Technical Specifications for
The Tarkington
at the Center for the Performing Arts
This document is subject to change.
http://www.thecenterfortheperformingarts.org/
Table of Contents
Staff contacts .................................................................................................................. 2
General description ........................................................................................................ 3
Important numbers ......................................................................................................... 4
Driving directions ............................................................................................................. 6
Miscellaneous equipment/soft goods .............................................................................. 8
Electrics........................................................................................................................... 9
Audio ............................................................................................................................. 13
Lineset schedule .......................................................................................................... 18
Drawings ...................................................................................................................... 20
updated November 28, 2012
Technical Specifications for
The Tarkington
at the Center for the Performing Arts
This document is subject to change.
Stage door &
loading dock/shipping address:
3 Center Green
Carmel, IN 46032
317-819-3525 (security at Palladium)
Mailing address:
The Center for the Performing Arts
355 City Center Dr
Carmel, IN 46032
317-660-3373
317-660-3374 (fax)
Time zone: Eastern
http://www.thecenterfortheperformingarts.org
Staff Contacts
Scheduling, backline, parking, general
information:
Travel, ground transportation, hotels,
catering, hospitality:
Kyle Lemoi, Director of Production
317-819-3493 (o), 916-337-5261 (m)
[email protected]
Ellen Kingston, Artist Concierge
317-695-4419 (m)
[email protected]
Lighting/Audio:
Box office/comp tickets:
Brian Seitz, Patron Services Manager
Devin Schonsheck, Lighting/Sound Technician
317-819-3507 (o)
317-819-3496 (o)
[email protected] [email protected]
Merchandise:
Sharon Holyoak
317-819-3524 (o), 317-698-8251 (m)
[email protected]
General Description
The 500-seat proscenium theater is primarily used for drama, musicals, dance, lectures
and variety presentations and completes the Center for the Performing Arts campus,
which has become an inviting gathering place for the community.
The Tarkington is located in the same building as the Studio Theater and is across the
Green from the Palladium concert hall and is adjacent to the Monon Greenway.
The Center for the Performing Arts is a smoke free campus.
Important numbers
Proscenium width: 41’-11”
Proscenium height: 23’-11 ½”
Plasterline to back wall: 44’-0”
Plasterline to orch pit (on ctr): 7’-5”
Plasterline to stage edge (on ctr – pit cover in place): 12’-4”
CL to SR wall: 34’-6”
CL to SL locking rail: 33’-6”
Orchestra pit size: approx. 400 sq ft
Orchestra pit depth: 10’-0”
Number of single purchase linesets: 52 (+ grand drape and valance)
Lineset distribution: 8” centers (see lineset schedule)
Batten length: 52’-0” + 3’ extension on each side
Max load per lineset: 1,800 lbs.
Empty batten weight: 400 lbs
Low trim: 4’-0”
High trim: 61’-0”
Grid height: 67’-4”
Catwalk height: 31’-0”
Loading dock door: 11’- 1” h X 11’-1” w
Scene dock door: 10’-0” h X 9’-11” w
Number of dressing rooms: 2 large with toilet and shower and 2 small with shower
Number of toilets (backstage): 4
Number of showers: 4
Stage door
The stage door is located on the south side of the building adjacent to the loading dock.
Loading dock
The loading dock is located on the south side of the building.
Loading door size: 11’-0” w X 11’-0” h
Stage level – 20’ from stage - 90° left turn. Max length 23’-0” (loading door to wall).
Parking
No truck/bus parking available
Internet
Public Wi-Fi: CPA Guest – no password required.
Wardrobe Facilities
1 washer, 1 dryer, steamer and irons as needed
Video Projection
There is no in-house video projection equipment.
Orchestra Pit
Approx size: 400 sq ft (useable space)
Orchestra Pit in-fill
Wenger custom pit in-fill
 Three configurations:
o Pit in-fill in a stage level
o Pit in-fill at house level (-42”)
o Open with safety net (-10’-0”)
Driving directions to the Center for the Performing Arts
http://www.thecenterfortheperformingarts.org/Plan-a-Visit/Map-Directions.aspx
Truck – driving directions to the Center for the Performing Arts
From I – 465 (north of Indianapolis) take the US 31/Meridian Street exit (#31) proceed
north – 1.8 miles
Turn right (east) onto E 116th Street – 1.7 miles
Turn left (north) onto S Range Line Road – 1.0 miles
Turn left (west) onto City Center Drive – 0.25 miles
Turn left (south) onto 3rd Ave SW
Loading dock on south end of building
► TRUCKS OVER 19,000 LBS. ARE NOT ALLOWED ON N KEYSTONE AVE
►THE E 126TH ST EXIT FROM N KEYSTONE AVE HAS A ROUNDABOUT
From I – 465 Eastbound (north of Indianapolis)
Take the US 31/N Meridian Street exit (#31) turn left (north) – 1.8 miles
Turn right (east) onto E 116th Street – 1.7 miles
Turn left (north) onto S Range Line Road – 1.0 miles
Turn left (west) onto City Center Drive – 0.25 miles
Turn left (south) onto 3rd Ave SW
From I – 465 Westbound (north of Indianapolis)
Take the IN 431/N Keystone Ave exit (#33) turn right (north) – 3.3 miles
Take 126th Street exit
Turn left (west) onto E 126th Street (roundabout) – 1.3 miles
E 126th becomes City Center Drive at S Range Line Road
Turn left (south) onto 3rd Ave SW
From Indianapolis International Airport (IND) – 35.8 miles – 46 minutes
Note the Interstates near the airport are under construction – the actual route may
change due to construction
Take I – 70 E exit from the airport
Merge onto I – 465 N
Merge onto I – 465 E
Take the US 31/N Meridian Street exit (#31) turn left (north) – 1.8 miles
Turn right (east) onto E 116th Street – 1.7 miles
Turn left (north) onto S Range Line Road – 1.0 miles
Turn left (west) onto City Center Drive – 0.25 miles
Turn left (south) onto 3rd Ave SW
The Palladium is on the SE corner of 3rd Ave SW and W City Center Drive
From downtown Indianapolis – 15.6 miles – 30 minutes
Take N Meridian Street north – 13.1 miles
Turn right (east) onto E 116th Street – 1.7 miles
Turn left (north) onto S Range Line Road – 1.0 miles
Turn left (west) onto City Center Drive – 0.25 miles
Turn left (south) onto 3rd Ave SW
The Palladium is on the SE corner of 3rd Ave SW and W City Center Drive
From Renaissance Hotel Carmel – 1.5 miles – 4 minutes
Exit the parking lot – go straight onto W City Center Drive – 1.5 miles
The Palladium is on the SE corner of 3rd Ave SW and City Center Drive
Turn right onto 3rd Ave SW
Mileage and times are estimated
Soft Goods







Grand drape (travels or guillotine): 2 each @ 25’-6” h X 27’-0” w – 100% fullness
Grand valance: 1 @ 5’-0” h X 52’-0” w – 100% fullness
Borders: 5 each @ 8’-0”h X 58’-0” w – flat
Legs: 10 each @ 26’-0” h X 10’-0” w – flat
Black out drop: 2 each @ 26’-0” h X 32’-0” w – flat
Black scrim (w/bottom pipe): 30’-0”h X 58’-0” w
Rosco twin white RP screen (cyc – w/bottom pipe): 30’-0”h X 58’-0” w
Dance Floor


Harlequin Liberty LatchLoc – portable sprung panel flooring –
48’ - 0” w X 32’ - 0” d
Harlequin Reversible (black/white) roll out floor –
48’ - 0” w X 32’ - 0” d
Misc Equipment



1 – Genie AWP 36 – 36’ h AC(power) work platform (shared with the
Studio Theater)
1 – 12’ step ladder
1 – 8’ step ladder
Musician’s chairs and music stands




25 – Wenger musician’s chair – black
5 – Wenger cello chairs – black
30 – Manhasset music stands – black
40 – Manhasset music stand lights – black
Electrics
Control
 ETC Eos with 2 Elo external touch-screen monitors.
o ETC 20-fader wing extension
o ETC radio remote focus unit
o Remote Viewing Interface with 2 Elo touch-screen monitors
 ETC Net3 drops located throughout the venue; nodes available for DMX
 House lights run either through Paradigm Control, located in the lighting control
booth and backstage right, or through Eos
Dimmers
 384 ETC Sensor 2.4k double high-rise dimmers located Gallery SR
o 376 dedicated to production lighting, dimmer per circuit
o 12 dedicated to house lights
 62 120V 20A non-dim relays
Hang and Circuit Positions
A repertory lighting plot is available upon request. The Tarkington does not have
dedicated electrics; however, as the rep plot is always in the air, designers are
encouraged to consider those linesets as electrics and add or subtract as necessary.
 Front of House
o Far Catwalk: 6 stage pin, 2 non-dim circuits
o Mid Catwalk: 40 stage pin, 4 non-dim circuits
o Near Catwalk: 24 stage pin, 4 non-dim circuits
o Box booms (HL and HR): 12 stage pin, 2 non-dim circuits each
 Onstage
o Apron boom: 12 stage pin, 2 non-dim circuits each
o Instead of raceways, the Tarkington holds a series of breakout boxes,
each with 6 stage pin and 1 non-dim circuit, that can move between
battens if necessary.
 24 boxes are available for use on battens
 4 boxes per side are attached to lighting ladders that hang from the
gallery. These ladders are permanent and too heavy to be moved,
beginning at 14' above the deck.
o Gallery (SL and SR): 16 stage pin, 4 non-dim circuits
o Booms: 4 (10') booms with 50 pound bases are available per side and
usually powered from the gallery circuits.
o Floor circuits
 Downstage (SL and SR): 5 stage pin, 1 non-dim circuits

Upstage (SL and SR): 6 stage pin, 1 non-dim circuits
Company Switches / Power Disconnects
Three-phase 120/208VAC company switches are located throughout the building. All
switches contain both lugs for tails and cam-lock connectors (all female); male-to-male
ground and neutral turnarounds are available upon request.
 1 – 400A upstage left, stage level
 1 – 200A fused disconnect, downstage right (audio only)
 1 – 400A mid-stage right on the third-floor catwalk
Fixture Inventory
 20 – Varilite VL1100TS (Tungsten-Shutter)
 30 – OceanOptics Seachanger CMYG Color Engines
 80 – Source 4 19deg ERS, 750W
 120 – Source 4 26deg ERS, 750W
 100 – Source 4 36deg ERS, 750W
 10 – Source 4 50deg ERS, 750W
 10 – Source 4 70deg ERS, 750W
 10 – Source 4 90deg ERS, 750W
 30 – Source 4 PARs with lens kits, 750W
o 8 barn doors available
 20 ETC Selador Vivid-R strip lights, 44”
 8 ETC Selador Vivid-R strip lights, 22”
o 80 degree vertical and 30 degree horizontal diffusion frames available for
all Seladors
Accessories
 1 - LeMaitre Radiance Hazer
 2 - Aquafoggers
 48 – 18” sidearms, one tee
 100 – template holders, size A
 50 – template holders, size B
Data Distribution
 26 ETC Net3 2-port gateway
 1 ETC Net3 4-port gateway
 Ethercon Cable
o 15 – 2’ Ethercon
o 5 – 5’ Ethercon

o 4 – 10’ Ethercon
o 3 – 25’ Ethercon
o 2 – 50’ Ethercon
o 16 – 100' Ethercon
DMX Cable
o 60 – 5’ DMX
o 30 – 7.5’ DMX
o 60 – 10’ DMX
o 16 – 15’ DMX
o 30 – 25’ DMX
o 5 – 50’ DMX
o 12 – DMX terminator
o 4 – DMX male to male turnaround
o 4 – DMX 5-pin M to 3-pin F adapter
o 4 – DMX 5-pin F to 3-pin M adapter
Power Distribution
 Stage Pin Cable (20A 2P&G)
o 40 – stage pin 2-fer
o 50 – 5’ stage pin
o 40 – 10’ stage pin
o 30 – 15' stage pin
o 30 – 20' stage pin
o 20 – 25' stage pin
o 20 – 50’ stage pin
 Edison Cable (15A NEMA 5-15 U-ground)
o 5 – 10’
o 5 – 25’
o 5 – 50’
o 2 – 100’
 L5-20
o 15 – 10'
o 15 – 25'
o 5 – 50


Multi Cable
o 7 – 50'
o 1 – 75'
o 1 – 100'
o 8 – 6-circuit male stage pin break-in
o 8 – 6-circuit female stage pin break-out
Adapters
o 10 – male Edison to female L5-20
o 10 – male L5-20 to female Edison
o 10 – male stage pin to female L5-20
o 10 – male L5-20 to female stage pin
o 10 – male stage pin to female Edison
o 10 – male Edison to female stage pin
Audio
General Information
 The speaker system is controlled via (1) Soundweb London BLU-800 and (2)
BLU-120s.
 The Front of House mix position is located on house right at the back.
 There are no pass-throughs for cabling, so if running a snake is desired there
needs to be adequate length, 200 to 300 feet.
House Mix Position
 Consoles:
o FOH
o DigiCo SD8 (60 channel, mono or stereo) at FOH
 (2) RK-DACX 8 channel analog output card
 (1) D-Rack AES EBU card
 (1) Stage Box with 16 analog ins and 8 analog outs
 Playback Rack:
o (2) Tascam CD01UPro CD Players
o (1) Denon DNF650 Digital Recorder
 Computer:
o (1) Apple Mac Book Pro
o QLAB Pro Playback Software
o (1) MOTU Fastlane Playback MIDI Interface
o (1) RME Madiface
Main Amplified Speaker System
 The system is designed as a discrete LCR system that utilizes a flown system
and stage mounted front fills. All speakers are Meyer Sound.
 Center Cluster – Flown
o (2) UPQ-2P Main
o (1) UPJ-1P Down Fill
 Left/Right – Flown
o (1) UPQ-1P Mains
o (1) 600HP Subs
 Delays – Flown
o (2) UPJ-1P Midway Through House
o (1) UPM-1P VIP Box
 Front Fills – Stage Mounted
o (7) MM-4
Communication System (Clear-Com)
 Permanently Installed
o (2) RM-704 4-channel station
 (1) at stage manager’s console
 (1) at stage manager’s pendant
o (1) SB-704 4-channel station and matrix in amp room
 Portable system
o (5) KB-702 Speaker stations
o (5) RS-602 dual channel beltpacks
o (10) RS-601 single channel beltpacks
o (8) HME Pro850 System beltpacks
 Wired to channels A&B of Clear-com system
o Headsets
 (12) CC-95 Single Muff
 (2) CC-260 Double Muff
 (6) CC-25 Lightweight
 (2) HS-6 Telephone
Program Feed and Paging
 House and backstage program feed is supplied through a program mic,
dedicated preamp, and DA. The feed covers backstage, public areas, dressing
rooms, green room, and basement areas.
 Program and paging is controlled by Symetrix processors.
 Paging can be made from any House Manager Position, Stage Manager Rack, or
Stage Manager Pendant. Coverage for paging is the same as program feed.
Video
 Permanently installed at control booth level
o Sony SSC-DC372 Color camera
o Ikegami ICD-47 B&W camera
 Portable
o Panasonic WV-BP3330 B&W camera
 These video feeds are available at the Stage Manager position via a Marshall
dual LCD monitor.
 There are 2 LG LCD flat panel TVs located at mezzanine level that receive the
color camera feed.
 There is (1) Orion 24LTC 24" LCD monitor located in the Tech Office that
receives the color camera feed.
Assistive Listening System
 Listen Technology
o (20) LR-200-072 Receivers
o (8) LA-165 Stereo headphones
o (4) LA-166 Neck loop
Audio/Video Tie Lines
 Combination panels and Multi-Mode Fiber are located throughout the building.
Please contact house staff for details.
Microphones
 Program Mic:
o Shure VP88
 Direct Boxes:
o (8) Countryman Type 85 Active DI
o (8) Radial J48 Active DI
 Wired Microphones:
o AKG
 (2) 414
o Crown
 (5) PCC160
o Sennheiser
 (1) e901
 (1) e902
 (4) e904
 (6) 421
 (4) MKH40
o Shure
 (1) Beta 52
 (6) Beta 58
 (1) Beta 91
 (6) SM 57
 (6) SM 58
 (1) SM 58s
 Wireless Microphones:
o Sennheiser 2000 - Announcements
 (2) SKM200-XP Handheld Transmitters with e965 capsules
 These are located at FOH
o Sennheiser SKM500 - Performance
 (24) G3 Bodypack Transmitters
 (30) Countryman B6 Elements (Tan)
 (6) SKM500 Handheld Transmitters with e935 capsules
 These share the same frequencies as the first (6) beltpacks
 The receivers are housed in a portable rack that typically lives
upstage right.
Microphone Stands
 Atlas Round Base - Straight
o (6) DS7E
o (4) DMS7E
o (6) DMS10E
o (6) MS-12CE
o (6) MS20E
 K&M Tripod Stands
o (24) 251 - Black
 K&M Boom Arms
o (52) 21140 - Black
Monitor Speakers - Meyer
 (6) UM-1P
 (8) UPM-1P
o (4) of these are flown for use as stage fills.
 (2) Anchor AN-1000x
Cabling
 Mic Cable
o (25) 10 ft
o (75) 25 ft
o (25) 50 ft
o (10) 100 ft
 Line Cable
o (20) 10 ft
o (8) 20 ft






Snakes
o (1) W4I to 56 FXLR 8’
o (1) W4I to 56 MXLR 8’
o (1) W6 Mass to 16 FXLR 8’
o (1) W6 Mass to 16 MXLR 8’
o (4) W6 to Mass 28 channel 3’
o (2) W6 Mass to Box 28 pair 50’
o (1) W6 Mass to Box 28 pair 25’
Power Cable
o (8) Edison to quad box 25’
o (4) Edison to quad box 50’
o (8) Edison to Edison 50’
Adapter Cable
o (6) Dual RCA – Dual RCA 6’
o (4) MXLR-TRS 6’
o (4) FXLR-TRS 6’
o (4) MXLR-TS 6’
o (4) FXLR-TS 6’
o (4) MXLR-RCA 6’
o (4) FXLR-RCA 6’
o (4) MXLR-1/8" TRS 3'
Video Cable (BNC-BNC)
o (10) 15 ft
o (10) 25 ft
o (2) 50 ft
Connectors/Adapters
o (16) MXLR turnarounds
o (16) FXLR turnarounds
o (8) XLR polarity reverse
o (8) XLR ground lift
o (8) Whirlwind In-line Isolation Transformers
o (8) Powercon Coupler Barrels
o (4) 50db pad
o (4) 25 db pad
Utility Lights
o (3) Littlite L-3/18 w/ weighted base lamps



Test Equipment
o (2) Whirlwind MCT-7 Cable Tester
o (1) LA Audio PC90 M2 Polarity Tester
o (1) Q-Box
o (1) Neutrik Minirator MR1 Signal Generator
Patch Cable – Audio
o (75) 3 ft TT Patch
o (25) 6 ft TT Patch
Patch Cable – Video
o (36) 3 ft BK3-V
o (4) 6 ft BK6-V
Video Projection
 There is no in-house video projection equipment.
Tarkington Theatre Lineset Schedule
LINE DEPTH
PL
FSC
Val
GD
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
0'0"
6.5"
1'3"
2'7"
3'3"
3'10"
4'7"
5'2"
5'10"
6'6"
7'3"
7'10"
8'7"
9'2"
9'10"
10'6"
11'3"
11'10"
12'7"
13'3"
13'11"
14'6"
15'11"
16'7"
17'3"
17'11"
18'7"
19'3"
19'11"
ADJ
SHOW HANG
ARBOR
WEIGHT
CAP
Valance
Main Drape
#1 Border
#1 Legs
75#
75#
#1 Electric
900#
#2 Electric
900#
#2 Border
#2 Legs
75#
75#
#3 Electric
900#
#4 Electric
425#
#3 Border
#3 Legs
75#
75#
LOW
MID
HIGH
Page 1 of 2
7/16/2012
NOTES
Tarkington Theatre Lineset Schedule
LINE DEPTH
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
Cat
20'7"
21'3"
21'11"
22'7"
23'3"
23'11"
24'7"
25'3"
25'11"
26'7"
27'3"
27'11"
28'7"
29'3"
30'7"
31'3"
31'11"
32'7"
33'3"
33'11"
34'7"
35'3"
35'11"
36'7"
37'3"
37'10"
38'7"
39'6"
43'2"
43'5"
ADJ
SHOW HANG
ARBOR
WEIGHT
CAP
#5 Electric
900#
#6 Electric
425#
#4 Border
#4 Legs
75#
75#
#7 Electric
900#
#8 Electric
425#
#5 Border
#5 Legs
Black scrim
CYC (Rosco twin white RP)
75#
75#
100#
450#
Electric storage
1250#
#9 Electric
500#
LOW
MID
HIGH
7/16/2012
NOTES
U.S. Catwalk pipe
Conduit on Back Wall
Sound Panel U.S.C. on Wall
Page 2 of 2
C
L
40
170
39
170
12
38
170
11
170
10
170
9
170
8
170
7
170
6
170
5
170
4
170
3
170
2
1
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
CYC TOP
ROYGBIV
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36
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171
171
171
171
171
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52 9 Electric
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50 Open
171
49 Open
48 Open
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
CYC BOTTOM
ROYGBIV
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ROYGBIV
ROYGBIV
ROYGBIV
ROYGBIV
ROYGBIV
ROYGBIV
ROYGBIV
47 Open
35
46 RP Screen
45 Black Scrim
13
HISI< R WARM
99
R68
11
12
HISI< R COOL
139
CLR
10
HISI< R WARM
100
R68
SPECIAL
SPECIAL
CMY
CMY
T
B/L< L
B/L
T
B/L< L
SEACHANGER
R67
SEACHANGER
R67
G294
9
G294
199
8
HISI< L COOL
R68
R68
7
6
HISI< L WARM
158
5
HISI< L COOL
118
CLR
4
3
HISI< L WARM
159
R68
SPECIAL
CMY
G294
200
HISI< L COOL
119
CLR
2
SPECIAL
(7&6
9/
(7&6
7RWDO1XP,QVWV
6($&+$1*(5
82
61
62
83
101
62
63
102
63
103
12
11
10
9
8
7
6
5
4
3
2
1
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
S/L< L
2
40 Open
1
39 Open
37 Open
(7&6
6($&+$1*(5
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36 Open
35 Open
34 Black Legs
33 Black Border
2' 0"
6($&+$1*(5
6($&+$1*(5
7RWDO1XP,QVWV
7RWDO1XP,QVWV
7
6
5
4
3
2
1
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
36°
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SEACHANGER
SEACHANGER
SEACHANGER
SEACHANGER
21 Open
20 4 Electric
7RWDO1XP,QVWV
26°
36°
26°
36°
2
32
1
18 Open
17 3 Electric
16 Open
12' 0"
36°
T
15 Open
14 Open
13 Black Legs
12 Black Border
12
11
HISI< L WARM
10
9
CLR
8
150
R68
7
110
CLR
HISI< L COOL
HISI< L WARM
6
5
151
R68
4
111
CLR
HISI< L COOL
HISI< L WARM
3
2
(7&6
(7&6
(7&6
6($&+$1*(5
7RWDO1XP,QVWV
1
11 Open
10 Open
9 Open
CMY
CMY
CMY
WHEEL
G294
71
CLR
CMY
WHEEL
SEACHANGER
S/L< L TEMP
S/L< L
T
6
31
G294
70
CLR
5
S/L< L TEMP
S/L< L
T
30
SEACHANGER
26°
CMY
WHEEL
SPECIAL
26°
SPECIAL
36°
SPECIAL
36°
SPECIAL
4
69
CLR
3
SEACHANGER
S/L< L TEMP
S/L< L
19°
13
SPECIAL
T
2
29
8 Open
1
7 2 Electric
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
26°
SEACHANGER
SHIN< L
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
45
3
25
R09
MID< L
2
5
R364
HEAD< L
1
(/(&75,&
125
145
165
125
145
165
126
146
166
126
146
166
,QVWUXPHQW6XPPDU\
(7&6
7RWDO1XP,QVWV
5 Open
4 1 Electric
164
144
4' 6"
124
3' 0"
164
1' 6"
144
1' 6"
3' 0"
6' 0"
4' 6"
124
6 Open
2' 0"
R68
F/L COOL
4' 0"
R54
F/L NEUTRAL
6' 0"
R06
F/L WARM
8' 0"
R68
F/L COOL
10' 0"
R54
F/L NEUTRAL
12' 0"
R06
F/L WARM
14' 0"
R68
F/L COOL
16' 0"
R54
F/L NEUTRAL
3 Open
2 Black Legs
12' 0"
R06
F/L WARM
6/%220
R68
F/L COOL
(7&6
R54
F/L NEUTRAL
,QVWUXPHQW6XPPDU\
R06
F/L WARM
(7&6
R68
F/L COOL
6($&+$1*(5
R54
F/L NEUTRAL
7RWDO1XP,QVWV
R06
F/L WARM
7RWDO1XP,QVWV
R68
F/L COOL
R54
F/L NEUTRAL
6' 0"
3
9/
R06
F/L WARM
26°
2
SEACHANGER
SHIN< R
36°
26°
1
41
R09
MID< R
36°
21
R364
HEAD< R
36°
1
(7&6
36°
,QVWUXPHQW6XPPDU\
7RWDO1XP,QVWV
6($&+$1*(5
S/L< L
19°
14
109
R68
HISI< L COOL
26°
15
149
R68
HISI< R COOL
26°
16
131
CLR
HISI< R WARM
26°
3
SEACHANGER
6//$''(5
185
26°
7RWDO1XP,QVWV
17
91
R68
HISI< R COOL
26°
130
CLR
HISI< R WARM
184
26°
26°
(7&6
90
R68
HISI< R COOL
26°
129
CLR
183
26°
89
26°
182
26°
(7&6
181
26°
(7&6
72
CLR
S/L< L TEMP
,QVWUXPHQW6XPPDU\
(7&6
6($&+$1*(5
1 Black Border
GD Grand Drape
6//$''(5
,QVWUXPHQW6XPPDU\
,QVWUXPHQW6XPPDU\
(7&6
(7&6
(7&6
(7&6
(7&6
(7&6
6($&+$1*(5
6($&+$1*(5
7RWDO1XP,QVWV
7RWDO1XP,QVWV
1
4
10' 0"
9/
S/L< L
T
33
SEACHANGER
S/L< L TEMP
12' 0"
CMY
5
19 Open
G294
73
CLR
14' 0"
CMY
(7&6
6
34
16' 0"
SPECIAL
,QVWUXPHQW6XPPDU\
SPECIAL
S/L< L
T
6/%220
(/(&75,&
CMY
WHEEL
(7&6
114
CLR
,QVWUXPHQW6XPPDU\
3
SPECIAL
HISI< L WARM
154
R68
SEACHANGER
S/L< L TEMP
HISI< L COOL
113
CLR
1
(7&6
HISI< L WARM
153
R68
2
4
26°
26°
5
HISI< L COOL
112
CLR
CMY
CMY
36°
HISI< L WARM
152
R68
SPECIAL
26°
6
6($&+$1*(5
HISI< L COOL
R68
7
1
7RWDO1XP,QVWV
12
SPECIAL
HISI< R COOL
134
CLR
8
2
G294
74
CLR
6' 0"
HISI< R WARM
94
R68
9
3
6
R364
HEAD< L
4' 6"
HISI< R COOL
133
CLR
10
26
R09
MID< L
3' 0"
HISI< R WARM
93
R68
11
26°
13
46
SHIN< L
SEACHANGER
26°
SPARE
1' 6"
1' 6"
3' 0"
4' 6"
HISI< R COOL
132
CLR
14
15
26°
16
190
SPARE
SEACHANGER
189
26°
186
HISI< R WARM
92
SPARE
188
26°
17
26°
7RWDO1XP,QVWV
26°
3
187
SEACHANGER
26°
2
SPARE
SHIN< R
26°
SEACHANGER
26°
26°
1
42
R09
MID< R
36°
22
R364
36°
2
2' 0"
8
19°
6($&+$1*(5
9
4' 0"
10
19°
(7&6
11
6' 0"
,QVWUXPHQW6XPPDU\
12
8' 0"
(/(&75,&
HEAD< R
(7&6
65%220
,QVWUXPHQW6XPPDU\
19°
65/$''(5
P/L
19°
(7&6
(/(&75,&
2
26°
12' 0"
3
26°
36°
36°
6/%220
22 Black Border
(7&6
T
16' 0"
14' 0"
12' 0"
10' 0"
8' 0"
6' 0"
4' 0"
(7&6
S/L< R TEMP
6
6
2' 0"
(7&6
(7&6
6' 0"
12' 0"
S/L< R
5
T
7
5
6($&+$1*(5
7RWDO1XP,QVWV
26°
23 Black Legs
G294
CLR
36°
S/L< R TEMP
4
49
24 Open
7RWDO1XP,QVWV
16' 0"
12' 0"
14' 0"
SEACHANGER
25 Open
G294
9
CLR
36°
S/L< R
3
T
26°
19°
2
50
26°
SEACHANGER
S/L< R TEMP
19°
S/L< R
1
G294
10
CLR
26 Open
(7&6
9
G294
29 Open
1
HISI< R WARM
51
2
(7&6
10
SEACHANGER
T
27 5 Electric
,QVWUXPHQW6XPPDU\
,QVWUXPHQW6XPPDU\
11
30 Open
35
65/$''(5
11
3
SEACHANGER
S/L< L
T
4
75
9/
7RWDO1XP,QVWV
6
T
CLR
S/L< L TEMP
28 Open
6//$''(5
,QVWUXPHQW6XPPDU\
5
36
SEACHANGER
S/L< L
4' 0"
(/(&75,&
76
CLR
S/L< L TEMP
6' 0"
CMY
WHEEL
6
37
8' 0"
SPECIAL
CMY
SEACHANGER
S/L< L
10' 0"
117
CLR
T
77
12' 0"
SPECIAL
1
HISI< L WARM
157
R68
36°
36°
26°
HISI< L COOL
116
CLR
2
,QVWUXPHQW6XPPDU\
HISI< L WARM
156
R68
SPECIAL
CMY
3
1
CLR
S/L< L TEMP
HISI< L COOL
115
CLR
4
2
7
R364
HEAD< L
HISI< L WARM
155
5
3
27
R09
MID< L
R68
6
47
HISI< L COOL
R68
7
26°
8
G294
195
26°
9
G294
194
26°
G294
SEACHANGER
SHIN< L
14' 0"
CMY
R67
16' 0"
SPECIAL
CMY
T
B/L< L
SEACHANGER
HISI< R COOL
137
CLR
B/L
R67
12' 0"
SPECIAL
26°
26°
HISI< R WARM
97
R68
T
B/L< L
SEACHANGER
6' 0"
HISI< R COOL
136
CLR
10
B/L
SEACHANGER
4' 6"
HISI< R WARM
96
R68
11
12
B/L
R67
3' 0"
HISI< R COOL
135
13
26°
14
15
G294
192
T
B/L< L
26°
G294
191
193
26°
R09
1' 6"
1' 6"
T
B/L< R
SEACHANGER
26°
26°
36°
36°
3' 0"
4' 6"
6' 0"
B/L
SEACHANGER
(7&6
6($&+$1*(5
5
T
10' 0"
8' 0"
6' 0"
B/L
R09
G294
16
CLR
T
B/L< R
SEACHANGER
G294
CLR
S/L< R TEMP
13
4' 0"
95
B/L
R09
G294
(7&6
52
S/L< R
14
2' 0"
17
T
B/L< R
G294
(7&6
(7&6
SEACHANGER
65%220
4
G294
G294
12
CLR
S/L< R TEMP
,QVWUXPHQW6XPPDU\
3
T
26°
7RWDO1XP,QVWV
12' 0"
53
S/L< R
36°
SEACHANGER
26°
2
19°
1
19°
15
G294
13
CLR
S/L< R TEMP
26°
54
S/L< R
3
6($&+$1*(5
7RWDO1XP,QVWV
,QVWUXPHQW6XPPDU\
36°
G294
SEACHANGER
2
SEACHANGER
SHIN< R
31 6 Electric
65/$''(5
17
14
1
43
R09
MID< R
HISI< R WARM
18
16
23
R364
HEAD< R
WHEEL
16' 0"
14' 0"
12' 0"
10' 0"
8' 0"
6' 0"
4' 0"
2' 0"
20
3
26°
6($&+$1*(5
T
6
(7&6
CLR
S/L< R TEMP
21
4
3
S/L< L TEMP
T
38
32 Open
,QVWUXPHQW6XPPDU\
(7&6
(7&6
5
T
55
65%220
4
SEACHANGER
S/L< R
36°
15
CLR
S/L< R TEMP
,QVWUXPHQW6XPPDU\
G294
36°
3
T
56
26°
2
SEACHANGER
S/L< R
26°
16
CLR
S/L< R TEMP
19°
57
19°
SEACHANGER
S/L< R
G294
22
8
4
SEACHANGER
,QVWUXPHQW6XPPDU\
,QVWUXPHQW6XPPDU\
CMY
61
5
S/L< L
78
CLR
38 7 Electric
WHEEL
81
6
S/L< L TEMP
T
39
SEACHANGER
6//$''(5
(/(&75,&
120
CLR
SPECIAL
CMY
WHEEL
S/L< L
G294
79
CLR
1
HISI< L WARM
160
R68
S/L< L TEMP
T
40
19°
B/L
SEACHANGER
HISI< R COOL
140
CLR
B/L
R67
SEACHANGER
2' 0"
14
15
G294
197
T
B/L< L
G294
80
CLR
4' 0"
G294
196
198
41 8 Electric
G294
19°
R09
36°
6' 0"
T
B/L< R
SEACHANGER
R09
26°
B/L
SEACHANGER
DIAG< L WARM
R67
26°
B/L
R09
DIAG< L COOL
R09
42 Open
36°
T
B/L< R
DIAG< L WARM
R67
1
B/L
SEACHANGER
DIAG< L COOL
2
1
36°
3
7RWDO1XP,QVWV
36°
2
36°
WFL
36°
3
6' 0"
36°
WFL
4' 6"
36°
4
8' 0"
16' 0"
14' 0"
12' 0"
10' 0"
8' 0"
6' 0"
4' 0"
2' 0"
17
1
12
36°
MFL
(/(&75,&
G294
19
36°
5
(7&6
7RWDO1XP,QVWV
24
23
36°
MFL
(7&6
26
25
36°
R09
,QVWUXPHQW6XPPDU\
27
6
T
B/L< R
HISI< R COOL
138
CLR
7
10' 0"
98
8
12' 0"
HISI< R WARM
65/$''(5
9
43 Black Border
14' 0"
16
10
HEAD< L
44 Black Legs
16' 0"
17
11
MID< L
26°
R67
12
SHIN< L
8
R364
3' 0"
DIAG< R COOL
R09
13
68
28
R09
36°
DIAG< R WARM
R67
14
88
48
1' 6"
DIAG< R COOL
R09
15
68
36°
DIAG< R WARM
16
88
SEACHANGER
26°
MFL
106
26°
17
66
26°
MFL
G294
29
28
18
105
26°
WFL
66
26°
7RWDO1XP,QVWV
36°
19
65
26°
WFL
104
26°
6($&+$1*(5
87
86
26°
3$5:)/(7&6
20
67
26°
36°
36°
26°
87
65
36°
3
67
64
12' 0"
7RWDO1XP,QVWV
3$50)/(7&6
SHIN< R
85
6/%220
6($&+$1*(5
64
,QVWUXPHQW6XPPDU\
/($)%$51'225
84
26°
6
2
26°
5
T
MID< R
(7&6
26°
S/L< R TEMP
SEACHANGER
1' 6"
4
S/L< R
T
CLR
HEAD< R
1
44
R09
3' 0"
S/L< R TEMP
58
24
R364
4' 6"
3
SEACHANGER
4
6' 0"
2
S/L< R
T
G294
18
CLR
(/(&75,&
,QVWUXPHQW6XPPDU\
12' 0"
1
59
36°
30
SEACHANGER
S/L< R TEMP
19°
S/L< R
G294
19
CLR
26°
60
19°
SEACHANGER
36°
G294
20
26°
31
(7&6
32
(7&6
65%220
33
,QVWUXPHQW6XPPDU\
34
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
VL Valance
20
-1
SPARE
5
SEACHANGER
SPARE
SPARE
4
3
SEACHANGER
SPARE
19°
SEACHANGER
SPARE
6
19°
SPARE
7
26°
SPARE
8
26°
SPARE
9
36°
SEACHANGER
SPARE
36°
SEACHANGER
SPARE
9
26°
SPARE
8
36°
SPARE
7
36°
SPARE
6
36°
5
26°
SEACHANGER
SPARE
SPARE
4
36°
3
26°
19°
2
36°
SEACHANGER
SPARE
SPARE
19°
1
26°
SEACHANGER
SPARE
-3
36°
-2
2
1
-4
KEY
19°
26°
SPARE
9
SPARE
26°
26°
26°
10
UPLIGHT
L120
8
SPARE
SPARE
SPARE
SPARE
L120
6
5
UPLIGHT
R91
SPARE
4
SPARE
3
SPARE
2
SPARE
1
26' 0"
24' 0"
22' 0"
20' 0"
18' 0"
16' 0"
6/$3521%220
SPARE
,QVWUXPHQW6XPPDU\
(7&6
(7&6
(7&6
(7&6
)227/,*+76
F.O.H. CATWALK 1
(7&6
6($&+$1*(5
,QVWUXPHQW6XPPDU\
Instrument Summary
6($&+$1*(5
7RWDO1XP,QVWV
7RWDO1XP,QVWV
36* ETC S4 / 750W
50°
14' 0"
T
12' 0"
UPLIGH
G250
2.1
UPLIGHT
UPLIGHT
G250
R91
7
2.2
8' 0"
2.3
6' 0"
167
3.1
(7&6
19* ETC S4 / 750W
36°
11
SPARE
,QVWUXPHQW6XPPDU\
26* ETC S4 / 750W
26°
G250
12
65$3521%220
169
3.2
UPLIGHT
T
10' 0"
3.3
UPLIGHT
168
4' 0"
T
R91
168
UPLIGH
R91
T
26°
167
UPLIGH
L120
26°
UPLIGH
1.1
1.2
1.3
26°
L120
4.1
26°
T
26°
UPLIGH
167
26°
T
G250
168
169
26°
2' 0"
4' 0"
6' 0"
8' 0"
10' 0"
12' 0"
14' 0"
16' 0"
18' 0"
20' 0"
22' 0"
24' 0"
-7
26' 0"
-6
169
169
168
4.2
2' 0"
167
4.3
UPLIGH
26°
-5
/(/71$12675,3&6
26* ETC S4
12
Total Num Insts:
12
/(/71$12675,36/
/(/71$12675,365
7RWDO1XP,QVWV
TRIM HEIGHTS
50* ETC S4 / 750W
70°
70* ETC S4 / 750W
90°
- BORDERS SHOULD BE TRIMED AT 24'-0" FROM STAGE DECK TO BOTTOM OF BORDER.
90* ETC S4 / 750W
- ELECTRICS 1-9 SHALL BE TRIMMED AT 28'-0" FROM STAGE DECK.
- FOOTLIGHTS SHOULD HANG OFF EDGE OF STAGE.
107
R09
19°
19°
3
19°
6
19°
4
T
7
9
12
F/L< R TEMP
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
F/L< L TEMP
CLR
CLR
CLR
CLR
CLR
CLR
CLR
CLR
G643
19°
VARI-LITE 1100 TS / 1KW
19* ETC S4 SPOTLIGHT / 750W
12
11
9
10
G643
7
8
T
R364
F/L< L CL
148
R364
108
R09
F/L< L WM
19°
11
5
147
10
26°
5
8
T
26°
F/L< L CL
T
26°
CLR
F/L< L TEMP
26°
CLR
SPARE
26°
CLR
SPARE
26°
CLR
SPARE
26°
R364
CLR
SPARE
6
F/L< R CL
128
CLR
SPARE
26°
19°
3
127
F/L< R WM
148
CLR
SPARE
26°
1
G643
CLR
F/L< R TEMP
26°
147
26°
PAR64 WFL ETC S4 / 750W
4
19°
2
WFL
G643
R364
F/L< R CL
26°
127
1
19°
R09
F/L< R WM
19°
107
19°
PAR64 MFL ETC S4 / 750W
19°
NSP
PAR64 NSP ETC S4 / 750W
19°
VNSP
PAR64 VNSP ETC S4 / 750W
MFL
- FINAL PLACEMENT OF BOOMS AND GROUNDROW SHOULD TAKE PLACE AT FOCUS.
2
F/L< L WM
128
R09
108
G643
65%2;%220
6/%2;%220
,QVWUXPHQW6XPPDU\
,QVWUXPHQW6XPPDU\
(7&6
(7&6
(7&6
(7&6
7RWDO1XP,QVWV
7RWDO1XP,QVWV
Notes
GENERAL:
ETC S4 W/ SEACHANGER
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
SPARE
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
- ALL UNITS ON 18" CENTERS UNLESS OTHERWISE INDICATED.
- TICK MARKS DENOTE 18" CENTERS.
)2+&$7:$/./2:
- ALL PIPE MEASUREMENTS SHALL BE TAKEN FROM CENTER LINE.
,QVWUXPHQW6XPPDU\
42" ETC VIVID-R STRIP / 500W
21" ETC VIVID-R STRIP / 250W
R06
R54
R68
R06
R54
R68
R06
R54
R68
R06
R54
R68
R06
R54
R68
R06
R54
R68
SPARE
SPARE
F/L WARM
F/L NEUTRAL
F/L COOL
SPARE
F/L WARM
F/L NEUTRAL
F/L COOL
F/L WARM
F/L NEUTRAL
F/L COOL
F/L WARM
F/L NEUTRAL
F/L COOL
F/L WARM
F/L NEUTRAL
F/L COOL
SPARE
F/L WARM
F/L NEUTRAL
F/L COOL
SPARE
SPARE
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
19°
24
23
22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
26
WORKLIGHT
MFL
25
WL
L&E 10LT NANO STRIP / 35W 12V
Template
Color
Purpose
MFL
2
141
161
121
141
161
122
142
162
122
142
162
123
143
163
123
143
7RWDO1XP,QVWV
- BEGIN HANG OF ALL BOX BOOMS FROM TOP.
- PROVIDE 18" SIDEARMS FOR UNITS ON STAGE BOOMS.
- ALLOW SLACK IN UNIT FOR SHIFTING AT FOCUS.
- PROVIDE 6.25"+7.5" CUTS OF R132 AT FOCUS.
1
- PROVIDE TEMPLATE HOLDERS FOR ALL TEMPLATE UNITS ON PLOT.
)2+&$7:$/.+,*+
WL
121
Notation
WORKLIGHT
(7&6
,QVWUXPHQW6XPPDU\
163
G643
G643
CLR
CLR
CURTAIN WARMER
T
CURTAIN WARMER
T
19°
19°
2
1
179
179
(7&6
3$50)/(7&6
7RWDO1XP,QVWV
- PROVIDE DONUTS FOR UNITS WITH TEMPLATES AT FOCUS.
- PROVIDE SECURE COVERING FOR ALL CIRCUITS ON STAGE FLOOR.
- PROVIDE BARNDOORS FOR ALL FRESNELS +PARS UNLESS OTHERWISE INDICATED.
- BUNDLE AND DRESS ALL CABLE AND MARK W/CIRCUIT AND/OR DIMMER.
- F.O.H. CATWALK 2 HIGH + 3 NOT DRAWN IN TRUE POSITION.
)2+&$7:$/.
- 2 ELECTRIC NOT DRAWN TO TRUE POSITION. REFER TO LINESET SCHEDULE.
,QVWUXPHQW6XPPDU\
36°
Unit Number
C
L
Channel
(7&6
7RWDO1XP,QVWV
- UNITS 2,4,8,10,14,+16 ON ELECTRICS 2,3,5,+7 NOT DRAWN ON 18" CENTERS.
UNITS SHOULD BE 18" FROM UNITS 1,3,7,11,15,+17.
Dimmer
Repertory Light Plot
@
The Tarkington Theatre
Carmel, IN.
Designed and drawn:
Ryan Koharchik
Scale: 1/4" = 1'-0"
Light Plot
Date:
7 - 18 - 11 Revised:
Revised:
Revised:
Revised:
Revised:
1