What do you VALUE most?

"EFOREß2EADING
4Oß-Yß$EARßANDß,OVINGß(USBANDßANDßß
5PONßTHEß"URNINGßOFß/URß(OUSEß
*ULYßTHß
0OETRYßBYß!NNEß"RADSTREET
(USWIFERY
0OEMßBYß%DWARDß4AYLOR
What do you VALUE most?
4HEß0URITANßPOETSßYOUßAREßABOUTßTOßREADßVALUEDßFAMILYßLIFEßANDßTHEIRßRELIGIOUSß
FAITHßABOVEßALLßTHINGSß7HATßDOßYOUßPRIZEßMOSTßINßYOURßLIFE
WhatÕs priceless?
!CCEPTßALLßREASONABLEßRESPONSES
I value
NRF@HTOFQB )MAGINEßTHATßAßREALITYßSHOWßHASßOFFEREDßYOUßTHEßCHANCEßTOß
WINßAßMILLIONßDOLLARSß4HEßCATCHßISßTHATßYOUßWILLßHAVEßTOßGIVEßUPßANßOBJECTßAß
PERSONßORßAßBELIEFßTHATßYOUßTRULYßVALUEß!SSUMEßTHATßYOUßAREßNOTßWILLINGßTOß
MAKEßTHEßSACRIFICEß*OTßDOWNßREASONSßWHYßYOUßMUSTßTURNßDOWNßTHEßMONEY
more than a million dollars!
HereÕs why:
4EXTß!NALYSISß&IGURATIVEß,ANGUAGEß
,IKEßOTHERßPOETSß0URITANßPOETSßUSEDßFIGURATIVEßLANGUAGEßTOßCREATEßIMAGERYß
ANDßCOMMUNICATEßIDEASßBEYONDßTHEßLITERALßMEANINGßOFßWORDSß&IGURATIVEß
LANGUAGEßHELPEDßTHEß0URITANßPOETSßCONVEYßIDEASßABOUTßTHEIRßRELIGIOUSßFAITHß
ANDßTHEIRßPERSONALßLIVESß4HEßCHARTßBELOWßLISTSßCOMMONßTYPESßOFßFIGURATIVEß
LANGUAGE
&IGUREßOFß
3PEECH
$EFINITION
%XAMPLE
METAPHOR
AßFIGUREßOFßSPEECHßTHATß
DIRECTLYßCOMPARESßTWOß
UNLIKEßTHINGSßWITHOUTß
USINGßLIKEßORßAS
/URßHOUSEßISßOURßNEST
EXTENDEDß
METAPHOR
AßMETAPHORßTHATßCOMPARESß
THEßTWOßTHINGSßATßLENGTHß
ANDßINßMANYßWAYS
/URßHOUSEßISßOURßNESTßWEß
FLYßAWAYßONLYßTOßRETURNßTOß
ITSßSNUGßPROTECTION
PERSONIFICATION
AßFIGUREßOFßSPEECHßINß
WHICHßANßOBJECTßANIMALß
ORßIDEAßISßGIVENßHUMANß
CHARACTERISTICS
/URßHOUSEßWRAPSßOURß
FAMILYßINßAßWARMß
EMBRACE
).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).'
4EXTß!NALYSISß&IGURATIVEß,ANGUAGEßCONTINUED
&IGUREßOFß
3PEECH
$EFINITION
%XAMPLE
HYPERBOLE
AßFIGUREßOFßSPEECHßINßWHICHß
THEßTRUTHßISßEXAGGERATEDß
FORßEMPHASIS
/URßHOUSEßMEANSßMOREßTOß
USßTHANßALLßTHEßGOLDßINßTHEß
WORLD
BIBLICALß
ALLUSIONS
REFERENCESßTOßTHEß"IBLE
7EßLOVEßTHEßGARDENßOURß
VERYßOWNß%DENß
!SßYOUßREADßTHEßPOEMSßBYß"RADSTREETßANDß4AYLORßNOTICEßTHEßFIGURATIVEß
LANGUAGEßTHEYßUSEßTOßCREATEßIMAGERYßANDßCONVEYßTHEIRßMESSAGE
2EADINGß3TRATEGYß#LARIFYß-EANINGßINß/LDERß0OETRY
7HENßREADINGßOLDERßLITERARYßWORKSßITßISßIMPORTANTßTOßSTOPßANDßCLARIFYßMEANINGß
BYßREREADINGßANDßRESTATINGßDIFFICULTßPASSAGESß2ESTATINGßIDEASßINßYOURßOWNß
WORDSßCANßHELPßYOUßAPPRECIATEßTHEßPOEMSß"EßAWAREßOFßTHEßFOLLOWINGßASßYOUß
READßTHEß0URITANßPOETS
ß„ß !RCHAICßLANGUAGE°WORDSßTHATßWEREßONCEßCOMMONLYßUSEDßBUTßTHATßAREßNOWß
CONSIDEREDßOLDFASHIONEDßORßOUTOFDATE
ß„ß )NVERTEDßSYNTAX°SENTENCEßSTRUCTUREßINßWHICHßTHEßEXPECTEDßORDERßOFßWORDSß
ISßREVERSEDßTHISßWASßOFTENßDONEßINßPOETRYßINßORDERßTOßCREATEßAßCERTAINßRHYMEß
ANDßRHYTHM
4HEßFOLLOWINGßCHARTßLISTSßEXAMPLESßOFßARCHAICßLANGUAGEßANDßINVERTEDßSYNTAXß
FROMß±5PONßTHEß"URNINGßOFß/URß(OUSEß*ULYßTHß²ßBYß!NNEß"RADSTREETß
2EADßEACHßTEXTßEXAMPLEßANDßITSßRESTATEMENTßINßMODERNßSPEECH
4EXTß%XAMPLES
2ESTATEDß-EANING
!RCHAICß,ANGUAGE
±BLEST²
±TWAS²
BLESSED
ITßWAS
)NVERTEDß3YNTAX
±WHENßRESTß)ßTOOK²
±&ORßSORROWßNEARßß
)ßDIDßNOTßLOOK²
WHENß)ßWASßSLEEPING
)ßDIDN´TßEXPECTßSORROWßTOß
TOUCHßME
!SßYOUßREADßNOTESßINßTHEßSIDEßCOLUMNßWILLßASKßYOUßTOßIDENTIFYßANDßRESTATEß
EXAMPLESßOFßARCHAICßLANGUAGEßANDßINVERTEDßSYNTAXß0AYßSPECIALßATTENTIONßTOß
THEßFOOTNOTESß4HEYßPROVIDEßHELPFULßINFORMATIONßABOUTßARCHAICßLANGUAGEß)Fß
THEßLANGUAGEßINßAßPASSAGEßGIVESßYOUßTROUBLEßTRYßREADINGßITßALOUDßANDßTHENß
RESTATINGßITßINßYOURßOWNßWORDS
4/ -9 $%!2 ßßßßßß 50/. 4(% "52.).' ßßßßß (537)&%29
-ONITORß9OUR #OMPREHENSION
ToßMy earßandß
oving Husband
3%4ß!ß0520/3%ß
&/2ß2%!$).'
2EADß±4Oß-Yß$EARßANDß
,OVINGß(USBAND²ßTOßLEARNß
HOWß!NNEß"RADSTREETß
VIEWEDßHERßMARRIAGE
0OEMßBYß
ANNEßBR ADSTREET
?>@HDOLRKA !NNEß"RADSTREETßWASßESSENTIALLYß
THEßFIRSTßNOTABLEß!MERICANßPOETß3HEßWASßBORNßINß
%NGLANDßTOßAßFAMILYßOFß0URITANSß3HEßMARRIEDßWHENß
SHEßWASßABOUTßSIXTEENßANDßTWOßYEARSßLATERß!NNEß
HERßHUSBANDßANDßHERßFATHERßJOURNEYEDßACROSSßTHEß
!TLANTICßTOßWHATßLATERßWOULDßBECOMEßKNOWNßASß
THEß-ASSACHUSETTSß"AYß#OLONYß3HEßFOUNDßLIFEßINß
COLONIALß!MERICAßTOßBEßHARSHß(ERßRELIGIOUSßFAITHß
HELPEDßHERßENDUREßTHESEßHARDSHIPSßASßDIDßWRITINGß
POETRYß"RADSTREET´SßWRITINGßFOCUSEDßPRIMARILYßONßHERß
HUSBANDßHERßEIGHTßCHILDRENßANDßHERßHOUSE
A
ß CFDRO>QFSBI>KDR>DB
2EREADßLINES߯ß2ECALLßTHATß
HYPERBOLEßISßAßFIGUREßOFßSPEECHßINß
WHICHßTHEßTRUTHßISßEXAGGERATEDß
FORßEMPHASISß#IRCLEßANßEXAMPLEß
OFßHYPERBOLEßINßTHESEßLINES
Bß
@I>OFCVJB>KFKD
#IRCLEßANßEXAMPLEßOFßINVERTEDß
SYNTAXßINßLINES߯ß4HENß
REWRITEßTHOSEßLINESßINßAßMOREß
NATURALßORDER
If ever two were one, then surely we.
If ever man were loved by wife, then thee;
If ever wife was happy in a man,
Compare with me, ye women, if you can.
I prize thy love more than whole mines of gold
Or all the riches that the East doth hold.
My love is such that rivers cannot quench, Aß
Nor ought but love from thee, give recompense.1
Thy love is such I can no way repay,
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persevere2
That when we live no more, we may live ever. Bß
ß,ET´Sß
ß ßßPERSEVEREßINßLOVEßWHILEßWEßLIVE
ß ßß ß AFTERßDEATHßWE´LLßLIVE
SOßTHATß
FOREVER
ß ß RECOMPENSEß_9XE:Z"]9[`FßPAYMENTßINßRETURNßFORßSOMETHINGßSUCHßASßAß
SERVICE
ß ß PERSEVEREß)Nß"RADSTREET´SßTIMEßPERSEVEREßWOULDßHAVEßBEENßPRONOUNCEDß
]Š_"`:cE:_ßWHICHßRHYMESßWITHßEVER
).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).'
-ONITORß9OURß#OMPREHENSION
pon the
urning of Our ouse,
3%4ß!ß0520/3%ßß
&/2ß2%!$).'
2EADßTHISßPOEMßTOßFINDßOUTß
HOWßAßTRAGEDYßLEDßTHEßPOETß
TOßAßPROFOUNDßREALIZATION
*ULYßTHß
0OEMßBY
A N N Eß ß
BRADSTREET
?>@HDOLRKA !SßAß0URITANß!NNEß
"RADSTREETßBELIEVEDßINßTHEßABSOLUTEß
AUTHORITYßOFß'OD°THEßIDEAßTHATß
'ODßISßINßCOMPLETEßCONTROLßOFßEVENTSß
ANDßULTIMATELYßWORKSßALLßTHINGSßOUTß
FORßTHEßGOODß)Nß"RADSTREET´SßPOEMSß
EVERYßEVENTßNOßMATTERßHOWßTRIVIALß
CARRIESßAßDIVINEßMESSAGEßEACHß
BLESSINGßORßLOSSßREVEALSß'OD´SßWILLßANDß
ANßOPPORTUNITYßFORßSPIRITUALßGROWTH
Cß
In silent night when rest I took
For sorrow near I did not look
I wakened was with thund’ring noise
And piteous shrieks of dreadful voice.
That fearful sound of “Fire!” and “Fire!”
Let no man know is my desire.
I, starting up, the light did spy,
And to my God my heart did cry
To strengthen me in my distress
And not to leave me succorless.1
Then, coming out, beheld a space
The flame consume my dwelling place.
@I>OFCVJB>KFKD
2EREADßLINES߯ß#IRCLEß
EXAMPLESßOFßARCHAICßLANGUAGEß
4HENßLISTßTHEMßNEXTßTOßTHEIRß
MEANINGßINßTHEßCHARTßBELOW
!RCHAICß
,ANGUAGE
-ODERNß
,ANGUAGE
SPY
SEE
SUCCORLESS
HELPLESS
BEHELD
SAW
DWELLINGßPLACE
HOME
Cß
ß ß SUCCORLESSß`DXE:_"Y<`ßWITHOUTßHELPßORßRELIEF
50/. 4(% "52.).' /& /52 (/53%
-ONITORß9OUR #OMPREHENSION
7HATßHASßHAPPENEDßINßß
LINES߯ß7HYßDOESßTHEß
SPEAKERßSAYßTHATßTHEßFIREß
WASß±JUST²
4HEßSPEAKERßBLESSESß'ODßANDßLOOKSß
ATßHERßRUINEDßBELONGINGSß3HEß
CHOOSESßNOTßTOßCOMPLAINßABOUTß
WHATßSHEßHASßLOSTß3HEßTHINKSßTHEß
FIREßISß±JUST²ßBECAUSEßITßISß'OD´Sß
WILLßANDß(EßCOULDßHAVEßLEFTßTHEMß
And when I could no longer look,
I blest His name that gave and took,2
That laid my goods now in the dust:
Yea, so it was, and so ’twas just.
It was His own, it was not mine,
Far be it that I should repine;3
He might of all justly bereft,
But yet sufficient for us left.
When by the ruins oft I past,
My sorrowing eyes aside did cast,
And here and there the places spy
Where oft I sat and long did lie:
WITHßMUCHßLESSß
Here stood that trunk and there that chest,
There lay that store I counted best.
My pleasant things in ashes lie,
And them behold no more shall I.
Under thy roof no guest shall sit,
Nor at thy table eat a bit.
No pleasant tale shall e’er be told,
Nor things recounted done of old.
No candle e’er shall shine in thee,
Nor bridegroom’s voice e’er heard shall be.
In silence ever shalt thou lie;
Adieu, Adieu, all’s vanity.4
Then straight I ’gin my heart to chide,5
And did thy wealth on earth abide?
ß ß ) ßTOOKßANßALLUSIONßTOß*OBßßINßTHEß"IBLE°±4HEß,ORDßGAVEßANDßTHEß,ORDß
HATHßTAKENßAWAYßBLESSEDßBEßTHEßNAMEßOFßTHEß,ORD²
ß ß REPINEßTOßCOMPLAINßORßFRETßTOßLONGßFORßSOMETHING
ß ß ALL´SßVANITYßANßALLUSIONßTOß%CCLESIASTESßßINßTHEß"IBLE°±!LLßISßVANITY²ß
MEANINGßTHATßALLßISßTEMPORARYßANDßMEANINGLESS
ß ß CHIDEßTOßSCOLDßMILDLYßSOßASßTOßCORRECTßORßIMPROVE
).4%2!#4)6% 2%!$%2
5.)4 %!2,9 !-%2)#!. 72)4).'
-ONITORß9OURß#OMPREHENSION
Didst fix thy hope on mold’ring dust? Dß
The arm of flesh didst make thy trust?
Raise up thy thoughts above the sky
That dunghill mists away may fly.
Thou hast an house on high erect,
Framed by that mighty Architect,
With glory richly furnishéd,
Stands permanent though this be fled.
It’s purchaséd and paid for too
By Him who hath enough to do.
A price so vast as is unknown
Yet by His gift is made thine own;
There’s wealth enough, I need no more,
Farewell, my pelf,6 farewell my store.
The world no longer let me love,
My hope and treasure lies above.
D
CFDRO>QFSBI>KDR>DB
2EREADßLINES߯ß4HEßWORDß
DUSTßINßLINEßßISßANßALLUSIONßTOß
THEß"OOKßOFß'ENESISß±$USTßTHOUß
ARTßANDßUNTOßDUSTßSHALTßTHOUß
RETURN²ß#IRCLEßANOTHERßALLUSIONßINß
LINEßß4HENßCHECKßTHEßFOOTNOTEß
FORßITSßMEANINGß(OWßDOßTHEß
TWOßALLUSIONSßWORKßTOGETHERßTOß
EXPRESSß"RADSTREET´SßTHEMEßINß
THISßPOEM
4HEßALLUSIONSßBOTHßHAVEßTOßDOß
WITHßTHEßIDEAßTHATßMATERIALßGOODSß
AREßNOTßASßIMPORTANTßASßSPIRITUALß
GOODSßWHICHßISß"RADSTREET´Sß
THEMEß
2EREADßLINES߯ß(OWßDOESß
THEßSPEAKERßFEELßABOUTßLOSINGß
HERßWORLDLYßGOODS
3HEßBELIEVESßSHEßSHOULDßNOTßPLACEß
TOOßHIGHßAßVALUEßONßPERSONALß
PROPERTYßBECAUSEßTRUEßWEALTHßLIESß
INßHEAVEN
50/. 4(% "52.).' /& /52 (/53%
-ONITORß9OUR #OMPREHENSION
uswifery
3%4ß!ß0520/3%ß
&/2ß2%!$).'
2EADß±(USWIFERY²ßTOßLEARNß
MOREßABOUTßTHEß0URITANß
BELIEFSßOFßHOWß'ODßSHAPESß
OURßLIVES
0OEMßBY
E D WA R D ß TAY L O R
?>@HDOLRKA &ORßMOREßTHANßßYEARSß
THEßWORKßOFß%DWARDß4AYLORßONEßOFß
COLONIALß!MERICA´SßMOSTßINVENTIVEßPOETSß
REMAINEDßUNREADß(ISßPOETRYßDIDßNOTß
COMEßTOßLIGHTßUNTILßTHEßSßWHENß
HISßLONGFORGOTTENßMANUSCRIPTSßWEREß
DISCOVEREDßINßTHEß9ALEß5NIVERSITYß,IBRARYß
4HEßDISCOVERYßOFß4AYLOR´SßMANUSCRIPTSß
WASßCONSIDEREDßONEßOFßTHEßMOSTß
IMPORTANTß±FINDS²ßINß!MERICANßLITERARYß
HISTORYß,IKEß!NNEß"RADSTREET°WHOSEß
WORKß4AYLORßOWNED°HEßWROTEßHISß
POETRYßTOßGLORIFYß'ODß
Eß
@I>OFCVJB>KFKD
(USWIFERYßMEANSß
±HOUSEKEEPING²ß2EREADß
LINES߯ß7HATßHOUSEKEEPINGß
ACTIVITYßISßBEINGßDESCRIBED
SPINNINGßWOOLßINTOßYARN
Make me, O Lord, Thy spinning wheel complete.
Thy holy word my distaff1 make for me.
Make mine affections Thy swift flyers2 neat,
And make my soul Thy holy spool to be.
My conversation make to be Thy reel,
And reel the yarn thereon spun of Thy wheel. Eß
Make me Thy loom then, knit therein this twine:
And make Thy holy spirit, Lord, wind quills:3
Then weave the web Thyself. The yarn is fine.
Thine ordinances make my fulling mills.4
Then dye the same in heavenly colors choice,
All pinked5 with varnished flowers of paradise.
ß ß DISTAFFßSTAFFßONßAßSPINNINGßWHEELßFORßHOLDINGßTHEßWOOLßORßFLAXßTOßBEßSPUN
ß ß FLYERSßPARTSßOFßSPINNINGßWHEELSßTHATßTWISTßFIBERSßINTOßYARN
ß ß QUILLSßRODSßORßSPINDLESßUSEDßTOßWINDßANDßHOLDßYARNß
ß ß FULLINGßMILLSßMACHINESßTHATßBEATßANDßPROCESSßWOVENßCLOTHßTOßMAKEßITßDENSERß
ANDßMOREßCOMPACT
ß ß PINKEDßDECORATED
).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).'
-ONITORß9OURß#OMPREHENSION
Fß
Then clothe therewith mine understanding, will,
Affections, judgment, conscience, memory;
My words and actions, that their shine may fill
My ways with glory and Thee glorify.
Then mine apparel shall display before Ye
That I am clothed in holy robes for glory. Fß
CFDRO>QFSBI>KDR>DB
7HATßEXTENDEDßMETAPHORß
DOESß4AYLORßUSEßTOßEXPRESSßHISß
RELATIONSHIPßTOß'ODß(OWßISß
'ODßLIKEßSOMEONEßWHOßSPINSß
THREADßWEAVESßCLOTHßANDßMAKESß
GARMENTS
4HEßEXTENDEDßMETAPHORßCOMPARESß
THEßTRANSFORMATIONßOFßWOOLßTOß
CLOTHßANDßCLOTHINGßTOßTHEßSPEAKERSß
RELATIONSHIPßWITHß'ODß'ODß
TRANSFORMSßTHEßSPEAKERßINßTHEß
SAMEßWAYßTHATßAßTHREADßCANßBEß
TRANSFORMEDßINTOßCLOTH
(537)&%29
!FTERß2EADING
4EXTß!NALYSISß&IGURATIVEß,ANGUAGE
#OMPLETEßTHEßCHARTßBELOWßBYßPROVIDINGßANßEXAMPLEßOFßEACHßTYPEßOFßFIGURATIVEß
LANGUAGEßLISTEDßINßTHEßSECONDßCOLUMNßOFßTHEßCHARTß%XPLAINßHOWßTHEßPOETßUSEDß
THATßLANGUAGEßTOßCREATEßIMAGESßANDßCONVEYßAßMESSAGE
&IGURATIVEß,ANGUAGE
4EXTß%XAMPLES
±5PONßTHEß"URNINGßOFß
/URß(OUSEß*ULYßTHß
²
ALLUSION
±ALL´SßVANITY²
!LLUSIONßTOß%CCLESIASTESß!LLßISß
TEMPORARYßANDßMEANINGLESS
METAPHOR
±4HOUßHASTßANßHOUSEßONßHIGHß
ERECTßßßß7ITHßGLORYßRICHLYß
FURNISHED²
(EAVENßISßAßGREATERßHOMEßTHANß
ANYTHINGßTHEßSPEAKERßCOULDß
HAVEßONßEARTH
±(USWIFERY²
EXTENDEDßMETAPHOR
3TANZAßßLINES߯
4HEßEXTENDEDßMETAPHORß
COMPARESßTHEßTRANSFORMATIONß
OFßWOOLßINTOßYARNßANDßYARNß
INTOßCLOTHß4HISßSUGGESTSßTHATß
THEßSPEAKERßFEELSßHEßISßBEINGß
FORMEDßANDßTRANSFORMEDß
BYß'ODß
±-AKEßMEßßßß4HYßSPINNINGß
WHEELßCOMPLETEßßß²
3TANZAßßLINES߯
±-AKEßMEß4HYßLOOMßTHENßßß²
)MAGEßANDß-ESSAGE
3TANZAßßLINES߯
±4HATß)ßAMßCLOTHEDßßßßFORß
GLORY²
7HATßDOßTHEßPOEMSßBYß"RADSTREETßANDß4AYLORßHAVEßINßCOMMONß$RAWßONßTHEßNOTESßYOUßMADEßWHILEß
READINGßASßWELLßASßTHEßCOMPLETEDßCHARTßABOVEßTOßSUPPORTßYOURßANSWER
0OSSIBLEßANSWERß"OTHßPOETSßHAVEßAßDEEPßRELIGIOUSßFAITHßBOTHßLOOKßTOß'ODßFORßHELPß
????????????????????????????????????????????????????????????????????????????????????????
????????????????????????????????????????????????????????????????????????????????????????
????????????????????????????????????????????????????????????????????????????????????????
2EADINGß3TRATEGYß#LARIFYß-EANINGßINß/LDERß0OETRYß
2ESTATINGßLINESßCONTAININGßARCHAICßLANGUAGEßORßINVERTEDßSYNTAXßCANßHELPßYOUßUNDERSTANDßOLDERßPOETRYß
2ESTATEßTHEßFOLLOWINGßLINESßFROMß±(USWIFERY²ßONßTHEßLINESßBELOW
4HENßMINEßAPPARELßSHALLßDISPLAYßBEFOREß9E
4HATß)ßAMßCLOTHEDßINßHOLYßROBESßFORßGLORY
4HENßMYßCLOTHINGßWILLßSHOWßYOU
????????????????????????????????????????????????????????????????????????????????????????
4HATß)ßAMßDRESSEDßINßHOLYßROBESßANDßREADYßFORßHEAVEN
????????????????????????????????????????????????????????????????????????????????????????
).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).'
What do you VALUE most?
#ONSIDERßTHEßVARIOUSßTHINGSßTHATßPEOPLEßVALUEßINßMODERNßSOCIETYß7HATßMIGHTß
THEß0URITANSßTHINKßOFßSOMEßOFßOURßMODERNßVALUESß7HATßDOßYOUßTHINKßOFßOURß
VALUESßTODAY
3TUDENTSßSHOULDßEXPLAINßHOWßTHEIRßVALUESßCOMPAREßTOßTHEßVALUESßOFßRELIGIONßLOVEßFAMILYßANDß
??????????????????????????????????????????????????????????????????
HOMEßEXPRESSEDßINßTHEßPOEMS
??????????????????????????????????????????????????????????????????
??????????????????????????????????????????????????????????????????
??????????????????????????????????????????????????????????????????
!CADEMICß6OCABULARYßINß3PEAKING
DOCUMENT
ILLUSTRATE
INTERPRET
PROMOTE
REVEAL
QROK>KAQ>IH 7ITHßAßPARTNERßDISCUSSßWHATßPOEMSßCANßREVEALßABOUTßTHEß
TIMESßINßWHICHßTHEYßAREßWRITTENß5SEßATßLEASTßONEßOFßTHEß!CADEMICß6OCABULARYß
WORDSßINßYOURßEXPLANATIONß$EFINITIONSßFORßTHESEßTERMSßAREßLISTEDßONßPAGEßß
3TUDENTSßMAYßSAYßTHEßPOEMSßREVEALßTHEßRELIGIOUSßVALUESßOFßTHOSEßWHOßLIVEDßDURINGßTHEßTIMEßINß
WHICHßTHEßPOEMSßWEREßWRITTEN
!SSESSMENTß0RACTICE
$)2%#4)/.3ß 5SEß±4Oß-Yß$EARßANDß,OVINGß(USBAND²ß±5PONßTHEß"URNINGß
OFß/URß(OUSEß*ULYßTHß²ßANDß±(USWIFERY²ßTOßANSWERßQUESTIONS߯
ß )ßPRIZEßTHEEßMOREßTHANßAßWHOLEßMINEßOFßGOLDßISßANß
EXAMPLEßOFß°
!
"
#
$
ß METAPHOR
ß PERSONIFICATIONß
ß HYPERBOLEß
ß ALLUSION
ß 4HEßMESSAGEßOFß±5PONßTHEß"URNINGßOFß/URß(OUSEß
*ULYßTHß²ßISß°
!
"
#
$
ß HEAVENLYßTREASURESßOUTWEIGHßEARTHLYßONES
ß HOMESßBURNßDOWNßDUEßTOßLACKßOFßFAITH
ß LIFEßONßEARTHßISßBRIEFßANDßPAINFUL
ß PEOPLEßSHOULDßTREASUREßMATERIALßGOODS
ß 7HICHßISßTHEßBESTßRESTATEMENTßOFß&ARßBEßITßTHATß
)ßSHOULDßREPINEßLINEßßFROMß±5PONßTHEß"URNINGß
OFß/URß(OUSEß
!
"
#
$
ß )ßHAVEßAßLIFEßOFßSUFFERINGßAHEAD
ß )ßLONGßTOßBEßFARßAWAYßFROMßHERE
ß )ßWOULDN´TßDAREßTOßCOMPLAINß
ß )ßDAREßNOTßFALLßBACKßASLEEP
ß )NßTHEßFIRSTßSTANZAßOFßHISßPOEMß%DWARDß4AYLORß
COMPARESß'ODßTOß°
!
"
#
$
ß ANßARCHITECT
ß AßSPINNERßß
ß WOOLßYARN
ß AßHOUSEWIFE
4/ -9 $%!2 ßßßßßß 50/. 4(% "52.).' ßßßßß (537)&%29