"EFOREß2EADING 4Oß-Yß$EARßANDß,OVINGß(USBANDßANDßß 5PONßTHEß"URNINGßOFß/URß(OUSEß *ULYßTHß 0OETRYßBYß!NNEß"RADSTREET (USWIFERY 0OEMßBYß%DWARDß4AYLOR What do you VALUE most? 4HEß0URITANßPOETSßYOUßAREßABOUTßTOßREADßVALUEDßFAMILYßLIFEßANDßTHEIRßRELIGIOUSß FAITHßABOVEßALLßTHINGSß7HATßDOßYOUßPRIZEßMOSTßINßYOURßLIFE WhatÕs priceless? !CCEPTßALLßREASONABLEßRESPONSES I value NRF@HTOFQB )MAGINEßTHATßAßREALITYßSHOWßHASßOFFEREDßYOUßTHEßCHANCEßTOß WINßAßMILLIONßDOLLARSß4HEßCATCHßISßTHATßYOUßWILLßHAVEßTOßGIVEßUPßANßOBJECTßAß PERSONßORßAßBELIEFßTHATßYOUßTRULYßVALUEß!SSUMEßTHATßYOUßAREßNOTßWILLINGßTOß MAKEßTHEßSACRIFICEß*OTßDOWNßREASONSßWHYßYOUßMUSTßTURNßDOWNßTHEßMONEY more than a million dollars! HereÕs why: 4EXTß!NALYSISß&IGURATIVEß,ANGUAGEß ,IKEßOTHERßPOETSß0URITANßPOETSßUSEDßFIGURATIVEßLANGUAGEßTOßCREATEßIMAGERYß ANDßCOMMUNICATEßIDEASßBEYONDßTHEßLITERALßMEANINGßOFßWORDSß&IGURATIVEß LANGUAGEßHELPEDßTHEß0URITANßPOETSßCONVEYßIDEASßABOUTßTHEIRßRELIGIOUSßFAITHß ANDßTHEIRßPERSONALßLIVESß4HEßCHARTßBELOWßLISTSßCOMMONßTYPESßOFßFIGURATIVEß LANGUAGE &IGUREßOFß 3PEECH $EFINITION %XAMPLE METAPHOR AßFIGUREßOFßSPEECHßTHATß DIRECTLYßCOMPARESßTWOß UNLIKEßTHINGSßWITHOUTß USINGßLIKEßORßAS /URßHOUSEßISßOURßNEST EXTENDEDß METAPHOR AßMETAPHORßTHATßCOMPARESß THEßTWOßTHINGSßATßLENGTHß ANDßINßMANYßWAYS /URßHOUSEßISßOURßNESTßWEß FLYßAWAYßONLYßTOßRETURNßTOß ITSßSNUGßPROTECTION PERSONIFICATION AßFIGUREßOFßSPEECHßINß WHICHßANßOBJECTßANIMALß ORßIDEAßISßGIVENßHUMANß CHARACTERISTICS /URßHOUSEßWRAPSßOURß FAMILYßINßAßWARMß EMBRACE ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).' 4EXTß!NALYSISß&IGURATIVEß,ANGUAGEßCONTINUED &IGUREßOFß 3PEECH $EFINITION %XAMPLE HYPERBOLE AßFIGUREßOFßSPEECHßINßWHICHß THEßTRUTHßISßEXAGGERATEDß FORßEMPHASIS /URßHOUSEßMEANSßMOREßTOß USßTHANßALLßTHEßGOLDßINßTHEß WORLD BIBLICALß ALLUSIONS REFERENCESßTOßTHEß"IBLE 7EßLOVEßTHEßGARDENßOURß VERYßOWNß%DENß !SßYOUßREADßTHEßPOEMSßBYß"RADSTREETßANDß4AYLORßNOTICEßTHEßFIGURATIVEß LANGUAGEßTHEYßUSEßTOßCREATEßIMAGERYßANDßCONVEYßTHEIRßMESSAGE 2EADINGß3TRATEGYß#LARIFYß-EANINGßINß/LDERß0OETRY 7HENßREADINGßOLDERßLITERARYßWORKSßITßISßIMPORTANTßTOßSTOPßANDßCLARIFYßMEANINGß BYßREREADINGßANDßRESTATINGßDIFFICULTßPASSAGESß2ESTATINGßIDEASßINßYOURßOWNß WORDSßCANßHELPßYOUßAPPRECIATEßTHEßPOEMSß"EßAWAREßOFßTHEßFOLLOWINGßASßYOUß READßTHEß0URITANßPOETS ßß !RCHAICßLANGUAGE°WORDSßTHATßWEREßONCEßCOMMONLYßUSEDßBUTßTHATßAREßNOWß CONSIDEREDßOLDFASHIONEDßORßOUTOFDATE ßß )NVERTEDßSYNTAX°SENTENCEßSTRUCTUREßINßWHICHßTHEßEXPECTEDßORDERßOFßWORDSß ISßREVERSEDßTHISßWASßOFTENßDONEßINßPOETRYßINßORDERßTOßCREATEßAßCERTAINßRHYMEß ANDßRHYTHM 4HEßFOLLOWINGßCHARTßLISTSßEXAMPLESßOFßARCHAICßLANGUAGEßANDßINVERTEDßSYNTAXß FROMß±5PONßTHEß"URNINGßOFß/URß(OUSEß*ULYßTHß²ßBYß!NNEß"RADSTREETß 2EADßEACHßTEXTßEXAMPLEßANDßITSßRESTATEMENTßINßMODERNßSPEECH 4EXTß%XAMPLES 2ESTATEDß-EANING !RCHAICß,ANGUAGE ±BLEST² ±TWAS² BLESSED ITßWAS )NVERTEDß3YNTAX ±WHENßRESTß)ßTOOK² ±&ORßSORROWßNEARßß )ßDIDßNOTßLOOK² WHENß)ßWASßSLEEPING )ßDIDN´TßEXPECTßSORROWßTOß TOUCHßME !SßYOUßREADßNOTESßINßTHEßSIDEßCOLUMNßWILLßASKßYOUßTOßIDENTIFYßANDßRESTATEß EXAMPLESßOFßARCHAICßLANGUAGEßANDßINVERTEDßSYNTAXß0AYßSPECIALßATTENTIONßTOß THEßFOOTNOTESß4HEYßPROVIDEßHELPFULßINFORMATIONßABOUTßARCHAICßLANGUAGEß)Fß THEßLANGUAGEßINßAßPASSAGEßGIVESßYOUßTROUBLEßTRYßREADINGßITßALOUDßANDßTHENß RESTATINGßITßINßYOURßOWNßWORDS 4/ -9 $%!2 ßßßßßß 50/. 4(% "52.).' ßßßßß (537)&%29 -ONITORß9OUR #OMPREHENSION ToßMy earßandß oving Husband 3%4ß!ß0520/3%ß &/2ß2%!$).' 2EADß±4Oß-Yß$EARßANDß ,OVINGß(USBAND²ßTOßLEARNß HOWß!NNEß"RADSTREETß VIEWEDßHERßMARRIAGE 0OEMßBYß ANNEßBR ADSTREET ?>@HDOLRKA !NNEß"RADSTREETßWASßESSENTIALLYß THEßFIRSTßNOTABLEß!MERICANßPOETß3HEßWASßBORNßINß %NGLANDßTOßAßFAMILYßOFß0URITANSß3HEßMARRIEDßWHENß SHEßWASßABOUTßSIXTEENßANDßTWOßYEARSßLATERß!NNEß HERßHUSBANDßANDßHERßFATHERßJOURNEYEDßACROSSßTHEß !TLANTICßTOßWHATßLATERßWOULDßBECOMEßKNOWNßASß THEß-ASSACHUSETTSß"AYß#OLONYß3HEßFOUNDßLIFEßINß COLONIALß!MERICAßTOßBEßHARSHß(ERßRELIGIOUSßFAITHß HELPEDßHERßENDUREßTHESEßHARDSHIPSßASßDIDßWRITINGß POETRYß"RADSTREET´SßWRITINGßFOCUSEDßPRIMARILYßONßHERß HUSBANDßHERßEIGHTßCHILDRENßANDßHERßHOUSE A ß CFDRO>QFSBI>KDR>DB 2EREADßLINES߯ß2ECALLßTHATß HYPERBOLEßISßAßFIGUREßOFßSPEECHßINß WHICHßTHEßTRUTHßISßEXAGGERATEDß FORßEMPHASISß#IRCLEßANßEXAMPLEß OFßHYPERBOLEßINßTHESEßLINES Bß @I>OFCVJB>KFKD #IRCLEßANßEXAMPLEßOFßINVERTEDß SYNTAXßINßLINES߯ß4HENß REWRITEßTHOSEßLINESßINßAßMOREß NATURALßORDER If ever two were one, then surely we. If ever man were loved by wife, then thee; If ever wife was happy in a man, Compare with me, ye women, if you can. I prize thy love more than whole mines of gold Or all the riches that the East doth hold. My love is such that rivers cannot quench, Aß Nor ought but love from thee, give recompense.1 Thy love is such I can no way repay, The heavens reward thee manifold, I pray. Then while we live, in love let’s so persevere2 That when we live no more, we may live ever. Bß ß,ET´Sß ß ßßPERSEVEREßINßLOVEßWHILEßWEßLIVE ß ßß ß AFTERßDEATHßWE´LLßLIVE SOßTHATß FOREVER ß ß RECOMPENSEß_9XE:Z"]9[`FßPAYMENTßINßRETURNßFORßSOMETHINGßSUCHßASßAß SERVICE ß ß PERSEVEREß)Nß"RADSTREET´SßTIMEßPERSEVEREßWOULDßHAVEßBEENßPRONOUNCEDß ]_"`:cE:_ßWHICHßRHYMESßWITHßEVER ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).' -ONITORß9OURß#OMPREHENSION pon the urning of Our ouse, 3%4ß!ß0520/3%ßß &/2ß2%!$).' 2EADßTHISßPOEMßTOßFINDßOUTß HOWßAßTRAGEDYßLEDßTHEßPOETß TOßAßPROFOUNDßREALIZATION *ULYßTHß 0OEMßBY A N N Eß ß BRADSTREET ?>@HDOLRKA !SßAß0URITANß!NNEß "RADSTREETßBELIEVEDßINßTHEßABSOLUTEß AUTHORITYßOFß'OD°THEßIDEAßTHATß 'ODßISßINßCOMPLETEßCONTROLßOFßEVENTSß ANDßULTIMATELYßWORKSßALLßTHINGSßOUTß FORßTHEßGOODß)Nß"RADSTREET´SßPOEMSß EVERYßEVENTßNOßMATTERßHOWßTRIVIALß CARRIESßAßDIVINEßMESSAGEßEACHß BLESSINGßORßLOSSßREVEALSß'OD´SßWILLßANDß ANßOPPORTUNITYßFORßSPIRITUALßGROWTH Cß In silent night when rest I took For sorrow near I did not look I wakened was with thund’ring noise And piteous shrieks of dreadful voice. That fearful sound of “Fire!” and “Fire!” Let no man know is my desire. I, starting up, the light did spy, And to my God my heart did cry To strengthen me in my distress And not to leave me succorless.1 Then, coming out, beheld a space The flame consume my dwelling place. @I>OFCVJB>KFKD 2EREADßLINES߯ß#IRCLEß EXAMPLESßOFßARCHAICßLANGUAGEß 4HENßLISTßTHEMßNEXTßTOßTHEIRß MEANINGßINßTHEßCHARTßBELOW !RCHAICß ,ANGUAGE -ODERNß ,ANGUAGE SPY SEE SUCCORLESS HELPLESS BEHELD SAW DWELLINGßPLACE HOME Cß ß ß SUCCORLESSß`DXE:_"Y<`ßWITHOUTßHELPßORßRELIEF 50/. 4(% "52.).' /& /52 (/53% -ONITORß9OUR #OMPREHENSION 7HATßHASßHAPPENEDßINßß LINES߯ß7HYßDOESßTHEß SPEAKERßSAYßTHATßTHEßFIREß WASß±JUST² 4HEßSPEAKERßBLESSESß'ODßANDßLOOKSß ATßHERßRUINEDßBELONGINGSß3HEß CHOOSESßNOTßTOßCOMPLAINßABOUTß WHATßSHEßHASßLOSTß3HEßTHINKSßTHEß FIREßISß±JUST²ßBECAUSEßITßISß'OD´Sß WILLßANDß(EßCOULDßHAVEßLEFTßTHEMß And when I could no longer look, I blest His name that gave and took,2 That laid my goods now in the dust: Yea, so it was, and so ’twas just. It was His own, it was not mine, Far be it that I should repine;3 He might of all justly bereft, But yet sufficient for us left. When by the ruins oft I past, My sorrowing eyes aside did cast, And here and there the places spy Where oft I sat and long did lie: WITHßMUCHßLESSß Here stood that trunk and there that chest, There lay that store I counted best. My pleasant things in ashes lie, And them behold no more shall I. Under thy roof no guest shall sit, Nor at thy table eat a bit. No pleasant tale shall e’er be told, Nor things recounted done of old. No candle e’er shall shine in thee, Nor bridegroom’s voice e’er heard shall be. In silence ever shalt thou lie; Adieu, Adieu, all’s vanity.4 Then straight I ’gin my heart to chide,5 And did thy wealth on earth abide? ß ß ) ßTOOKßANßALLUSIONßTOß*OBßßINßTHEß"IBLE°±4HEß,ORDßGAVEßANDßTHEß,ORDß HATHßTAKENßAWAYßBLESSEDßBEßTHEßNAMEßOFßTHEß,ORD² ß ß REPINEßTOßCOMPLAINßORßFRETßTOßLONGßFORßSOMETHING ß ß ALL´SßVANITYßANßALLUSIONßTOß%CCLESIASTESßßINßTHEß"IBLE°±!LLßISßVANITY²ß MEANINGßTHATßALLßISßTEMPORARYßANDßMEANINGLESS ß ß CHIDEßTOßSCOLDßMILDLYßSOßASßTOßCORRECTßORßIMPROVE ).4%2!#4)6% 2%!$%2 5.)4 %!2,9 !-%2)#!. 72)4).' -ONITORß9OURß#OMPREHENSION Didst fix thy hope on mold’ring dust? Dß The arm of flesh didst make thy trust? Raise up thy thoughts above the sky That dunghill mists away may fly. Thou hast an house on high erect, Framed by that mighty Architect, With glory richly furnishéd, Stands permanent though this be fled. It’s purchaséd and paid for too By Him who hath enough to do. A price so vast as is unknown Yet by His gift is made thine own; There’s wealth enough, I need no more, Farewell, my pelf,6 farewell my store. The world no longer let me love, My hope and treasure lies above. D CFDRO>QFSBI>KDR>DB 2EREADßLINES߯ß4HEßWORDß DUSTßINßLINEßßISßANßALLUSIONßTOß THEß"OOKßOFß'ENESISß±$USTßTHOUß ARTßANDßUNTOßDUSTßSHALTßTHOUß RETURN²ß#IRCLEßANOTHERßALLUSIONßINß LINEßß4HENßCHECKßTHEßFOOTNOTEß FORßITSßMEANINGß(OWßDOßTHEß TWOßALLUSIONSßWORKßTOGETHERßTOß EXPRESSß"RADSTREET´SßTHEMEßINß THISßPOEM 4HEßALLUSIONSßBOTHßHAVEßTOßDOß WITHßTHEßIDEAßTHATßMATERIALßGOODSß AREßNOTßASßIMPORTANTßASßSPIRITUALß GOODSßWHICHßISß"RADSTREET´Sß THEMEß 2EREADßLINES߯ß(OWßDOESß THEßSPEAKERßFEELßABOUTßLOSINGß HERßWORLDLYßGOODS 3HEßBELIEVESßSHEßSHOULDßNOTßPLACEß TOOßHIGHßAßVALUEßONßPERSONALß PROPERTYßBECAUSEßTRUEßWEALTHßLIESß INßHEAVEN 50/. 4(% "52.).' /& /52 (/53% -ONITORß9OUR #OMPREHENSION uswifery 3%4ß!ß0520/3%ß &/2ß2%!$).' 2EADß±(USWIFERY²ßTOßLEARNß MOREßABOUTßTHEß0URITANß BELIEFSßOFßHOWß'ODßSHAPESß OURßLIVES 0OEMßBY E D WA R D ß TAY L O R ?>@HDOLRKA &ORßMOREßTHANßßYEARSß THEßWORKßOFß%DWARDß4AYLORßONEßOFß COLONIALß!MERICA´SßMOSTßINVENTIVEßPOETSß REMAINEDßUNREADß(ISßPOETRYßDIDßNOTß COMEßTOßLIGHTßUNTILßTHEßSßWHENß HISßLONGFORGOTTENßMANUSCRIPTSßWEREß DISCOVEREDßINßTHEß9ALEß5NIVERSITYß,IBRARYß 4HEßDISCOVERYßOFß4AYLOR´SßMANUSCRIPTSß WASßCONSIDEREDßONEßOFßTHEßMOSTß IMPORTANTß±FINDS²ßINß!MERICANßLITERARYß HISTORYß,IKEß!NNEß"RADSTREET°WHOSEß WORKß4AYLORßOWNED°HEßWROTEßHISß POETRYßTOßGLORIFYß'ODß Eß @I>OFCVJB>KFKD (USWIFERYßMEANSß ±HOUSEKEEPING²ß2EREADß LINES߯ß7HATßHOUSEKEEPINGß ACTIVITYßISßBEINGßDESCRIBED SPINNINGßWOOLßINTOßYARN Make me, O Lord, Thy spinning wheel complete. Thy holy word my distaff1 make for me. Make mine affections Thy swift flyers2 neat, And make my soul Thy holy spool to be. My conversation make to be Thy reel, And reel the yarn thereon spun of Thy wheel. Eß Make me Thy loom then, knit therein this twine: And make Thy holy spirit, Lord, wind quills:3 Then weave the web Thyself. The yarn is fine. Thine ordinances make my fulling mills.4 Then dye the same in heavenly colors choice, All pinked5 with varnished flowers of paradise. ß ß DISTAFFßSTAFFßONßAßSPINNINGßWHEELßFORßHOLDINGßTHEßWOOLßORßFLAXßTOßBEßSPUN ß ß FLYERSßPARTSßOFßSPINNINGßWHEELSßTHATßTWISTßFIBERSßINTOßYARN ß ß QUILLSßRODSßORßSPINDLESßUSEDßTOßWINDßANDßHOLDßYARNß ß ß FULLINGßMILLSßMACHINESßTHATßBEATßANDßPROCESSßWOVENßCLOTHßTOßMAKEßITßDENSERß ANDßMOREßCOMPACT ß ß PINKEDßDECORATED ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).' -ONITORß9OURß#OMPREHENSION Fß Then clothe therewith mine understanding, will, Affections, judgment, conscience, memory; My words and actions, that their shine may fill My ways with glory and Thee glorify. Then mine apparel shall display before Ye That I am clothed in holy robes for glory. Fß CFDRO>QFSBI>KDR>DB 7HATßEXTENDEDßMETAPHORß DOESß4AYLORßUSEßTOßEXPRESSßHISß RELATIONSHIPßTOß'ODß(OWßISß 'ODßLIKEßSOMEONEßWHOßSPINSß THREADßWEAVESßCLOTHßANDßMAKESß GARMENTS 4HEßEXTENDEDßMETAPHORßCOMPARESß THEßTRANSFORMATIONßOFßWOOLßTOß CLOTHßANDßCLOTHINGßTOßTHEßSPEAKERSß RELATIONSHIPßWITHß'ODß'ODß TRANSFORMSßTHEßSPEAKERßINßTHEß SAMEßWAYßTHATßAßTHREADßCANßBEß TRANSFORMEDßINTOßCLOTH (537)&%29 !FTERß2EADING 4EXTß!NALYSISß&IGURATIVEß,ANGUAGE #OMPLETEßTHEßCHARTßBELOWßBYßPROVIDINGßANßEXAMPLEßOFßEACHßTYPEßOFßFIGURATIVEß LANGUAGEßLISTEDßINßTHEßSECONDßCOLUMNßOFßTHEßCHARTß%XPLAINßHOWßTHEßPOETßUSEDß THATßLANGUAGEßTOßCREATEßIMAGESßANDßCONVEYßAßMESSAGE &IGURATIVEß,ANGUAGE 4EXTß%XAMPLES ±5PONßTHEß"URNINGßOFß /URß(OUSEß*ULYßTHß ² ALLUSION ±ALL´SßVANITY² !LLUSIONßTOß%CCLESIASTESß!LLßISß TEMPORARYßANDßMEANINGLESS METAPHOR ±4HOUßHASTßANßHOUSEßONßHIGHß ERECTßßßß7ITHßGLORYßRICHLYß FURNISHED² (EAVENßISßAßGREATERßHOMEßTHANß ANYTHINGßTHEßSPEAKERßCOULDß HAVEßONßEARTH ±(USWIFERY² EXTENDEDßMETAPHOR 3TANZAßßLINES߯ 4HEßEXTENDEDßMETAPHORß COMPARESßTHEßTRANSFORMATIONß OFßWOOLßINTOßYARNßANDßYARNß INTOßCLOTHß4HISßSUGGESTSßTHATß THEßSPEAKERßFEELSßHEßISßBEINGß FORMEDßANDßTRANSFORMEDß BYß'ODß ±-AKEßMEßßßß4HYßSPINNINGß WHEELßCOMPLETEßßß² 3TANZAßßLINES߯ ±-AKEßMEß4HYßLOOMßTHENßßß² )MAGEßANDß-ESSAGE 3TANZAßßLINES߯ ±4HATß)ßAMßCLOTHEDßßßßFORß GLORY² 7HATßDOßTHEßPOEMSßBYß"RADSTREETßANDß4AYLORßHAVEßINßCOMMONß$RAWßONßTHEßNOTESßYOUßMADEßWHILEß READINGßASßWELLßASßTHEßCOMPLETEDßCHARTßABOVEßTOßSUPPORTßYOURßANSWER 0OSSIBLEßANSWERß"OTHßPOETSßHAVEßAßDEEPßRELIGIOUSßFAITHßBOTHßLOOKßTOß'ODßFORßHELPß ???????????????????????????????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????????????????????????????? 2EADINGß3TRATEGYß#LARIFYß-EANINGßINß/LDERß0OETRYß 2ESTATINGßLINESßCONTAININGßARCHAICßLANGUAGEßORßINVERTEDßSYNTAXßCANßHELPßYOUßUNDERSTANDßOLDERßPOETRYß 2ESTATEßTHEßFOLLOWINGßLINESßFROMß±(USWIFERY²ßONßTHEßLINESßBELOW 4HENßMINEßAPPARELßSHALLßDISPLAYßBEFOREß9E 4HATß)ßAMßCLOTHEDßINßHOLYßROBESßFORßGLORY 4HENßMYßCLOTHINGßWILLßSHOWßYOU ???????????????????????????????????????????????????????????????????????????????????????? 4HATß)ßAMßDRESSEDßINßHOLYßROBESßANDßREADYßFORßHEAVEN ???????????????????????????????????????????????????????????????????????????????????????? ).4%2!#4)6% 2%!$%2 ßß 5.)4 ß %!2,9 !-%2)#!. 72)4).' What do you VALUE most? #ONSIDERßTHEßVARIOUSßTHINGSßTHATßPEOPLEßVALUEßINßMODERNßSOCIETYß7HATßMIGHTß THEß0URITANSßTHINKßOFßSOMEßOFßOURßMODERNßVALUESß7HATßDOßYOUßTHINKßOFßOURß VALUESßTODAY 3TUDENTSßSHOULDßEXPLAINßHOWßTHEIRßVALUESßCOMPAREßTOßTHEßVALUESßOFßRELIGIONßLOVEßFAMILYßANDß ?????????????????????????????????????????????????????????????????? HOMEßEXPRESSEDßINßTHEßPOEMS ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????? !CADEMICß6OCABULARYßINß3PEAKING DOCUMENT ILLUSTRATE INTERPRET PROMOTE REVEAL QROK>KAQ>IH 7ITHßAßPARTNERßDISCUSSßWHATßPOEMSßCANßREVEALßABOUTßTHEß TIMESßINßWHICHßTHEYßAREßWRITTENß5SEßATßLEASTßONEßOFßTHEß!CADEMICß6OCABULARYß WORDSßINßYOURßEXPLANATIONß$EFINITIONSßFORßTHESEßTERMSßAREßLISTEDßONßPAGEßß 3TUDENTSßMAYßSAYßTHEßPOEMSßREVEALßTHEßRELIGIOUSßVALUESßOFßTHOSEßWHOßLIVEDßDURINGßTHEßTIMEßINß WHICHßTHEßPOEMSßWEREßWRITTEN !SSESSMENTß0RACTICE $)2%#4)/.3ß 5SEß±4Oß-Yß$EARßANDß,OVINGß(USBAND²ß±5PONßTHEß"URNINGß OFß/URß(OUSEß*ULYßTHß²ßANDß±(USWIFERY²ßTOßANSWERßQUESTIONS߯ ß )ßPRIZEßTHEEßMOREßTHANßAßWHOLEßMINEßOFßGOLDßISßANß EXAMPLEßOFß° ! " # $ ß METAPHOR ß PERSONIFICATIONß ß HYPERBOLEß ß ALLUSION ß 4HEßMESSAGEßOFß±5PONßTHEß"URNINGßOFß/URß(OUSEß *ULYßTHß²ßISß° ! " # $ ß HEAVENLYßTREASURESßOUTWEIGHßEARTHLYßONES ß HOMESßBURNßDOWNßDUEßTOßLACKßOFßFAITH ß LIFEßONßEARTHßISßBRIEFßANDßPAINFUL ß PEOPLEßSHOULDßTREASUREßMATERIALßGOODS ß 7HICHßISßTHEßBESTßRESTATEMENTßOFß&ARßBEßITßTHATß )ßSHOULDßREPINEßLINEßßFROMß±5PONßTHEß"URNINGß OFß/URß(OUSEß ! " # $ ß )ßHAVEßAßLIFEßOFßSUFFERINGßAHEAD ß )ßLONGßTOßBEßFARßAWAYßFROMßHERE ß )ßWOULDN´TßDAREßTOßCOMPLAINß ß )ßDAREßNOTßFALLßBACKßASLEEP ß )NßTHEßFIRSTßSTANZAßOFßHISßPOEMß%DWARDß4AYLORß COMPARESß'ODßTOß° ! " # $ ß ANßARCHITECT ß AßSPINNERßß ß WOOLßYARN ß AßHOUSEWIFE 4/ -9 $%!2 ßßßßßß 50/. 4(% "52.).' ßßßßß (537)&%29
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