Menu On Course Print Answer Key The Greek myth “Baucis and Philemon“ appears on page 150 in Holt Literature and Language Arts. In that myth we learn how two old people are rewarded by the gods for their generosity. Now you will read another Greek myth. This one is about two young people, Atalanta (at • ¥ • lan√t¥) and Hippomenes (hi • päm√i • n≤z). This myth, like the myth about Baucis and Philemon, ends with a metamorphosis (met≈¥ • môr√f¥ • sis), a marvelous change in form. Notice that though one metamorphosis is a reward, the other is a dreadful punishment. Have you ever forgotten to thank someone? In the Greek myth “Atalanta and Hippomenes,” you’ll see what happens when a young man forgets to thank a goddess of love for the help she gave him. Here’s what you might want to know before you begin the story: • Myths often teach important lessons about life. • Venus is the goddess of love. • Atalanta and Hippomenes are mortals, or humans. 114 Chapter 3 The Heart of the Matter: Themes and Conclusions Reading Standard 3.6 Identify and analyze features of themes conveyed through characters, actions, and images. Menu On Course Print Answer Key A Greek Myth Atalanta was a Greek maiden who could run faster than anyone on earth. She could outrun the winds, Boreas and Zephyr. Only Mercury, with his winged sandals, ran more swiftly. Besides being so fleet-footed, Atalanta was very beautiful, and many Greek youths from every part of the kingdom wished to marry her. But Atalanta did not wish Many names in Greek myths are difficult to pronounce. Zephyr will be easier to read if you remember that ph makes the f sound. Try breaking difficult names into syllables and sounding them out. For example, At/a/lan/ta or Hi/ppom/e/nes. to marry anyone and turned them all away, saying, “I shall be the bride only of him who shall outrun me in the race, 10 but death must be the penalty of all who try and fail.” In spite of this hard condition there still were a few brave suitors willing to risk their lives for a chance of Circle the words in the first two paragraphs that describe an important characteristic of Atalanta. winning Atalanta. For one of the races the runners chose the youth Hippomenes for judge. Hippomenes felt both pity and scorn for the runners. He thought they were foolish to risk their lives, and bade them go home. He reminded them that the land was full of lovely maidens who were kinder and more gentle than 20 Atalanta. suitors (sºt√¥rz) n.: men who are courting, or wish to marry, a woman. scorn (skôrn) n.: feeling that someone or something is worthless, or not worthy of notice. “But you have not yet seen Atalanta,” said one of the suitors to Hippomenes. “You do not know all her beauty and loveliness. See, she comes!” Hippomenes looked, and saw Atalanta as she drew near. She laid aside her cloak and made ready for the race. Improve your fluency by reading the boxed passage aloud. Read it once slowly and carefully. Then, read it again, with more speed. Read it a third time, and add expression to the description of Atalanta. “Atalanta and Hippomenes” from A Child’s Book of Myths and Enchantment Tales by Margaret Evans Price. Copyright 1924 by Rand McNally & Company; copyright renewed 1952 by Margaret Evans Price. Reprinted by permission of Lucy Eddins on behalf of the Estate of Margaret Evans Price. Atalanta and Hippomenes 115 Menu On Course Print Answer Key For a moment she stood poised like a graceful white bird about to fly. envious (en√v≤ • ¥s) adj.: jealous; wanting something that someone else has. penalty (pen√¥l • t≤) n.: punishment. The suitors who stood beside her trembled with fear and eagerness. 30 At a word from Hippomenes the runners were off, but at the first step Atalanta flew ahead. Her tunic fluttered behind her like a banner. Her hair, loosened from its • • • • • • Notes • • • • • • ribbon, blew about her shoulders in bright waves. As she ran, Hippomenes thought her very beautiful and became envious of the runner who might win her. He shouted praises when she reached the goal far ahead of her poor suitors. Hippomenes forgot that the penalty of failure was death. He did not remember the advice he had given the 40 other runners to go home and forget the loveliness of Atalanta. He knew only that he loved her and must himself race with her. Raising his head toward Mount Olympus, he prayed to Venus, the goddess of love, and asked her to help him. Atalanta and Hippomenes (detail) by Sebastiano Marsili (1572). Palazzo Vecchio, Florence. 116 Chapter 3 The Heart of the Matter: Themes and Conclusions Menu On Course Print Answer Key As he stood beside Atalanta, waiting for the signal for the race to start, Venus appeared to him and slipped three golden apples into his hands. What does Venus tell Hippomenes to do with the golden apples? “Throw them one by one in Atalanta’s path,” whispered Venus. 50 The goddess was invisible to everyone but Hippomenes. No one saw her as she gave him the apples, nor heard her as she told him what to do with them. Atalanta looked pityingly at the handsome youth as he stood ready to run. She was sorry for him, and for a moment she hesitated and almost wished that he might win the race. The signal was given, and Atalanta and Hippomenes flew swiftly over the sand. Atalanta was soon ahead, but Hippomenes, sending up a prayer to Venus, tossed one of 60 his golden apples so that it fell directly in front of Atalanta. Astonished at the beautiful apple which seemed to fall from nowhere, she stooped to pick it up. That instant Hippomenes passed her, but Atalanta, holding the apple firmly in her hand, at once darted ahead. stooped (stºpt) v.: bent over. Again she outdistanced Hippomenes. Then he threw the • • • • • • second apple. Notes • • • • • • Atalanta could not pass without picking it up, and then, because of the apple in her other hand, paused a moment longer. When she looked up, Hippomenes was 70 far ahead. But gaining, she overtook and passed him. Then, just before she reached the goal, he threw the third apple. “I can win easily,” thought Atalanta, “even though I stoop for this other apple.” As she was already holding an apple in each hand, she paused just for an instant as she wondered how to grasp the third. Atalanta and Hippomenes 117 Menu On Course Print Answer Key That moment Hippomenes shot past, reaching the goal before Atalanta. Pause at line 78. In your own words, explain how Atalanta is tricked. Amid the wild shouts of those who watched, he 80 wrapped the maiden’s cloak around her shoulders and led her away. Hippomenes was so happy that he forgot to thank the goddess Venus, who followed them to the marriage feast. Invisible, she moved among the wedding guests. She saw Atalanta place the golden apples in a bowl of ivory and admire their beauty, but Hippomenes, in his delight, thought no more of the apples or of the goddess who had given them to him. Although Hippomenes wins the race, has he really outrun Atalanta? Explain. Venus was angry with Hippomenes for being so 90 thoughtless, and instead of blessing the lovers she caused them to be changed into a lion and a lioness, doomed forever to draw the chariot of Cybele,° the mother of Jupiter, through the heavens and over the earth. Underline the word thoughtless in line 90, used to describe Hippomenes. What important theme in the myth is reflected in this word? ° Cybele (sib√¥ • l≤). 118 Chapter 3 The Heart of the Matter: Themes and Conclusions Menu On Course Print Theme Answer Key Complete the following If/Then Chart to see how the story’s theme would differ if Atalanta or Hippomenes had acted differently. If Then Atalanta had . . . Hippomenes had . . . Metamorphosis A metamorphosis (met≈¥ • môr√f¥ • sis) is a marvelous change in form. Greek myths are full of metamorphoses. What metamorphosis rewards Baucis and Philemon? What metamorphosis punishes Atalanta and Hippomenes? Personal Word List The names of several gods and goddesses are mentioned in “Atalanta and Hippomenes.” Write their names in your Personal Word List, and tell who they are. Personal Reading Log What did you think of the cruel ending of this myth? If you could change the ending, what would you want to happen? Write your response in your Personal Reading Log. Give yourself 2 points on the Reading Meter for completing this myth. Checklist for Standards Mastery Use the Checklist for Standards Mastery to determine your skill in identifying theme. Atalanta and Hippomenes 119 Menu On Course Print Answer Key Atalanta and Hippomenes Interactive Reading, page 115 Interact with a Literary Text Word-and-Theme Diagram Use this word-and-theme diagram to record important ideas from “Atalanta and Hippomenes.” First, select several words from the myth you think are important. Then, explain how each word reveals a theme in the myth. “Atalanta and Hippomenes” Theme Theme Word Word Theme Word 120 Chapter 3 The Heart of the Matter: Themes and Conclusions Menu On Course Print Build Independence Through Interactive Selections DIFFERENTIATING INSTRUCTION Atalanta and Hippomenes (Interactive Reading, pages 114–139) Atalanta and Hippomenes ■ page 115 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Have students recall the Greek myth “Baucis and Philemon.” Ask volunteers to relate important themes from the myth of Baucis and Philemon. Then, tell them that they are going to read another Greek myth. Read the Greek Myth Study note and the Before You Read note aloud. Have students think about times when they neglected to express gratitude. Did their forgetfulness have consequences? For the Decoding note, you may want to add that, in general, the names of the characters in Greek myths are pronounced just as they are written. Pronounce the names of Hippomenes and Atalanta syllable by syllable. Read the first two paragraphs of “Atalanta and Hippomenes” aloud. Then have students read the Identify note. Ask students what words they would circle to describe Atalanta. Make sure they choose words such as: run faster, outrun the winds, swiftly, and fleet-footed. Have students read the rest of the myth independently while responding to the sidenotes in their books. After students read the Fluency passage, ask volunteers to mention one thing they noticed about their reading, such as a word they emphasized or a place they read faster or slower. ■ Learners Having Difficulty You may want to have struggling readers listen to the story, available in the Audio CD Library. Benchmark Students To develop fluency, have students take turns reading aloud. Try letting them decide how many words, sentences, or paragraphs they will read. Advanced Students Myths and folk tales were meant to be told orally. After the class has read the story, have advanced learners tell the story to learners who are having difficulty. TEACHER TO TEACHER Suggest to students that they not be thrown by words such as strategy or theme. Point out that when identifying theme, we are asking ourselves, “What is this story trying to say?” or “What is this story really about?” READING OPTION Because there are numerous references to events that occurred in the past, the chronology in this myth might be confusing. You may wish to have students create a sequence chart as they read to help them put the story events in time order. Have students complete the If/Then Chart on Interactive Reading page 119 to further explore the theme. Photocopy and distribute the “Most Important Word” Web in Section Three of the Teacher’s Edition. Have students record important words from the myth and analyze how these words provide clues to the theme. Make copies of the Word-and-Theme Diagram on Interactive Reading page 120 to use as an informal assessment. Use the Vocabulary Check and the Comprehension Check on Teacher’s Edition pages 38 and 39 to evaluate mastery of the standards. Chapter 3 33 Key Menu Name On ______________________________ Course Print Answer Class _____________ Date _____________ Vocabulary Check Atalanta and Hippomenes ■ Interactive Reading, page 115 Reading Standard 1.2 Identify and interpret figurative language in prose text. Vocabulary Development suitors, noun men who are courting, or wish to marry, a woman scorn, noun feeling that someone or something is worthless, not worthy of notice envious, adjective jealous; wanting something that someone else has penalty, noun punishment stooped, verb bent over A. Words in Context Atalanta had many (1) _______________ who wished to marry her, and they were all (2) _______________ of one another. Each one (3) _______________ before her, and asked for her hand. Atalanta, however, told them that anyone who could outrun her could marry her, but death would be the (4) _______________ for losing. Hippomenes felt nothing but (5) _______________ for any man who dared to race against her, but then he decided that he himself must do it. Had he known he would later be doomed, he might have thought twice. B. Figurative Language: Similes A simile is a comparison between two unlike things using the words like, as, than, or resembles. Circle the two things being compared in each simile below. Then rewrite each sentence, creating a different comparison. For example, for the first simile you might write “For a moment she stood like a pine tree, still and tall.” 1. For a moment Atalanta stood poised like a graceful white bird about to fly. 2. Atalanta’s tunic fluttered behind her like a banner. 38 Interactive Reading Copyright © by Holt, Rinehart and Winston. All rights reserved. Use words from the list above to complete the paragraph. Use each word only once. Menu On Course Print Answer Key Name ______________________________ Class _____________ Date _____________ Atalanta and Hippomenes ■ Interactive Reading, page 115 Comprehension Check Reading Standard 3.6 Identify and analyze features of themes conveyed through characters, actions, and images. Academic Vocabulary theme protagonist antagonist truth about life revealed in a work of literature main character in a work of literature; the one who takes action to get something character who opposes the protagonist Copyright © by Holt, Rinehart and Winston. All rights reserved. A. Circle the letter of the correct response to each item below. 1. The protagonist of this story is— A Zeus B Atalanta C Hippomenes 2. The antagonist of this story is— F Zeus G Atalanta H Hippomenes D Venus J Venus 3. Which theme is revealed through the actions of Hippomenes? A Dedication brings success. C Don’t forget to thank those who help you. B Beauty is all that matters. D Love is worth dying for. 4. Which theme is revealed through the actions of Atalanta? F Distraction can have negative consequences. G Beauty is extremely important. H It is better to be alone than to be married. J Don’t be tricked into eating red apples. B. Suppose this myth was told from the point of view of the goddess Venus. What might be different about the story? Chapter 3 39 Menu On Course Print Chapter 3 Practice Read: Walk a Mile in Someone Else’s Shoes Vocabulary Check, page 36 A: 1. grief 2. inflexible 3. peered 4. smirked B: 1. (Students should circle or underline “worked, like a microchip.”) I worked effectively and very fast. 2. (Students should circle or underline “trying to save a sinking ship.”) He was trying to save a hopeless situation. 3. (Students should circle or underline “climbed the ladder”) She had successfully moved up in her job. Comprehension Check, page 37 A: 1. A 2. H 3. C 4. G B: Students’ responses will vary. Sample response: Donnelle’s mom and dad switched jobs for a week. Donnelle’s dad took over at home, and her mom went to work for the newspaper. They did this experiment to see whose job was harder. Atalanta and Hippomenes Vocabulary Check, page 38 A: 1. suitors 2. envious 3. stooped 4. penalty 5. scorn B: 1. For a moment, she stood as still as a statue. 2. Her tunic rustled behind her like a flag. Comprehension Check, page 39 A: 1. C 2. G 3. C 4. F B: Venus would focus on Hippomenes and the fact that he forgot to thank her properly for her help. If she told the story, the theme of “the importance of showing gratitude” would be even more pronounced and important. 112 Interactive Reading: Teacher’s Edition Myths in Our Lives and Word Origins Vocabulary Check, page 40 A: 1. ancient 2. essential 3. foundations 4. chaos 5. ritual B: 1. “myths” and “mirrors” 2. “grandparents” and “oak trees” Comprehension Check, page 41 A: 1. C 2. G 3. A 4. F B: Responses will vary. Strong answers that either agree or disagree with Bruchac will be firmly supported. Fabiano and Reyes Vocabulary Check, page 42 A: 1. confidante 2. enamored 3. derided 4. virtuous 5. consolation B: 1. a 2. c 3. b Comprehension Check, page 43 A: 1. A 2. F 3. A B: Responses will vary. Sample answer: I learned that you should never be quick to judge someone on how she looks. It’s important to get to know someone, first. 114 Chapter 3 The Heart of the Matter: Themes and Conclusions • Atalanta and Hippomenes are mortals, or humans. • Venus is the goddess of love. • Myths often teach important lessons about life. Here’s what you might want to know before you begin the story: gave him. young man forgets to thank a goddess of love for the help she “Atalanta and Hippomenes,” you’ll see what happens when a Have you ever forgotten to thank someone? In the Greek myth is a dreadful punishment. Notice that though one metamorphosis is a reward, the other metamorphosis (met≈¥ • môr√f¥ • sis), a marvelous change in form. This myth, like the myth about Baucis and Philemon, ends with a people, Atalanta (at • ¥ • lan√t¥) and Hippomenes (hi • päm√i • n≤z). you will read another Greek myth. This one is about two young old people are rewarded by the gods for their generosity. Now Holt Literature and Language Arts. In that myth we learn how two The Greek myth “Baucis and Philemon“ appears on page 150 in Reading Standard 3.6 Identify and analyze features of themes conveyed through characters, actions, and images. 20 10 “Atalanta and Hippomenes” from A Child’s Book of Myths and Enchantment Tales by Margaret Evans Price. Copyright 1924 by Rand McNally & Company; copyright renewed 1952 by Margaret Evans Price. Reprinted by permission of Lucy Eddins on behalf of the Estate of Margaret Evans Price. near. She laid aside her cloak and made ready for the race. Hippomenes looked, and saw Atalanta as she drew and loveliness. See, she comes!” suitors to Hippomenes. “You do not know all her beauty “But you have not yet seen Atalanta,” said one of the Atalanta. of lovely maidens who were kinder and more gentle than them go home. He reminded them that the land was full He thought they were foolish to risk their lives, and bade Hippomenes felt both pity and scorn for the runners. Hippomenes for judge. For one of the races the runners chose the youth winning Atalanta. brave suitors willing to risk their lives for a chance of In spite of this hard condition there still were a few but death must be the penalty of all who try and fail.” be the bride only of him who shall outrun me in the race, to marry anyone and turned them all away, saying, “I shall kingdom wished to marry her. But Atalanta did not wish beautiful, and many Greek youths from every part of the Besides being so fleet-footed, Atalanta was very swiftly. Zephyr. Only Mercury, with his winged sandals, ran more anyone on earth. She could outrun the winds, Boreas and Atalanta was a Greek maiden who could run faster than A Greek Myth Atalanta and Hippomenes 115 Improve your fluency by reading the boxed passage aloud. Read it once slowly and carefully. Then, read it again, with more speed. Read it a third time, and add expression to the description of Atalanta. scorn (skôrn) n.: feeling that someone or something is worthless, or not worthy of notice. suitors (sºt√¥rz) n.: men who are courting, or wish to marry, a woman. Circle the words in the first two paragraphs that describe an important characteristic of Atalanta. Many names in Greek myths are difficult to pronounce. Zephyr will be easier to read if you remember that ph makes the f sound. Try breaking difficult names into syllables and sounding them out. For example, At/a/lan/ta or Hi/ppom/e/nes. Menu On Course Print Chapter 3 Pupil Pages 98–139 Pupil Pages with Answers 177 178 Interactive Reading: Teacher’s Edition 116 Notes Chapter 3 • • • • • • 40 30 win the race. Atalanta and Hippomenes (detail) by Sebastiano Marsili (1572). Palazzo Vecchio, Florence. Venus, the goddess of love, and asked her to help him. Raising his head toward Mount Olympus, he prayed to 70 his golden apples so that it fell directly in front of Atalanta. Atalanta. He knew only that he loved her and must himself wondered how to grasp the third. apple in each hand, she paused just for an instant as she stoop for this other apple.” As she was already holding an “I can win easily,” thought Atalanta, “even though I before she reached the goal, he threw the third apple. But gaining, she overtook and passed him. Then, just far ahead. moment longer. When she looked up, Hippomenes was then, because of the apple in her other hand, paused a Atalanta could not pass without picking it up, and second apple. Again she outdistanced Hippomenes. Then he threw the holding the apple firmly in her hand, at once darted ahead. That instant Hippomenes passed her, but Atalanta, from nowhere, she stooped to pick it up. Astonished at the beautiful apple which seemed to fall Hippomenes, sending up a prayer to Venus, tossed one of other runners to go home and forget the loveliness of race with her. flew swiftly over the sand. Atalanta was soon ahead, but death. He did not remember the advice he had given the The signal was given, and Atalanta and Hippomenes moment she hesitated and almost wished that he might poor suitors. Hippomenes forgot that the penalty of failure was he stood ready to run. She was sorry for him, and for a Atalanta looked pityingly at the handsome youth as nor heard her as she told him what to do with them. Hippomenes. No one saw her as she gave him the apples, The goddess was invisible to everyone but whispered Venus. “Throw them one by one in Atalanta’s path,” golden apples into his hands. and became envious of the runner who might win her. He 60 50 As he stood beside Atalanta, waiting for the signal for the race to start, Venus appeared to him and slipped three shouted praises when she reached the goal far ahead of her As she ran, Hippomenes thought her very beautiful ribbon, blew about her shoulders in bright waves. behind her like a banner. Her hair, loosened from its but at the first step Atalanta flew ahead. Her tunic fluttered At a word from Hippomenes the runners were off, and eagerness. The suitors who stood beside her trembled with fear The Heart of the Matter: Themes and Conclusions • • • • • • penalty (pen√¥l • t≤) n.: punishment. envious (en√v≤ • ¥s) adj.: jealous; wanting something that someone else has. about to fly. For a moment she stood poised like a graceful white bird Notes 117 • • • • • • Atalanta and Hippomenes • • • • • • stooped (stºpt) v.: bent over. during the race. Atalanta’s path throw them in She says he should What does Venus tell Hippomenes to do with the golden apples? Menu On Course Print Chapter 3 Pupil Pages 98–139 Amid the wild shouts of those who watched, he Complete the following If/Then Chart to see how the story’s What did you think of the cruel ending of 118 Chapter 3 The Heart of the Matter: Themes and Conclusions Mastery to determine your skill in identifying theme. Atalanta and Hippomenes Use the Checklist for Standards Checklist for Standards Mastery do for them. good things others to happen? Write your response in your Personal Reading Log. Give this myth? If you could change the ending, what would you want Personal Reading Log Personal Word List, and tell who they are. yourself 2 points on the Reading Meter for completing this myth. ° Cybele (sib√¥ • l≤). The names of several gods and goddesses are mentioned in “Atalanta and Hippomenes.” Write their names in your Personal Word List into lions and forever doomed to draw the chariot of a goddess. trees, together forever. But Atalanta and Hippomenes are changed After their deaths, Baucis and Philemon turned into entwined ishes Atalanta and Hippomenes? morphosis rewards Baucis and Philemon? What metamorphosis pun- Jupiter, through the heavens and over the earth. A metamorphosis (met≈¥ • môr√f¥ • sis) is a marvelous Then change in form. Greek myths are full of metamorphoses. What meta- Metamorphosis Hippomenes had . . . Atalanta had . . . If forever to draw the chariot of Cybele,° the mother of them to be changed into a lion and a lioness, doomed thoughtless, and instead of blessing the lovers she caused Venus was angry with Hippomenes for being so given them to him. Theme theme would differ if Atalanta or Hippomenes had acted differently. gratitude for the People should express Possible answers: Underline the word thoughtless in line 90, used to describe Hippomenes. What important theme in the myth is reflected in this word? trick and distract her. uses the apples to faster; Hippomenes Atalanta is really Suggested response: Although Hippomenes wins the race, has he really outrun Atalanta? Explain. her. and admire their beauty, but Hippomenes, in his delight, thought no more of the apples or of the goddess who had saw Atalanta place the golden apples in a bowl of ivory Invisible, she moved among the wedding guests. She marriage feast. thank the goddess Venus, who followed them to the her away. Hippomenes was so happy that he forgot to wrapped the maiden’s cloak around her shoulders and led Hippomenes passes 90 80 That moment Hippomenes shot past, reaching the goal before Atalanta. the third one, so but cannot handle two golden apples She stops to pick up Suggested response: Pause at line 78. In your own words, explain how Atalanta is tricked. 119 Menu On Course Print Chapter 3 Pupil Pages 98–139 Pupil Pages with Answers 179 180 Interactive Reading: Teacher’s Edition 120 Chapter 3 beauty Word People are attracted to the beauty of others. Theme Thoughtlessness can have grave consequences. Love can make us lose our good sense. The Heart of the Matter: Themes and Conclusions love Word Theme Theme “Atalanta and Hippomenes” Example answers appear below. thoughtless Word Interactive Reading, page 115 Word-and-Theme Diagram Use this word-and-theme diagram to record important ideas from “Atalanta and Hippomenes.” First, select several words from the myth you think are important. Then, explain how each word reveals a theme in the myth. Interact with a Literary Text Atalanta and Hippomenes 10 Joseph Bruchac 121 chaos (k†√äs) n.: disordered formless matter, supposed to have existed before the universe took its present orderly shape. In the selection, chaos is capitalized because it is personified as a living force. In ordinary usage, chaos is not capitalized. Underline the definition of myth in the first paragraph. Underline the topic of the second paragraph. This article is divided into sections, introduced by headings. Underline each heading. Reading Standard 2.6 Determine the adequacy and appropriateness of an author’s conclusions. Myths in Our Lives / Word Origins Greeks tell how, out of Chaos, Earth, and Sky were born. rising up out of fire to create dry land and clouds. The life on earth began with Tunka-shila, “Grandfather Rock,” them up out of the deep. Lakota Indian people tell how catches the Hawaiian Islands on his magical hook, pulling Polynesian people tell how the god Maui goes fishing and all of them explain how, long ago, things came to be. Although the myths may differ greatly in their details, on the many Pacific Islands—we find great bodies of myths. Australia and Africa, in North America and South America, experience. All over the world—in Europe and Asia, in with the powers of creation. Myths are central to human stories that explain people’s relationships with the gods and Probably the first stories people ever told were myths— Myths Make Us Human interesting word origins. background about mythology and introduce you to some The selections you’re about to read will give you some the English language have their origins in Greek mythology. mythology is used in our daily lives; and (3) many words in relate to all people everywhere; (2) the language of Myths remain timeless for many reasons: (1) Their messages Menu On Course Print Chapter 3 Pupil Pages 98–139
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