Perri Lee Roberts
Curriculum Vitae
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Date:
March 1, 2013
PERSONAL
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Name: Perri Lee Roberts
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Home Phone:
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Office Phone: 305-284-8885
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Home Address: 7431 S.W. 56th Court, Miami, FL 33143
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Current Academic Rank: Professor
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Primary Department: Art and Art History
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Secondary or Joint Appointments: N/A
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Citizenship: U.S.
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Visa: N/A
305-285-9252
HIGER EDUCATION
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Institutional: Bryn Mawr College, Graduate School of Arts and Sciences; Ph.D., 1982
Smith College, History of Art; A.B., 1975
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Non-Institutional: N/A
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Certification, licensure: Higher Education Resource Services (HERS) Institute, August-November, 2008
EXPERIENCE
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Academic:
University of Miami, Coral Gables:
Professor of Art History, 2002-present
Associate Professor of Art History, 1991-2002
Assistant Professor of Art History, 1984-1991
Visiting Lecturer, 1981-1984
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Non-academic: N/A
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Military: N/A
PUBLICATIONS
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Books and Monographs:
The Corpus of Early Italian Paintings in North American Public Collections: The South. Georgia Museum
of Art, 2009, 808 pp.
Sacred Treasures: Early Italian Paintings from Southern Collections, with essays by Bruce Cole and
Hayden H.B.J. Maginnis. Georgia Museum of Art, 2002, 221 pp.
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Masolino da Panicale, Oxford University Press, Clarendon Series in the History of Art, 1993; 312 pp.
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Juried or refereed journal articles:
“Ulrich A. Middeldorf (1901-1983) and Textiles,” Getty Research Journal 5 (2013): 189-196.
“The Legacy of Carlo Dolci,” From the Vault, Building a Legacy: Sixty Years of Collecting at the Lowe
Art Museum, University of Miami, Coral Gables, 2012, pp. 18-20.
Catalog entries, Sacred Stories, Timeless Tales: Mythic Traditions in World Art from the Lowe Art
Museum, University of Miami, Coral Gables, 2011, pp. 6, 34-35, 49.
“Louis Charles Auguste Couder’s Death of Masaccio,” Source: Notes in the History of Art 19/2 (2010):
39-45.
“Familial Values and Franciscan Polemics in Late Trecento Florence: The Iconographic Program of the
Castellani Chapel in Santa Croce,” Gesta 48/1 (2009): 87-115.
“Shylock’s Not to Blame: An Image of a Jewish Moneylender in Late Fourteenth Century Florentine
Painting,” The Historian’s Eye: Essays on Italian Art in Honor of Andrew Ladis, Georgia Museum of Art,
University of Georgia, 2009, pp. 83-92.
“Collaboration in Early Renaissance Art: The Case of Masaccio and Masolino,” Cambridge Companion
Guide to Masaccio, Cambridge University Press, 2002, pp. 87-104.
“New Observations on St. Francis in Glory,” Brooks Museum Bulletin: Essays on the Collection, III,
1999: 6-19.
“A Newly Recovered Painting by Masolino da Panicale,” Artibus et Historiae, XIX, 38 (1998): 171-77.
“An Iconographic Oddity: Memling’s Depiction of the Sacrifice of Jepthah’s Daughter, Source: Notes in
the History of Art, XVII, 3 (Spring 1998): 14-19.
“Lorenzo Costa’s Monteveglio Altarpiece: A Case Study in the Representation of the Virgin’s Death and
Assumption in the Late Fifteenth-Century, Arte Cristiana, 781, lxxxv (July-August 1997): 264-72.
Lowe Art Museum Selected Works; Handbook of the Permanent Collection, Coral Gables, 1995, pp. 2040, 42-45.
“Lost and Found: The San Niccolò Annunciation Reconsidered,” Southeastern College Art Conference
Review, XI (1990): 372-78.
Paintings and Textiles of the Bass Museum of Art: Selections from the Collection, Miami Beach, 1990,
pp. 8-10, 14-18, 38, 80, 88, 90.
“Cornelis Buys the Elder's Seven Works of Mercy: An Exemplar of Confraternal Art From Early
Sixteenth-Century Northern Europe,” Renaissance and Reformation, XXV, i (1989): 135-49.
“Mariotto di Nardo's Fresco for the Capitani of Orsanmichele,” Mitteilungen des Kunsthistorischen
Institut in Florenz, XXX (1986-87): 585-86.
“St. Gregory the Great and the Santa Maggiore Altar-Piece,” The Burlington Magazine, CXXVII (1985):
292-96.
19.
Other works, publications, abstracts:
Book review: Rona Goffen,
(www.caareviews.org/reviews)
ed.,
Masaccio’s
Trinity,
in
CAA.reviews
(16
June
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1999)
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Book review: Hayden B.J. Maginnis, Painting in the Age of Giotto: A Historical Reevaluation, in
Southeastern College Art Conference Review, XIII, 3 (1998): 274-77.
Book review: Regina Soria, American Artists of Italian Heritage, 1776-1945: A Biographical Dictionary,
in Italian Americana Review, XIV, 1 (Winter 1996): 117-18.
Book review: Elizabeth Cropper, ed., Florentine Drawings at the Time of Lorenzo the Magnificent, in
Fifteenth-Century Studies, XXII (1995): 200-06.
Exhibition review: “Paintings from Pavlovsk Palace at the Bass Museum,” Apollo (July 1995): 64-65.
Book review: Norman E. Land, The Potted Tree: Essays in Venetian Art, in Southeastern College Art
Conference Review, XII (1994): 291-94.
Book review: James S. Ackerman, Distance Points: Essays in Theory and Renaissance Art and
Architecture, in Fifteenth-Century Studies XX (1993): 329-33.
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Other works accepted for publication:
“Vasari’s 1568 Life of Masaccio,” The Ashgate Research Companion Guide to Giorgio Vasari
(forthcoming, 2013).
PROFESSIONAL
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Funded Research Performed: J. Paul Getty Research Library Grant, $1500, October 2010
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Editorial Responsibilities: N/A
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Professional and Honorary Organizations:
Member, Morey Book Award Jury, College Art Association, 2007-2010
Member, Professional Practices Committee, College Art Association, 2004-2007
Member, Southeastern College Art Conference Presidential Committee on Art History Tenure and
Promotion, 2003-2004
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Honors and Awards: Excellence in Scholarly Research and Publication Award, Southeastern College
Art Conference, 1994; 2010
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Post-Doctoral Fellowships: N/A
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Other Professional Activities
Museum Activities:
Guest Curator, “The Materials of Culture: Renaissance Textiles, Medals and Plaquettes form the
Collection of Ulrich A. Middeldorf (1901-1983),” Georgia Museum of Art, Athens, GA, 2009-present
Curatorial consultant, Reinstallation of the Kress Collection, Georgia Museum of Art, Athens, GA, 2010
Adjunct Curator of Renaissance and Baroque Art, Lowe Art Museum, Coral Gables, 1991-present
Guest Curator, “Sacred Treasures: Early Italian Paintings from Southern Collections,” Georgia Museum
of Art, Athens, GA; Ringling Museum, Sarasota, FL; Birmingham Museum of Art, Birmingham, AL;
2002-2003
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Member, Education Committee, Museum of Contemporary Art, Miami, 1998-1999
Education Committee, Miami Art Museum, 1997-1999
Adjunct Curator, Bass Museum of Art, Miami Beach, 1986-1990
Papers Presented:
“The Trecento Cult of Sant’Egidio in Florence,” Trecento Conference, University of Georgia, Athens,
Georgia, November 2010
“Vasari’s Life of Taddeo Gaddi,” College Art Association Conference, Chicago, Illinois, February 2010
The “Ship of Love” Painter: Venetian? Ferrarese? Florentine?, Renaissance Society of America
Conference, Chicago, Illinois, March 2008
“Shylock’s Not to Blame: An Image of a Jewish Moneylender in Late Fourteenth-Century Florentine
Art,” Symposium in Honor of Andrew Ladis, Georgia Museum of Art, Athens, Georgia, September 2006
“St. Cosmas and St. Damian: A Late Fourteenth-Century Florentine Painting in the Collection of the
North Carolina Museum of Art,” Southeastern College Art Conference, Raleigh, North Carolina, October
2003
“The Virgin Mary Delivers the Keys to St. Francis: A Painting by Niccolò Pisano (1470-died? 1538),”
Southeastern College Art Conference, Mobile, Alabama, October 2002
“The Historical Context of Masaccio and Masolino’s Collaboration,” Southeastern College Art
Conference, Norfolk, Virginia, October 1999
“A Newly Discovered Painting by Masolino da Panicale,” University of Georgia Museum of Art
Conference on Early Italian Art, Athens, Georgia, April 1996
“The Early Fifteenth-Century Decoration of the Brancacci Chapel: The Altar Wall,” College Art
Association Conference, Chicago, Illinois, February 1992
“The Altar, Altarpiece, and Decoration of the Altar Wall in the Brancacci Chapel,” Southeastern College
Art Conference, Memphis, Tennessee, November 1991
“The Renovation of San Saba, Rome,” International Congress on Fifteenth-Century Studies, Perpigan,
France, July 1990
“Lost and Found: The San Niccolò Annunciation Reconsidered,” Southeastern College Art Conference,
Little Rock, Arkansas, October 1989
“Cornelis Buys the Elder's Seven Works of Mercy,” Conference on Ritual and Recreation in Renaissance
Confraternities, Toronto, Canada, April 1989
“Popular Religious Imagery in Late Fifteenth-Century Tuscany as Evinced by the Paintings of Neri di
Bicci,” International Medievalist Conference, Kalamazoo, Michigan, May 1987
“The Coronation of the Virgin by Botticelli and Ghirlandaio,” Southeastern College Art Conference,
Tuscaloosa, Alabama, October 1986
“Mariotto di Nardo's Fresco for the Capitani of Orsanmichele,” Southeastern College Art Conference,
New Orleans, Louisiana, October 1985
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“The Brancacci Chapel: Design vs. Execution,” Southeastern Medieval Association, Richmond,
Kentucky, October 1984
“St. Gregory the Great and the Santa Maria Maggiore Altarpiece,” Conference on Patristic, Medieval and
Renaissance Studies, Villanova, Pennsylvania, September 1984
“The Man of Sorrows Fresco of Masolino da Panicale,” Southeastern Medieval Association, Dallas,
Texas, October 1982
“The Decoration of the Holy Cross Chapel, Empoli,” New College Conference on Medieval-Renaissance
Studies, Sarasota, Florida, March 1982
Selected Public Lectures:
“Samuel H. Kress, Collector,” Meadows Museum, Southern Methodist University, Dallas, Texas, April
2008
“An Introduction to the University Libraries’ Three Millionth Volume: Dialogues et Chants Royaux,”
University of Miami, September 2007
“What is Sacred About These Treasures?,” Birmingham Museum of Art, February 2003
“St. Francis in Glory,” Brooks Museum of Art, Memphis, Tennessee, March 1998
“The Works and Career of Masolino da Panicale,” Visiting Lecture Series of the Department of Art,
University of Florida, Gainesville, March 1994
“Renaissance and Baroque Paintings from Southeastern Collections,” Center for the Fine Arts, Vero
Beach, Florida, February 199
“Italian Painters of Beautiful Women: Ideal Feminine Beauty in Medieval and Renaissance Art,” Bass
Museum of Art, Miami Beach, January 1987
Other educational activities:
Lecturer and Seminar Co-Facilitator, Council of Independent Colleges Kress Seminar, High Museum of
Art, Atlanta, GA, June 2011
Institutional Representative, Southern Association of Schools and Colleges, 1999-2006
Participant, FIPSE Learning Communities Project, Washington Center for Improving the Quality of
Undergraduate Education, Evergreen State College, Olympia, Washington, June 1997
Participant, Lilly Endowment Workshop in the Arts and Humanities, Colorado College, Colorado
Springs, Colorado, June-June 1993
TEACHING
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Teaching Awards Received: N/A
28.
Teaching Specialization: Art Appreciation; Survey of the History of Art: Ancient to Medieval; Survey of
the History of Art: Renaissance to Modern; Medieval Art; Fifteenth-Century Italian Art; SixteenthCentury Italian Art; Northern Renaissance Art; Baroque Art; Seminar on Leonardo; Seminar on
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Michelangelo; Seminar on Raphael; Seminar on Fourteenth-Century Italian Art; Seminar on FifteenthCentury Florentine Painting; Seminar on Sixteenth-Century Northern Art; Seminar on EighteenthCentury European Art; Seminar on Art Historical Methodologies; Seminar on the History of Art History
29.
Thesis and Dissertation Advising:
Committee Member, “François Valentijn’s Oud en Nieuw Oost Indien and the Dutch Frontispiece in the
17th and 18th Centuries,” Thesis, History of Art, Maria LaBarge, 2008
Chair, “Bacchiacca’s Desco da Nozze of Ghismonda with the Heart of Guiscardo,” Thesis, History of Art,
Catalina Corpas, 2000
Committee Member, “Modernism’s Wilderness of Mirrors,” Ph.D. Dissertation, English, Mamta
Chaudhry-Fryer, 1999
Chair, “Auguste Borget (1808-1877): Artist of the July Monarchy,” Thesis, History of Art. Jennifer J.
Lentz, 1997
Committee Member, “John Baldessari’s Composite Photoworks: Meaning and Interpretation,” s Thesis,
History of Art, Lisa A. Schiff, 1996
Committee Member, “Jose Bedia,” Thesis, History of Art, Francine Birbragher, 1996
Committee Member, “Hugo Gellert: Art on the American Political Front, 1914-43,” Thesis, History of
Art, Anne W. Low, 1995
Committee Member, “Andy Warhol's Paintings of Money: The Evolution of a Theme in Warhol's Life
and Work,” Thesis, History of Art, Mary Engel, 1994
Committee Member, “The Works of the American Landscape Painter Van Dearing Perrine, 1869-1955,”
Thesis, History of Art, Carol A. Wolf, 1993
Committee Member, “The Victorian Concept of the Italian Renaissance in Browning, Ruskin, Eliot, and
Pater,” Ph.D. Dissertation, English, Rose Lee Bancroft, 1992
Committee Member, “The Virgin Mary and the Artist: Art in Colonial Cusco,” Ph.D. Dissertation, Latin
American History, Carol Damian, 1992
Chair, “The Development of a New Joseph Type as Seen in a 16th-Century Netherlandish Painting by
Marcellus Koffermans,” Thesis, History of Art, Bernadine Heller-Greenman, 1990
Committee Member, “The Pictorial Approach to Garden Design in the Works of Claude Monet, and
Gertrude Jekyll,” Thesis, History of Art, Jean Greer, 1989
Committee Member, “Byzantium: Pound's Star,” Thesis, English, Viviana Bussola, 1988
Committee Member, “Robert Campin and Workshop: The Von Werl Altarpiece,” Thesis, History of Art,
Gloria Maria Cabassa, 1987
Committee Member, “Leisure Class Women in Nineteenth-Century French Society as Reflected in the
Art of Berthe Morisot,” Thesis, History of Art, Denise Most Gerson, 1985
SERVICE
30.
University Committee and Administrative Responsibilities:
Provost’s Research Council, 2011-present
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Advisory Board Member, Center for the Humanities, 2011-present
Senior Associate Dean, College of Arts and Sciences, 2007-2010; 2013
Vice Provost for Undergraduate Affairs, 1999-2006
Assistant Provost for Honors and Academic Enhancement, 1996-1999
Director of the Honors Program, 1994-1999; 2004-2006
Associate Dean, College of Arts and Sciences, 1996-1997
Chair, Search Committees for the University Library; Dean of the School of Education; Chair of the
Theatre Arts Department
Acting Chair, Department of Art and Art History
Director, Judaic Studies Program
31.
Community Activities: See Museum Activities (#26 above)
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