarah A. Allen.] “The Test of Manhood.” Colored American Magazine 6
(December 1902): 113-19.
_____ . “Toussaint L’Overture.” Colored American Magazine 2 (November 1900): 9-24.
_____ . “Whittier, the Friend of the Negro.” Colored American Magazine 3 (September
1901): 324-30.
_____ . Winona: A Tale of Negro Life in the South and Southwest. Colored American
Magazine 4-5 (May-October 1902).
Hord, Fred Lee. “Some Place to Be a Black Girl.” In Reconstructing Memory: Black
Literary Criticism, Chicago: Third World Press, 1991.
Howard-Vital, M. “African-American Women in Higher Education: Struggling to gain
Identity” Journal of Black Studies, (Dec. 01,1989 v.20 n.2): 180.
Hudson, Hosea. Black Worker in The Deep South. New York: International Publishers,
1972.
Hurston, Zora Neale. Dust Tracks on a Road: An Autobiography. Philadelphia: J.B.
Lippincott, 1942. Reprint, Robert B. Hemenway, ed. Urbana: University of
Illinois Press, 1984.
_____ . Jonah's Gourd Vine. Philadelphia: J. B. Lippincott, 1934. -. Moses. Man of the
Mountain. Philadelphia: J. B. Lippincott, 1939. Mules and Men. Philadelphia: J.
B. Lippincott, 1935.
_____ . Polk County. a Comedy of Negro Life on a Sawmill Camp. Unpublished, 1944.
_____ . Seraph on the Suwanee. New York: C. Scribner’s & Sons, 1948. Tell My Horse.
Philadelphia: J. B. Lippincott, 1938.
_____ . Their Eyes Were Watching God. Philadelphia: J. B. Lippincott, 1937.
Hughes, Langston. The Big Sea. New York: Alfred A. Knopf. 1946.
Hull, Gloria T. Color, Sex & Poetry: Three Women Writers of The Harlem Renaissance.
Bloomington: Indiana University Press, 1987.
Hubbar D. Kim (2002-05-06). “A Song Flung Up to Heaven (Book)”. People 57 (17): 56.
Hurston, Zora Neale. Dust Tracks on a Road. New York: Arno P, 1969.
361
_____ . Their Eyes Were Watching God. Urbana, Illinois: University of Illinois P, 1978.
Jabavu, Noni. Drawn in Colour: African Contrasts. London: Murray, 1960.
Jacobs, Harriet [Linda Brent]. Incidents in the Life of a Slave Girl. 1861. Cambridge:
Harvard University Press. 1987.
_____ . Incidents in the Life of a Slave Girl. Boston: by the author, 1861.
Jacquin, Ellen. O. “Maya Angelou” African America Autobiographers: A Source Book,
West Port, CT: Greenwood, 2002; XV.
Janet Boyarin Blundell, “Review of The Heart of a Woman,” Library Journal, Vol. 106:
17 (1 Oct. 1981) 119.
Jareena Lee. "A Coloured Lady, 1836.” Boston: South End Press, 1926.
_____ . The Life and Religious Experience of Jareena Lee 1835. Boston: South End Press
1924.
Jelinek, Estelle C. ed. Women's Autobiography: Essays in Criticism. Bloomington:
Indiana University Press, 1980.
Joanne Megna Wallace. Understanding I Know Why the Caged Bird Sings: A Student
Casebook to Issues, Sources and Historical Documents”.
?
Joe Louis. My Life Story. New York: Cambridge University Press, 1947.
Johnson, Charles Richard. Being & Race: Black Writing Since 1970. Bloomington:
Indiana University Press, 1988.
_____ . Being and Race: Black Writing Since 1970. Bloomington, CA; Indian University
Press, 1988.
Johnson, James Weldon. Along this Way. New York: Viking Press, 1933.
Jones, Sharon L. Rereading The Harlem Renaissance: Race, Class, and Gender in The
Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West / Sharon L.
Jones. Westport, Conn.: Greenwood Press, 2002.
Jordan, June. “Rev. of Singin and Swingin’ and Gettin’ Merry Like Christmas”. Ms. Jan.
1977: 40-41.
Junker, Clara: Sanford, Edward. “Only Necessary Baggage. Maya Angelou’s Life
Journeys.” Xavier Review, 16 (2); 1996: 12-23.
362
Karl, Frederick Robert. American Fictions, 1940-1980: A Comprehensive History and
Critical Evaluation. New York: Harper & Row, 1983.
Keckley, Elizabeth. Behind the Scenes by Elizabeth Keckley. Formerly a Slave, but More
Recently Modiste and Friend to Mrs. Abraham Lincoln. or Thirty Years a Slave
and Four Years in the White House. New York: n.p., 1868.
_____ . Behind the Scenes; or Thirty Years of a Slave and Four Years in the White
House. 1868, Columbia: U of Missouri p, 1921.
Kelley, Emma Dunham. Megdo. Boston: James H. Earle, 1891.
Kent, George. E. “Maya Angelou’s I Know Why the Caged Bird Sings and Black
Autobiographical Tradition.” Kansas Quarterly, 7.3, (1975): 72-78.
Kingston, Maxine Hong. "The Woman Warrior: Memoirs of a Girlhood Among Ghosts."
New York: Random House, 1976.
Kinnamon, Keneth. “Call and Response: Intertextuality in two Autobiographical works
by Richard Wright and Maya Angelou.” Belief Vs. Theory in Black American
Literary Criticism. Ed. Joe Weinlmann and Chester J. Fonlenot Greenwood,
Penkevill, 1986, 121-34.
Kinnamon, Kenneth. “Call and Response in Two Autobiographical Works of Richard
Wright and Maya Angelou.” Studies in Black American Literature, (Eds.) Joe
Weixlmann and Chester J. Fontenot. Greenwood, Florida: The Penkevill
Publishing Company, 1986.
Kissen, M. Gender and Superego Development, in Morten Kissen ed. Gender and
Psychoanalytic Treatment, New York: Brunner/Mazel, Inc., 1992, 48-58.
Kitch, Sally. L. “Gender and Language: Dialect, Silence and the Disruption of
Discourse.” Women's Studies, 14.1, (1987): 65-78.
Kitt, Eartha. Thursday's Child. New York: Random House, 1956.
Koyana Siphokazi. “The Heart of the Matter: Motherhood and Marriage in the
Autobiographies of Maya Angelou,” The Black Scholar, Vol.32, No.2.
Kuehl, Linda. “Review of Singin and Swingin’ and Gettin’ Merry Like Christmas”.
Saturday Review (30 Oct. 1976): 46.
Larsen, Nella. Passing. New York: Alfred A. Knopf, 1929.
_____ . Quicksand. New York: Alfred A. Knopf, 1928.
363
“Learning From The Outsider Within: The Sociological Significance of Black Feminist
Thought” Social Problems, (Oct-Dec. 1986) v.33 n.6, 14.
Lee, Jarena. Religious Experience and Journal of Mrs. Jarena Lee, Giving an Account of
Her Call to Preach the Gospel, 2nd ed. Philadelphia: n.p., 1849.
Lehmann-Haupt, Christopher. “Books of the Times: Masculine and Feminine” Rev. of I
Know Why the Caged Bird Sings. New York Times (25 Feb.1970): 45.
Leone, Bruno, et al., eds. Readings on Maya Angelou. San Diego: Greenhouse Press,
1997.
Lewis, David Levering. “A Transitional Time: The Heart of a Woman.” In Readings on
Maya Angelou. San Diego, CA: Greenhaen, 1997. 152-55.
_____ . “Maya Angelou: From Harlem to I of a Woman.” Book World - The Washington
Post, 1991. 1-2.
Lionnet, Francoise. “Con Artists and Story Tellers: Maya Angelou’s Problematic Sense
of Audience.” In Autobiographical Voices: Race, Gender, Self-Portraiture.
Ithaca, New York: Cornell University Press, 1998.
Lisandrelli Elaine Slivinski. Maya Angelou, More than a Poet. Springfield, New Jersey:
Enslow, 1996.
Loas, Pamela. “A Life Line.” In Overcoming Adversity: Maya Angelou, Philadelphia:
Chelseo House Publishers, 2000.
Long, Richard (November 2005). “Maya Angelou”. Smithsonian 36 (8): 84.
Lupton, Mary Jane. “Maya Angelou”, In American Writers’ Supplement IV, New York:
Scribner's, 1996. 1-19.
_____ . “Singing the Black Mother: Maya Angelou and Autobiographical Continuity.”
Black American Literature Forum, 24.2, (1990): 257-77.
_____ . Maya Angelou: A Critical Companion. Westport, CT: Greenwood Press, 1998.
_____ . “Maya Angelou.” In American Writers Supplement IV, Part 1, New York:
Scribner’s, 1996. 1-19.
_____ . “Singing the Black Mother: Maya Angelou and Autobiographical Continuity.”
Black American Literature Forum 24 (1990). 257-76.Mackethan, Lucindall.
“Mother Wit: Humor in Afro-American Women’s Autobiography.” Studies in
American Humor, 4 (2); (1985): 51-61.
364
Magill, Frank N. (ed.). Masterpieces of African-American Literature. New York: Harper
Collins, 1992.
Malcolm X. The Autobiography of Malcolm X. New York: Grove Press, 1964.
Malveaux, J. Gender Difference And Beyond: An Economic Perspective On Diversity
And Communality Among Women in Deborah L. Rhodes, ed. Theoretical
Perspectives on Sexual Difference, New Haven: Yale University Press, 1990:
226-238.
Mars, James. The Life of James Mars, a Slave. Hart ford, Conn., 1872.
Martin, J. & G. Hall “Thinking Black, thinking internal, thinking feminist”, in Journal of
Counselling Psychology, (Oct. 1992 v.39 n.4): 509.
Matthews, Victoria Earle. [Victoria Earle.] Aunt Lindy. A Story Founded on Real Life.
New York: J. J. Little, 1893.
_____ . The Awakening of the Afro-American Woman. An address delivered at the
Annual Convention of the Society of Christian Endeavour, San Francisco, July
11, 1897.
_____ . “Value of Race Literature.” An address to the National Conference of Colored
Women, Boston, July 30, 1895.
“Maya Angelou’s ‘most challenged’ book”. American Libraries, Mar 1996, Vol. 27,
Issue 3.
Mc Murray, Myra K. “Role Playing As Art in Maya Angelou's Caged Bird.” South
Atlantic Bulletin, (41, 1976): 106-11.
Mc Pherson, Dolly A. “Defining the Self Through Place and Culture: Maya Angelou’s I
Know Why the Caged Bird Sings". MAWA Review, 5.1, (1999): 12-14.
_____ . Order Out of Chaos: The Autobiographical Works of Maya Angelou. New York:
Peter Lang, 1990.
McDowell, Deborah E. “Traveling Hopefully.” The Women’s Review of Books 4
(October 1986): 17.
McGown, K & Hard, L. “Still different after all these years: Gender differences in
professional identity formation”. Professional Psychology Research and Practice
(Apr 1990v.21 n.2): 118.
McPherson, Dolly, A. Order Out of Chaos: The Autobiographical Works of Maya
Angelou. New York: Peter Lang. 1990.
365
McWhorter, John. (2002). “Saint Maya.” The New Republic 226, no. 19: 35-41.
Meyers, inda Ma Zarpentine. “Maya Angelou and the Multiplicity of Self.” Master’s
Thesis, Morgan State University, 1995.
Minudri, Regina. “Rev. of Gather Together in My Name”. Library Journal (15 May
1974): 99.
_____ . “Rev. of I Know Why the Caged Bird Sings”, Library Journal (15 June 1970):
2320.
Mitchell, Lisa. “Maya Angelou: Sometimes She Feels Like a Motherless Child.” Rev. of
Singin’ and Swingin’ and Getting’ Mery Like Christmas. Los Angeles Times (21
Nov. 1976): 5.
Moore, Opal. “Learning to Live: When the Bird Breaks from the Cage.” Censored Books:
Critical Viewpoints. Ed. Nicholas J. Karolides, Lee Burress, and John M. Kean
Metuchen, New Jersey: Scarecrow Press, 1993: 306-16.
Morrison, Toni. Tar Baby. New York: Alfred. A. Knopf. 1981.
_____ . The Bluest Eye. New York: Simon and Schuster, 1972. Song of Solomon. New
York: New American Library, 1977. Sula. New York: Alfred A. Knopf, 1973.
Mossell, N.F. [Gertrude Bustill Mossell.] The Work of the Afro-American Woman.
Philadelphia: George S. Ferguson Co., 1894.
Myers, L. “A therapeutic model for transcending oppression: A Black Feminist
perspective”, Women and Therapy, (Win. 1986 v.5 n.4): 39.
Nelson S. Emmanuel. Ed. African American Autobiographers. A Sourcebook:
Greenwood Press, Westport, Connecticut, London. 2002.
Neubauer, Carol E. “Displacement and Autobiographical Style in Maya Angelou’s The
Heart of a Woman.” Black American Literature Forum 17 (1983): 123-29.
_____ . “Displacement and Autobiographical Style in Maya Angelou’s The Heart of
Woman.” Black American Literature Forum, 17.3 (1983): 123-29.
_____ . “Maya Angelou: Self and a Song of Freedom in the Southern Tradition.”
Southern Women Writers: The New Generation. Ed. Tonette Inge and Doris Betts.
Tuscalousa: University of Alabama Press, 1990: 114-42.
O’ Neale, Sondra, “Reconstruction of the Composite Self: New Images of Black Women
in Maya Angelou’s Continuing Autobiography.” Black Women Writers (19501980): A Critical Evaluation. Ed. Mari Evans. Garden City. Anchor Doubleday,
1984: 25-36.
366
_____ . “Reconstruction of the Composite Self: New Images of Black Women in Maya
Angelou’s Continuing Autobiography.” In Black Women Writers (1950-1980): A
Critical Evaluation. Ed. Mari Evans. Garden City, New York: Doubleday, 1984.
25-36.
Okazawa-Rey, M., Robinson, T. & Ward, J. “Black women and the politics of skin color
and hair" Women and Therapy, (Spr./Sum. 1987 v.6 n. ½): 89.
Olney James. “I was Born: Slave Narratives. Their Status as Autobiography and as
Literature.” Davis and Gates, 148-75.
_____. Metaphors of Self: The Meaning of Autobiography. Princeton: Princeton
University Press, 1972.
Otto Bill. “Rev. of The Heart of Woman”. Contemporary Literary Criticism, Vol. 35.
Detroit: Gale, 1983.30.
Parham, T. & Williams, P. “The relationship of demographic and background factors to
racial identity attitudes”, Journal of Black Psychology, (Feb. 1993 v. 19 n. I): 7.
Parham, T. “Own group preferences as a function of self-affirmation: A reaction to Penn
et al.,” Journal of Black Psychology, (Aug.1993, v. 19 n.3): 336.
Parker, Gwendolyn M. These Same Long Bones. Boston: Houghton Mifflin, 1994.
Pascal, Roy. Design and Truth in Autobiography. Cambridge: Harvard University Press,
1960.
Pascal, Sylvia. “Rev. of The Heart of a Woman”. Southern Literary Journal (Dec. 1981):
88.
Patton, Venetria K. Women In Chains: The Legacy of Slavery In Black Women’s Fiction /
Venetria K. Patton. Albany: State University of New York Press, 2000.
Pennington, J.W.C. The Fugitive Blacksmith. London, 1949.
Petry, Ann. The Street. Boston: Houghton Mifflin, 1946.
_____ . The Street. Boston: Houghton Mifflin, 1946.
Phetterson, G. “Alliances between women: Overcoming internalised oppression and
internalised domination”, Signs, (Fal.l986 v.12 n. 1): 146.
Phillips, Frank Lamont. “Rev. of Gather Together in My Name”. Black World. 24-9,
1975: 52-61.
367
Phinney, J. “Stages of ethnic identity development in minority Group adolescents”,
Journal of Early Adolescence, (Feb./Mar. 1989 v.9 n. 1): 34.
Pierce, C. & Prodit, W. Homoracial And Heteroracial Behavior in The United States in
Samuel Okpaku ed. Mental Health in African and the Americas today: A book of
Conference Proceedings, Nashville: Chrisolith Books, 1991, 257 -264.
Pinderhughes, E. “Minority women: A nodal position in the functioning of the social
system”, Family Therapy Collections (1986 n.16): 51.
Plato, Ann. Essays, Including Biographies and Miscellaneous Pieces in Prose and
Poetry. Hartford: n.p., 1841.
Premo, Cassie. “When the Difference Becomes Too Great: Images of the Self and
Survival in Post-modern World.” Genre (Long Beach) 16, (1995): 183-91.
Prince, Mary. The History of Mary Prince, a West Indian Slave, Related by Herself.
London: F. Westley & A. H. Davis, 1831.
Prince, Nancy. A Narrative of the Life and Travels of Mrs. Nancy Prince. Written by
Herself. Boston: 1850.
Pyant, C. & Yanico, B. “Relationship of Racial identity and gender-role attitudes to
Black women’s psychological well-being”, Journal of Counseling Psychology,
(July 1991, v.38 n.3): 315.
Quoted in an interview by Shiela Weller, “Work in Progress/Maya Angelou”, Intellectual
Digest, (June 1973).
Raymond, Andrew. The Last Radio Baby: A Memoir. St. Martin’s Press, 1990. Redding,
J. Saunders. No Day of Triumph. New York: Harper & Bros., 1942.
Reading Black, Reading Feminist: A Critical Anthology. New York: New American
Library, 1990.
“Rev. of All God’s Children Need Travelling Shoes”. Time (31 Mar. 1986): 72.
“Rev. of Gather Together in My Name”. New Republic (16 July 1974): 32.
“Rev. of The Heart of a Woman”. Choice, (Jan. 1982): 621.
Rhodes, Lisa Renee. Toni Morrison: Great American Writer / by Lisa R. Rhodes. New
York: Franklin Watts, 2001.
368
Richards, A. “The influence of sphincter control and genital sensation on body image and
gender identity in women”, Psychoanalytic Quarterly, (July1992 v.61 n.3): 331.
Robinson, Kathryn. “Rev. of Singin’ and Swingin’ and Gettin’ Merry Like Christmas”.
Southern Literary Journal Summer (1976): 144.
Robinson, T. & J. Ward. “A belief in self far greater than anyone’s disbelief”: Cultivating
resistance among African-American female adolescents” in Women and Therapy
(1991, v. 11 n.3/4): 87.
Rogers, Ronald R. (Spring 2006). “Journalism: The Democratic Craft”. Newspaper
Research Journal.
Rosenbatt, Roger. “Black Autobiography: Life as the Death Weapon.” Autobiography:
Essays Theoretical and Critical. ed. James Olney. Princeton. Princeton University
Press. 1980: 47-54.
Rozee-Koker, P., Dansby, P., & Wallston, B. “In Search of a cross-racial female identity:
the quest for commonality”, Academic Psychology Bulletin, (Win.1985 v.7 n.3):3.
Russell, Sandi. Render Me My Song: African-American Women Writers From Slavery to
The Present. New York: St. Martin's Press, 1990.
Sartwell, Crispin (1998). Act Like You Know: African-American Autobiography and
White Identity. Chicago: University of Chicago Press. p. 26. ISBN 0-22673527-3.
Saunders, James Robert. “Breaking Out of the Cage: The Autobiographical Writings of
Maya Angelou.” The Hollins Critics, 28.4, (1991): 1-11.
Sayre, Robert F. “The Proper Study - Autobiographies in American Studies.” American
Quarterly, 29(3), (1977).
Schmidth, Jan Zlotnik. “The Other: A Study of the Persona in Several Contemporary
Women’s Autobiographies”. CEA Critic 43:1 (1980): 24-31.
Schulz, Elizabeth. “To Be Black and Blue: The Blues Genre in Black American
Autobiography.” Kansas Quarterly, 7.3, (1975): 81-96.
Seluryn R. Cudjoe. “Maya Angelou and the Autobiographical Statement”, Black Women
Writers (1950-1980), Garden City.
Shaffer, D., Pegalis, L.& Cornell, D. “Interactive effects of social context and sex role
identity on female self-disclosure during the acquaintance process”. Sex Roles,
(Jan. 1991 v.24 n.1/2): 1.
369
Shapiro, Miles. Maya Angelou. New York: Chelsea House, 1994.
Shuker, Nancy. Maya Angelou. Englewood Cliffs, New Jersey: Silver Burdett Press,
1990.
_____ . Maya Angelou. Englewood Cliffs, New Jersey: Silver Burdett Press, 1990.
Sisterfire: Black Womanist Fiction And Poetry. New York: Harper Perennial, 1994.
Smith, Amanda Berry. An Autobiography of Mrs. Amanda Smith: The Colored
Evangelist. Chicago: Meyer & Brorher, 1893.
Smith, Amanda. An Autobiography: The Story of the Lord's Dealing with Mrs. Amanda
Smith the Colored Evangelist, 1893. Hart ford, Conn.: 1920.
Smith, L., Gurlew, A., & Lundgren, D. “Black consciousness, self-esteem, and
satisfaction with physical appearance among African-American female college
students”, Journal of Black Studies, (Dec.1991, v.22 n.2): 269.
Smith, Sidonie Ann. “The Song of a Caged Bird: Maya Angelou’s Quest after SelfAcceptance”. Southern Humanities Review 7 (1973): 365-75.
_____ . A Poetics of Women's Autobiography: Marginality and the Fictions of SelfRepresentations. Bloomington: Indiana University Press. 1987.
_____ . Songs of My People: African Americans; A Self-Portrait. Boston: Little, Brown,
1992.
_____ . Southern Women's Writing: Colonial To Contemporary. Gainesville: University
Press of Florida, 1995.
Spacks, Patricia Meyer. “Women’s Stories, Women’s Selves.” Hudson Review, 30, 1977.
Spigner, Nieda Rev. of The Heart of a Woman. Freedomways 1 (1982): 55.
Stempel, Tom. Framework: A History of Screenwriting in The American Film. New
York: Continuum, 1988.
Stewart, Maria W. Meditations from the Pen of Mrs. Maria Stewart. Washington, D.C.:
Enterprise Publishing Co., 1879.
Stoller, R. The sense of femaleness, in Claudia Zanardied. Essential papers on the
psychology of women, New York: New York University Press, 1990: 278-289.
370
Stone, Albert E. “Patterns in Recent Black Autobiography.” Phylon, 39(1),1978.
Stroyer, Jacob. My Life in the South. Salem, Mass.: New Combe Gauss, 1898.
Strong, Amy (Spring 2006). “A Song Flung Up to Heaven (Book)”. Library Journal 127
(5).
Sukenick, Lynn. “Gather Together in My Name” in Contemporary Literary Criticism,
Vol. 12. Detroit: Gale, 1980, 12.
_____ . “Review of Gather Together in My Name”. Village Voice (11 July 1974): 31.
Sutherland, Zena. “Rev. of I Know Why the Caged Bird Sings”, Saturday Review (9 May
1970): 70.
Tangum, Marion M., and Marjorie Smeltor. “Hurston’s and Angelou’s Visual Art: The
Distancing Vision and the Beckoning Gaze.” Southern Literary Journal, 31.1,
(1998): 80-96.
Tate, Claudia, (ed.). Black Women Writers at Work. New York: Continuum, 1983, 1-11.
Tate, Claudia (1999). “Maya Angelou: An Interview”. In Maya Angelou's I Know Why
the Caged Bird Sings: A Casebook, Joanne M. Braxton, ed. New York: Oxford
Press. ISBN 0-19-511606-2
Taub, D. & McEwen, Moo. “The relationship of racial identity attitudes to autonomy and
mature interpersonal relationships in Black and White undergraduate women”,
Journal of College Student Development, (Sept. 1992 v .35 n.5): 439.
Taylor, Susie King. Reminiscences of My Life in Camp with the 33rd. United States
Colored Troops. Boston: 1902.
Terrell, Mary Church. A Colored Woman in a White World. Washington, D.C.: Ransdell
Publishing Co., 1940.
_____ . “Lynching from a Negro's Point of View.” North American Review 177 (June
1904): 853-68.
Tinnie, Wallis. The History of Southern Women’s Literature, edited by Carolyn Perry
and May Louise Weaks, Louisiana State University Press, 2002: 517-524.
Trotman, F. Group Therapy With Black Women in Claire Brody ed. Women’s Therapy
Groups: Paradigms of Feminist Treatment, New York: Springer Publishing Co.,
Inc., 1987: 118-131.
Truth, Sojourner. Narrative of Sojourner Truth 1875. Boston: South End Press, 1902.
371
_____ . Narrative of Sojourner Truth. Boston: 1875.
Turner Nut. The Confessions of Nat Turner 1831. Boston: South End Press, 1920.
Turner, C. Feminist Practice With Women of Color: A Developmental Perspective in
Mary Bricker-Jenkins ed. Feminist Social Work Practice in Clinical Settings,
Newbury Park, CA: Sage publications, 1991: l08- 127.
Tyson, P. “Female Psychological Development”, Annual of Psychoanalysis (1986, v.14):
357.
Uma, Alladi. “From Caged Bird to a Woman.” Indian Journal of American Studies,
20(1), (1990): 21-22.
Van-der-Kwaak, A. “Female circumcision and gender identity: A questionable alliance?”
Social Science and Medicine, (Sept. 1992 v.35 n.6): 777.
Veney, Bethany. The Narrative of Bethany Veney, or Aunt Betty's Story. Worcester,
Mass.: 1889.
Vermillion, Mary. “Reembodying the Self: Representations of Rape in Incidents in the
Life of a Slave Girl and I Know Why the Caged Bird Sings Biography: An
Interdisciplinary Quarterly, 15-3, (1992): 243-60.
Wagner-Martin, Linda. The Modern American Novel, 1914-1945: A Critical History
Boston, MA: Twayne, 1990 (813.5209 WAG).
Walker, David. Appeal in Four Article. Boston, 1830, New York: Arno Press and The
New York Times, 1969.
Walker, Pierre A. “Racial Protest, Identity, Words and Form in Maya Angelou’s I Know
Why the Caged Bird Sings." College Literature, (223, 1995): 91-108.
Wall, Cheryl. “Maya Angelou.” in Women Writers Talking, Ed. Janet Todd. New York:
Holmes & Meier, (1983): 56-67.
Wallace, K. “Women and identity: A Black Francophone female perspective” SAGE: A
Scholarly Journal on Black Women, (Spr. 1985 v.2 n. l): 19.
Wallace, Michele. Black Macho and the Myth of the Superwoman, New York: Verso,
1979.
_____ . Black Macho and Myth of the Super Woman 1928. Jackson, University of
Mississippi. 1930.
372
Walter White. A Man Called White. Westport, Conn: Greenwood Press, 1948.
Ward, J. Racial Identity Formation And Transformation in Gilligan, C., Lyons, N. &
Hammer, T. eds. Making Connections: The Relational Worlds of Adolescent Girls
at Emma Willard School. Cambridge: Harvard Univ. Press, (1990): 215-232.
Ward, Samuel. Autobiography of a Fugitive Negro. 1855. New York: Arno Press & The
New York Times. 1968.
Warga Wayne. “Maya Angelou: One-Woman Creativity Cult.” Los Angeles Times, 1972,
California Magazine.
Washington, Booker. T. Up from Slavery. New York: Doubleday, 1901.
Washington, Carla. “Maya Angelou’s Angelic Aura.” The Christian Century. (105-34,
1998): 1031-33.
Washington, Elsie B. (March/April 2002). “A Song Flung Up to Heaven”. Black Issues
Book Review 4 (2): 57.
Washington, Mary Helen. “Black Women Image Makers.” Black World, (23: 10, 1994):
10-18.
Weintraub, Karl Joachim. The Value of the Individual Self and Circumstance in
Autobiography. Chicago: University of Chicago, Press, 1978.
Weller, Sheila. . “Work in Progress: Maya Angelou.” An Intellectual Digest, (1973):
18-21.
Wells, Ida B. Crusade for Justice: The Autobiography of Ida Wells. Chicago: University
of Chicago Press, 1970.
_____ . The Autobiography of Ida B. Wells. Ed. Alfred M. Dustes. Chicago: University of
Chicago Press, 1970.
_____ . [Ida B. Wells Barnett.] “Lynch Law in America.” Arena 23 (January 1900): 1524.
_____ . “Lynching and the Excuse for It.” Independent 53 (May 1901): 1133-36.
_____ . On Lynchings: Southern Horrors; A Red Record; Mob Rule in New Orleans.
New York: Arno Press, 1969.
_____ . The Reason Why: The Colored American is not in the World's Columbian
Exposition. Chicago: by the author, 1893.
373
_____ . “The White Man's Problem.” Arena 23 (January 1900): 1-30.
White, C. “Ethnic role identity among Black and White college students: an interactionist
approach”, in Sociological Perspective, (July. 1987 v.30 n.3): 310.
Whitehead, T. & Reid, B. eds. Gender Constructs and Special Issues, Urbana: Univ. of
Illinois Press, 1992.
Wild Women Don't Wear No Blues: Black Women Writers On Love, Men, And Sex. New
York: Doubleday, 1993.
Williams, Fanny Barrier. “Club Movement among Colored Women of America.” In J. E.
MacBrady, ed., A Negro for a New Century. Chicago: American Publishing
House, 1900.
_____ . “The Intellectual Progress of the Colored Women of the United States since the
Emancipation Proclamation”. In May Wright Sewell, ed., World's Congress of
Representative Women. Chicago: Rand McNally, 696-711.
_____ . “A Northern Negro’s Autobiography.” Independent 57 (July 1904): 96.
Williams, Mary E., ed. Reading on Maya Angelou. San Diego, Calif: Greenhaven Press,
1997.
Willis, Susan. Specifying: Black Women Writing the American Experience. Madison,
Wis.: University of Wisconsin Press, 1987.
Wilson, Harriet E. Our Nig: or, Sketches from the life of a Free Black. Boston: by the
author, 1859.
Wilson, Harriet E. Our Nig: Or, Stretches from the Life of a Free Black, in a Two-story
White House, North. Showing that Slavery's Shadows Fall Even There. Ed. Henry
Louis Gates. New York: Vintage, 1983.
Wines in the Wilderness: Plays By African American Women From The Harlem
Renaissance To The Present. New York: Greenwood Press, 1990.
Wolf, Charlotte. “Legitimation of oppression: Response and reflexivity” Symbolic
Interaction, (Fal. 1986 v.9 n.2): 217.
Wright, M. “African American sisterhood: The impact of the female slave population on
American political movements”, Western Journal of Black Studies, (Spr. 1991
v.15): 1.
Wright, Richard. Black Boy. New York: Harper and Row, 1966.
374
Wright, Richard. Million Black Voices: A Folk History of the Negro in The United States.
New York: Viking. 1941.
Biographical Sources
“Angelou, Maya.” 1994. Current Biography Yearbook. New York: H.W. Wilson, 1994,
25-29.
Bloom, Lynn Z. “Maya Angelou”, Dictionary of Literary Biography, Vol.38, Detroit, (I:
Gale, 1985): 3-12.
Internet Sources
“About the author: Angelou in print”. Cliffs Notes.
http.//www.cliffsnotes.com/WileyCDA/LitNote/K-Know-Why-the-Caged-BirdSings.id-24,pageNum-4.html.
African American Literature Book Club, “Maya Angelou”, African American Literature
Book Club, http://aalbc.com/athors/maya.htm
Als, Hilton. “Songbird: Maya Angelou takes another look at herself”. The New Yorker.
http://www.newyorker.com/archive/2002/08/05/020805crbo_books?currentPageall.
Angelou, Maya (2007). “Pronunciation of Maya Angelou”. SwissEduc.
http://www.swisseduc.ch/english/readinglist/angelou_mayapronun.html
“Biography Information”. Maya Angelou official website.
http://www.mayaangelou.com/LongBio.html.
Boyatzis, Chris J. (February 1992). “Let the caged bird sing: Using literature to teach
developmental psychology”. Teaching of Psychology 19 (4): 221-222.
Doi:10.1207/s15328023top1904_5.
Brozan, Nadine (1993-01-30). “Chronicle”. New York Times.
http://query.nytimes.com/gst/fullpage.html?res=9F0CEEDA113CF933A05752C0
A965958260.
Burgher, Mary (1979). “Images of self and race in the autobiographies of black women”.
In Roseann P. Bill, et al.. Sturdy black bridges. Garden City, N.Y.:” Doubleday.
p. 115. ISBN 0-=3851-3347-2.
Glazier, Jocelyn A. (Winter 2003). “Moving closer to speaking the unspeakable: White
teachers talking about race” (PDF). Teacher Education Quarterly (California
Council of Teacher Education) 30 (1): 73-94.
375
Hall of Arts: Best-Selling Novelist, Interview”, June 28, 1996. www.achievement.org
Henry L. Gates, Jr. (host). (2008). African American lives 2: A way out of no way (Part
2). [Documentary]. UPN. http://www.pbs.org/wnet/aalives/.
Henry L. Gates, Jr. (host.). (2008). African American lives 2: The past is another country
(Part 4). [Documentary]. PBS http://www.pbs.org/wnet/aalives/.
Ken Kelley, “Visions: Maya Angelou,” Mother Jones, May-June, 1995.
http://www.motherjones.com/arts/qa/1995/05/kelley.html
Long, Richard (2005-11-01), “35 who made a difference: Maya Angelou”.
Smithsonian.com. http://www.smithsonianmag.com/peopleplaces/10013086.html.
Luke A. and Kortney R. “Interview with Writer Dr. Maya Angelou,” Teen Ink:
Interviews Writtenby Teens. www.teenink.com
Manegold, Catherine S. (1993-01-20). “An afternoon with Maya Angelou: A wordsmith
at her inaugural anvil”. New York Times.
Maya Angelou, I know why the caged ird sings” National Coalition Against Censorship.
http://www.thefileroom.org/documents/dyn/DisplayCase.cfm/id/796.
“Maya Angelou speaks out for Obama”. The Daily Voice. 2008-09-23.
http://thedailyvoice.com/voice/2008/09/maya-angelou-speaks-out-for-ob001161.php.
“Maya Angelou: A brief biography”. African Overseas Union.
http://www.houstonprogressive.org/africanoverseasunion/mayaangelou.html.
“Maya Angelou”. Poetry Foundation.
http://www.poetryfoundation.org/archive/poet.html?id=180. Retrieved 2007-1025.
“Maya Angelou”. Encyclopaedia Britannica. Encyclopaedia Britannica Online.
Encyclopaedia Britannica Inc., 2011. Web 17 Dec. 2011. http://www.
britannica.com/Ebchecked/topic/24569/Maya-Angelou7
“Maya Angelou”. Poets.org. http://www.poets.org/poet.pho/prmPID/87.
Miller, John M. “Calypso Heat Wave”. http://www.tcm.com/thismonth/article.jsp?cid=
290605.
Minzesheimer, Bob (2008-03-26). “Maya Angelou celebrates her 80 years of pain and
376
joy”. USA Today. http://www.usatoday.com/life/books/news/2008-03-26-mayaangelou_N.htm.
“Moore, Lucinda (2003-04-01). “A Conversation with Maya Angelou at 75”.
Smithsonian.com.http://www.smithsonianmag.com/artsculture/angelou.html?page=1.
Neary, Lynn (2008-04-06). “At 80, Maya Angelou reflects on a ‘glorious’ life”. NPR.
http://www.npr.org/templates/story/story.php?storyId=89355359.
Parker, Jennifer (2009-01-19). “From King’s ‘I Have a Dream’ to Obama inauguration”.
ABC News. http://abcnews.go.com/Politics/Inauguration/story?id=6665595.
Retrieved 2009-04-04.
“Past Winners”. Official website of the Tony Awards.
http://www.tonyawards.com/p/.tonys_search. Retrieved 2007-10-5.
Reuben, Paul P. “Chapter 10: Maya Angelou”. PAL: Perspectives in American Literature
– A Research and Reference Guide. URL:http://www.csustan.edu/english/reuben/
pal/chap10angelou.html
Sayers, Valerie (2008-09-28). “Songs of herself”. Washington Post. http://www.
washingtonpost.com/wp-dyn/content/story/2008/09/26/ST2008092601489.html.
Smith, Dinitia (2007-01-23). “A career in letters, 50 years and counting”. The New York
Times. http://www.nytimes.com/2007/01/23/books/23 loom.html.
“The 100 most frequently challenged books of 1990-2000”. American Library
Association.
http://www.ala.org/ala/aboutala/offices/oif/bannedbooksweek/bbwlinks/100mostf
requently.cfm.
Walker, Pierre A. (October 1995). “Racial protest, identity, words, and form in Maya
Angelou’s I Know Why the Caged Bird Sings”. College Literature 22 (3): 91108.
Williams, Krissah (2008-01-18). “Presidential candidates court S.C. black newspaper”.
Washington Post. http://voices.washingtonpost.com/44/2008/01/18/presidential_
candidates_court_1.html
Winfrey, Oprah. “Oprah’s cut with Maya Angelou”. Oprah.com.
http://www.oprah.com/article/omagazine/oprahscut/omag_200012_maya.
Young, Gary (2002-05-25) “No surrender”. The Guardian.
http://books.guardian.co.uk/departments/biography/story/0..720909.00.html.
377
Braxton, Joanne M. (1999). “Symbolic Geography and Psychic Landscapes: A
Conversation with Maya Angelou”. In Joanne M. Braxton. Maya Angelou's I
Know Why the Caged Bird Sings: A Casebook. N.Y.: Oxford Press. p. 4. ISBN 01951-1606-2.
Busby, Margaret (2002-06-14). “’I am Headed for Higher Ground’“. The Guardian.
http://www.guardian.co.uk/books/2002/jun/15/biography.highereducation.
Retrieved 2011-12-20.
Als, Hilton. “Songbird: Maya Angelou Takes Another Look at Herself”. The New Yorker.
http://www.newyorker.com/archive/2002/08/05/020805crbo_books?currentPage=
all. Retrieved 2011-11-15.
Manegold, Catherine S. (1993-01-20). “An Afternoon with Maya Angelou; A Wordsmith
at
Her
Inaugural
Anvil”.
New
York
Times.
http://query.nytimes.com/gst/fullpage.html? res=9F0CE5D81E30F933A15752C0
A965958260&n=Top%2FReference%2FTimes%20Topics%2FPeople%2FA%2F
Angelou%2C%20Maya. Retrieved 2011-11-15.
Berkman, Meredith. “Everybody's All American”. Entertainment Weekly.
http://www.ew.com/ew/article/0,,305716,00.html. Retrieved 2011-11-15.
Minzesheimer, Bob (2008-03-26). “Maya Angelou Celebrates Her 80 Years of Pain and
Joy”. USA Today. http://www.usatoday.com/life/books/news/2008-03-26-mayaangelou_N.htm. Retrieved 2011-12-22.
Connolly, Sherryl (2002-04-14). “Angelou Puts Finishing Touches on the Last of Many
Memoirs”. New York Daily News. http://news.google.com/newspapers?id=
EP4aAAAAIBAJ&sjid=IEgEAAAAIBAJ&pg=2450,1415376&dq.
Retrieved
2011-12-09.
Dunbar, Paul Laurence (1993). Joanne M. Braxton. ed. The Collected Poetry of Paul
Laurence Dunbar. Charlottesville: University of Virginia Press. p. 102. ISBN 08139-1438-8. http://www.gutenberg.org/files/18338/18338-h/18338-h.htm.
Gilbert, Susan (1999). “Paths to Escape”. In Joanne M. Braxton. Maya Angelou's I Know
Why the Caged Bird Sings: A Casebook. N.Y.: Oxford Press. pp. 104–105.
ISBN 0-1951-1606-2.
Cudjoe, Selwyn R. (1984). “Maya Angelou and the Autobiographical Statement”. In
Mari Evans. Black Women Writers (1950–1980): A Critical Evaluation. Garden
City, New York: Doubleday. pp. 10-11. ISBN 0-385-17124-2.
Walker, Pierre A. (October 1995). “Racial Protest, Identity, Words, and Form in Maya
Angelou's I Know Why the Caged Bird Sings”. College Literature 22 (3): 91-108.
http://www.freepatentsonline.com/article/College-Literature/18110021.html.
Retrieved 2011-12-17.
*****
378