ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ ȶධ໐͈̞́ٛȷͬඋ͚ ȁനȁਜȁਏ ີ५ఱ૽ڠڠ໐ܮါలĶĶาक़ ˎˌˍˍා˔ ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ ȶධ໐͈̞́ٛȷͬඋ͚ ȁനȁਜȁਏ ˍ ȁਹഽ͈ၠ࣐ۜཙ͈ၷူ͈̹͛ȂΏλȜ;ΛΡȆͺϋΘΕϋ͉ˍ˕ˎˌා͈ˎ̥ͣ ːώۼȂΏΌͬၗͦ̀ͺρΨζਗ͈κΫȜσ͞έͿͺγȜίͅతह̱̹ȃκΫȜσ͈́ड ̢̧͈̹ͬࠞ͂Ȃ͉ཤ໐͉͂ȶࡥ̹̭̱͛͐ (a hard ¿st)ȷ͈̠͈̜̈́́ͤ͢͜Ȃ༷֚ධ ໐͉ȶ̞̀ٳႁͬา̞̹ (an open, relaxed hand)ȷ͈̠͈̺̲̹̈́͂ۜ͢͜ (Rideout 1)ȃཤ໐ ͈૽̜ͥ́ۼ͂̽̀ͅȂධ໐͉̩։ৗ̈́วၑͬ̾ଲ̢̜͈̹ͥ́ࡉͅٮȃ̷̱̀ධ໐ ͈ಎ́͜Ȃ൳ා͈ˑྎ́͘ତً̹̱̮ͬۼσͼΐͺਗΣνȜςϋΒ͉Ȃඅͬͅޑ ̩ྛၭ̳ͥાਫ਼̜̹̠̺́̽͢ȃषȂ̷͈ࢃ͉ඵഽȪˍ˕ˎˎාȂˎ˕ˍ͍ݞːා̥ͣ ˍ˕ˎˑා̥̫̀ͅȫ̭͈ͅځಿܢతह̳̭ͥ͂̈́ͥͅȃ̷̱̀ˍ˕ˎˌාయ͂ˍ˕ˏˌාయ ̤̞̀ͅȂ͉΄ȜΠσȜΡȆΑΗͼϋȂͺȜΑ΅ϋȆȜσΡ;ͿσȂ;ͻςͺθȆέȜ ·ȜȂΐοϋȆΡΑȆΩΕᾼͣ͂͂͜ಠ̱̭͈͈ͬ̀ځഎڰ൲ͅ४̱حȂ̷͈ࠫض ΣνȜςϋΒ͉ͅ௸ݢධ໐͈اഎസ̞̹͈̜̈́̽̀̽́ͥͅ (Bryan 79)ȃ ȁͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷ(ȨA Meeting Southȩ) ͉Ȃ̭͈ΣνȜςϋΒͬໍర̱͂ ̀ˍ˕ˎˑාͅอນ̯̹ͦౣ༎୰̜́ͥȃດఴ͈ͤȂ̭͈ࢊ͉̞̩̥͈̞̦́̾ٛܳ ̭ͥȃߓఘഎ͉ͅȂ̭͈ࢊ͈ࢊ̜ͤ́ͤȂಎୌ໐́ȶౙ̈́ͥݖȷ(225) ͈̠̈́͢ၛા ́ΣνȜςϋΒͅతह̱̞̹̀ȶজȷ͂ȂͺρΨζ͈ΟόͻΛΡ̞̠͂ྴ͈থ૽͈͂ ̞ٛȪ ȶজȷ͉߫ͤ༐̱ͬȶධ໐૽ȷ̥͂ȶධ໐͈থ૽ȷ͂ࠁယ̳̭ͥ͂́Ȃ͈ධ໐૽ ̞̠͂௺̳ͬͥޑȫȂ̷̱̭͈̀ඵ૽͂Ȃȶজȷ͂൳အͅಎୌ໐̺̦ˏˌාͅള̽̀ ΣνȜςϋΒ̧̹̹̱́͛̀ͅڰȶۖͅධ໐૽̱̹̈́̽̀̽͘ͅ (had become completely Southern)ȷ(239)ȂઠȶςȜ̤̯͊ͭ (Aunt Sally)ȷ͂ࡤ͈͊ͦͥځഥ୰എ੫ࠦ͂́͜࡞̠ ̧͓Ⴧ੫͈̞̜͂ٛ́ͥȃ ȁ̭͈ࢊ͈֚૽ઠ͈ࢊ̥ͤͣഥ̩͈͉ͩ̽̀ͥȂΟόͻΛΡȂςȜ̤̯͊ͭȂ̷̱̀ໍర ͂̈́ͥځΣνȜςϋΒͅȶজȷ̦ྛ̩ޑၭ̯̞̞̠̭̜ͦ̀ͥ͂͂́ͥȃ̷̱̀Ȃࢊ͈ਞ ͩͤࣼͅྙޟ૬̞ܱ̦ࡉͣͦͥȃΟόͻΛΡ͂͂͜ͅςȜ̤̯͈͊ͭͬزང̹ͦȶজȷ͉Ȃ ଜ̽̀ಎೳ́ྨࣺ̱̹ͤͭ́̽͘ΟόͻΛΡͬॼ̱Ȃඊͤ੫͈̱̀ৃͬز͈ͤͬ༜̧ ̳ȃඵ૽͂༆̹ͦȶজȷ͈൮̥͈͉͐ͅȂȶজ͉ࠫޫཤ໐૽͈̺̈́ (I was, after all, a Northern man.)ȷ(239) ̞̠͂এ̞̜́ͥȃ̭͈̠͢ͅুͣͬȶཤ໐૽ȷ̱͂̀Ȃ̞ͩ͊ΟόͻΛΡ͞ − 181 − ີ५ఱ૽ڠڠ໐ܮါ ςȜ̤̯͉͊ͭ͂։̈́ͥంह̱͂̀պ̱̹̜͂Ȃ̯ͣͅȶজȷ͈൮̜ͥͅேැ̦̥͐ȃ̷ ͉ͦΟόͻΛΡ͞ςȜ̤̯͈̠͊ͭ̈́͢ȶܲഎ̈́૽ș (aristocrats)ȷ(239) ͈́ͥͩ͜ͅ۾ ̜ͥȃ̭͈ȶͺςΑΠ·ρΛΜȷ̞̠͂࡞̞༷͜ྙޟ૬̞ȃζȜ΄τΛΠȆηΛΙͿσ͈ȸ໓ ͂͂͆ͤ͜ͅݲȹ(Gone with the Wind) ̠̹̯́ͦ͢ͅৢڰȂ݀যܲഎ͈̈́ݭٴంह͉ධ໐ͬ ̪͛ͥນય߫ͤͅ༐̱࡛ͦͥυζϋഎȂ૰დഎͼιȜΐ͈̜͌͂̾́ͤȂ̭͈ȶͺςΑΠ·ρ ΛΜȷ̞̠͂ࢊ̷͈̠̈́͜͢ͅධ໐എद̦ͤഞ̢̞̠ͣͦ̀ͥ͢ͅএͩͦͥȃ̽͂͜͜ȂΟό ͻΛΡ͈̦ز႟၂ஜ͈̭̜͂ͥ́͞ȂςȜ̤̯̦̥̞͊ͭ̾̀ͩͥ͠ȶ՛ਫ਼ȷ͈ࠐ א৪̜̹̭́̽͂ͬࣉ̢ͥ̈́ͣȂ̭͈ࢊ͉২ٛٴഎ̈́ΞΌςȜ̱͉̩͂̀́̈́Ȃ̜ͥਅ ͈Ȫ̷ͦ͜ධ໐ͅඅಭഎ̈́ȫ̧༷Ȃୈ૰͈̜༷ͤȂ̞̹͈͂̽ͬ͜ນ̳͈̱͂̀͜ဥ̞ ̞͈̜̠ͣͦ̀ͥ́ͧ (1)ȃ̷̱̀ȶজȷ̷͉͈ȶͺςΑΠ·ρΛΜȷ̞̾̀ͅȂ ȶ̹͐ͭজ͉Ȃ ̭̠̞̠૽̹̻͈̭͂ͬઁ̱͉̥̞ͩ̽̀ͥ (Maybe I do understand them a little.)ȷ(239) ̞̠͂ এ̞ͬ༴̩ȃ̭̭͉ͅȂু͉ཤ໐͈૽̦̺ۼȂධ໐͈ͺςΑΠ·ρΛΜ̞̠͈͂ͬ͜ၑٜ̳ ̧̭̦͈̺ͥ͂́ͥȂ̞̠̯̯̥͂̈́͞ু͍͂ܔ͈ැֺ̢̦ͥȃ ȁ̭̠̱̀ࡉ̭͈ͥ͂ౣ༎୰͉Ȃཤ໐૽̜́ͥȶজȷ͈͂̽̀ͅධ໐͈͂ᰢᰄ͈ࢊȂ࡞̞ ̢۟ͦ͊Ȃඵ૽͈૽͂ΣνȜςϋΒ̞̠͂ͬځ̱̀ȶධ໐എ͈̈́ͥ͜ȷͬठ̞̱̀ږ ̩ࢊ͈͉̜̞̥̈́́ͥ͘ȃ̷̱͈̻̀ͅમ̳̭̦ͥ͂̈́ͥͅȂ̷̭̥͍́ષ̦ͥȶධ໐ എ͈̈́ͥ͜ȷ͉ȂͺϋΘΕϋ̦ཤ໐͂చ̵̯̀ධ໐ͬࠁယ̳͈ͥͅဥ̞̹ȶ̞̀ٳႁͬา̞ ̹ȷ̞̠͂ቐ͂ઁ̴̧̥̠͈͈̠̜̈́ͣ͢͜ͅޣএ̢ͥȃ႕̷̢͉͊ͦȂࣞ́ͺΈτΛ Ώό̈́ুࡨ৽ಫ͈చޭ̜̠ͥ̈́͢ͅౠ̧̱̹༷̜̹͂ࣴ́̽ͤ͞Ȃॠఉ͈̫̈́ͬ͜ව ͦୄృ̵ͬඟ͚̠̈́́͢ٳ༶എ̈́ୈ૰എ໓ാ̜̹̳́̽ͤͥȃ୰͈֚૽ઠ͈ࢊͤ͂ ै৪ুͬհօͅਹ̵͇ࣣ̭͉͈֚ͩͥ͂ͅၣ༗̦ຈါ̜̠̦́ͧȂȶজȷ̦ಎୌ໐͈Χ ͼਗ́ΣνȜςϋΒ͉ͅȶౙ̈́ͥݖȷ̱͂̀తह̱̞̭̀ͥ͂Ȃ̹͘ΟόͻΛΡ͈ අಭͬႥ̻͈̹̱ݷȂ ȶ̭͈̭͉ͦͣ͂̀Ȃজ̦̭̠̱̞ࣽ͂̀ͥࢊͬೄ̻ͅজͅࢊͤ ই̹͛ (all these things began at once to tell me the story I have now set myself to write.)ȷ(221) ͂ ͓̭ͥ͂́ু̦ै̢͂ͥࣉ̭̞̱̥͈͕̭̜ͬ̓̈́͂ͥ̀͛ͬ͂ͥ́زȂ̭͈ैͬȂȶজȷ ͈ࢊ̱͈ͤͬ̀ͺϋΘΕϋ͈ධ໐͈͒ζȜΐν͂ࡉ̧̭͈͉̥̠̥ͥ͂́ͥ́̈́ͧ͜ȃո ષ͈̭͂ͬැ൮ͅ౾̧̾̾Ȃౣ༎୰ȶධ໐͈̞́ٛȷͬඋ͙ٜ̞̞̩̭̳̀͂ͥͅȃ ˎ ȁࢊ͉ո̠͈֚̈́͢ئ୯͂͂͜ͅࢊ̭̯ͤܳͦͥȃ He told me the story of his ill fortune—a crack-up in an airplane—with a very gentlemanly little smile on his very sensitive, rather thin, lips. Such things happened. He might well have been − 182 − ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ speaking of another. I liked his tone and I liked him. (221; emphasis added) ̭͈ಎ͈ȶȷ͉͂ȶධ໐͈থ૽ȷΟόͻΛΡ͈̭̺̦͂Ȃ̭͈ౣ̞ΩρΈρέֺ̢̥͈͉ͣͥȂ ࢊ͈ͤȶজȷ̦ΟόͻΛΡ̜̭̞̫ͥ́͂ͥ̀ͦͣͅັ̧̩֨ޑȃड͈̤̫͈ͥͅယ উ͈ܱ̺̫́ȂȨveryȩ̦ඵഽȂ̯͉ͣͅȨratherȩ̞̠̠͂͢ͅȂޑփ໗ত̦२ഽ͜ဥ̞ͣ ̤ͦ̀ͤȂ̹͘डࢃ͈́͜ளཀྵ́ౙೄව̈́ȶজ͉ͅܨව̹̽ȷͬඵഽ߫ͤ༐̳̭͂́Ȃ ȶজȷ ̦ͅచ̱̀༴̞̹̜̠́ͧݹ́ૐ̦ͤۜࢡ̞͈̈́ܨഥ̩ͩ̽̀ͥȃ̭͈̜֚͂͜ܨሔ଼͂ ̥͊ͤͅȶজȷ͉ΟόͻΛΡ̞̾̀ͅࢊ̫ͤȂ̜̠̩̽̀͢͞͞͞Ȃȶজ͉ઁșെඏً̨ͥ ̩̞ͣͅু͈ࢊͬই̱̞͛̀̽̀ͥ͘ (I am plunging a bit too abruptly into my story.)ȷ(222) ͂༕ٜ̳̠͓̜̯̜ͥͥͤ́ͥ͘͢ͅȃু̨̹̳͓̱ͤ̀̽͝ͅޟ̧̿ͅܨȂ̜ͩ̀̀ ুࡨဲଷ̥̫̹̥͈̠֣ͬ̈́͢યͬဓ̢ͥȃ ȁ̯̭͈ͣͅཙ൮͈ΩρΈρέ́උ৪͈࿒̩͈͉ͬ֨Ȃ̷͈ఘ̜́ͥȃඅͅडࢃ͈ͅࡐ ಠ࡛̞̦ͦ̀ͥͅȂާ̹̽ૐ͞ਘৃ͉͂ྫ͈Ȃ̧ͩ͛̀ளཀྵ́ྶ̈́ࢊ͈ͤΑΗͼσ̦ ജ̯ͥͦٳȃ̷͉̭͈ͦैఘ͈৽̜́ͥ͜ȃȶࢊ͈ͤΑΗͼσȷ̞̹̦͂Ȃ̷̯͘ͅ ͉ͦડఘ̧̞̠͂ͤ͢ͅࢊ̥̫̠ͤͥ̈́͢ȜρσȆρΞͻό͈ΑΗͼσ͂࡞̢ͥȃ ̷̱̥͉ͦ͜ਹș̱̞ீ࡞໓͈͈̫́̈́ͦ͊͜͜Ȃାட̱̹͂୰ྶഎ͈̞̈́́̈́͜͜ȃ႕̢ ͊Ȃȶজȷ̦ুু͂ςȜ̤̯̞͊ͭ̾̀ͅষ͈̠͢ͅࢊͥؿਫ਼̦̜ͥȃ ȶِș͉̭̭ [ Σ νȜςϋΒ ] ͉́ౙ̨̞̳͈̠͈̈́ͥ̈́̈́͜͢ͅݖȃ̷̱̥̱̤̩̻ͣ̓ͣ͜Ȃ̈́ྥ̥ة ߓࣣ̭͈ͅ( ̜͈̩̞̩̱ͥ́ͤ̽͂ځWe are but guests down here, but perhaps we both in some queer way belong to this city.)ȃ̷̠̞̠̹̪̞͈̭̦̭̞͈̺͂ܳ̽̀ͥ (Something of the sort is in the wind.)ȃ̷̠̱̠̞̠̭̹͈̥͉̓̀͂̈́̽ͅȂ̻̩̥̞̦̽͂ͩͣ̈́͢͡ (I don’t quite know how it has happened.)ȷ(225; emphasis added)ȃ̯ͣͅȂ͉ͤ͞ςȜ̤̯̞͊ͭ̾̀ͅষ ͈̠̩̺̦̜̈́ͤͥ͢ȃȶ̞̥̩̥̈́ͣͩ͢ةȂྴે̱̦̹̞ߓࣣ͉̜̦́ͥͅȂ੫̦জ͂ ൳̲ਗ͈̺͂এ̠̠̱̩͈̺͂ͦ̈́ͥ (In some obscure subtle way it would Àatter me to think she came from my state.)ȷ(230; emphasis added)ȃ̳͂ͦ͊͜ᔛཾ̯͞ভ୨͈ͦ՛̯̞̹֣͂̽ યͬဓ̢̥͇̞༷֚̈́́Ȃ ȶ̩͉̥̞̦̩ͩͣ̈́̈́͂͢ةȷ̞̠̭͈͂ͦͣࢊ࢛͉ͤȂྶ࡞͞ ౯̞̹࢛͂̽૦͉̞ͤ̈́ͅȂ̜̥ͥةਅ̵͈̠̯̲̳᤹̈́ͥۜͣ͢܄ඊඅ͈̥̯ͣȝȝͺ ȜόͻϋΈȆΧ;͉̭͈ै͈ΠȜϋͬȶ̥̳̥ͅ൚თ̺ͬͭ܄̥̯ͣ (a slightly bewildered tenderness)ȷ(147) ͂ນ࡛̳ͥȝȝͬૌ̱̳͈̞͂̈́̽̀ͥ͜ȃ൳শ̷͉ͦͣͅȂྶᔌ̜ͬ ̢̀ෳੰ̳̭ͥ͂ͤ͢ͅȂఉအ̫̈́গ༷̲༷͈͛ۜ৾ͤͤ͢͞ఱ̧̈́ဒ౷ͬݺယ̳͈ͥ͂͜ ̢̞ͥ͜ȃ̭͈̠̈́͢ఘুఘ̦ȶ̞̀ٳႁͬา̞̹ȷ̧͈̠̜͂͜ޣȂ͂ࡉ͈͉ͥஊً̻ ̨̺̠̥ͧȃ ȁ̯ͣͅཙ൮͈ΩρΈρέ͈Ȃ ȶ̷̠̞̠̭͉̜͈̺͂ͥ͜Ȃ͉͂ͥ́͘ఈ૽ম̞̾̀ͅࢊ − 183 − ີ५ఱ૽ڠڠ໐ܮါ ̞͙̹̞̺̹̽̀ͥ̽ȷ̞̠̩̺͂ͤ͜ͅಕ࿒̱̹̞ȃু̦̞̹࣐͈̽̀ܥ෫य̞̠͂ ࠣႧ̈́बඳ̞͈̾̀ͅდ̴̜̥̥́ͥͩͣ͜ͅȂΟόͻΛΡ͈ࢊ࢛͉ͤౠட̱̹͈̜͂́ͤ͜Ȃ ̷ͦͬȶজȷ͉ȶͅܨව̹̽ȷ͈̜́ͥȃ̭͈̠̈́͢ႁ͙͈̞̈́ౠ̹ͥᄸ̞͉͘ΟόͻΛΡ ͈૽௮߿͈ಎഎ̈́ါள̺̦Ȃ̷͉̺̫͈͈͉̞ͦ́̈́͜ȃ̀ͬယ̳ͥ༦͈̠̈́͢ လ̹ͥսͬܨౡ̢̹ςȜ̷̤̯͉͊ͭͦ͜ͅ൚͉̱̀ͥ͘Ȃ̯͉̭͈ͣͅࢊুఘ̦փ എ̞̠͕͂̓ࠠͅഎ͈̈́ͬ͜ෳੰ̱Ȃౠș̱̹͂ঊ́ૺ࣐̱̞̩̀ȃ̷̷͜͜ȶධ໐͈́ ̞ٛȷ̞̠͂ΗͼΠσ̴̥̥ͩͣ͜ͅȂ̞ٛͅঢͥίυΓᾼ͉̜̯̱̞̽ͤ͂̀ͥȃ ΟόͻΛΡ͉ȶজȷ͈૽̜́ͥέτΛΡ̠̹ٛ͛ͅͅΣνȜςϋΒ̽̀͞ͅြ̹͈̺̦Ȃ ̷͈έτΛΡ͉̳̭͈̹̞́̀̽ͅݲ̥ͣځȂ̞̠͈̦͂ΟόͻΛΡ͂ȶজȷ̧͈̞͈ٛ̽ ̥̫̜́ͥȃ̞ͩ͊ၰ৪͈̞͉ٛಿ̩୨བ̯̹̞̹͈͉̩ͦ͂̽́̈́͜Ȃౙ̈́ͥএთ֑̞̥ ̲̹͈͈̜ͣ̈́́ͥ͜ȃ̯͈ͣͣͅςȜ̤̯͊ͭང࿚͜Ȃ ȶͬςȜ̤̯͈͊ͭ͂ ̭ͧ͒Ⴒ̵࣐̠ͦ̀̽̀ٛͩ̀ͧ͞ (I shall take him to see Aunt Sally)ȷ(221) ̞̠͂Ȃȶজȷ͈֚ ࡉെඏ͂͜ࡉ̢ͥএ̧̞̜̯࡛̱̱̠̾ͤ̽ͤ͂̀͘͢ͅȃ ḁ̠̭͈̏͢ͅࢊ͉Ȃ̷͈ཙ൮̥ͣࢊ࢛ͤ૽͍ݞ௮߿̦যࠁ଼̱ͬ̾̾ඊඅ͈࿅အͬࠁ ଼̳̠͈̞ͥ̈́͂̈́̽̀ͥ͢͜ȃ ˏ ȁ̭̭́Ȃໍర͂̈́ͥΣνȜςϋΒ̦ȶজȷ͈࿒͈̠̭̩̞̓͂̀͢ͅͅࡉ̥̞ͬͥ̀̽ד ̳ͥͅȃ̭͈ධ໐͈͉ͤࢊ͈̞̀̾ͅځȂ ȶ̜̹͉̈́ΣνȜςϋΒ̞̥ͬ̽̀ͥȉ (Do you know New Orleans?)ȷ(223) ̞̠͂࿚̞̥̫̥ͣইͥ͘ȃِ̞̀ș̦࿒̳͈͉ͥͅȂষ͈͢ ̠̈́๛എ̧̈́ͬޣܱ̜̾́ͥȃ ȶΣνȜςϋΒͅਯ͚Ȃ̱̥͜ఈ͈ਯྦྷͤ͢͜ૺ༜৽ ݅എ̈́૽ș͈ಎ͉ͅȂ̭͈ࣽ͞ࠚͬځ༈̳ͥ৪̞ͥ͜ (Some of its own, more progressive, people scorn it now.)ȃΏΌ͞άΛΜΨȜΈ͉͂য̞̞̞̠̀̈́͂ၑဇ́Ȃ౹̴̥̱̞̲̠͂ۜͥ͢ ̭̦̈́͂ͧΣνȜςϋΒ͉̜ͥͅ (In New Orleans there is a sense of shame because the city is not more like Chicago or Pittsburgh.)ȷ(224)ȃඵ̾࿒͈́ΣνȜςϋΒ͂చ̯ͦͥΏΌ͂ά ΛΜΨȜΈ͉Ȃࢥު͈࿒̞̱ژอജ࡛ͤ͢ͅయഎ̈́ఱസঌ͈րယͬࡶͥయນഎ̈́࡞̱̀͂ځ ̠̺͈̞̯ͧͥ̀ͦݞȃ̷ͦͅచ̱̀ȶজȷ̦ȶࡣ̞( ځthe old city)ȷ(224) ͂ࡤ͐ΣνȜς ϋΒ͉Ȃૺ༜ȂอജȂ་اȂ୶Ȃ၌̞̹͈͉̞͂̽͂͜Ȃ̷̹͉͉ͦͣ͂͘༆͈ ࡔၑ́൲̞̞̜̀ͥͤ́ځȂ̷̢ͦ͠ͅૺ༜͞་͞ا૧̱̞͈̳ͬͥ͜Ȩprogressiveȩ̈́ ૽ș͉͂̽̀ͅࠚ༈̧̳͓͈̞̠̭͈̜̠͂͂̈́́ͧ͜ȃ̹͘൳শͅȂ̭͈Ȩprogressiveȩ͉ȶڟ ૧৽݅എȷ̞̠͂ࢊ̞͈̥̱̞݅ͬ̽̀ͥͦ̈́͜ȃ ȶڟ૧৽݅ (Progressivism)ȷ͉͂Ȃˎˌ ଲܮ̥͛ͣల֚ষଲٮఱ͈͈ࣼ́͘ͺις́ర൮̱̹২ٛ٨ͬܨ͈ڟঐ̳ࢊ̜́ͥȃ Ȩprogressiveȩ̞̠͂ࢊ̷͈̠ͬ͢ͅ௴̢̹ષ́࿚ఴ͈ͬඋ͙ೄ̧̳͂Ȃ̾ͤ͘২ٛ͞ଽহ − 184 − ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ ͈ະୃȆແ෴ͅచ̱̞̀ޑ࿚ఴփে̠ͬ̾̈́͢૽ș͂̽̀ͅΣνȜςϋΒ͉̺ځ̞̱ͩתȂ ͂උ͚̳͂ͦ͊Ȃ̷͈̠̈́͢ఠഽͬၑٜ̳ͥΪϋΠ͂͜এ̢͈̦ͥ͜Ȃࢊ͈ઁ̱ஜ͈໐ͅ ౾̥̞ͦ̀ͥȃ͉ΟόͻΛΡ͉ͺσȜσջంછ͈ેఠ̜ͤͅȂ̳̪ٛ̽̀ͅȶজȷ͉̦ ਈ͙̹̦̞̞̠̭̩ͬ֩̽̀ͥ͂͂̿ͅܨȃ̷̱̀ȶজȷͦ͊͢ͅȂȶ̢̹͂ਈ༹͈শయ́ ̜̽̀͜ȂρΞϋࠏ͈૽ș̞͈͂Ք̧̳͓ځΣνȜςϋΒ͉́Ȃ̷̠̞̹͈͉̽͜സࣣ ̧̫̭̦͈̺ͬ̾ͥ͂́ͥ (in New Orleans—dear city of Latins and hot nights—even in Prohibition times such things can be managed.)ȷ(222)ȃ̻ͧͭ͜ਈ̢༹̞͉͂ئȂఈ͈സঌ̪́ͤ͜͜ਈ ા̈́̓́ਈ̧̜̩̭͉̹͈̺̠̦ͤ̾͂́ͧͅȂΣνȜςϋΒ͉́අ̷͈ͅݺယഽ̦̥ࣞ̽ ̹̞̠̭͈̜̠͂͂̈́́ͧȃ̞ͩ͊ࡕͅڒਖ਼༹എ͉̞́̈́Ȃ̭̯͂ͣͅ੬ၻ௹ͬ࡞̞ၛ̀̈́ ̞Ჸో̯͞۱̯̹̜͈ͬ̽ͥ́̈́ځȃȶρΞϋࠏ͈૽ș͈ځȷ̞̠͂࡞̞̱͉ٝȂႤঃഎͅ ̭͈ྦྷਬ౬͈ෛഽ̴̦̞̭͈͙ࣞ͂̈́ͣȂ̭͈̦ځͺϋΈυ·Εϋഎ̈́ȝȝ̜ͥບ ͊ͦ͢ͅزȂಉ੬࢜Ȃୄ࢜ (Novak 122) ȝȝ͉͂։ৗ̈́ୈ૰എȂ২ٛഎ໓ാ͈ͬ̾͜ ̜̭́ͥ͂ͬȂȶ̞͈ځȷ͜Ⴛ൱͂ဳ͈শ͈̱̀͂ۼಓ͉̩́̈́քհ͂ۗෝ͈͂გ ̳̠ͥ̈́͢ȝȝ̱̥͜ȶ̞ȷ̢͠ͅٳ༶എ́ૂഎ̈́ͼιȜΐ̦ͥͩحȝȝ̭̠̞̺͂͂ځ ͬճা̱̞͈͉̞̥̀ͥ́̈́ȃ ȁ̭͈̠͢ͅΣνȜςϋΒͅచ̱̀႖̥̰̱̦̜̭̈́̈́ͥ͂͘͞͞ͅ࡞̱̾̾͜ݞȂ̷͈ ೄࢃͅȶজȷ͉̭̠ࢊͥȃȶ̷̱̥̱͉ͦȂΘόͻΛΡ͂জ͉ͅযࣣ̞͈( ̹̺̽ځIt, however, suited David and me.)ȷ(224)ȃΣνȜςϋΒ͂ΟόͻΛΡ͂ȶজȷ̦ۜഎͅგ̱ࣣ̠͈͜ ̜̭̦́ͥ͂۰͓̞ࠩͣͦ̀ͥͅȃȶজȷ͉ΟόͻΛΡ̸̷̭͈͂͂ͧͬ͜ͅځ༜̧̳͈ͥ ̺̦Ȃ̷̧͈͈͂အঊͬষ͈̠̳ͥ͢ͅৢڰȃ We walked slowly, on account of his bad leg, through many streets of the Old Town, Negro women laughing all around us in the dusk, shadows playing over old buildings, children with their shrill cries dodging in and out of old hallways. The old city was once almost altogether French, but now it is becoming more and more Italian. It however remains Latin. People live out of doors. Families were sitting down to dinner within full sight of the street—all doors and windows open. A man and his wife quarreled in Italian. In a patio back of an old building a Negress sang a French song. (224) ݰঌ͈ځͤͬद͈͉ͥȂࣱ̢̲̠̭ͩͤ́ͥ͘͟૽͈੫̹̻͈ઢ̞̜́ͤȂࡣ̞࠺͈ ષܾ̜߲͈́ͦͥͤ́ͦגȂ࠺͈ࡣ̥̱̞࡚̞̞͛͂͌͌ͬ͡͡۾ව̳ͤͥঊࢿ͈̻̹ރ ̞ࣞۓ̜́ͥȃॠ̹̻̈́ྖͅܨڰঌ͈̦͙֔אഥ̩̠ͩ̽̀ͥ̈́͢ຝৢ̢̞͂ͥȃ̷̱̀ ̷͈ٳ͉͙̀͂͜א༶എ͈̜̈́́ͥ͜͜ȃزș͉ȶ͈̀Ρͺ͞ௗ̦̫̽ٳ༶̱ȷ́Ȃȶز − 185 − ີ५ఱ૽ڠڠ໐ܮါ ̢͉̥̭͈ͤͣ́ͧ͂ࡉ܃ম̱̞ͬ̀ͥȷ͈̜́ͤȂ̯͘ͅȶ૽ș̦́ٸؚ̞̱ͥ̀ڰȷ ̠͈͈̺̈́̈́͢͜ȃ̷̯̭͉ͣͅȂͼΗςͺࢊ͈࢛ა͞έρϋΑࢊ͈̦ظ̢̭̩̞̠̀ͥ͂Ȃ ఉအ͈̦̈́͜ईह̳ͥΧͼήςΛΡ̈́ߗ̜͈ͥ́̈́ۼȃ ḁ̠̏͢ͅȶজȷ͂̽̀ͅΣνȜςϋΒ͉͂Ȃ̤̤̥ͣ́ယഎȂٳ༶എ́Ȃॲުུ৽݅ ͞ৗ৽̦͉͈݅͂ͥ͛͜ݥ༆အ͈ثͬͤݶਫ਼̱͂Ȃॠఉ͈̦̹̩̱̩̈́͘͜ވం̳̭ͥ͂ ͤ͢ͅඊඅ͈͈ࡻ൲̵̲̯̠ͬۜͥ̈́͢ߗ̢̠̞̺͂͢ۼȃ ː ȁ̯̀Ȃ̳̪ٛ̽̀ͅȶজȷ͈ಎͅȶ͈̭̩̹̞̞̠͂ͬ̽͂ͤ͂͜͢ܐ̞ޑབ (a strong desire to know him better)ȷ(221) ͬࡤ͍̭̱̹ܳΟόͻΛΡ͉̞̥͂̈́ͥ૽͈̥̈́ȃ;ͻς ͺθȆέȜ·Ȝ̦̭͈૽͈κΟσ̜̭͉̱̱́ͥ͂͊͊ঐഊ̯̭̺̦ͦͥ͂ͧ (Rideout 20)Ȃུა͈৽͉܉ȶ౭ၠȷ̞̹͈̜͈͉̞͂̽ͥ́̈́͜ͅȃ ȶজȷ̦ΟόͻΛΡ̱ͬٚ̀ ྛၭ̯̹ͦȶධ໐എ͈̈́ͥ͜ȷͬߡ̭̱̞̩̭̳ͤܳ̀͂ͥͅȃ ȁུა͈ඵ̾࿒͈Γ·Ώοΰ͓̹̠͢ͅȂΟόͻΛΡ̞͈ܱ̾̀́ͅޑփ໗ত̦߫ͤ༐ ̱ঀ̭̥ͩͦͥ͂̈́̓ͣȶজȷֺ̢̦̦̦̭̞̫ͥ͂ͥ̀ͦͣͅັ̧̩֨ޑȂ൳শ͈ͅ ࣴ͞ယউͅྙޟ͉̥ܱ̳ͣͥ۾૬̞අಭ̦̥͍ષ̦̩̽̀ͥȃ୶֨ͅဥ̱̹ཙ൮͈ΩρΈ ρέ͈ಎͅȨa very gentlemanly little smileȩ(emphasis added) ̞̠͂ນ࡛̦̜̦ͥȂ̯ͣͅոئ ͈̩̺ͤͬࡉ͙̠̀͢ȃ When we went down the stairs from my apartment I noticed that he was a cripple. The slight limp, the look of pain that occasionally drifted across his face, the little laugh that was intended to be jolly, but did not quite achieve its purpose, all these things began at once to tell me the story I have now set myself to write. (221; emphasis added) ߫ͤ༐̱ဥ̞ͣͦͥȨlittleȩ͞Ȩslightȩ̞̹͂̽ࢊ̥͉ͣȂুࡨࡐা͞ুࡨ৽ಫȂఱަ̈́ু ࡨນ̷͉̤̈́̓͂͢ྫဲ͈ଷഎ̈́ᄸ̞̦̥͍͘ષ̦ͥȃષܱ͈ܱ̜̠ͥ͢ͅͅȂᮢ࣐ ͈͜අಭ͈̺̦͌͂̾Ȃ̷͈ࡔ֦̹͂̈́̽ల֚ষଲٮఱಎ͈ြমȂ̾ͤ͘൏̱̞̹̀ ߳ဥೌ͈ܥ၂̞̾̀ͅࢊ̧ͥ͂͜ͅȂ̷͈ౠș̱̹͂ܨ̞͈̯͉֣̈́યഎ̜́ͥȃ̷̷͜ ͜ΟόͻΛΡ͉ȶজȷ̦ଔ౯̳̭ͥ͂ͧͦ͊͢ͅȂ ȶസ֚ٛ́๓ً̮̳ͬനৡ৪̦ΏοȜ́͜ ࡉ̱࣐̩̠̈́͢ͅܨ́ (in the spirit in which a countryman, in a city for a night, might take in a show)ȷ(227) ͼΆςΆ࣐আ̱͂̀වబ̱̹͈̜́ͤȂু͈ͣশಎ͈बඳ̞̾̀͜ͅȂ ȶઁ ා̦ͬݚ̫̥ͤ̀̾͐ͅة̧̧̯̹ͬ̾͂̽͘ͅئ̹̭̞͛͂̾̀ͅ୰ྶ̳̠ͥ̈́͢ঊ ́ (as a boy would explain when he has stubbed his toe running down a hill)ȷ(227) ࢊ͈̜ͥ́ͥȃႤ − 186 − ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ ঃષྚனခ͈ఱ͈͒४ဓ͜Ȃ࣐ೌ͈ܥ၂̞̠͂൚শ̧̱͉͂̀ͩ͛̀ࡠ̹ͣͦ૽̥̱ۼ ఘࡑ̱ං̞̠̈́̈́͢ೞম͜Ḁ̑ةુഎ̈́ᝂম͈̮̩̯̬̩͂ͤ̈́ࢊ̱̠ͣͦ̀͘ȃΟόͻΛ Ρ͉̭͈̠̈́͢ౠ͈սͬܨຖ̵ͩͥ૽͈̜̈́́ͥȃ ȁ༷͉֚́Ȃᮢ̷࣐֣ͦͬ͜ય̫͈͈̥̱̞̦̿ͥ͌͂̾ͦ̈́͜͜Ȃீ࠲͞ڰႁ̞̹͂̽͜ ͈͉̩͂Ȃ̭̥̓ଚ͈͈̠͈ͬ̈́͜͢ג̱̹ంह̜́ͥ͜ȃȶজȷͦ͊͢ͅȂȶ͈ఘ ͉̯̩͂̀͜لዠ̩̜̹̈́̾ͤ́̽ (His body was very small and delicately built.)ȷ(222)ȃ̯ͣ ͅȂȶ̵͉̹ͬ͞൳̵̲̠̹͢͞ͅལͅ൚̫̹̀ (he kept putting a thin hand to an equally thin cheek)ȷ(227; emphasis added) ̞̹ܱ͂̽͜Ȃ͈ଚ̵ֺ͈̜ͬͩͥ́ͥ͜ȃ̷͈ષȂ ͉ͺσȜσջంછ͈ેఠ̜ͤͅȂ ȶઁ̱ଜ̞̞̽̀̈́͂ࠨ̱̀ྨ̞̱ͣ̈́Ȃྨ̞͈ͦ̈́́ ̜̹̽ (he never slept, could not sleep, except when he was a little drunk.)ȷ(228)ȃଚ͈̦גओ̳ ͈͉͈රఘ̺̫͉̞́̈́ȃ͉ͼΆςΑ̥ͣള̧̽̀̀૽଼़̹̱̱ͬ̀͂৽͈னః ͈̺̦̈́ȂͺρΨζ̜͈͕͉ͥ̓ͭ͂ࣽ͞ͅز႟၂͈ેఠ̜̹̽ͅȃ͈య̈́ͥ͂ͅാ౷ ͉ତຐȜȜ̱̥ॼ̴̤̽̀ͣȂ̱̥͜ȶ̷͈ാ౷͉ఉ͈ڣ൚ͅව̤̽̀ͤȂ̷͈͕͂ͭ ͉̠̓͜ةා͜ࣈै̯̞̞̜̯̺̹ͦ̀̈́ͤ̽͘ (The land is heavily mortgaged and most of it has not been under cultivation for years)ȷ(235)ȃͼΆςΑࠏ͈ີဉ֚̈́৽͈ྎ̦ࣽ͞႟၂ે ఠ̜ͥͅȃ̭͉ͦධཤո͈ࣛȶࡣ̧ධ໐ (the Old South)ȷ͈ଚపȂ၂ͬੀഎͅນ̳͜ ͈͈̠͢͜ͅএ̢ͥȃ୶͈̠̈́͢ΟόͻΛΡ͈ౠ̹ͥᄸ̞͉͘Ȃ͈͌͂̾ಉ੬̦ਞྎͬࠞ ̢̜̯̾̾ͥͬ͘ംැ͂͂͜ͅࡉ̧̹̾͛̀৪̷͈͈̥̱̞ͦ̈́ͦ̈́͜ȃ ȁ༷֚́ΟόͻΛΡ͉Ȃଚཌ͈̦ෛ̞́ਝࣱ͈ͅ૽̹̻̽̀߫ͤ͢ͅࢩ̬ͣͦͥਿऱ ͈̠̈́͢ޚᯃ̞̾̀ͅࢊͥȃ̴͉͘Ȃ͈ͣু̧̠̞̞̦̭͂̈́́͂ͥྨ̞͂̈́́ٸؚ༄ͬ ࢛̳ͥͅȃ̭͉ͦΣνȜςϋΒ͈ਯྦྷ͈ȶ́ٸؚ̞̱ͥ̀ڰȷͅ൝̱̞̠̈́͢༥̱ͣ͐ͤ ̲͈̺̦ͥ͜ͅȂ൳শ͈ͅγȜθτΑഎȂၠͦ৪എۜͬນ̳͈̜̠́ͧ͜͜ȃ͉; ͻΑ΅Ȝ͈ຯͬ̽̀ඤࣱ͈૽̷ؚ̹̻͈̜͈ͥ͊ͅΠ;΅Ϋศͅවࣺ͙ͤȂ̷̭́ ̱̭̹֩ͭ́͘౷࿂͈ષ̢̹ͬͥͅ؍ȃࣱ૽̹̻͉Π;΅Ϋ͈סਵͬोͤ৾ͤȂ̷ͦͬ১ ̀͛ݑൠྠͬै̞̽̀ͥȃ̷͊ͅΟόͻΛΡ̦̞̭̞̥ͥ͂̈́̿͘͘ͅܨȂ͉ͣैު̱ͬ̈́ ̦̞ͣظઢ̞Ȃ̳̺ͥͤͭލȃ̭͈̠̈́͢ࠊ͉Ȃࣱ૽͈੫̹̻͈ઢ̞͞ঊۓ͈̻̹ރ͞ ࣱ૽੫̦̠ظέρϋΑࢊ̧͈ޣ̦ظളͥΣνȜςϋΒ͈ځ͙ͬே̵̯ܳͥȃ̯ͣͅȂ৹̞ ੫̦̥͍̹ۙͣΠ;΅Ϋ͈५͈ષ́ΓΛ·Α̳̭̜ͬͥ͂ͥ͜ȃ̯͘ͅளཀྵ͈̈́Υσ ΆȜ̦̳ͥ֜؍ȜΐȜ͈̠̈́͌͂͢শ̜́ͥḁ͈̦̑̾̀ݭٴ̳༷֚ͥ́Ȃडئ ͅ౾̥̹ͦ૽ș͈̦͙אచࢯࡻ̩̱̩̹̥͘ͅྟ̠͈͢ͅا൲̱̞̀ͥȃ̷̱̀ΟόͻΛΡ ͉Ȃ୮ণ৪͈̠ͬ͢ͅஆ̦͛̈́ͣȂ̭͈ࡻ൲̧ͅව͈̜ͥ́ͥḁ̑̾̀ಎ଼̱̞̹ͬ̀ ͈͜ͅຖ̠͂ਞྎ͈ܨ͂Ȃ̷͉ͦ͂చચഎ͈̈́౷ئഎ̈́൲͈༷ͬࡉޭ͛Ȃ̷̭̥ ͣ࡞ဩͬཚ̨̺̳̭̦͂ȶධ໐͈থ૽ȷ͈ྩ̜̥͈̠͛́ͥ͢ͅȃ − 187 − ີ५ఱ૽ڠڠ໐ܮါ ˑ ȁ̭̭̥͉ͣȂΟόͻΛΡ̹͂ٛ̽ೄࢃͅȂ̵̧̧ࣣ͓ͬ֨ͩͥ૽̱͂̀ȶজȷ͈ෞ ၔͅা͈̮̩͂ၛ̻࡛̹ͦ੫̜́ͥςȜ̤̯̞͊ͭ̾̀ͅࡉ̞̩̭̳̀͂ͥͅȃ੫ ͉˒ˑप́Ȃ ȶఊ̞უ̥̥͈͂̈́̈́ఊࡻໜ̱̹ͬఱ̈́੫ (a large woman with great arms and rather a paunch)ȷ(228) ̜́ͥȃഥ୰എ̈́ంह̜́ͤȂ ȶΣνȜςϋΒ̷͈͈֚ߨٮఝ͉੫ ̳֝ͥͅ۾დ̞́֜ͦ̀ͥ (That whole neighborhood in New Orleans is alive with tales concerning her.)ȷ(230) ͈̺̦Ȃࠨ̱̀എ̈́փྙ͈́ྴআ͉̩́̈́Ȃ̞ͩ͊ΣνȜςϋΒ͈ၔ࿂ঃͬ द̠ͥ̈́͢૽̜́ͥȃ ȁςȜ̤̯̦͊ͭಎୌ໐̥ͣΣνȜςϋΒ͒͂̽̀͞ြ̹͈͉Ȃ̭͈̺̦͘ځȶ࣏ș̱̩ (wild)ȷȂȶਈ͞ശฎ͈̈́̓ܰଷ̦۱̞শయ (the wide-open days)ȷ(230) ̜̹́̽ȃέτϋΙȆ· ȜΗȜͅഝ֚ͬࡌ̦̭̩ͥ̈́͂ͅٳȂ̷͈ष੫͉͈͌͂̾ೄۜͅਲ̞Ȃȶඤ໐̞̩ͬ̾͜ ͈ͅळ̷̥̩͈̱̭͈̞̪̹̹̞̳̀ͬ͂̽͂ͥڬഝ࡛ͬయ໓̳͈͉̩ͥ́̈́ͅȂࡓ ͈ેఠ̧͈̱̤̀͘͘ͅ (Instead of making the place modern, cutting it up into small rooms, all that sort of thing, she left it just as it was)ȷ(231)Ȃ༃͞ٴ͈̈́̓༞ਘͅ߄̥̫̹ͬȃ̭͈ܱ͈ೄࢃ ͅȂȶজȷ͈ষ͈̠̈́͢࡞ဩ̦ொව̯ͦͥȃ After all, we do seem attached to sin and there are so many people busy making sin unattractive. It is good to ¿nd someone who takes the other road. It would have been so very much to Aunt Sally’s advantage to have made the place modern, that is to say, in the business she was in at that time. If a few old rooms, wide old stairways, old cooking ovens built into walls, if all these things did not facilitate the stealing in of couples on dark nights, they at least did something else. She had opened a gambling and drinking house, but one can have no doubt about the ladies stealing in. (231) ȶ̭̾ͥ͂ͧ͘Ȃِș͉ऻ̞̠͈͂ͬ͂̀͜͜ࢡ̞̠͈̺ͭ́ͥ̈́͢ȷ̞̠͉͂ȂςȜ̤ ̯͈͊ͭഝ̦ȶऻ͈( ځCity of Sin)ȷ̞̠͂։ྴͬ̾ΣνȜςϋΒͅ͏̯̱̞ͩඃ͂ށ ̳̥͈͕̭̜͛ͬ͂ͥ́ۼߗ͈ڢȃ̷̱̀ȶऻ̞͈̱̱̠̭ͬ̾ͣ̈́̀͂͘͘͜ͅͅୈ̳ͬ ૽ș͉̹̩̯̞͂̀ͭͥ͜ȷ༷֚́Ȃ੫͉ȶ̷͈͈ݙൽͬͥ૽ȷ̜́ͤȂ̷͉ͦഝͬȶ࡛ య໓ȷֺ̢̱̥̹̭̥̈́̽͂ͣͥ͜ͅȃ̢̱̞̩͈̭̱̞̹̾ͬͣͥ͂̽͜͜ࠁ́ȶ࡛య ໓ȷ̳ͦ͊ͅȂȶյͅΛίσ̷̦̽͂වࣺ͚̭ͤ͂ȷͬค̳̠ͤͥ̈́͢ͅഝ̈́ͤͅȂȶ ςȜ̤̯͊ͭ͂̀͜ͅఱ̧̈́၌̴̹̳͈̹͉ͬͣ̈́̽͜͜ͅȷ̺̦Ȃ੫̷̢͉̜͈̠̀̈́͢ ̭͉̱̥̹͂̈́̽ȃא၌͞คષ͈࢘ၚͬਹণ̱Ȃഝͬခ͈ͤΛίσ̦ૂম͈̹͛ͅ၌ဥ ̳̠ͥ̈́͢ࢃͧճ̩૽࿒ͬෆ͐ાਫ਼̢̱̱̀͊͘ͅȂ̷͉ͦȶऻ̞͈̱̱ͬ̾ͣ̈́̀͘͘͜ͅ ̠ȷ̭̺͂͂੫͉ೄ̱̹͈̜̠ۜ́ͧȃ̷̧͈̦͈̹̦̜ࠫ̽́ضȶശฎા࠳ਈાȷ̞̠͂ − 188 − ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ ࠁఠ͈ഝ̜́ͥȃ̞ͩ͊ॠఉ̈́૽ș͈ဋޟഎ̈́ၠȂ̢̠̞͂͢ۼߗ͈ۥȃ̦̀͞ഝ͈ඵٴ ̜ͥͅఱ̧̈́໐ؚ͈ௗष͈ΞȜήσ͉ͅȂηΏΏΛάȜͬआઽ̳͂ͥശฎ͞އ෯͈ޚ̹ ̻̦̹͚̳̠ͧͥ̈́ͤ͢ͅȂတ༥ͦশ͉ͅ੫̷̹̻̽͂͜වࣺ̺ͤͭȃ̯ͣͅȂඤ໐ͬͅ ̫̭͉̱̥̹͈͈ͥ͂̈́̽͜Ȃ͉ͅႪ૽̹̻͈ଳ͈ા̹̈́̽͜ͅȃςȜ̤̯͉̭͊ͭ ͈ഝ̹̩̱̩ͬ͘ୈႁഎͅ୨̱ͤٝȂΘΣσȆΟέȜ͈୰͈Ϊυͼΰ̜ͥȶκσȆέ ρϋΘȜΒ̈́ͣςȜ̤̯֚͊ͭ͂ͅ༥̵̹̥̱̞ͣͦ̈́͜ (Moll Flanders might have lived with Aunt Sally)ȷ(232) ͂ȶজȷͅএ̵̠̱̹̹̥ͩͥ̈́̈́͢੫̹ࠦ̈́̽ͅȃ ȁ̭͂ͧ́Ȃ̭͈ഝ̞͈ܱ̾̀́ͅྙޟ૬̞͈͉Ȃ̷้̭࿆̳͈ͥͅຝৢ̦̻ͤ͊͛ ̞̭̜ͣͦ̀ͥ͂́ͥȃ༃̧̞̈́̓̀̾ͅے͍̦ͥຈါ̈́ုͬං̩̠ͣͦ̈́̈́ͥ͢ ͅḀ̦̑ςȜ̤̯͈͊ͭഝ͈ಎೳ͈༌௰̞ࣞͅ༃ͬಃ̞̹͈̺̦Ȃ ȶ̷̥̥ͦͩͣ͜ͅ ̴ȂΨ͈࿐଼͉̳̩̳̩͂ಿ̱̹ (The banana plants, however, did very well)ȷ(235) ͈̜́ ͤȂȶ༃͉̱̞ͅκϋΗ͈ᩈᩋ̦̠̹̽͢ͅޚ࿊Ⴇͅृ̧ࡶͤ (On the wall the lovely Rose of Montana bloomed madly.)ȷ(231-232)Ȃȶ༿̱̞ρϋΗ̷͉͈༃͈ߛͅᗩ̞࿆̹͂̽ (The fragrant Lantana grew in a dense mass at a corner of the wall.)ȷ(232)ȃ̯ͣͅಎೳ͈ಎ؇ͅ ̢̹ͣͦΓϋΘϋ͉Ȃ ȶ͉̜̹֚ͤͅఝͬ༿̱̹֚ࣝ́ͅ (¿lled the whole neighborhood with fragrance in the Spring)ȷ(232)ȃཱི̯͘ͅ༶̳́ͥ֜؍ྵႁ͞ڰႁͬఘ࡛̳̠߲̺ͥ̈́͢ ̦Ȃ̯ͣͅྙޟ૬̞͈͉Ȃ้̭͈࿆̦ͦͣഝ͈ޟၦ͂ވ૦̳̠͈̱ܱ̯̞ͥ̈́͂̀ͦ̀͢͜ ̭̜ͥ͂́ͥȃ୶֨ͅဥ̱̹ςȜ̤̯͈͊ͭส࿂ᦞ͐ͤͬഥ̢ͥȶκσȆέρϋΘȜΒ ̈́ͣςȜ̤̯֚͊ͭ͂ͅ༥̵̹̥̱̞ͣͦ̈́͜ȷ͈̜͂ͅȶ੫̹̻͉̳̮̞̓ͭ̈́ͅ ඵ૽ழ͙̹̭̺̠̈́̽͂ͧͅȊȷ̞̠̦̩̦͂Ȃ̷͈ೄࢃͅြ͈͉ͥষ͈̠ܱ̈́́͢ ̜ͥȃȶΓϋΘϋ͉ࡓܨ،େ̈́ͤͅই̞͛̀ͥȃρϋΗ͉ृ̧ࡶ̞̽̀ͥȃਝ͉ͅκϋΗ ͈ᩈᩋ̺ (The Chinaberry tree beginning to be lusty. The Lantana blossoming—in the Fall the Rose of Montana.)ȷ(232)ȃ̯ͣͅ༆͈ؿਫ਼͉ͅո̠͈֚̈́͢ئ୯̦̜ͥȃȶඵ͈̥̩̞͈̾ٴ໐ؚ͈Ξ Ȝήσ̩̾ͅശฎ̹̻Ȃͬஆ͛ͥΛίσ̹̻Ȃ̞̱̥͛ࡣ͈ئٴಎೳ̥͉̞࿆ͣͥ͜ ͈̹̻͈༿ࣝ (Gamblers at the tables in some of the rooms upstairs, lurking couples, from the old patio below the fragrance of growing things.)ȷ(233)ȃ֨ဥ̥̥̠ͣͩͥ͜͢ͅȂ৽໐͂໐̢̹ͬ ϋίςȜΠȆΓϋΞϋΆ͉̞̈́౯༌എܱ̦̈́κϋΗȜΐνഎͅழ͙ࣣ̯̤ͩͦ̀ͤȂ̷ ͉ͦκϋΗȜΐνഎ̈́ד௨͈̠͢ͅȂςȜ̤̯͍͊ͭݞ੫͈ഝ߲͈͂͂ͼιȜΐഎႲ ͬ۾ճা༹̳͈̠ͥ͢ͅࡉ̢ͥȃ̾ͤ͘Ȃ้̹̩̱̩࿆͘Ȃᤋ၄̱༿ࣝͬ༶̭͈̾ͦͣ ߲͉ȂςȜ̤̯͈͊ͭڰႁ͂੫̦୨̳ͤٝȶ՛ਫ਼ȷ͈᪽თഎ͈͙̈́֯אቐ͈͉̜̈́́ͥ͘ ̞̥ȃ̯͘ͅඃ͂ۗ͂ڢށෝ͈ࣝͤͬຖ̳ͩȶ՛͈لȷ̞̠̭̜̠̥͂͂ͧ́ͧȃ ȁ̠͌͂̾͜ȂςȜ̤̯͈͊ͭ૽௮߿ͅྙޟ̱̀۾૬̞͈͉Ȃ੫͈༦എͼιȜΐ̜́ ͥȃΟόͻΛΡͬ੫͈ࡓͅႲ̧࣐̹ͦ̀̽͂Ȃ ȶজ͉ͬ༦͈ࡓͅႲͦ̀ြ̹͈̺ (I have − 189 − ີ५ఱ૽ڠڠ໐ܮါ brought him to a mother.)ȷ(230) ̞̠͂ুࡨྖ௷എ̈́এ̞̦ȶজȷ͈ಎ̧̜̦ͩͥͅȃ̯͉ͣͅȂ ȶ੫͉༦͈̠̈́͢Ηͼί͈૽̜́ͥ (She is a motherly soul.)ȷ(234) ̞̠ܱ͂Ȃ੫̦Γ ϋΘϋ̞̾̀ͅࢊ̧͈ͥ͂ȶ̱͜ྲ͈̭͂ͬࢊ̹̭̠̜̠̞̠̽̈́ͣ̈́ͥ́ͧ͂ঊ́ (as she might have spoken of a daughter)ȷ(235) ̞̠ܱ͂͜੫ͅ༦എͼιȜΐͬັဓ̳͈̜ͥ́͜ ̠ͧȃܰํഎ́ঊͬࡕ̱̩ੈ༆̳̞̠ͥ͂௰࿂͉ͬ̾͂చચഎͅȂૂഎ́̀ͬယ̳ ͈̦ͥ༦̺̳͂ͦ͊Ȫઐུ 13-14ȫȂא၌͞੬ၻ௹̞̹͂̽ث͞ܖ̭͈͂ͣͩͦͥ͂ͅ ̞̈́ఱ̥ͣ̈́ယͬ̾ςȜ̤̯͉͊ͭȂ̯͘ͅȶ༦ȷ͈࿂ͬג̢̹૽͂࡞̢̺ͥͧ ̠ȃ̷̱̭͈̀ȶ༦ȷ͈ࡓ̞̰̹̈́ͩͦͅΟόͻΛΡ͉Ȃ੫̥ͣͻ;̹̯ͦރΑ΅Ȝ͙ͬ֩Ȃ ̦̀͞੫͈͈زಎೳ͚ࣺͤͅྨ̀̽̈́ͅ؍ȃ̯̈́ఘ̷͈͚ࣺͬͤྨ̀͛܃উ͉Ȃྫཡͅ ̀ͬȶ༦ȷͅտ͇̹ঊ͈̠͢͜ͅࡉ̢ͥȃ ˒ ȁࠝॠধȸΘήσȆΟͻȜρȜ (Double Dealer)ȹ͈ˍ˕ˎˎාˏͅอ࣐̯̹ͦͅȂͺ ϋΘΕϋ͈ȶΣνȜςϋΒȂȸΘήσȆΟͻȜρȜȹȂ̷̱̀ͺις̤̫ͥͅκΘϋȆθ ȜόιϋΠ (New Orleans, the Double Dealer, and the Modern Movement in America)ȷ͂ఴ̳ͥ ΛΓͼ̦ࠇश̯̞ͦ̀ͥȃ;σΗȜȆ˞ȆρͼΡͺ;Π̷͉ͦ͊ͦ͢ͅȂ ȶ̦Ք̳̠ͥ͢ ̞̹̜͍̈́̽̀ͤ́ͅލ͈ࡤۥ͈͒ځȂ༆͈ͦ࡞ဩ (a hail and farewell to the city he had come to love)ȷ(10ȫ͈̺̦̈́Ȃ̭͈ಎ́ͺϋΘΕϋ͉Ȃু̧̦̞̀ͥͅۼͺις͉ȶ͂এࣉ ْ͈֚( اstandardization of life and thought)ȷ(qtd. in Rideout 10) ̫ͬව̱̞ͦ̀̽̀ͥ͘Ȃ͂ ͓ͥȃْ̢֚̀حͅاȂͺιςഎ͉ڰȶૺ༜ȷ͈ౙ̈́ͥၾഎ̈́࿒ດͅ൮̱̞̦̀ͥȂ ̷͈༷֚́ΣνȜςϋΒ͈ݰঌ͉ځȂȶၾͤ͢ৗȂಇୟ̧̳̭̭ͥ͂ͤͥ͂ͬ͢ਹণ̳ͥ (think more of quality than of quantity and more of living than of accumulating)ȷ(qtd. in Rideout 11) ͂ ̞̠ୈ૰໓ാͬഥൡഎ̾ͅાਫ਼͈̜̈́́ͥȃ̭͈̠͢ͅͺϋΘΕϋ͉ȂΣνȜςϋΒͬ൚ শ͈ͺιςͬ͂اْ̳֚ͥے̧̩̭͂̈́ၾഎڐఱ͍ݞಇୟ͈̠̞͂ݥ໓ಲ͉͂ယͦ ̞̈́Ȃ̷̷̱̀ͦͅࢯ̠ثͬ͞௬̳͈ͥ͂͜௴̢̞̀ͥȃ ȁ̭̭́Ȃུაཙ൮̤̞̀ͅা̱̹ͺϋΘΕϋ̦ཤ໐͂ධ໐ͬచഎͅນ࡛̳͈ͥͅဥ̞̹ ቐͅၛ̻࿗̹̞ͤȃȶࡥ̹̭̱͛͐ȷ̞̠͂ນ࡛̥̥͍ͣષ̦͈͉ͥȂࣁೄȂޑಫͤȂङȂ ഌచȂະۘယȂ̯ͣͅȨhard¿stedȩ̞̠͂ࢊ͍̩͂ࠫ̾ሑኍȂྫȂ̞̹͂̽ͼιȜΐ߲́ ̜̠ͧȃ̷̱̭͈̀ͦͣͼιȜΐ̱ͬٚ̀Ȃ ȶࡥ̹̭̱͛͐ȷ͉୶͈ΛΓͼ́ͺϋΘΕϋ ̦ܱ̱̹ͺις͈ેͅޙચ؊̳͈͈̠ͥ͜͢ͅএ̢ͥȃ̭͈̾ͤ͘ນ࡛͉Ȃ։ৗ͈̈́͜͞ ఉအ͈̈́ͬ͜ݺယ̳̭̩ͥ͂̈́Ȃ͂এࣉ͈ুட́ুဇ̈́൲ͬဲ̢ࣺ͙Ȃ̷ͦͣͬౙ͈֚ಚ ߿ْ͉̭̠̳֚͛͂ͥ͜ͅࣁ͈اೄȂङȂະۘယ̯Ȃޛၾ̯Ȃ̯͉ͣͅগ͚̭͂ͬͣ ̞̈́ޑทഎ̈́ၾഎڐఱ͂ಇୟ̦ճা̳ͥ᭻ဳ̯͂୲̢̞̈́ۼทેఠȂ̞̹͈͈͂̽֯͜ቐ̈́ − 190 − ȶධ໐എ͈̈́ͥ͜ȷ͈͂ᰢᰄȝȝΏλȜ;ΛΡȆͺϋΘΕϋ͈ȶධ໐͈̞́ٛȷͬඋ͚ ͈͉̜̞̥́ͥ͘ȃ ȁ༷֚ȶ̞̀ٳႁͬา̞̹ȷ̥ͣႲே̯͈͉ͦͥȂ౸۱Ȃგ̨ͣȂဏგȂۘယȂȂٳ༶Ȃ ယȂ̯͉ͣͅȨopen-handedȩ̞̠͂ࢊ͍̩͂ࠫ̾ဳِ͞ဳ͈ܛถ̯Ȃ̞̹͂̽௺̜̠́ͧȃ ̷̱̭̭̀́͘ࡉ̧̹̠̀͢ͅȂ̭͉ͦͣΣνȜςϋΒȂΟόͻΛΡȂςȜ̤̯͊ͭͬඅ ಭ̫͈̜̿ͥ́ͥ͜͜ȃΣνȜςϋΒ͈ॠఉ͈̈́͜Ȃఉအ͈̦̈́͜ईहȆई̳ͥΧͼής ΛΡ͂ٳ༶Ȃ̯ͣͅဳഎ̈́κρσ͞ಎॲݭٴഎ੬ၻ௹ͅป̭͈̞ͣͦͥ͂̈́Ჸో̯͞ వလ̯ȂΟόͻΛΡ͈ྴ͞ోוȂِဳ̞̹͈͉͂̽͂͜ྫ͈ౠ̹ͥᄸ̞͘Ȃ͈ા́ ജ͈̻̹૽ࣱ̯ͥͦٳ͈ΥσΆȜ͈ೄ୪എ́ুட̈́อႺȂςȜ̤̯͈͊ͭഝ̤̫ͥͅ ॲ͂ಇୟ͈ࠐफࣣၑ̫̹ͬ࢜ͅᆷඣഎȂڢށഎȂ̹͘੫͈̀ͬ༴သ̳ͥ༦͈̠͢ ̈́ယȃ̭͉̯ͦͣ͘ͅȶ̞̀ٳႁͬา̞̹ȷ͂ࡉࣣ̠͈͂͜࡞̢̺̠ͥͧȃ̞̭͈ͩ͊ २৪̦२պ֚ఘ଼̱ͬ̾̾Ȃȶධ໐എ͈̈́ͥ͜ȷ͈ͬܖு̞͈̜́̀ͥ́ͥȃ ȁ̯ͣͅͺϋΘΕϋ͉ȸΘήσȆΟͻȜρȜȹ͈ΛΓͼ̤̞̀ͅȂͺις͈ે̥͛ͣ͂ޙ ̀ڠນ࡛͈خෝ͜ͅ࡞̞̱ͥ̀ݞȃ̷ͦͦ͊͢ͅȂఱਤॠধ͈ܿࢦഎ͉̞̦ͦ̀ͥͅ ಎ͈̞̈́ࢊ߲̯ͥͦͅד͂এࣉْ͈֚ͅاచ౾̯͈̦ͦͥȂȶࡢഎ̈́ນ࡛͈ٝႹͬ ठ͍̳̠̫ͥ͂͢ٳদ͙ (an effort to re-open the channels of individual expression)ȷ(qtd. in Rideout 11) ̱͈͂̀κΘϋȆθȜόιϋΠ̜́ͥȃ̳͂ͦ͊Ȃȶධ໐͈̞́ٛȷͬඅಭ̫̿ͥளཀྵ́ ྶ̈́ȜρσȆρΞͻό͈ΑΗͼσȂ̷̱̀ࠠഎ͈̈́ͬ͜ෳੰ̱̀ౠș͂ૺ͚ࢊࢹ଼͉Ȃ ْ̳̱֚דͬاȶఱਤॠধ͈ܿࢦഎ͉̞̦ͦ̀ͥͅಎ͈̞̈́ࢊ߲ȷ͈ͺϋΙΞȜΔ́ ̜ͤȂȶκΘϋȆθȜόιϋΠȷ͈͈͌͂̾க͈͉̥̠̥̈́́̈́ͧȃ̷̷̢̱̀ͦ͠ͅȂΣ νȜςϋΒ͂൳̲౷ͅၛ͈͈͉̜̞̥̾̈́́ͥ͘͜ȃْ֚اȂၾഎڐఱȂಇୟ̞̹͂̽ࡔ ၑ͉͂༆͈Ȃ̷̷̱̀ͦͣ̽̀͢ͅգफ़Ȃٜఘ̯̜ͦ̾̾ͥث̦̺͘͞௳̩̿ଲͬٮຝ ̧̳̹͉͛ͅȂ̷ͦͅ͏̯̱̞ͩນ࡛အ̦̜̭ͥ͂ͅͺϋΘΕϋ͉ͦ̀ুژഎ̜̹́̽ ͈̺̠ͧȃౣ༎୰ȶධ໐͈̞́ٛȷ͉Ȃ৽ఴ͂έȜθ͈ၰ࿂̤̞̀ͅȶ̞̀ٳႁͬา̞ ̹ȷͬȂ͉̾ͤ͘ȶධ໐എ͈̈́ͥ͜ȷͬນ࡛̱̠̳͂ͥ͢দ͙̺̹̽͂࡞̢̠͢ȃ ಕ ȪˍȫषȂධ໐͉ܲȂȶৗഎ́ಎॲݭٴഎུ́৽݅എ̈́အ̩̞ͬ̀͛ޑِ̦̞̤̀ͅاൽ࣐ͬ ̩֚Ⴥ (a maverick within an increasingly uniform, middle-class, capitalistic culture)ȷ(Wilson & Ferris 1391) ̞̠͂اഎཞͬ̾ంह̜́ͥ͜ȃ̷̱̀ࢃ̳̭̦ͥ͂̈́ͥͅȂΟόͻΛΡ͜ςȜ̤̯͊ͭ͜ ̭͈̠̈́͢࿂ͬג̢̞̀ͥȃ − 191 − ີ५ఱ૽ڠڠ໐ܮါ ŘŰųŬŴġńŪŵŦť Anderson, Sherwood. ȨA Meeting South.ȩ Death in the Woods and Other Stories. New York: Liveright, 1933. 221-240. Rpt. in vol. 11 of The Complete Works of Sherwood Anderson. Ed. Kichinosuke Ohashi. 21vols. Kyoto: Rinsen, 1988. Bryan, Violet Harrington. The Myth of New Orleans in Literature: Dialogues of Race and Gender. Knoxville: U of Tennessee P, 1993. Howe, Irving. Sherwood Anderson: A Biographical and Critical Study. Stanford: Stanford UP, 1966. Novak, Michael. Unmeltable Ethnics: Politics & Culture in American Life. 2nd ed. New Brunswick, NJ: Transaction, 1997. Rideout, Walter B. ȨThe Most Civilized Spot in America: Sherwood Anderson in New Orleans.ȩ Literary New Orleans in the Modern World. Ed. Richard S. Kennedy. Baton Rouge: Louisiana State UP, 1998. 1-22. Wilson, Charles Reagan & William Ferris, eds. Encyclopedia of Southern Culture. Chapel Hill: U of North Carolina P, 1989. ઐུȁসȅȸഎਕޗȁ༦എਕޗȹȅނఱڠๅٛȅ1987. − 192 −
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