BIBLIOGRAPHY MAYA ANGELOU PRIMARY SOURCES (i) Autobiographies Angelou, Maya : I Know Why the Caged Bird Sings. New York: Random, 1970. ____________ . : Gather Together in My Name. New York: Random, 1974. ____________ . : Singin’ and Swingin’ and Gettin’ Merry Like Christmas. New York: Random, 1976. ____________ . : The Heart of a Woman. New York: Random, 1981. ____________ . : All God’s Children Need Travelling Shoes. New York: Random, 1986. ____________ . : A Song Flung Up to Heaven. New York: Random House, 2002. (ii) Musings ____________ . : Wouldn’t Take Nothing for My Journey Now. New York: Random, 1993. ____________ . : Even the Stars Look Lonesome. New York: Random, 1997. (iii) Autobiographical Essays ____________ . : “Why I Moved Back to the South.” Ebony (February 1982): 130-34. ____________ . : “My Grandson, Home at Last.” Woman’s Day (August 1986): 4655. (iv) Children’s Literature ____________ . : Mrs. Flowers. With artist Etienne Delessert. Minneapolis, MN: Redpath, 1986. ____________ . : Life Doesn’t Frighten Me. Painting by Jean-Michel Basquiat. New York: Stewart, 1993. 342 ____________ . : My Painted House, My Friendly Chicken, and Me. Photographs by Margaret Courtney-Clarke, New York: Clarkson N. Potter, 1994. ____________ . : Kofi and His Magic. Photographs by Margaret Courtney-Clarke. New York: Clark-son N. Potter, 1996. (v) Poetry ____________ . : “A Brave and Startling Truth.” Internet. Available: http://w3.rizona.edu/~amun/unpoem. html ____________ . : Just Give Me a Cool Drink of Water Fore I Diiie. New York: Random, 1971. ____________ . : Oh Pray My Wings Are Gonna Fit Me Well. New York: Random, 1973. ____________ . : And Still I Rise. New York: Random, 1978. ____________ . : Shaker, Why Don’t You Sing? New York: Random, 1983. ____________ . : Poems: Maya Angelou. New York: Random, 1986. ____________ . : Now Sheba Sings the Song. With artist Tom Feelings. New York: Dutton, 1987. ____________ . : I Shall Not Be Moved. New York: Random, 1990. ____________ . : The Complete Collected Poems of Maya Angelou. New York: Random, 1994. ____________ . : “Maya Angelou’s Million Man March Poem.” 16 October 1995. Internet. Available: http://www.lgc.apc.org/africanam/hot/ maaya.html ____________ . : Phenomenal Woman. 1978. New York: Random, 1995. (vi) Film ____________ . : Cook, Fielder, dir. I Know Why the Caged Bird Sings. Screenplay by Maya Angelou. Learning Corp. America, 1978. (vii) Plays, Screenplays and Television (Produced) ____________ . : “Cabaret for Freedom” (musical revue), 1960. ____________ . : “The Least of These” (two-act drama), 1966. 343 ____________ . : “Blacks, Blues, Black” (ten one-hour programs), National Educational Television, 1968. ____________ . : “Georgia, Georgia,” (Film), 1972. ____________ . : “Ajax,” adapted from Sophocles' play (two-act drama), 1974. ____________ . : “All Day Long,” American Film Institute, 1974. ____________ . : “And Still I Rise,” (one-act musical), 1976. ____________ . : “The Legacy,” (Afro-American Television Special), 1976. ____________ . : “The Inheritors,” (Afro-American Television Special), 1976. “I Know Why the Caged Bird Sings,” with Leonora Thuna (Film), 1979. ____________ . : “Sister, Sister,” (drama) NBC-TV, 1982. (viii) Recordings “Miss Calypso” songs, Liberty Records, 1957. “The Poetry of Maya Angelou,” GWP Records, 1969. “Maya Angelou,” Center for Cassette Studies, 1974. “Maya Angelou Talks About Her Life, Her Mother and Grandmother and Various Influences,” 1976. “Maya Angelou,” Tapes for Readers, 1978, 1979. “Maya Angelou,” An Interview. Tapes for Readers, 1979. “Women in Business,” University of Wisconsin, 1981. “Maya Angelou,” Minneapolis Public Library and Information Center, 1981. “Maya Angelou the Writer/the Person,” Nebraska ETV Network for Educational Television Council for Higher Education, 1981. the Nebraska “Maya Angelou,” PBS Video, 1982, 1987. “Maya Angelou Takes Interviewer, Bill Moyers, Through Her Small Town in Rural Arkansas,” 1986. 344 “Maya Angelou at HSU,” 1986. “Maya Angelou Speaks at Russell Sage,” 1987. “Maya Angelou,” “The Faces of Evil,” Filmed in Chicago and Dallas with Bill Moyers. Public Affairs Television. WNET/New York, 1988. “Maya Angelou, African American Artist.” History on Video, 1989. “Maya Angelou,” ICA Video, 1989. “Maya Angelou Lecture,” History on Video, 1990. (ix) Uncollected Articles “Cicely Tyson: Reflections on a Lone Black Rose.” Ladies' Home Journal (February 1977): 40-46. “Why I Moved Back to the South.” Ebony 37 (Feb. 1982): 130-4. “Save the Mothers.” Ebony 4 (Aug. 1986): 38-39. “Why Blacks Are Turning To Their Southern Roots.” Ebony 45 (April. 1990): 44. (x) Bibliography Cameron, Dee Birch. “A Maya Angelou Bibliography.” Bulletin of Bibliography 36, 1 (Jan/March. 1979): 50-52. (xi) Interviews Caruana, Stephanie. “Maya Angelou: An Interview.” Elliot, 29-37. Chrisman, Robert. “The Black Scholar Interviews Maya Angelou.” Black Scholar 8.4 (January/February. 1977): 44-53. Crane, Tricia. “Maya Angelou.” Elliot, 173-78. Crockett, Sandra. ‘Poetic Angelou Can Sing, Cut a Rug.” Baltimore Sun 9 (Sept. 1997): EI, 8. 345 Davis, Curt. “Maya Angelou: And Still She Rises.” Elliot, 68-76. Elliot, Jeffrey M., ed. Conversations With Maya Angelou. Jackson: University Press of Mississippi, 1989. Forma, Aminatta. “Kicking Ass.” Elliot, 161-64. Guy, Rosa. “A Conversation between Rosa Guy and Maya Angelou.” Elliot, 218-40. Harris, Russell. “Zelo Interviews Maya Angelou.” Elliot, 165-72. Kay, Jacke. “The Maya Character.” Elliot, 194-200. Kelley, Ken, “Visions: Maya Angelou.” Mother Jones. http://www.mojones.com/motherjones/MJ95/kelley.html Lupton, Mary Jane. “Talking with an Icon: An Interview with Maya Angelou.” (16 June 1997). Unpublished. Moyers, Bill. “Portraits of Greatness.” PBS Home Video, Pacific Arts, 1982. Neubauer, Carol E. “An Interview with Maya Angelou.” Massachusetts Review 28 (1987): 286-92. Plimpton, George. “The Art of Fiction CXIX: Maya Angelou.” Paris Review 32: 116 (1990): 145-67. Rpt. “Maya Angelou with George Plimpton.” Contemporary Literary Criticism 77 (1994): 14-21. Randall-Tsuruta, Dorothy. “An Interview with Maya Angelou.” Elliot, 102-8. Rich, Marney. “In Maya Angelou, A Caged Bird Sings.” Elliot, 125-30. Sarler, Carol. “A Life in the Day of Maya Angelou.” Elliot, 214-17. Toppman, Lawrence. “Maya Angelou: The Serene Spirit of a Survivor.” Elliot, 140-45. Webster, Valerie. “A Journey Through Life.” Elliot, 179-82. 346 (xii) Reviews Angelou, Maya : “Maya’s Journey Home” Reader’s Digest, 121. (1982): 89-94. Excerpt from I Know Why the Caged Bird Sings. ____________ . : Mrs. Flowers; A Moment of Friendship. Minneapolis: Redpath Press, 1986. ____________ . : “One Heart Land Black Artist Speaks of Other Heart Land Black Artists.” International Review of African American Art, 7(3), (1987): 4-5. SECONDARY SOURCES Books and Articles Adam David Miller, a “Review of The Heart of a Woman,” in The Black Scholar, Vol.13, Nos. 4&5, Summer (1982), 48-9. Adams, Phoebe. “Rev. of Gather Together in My Name”. Atlantic (June 1974): 233. Almeida, Ruth E. “Rev. of Gather Together in My Name”. Library Journal 1 (June 1974): 1538. Als, Hilton. “Song Bird: Maya Angelou takes Another Look at herself.” New Yorker, 78 (22, 2002): 72-76. Andersen, M. Studying across difference: Race, Class, and Gender in Qualitative Research in Stanfield, J. & Dennis, R. eds. Race and Ethnicity in Research Methods, Newbury Park, CA: Sage publications, (1993), 39-52. Andrews, William A. Sisters of the Spirit: Three Black Women’s Autobiographies of the Nineteenth Century. Bloomington: Indiana University Press, 1986. Andrews, William, L. To Tell a Free Story. Englewood Cliffs, NJ: Prentice Hall, 1993. _____ . (ed.). African American Autobiography. A Collection of Critical Essays, Englewood Cliffs, NJ: Prentice, Hall, 1993. Angelou, Maya. “Shades and Slashes of Light.” In Black Women Writers (1950-1980): A Critical Evaluation, (Ed.). Mouri Evans, Jackson, MS: University Press of Mississippi, 1984. Anne, Moody. Coming of Age in Mississippi. New York: The Dial Press, 1968. 347 Anonymous [probably Pauline Hopkins]. “Venus and Apollo Modelled from Ethiopians.” Colored American Magazine 6 (June 1903): 465. Aptheker, Herbert. Not Turner’s Slave Rebellion. New York: Humanities press, 1966. Arensberg, Liliane K. “Death as Metaphor of Self in I Know Why the Caged Bird Sings.” College Language Association Journal 20 (1976): 273-96. _____ . “Death as Metaphor of Self in I Know Why the Caged Bird Sings.” College Language Association Journal, 20, 2 (1976). Article on Caged Bird. http://www.planetout.com/pno/newsplanet/article.html/1998/ 01/13/4. “A Song Flung Up to Heaven (Book)”. Publishers Weekly 249 (5): 61. 2002-02-04. “A Song Flung Up to Heaven (Book)”. Kirkus Reviews 70 (1): 25. January 2002. Aunt Sally. Aunt Sally, or the Cross the Way of Freedom. Narrative of the Slave-Life and Purchase of the Mother of Rev. Isaac Williams of Detroit, Michigan. Cincinnati: American Reform Tract and Book Society, 1858. Bailey, Hilary. “Growing Up Black.” Guardian Weekly, 130.6, 1984. Baker, Houston, “Rev. of All God’s Children Need Travelling Shoes”. New York Times Book Review 11 (May 1986): 14. Baker, Houston, A., Jr. “The Problem of Being. Some Reflections on Black Autobiography.” Obsidion, 1975. Baker, Houston, A., Jr. The Journey Black: Issues in Black Literature and Criticism. Chicago: The University of Chicago Press: 1980. Baldwin, James. No Names in the Street. New York: Dial Press, 1972. Baldwin, James. Nobody Knows My Name. New York: Dial Press, 1961. Baldwin, James. Notes of a Native Son. Boston: Beacon Press, 1955. Banyiwa-Horne, N. “The Scary Face Of The Self: An Analysis Of The Character Of Sula In Toni Morrison’s Sula” SAGE: A Scholarly Journal on Black Women, Spr. (1985 v.2 n. 1), 28. Barton, Rebecca C. Witnesses for Freedom: Negro Americans in Autobiography. 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