P LE M A S P A G E S CHAPTER 3 ANALYSING ARGUMENT Argument versus opinion Having an opinion is part of presenting an argument, but it’s not the same thing. Argument: a text or statement intended to persuade others by presenting facts or reasons in support of the view. Opinion: a personal point of view, attitude or belief. ’ ’ G E ‘‘ Salt and vinegar chips are disgusting. S Of course, people present arguments with varying degrees of skill, sophistication and success. Consider the following two examples. Which one might be presenting an argument and which is simply presenting an opinion? Don’t eat salt and vinegar chips because eating a lot of salt is unhealthy. P A The first example above is only giving an opinion – the taste of salt and vinegar chips is unpleasant. There is no argument or logic, and no supporting reasons are given. If someone said this to you, the sentence would imply that you should think the chips disgusting too. But to insist that, just because one person doesn’t like something, no-one else should like it either is not a good argument. P LE However, the second example provides us with a supporting reason: ‘because eating a lot of salt is unhealthy’. This is an argument because it offers a justification or reason why we shouldn’t eat the chips: because they have a lot of salt, and eating a lot of salt is unhealthy. Beware the disguised opinion Some sentences are structured to look as if they are offering strong supporting evidence/ information when they only contain opinion. For example, consider the following sentence: ‘ ’ Salt and vinegar chips should be banned because they’re disgusting. A M The opinion ‘salt and vinegar chips are disgusting’ is being presented as a supporting point, but it’s really just an opinion. The conjunction ‘because’ suggests that supporting information is coming next but actually the second part of the sentence is simply an opinion phrased as a fact. S Other conjunctions that imply cause and effect, such as therefore and consequently, can also give the same impression. Bias To show bias or have bias is to form an opinion based on your own preconceived prejudices and preferences. The term is often used in a very negative or pejorative sense, but we all have different biases based on our background and experiences. It’s impossible to be completely objective or impartial about everything. Understanding where a writer’s bias lies will help you analyse the strengths and weaknesses of their argument. 48 insight ARGUMENT & PERSUASIVE LANGUAGE ANALYSING ARGUMENT CHAPTER 3 ACT I V I Explore your own bias 1 TY 1 In pairs or small groups, consider the following questions and discuss what aspects of a person’s life and beliefs might influence their attitudes about the issue. a. Should private schools receive more government funding? b. Should all religious clothing be banned? d. Should internet providers be required to block illegal downloads? S c. Should pay rates for casual work be higher? 2 Consider your own biases and make a list of five issues that you would find it hard to be G E objective (unbiased) about. For each, briefly describe why you would hold a biased view. Main contention and supporting points ● ● P A A good argument usually has two main parts: a contention or main point of view supporting points, which are the ideas that back up the main contention with some kind of reason or justification. Consider the following examples: P LE [Contention] University education should be free because [supporting point] society benefits from having a highly educated population. [Contention] University students should pay for their degrees because [supporting point] they reap the benefits of being better educated by earning higher salaries when they graduate. S A M Identifying the contention and supporting points is not always this clear-cut. Often you will find that the contention and supporting points are implied (not stated directly but suggested in other ways) or the supporting points are presented in more abstract ways, for example, through rhetorical questions or an assertion that seems like a statement of fact. Read the very short letter to the editor below: S o school-leavers face a six-month wait before they can apply for the dole. I must be missing something. Why should taxpayers take over from parents when children leave school? Michael Doyle, Ashburton, The Australian This letter begins by giving context for the comment that hints at what the argument is really about, but the contention and supporting points are implied through the rhetorical question. The implied contention is that parents should support their children after they leave school. The supporting reason given is that it’s not taxpayers’ job to support young people. insight ARGUMENT & PERSUASIVE LANGUAGE 49 CHAPTER 3 ACT I V I 2 TY ANALYSING ARGUMENT Find the contention and supporting points 1 Read the two letters to the editor below carefully. a. Write the main contention of each (in your own words) in the spaces below. b. Highlight the supporting points. 2 In pairs or as a class, discuss which letter you think presents the strongest argument Is it safe to eat? W S and why. G E hy are there rarely ‘suitable for diabetics’ options alongside the gluten-free offerings of cakes and slices for coeliacs that are now available in our cafes? This is at a time when the incidence of diabetes is growing at an alarming rate. It is estimated that 280 people in Australia develop diabetes every day. P A Katriona Fahey, Alphington, The Age ............................................................................... Fashion, what a con A P LE nna Wintour, the editor of United States Vogue, is lobbying to ban babies from Fashion Week (The Age, 3/3). Why not go the whole hog and ban it and fashion parades? Or at least name them for what they are – pretentious codswallop. Has anyone been seen wearing those silly clothes at Kmart, the pub, in the street or at granny’s afternoon tea? Perhaps the kids who threw tantrums were bored and wanted to protest against third-rate nonsense masquerading as sophistication and what is, arguably, a confidence trick. Phillip Turnbull, Cornelian Bay, The Age M ............................................................................... S A Structuring strategies Writers select and arrange their arguments to have particular effects on their audience. Often the same structuring techniques will be used in similar types of writing. For example, letters to the editor have to be short, so writers often outline their contention early and structure their argument around their strongest supporting point. Editorials are written by a newspaper’s senior staff, who generally want to appear balanced and thoughtful, so they often acknowledge other viewpoints but make sure that their argument seems the strongest. Other structuring techniques used by writers include: ● ● 50 starting with the strongest supporting points and ending with the weakest starting with specific information, or one particular case, and ending with general information insight ARGUMENT & PERSUASIVE LANGUAGE ANALYSING ARGUMENT CHAPTER 3 ● starting with personal experience and ending with universal examples ● strategic placement of the contention (at the start, the middle or the end) ● using subheadings to break up the text and identify the main points ● omitting information that undermines their case in order to be more persuasive. Consider the structure of the argument in this letter to the editor: Hit for six not have problems with sharing the park on a temporary basis. S SUVs and outer suburban peoplemovers from time to time. She knows the joys of chasing a bouncing ball and would happily travel to faraway suburbs to do so too. The proposal to commandeer a large portion of a very rare stretch of inner city parkland for a permanent, sealed carpark is just not cricket. Main point: The people who park there are not locals and only visit occasionally. Contention: turning P A G E A s a resident of East Melbourne, I am used to giving up half of the beautiful parkland surrounding the MCG to the grass-chewing wheels of sports lovers’ cars. It’s something I just work around. My trusty pooch, Eudora, even seems to be OK with sharing half of her limited running space with visitors’ Main point: Locals do part of the park into a permanent carpark is unfair. P LE Mapping out the main points in any argument is a good way to help you see how the structure works. For example, in the letter above, it makes sense to place the contention last because the main points set up the writer as a reasonable person who is willing to compromise. The writer’s contention, however, is that establishing a permanent carpark in the public parkland is unfair. M If we rearrange the argument and put the contention first, the writer seems less reasonable and fair-minded. The contention comes across more abruptly, and the whole argument seems more urgent and confrontational. The main points also take on a more complaining tone. T he proposal to commandeer a large portion of a very rare stretch of inner city parkland for a permanent, sealed carpark is just not cricket. As a resident of East Melbourne, I am used to giving up half of the beautiful parkland surrounding the MCG to the grass-chewing wheels of sports lovers’ cars. It’s something I just work around. A S Hit for six My trusty pooch, Eudora, even seems to be OK with sharing half of her limited running space with visitors’ SUVs and outer suburban people-movers from time to time. She knows the joys of chasing a bouncing ball and would happily travel to far-away suburbs to do so, too. Notice also that the writer starts with their personal experience and moves to the wider community (in this instance their dog) and then to the car drivers who are from outside the community altogether. This is intended to highlight the writer’s status as a local, which implies that they have more of a right to say what happens in their local community. insight ARGUMENT & PERSUASIVE LANGUAGE 51 CHAPTER 3 ANALYSING ARGUMENT A holistic approach Strategies for a holistic approach S Analysing the way an argument is constructed is not just about being able to identify the strategies or argument techniques the writer has used. In the same way that understanding persuasive language techniques requires analysing how they work together, analysing a whole argument is about looking at the ways the argument is constructed to form a cohesive piece of writing. A holistic approach is one in which the whole picture is considered, not just individual parts. Begin with purpose and audience G E The following strategies will help you to ensure that your analysis of an argument shows how its construction as well as its specific techniques work to persuade the reader. P A A writer’s purpose is directly linked to the main contention, so start by identifying this. A contention may be quite broad, such as ‘We should consider the impact of our grocery-buying habits on the environment’. Or it could be quite specific, such as ‘Buying fresh local produce will reduce pollution from transporting goods long distances’. Identifying the main contention will help you understand the sort of responses the writer might want to evoke in the reader, and the kinds of techniques they might use to achieve their purpose. P LE It is also helpful to consider who the writer’s intended audience might be, as some argument techniques will work more effectively with some audiences than with others. An audience could be as broad as ‘Australians’, ‘women’ or ‘teenagers’, or as specific as ‘parents who choose not to vaccinate their children for religious reasons’ or ‘residents of Berwick who travel to work on public transport‘. Think carefully about where a media text was published or broadcast when trying to identify the audience. M Once you have identified a writer’s main purpose and audience, you can start to look for the ways their specific argument has been tailored to convince those particular people to agree with them. Consider how the techniques work together S A It’s important to recognise how individual strategies for presenting an argument work in a text, but the essence of a holistic analysis is discussing how the argument is constructed overall and how techniques work together to achieve the writer’s purpose. 74 If a writer’s aim is to make you feel a certain way, they will use techniques to structure their argument that rely on feeling rather than logic, such as emotional appeals or ad hominem attacks. For example, if a writer wanted to persuade an audience of Australians to donate money to an overseas charity appeal, the aim would be to evoke sympathy and therefore incline the reader to want to help. This might be done by starting with a touching anecdote to help the reader imagine how they might feel in the same situation, followed by an appeal to a sense of justice (e.g. it’s unfair that the reader has so much and the charity recipients have so little). insight ARGUMENT & PERSUASIVE LANGUAGE ANALYSING ARGUMENT CHAPTER 3 In contrast, a writer who intends to generate fear and to demonise a particular group will use a very different set of techniques to construct their argument. For example, to make the audience feel afraid of asylum seekers, the writer might make generalisations about them as a group (e.g. they all hide their real identities), appeal to the reader’s fear and self-interest (e.g. they will take our jobs) and/or include a range of dehumanising ad hominem attacks, using language that implies that asylum seekers are crafty and unreliable (e.g. illegal arrivals, terrorist sympathisers). S Consider the argument's structure G E The structure of an argument also plays an important role in positioning readers. For example, if a writer wanted to persuade their audience that a Medicare co-payment was a great idea, they might begin with the specifics (it is only $7) and work their way through to the general benefits (it will help keep our health system strong). Assess all claims carefully P A Alternatively, if a writer wanted to portray themselves as balanced, they might structure their argument to discuss the pros and cons of the issue, before stating their contention at the end. This helps give the appearance that they are working through the issue in a fair and considered way. In such a case, there would be fewer attacks, as these do not make a writer seem fair-minded, and more appeals to the reader’s sense of fairness and justice. S A M P LE A good analysis will recognise flaws in logic, or claims that are presented as fact but may only be opinion. Remember, however, that your analysis should not focus on criticising the writer’s argument but on understanding their aim in presenting their opinion in a particular way. For instance, if a writer uses a weak analogy, your analysis should concentrate on the effect they were intending to have on their audience, rather than on the ways in which their analogy is faulty. insight ARGUMENT & PERSUASIVE LANGUAGE 75 CHAPTER 3 ACT I V I TY 22 ANALYSING ARGUMENT Analysing a whole argument Headline sets up argument as a juxtaposition between individual enjoyment (people’s creepy thrills) and a greater good (understanding). The first two paragraphs continue this line of argument. Read the piece below and answer the questions that follow, using the annotations to help you build a holistic analysis of the argument. Creepy thrills won’t open doors to understanding Gives context to the argument – S why this argument is current. The early inclusion of a personal G E anecdote, coupled with the heavily negative descriptions of gaols, puts the reader in the position of considering their own personal experiences of gaols. It is also an appeal to group loyalty – the writer suggests that she, too, used to be the kind of person who could enjoy a party in a prison. Appeals to a sense of justice with emotive language. The writer now introduces some Y P LE aims to make the reader compare their own actions to laughing in the face of prisoners who have suffered and died. In light of the anecdote and the rise in prison museums, it positions the reader to feel guilty about not having considered this irony before. It works with the contrasting images of fun and partying to shock. Note that the writer does not acknowledge at this stage that the prison punishments were legally imposed for crimes committed. P A This appeal to a sense of justice M facts and figures. Mentioning specific gaols adds validity and the language chosen derides people who want to pay to sleep in a gaol (positioning the reader to dissociate from them). ou’d have to pay me handsomely to spend a night at Old Melbourne Gaol. It’s a grim, stark place, steeped in sadness. With its hangman’s scaffold and mean little cells, the gaol is a creepily instructive time warp. But the National Trust’s plan to turn these cells into pricey hotel rooms strikes me as a kind of incarceration porn. I once went to an office Christmas party at the gaol and that was weird enough. We danced to pop songs under coloured lights and trooped upstairs to see the place where Ned Kelly was hanged. I later returned to the gaol – in daylight – and noticed a dark, cellar-like room just near where I’d danced. A sign informed me it was an underground punishment cell, ‘designed to break a prisoner’s spirit by total sensory deprivation’ – no light, no sound, no human contact and limited food. I felt ashamed, reading that sign. A The phrase ‘deeply crass’ has S connotations of poor taste and extreme thoughtlessness, encouraging the reader to want to distance themselves from such socially unacceptable behaviour. The writer links staying in prisons to problems with the current penal system, implying that the former practice affects the latter, inducing guilt in the reader. But the prisons used for sleepovers are decommissioned so stopping the National Trust plan won’t help functioning prisons at all. 76 insight ARGUMENT & PERSUASIVE LANGUAGE What to do with our old jails? It’s a complicated question. They’re on valuable real estate and cost a lot to maintain. They may be museums but they’re also mourning places. People suffered, died and were sometimes buried on the grounds of these imposing piles. At the old Pentridge site, jaunty new townhouses flank gloomy bits of prison: the bluestone wall, D-Division. In Castlemaine, there are plans to turn the old sandstone jail into a function space. In Geelong, the council’s plan to sell its jail is hotly debated. The Trust plans to charge guests up to $250 for an ‘immersive experience’ at the gaol, featuring dinner, tales of famous inmates and a trundle bed in a cell. I’m all for contemplating the past, but there’s something deeply crass about paying heaps to slum it in an old cell for a night when our current penal system is crying out for attention. , CHAPTER 7 CONTINUED WRITING YOUR ANALYSIS 3 Now write one or two sentences identifying how the writer’s choices about the structure of their argument help to position the reader to agree with their point of view. Use the sample sentences on p.145 as models. ........................................................ ........................................................ S Writing on argument and language together G E In your analysis you will need to write about how argument and language interact and work together to position the reader. You might notice that certain argument techniques are often associated with particular language techniques. For instance, an appeal to group loyalty is often presented using inclusive language, while a straw man argument might be associated with hyperbole and exaggeration. P A When writing about language used to present or support an argument you can phrase your sentence like this: advances enhances reinforces bolsters makes plausible/relevant strengthens P LE WORD BANK The writer’s use of [language/technique] _____________________________ their argument that [argument being presented]. develops promotes sustains EXAMPLE The writer’s use of inclusive language and emotionally charged terms reinforces their argument that this decision will affect everyone in the community. M When writing about language used to rebut an opposing argument you can structure your sentence in the same way, using terms from the word bank on p.143 for rejecting a point of view. EXAMPLE S A By using exaggeration and colourful language, the writer mocks the opposing argument as being based on flimsy logic and out of touch with reality. Sometimes a writer will use a compare/contrast approach in order to consider both their own and opposing viewpoints side by side. To do this, they will use words and phrases such as ‘conversely’, ‘however’, ‘in contrast’, ‘on the other hand’ and ‘whereas’. They will also use words with positive associations in relation to their own argument, and words with negative associations for opposing arguments. EXAMPLE By contrasting the expense and injustice of the proposed system with the current process, which is more affordable and popular, the writer reinforces her argument that there should be no change to the system. 146 insight ARGUMENT & PERSUASIVE LANGUAGE WRITING YOUR ANALYSIS CHAPTER 7 Practise writing about argument and language working together ACT I V I 3 TY Select an article on an issue you are studying, or refer to the opinion piece ‘Beaches may be free to all but access is another matter’ on pp.152–3, to answer the following questions. 1 Using the vocabulary and sample sentences on p.146 as a guide, write a sentence about the writer’s use of persuasive language to support or develop their argument. ........................................................ S ........................................................ 2 Write a sentence about the writer’s use of language to rebut an opposing argument. G E ........................................................ ........................................................ 3 If possible, identity one place in the article where the writer compares and contrasts their own point of view with an opposing one. Write a sentence about the way in which language is used to imply the superiority of the writer’s position or argument. P A ........................................................ ........................................................ Comparing two or more media texts P LE Sometimes you may be required to analyse and compare the use of argument and persuasive language in multiple media texts. While you might discuss each text in turn, one after the other, you should aim to incorporate some comparison throughout your analysis. M The introduction and conclusion of your analysis are appropriate places in which to include brief comments comparing the overall approach taken by each writer. The word bank of linking words on p.149 provides some useful vocabulary for discussing the similarities and differences between texts. These words can also be used at the beginning of body paragraphs where you transition from analysing one piece to analysing the next. A EXAMPLE S In contrast to Jones’ reliance on exaggeration and sarcasm, Addicott takes a more thoughtful approach to the issue, reflected in her mostly measured tone. When writing about the second or subsequent texts, it is also appropriate to include brief comparisons to particular language or argument techniques used in a text discussed earlier in your analysis within your body paragraphs. EXAMPLE Addicott examines multiple perspectives on the issue, conveying the impression that she is fair and balanced. Her tone is mostly serious but, like Jones, she also uses humour to encourage the reader to view her as amusing and likeable. However, while Jones directs his sarcasm outwards towards opponents of his view, Addicott’s humour is conveyed through a self-deprecating anecdote that positions the reader to view her as warm and humble. insight ARGUMENT & PERSUASIVE LANGUAGE 147 CHAPTER 7 WRITING YOUR ANALYSIS The following sentence starters and model sentences can be used to compare the argument and language used by two or more writers. To express differences between texts Like Writer X, Writer Y also … Unlike Writer X, Writer Y … In the same way that Writer X relies on …, Writer Y also uses ... While Writer X relies on …, Writer Y takes a more … approach. Both Writer X and Writer Y use … Writer X and Writer Y use contrasting techniques … Writer X and Writer Y both approach the issue from a similar perspective. Writer X and Writer Y approach the issue from very different perspectives. Writer X and Writer Y agree that … Writer X disagrees with Writer Y on the issue of … G E Avoiding negative judgements S To express similarities between texts P A Although identifying logical fallacies such as straw man arguments or begging the question is a legitimate part of your analysis, criticising or exposing flaws in a writer’s argument should not be the focus of your discussion. Remember that your main aim is to analyse and not to critique. When comparing two or more texts, avoid commenting on which you think is most effective. You should also avoid giving your own opinion on the issue being discussed. P LE The best way to ensure that you don’t fall into the trap of criticising a text is to keep your focus on the writer’s intent. The left-hand column of the following table shows examples of sentences that veer towards criticism and are not appropriate for your analysis. The righthand column shows how these sentences could be rewritten to demonstrate an awareness of the effect the writer is trying to achieve by using language or argument in this way. Analytical sentence The writer’s use of a straw man argument shows that they don’t understand the other side of the debate at all. The writer’s use of a straw man argument is intended to convey the impression that that their opponents are … Although the writer tries to convey the impression that their argument is based on reason and logic, they fail to do this since their conclusion that ‘junk food advertising is harmful’ is just begging the question. The writer’s use of such words as ‘because’ and ‘therefore’ convey the impression that their argument is based on reason and logic. However, their conclusion that ‘junk food advertising is harmful’ is an example of begging the question and may cause the reader to feel … The writer’s analogy, likening schools to factories for producing good citizens, doesn’t work because, as a student, I know I’m a lot more than just a ‘product’. The writer’s analogy likening schools to factories for producing good citizens is likely to appeal to adults more than students, as the latter may be more inclined to question the suggestion that they are ‘products’. Chan’s use of logic and a calm tone is much more persuasive than Smith’s use of exaggeration and aggressive language which weakens his argument. While Chan uses logic and a calm tone to encourage the reader to have confidence in his opinion, Smith’s use of exaggeration and aggressive language is intended to provoke the reader’s outrage and indignation. S A M Critical sentence 148 insight ARGUMENT & PERSUASIVE LANGUAGE
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