I have found the venerable combination of choir and harp to be
a deeply rewarding ensemble to compose for. A composer who
has taken to heart the received caveats concerning writing aptly
for the harp as well as for the voice will find an abundance of
expressive resources in this compelling genre. – William Hawley
Aug.indd 30
6/29/09 1:50 PM
With Harp and Voice:
An Annotated Bibliography
of Harp/Choral Works
By James and Emily John
Editor’s note: This article contains an index of suggested repertoire organized by voicing which can
be found on the ACDA Web site.
Click on the interactive link on the
Choral Journal page <www.acda.org/
publications/choral_journal>.
Although harp is one of the most
ancient instruments, the doubleaction pedal harp (what we
could call the modern harp),
was invented in 1810 and
has only been in wide use
since the 1850s. Since then,
countless composers have
been inspired to write for this
“venerable combination,” but
only a handful of pieces such
as A Ceremony of Carols have
entered the standard repertory. Unfortunately, many works written for harp
are performed with piano (due to the realities of
budgets, rehearsal time, and difficulty in finding a
harpist), and harpists are often given octavos scored
for piano that are playable, but not idiomatic or appropriate for the harp. It is our hope that this bibliography will
make the extraordinary wealth of literature composed or
arranged specifically for harp and choir more accessible to
choirs at all levels. While by no means complete, the nearly
two hundred pieces listed offer ample ideas for successful
performance.
Part of the challenge in programming harp/choral
works is finding a harpist. Contacting your local chapter
James John is associate professor and director of choral activities at the
Aaron Copland School of Music, Queens College-CUNY, and serves
as Project Chair for Research and Scholarship in ACDA’s Eastern
Division. He received his doctorate from the Eastman School of Music
<[email protected]>.
Emily John is a freelance harpist in the NYC area, and a conductor,
arranger, and singer <[email protected]>.
Choral Journal • August 2009
Aug.indd 31
of the American Harp Society (AHS) is a great start.
<www.harpsociety.org>. Regional
representatives of the AHS may
be able to provide contact information for harpists in your area.
Local colleges or universities with
established music programs may also
have a faculty harpist who can put
you in touch with recent graduates
or current harp majors. University or community orchestras
sometimes have a list of professional harpists in the area
that they use. In addition,
you can check the wedding
section of your paper or call
local party houses for listings
of harpists who perform at
weddings and other functions. Be
broad in your search—many harpists are
accustomed to traveling a considerable distance
for performances.
Our bibliography focuses on works for solo harp
and choir, with the occasional addition of one or two
instruments. Chamber works or compositions for small
orchestra and chorus (which are numerous enough to
warrant a bibliography of their own) have been excluded,
along with works that are out of print or rental only. Most
of the pieces found here are scored for pedal harp, though
a select few can be performed on lever harp. We have
made special note of this, and have indicated those works
that are particularly suitable for a student in the event that
there is a young harpist in your community that would
like to gain experience. The concluding index is arranged
according to voicing (SA, SSA, TTB, SATB, etc.), and categorizes works as sacred, secular, or suitable for Christmas.
A companion article, “Beyond the Britten: an Annotated
Bibliography of Harp/Choral Works” was published in the
American Harp Journal (volume 20, no. 1, summer 2005)
to introduce harpists to lesser known harp/choral works
and encourage them to seek out choirs to collaborate
and perform with.
31
6/29/09 1:50 PM
Allaway, Ben
Tres Villancicos de Navidad
[Three Christmas Villancicos]
(published separately)
1. Dadme albricias hijos d’Eua
2. Riu, Riu, Chiu
3. Dansaron
SATB, harp, flute, tambourine
and/or drum
The Castilian text is the most challenging aspect of
these three delightful arrangements, which are not
at all difficult. Both a clear pronunciation guide and
a singable phonetic translation are provided. Brisk
tempi make it essential that the harpist has the
score well in advance. Percussion can be played
by a chorus member.
Santa Barbara Music Publishing
Andersen, Ann Kapp
Christmas Theme and Variations
SSA, harp
A chant-like theme becomes the subject of three
variations in this lovely, short piece, telling a succinct version of the Christmas story.
Treble Clef Music Press
Argento, Dominick
Tria Carmina Paschalia
( Three Latin Easter Lyrics)
SSA, harp, guitar (or harpsichord)
This challenging work, suitable for advanced
women’s choirs, follows a progression from Good
Friday through Easter Sunday. Argento sets the
text with utmost care, and his expressive choral
writing is very rewarding to sing. Approximately
15’ duration.
Boosey & Hawkes
Bach/Gounod,
arr. Richard Proulx
Ave Maria
SATB, harp
Traditional Bach/Gounod Ave Maria scored for
SATB choir. A version for string quintet and organ
is also available.
GIA Publications
Bach, J. S.
arr. John Washburn
Bist du bei mir
SAATB, harp, optional soloist or
children’s choir, organ
An appealing and versatile arrangement by Jon
Washburn, Artistic Director of the Vancouver
Chamber Choir. The melody may be sung by a
soprano soloist, by the soprano section, or by
children’s voices, while the remainder of the choir
accompanies on neutral syllables. Organ and harp
provide a lovely foundation for the choral sound.
Walton Music
32
Aug.indd 32
Bailey, David
Ae Fond Kiss
SATB (divisi ), tenor solo, harp
Poignant setting of a poem by Robert Burns that
describes the sorrowful parting of two lovers.
Alliance Music Publications
Barnett, Carol
Red River Valley
SATB (divisi ), harp, oboe
An enchanting arrangement with striking, plaintive
harmonies. The separate harp part is necessary
since it differs from the piano part provided in
the choral octavo. Commissioned by the Dale
Warland Singers.
Colla Voce Music
Bassi, James
Harpsonnets
(Four Sonnets by Shakespeare)
SATB, harp
The Victor Salvi Foundation commissioned
Harpsonnets to serve as a benchmark for choral/
harp works, and to encourage composers to
write sophisticated compositions that use harp
idiomatically. Bassi composes in a tonal style that
is appealing and not overly difficult, making this
piece particularly apt for community or college
choirs. Each Shakespeare sonnet was chosen to
reflect a different aspect of love. A separate harp
part is available from the publisher.
Oxford University Press
Berg, Ken
Ding, Dong! Merrily on High
Unison treble voices, harp
An interesting accompaniment reinvigorates this
well-known carol, providing variety and contrast
to the unison vocal line.
Chorister’s Guild
Berkey, Jackson
Anniversary Carols
SATB, harp, double bass, and percussion (finger cymbals and drum)
This set of twelve arrangements is intended to
serve as the basis for a service of lessons and carols. Pieces accompanied by harp are interspersed
with a cappella arrangements as well as harp solos.
Suggested scriptural readings are provided in the
introduction. The arrangements are refreshingly
inventive and challenging. Though this collection
places the arrangements in an order suggested
by the composer, each arrangement is also available separately.
Arrangements that feature choir and harp are
as follows:
God Rest Ye Merry Gentlemen
Jesu, Son Most Sweet and Dear
Come, Thou Long Expected Jesus
(SATB or SSA)
Il Est Né Le Divine Enfant
(with drum and double bass)
Still, Still Night (Silent Night)
(SATB or SSAA)
SDG Press
Berlioz, Hector (arr. Trinkley)
“Wedding Chorus”
from Béatrice et Bénédict
TBB, harp
Originally for women’s voices, this arrangement
for men’s chorus is well written and effective. In
French, with a singable English translation. Formerly published by Lawson-Gould.
Contact Bruce Trinkley at <[email protected]> for
score information.
Biery, James
O Come, Divine Messiah
Two-part treble choir, harp, oboe,
optional handbells
The instrumentation creates a festive background for young voices in this arrangement of a
sixteenth-century French carol. Clarinet or a Cinstrument can be substituted for the oboe part;
parts are included for oboe or clarinet.
MorningStar Music Publishers
Surge Inluminare
SATB, harp
This celebratory anthem for Advent can be sung
in Latin or English. The text is based on the theme
“Arise, shine, for your light has come.”
MorningStar Music Publishers
Bisbee, B. Wayne
Joseph, Dearest, Joseph Mine
Two part mixed chorus
(or solo voices), harp
Optional: organ, cello, two
treble instruments
The variety of performing options adds versatility
to this easy carol arrangement. A separate harp
part is available.
MorningStar Music Publishers
Bock, Almon C. II
Mary’s Lullaby
SA, harp
This easy, contemplative carol depicts Mary singing to the Christ child. The harp accompaniment
requires a few minor edits.
GIA Publications
Choral Journal • August 2009
6/29/09 1:50 PM
With Harp and Voice
Brahms, Johannes
Vier Gesänge, Op. 17
1. Es tönt ein voller Hafenklang
[Harp Notes Ring Forth]
2. Lied von Shakespeare
[Song from Shakespeare’s
Twelfth Night ]
3. Der Gärtner [The Gardener]
4. Gesang aus Ossians Fingal
[Song from Ossian’s Fingal ]
SSAA, two horns and harp
The enduring popularity of this set of pieces is due
in part to the uniquely beautiful combination of
two horns, women’s choir and harp. A variety of
texts, tempi and expressive contrasts also make
them particularly appealing. The harp writing is
demanding but very idiomatic; a separate harp
part is available. Approximately 15’ duration.
C. F. Peters
Britten, Benjamin
A Ceremony of Carols
SSA, harp
(SATB arrangement available)
This is probably the most well-known and
frequently performed work in the harp/choral
repertoire. Although the SSA version is the original, Britten sanctioned (possibly at his publisher’s
urging) the SATB version. Approximately 20’ duration; movements are often performed separately.
A separate harp part is available.
Boosey & Hawkes
“Choral Dances” from Gloriana,
Op. 53
SATB, tenor solo, harp
The “Choral Dances” from Britten’s opera Gloriana are often excerpted and performed as a set
of six unaccompanied pieces. In this version, the
choruses are interwoven with solos for tenor
and harp, preserving more of the original context.
Requires a very good tenor soloist.
Boosey & Hawkes
Carey, Paul
A Cradle Song
SA, harp
This evocative setting of a lovely poem by William
Blake is suitable for Christmas but is not specifically sacred, and therefore may be performed at
any time of year. Unexpected harmonic shifts can
create slight pedal noise in the harp, but otherwise
the accompaniment works well.
Oxford University Press
Choral Journal • August 2009
Aug.indd 33
cont
Carnahan, Craig
The Christ-Child Lay
on Mary’s Lap
SATB, harp
An easy anthem for the Christmas season with
a text by the famous English literary figure G. K.
Chesterton.
Augsburg Fortress
Carney, David
A Child is Born
SATB, harp, triangle, guitar
The combination of triangle, guitar and harp adds
interesting color to this setting of a Dutch carol
text translated into English. Though tonal and
primarily homophonic, harmonies are refreshingly
non-traditional. Mixed meter creates substantial
rhythmic challenges.
E.C. Schirmer
The Angel Gabriel
SATB, tenor solo, harp
Interesting, newly composed setting of this wellknown text. Though the choral writing is not
difficult, the accompaniment is relatively sparse
and rarely doubles the vocal lines.
E.C. Schirmer
Carter, Andrew
Three Upper-voice carols
(published separately)
1. Maria walks amid the thorns
2. The Holly and the Ivy
3. Jesus Christ the Apple Tree
SSA, harp
This lovely set of newly composed carols on
traditional Christmas texts features contrasting
styles, tempi, and accompanying figures. Separate
harp parts are available—the harp part for Jesus
Christ the Apple Tree differs from the piano version
printed in the choral octavo, and is thus essential.
Oxford University Press
paniment that can be played on harp, handbells
or any keyboard instrument. A lever harp could
be used, and the part is appropriate for a student
harpist.
Hinshaw Music
Clausen, René
There is No Rose
SATB (divisi ), harp, cello
A lyrical cello par t complements Clausen’s
thoughtful setting of this well-known fifteenthcentury text. Separate harp and cello parts are
available.
Santa Barbara Music Publishing
Cox, Michael
Christ Ever With Me
SATB, harp
This anthem features words adapted from St.
Patrick’s Breastplate and harp accompaniment
that mimics Bach’s Prelude in C.
Mark Foster Music Company
Csonka, Paul
Concerto de Navidad
[Christmas Concerto]
1. Amoroso Pastorcillo
[The Loving Shepherd]
2. Al Niño Jesús
[To the Child Jesus]
3. La Nana [Lullaby]
SSAA, soprano solo, harp
These pieces contain many interesting contrasts
in mood and style, and are written in a tonal
idiom that is accessible and rewarding to sing.The
choral writing, as well as rhythmic and harmonic
challenges makes this work most appropriate for
an advanced women’s choir. Approximately 14’
duration; movements can be excerpted, but are
not available separately.
Peer Music
Chatman, Stephen
Lo in a Manger
SSA, harp
The lilting triple meter of this carol evokes a
peaceful, pastoral mood. Easy, homophonic
three-part writing; the accompaniment is more
idiomatic on keyboard than harp, though harp
may be used effectively.
E. C. Schirmer
Culloton, Matthew, arr.
Golden Slumbers
SSA, harp, flute
(oboe or violin may also be used)
This text, made famous by John Lennon and Paul
McCartney, is presented here in its original form,
as a seventeenth-century folk song. The accompaniment works equally well on harp or piano,
and may be played on lever harp.
Neil A. Kjos
Chilcott, Bob
Jesus, Jesus, Rest Your Head
SATB, harp or handbells or keyboard
Chilcott’s elegant arrangement of this well-known
carol is characterized by a simple, tuneful accom-
Daley, Eleanor
Sweet Was the Song the Virgin
Sang
Unison voices, harp
A lovely lullaby for the Christmas season.
Hinshaw Music
33
6/29/09 1:50 PM
Del Tredici, David
Acrostic Song
SATB (divisi ), soprano solo, with
optional harp
Del Tredici’s Acrostic Song is an imaginative setting of the final poem from Through the Looking
Glass by Lewis Carroll. The optional harp part
adds lovely color to the piece, which can also be
performed a cappella. A separate harp part is
available and necessary.
Boosey & Hawkes
Ellingboe, Bradley, arr.
The Child of Mary
[El Noy de la Mare]
SATB, soprano solo, harp
This sweet and simple Christmas piece alternates
between English and traditional Catalan. A clear
pronunciation guide is provided for the Catalan
text.
Neil A. Kjos
Jesus, Good Shepherd
SATB, harp
Based on Psalm 23, this easy anthem is suitable
for any time of year.
Augsburg Fortress
Entsminger, Deen E., arr.
My Heart of Gold (Greensleeves)
SATB, harp
This arrangement of Greensleeves uses the
original, secular text from “A Handfull of Pleasant
Delights” (1584), providing an opportunity to
sing this famous melody outside of the Christmas
season.
Colla Voce Music
Erickson, Richard
‘Twas in the Moon of Wintertime
SATB, harp
Lovely English arrangement of Une Jeune Pucelle,
a French folk melody in Dorian mode, celebrating
the birth of Christ.
Augsburg Fortress
Fauré, Gabriel
Cantique de Jean Racine
SATB, harp
Although originally scored for organ, a separate
harp part (by Marilyn Marzuki), is available from
the publisher that provides a lovely alternative for
this famous piece.
Broude Brothers Limited
34
Aug.indd 34
Tantum Ergo, op. 55
SATBB, tenor solo, harp, organ
Perhaps less well-known than his Op. 65 setting
of the same text (for SSA and organ), this earlier
work combines sustained harmonies in the organ
with beautiful arpeggiated chords in the harp.
Choral parts are easy, but a good tenor soloist
is necessary.
Carus-Verlag
Ferko, Frank
A Festival of Carols
SATB (divisi ), harp
Commissioned by the Dale Warland Singers in
2002, this work is based on five Christmas carol
texts by nineteenth-century Americans, and is
an intriguing alternative to arrangements of traditional carols. The choral writing is challenging,
with frequent use of chord clusters and divisi.
The harp part is notated with no key signatures
(only accidentals), which may be an adjustment
for the harpist. A separate harp part is available.
Approximately 13’ duration.
E.C. Schirmer
Fink, Michael
What Sweeter Music
SATB, harp, guitar and triangle
Attractive setting of a festive text by Robert
Herrick. Choral parts are not difficult and the
combination of harp, guitar and triangle creates a
unique effect. Separate parts for instrumentalists
are available.
E. C. Schirmer
Gawthorp, Daniel
Night, Sleep, Death and the Stars
SATB (divisi ), harp
A moving, short work based on texts by Walt
Whitman in a tonal, easily accessible style. Extended (though not difficult) a cappella sections
may present challenges. The harp accompaniment
creates a rich resonance on the instrument and
is a wonderful counterpoint to the shifting choral
harmonies.
Dunstan House
Grantham, Donald
On This Day
SAB or SATB, harp, percussion,
optional children’s chorus
An appealing seasonal work in six movements,
setting varied Advent and Christmas texts in contrasting styles and tempi. Ideal for churches with
both adult and children’s choirs. Approximately
10’ duration.
Mark Foster Music
Griffin, Rebekah
Winter Calling
SATB (divisi ), harp
This imaginative setting of a love poem (by the
composer) is challenging, yet accessible. A separate harp part is available.
Santa Barbara Music Publishing
Grundahl, Nancy
Danny Boy
Three-part treble, harp
An interesting arrangement with non-traditional
harmonies and unexpected accompanying
gestures, adding freshness and originality to this
beloved tune. Several a cappella sections may
present challenges, but they also make this an
excellent teaching piece.
Hal Leonard
I Know Where I’m Goin’
SSA, harp
This lovely Irish melody has a text that young
women can often relate to personally. Grundahl’s
easy arrangement begins in unison, leads to a
three-part climax with lush chords, and concludes
on an unresolved dominant chord, with the question, “But who knows who I’ll marry?”
Neil A. Kjos
Gustafson, Dwight
Bless the Lord, O My Soul
SATB, harp, organ
Harp and organ are featured in this appealing
and moderately easy anthem, with a text adapted
from Psalm 103.
Hinshaw Music
Haas, David
Wherever You Go
Choir, congregation, harp,
C instrument, optional guitar
The text of this anthem is based on excerpts from
the Song of Songs and Ruth, and is appropriate for
weddings or general liturgical use. Unison verses
for congregation alternate with a two-part refrain.
GIA Publications
Halbardier, Arthur
The Sleep of the Infant Jesus
SATB, treble solo, harp, flute,
optional guitar
A gentle lullaby for the Christmas season. If desired, a children’s choir (in unison) could perform
the treble solo. The harp part is appropriate for
a student or amateur; separate parts for harp and
flute are included in the choral octavo.
MorningStar Music Publishers
Choral Journal • August 2009
6/29/09 1:50 PM
With Harp and Voice
Halévy, Jacques
Somakhti
SATB, harp, organ
Jacques Halévy (1799–1862), remembered primarily as a nineteenth-century French operatic
composer, wrote this setting of Psalm 122 as a
prelude to a Festival service. A clear pronunciation guide is provided for the Ashkenazic Hebrew
text, which is the main challenge of this relatively
easy work.
HaZamir Music (distributed by Transcontinental
Music Publications)
Harlow, Barbara
Silent Night
SATB, harp, handbell, glockenspiel
Interesting accompanying gestures add new
textures and colors to this traditional melody. A
separate harp part is available, and can be played
on a lever harp; a chorus member can play the
handbell part. The glockenspiel part (which is not
difficult) is included with the choral octavo.
Santa Barbara Music Publishing
Hawkins, Malcolm
Four Carols
SATB, harp
These festive, original carols are a refreshing addition to the Christmas repertoire.The texts (by the
composer) derive “from ancient symbolism which
conveys both the joy of birth and the mystery of
life.” All four (“A Vision,” “Storm Cloud,” “Iris,” and
“Jubal”) are included in one octavo.
Approximately 6’ duration.
E.C. Schirmer
Hawley, William
Alleluia, Dies Sanctificatus
SSAATTBB, harp
This gorgeous work is based on the plainchant
Alleluia for the Third Mass for Christmas. Rich
harmonies and elegant counterpoint create a
mood that is both serene and uplifting. The harp
is used as an accompanying instrument, but has
the feel of an obbligato/descant line. A separate
harp part is available.
Self-published, contact
<[email protected]>
The Snow That Never Drifts
SATB (divisi ), harp
Delightful setting of two Emily Dickinson poems
about snow.The harp accompaniment is demanding; a separate part is available.
Self-published, contact
<[email protected]>
Choral Journal • August 2009
Aug.indd 35
cont
Healey, Derek
A Maiden Mild
SATB, harp
Interesting and effective choral writing characterize this lovely adaptation of a fifteenth-century
text depicting the appearance of the Angel Gabriel to the Virgin Mary. A separate harp part is
available.
E.C. Schirmer
Thou Whose Birth on Earth
SATB, harp
Contemplative setting of a Christmas text by the
English Poet Algernon Charles Swinburne.
Paraclete Press
Hebble, Robert
Glad Tidings of Great Joy
SATB, narrator, harp, organ
Arrangements of six traditional hymns and carols
(“The Snow Lay on the Ground,” “Coventry
Carol,” “Silent Night,” “From Heaven Above to
Earth I Come,” “He is Born,” “O Holy Night”)
are included in this Christmas cantata. Narrations and an instrumental prelude are included
that could be used as part of a service of lessons
and carols. The interplay of harp and organ creates an interesting accompaniment for the choir.
A separate harp part is available. Approximately
20–25’ duration.
Sacred Music Press
Heitzeg, Steven
little tree
SATB, harp
Poignant setting of a touching e.e. cummings
poem about Christmas. Harp part is interesting
and unique; from single harmonics to lush chords
and arpeggios. A separate harp part is available.
Walton Music
Hess, Marjorie
The Oxen
SATB (divisi ), harp
Beautiful, atmospheric setting of a poem by Thomas Hardy describing a childlike vision of animals
kneeling beside the manger on Christmas Eve.
Walton Music
Holmes, Brian
I Shall Keep Singing!
SSAA or SSA, harp
Lovely and moderately easy setting of a poem by
Emily Dickinson.
Thorpe Music Publishing
The Shepherd and the King
SATB, harp
This work won the 2000 Welcome Christmas
Carol Contest sponsored by the American
Composers forum, and was premiered by Philip
Brunelle on the Plymouth Music Series’ annual
Welcome Christmas! concert. The choral parts are
not difficult, but the lively tempo makes the harp
part challenging. A separate harp part is available.
Thorpe Music Publishing
Holst, Gustav
Choral Hymns from the Rig-Veda,
Group III (Op. 26, No. 3)
1. Hymn to the Dawn
2. Hymn to the Waters
3. Hymn to Vena
4. Hymn of the Travellers
SSAA, harp
Holst published four groups of Choral Hymns
from the Rig Veda, all of which are settings of his
own English translations of portions of the Rig
Veda from the original Sanskrit. The third group
is the only set with harp accompaniment. It is an
exceptionally beautiful and demanding work for
both choir and harpist, and is part of the standard
repertory.
E.C. Schirmer
Two Eastern Pictures
1. Spring (SSA, harp)
2. Summer (SSAA, harp)
English translations of the Indian poet and
dramatist Kalidasa (first century A.D.), from the
original Sanskrit. Lesser-known and easier than
Choral Hymns from the Rig Veda, Group III, but
equally lovely.
Galaxy Music Corporation
Hopkins, James
Bless the Lord
SATB, harp, organ
An interesting combination of texts serves as the
basis for this piece: settings of Psalm 100 and
Psalm 103 frame a middle section that contains
well-known verses from the Song of Solomon.
Separate organ and harp parts are available.
E.C. Schirmer
The Rossetti Songs
(published Separately)
1. May
2. Come to Me in the Silence of
the Night (Echo)
3. When I am Dead, My Dearest
(Song)
4. A Birthday
SATB (divisi ), harp
These settings of Christina Rossetti’s poetry are
35
6/29/09 1:50 PM
written in a neo-Romantic style. They may be
performed as a set or individually. Originally for
SATB/harp, a version for chamber orchestra is also
available. Separate harp parts are available and
necessary for performance.
E.C. Schirmer
Hopp, Roy
God of Grace and God of
Laughter
SATB, harp, oboe or C instrument
An easy, tuneful anthem with text suitable for
general liturgical use.
Augsburg Fortress
Horn, Richard
A Christmas Blessing
SSA, harp
A short, lyrical blessing suitable for the Christmas
season.
MorningStar Music Publishers
She Wrapped Up the Light
SAATB, harp
A tuneful, hymn-like setting of a contemporary
Christmas text about the Christ child, with a
middle stanza for women’s voices.
MorningStar Music Publishers
Hovhaness, Alan
“Jesus Christ is Risen Today,”
final movement from Easter
Cantata
SATB, piano or organ, optional
harp and tamtam
Originally scored for chamber orchestra, this short
movement has been adapted by the composer
for smaller forces, and concludes with a series
of jubilant “Hallelujahs.” The primary accompaniment is for piano or organ; the optional harp
part (which the composer indicates could also be
played by a second piano or celesta) adds color.
Because the harp is naturally resonant, the harpist
may wish to muffle after each note to create the
crisp rhythm that is indicated.
Hal Leonard
Howell, John Raymond
The Angel Gabriel
Unison treble voices, optional
two-part, harp
A simple, sensitively arranged setting of this
familiar Basque carol. Voices sing in unison until
the end, where there is an optional second part.
Though scored for keyboard, the arrangement is
lovely (and often performed) on harp.
Boosey & Hawkes
36
Aug.indd 36
Janácˇek, Leoš
Otčenáš [Our Father]
SATB, tenor solo, harp, organ
This wonderful setting of The Lord’s Prayer is in
six short movements, and demands an excellent
tenor soloist. The Czech language will provide
challenges; the available edition has a singable
German translation.
Bärenreiter
Kallman, Daniel
Three Lullabies
1. Come to Your Mommy
(Canadian)
2. Schloof, Bobbeli, Schloof
(Pennsylvania Dutch)
3. ‘Tis Pretty to Be in
Ballinderry (Irish)
SSA, harp
Sensitive arrangements of three touching lullabies;
interesting, very idiomatic harp writing. The first
and third are in English; the second is in a German dialect of Pennsylvania Dutch (pronunciation
guide provided), and presents particular challenges with regard to language and rhythm.
Mark Foster Publishing
Kesselman, Lee
Auld Lang Syne
SATB, harp
Inventive rhythms and accompanying figures
make this arrangement particularly appealing.
Kesselman sets Robert Burns’ original words and
provides a guide for those interested in using
“Scots” pronunciation. The accompaniment was
originally written for piano; the composer specifies
that it can be “thinned slightly” if played on harp.
Boosey & Hawkes
Jesus Born in Bethlea
SATB (divisi ), harp
Beautiful and very expressive setting of this Mixolydian melody from the American oral tradition.
The harp writing suits the melody exquisitely and
could be played on a large lever harp.
Boosey & Hawkes
Kodaly, Zoltan
Wainamoinen Makes Music
[Venemöjnën Muzsikál]
SSAA, harp
Powerful setting of a text about an Orpheus-like
hero whose playing and singing cause all nature
to stop and listen. This edition is an English-only
version of the original Hungarian. A separate harp
part is available and essential as it differs considerably from the piano accompaniment.
Boosey & Hawkes
Korte, Karl
Lullay, litel child
SATB, harp, guitar
Combined harp and guitar sonorities create a rich
texture for this beautiful and evocative setting of
a Medieval English text. Though the title is similar
to the traditional “Lullay, lullay, thou little tiny child,”
the words (and music) are entirely different. The
Medieval English may present pronunciation challenges, as no pronunciation guide is provided. A
separate harp part is available.
E.C. Schirmer
Kosche, Kenneth T.
O Bride of Christ, Rejoice
TTB, harp
Easy, tuneful setting of a sixteenth-century Danish
text (in English translation).
Concordia Publishing House
Kraft, Leo
Set Me As A Seal
SATB, harp, cello
This demanding piece is a rewarding, worthwhile
challenge for an excellent choir.
SeeSaw Music Corporation
Larkin, Michael
A Stable Lamp is Lighted
SATB, harp
Harp adds lovely color to this Advent/Christmas
anthem, which is a setting of American poet
Richard Wilbur’s “A Christmas Hymn.”
MorningStar Music Publishers
Larsen, Libby
The Ballerina and the Clown
Children’s Choir (SAA) and harp
Subtitled “A Hans Christian Andersen Tale,” this is
a newly created fable inspired by H.C. Andersen’s
paper cuts. Seven short movements describe
intriguing characters, and the harp plays a key role
in depicting the story, energy and tone. Delightfully
well-written for children’s voices.
Oxford University Press
Leavitt, John
The Coventry Carol
SATB, harp, flute or C instrument
(also available in a three-part,
SAB, arrangement)
The accompaniment’s changing texture adds variety to each verse of this lovely English carol.
Easy arrangement for church or community use.
Hal Leonard
Choral Journal • August 2009
6/29/09 1:50 PM
Lisicky, Paul
Before the Paling of the Stars
SATB, solo (Any Voice), harp, oboe
This is an easy setting of a poignant Christmas
poem by Christina Rossetti.
GIA Publications
Liszt, Franz
Der 137 Psalm
SSAA, mezzo-soprano (or soprano)
solo, harp, violin, piano, and
organ/harmonium (ad libitum)
Liszt’s setting of Psalm 137 (“By the waters of
Babylon we sat down and wept”) is noteworthy
for its atmospheric depiction of the German text.
The choral parts are not difficult, but an excellent
soloist is needed. As noted above, the organ/
harmonium part is optional. Approximately 10’
duration.
Carus-Verlag
Lohman, Paul
What Child
SSA, harp
This new, major-mode setting of the traditional
carol, “What Child is This?” provides a striking
contrast to the original. The accompaniment can
be performed on lever or pedal harp. A separate
harp part is included in the octavo.
Boosey & Hawkes
Luby, Timothy
When I am Dead, My Dearest
SA, piano, optional harp and cello
Plaintive setting of a melancholy text by Christina
Rosetti. The combination of piano, harp and cello
is rare and particularly interesting.
Treble Clef Press
Marzuki, Marilyn
For Voices with Harp
Harp accompaniments for chorus
or solo voice
This is a unique collection of harp accompaniments in a single volume for the eight pieces
listed below. They are designed for pedal or lever
harp, allowing maximum versatility. The accompaniments provide an elegant addition to these
works, since the choral octavos contain piano
accompaniments only. A distinctive feature of this
short anthology is that it contains both melody
and accompaniment, permitting each piece to
be performed as a vocal solo if desired. Choral
parts are not included—each octavo must be
purchased separately.
Choral Journal • August 2009
Aug.indd 37
Contents:
Black is the Color of My True Love’s Hair,
arr. Stuart Churchill (solo or SATB)
Gentle Mary, by Lewis Kirby
(solo, SATB, SAB or SA)
Born in a Manger, by Sharon Elery Rogers
(solo or SATB, SAB or SA)
The Gift of Love, by Maxcine Woodbridge
Posegate (solo, SATB or SSA)
Sweet Baby King, by Raiberto Comini and
Harry Simeone (solo, SATB or SSA)
Ayre for Eventide, by Hugh M. Stuart
(solo or SATB)
Movin’ On, by Raymond Hannisian
(solo, SATB, SSA, TTBB, SAB or SA)
The Water is Wide, arr. Luigi Zaninelli
(solo, SATB, SSA, TTBB, SAB or SA)
Shawnee Press
Mauldin, Michael
With This Child:
Christmas Cantata
SSAA, harp
Commissioned by the Santa Fe Women’s Ensemble, this five-movement work, with text by
Lara Hill, is a delightful challenge. Approximately
16’ duration.
Self-published – <www.mmauldin.com>
McCullough, Donald
Angels We Have Heard on High
SATB, harp
McCullough’s arrangement of this traditional carol
builds to a joyful, dramatic conclusion in C major.
The harp part is provided in the choral octavo and
contains minor alterations from the piano part.
Hinshaw Music
Mechem, Kirke
Seven Joys of Christmas
SSA or SATB, harp
This is an arrangement of seven traditional carols
in the form of a short cantata (“This is the Truth;”
“Ding Dong! Merrily on High;” “Joseph Dearest, Joseph Mine;” “Patapan;” “New Year Song;”
“Fum, Fum, Fum;” “God Bless the Master of this
House”). Selections may be performed separately,
though they are not available individually. The
harp accompaniment is published separately, and
is different from the optional piano part that appears in the choral octavo. It provides the same
harmonic framework as the piano part, but also
includes effects such as glissandi, board taps and
other techniques that provide a variety of timbres.
Accompaniment for chamber orchestra is also
available. Approximately 20’ duration.
E. C. Schirmer
Mendoza, Michael
By Placid Waters
SATB, harp
A love poem written by the composer’s father
serves as the text for this reflective piece. A
separate harp part is available from the publisher.
Mark Foster Music Company
Cantan Las Flores
[ The Flowers Are Singing ]
SATB, harp
This lively piece with lilting mixed meter gives the
impression of a traditional folk song arrangement.
A pronunciation guide for the Spanish is provided.
Alliance Music Publications
Meyer, Lesley Hopwood
(arr. Robert A.M. Ross)
Nunc Gaudet Maria
SSAA, harp, drum
In Latin and English, this setting of a fifteenthcentury Christmas text evokes a Medieval flavor
with open fifths, exposed leading tones, and an
added drum part.
Oxford University Press
Mollicone, Henry
Five Poems of Love
SSAA, harp
Five love poems by Emily Dickinson serve as texts
for this demanding and effective set of pieces. A
separate harp part is available.
E.C. Schirmer
Mooney, David
Ardaigh Cuain
SSAA, harp
Lovely arrangement of a beautiful Irish melody,
with traditional Irish words. A singable phonetic
transliteration is provided.
E.C. Schirmer
Derry Air ( Danny Boy )
SATB, harp
The inclusion of harp, as well as some unexpected
harmonic twists, makes this a valuable addition to
the numerous arrangements of this famous tune.
A separate harp part is available.
E.C. Schirmer
Don Oíche Úd i mBeithil
[ I Sing of a Night in Bethlehem ]
SATB, soprano solo, harp
An interesting addition to the Christmas repertory, the soprano soloist sings this lovely traditional
melody in Irish, accompanied by the choir on
neutral vowels. A singable phonetic transliteration
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6/29/09 1:50 PM
is provided, and an IPA guide is also included. Can
be performed on lever or pedal harp.
E.C. Schirmer
Famine Lament
SA, harp, violin
Solemn and hauntingly beautiful, this easy arrangement of a traditional Irish melody is set in
English. It is equally appropriate for children’s or
women’s choirs.
E.C. Schirmer
The Lark in the Clear Air
SSA, soprano solo, harp
A simple, tuneful arrangement of this traditional
Irish melody, with English words. Can be performed on pedal or lever harp.
E.C. Schirmer
Sauntraí na Maighdine
[The Virgin Mary’s Lullaby ]
SATB, harp
Each stanza of this catchy tune (with traditional
Irish words) is sung by a different voice part,
while the other sections of the choir accompany
on a neutral vowel. Though not indicated in the
score, soloists could sing some stanzas. A singable
phonetic transliteration is provided, and an IPA
guide is also included. Can be performed on lever
or pedal harp. A separate harp part is available.
E.C. Schirmer
Near, Gerald
The Storke
SA (divisi ), harp
This is a wonderful setting of an anonymous
text from King Edward VI’s Prayer Book (1549).
Frequent seconds, fourths and fifths evoke a Medieval flavor, and the piece is an intriguing blend of
old and new. Contains a middle section for solo
harp with interesting harp writing.
Aureole Editions
Neaum, Michael
Indian Love Song
SA, with two soprano soloists,
harp
A touching arrangement of a lovesong from the
Dakota and Ojibway tribes. Neither the solo nor
the choral parts are difficult, and are suitable for
women’s or children’s voices. The accompaniment
can be performed on pedal or lever harp.
Oxford University Press
Sakura
SSAA, harp
Lovely arrangement of this traditional Japanese
melody about cherry blossoms in spring, with a
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Aug.indd 38
singable English translation. The accompaniment
can be performed on pedal or lever harp, and
could be played by a student harpist.
Oxford University Press
Nelson, Ronald
He Came Here for Me
SSAA or SATB, harp
A lovely, pensive setting of this Christmas text,
equally effective for women’s or mixed choir.
The version for mixed choir contains an optional
chime part, and the harp part varies slightly between the two versions.
Boosey & Hawkes
The Vision of John
SATB, harp, organ
This anthem is a dramatic rendering of a text from
Revelations expressing victory over death.
Neil A. Kjos
O’Brien, Francis Patrick
Nova, Nova
SATB, harp
A festive setting of the popular Christmas text,
Nova, Nova, Ave Fit Ex Eva. The harp part (published separately) is required for performance
since it differs from the keyboard part.
GIA Publications
O’Regan, Tarik
Bring Rest, Sweet Dreaming Child
SA or SATB, harp
A contemplative lullaby appropriate for Christmas
and Advent. The SATB version was completed
first, and is slightly longer; the SA version is equally
beautiful and effective. A separate harp part is
available.
Novello
Oldham, Kevin
I Will Lift Up Mine Eyes Unto the
Hills
SATB, harp, organ
This setting of Psalm 121 presents some rhythmic
challenges, mostly in the form of mixed meter.
Otherwise, the choral parts are primarily homophonic and doubled by the organ, with the harp
playing colorful arpeggios.
Neil A. Kjos
Parker, Alice
The Croppy Boy
SATB, harp
A sad Irish folk song about the story of the execution of a young rebel (“croppy” is a derogatory
term that was used to refer to members of the
Irish resistance). The harp part is not overly dif-
ficult, and could be played by a student/amateur
harpist.
Lawson-Gould
The Minstrel Boy
SATB, harp
This traditional Irish tune describes the death of
a harp-playing minstrel in battle. The accompaniment can be performed on pedal or lever harp,
and it is a wonderful piece for a student harpist.
Lawson-Gould
My Gentle Harp
SATB, harp
Parker’s lovely arrangement of the Londonderry
Air (Danny Boy) uses an alternate set of words
by Irish poet Thomas Moore, well suited for harp
accompaniment.
Lawson-Gould
Three Christmas Carols
SA, harp
Delightful arrangements of three lesser-known
carols: “Wexford Carol,” “Coverdale’s Carol,” and
“Irish Carol.”
Lawson-Gould
Parthun, Paul
Four Haiku
SATB, harp, flute
Sparse, elegant writing with interesting canons and
economy of means that suits these haiku texts.
Short and accessible (all four settings take only
eight pages), but with ample challenges.
Mark Foster Music Press
Pasatieri, Thomas
Alleluia
SATB, harp
Setting of a Medieval Latin Christmas text, Puer
natus in Bethlehem, with a singable English translation by the composer. Dedicated to Thomas
Hampson, the work is also available for solo
voice and may be found on the Teldec recording,
“Christmas with Thomas Hampson.” The harp
accompaniment is available separately, and differs
from the piano part in the choral octavo.
Theodore Presser
Paulus, Stephen
Carols for Spring and Summer
SSAATTBB, harp, flute
Three marvelous settings of Medieval lyrics about
spring and summer. Two of the texts are translated into English from the Piae Cantiones, and
one is by Chaucer. Approximately 11’ duration.
Paulus Publications <www.stephenpaulus.com>
Choral Journal • August 2009
6/29/09 1:50 PM
With Harp and Voice
The Friendly Beasts
SATB, soprano and tenor soli,
harp
Sung in English, this lilting arrangement of a
traditional French carol tells of the animals that
attended manger-side on Christmas day.
Paulus Publications <www.stephenpaulus.com>
Gabriel’s Message
SATB, harp
Lovely arrangement of this traditional Basque
carol.
Paulus Publications <www.stephenpaulus.com>
God’s World
SSAATTBB, harp
This passionate setting of a poem by Edna St.
Vincent Millay describes the beauty of the world
on a radiant autumn day.
Paulus Publications <www.stephenpaulus.com>
How Far is it to Bethlehem?
SATB (divisi ) soprano and tenor
soli, harp, oboe
Beautiful, lullaby-like setting of a traditional English
melody. Several a cappella sections and divisi up
to six parts.
Augsburg Fortress
I Gave My Love a Cherry
SATB, soprano solo, harp
Paulus’s arrangement of this traditional Appalachian melody features tuneful, poignant harmonies. The second stanza is TTBB, and requires
strong tenor and bass sections.
Paulus Publications <www.stephenpaulus.com>
In the Moon of Wintertime
SSA, harp
Exquisite setting of a seventeenth-century Christmas poem in three stanzas. The choral parts are
written on one staff, and may be challenging to
read.
Paulus Publications <www.stephenpaulus.com>
Jesu Carols
1. Jesu’s lyfelyne
2. The Ship Carol
3. Waye Not His Cribb
4. The Neighbors of Bethlehem
SATB (divisi ), harp
Wonderfully evocative settings of Christmas
texts from the fourteenth through the sixteenthcenturies. Though intended as a set, each carol
can be performed on its own.
Paulus Publications <www.stephenpaulus.com>
Choral Journal • August 2009
Aug.indd 43
cont
O Little Town of Bethlehem
SATB, harp, oboe
Charming arrangement of this traditional carol,
translated into triple meter. Unison stanzas alternate with SATB refrain.
Paulus Publications <www.stephenpaulus.com>
Pium Paum
SATB, Mezzo-soprano or alto solo,
harp, finger cymbals
Spare, interesting writing characterizes this setting
of a Finnish folk song, set in English. The solo is the
only texted part, the rest of the choir sings pium
paum (pronounced pyoom powm) over subtle
chords in the harp.
European American Music Corporation
A Savior From on High
SATB, harp, optional oboe
This setting of a seventeenth-century Christmas
text has an expressive melody and interesting,
rich harmonies.
Paulus Publications <www.stephenpaulus.com>
“Single Girl,”
from An American Medley
SSATB, harp
Jazzy harmonies and rhythms resonate well on the
harp, adding a contemporary feel to this arrangement of a traditional American folk song, also
known as When I Was Single. It is the only one of
seven pieces from An American Medley (scored for
choir and brass quintet) that has been arranged
for choir and harp.
Paulus Publications <www.stephenpaulus.com>
The Spring and The Fall
SATB (divisi ), harp
Paulus’s setting of this love poem by Edna St.
Vincent Millay is primarily homophonic, employing
poignant harmonies that reflect the melancholy
atmosphere of the text.
Paulus Publications <www.stephenpaulus.com>
Three Nativity Carols
1. Holly and the Ivy
2. This Endris Night
3. Wonder Tidings
SSATBB, harp, oboe
These are traditional texts in Paulus’s own, new
settings. Rewarding works for an advanced choir.
Instrumental parts are available.
Paulus Publications <www.stephenpaulus.com>
Too Many Waltzes
TTBB, harp, timpani, chimes
This challenging work is based on a poem by
Wallace Stevens, and is a wonderful addition to
the male chorus repertory. Men’s voices divide
occasionally into TTTT/BBBB. Approximately 10’
duration.
Paulus Publications <www.stephenpaulus.com>
Tulatulla
SSA, harp, flute
Charming arrangement of a Finnish folk song (set
in Finnish—though no translation or pronunciation guide is provided).The harp accompaniment
adds an interesting rhythmic impulse beneath
the melody. Flute part included with the octavo.
Paulus Publications <www.stephenpaulus.com>
The Water is Wide
SATB, harp
Lush harp arpeggios underscore Paulus’s arrangement of this traditional folk song; vocal parts are
easy and rewarding to sing.
Paulus Publications <www.stephenpaulus.com>
We Three Kings of Orient Are
SATB, harp, oboe
The combination of oboe and harp creates
beautiful colors in Paulus’s arrangement of this
traditional carol.
Paulus Publications <www.stephenpaulus.com>
Welcome All Wonders
SSAATTBB, harp, oboe
Delightful setting of a Christmas text by Richard
Cranshaw (1613 –49).
Paulus Publications <www.stephenpaulus.com>
Wishes and Candles
SATB, harp
This secular carol was written for the Lincoln
Center tree lighting in 1998.
Paulus Publications <www.stephenpaulus.com>
Petker, Allan Robert
I Will Follow Your Call
SATB, harp
A reflective anthem based on the life and book
of Job.
Pavane Publishing (Hal Leonard)
Phillips, H. Garrett
Love Songs for Summer Signs
1. Gemini
2. Cancer
3. Leo
SATB, harp
These unconventional settings (based on love
poems for the summer astrological signs) are
a unique topic for a set of choral pieces. They
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6/29/09 1:52 PM
are charming, quirky and interesting. Though not
available separately, any of the three could be
performed individually.
E.C. Schirmer
The Rollin’ Store
SATB, soprano or baritone solo,
harp
The text of this piece is about a “Rolling Store” (a
kind of customized bus that sold everything from
clothes to groceries and stopped in rural towns in
the deep South). Lively and unique, it would make
a good final number or encore.
Highgate Press
Pierson, Jay A.
Prayer of St. Francis
SATB, harp
Thoughtful setting of this famous text. The
composer is a harpist, and thus the harp part is
particularly idiomatic for the instrument.
Self-published; to obtain copies contact the
composer at <[email protected]>
There is a Balm in Gilead
SATB and two harps
An easy arrangement of this famous spiritual
accompanied by two harps. The harp parts can
be played on pedal or lever harp and are suitable
for students.
Self-published; to obtain copies contact the composer at <[email protected]>
Pinkham, Daniel
Come, Love We God
SATB, harp, guitar
Lively, strophic setting of a seventeenth-century
Christmas text; easy, appealing and accessible.
E.C. Schirmer
Company at the Creche
Treble Voices with handbells or
glockenspiel, and one of the following: piano or organ; harp; harp
and organ.
Interesting English texts depict various animals
that visited the manger scene. The variety of
performing options creates a range of unusual
and interesting colors.
E. C. Schirmer
Evergreen
Unison voices and ostinato
This lovely and extremely versatile carol setting
is based on a four-measure ostinato that may
be played by harp, organ, piano, harpsichord or
a pair of guitars. The harp’s resonance creates a
particularly beautiful shimmer of sound. There
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Aug.indd 44
are additional, optional instrumental parts for
handbells, glockenspiel, celesta, autoharp, guitar
or electronic tape (available from the publisher).
These many combinations make for a truly unique
work, which, surprisingly, is not at all difficult. The
most challenging part is the unison choral line.
E.C. Schirmer
In Heaven Soaring Up
SATB, alto and tenor soli, harp,
oboe
A short cantata in three movements with texts by
Edward Taylor, an early eighteenth-century Puritan
minister from Boston who left England to escape
religious persecution. Separate instrumental parts
are available and necessary for performance. Approximately 15’ duration.
C.F. Peters
Nativity Madrigals
SATB, harp
Five poems celebrating the Nativity with fresh
perspective, dissonances and surprising harmonies. A separate harp part is available.
E.C. Schirmer
Near the Cross of Jesus
( Stabat Mater )
SATB, harp
Setting of the Stabat Mater in English. Primarily
homophonic, dissonance and consonance alternate effectively to express the text. A separate
harp part is available.
E. C. Schirmer
Rewarding repertoire for a skilled chamber choir.
Approximately 18’ duration.
Schott (European American Music)
Reed, H. Owen
Michigan Morn
SATB, soloist (any voice), harp
This is an excerpt from the folk-opera Michigan
Dream, which was written in 1955 for the centennial of Michigan State University. The text
celebrates the beauty of a morning in Michigan
with a flowing, peaceful accompaniment, and
colorful harmonies.
Warner Brothers
Rheinberger, Joseph
Quam Dilecta
SSAA, harp, organ
Lovely setting of a paraphrase of Psalm 84 (“How
lovely is thy dwelling place”) in Latin. Rewarding
repertoire for women’s choir.
Carus-Verlag
Wie lieblich sind deine
Wohnungen
SSAA, harp, optional organ
Written in 1865, this delightful and challenging
work for women’s choir pre-dates Brahms’s
famous setting of this text from Ein deutsches
Requiem. A disadvantage to this edition is that
the choral parts are condensed onto two staves,
which makes them challenging to read.
Carus-Verlag
To Think of Those Absent
SATB, harp, guitar
A unique and interesting setting of a poem about
the Nativity, though more difficult than any of
the Nativity Madrigals. The combined timbre of
harp and guitar is lovely. A separate harp part
is available.
E.C. Schirmer (Ione Press)
Wie lieblich sind deine
Wohnungen
SSAA, harp, optional organ
Same work as above in a different edition. Choral
parts are written on four staves, and are easier
to read. A singable English translation is also provided. The optional organ part is not included in
the score; it must be purchased separately from
the publisher.
Treble Clef Music Press
Yes, Indeed!
SATB, harp
This setting of a Medieval Latin poem (translated
into English) is appropriate to the Christmas season. Challenging stanzas in unison alternate with
a simple SATB refrain. If a soloist is used to sing
the stanzas the piece is accessible to most church
choirs. A separate harp part is available.
E.C. Schirmer
Rogers, Wayland, arr.
Duermete Niño Lindo
[ Sleep, My Beautiful Child ]
SATB, soprano solo, harp
An easy, accessible arrangement of a lovely New
Mexican carol, sung in Spanish.
Alliance Music
Rands, Bernard
“...among the voices...”
SATB, harp
A demanding setting of a text by Samuel Beckett.
Hush My Babe
SATB, soprano solo, harp
Superb setting of a beautiful Appalachian carol.
Boosey & Hawkes
Choral Journal • August 2009
6/29/09 1:52 PM
With Harp and Voice
Ross, Robert A. M., arr.
The Angel Gabriel
SSAA, soprano solo, harp
or SATB, mezzo-soprano solo,
optional tenor solo, harp
Interesting harmonies provide a backdrop for
the charming Basque melody that tells the tale of
Angel Gabriel’s message to the Virgin Mary. The
accompaniment, although lovely, is not entirely
idiomatic for the harp.
Oxford University Press
Ruehr, Elena
Cricket, Spider, Bee
SATB, harp, percussion and timpani
This work consists of three continuous movements, each of which is an imaginative setting
of an Emily Dickinson poem. A version for harp,
percussion and string orchestra is also available.
Separate instrumental parts are necessary for
performance. Challenging repertoire suitable for
a very good choir and instrumentalists. Approximately 9’ duration.
E.C. Schirmer
Rutter, John
Angels’ Carol
Two-part choir, harp, also available
for SATB
One of Rutter’s most popular Christmas pieces.
The harp part is deceptive in that it looks visually
easy, but is demanding if the tempo is brisk.
Hinshaw Music
Dancing Day
SSA, harp
A cycle of traditional Christmas carols, similar in
scope and design to Britten’s A Ceremony of Carols.
Brisk tempi and very challenging solo interludes
make the harp part extremely demanding. Be
sure to contact a harpist well in advance.The final
movement Tomorrow Shall Be My Dancing Day
is available as a separate octavo. Approximately
22’ duration.
Oxford University Press
The Cambridge Singers Hymns
with Harp or Piano
“All Things Bright and
Beautiful” (SA)
“Morning Has Broken” (SA)
“Amazing Grace” (SATB)
“Be Thou My Vision” (SATB)
“The King of Love my Shepherd
Is” (SATB)
“We Plough the Fields and
Scatter” (SATB)
The stated purpose of this series is “to present
some of the finest traditional hymns in new,
Choral Journal • August 2009
Aug.indd 45
cont
practical versions which refresh old favorites
and introduce welcome variety and interest to
the familiar routine of Sunday hymn-singing.”
Designed to work with standard melodies and
texts from many hymnals. Each octavo is published separately although all the harp parts are
published as a book.
Hinshaw Music
Saint-Saëns, Camille
Quam Dilecta, Op. 148
SATB, organ, harp ad libitum
This beautiful setting of the first four verses of
Psalm 84 (“How lovely is thy dwelling place”)
is not difficult, and is effective in a liturgical or
concert setting. A separate harp part is available
and necessary, since the harp part is not printed
in the full score. A choral score is also available.
Durand
Sametz, Steven
Alleluia
Mixed Choir (SA, TB or SATB), harp
and handbells
Accessible vocal writing and the colorful combination of handbells and harp make this a versatile
and effective piece for almost any festive occasion.
Handbell part included in the choral octavo.
Oxford University Press
Amo! (I Love )
SATB (divisi ), a cappella with harp
accompaniment ad libitum
Sametz sets this Medieval Latin love poem with
joyous abandon. It is a challenging showpiece
for an outstanding choir with fast tempi, mixed
meter, complex tone clusters, and sudden shifts
in harmony.
Self-published,
contact Steven Sametz at <[email protected]>
Del Nacimiento [ Of the Birth ]
Unison soprano choir or solo
voice, harp, organ
Reflective setting of a beautiful Spanish text by St.
John of the Cross. Lovely for solo voice—mixed
meter combined with a necessity for subtle freedoms of tempo make this a challenging piece for
unison treble choir. Harp and organ parts are both
essential for performance; a separate harp part is
included in the octavo.
Oxford University Press
Dulcis Amor
TTBB double chorus, tenor and
baritone soli, harp
This setting of a Latin love poem by the Medieval
scholar Alcuin was commissioned by the Harvard
Glee Club in 2003, and is a distinctive addition to
the male chorus repertoire.
Self-published,
contact Steven Sametz at <[email protected]>
Irish Lullaby
(for the Christ Child)
SSAA, harp
A lovely Gaelic melody serves as the basis for this
touching arrangement. Though subtitled “for the
Christ Child” the text is not overtly sacred, and
could be used in any context.
Alliance Music Publications
The Light Within
SATB (divisi ), harp, handbell
The text of this piece is based on Paul’s second
letter to the Corinthians, and begins,“Glory dwells
in each of us, God’s treasure in jars of clay…”
Sametz’s setting is serene and contemplative.
GIA Publications
Saylor, Bruce, arr.
Away in a Manger
Children’s choir, trebles alone, or
mixed choir, harp
Numerous performing options make this easy
arrangement particularly flexible for a variety of
church situations. The harp adds significantly to
the texture and color.
Paraclete Press
In the Spirit
Unison treble voices, harp
Lovely carol, with an ecumenical text by J.D. McClatchy. Excellent for children’s choirs in sacred
settings at any time of year.
Paraclete Press
Schram, Ruth Elaine
Carol Him Sweetly
SATB, piano, harp, optional flute
A newly composed Christmas piece incorporating the traditional melody of Silent Night. The
harp part adds texture and color with glissandi,
but the piano accompaniment provides the main
harmonic structure. Flute and harp parts are
included in the choral octavo.
Hal Leonard
Schultz, Donna Gartman
Noël Nouvelet
SSATB, or SSA, harp, oboe
and optional percussion
This easy arrangement is mostly in English, with
optional French text for the first stanza. A pronunciation guide is provided.
Lorenz Music
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6/29/09 1:52 PM
Sedio, Mark
Let Our Gladness Have No End
SATB (divisi ), harp, violin
An uplifting Christmas anthem based on a
fifteenth-century melody and text. Separate harp
and violin parts are included in the choral octavo.
MorningStar Music Publishers
Shelton, Tom
Golden Slumbers Kiss Your Eyes
SSA, soprano solo, harp
This simple and beautiful setting of Golden Slumbers portrays a mother singing a lullaby to her
children, and is intended (ideally) for children’s
choir and adult soprano soloist.
Hinshaw Music
Sulzer, Salomon
Haleluyaw
SATB (divisi ), tenor or baritone
solo, harp, organ
Salomon Sulzer (1804–90) served as the chief
cantor of Vienna for most of the nineteenthcentury. Haleluyaw was composed for a festive
occasion honoring the wealthy landowners of his
temple. A clear pronunciation guide is provided
for the Hebrew text, along with a singable English
translation. A separate harp part is available and
necessary.
HaZamir Music
(distributed by Transcontinental Music)
Susa, Conrad
Carols and Lullabies, Christmas
in the Southwest
SATB, SSAA or TTBB, harp, marimba,
guitar
Suite of ten Spanish carols arranged by Susa and
put together to form a narrative. Lovely, varied
and delightful works, they are intended as a set,
but may be excerpted individually. A separate harp
part is available.
E.C. Schirmer
Sutcliffe, James Helme
What Child is This?
two-part treble voices, harp with
optional strings
Suttcliffe’s setting of this traditional carol works
beautifully for young voices. The harp accompaniment is very effective, but the modal melody
requires fast pedal work, which at times can cause
extraneous noise.
Boosey & Hawkes
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Aug.indd 46
świder, Józef
Czego chcesz od nas Panie
[What Do You Want From Us,
Lord ]
SATB, harp
This relatively easy work, composed in 1977,
is a setting of a well-known Polish hymn text.
Language is the main challenge, since no English
translation or pronunciation guide is provided. An
alternate edition is available from United Music
Publishers with German or Czech translations.
Polskie Wydawnictwo Muzyczne
<www.pwm.com.pl>
Terri, Salli, arr.
Away In a Manger
SSA, harp
Beautiful arrangement of this traditional Christmas
carol. May be sung a cappella or with harp accompaniment.
Lawson-Gould
Thompson, Randall
The Lord is My Shepherd
SATB or SSAA, harp
Lovely setting of Psalm 23, equally effective for
SATB or SSAA. Extremely demanding harp part.
Approximately 9’ duration.
E. C. Schirmer
Travers, Aaron
Gloria
SATB (divisi ), harp, organ
Winner of the 1998 AGO/ECS Publishing
Composition Award, this engaging work—full of
vibrant rhythms and appealing harmonies—is a
rewarding challenge for a very good choir.
E.C. Schirmer (Ione Press)
Van Brink, Matthew
A Thousand Tender Passages: A
Letter from George Washington
to Sally Fairfax
SATB, harp, cello
A poignant setting of excerpts from two letters by
George Washington, tacitly expressing his love for
Sally Fairfax. Premiered in May 2008 by Vocal Essence, Phillip Brunelle, conductor. Approximately
7’ duration.
Self-published, mattvanbrink.com
Warland, Dale
Simple Gifts
SATB, flute, harp or guitar
Warland’s thoughtful setting of this Shaker song
is straightforward and very singable. A lever harp
can be used, and could be played by a student
harpist. Flute, harp and guitar parts are included
in the choral octavo.
G. Schirmer
There Will Be Rest
SATB (divisi ), harp, flute
Serene and reflective, this setting of a poem by
Sarah Teasdale employs flute and harp coloristically to bring out textual elements. Separate harp
and flute parts are included in the choral octavo.
G. Schirmer
What Child is This?
SATB, harp, flute
Warland’s sensitive use of flute and harp adds a
beautiful touch to this lovely, accessible arrangement.
Hal Leonard
Weir, Judith
All the Ends of the Earth
SATB divisi , harp, percussion (three
players)
This work is based on Perotin’s organum Viderunt
Omnes—the cantus firmus and its text have been
retained exactly in the men’s voices, with freely
composed soprano and alto parts.Written for the
BBC Singers, for a Europe-wide radio broadcast
on Millennium Day, January 1, 2000. Approximately 10’ duration.
Chester Music
Whittemore, Joan
Scarecrow Songs
(published separately)
1. In the Farther Field
2. Silly Scarecrow
(does not contain harp)
3. Yellow Evening Sun
4. Autumn Wind
Two or Four-part treble voices,
harp, optional woodwind or Orff
instruments, marimba, and two
flutes.
These enjoyable Haiku settings feature singable,
pentatonic melodies and employ a delightful
economy of means appropriate to the poetry.
Boosey & Hawkes
Wienhorst, Richard
The Lamb
Unison treble chorus, harp
Sensitive setting of this well-known poem by William Blake, appropriate for Christmas but broad
enough for general use. Can be performed with
“Soft Snow” as the second of Wienhorst’s Two
Blake Settings.
E. C. Schirmer
Choral Journal • August 2009
6/29/09 1:52 PM
With Harp and Voice
On the Morning of Christ’s
Nativity
SA, harp
Joyful, easy setting of a text by John Milton,
adapted by the composer. Though lovely on harp,
the accompaniment is somewhat awkward, and
may be better suited for keyboard.
E. C. Schirmer
Soft Snow
Unison treble chorus, harp
Wienhorst thoughtfully captures the mood of this
short, winter poem by William Blake. This is the
first of his Two Blake Settings.
E. C. Schirmer
Wilberg, Mack, arr.
How Far is it to Bethlehem?
SATB (divisi ), harp, two flutes
Sweet, simple arrangement of a traditional English
carol; the flute and harp writing adds additional
warmth.
Oxford University Press
The King of Love My Shepherd Is
TTBB, tenor or baritone solo, harp,
two flutes
cont
Set in three verses (unison, soloist,TTBB), the use
of two flutes and harp adds fresh color to this
traditional hymn.
Oxford University Press
Williams, Lyn
Islands
three-part treble, treble solo,
harp, flute
The text of this piece describes a languid summer
day on an island in the West Indies, and its style is
evocative of French Impressionism. In the middle
section, the choir is asked to imitate tropical bird
sounds. A flute part is included with the octavo.
The harp writing is lovely and provides a rich color
underneath the choir.
Boosey & Hawkes
Wood, Dale
Carol From an Irish Cabin
SATB, or Unison, harp
This simple piece is characterized by a beautiful,
minor-mode melody. The composer indicates
that celesta or piano may be used in place of
harp, though the accompaniment works best on
harp due to the harmonics and glissandi used
throughout.
Belwin-Mills Publishing
Sussex Carol
SATB, harp, organ
Colorful arrangement of this traditional English
carol. The harp part is very demanding; it differs from the choral octavo, and is published
separately.
Lorenz Corporation
Yeakle, Thomas
Sir Christemas
SATB, baritone solo, harp, solo
woodwind (krummhorn preferred;
English horn or alto recorder may
be substituted)
Modern setting of a fifteenth-century carol
in which Sir Christemas announces the birth
of Christ to a group of revelers who respond
with songs of rejoicing. Ten short movements,
with brief sections in French as well as English.
A separate harp part is available. Approximately
10’ duration.
Belwin-Mills
History is a guide to navigation in perilous times.
History is who we are and why we are the way we are.
—David C. Mccullough
2- time Pulitzer Prize winner
A pictorial history of ACDA is available at
www.acda.org/catalog/conference_memorabilia
ACDA Founders Photograph ACDA Organizational Meeting, Kansas City, MO, February 1959
Choral Journal • August 2009
Aug.indd 47
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