“The Road Not Taken” by Robert Frost HS / ELA Identity, Cause and Effect, Choice, Community Ask students to journal for about 4-5 minutes: What is your family’s history? Where are your ancestors from? Write facts about your parents’ and grandparents’ lives. Distribute the text. Ask students what they anticipate this text to be like. Discuss what they can tell about the piece from looking at it. Have them label the stanzas A,B, C, D; and number the lines 1-5 within each stanza. Ask students to follow along as you read the text aloud, and to underline any vocabulary terms or usage with which they are unfamiliar. 1 Robert Frost (1874-1963) was one of the most popular and critically respected American poets of the twentieth century. He was honored frequently during his lifetime, being named Poet laureate of Vermont, and receiving four Pulitzer Prizes for Poetry. His poetry is still widely read and quoted today. Gather words that students identified as being unfamiliar, and list them on the (interactive) whiteboard. Provide (or mine students for) meanings of the unfamiliar words, and encourage them to make notes on the text about word meanings. Ask students to look at the word “wanted” in the stanza B, line 3. How does Frost use this word differently from the way we normally use it? Have participants read the text again silently. Then ask them to work in pairs to identify the dilemma of the speaker in the poem, and to make notes to the right of the text about what this dilemma is, how the speaker feels about it, and why the decision might be significant. 2 What is the most important word in the poem? (round robin response) Why is that word so important? (spontaneous discussion) How does the poem describe each of the two roads? How do they compare? In (B 5) the the roads are described as, “worn…about the same,” and in (C1), “both that morning equally lay.” Why could these details and observations make the decision difficult? Why does the speaker (C 3) keep “the first for another day” if he or she says at the end of the stanza (C 5), “I doubted if I should ever come back”? What reason could the speaker have for not returning? Stanza D begins “I shall be telling this with a sigh/ Somewhere ages and ages hence…” What does this suggest the speaker will do in the future, and why with a sigh? What does “way leads on to way” mean (C4)? Connect your ideas to the final two lines of the poem. What difference did the speaker’s choice make? What could the two roads symbolize in your life? The woods? The journey? 3 Have students return to their writing from the Launch. Have them take notes about ideas that they heard, read, thought during seminar related to the ideas under discussion, and reflect on decisions in their ancestors’ lives, and the effect of those decisions. After reading “The Road Not Taken” and our seminar discussion, create a letter to yourself in which you describe a difficult decision you have made. Remind yourself of the circumstances of your decision, your process for making the decision, and reflect on the impact this choice has made on your life today. Compare the circumstances and weight of your decision to that of Frost, and refer to the poem in your response. (LDC Task#: 12 ) 4 Invite participants to talk in pairs for two minutes to share thoughts about what the writing task is asking and how they might respond. They should make a list of decisions they have made, choose one decision to explore in their letters, and to select a text reference to use in support. Allow a few minutes for all to sketch an outline for their writing and to refine their thinking. Provide students with an outline template or templates as necessary to “scaffold” this stage. Structure/Tips for Letter Writing: Salutation (Dear__) Introduction: Describe the purpose for the letter by outlining what we did in the seminar. What did we read, discuss, and analyze? Describe a decision you have made. What was happening and what choices did you have? How did you make your choice, and what impact did it have? Describe the speaker’s decision in “The Road Not Taken” and the impact it has on the speaker’s life. Include observations shared in the seminar. Conclude your letter by comparing or contrasting your decision to the poem. Does any of the symbolism in the poem also apply to your life and your decision? What do you want your future self to remember about the decision or the poem? Closing and signature. Challenge all to draft their letters using the Tips for Letter Writing and their outline. Have participants work in pairs to read their first drafts aloud to each other with emphasis on reader as creator and editor. Listener says back one point heard clearly and asks one question for clarification. Switch roles. Give time for full revisions resulting in a second draft. 5 Once the second draft is complete, have participants work in groups of three-four and this time take turns reading each other’s second drafts slowly and silently, marking any spelling or grammar errors they find. (Have dictionaries and grammar handbooks available for reference.) Take this opportunity to clarify/reteach any specific grammar strategies you have identified as a need. Give time for full revisions resulting in a third and final draft. With students’ permission, create a wordle (http://www.wordle.net/) with their collection of letters. This wordle will demonstrate which words and ideas the students each express in their letters. While many of the largest letters will be from the poem itself, students may be surprised to see their classmates have similar experiences in their own lives. (Digital copies will need to be used to create the wordle). Emily Satterfield National Paideia Faculty 6 The Road Not Taken BY ROBERT FROST Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. 7
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