Michigan’s Presenter
of Early Classical Music
2014–15
Season Schedule
2014–15 Season at a Glance
Concerts
2014
Location
September 21
Anonymous 4
Ann Arbor
October 24
Asteria
Ann Arbor
October 25
Asteria
Bloomfield Hills
November 21
REBEL
Ann Arbor
November 22
REBEL
Bloomfield Hills
January 16
East of the River
Ann Arbor
January 17
East of the River
Bloomfield Hills
February 13
Les Voix humaines
Ann Arbor
February 14
Les Voix humaines
Bloomfield Hills
March 20
Wayward Sisters
Ann Arbor
March 21
Wayward Sisters
Bloomfield Hills
April 10
Pablo Mahave-Veglia and Shin Hwang
Ann Arbor
April 11
Pablo Mahave-Veglia and Shin Hwang
Bloomfield Hills
2015
Lecture/Demonstrations
2014
November 22
REBEL
Ann Arbor
January 17
East of the River
Ann Arbor
February 14
Les Voix humaines
Ann Arbor
2015
Visit us online at
www.academyofearlymusic.org
Instrument images courtesy of The Stearns Collection of Musical Instruments,
University of Michigan
Welcome to our 34th Season
We are pleased to announce the Academy of Early Music’s
2014–15 season!
The concerts on our series feature a mix of internationally
acclaimed artists, emerging ensembles, and long-time
friends. What they all have in common is a dedication
to early classical music and a commitment to delivering
performances of the highest caliber.
With over 500 years of music offered this season, there is
something for everyone. From a 13th-century manuscript
to the birth of the Romantic Period, the Academy of Early
Music’s 2014–15 season explores the music that shaped the
world in which we live today.
What is Early Music?
Early music is a repertoire that
spans nearly 1,000 years, from
around 800–1800. It was composed
as art music for royalty and wealthy
patrons, as integral parts of religious
services, and as entertainment
for those living in cities and the
countryside. It was the soundtrack
for everyday life.
Early music is also a manner of
performance. It is an attempt to
reacquaint our world with this
soundtrack as it was originally
heard. Performers who specialize in
early music use period instruments
and employ the techniques and
styles that the composer envisioned
when the music was written.
Their performances bring
out a passion, intensity, and
excitement in this music that
sounds fresh to our ears.
Early music comes from a
time in which the seeds of the
modern world were sown. It is a
gateway to that past, and those
who experience it gain a new
perspective on our present.
Early music provides context to
our world. Early music provides
understanding.
Through its performances and
educational programs, the
Academy of Early Music guides
modern audiences on a journey
to this past. Join us as we
explore a world that shaped the
one we live in today.
Performance
The Academy’s concert series
is the only one in Michigan that
is dedicated exclusively to early
music, with performances featuring
nationally and internationally
acclaimed artists.
Presented in intimate settings that
foster communication between
artists and audiences, Academy
performances allow listeners to
revisit the past through a journey
that helps frame the present. Along
the way, audiences are introduced
to music—beautiful, inspiring, and
timeless music—written by some
of the greatest composers who
ever lived.
Anonymous 4
Education
Opportunities to experience the world
of early music are not confined to
concert performances alone. The
Academy’s preconcert lectures are
conversations that explore musical
concepts as well as historical and
cultural contexts.
Audience members are encouraged
to talk to the artists and ask them
questions after the performance,
as well as examine their musical
instruments during intermission.
Standalone lecture/demonstrations
and workshops provide a more
in-depth experience, and master
classes help prepare future
performers of early music.
Rex Benincasa of ALBA Consort
Anonymous 4
Marie & Marion: Motets and Songs from the Montpellier Manuscript
Sunday, September 21 · 3:30 PM
St. Andrew’s Episcopal Church
Ann Arbor
$45 Reserved
$35 Reserved (Members)
$35 General Admission
$10 Students
“Their impressive vocal blend,
purity of tone and distinctive
individual voices...were beautifully
highlighted here.” –
New York Times
“Few medieval-music specialists
on the planet are as celebrated as
Anonymous 4.” –
San Francisco Classical Voice
Renowned for their unearthly vocal blend and virtuosic
ensemble singing, the four women of Anonymous 4
combine historical scholarship with contemporary
performance intuition to create their magical sound.
Anonymous 4 has performed for sold-out audiences on
major concert series and at festivals throughout North
America, Europe, Asia, and the Middle East; and has
made 19 best-selling recordings for Harmonia Mundi
USA.
In Marie & Marion, the ensemble returns to the
Montpellier Codex, an important source for 13th-century
French polyphony. The program includes both motets
of devotion to the Virgin Mary and those of very earthly
love for Marion, Marot, Marotele, and their amorous
anonymous sisters. A selection of chant masterpieces
(fragments of which are used in the motet tenor lines),
and trouvère chansons complete their program.
Asteria
Medieval Love Songs Inspired by Arthurian Romance
Known around the world for their intimate and moving
performances, Asteria brings to life the exquisite love
songs of medieval Burgundy. Their historically informed
settings and personal interpretations are based on
extensive archival research into original sources in Paris,
Basel, and The Hague. This engaging duo brings out the
passion and emotional richness of late medieval vocal
and instrumental music.
While King Arthur is considered a British king, it was
a 12th-century Frenchman who brought him into the
medieval consciousness, writing stories of the exploits of
Arthur and his knights. Asteria presents a concert of
15th-century chansons with themes drawn from the
original Arthurian romances, following the story of Yvain,
a knight of King Arthur’s court, as he pursues his quest
for glory, honor, and love.
Friday, October 24 · 8 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, October 25 · 8 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
REBEL
Irregular Pearls: Musical Treasures of the 17th & 18th Centuries
Friday, November 21 · 8 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, November 22 · 8 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
Special Lecture/Demonstration
Saturday, November 22 · 1 PM
Ann Arbor District Library
343 South Fifth Avenue
Free Admission
Named after the innovative French Baroque composer
Jean-Féry Rebel (1666-1747), REBEL was formed in the
Netherlands in 1991 and has since earned an impressive
international reputation, enchanting diverse audiences
with their expressive style and their virtuosic, provocative
approach to the Baroque and Classical repertoire.
REBEL has performed to critical acclaim across Europe
and North America, with appearances at Holland
Festival Oude Muziek, Tage Alter Musik Berlin, Library
of Congress, University of Chicago Presents, and the
Boston and Berkeley Early Music Festivals.
Their program highlights musical treasures from the
Baroque period, with works by Telemann, Corelli, Leclair,
Boyce, Rossi, Fux, Goldberg, and Vivaldi.
2014 – 15 Ticket Order Form
Benefits to becoming a season subscriber
Savings – Subscribers pay less than $21.50 for each concert, including the special-priced concert featuring
Anonymous 4. That’s a savings of almost 20% over general admission pricing.
Convenience – Get the best choice of seats by avoiding the line at the ticket counter. With tickets already in
hand, you can walk right in.
Ways to purchase individual tickets
Mail – Complete this form and mail along with payment to the Academy of Early Music. Checks only, please.
Online – Visit our website, www.academyofearlymusic.org. A small service fee is added to each order.
In Person – Tickets for all Ann Arbor performances may be purchased at Nicola’s Books and Bookbound
beginning August 1. Discounted reserved seats for members are not available at these locations.
Nicola’s Books
Westgate Shopping Center
2513 Jackson Road
Ann Arbor
Bookbound
Courtyard Shops
1729 Plymouth Road
Ann Arbor
At the Door – Tickets are available at the door 30 minutes prior to the start of the performance, or 15 minutes
prior to the start of the preconcert lecture. The Academy accepts cash, checks, and credit cards.
Groups – Discounted tickets are available for groups of 10 or more. Email [email protected] for
more information.
Venues
Ann Arbor – St. Andrew’s Episcopal Church, 306 N. Division St., Ann Arbor.
Bloomfield Hills – Christ Church Cranbrook, 470 Church Rd., Bloomfield Hills.
Please see the last page of this booklet for additional information about these venues.
IMPORTANT!
Don’t forget to complete
mailing information.
2014 – 15 Ticket Order Form
Enter Quantity
General $25
Anonymous 4 (Ann Arbor Only)
Sun, Sep 21, 2014
Asteria (Ann Arbor)
Fri, Oct 24, 2014
Asteria (Bloomfield Hills)
Sat, Oct 25, 2014
REBEL (Ann Arbor)
Fri, Nov 21, 2014
REBEL (Bloomfield Hills)
Sat, Nov 22, 2014
East of the River (Ann Arbor)
Fri, Jan 16, 2015
East of the River (Bloomfield Hills)
Sat, Jan 17, 2015
Les Voix humaines with Charles Daniels (AA)
Fri, Feb 13, 2015
Les Voix humaines with Charles Daniels (BH)
Sat, Feb 14, 2015
Wayward Sisters (Ann Arbor)
Fri, Mar 20, 2015
Wayward Sisters (Bloomfield Hills)
Sat, Mar 21, 2015
Pablo Mahave-Veglia and Shin Hwang (AA)
Fri, Apr 10, 2015
Pablo Mahave-Veglia and Shin Hwang (BH)
Sat, Apr 11, 2015
Season Subscription (Save up to $35)
Add reserved seating to Anonymous 4
Member $22 1
Reserved $45 ($35 for members)1, 3
7 concerts @ $150
Ann Arbor
3
Senior (60+) $22 2
General $35
Student $5 2
Total $
Student $10 4
Bloomfield Hills (includes Anonymous 4)
$10 per subscription (members automatically receive reserved seating)
Order Total
1
Academy membership must be current for 2014–15 at time of purchase in order to qualify for discount. Basic Individual members may purchase one (1) discount ticket or receive one
(1) reserved seat per concert, while basic family members and all levels above may purchase an unlimited number of discounted tickets and reserved seats. See below for information
on becoming a member.
2
Identification proving eligibility for discount may be required for admission.
3
Reserved tickets permit access to section closest to stage, but do not reserve specific seats. Ticket holders must be seated prior to the start of the performance. Holders of reserved
tickets arriving after the performance begins may be seated in the non-reserved section.
4
Student tickets are not eligible for reserved seating.
Support the Academy of Early Music
Ticket sales only cover about 40% of our total costs. Please show your support for early music
in our region by making a financial contribution to the Academy of Early music today. In addition
to helping us deliver outstanding performances of early music to Southeast Michigan, members
also receive discounted admission and (when available) reserved seating at no additional cost.
Order Total
Membership Giving Levels
Patrons of Early Music
Supporters
Medici Court
$10,000+
Advocate
$500–$999
Sforza Court
$5,000–$9,999
Benefactor
$250–$499
Gonzaga Court
$2,500–$4,999
Associate
$100–$249
Barberini Court
$1,000–$2,499
Friend
$50–$99
Basic Member
See Below
Basic Membership Types
$25 Individual
$40 Family
$15 Student
Tax-deductible Contribution*
Total Enclosed
IMPORTANT! Please complete
mailing information on back.
Please indicate how you would like to be recognized in our concert programs.
Name
I would like my contribution to remain anonymous.
*Membership benefits for 2014–15 expire on June 30, 2015.
The Academy of Early Music is a 501(c)(3) nonprofit organization.
Your contributions is tax deductible to the extent allowable by law.
Mailing Information
Name
Address City
State
Phone
Email New Address or Telephone
Zip I do not wish to receive email announcements.
Please make checks payable to The Academy of Early Music and mail to:
The Academy of Early Music
PO Box 7694
Ann Arbor, MI 48107-7694
Ticket Policies
• Delivery – Tickets for 2014–15 will be mailed beginning in mid-August.
• Will Call – Tickets purchased within 7 days of the performance will be held at the will call table, which opens at the times
described below in Arrival Time.
• Ticket Refunds – Because Academy concerts are live events, artists, programs, dates, times, and venues are subject to
change. No Refunds or exchanges permitted, except for event cancellation. Service fees are not refundable.
• Ticket Donation – Ticket holders who are unable to attend a concert may donate their unused ticket(s) up to four hours
before the concert by contacting the Academy at [email protected].
• Lost or Misplaced Tickets – Contact the Academy at [email protected] at least four hours prior to the
performance to have duplicate tickets waiting for you at will call.
Venue Information
• Location – Ann Arbor performances are held at St. Andrew’s Episcopal Church, 306 N. Division Street, at the corner of
Division and Catherine Streets. Bloomfield Hills performances are held at Christ Church Cranbrook, 470 Church Rd., at
the corner of Lone Pine and Cranbrook Roads.
• Parking – Ann Arbor: Parking is available in the Community High School lot, across the street from the church. Enter via
5th Avenue. Bloomfield Hills: Parking is available on the west side of Church Road.
• Arrival Time – Doors open 30 minutes prior to the start of the performance, or 15 minutes prior to the start of the
preconcert lecture.
• Seating – Tickets are general admission. Reserved tickets permit access to section closest to stage, but do not reserve
specific seats.
• Late Seating – Audience members who arrive after the performance begins will be asked to remain in the lobby until
a piece is over. At the end of the piece, patrons will be granted access into the performance area. Holders of reserved
tickets arriving after the performance begins may be seated in the non-reserved section.
• CD/Merchadise Sales – CDs, DVDs, and other merchandise for the evening’s featured artists are often available for sale
in the lobby before and after the performance, as well as during intermission. The Academy accepts cash, checks, and
credit cards. Prices for merchandise vary.
• Accessibility – Ann Arbor: Handicapped parking available in the back of St. Andrew’s church. The church is wheelchair
accessible through the Sanctuary’s north entrance. Bloomfield Hills: The main entrance is wheelchair accessible and
handicapped parking is available in front of the church. Large print versions of program notes are available upon request.
Children
Please use discretion when bringing small children to performances. Parents or guardians may be asked to remove
children who disturb others. All patrons must have a ticket for the performance, regardless of age.
East of the River
Levantera
Founded by internationally renowned recorder players
Nina Stern and Daphna Mor, East of the River explores
gems of the Medieval European classical repertory
together with haunting and virtuosic melodies of traditions
from Eastern Europe and the Mediterranean, arranged
and interpreted by musicians whose backgrounds include
classical, jazz, and world music. East of the River has
performed at venues as varied as Bargemusic, Joe’s
Pub, Le Poisson Rouge, the Chautauqua Institute, and
the Connecticut and Indianapolis Early Music Festivals.
In Levantera, East of the River explores Medieval music
of the Mediterranean and travels eastward through the
Balkans to Armenia and the Middle East, exploring the
earliest songs of those extraordinary cultures, together
with their traditional dances—the origins of which go
back centuries. In this program, East of the River lends
its innovative blend of sounds to a fascinating and
beautiful repertory much of which is little known to today’s
audiences.
Friday, January 16 · 8 PM
Preconcert Lecture · 7 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, January 17 · 8 PM
Preconcert Lecture · 7 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
Special Lecture/Demonstration
Saturday, January 17 · 1 PM
Ann Arbor District Library
343 South Fifth Avenue
Free Admission
Les Voix humaines with Charles Daniels
Perchance to Dreame
Friday, February 13 · 8 PM
Preconcert Lecture · 7 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, February 14 · 8 PM
Preconcert Lecture · 7 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
Special Lecture/Demonstration
Saturday, February 14 · 1 PM
Ann Arbor District Library
343 South Fifth Avenue
Free Admission
For nearly four decades, Les Voix humaines has been
thrilling audiences worldwide with dashing performances
on stage and on their many recordings of early music. In
their newest program, Susie Napper and Margaret Little
are joined by lutenist Sylvain Bergeron and acclaimed
tenor Charles Daniels (The King’s Consort) to perform
songs and dances from 17th-century England.
The brothers Lawes and their colleague, Christopher
Simpson, were on the cutting edge of England’s musical
life in the first half of the 17th century. Paradise was lost
when Charles I was executed in 1649, leaving a drab
stage to the Puritans and a musical moratorium. After a
decade, Charles II (the Merry Monarch), returned from
Europe bringing a new musical dream to the Fairest Isle.
The stage was set for Henry Purcell and a new golden
age of English music.
Wayward Sisters
Frenzy and Fire: Music Gone Mad
Since debuting in 2009, Wayward Sisters has received
praise from audiences and critics across the United
States. In 2011, the ensemble won the prestigious Early
Music America/Naxos recording competition for emerging
artists, and recorded their debut CD with Naxos during
the 2011-2012 season.
Madness can rocket us from bliss to anguish and back,
and so can music. From the frenzied stamping of the
folia, a dance in which young women succumbed to wild
“folly,” to the heartbroken howls of operatic heroines,
madness set to music can terrify, stir, and delight.
Soprano Kathryn Mueller, praised as “a star in the
making” by the Albuquerque Journal, joins Wayward
Sisters for a dervish whirl through music by Vivaldi,
Handel, Purcell, and more.
Friday, March 20 · 8 PM
Preconcert Lecture · 7 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, March 21 · 8 PM
Preconcert Lecture · 7 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
Pablo Mahave-Veglia and Shin Hwang
Beethoven’s Sonatas for Cello and Piano Nos. 4-5, op. 102
Friday, April 10 · 8 PM
Preconcert Lecture · 7 PM
St. Andrew’s Episcopal Church
Ann Arbor
Saturday, April 11 · 8 PM
Preconcert Lecture · 7 PM
Christ Church Cranbrook
Bloomfield Hills
$25 General
$22 Members and Seniors
$5 Students
Cellist Pablo Mahave-Veglia (Grand Valley Baroque)
joins fortepianist and rising star Shin Hwang (The Kreisler
Trio) to perform Beethoven’s last two sonatas for cello
and piano. Published in 1817, these sonatas from
Beethoven’s late period are two of the most substantial
of Beethoven’s works for cello. The Academy is pleased
to present works from the first leading edge of the
Romantic era, which are rarely performed with historical
instruments.
Sonata No. 4, Op. 102, No. 1
Andante – Allegro vivace
Adagio – Tempo d’andante – Allegro vivace
Sonata No. 5, Op. 102, No. 2
Allegro con brio
Adagio con molto sentimento d’affetto – Attacca
Allegro – Allegro fugato
Support the Academy of Early Music
What do New York, Boston, San Francisco, Houston, Milwaukee, and Ann Arbor
have in common? They are among the few cities in the US that have an organization
dedicated exclusively to early classical music performances and education in their
communities.
By supporting the Academy of Early Music, you not only help us deliver outstanding
performances of early classical music and enriching educational opportunities to
Southeast Michigan, but members also receive discounted admission and (when
available) reserved seating at no additional cost. You can make the following types
of gifts.
Annual Gift
Sponsorship of a concert or event
Multi-year Pledge
Planned Giving
Gifts in recognition of someone
Corporate/Foundation Support
Ticket sales only cover about 40% of our total costs. Without your support, the series
of concerts and programs described here simply would not exist in the communities
we serve. Please make a contribution to the Academy when ordering tickets for
2014–15, or contact us at [email protected].
Support for 2014–15 provided by the following
Visit the Academy Online
www.academyofearlymusic.org
Learn more about the Academy of Early Music and the artists performing on its 2014–15
season by visiting our website, www.academyofearlymusic.org. Listen to audio
samples and watch videos of the performers featured on our series. Also, read program
descriptions and concert reviews, and purchase tickets.
Facebook
Like the Academy of Early Music on Facebook to stay up to date with the latest
announcements, interact with other concertgoers, view concert pictures, and
receive exclusive offers.
Ticket Information
Benefits to becoming a season subscriber
Savings – Subscribers pay as little as $21.50 for each concert, including the special-priced concert featuring
Anonymous 4. That’s a savings of almost 20% over general admission pricing.
Convenience – Get the best choice of seats by avoiding the line at the ticket counter. With tickets already in
hand, you can walk right in.
Ways to purchase individual tickets
Mail – Mail order form along with payment to the Academy of Early Music, PO Box 7694, Ann Arbor, MI 48107.
Online – Visit our website, www.academyofearlymusic.org. A small service fee is added to each order.
In Person – Tickets may be purchased at Nicola’s Books in the Westgate Shopping Center, 2513 Jackson
Avenue, and Bookbound in the Courtyard Shops, 1729 Plymouth Road. Available beginning August 1.
At the Door – Tickets are available at the door 30 minutes prior to the start of the performance, or 15 minutes
prior to the start of the preconcert lecture when offered. The Academy accepts cash, checks, and credit cards.
Groups – Discounted tickets are available for groups of 10 or more. Email [email protected] for
more information.
Ticket Policies
• Delivery – Tickets for 2014–15 will be mailed beginning in mid-August.
• Will Call – Tickets purchased within 7 days of the performance will be held at the will call table, which opens at the times
described below in Arrival Time.
• Ticket Refunds – Because Academy concerts are live events, artists, programs, dates, times, and venues are subject to
change. No Refunds or exchanges permitted, except for event cancellation. Service fees are not refundable.
• Ticket Donation – Ticket holders who are unable to attend a concert may donate their unused ticket(s) up to four hours
before the concert by contacting the Academy at [email protected].
• Lost or Misplaced Tickets – Contact the Academy at [email protected] at least four hours prior to the
performance to have duplicate tickets waiting for you at will call.
Venue Information
• Location – Ann Arbor performances are held at St. Andrew’s Episcopal Church, 306 N. Division Street, at the corner of
Division and Catherine Streets. Bloomfield Hills performances are held at Christ Church Cranbrook, 470 Church Rd., at
the corner of Lone Pine and Cranbrook Roads. See venue information on the right.
• Parking – Ann Arbor: Parking is available in the Community High School lot, across the street from the church. Enter via
5th Avenue. Bloomfield Hills: Parking is available on the west side of Church Road.
• Arrival Time – Doors open 45 minutes prior to the start of the performance, or 15 minutes prior to the start of the
preconcert lecture.
• Seating – Tickets are general admission. Reserved tickets permit access to section closest to stage, but do not reserve
specific seats.
• Late Seating – Audience members who arrive after the performance begins will be asked to remain in the lobby until
a piece is over. At the end of the piece, patrons will be granted access into the performance area. Holders of reserved
tickets arriving after the performance begins may be seated in the non-reserved section.
• CD/Merchadise Sales – CDs, DVDs, and other merchandise for the evening’s featured artists are often available for sale
in the lobby before and after the performance, as well as during intermission. The Academy accepts cash, checks, and
credit cards. Prices for merchandise vary.
• Accessibility – Ann Arbor: Handicapped parking available in the back of St. Andrew’s church. The church is wheelchair
accessible through the Sanctuary’s north entrance. Bloomfield Hills: The main entrance is wheelchair accessible and
handicapped parking is available in front of the church. Large print versions of program notes are available upon request.
Children
Please use discretion when bringing small children to performances. Parents or guardians may be asked to remove
children who disturb others. All patrons must have a ticket for the performance, regardless of age.
Performance Venues
St. Andrew’s Episcopal Church
306 N. Division St., Ann Arbor
The Academy of Early Music presents its
Ann Arbor concerts at the historic
St. Andrew’s Episcopal Church. As the
oldest operating church in Ann Arbor, its
Gothic Revival architecture and seating for
up to 500 provides concertgoers with an
intimate setting and an exceptional listening
experience.

Division St.
5th Ave.

Community
High School

t.
it S
tro
De
Lawrence St.
Parking
Walkway


Parking: Free parking is available in
the Community High School lot, across
the street from the church. Enter via 5th
Avenue and Detroit Street. Additional
parking is available at the Liberty Square
Parking Garage, three blocks south of
St. Andrew’s at 510 E. Washington Street.
Flat rate of $3 after 3 p.m. Handicapped
spaces are available in the back of the
church. Enter via Catherine Street.
St. Andrew’s Parking
Catherine St.
Christ Church Cranbrook
470 Church Rd., Bloomfield Hills
Photo by Dave Parker
Designed by renowned architect Bertram
Goodhue and founded in 1928, Christ Church
Cranbrook’s rich architectural details create a
special ambience that wonderfully enhances
early music performances. Performances are
held in the intimate Medieval-themed Guild
Hall adjacent to the church.
Cranbrook Rd
Lone Pine Rd
Christ Church Cranbrook
k
roo
Parking
Parking
b
Cran
Church Rd
Parking: Parking is available in the lot on
Church Road across the street from the church.
Handicapped parking is available in front of the
church and in the lot located behind the church
off Cranbrook Road.
Rd
Presenting 7 Concerts in Ann Arbor and 6 in Bloomfield Hills.
Details Inside.
Non-Profit
Organization
U.S. Postage
PAID
Ann Arbor, MI
Permit No. 511