Tone in Shilluk verb morphology - Linguistics and English Language

Phonetic fieldwork in language description –
the case of Shilluk
Bert Remijsen
University of Edinburgh
Introduction
• Shilluk is part of the
Western Nilotic subgroup
of Nilo-Saharan.
• It is spoken in Southern
Sudan.
• There are 175,000
speakers according
Ethnologue (Lewis 2009).
Figure from Storch (2005)
Introduction
• Shilluk has a rich prosodic system, with tone, length,
and ATR distinctions.
• Relatively well-studied (e.g. Westermann 1970, Gilley
1992, Miller & Gilley 2001), but nonetheless tone and
length are not yet well understood.
• Here are the main results of recent investigations with
Cynthia L. Miller (U. of Wisconsin) and Leoma G.
Gilley (SIL International) – submitted to Journal of
Linguistics.
ATR in Shilluk
ATR in Shilluk
• Shilluk has five vowel qualities, orthogonally
crossed with an Advanced Tongue Root (ATR)
distinction –
+ATR: /i,e,ʌ,o,u/
-ATR: /ɪ,ɛ,a,ɔ,ʊ/
• ATR distinguishes lexical items, and plays an
important role in the grammar. Transitive verbs
become [+ATR] in antipassive, benefactive,
centripetal, etc.
Vowel quality and ATR
CLOSED
HALFOPEN
OPEN
+ATR
-ATR
+ATR
-ATR
+ATR
á-kìiil
á-ḱûuul
ration:2SG
gather:2SG
á-ḱɪɪ̂ ɪl
kʊ̂ʊlɔ̀
biteoff:2SG
jog:DVN
kēel
á-kóool̀
spear:DVN
herd:PETAL
kɛ́ɛl
á-kɔ́ɔɔl̀
separate:DVN
herd:FUGAL
á-kʌ̀ʌʌl
takeaway:2SG
-ATR
kâal
cattlecamp:SG
Vowel length
An example of the ATR distinction in Shilluk:
Spatial deixis Transcription and gloss
Centrifugal
Centripetal
wêel(ɔ)
guest:SG
wêel(ɔ)
guest:SG
Translation
á-kɔ́ɔɔ̀k
‘Somebody has
gone to pay the
PAST-pay:FUGAL guest.’
‘Somebody has
á-kóoòk
come to pay the
PAST-pay:PETAL guest.’
examples from 9 speakers
ATR in Shilluk
• The IPA transcription for ATR is an abstraction of a
combination of phonetic correlates: vowel quality
and voice quality.
• Using speech data from numerous speakers can
help the researcher to get clarity about the nature of
the phenomenon.
Vowel length in Shilluk
Vowel length
An example of distinctive vowel length in Shilluk:
Vowel length Transcription and gloss
CVC
CVVC
CVVVC
jāat
á-ḱâk
tree:S
PAST-split
bʊ̄ʊl á-ḱâak
Bol
PAST-givetodrink
bʊ̄ʊl á-ḱâaak
Bol
Translation
‘Somebody has
split wood.’
‘Somebody gave
to drink to Bol.’
‘Somebody went
away to give to
PAST-givetodrink:FUG drink to Bol.’
Vowel length
• We measured the durations of vowels in three-level
minimal sets for vowel length like this one.
• Data from 8 native speakers (6m, 2f)
• The sets are embedded in various contexts:
- sentence-final (11 sets)
- sentence-medial (3 sets)
- word-medial (suffixed) sentence-final (3 sets)
Vowel length
Figure 1. Means and standard deviations for vowel
length (V, VV, VVV), across speakers and items, for
forms without suffixes.
Vowel length
Shilluk
Luanyjang Dinka
Figure 2. Means and standard deviations for vowel
length (V, VV, VVV) in Shilluk and Dinka (Remijsen
& Gilley 2008).
CVC
CVVC
CVVVC
lwôol á-ḱʌ̂l
lwôol á-kʌ̀ʌʌl
cup PAST-takeaway
‘Somebody took away
the cup.’
cup PAST-take:2S
‘You took away the
cup.’
kòot̻̻ á-ḱɔ̂l
‘Somebody took out the
thorn.’
kòot̻ á-kɔ̂l
‘You took out the thorn.’
d̻jâŋ á-ḱɔ̂ɔl
d̻jâŋ á-kɔ̂ɔɔl
‘Somebody herded
the cow away.’
‘You herded the
cow away.’
Vowel length in Shilluk morphology
Conclusion
• Like Dinka, Shilluk has three-levels of vowel length.
• Vowel length plays a big role in verb paradigms.
• Acoustic data are crucial in the study of vowel
length in Shilluk – my collaborators and myself are
often unable to determine the vowel length correctly
by ear.
And now tone
Tone
• We found 7 distinctive tone patterns at the syllable
level (hereafter tonemes) in verb inflections:
- High (cv́c)
- High Fall (ćv̂c)
- Low (cv̀c)
- Low Fall (cv̂c)
- Mid (cv̄c)
- Late (High) Fall (cv́c̀)
- Rise (cv̌c)
High
1
2
Low
1
2
dâa
ŋɔ́l
kì-kɛ̂ɲ
‘There is cutting here.’
EXIST cut:DVN LOC-here
jāat á-ŋɔ̀l
kì-kɛ̂ɲ
EXIST PAST-cut:2S LOC-here
Mid
1
2
Rise
1
2
góoɟīi
á-ŋɔ̄l
2
jāat
‘Smb. used a machete
machete:S PAST-cut:INST tree:S to cut the tree.’
jāat á-ŋɔ̌l
gʌ̀ʌt
tree:S PAST-cut:FUG:2S river:S
High Fall jāat á-ŋ́ɔl̂
1
kì-kɛ̂ɲ
tree:S PAST-cut LOC-here
Low Fall jāat á-ŋɔ̂l
kɪ̀-kɛ̂ɲ
Late Fall jāat á-ŋɔ́l ̀
gʌ̀ʌt
1
1
2
2
‘You have cut the tree
here.’
‘You went away to the
river to cut the tree.’
‘Smb. has cut the tree
here.’
‘The tree got cut here.’
tree:S PAST-cut:INTR LOC-here (unaccusative)
tree:S PAST-cut:FUG river:S
‘Smb. went away to the
river to cut the tree.’
Tone
• We measured the fundamental frequency (f0) in 7member minimal sets for tone like /ŋɔl/.
• Data from 7 native speakers (5m, 2f).
• The sets are embedded in various contexts:
- sentence-medial (5 sets)
- sentence-final in statement & question (2 sets)
• We extracted the f0 trace over the voiced part of the
stem syllable (cf. display in Praat) and averaged the
traces for each toneme in the set, across speakers.
Tone
Short vowel (/ŋɔl/)
Long vowel (/lʊʊʊɲ/)
Figure 3. F0 traces for the seven tonemes in medial
position, averaged across speakers, for 2 verbs.
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
á-ḱɔ̂l
á-ḱɔ̂l
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
á-ćâm á-ḿʌl̂ á-ĺʊ̂ʊɲ
á-ĺɛ̂ɛŋ
á-ĺʊ̂ʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
á-kɔ̀l
PAST TENSE 2nd SINGULAR
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ŋ́ɔ̂l
CVC
á-ĺɛŋ
̂
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
á-kɔ́l̀
PAST TENSE WITH DESTINATION
á-kɔ́l̀ á-cáaam̀ á-mʌ́ʌʌl̀ á-ĺʊ̂ʊʊɲ á-lɛ́ɛɛŋ̀ á-lʊ́ʊʊɲ̀
Tone in Shilluk verb morphology
• Seven classes of transitive verbs can be
distinguished on the basis of vowel length and tone:
OFFEND TAKE
EAT
HEAT
SWITCH THROW PLUCK
PAST TENSE
CVC
á-ḱɔ̂l
CVC
á-ḱɔ̂l
CVC
á-ćâm
CVC
á-ḿʌl̂
CVVC
á-ĺʊ̂ʊɲ
CVVC
á-ĺɛ̂ɛŋ
CVVC
á-ĺʊ̂ʊɲ
PAST TENSE 2nd SINGULAR
CVC
á-kɔ̀l
CVC CVVVC CVVVC CVVVC CVVVC CVVVC
á-kɔ̂l á-càaam á-mʌ̂ʌʌl á-lʊ̀ʊʊɲ á-lɛ̀ɛɛŋ á-lʊ̂ʊʊɲ
á-kɔ́l̀
PAST TENSE WITH DESTINATION
á-kɔ́l̀ á-cáaam̀ á-mʌ́ʌʌl̀ á-ĺʊ̂ʊʊɲ á-lɛ́ɛɛŋ̀ á-lʊ́ʊʊɲ̀
Tone in Shilluk verb morphology
• The distribution of tonemes does not interact with
phonological length – contour tones appear on V
vowels just as they appear on VVV vowels.
• Consider the distribution of Late Fall and Rise:
CVC
Late Fall
Rise
CVVC CVVVC
á-ŋɔ́l̀
á-kɔ́ɔɔl̀
PAST-cut:FUG
PAST-herd:FUG
á-ŋɔ̌l
á-kɔ̌ɔɔl
PAST-cut:FUG:2S
PAST-herd:FUG:2S
Tone in Shilluk verb morphology
• However, tone does interact with morphological
length: the Rise and the Late Fall are only found
on the synchronic reflexes of suffixed verb forms.
CVC
Late Fall
Rise
CVVC CVVVC
á-ŋɔ́l̀
á-kɔ́ɔɔl̀
PAST-cut:FUG
PAST-herd:FUG
á-ŋɔ̌l
á-kɔ̌ɔɔl
PAST-cut:FUG:2S
PAST-herd:FUG:2S
Conclusion
• The suprasegmental system of Shilluk is very rich,
and it plays an important role in the morphosyntax.
• As a result the study of sound system and
morphosyntax are tightly connected.
• Both for length and for tone, auditory analysis is
often insufficient.
• In the studyof Shilluk, the instrumental approach is
indispensible in two ways: (a) to get to an accurate
analysis; (b) to persuade others that this analysis is
correct.
Thank you to…
• The Shilluk speakers: John Adwok Apar, Rhoda
Oman Nyibil, Daniel Thabo Nyibong, Onyoti Adigo
Nyikwec, Maria Bocay Onak, Nyikwec Pakwan,
Peter Mojwok Yor.
• Prof. Al-Amin Abu-Manga (U. of Khartoum) for
support during two data collection trips;
• The Arts & Humanities Research Council (UK), for
funding this research (Stress in Nilotic – a typological
challenge (’05-’08) .
EXTRA
Lexical/morphological tone and question
intonation
• There is no boundary tone at the right edge of Shilluk
utterances that are statements.
• At the right edge of utterances that are questions,
there is a Low boundary tone, and the register is
increased. These characteristics can be observed
from the f0 traces below. The Low boundary tone is
salient when the lexical/morphological configuration
ends high, (e.g. Rise [Fig. below, left]). The increase
in range is salient when the lexical/morphological
configuration ends low (cf. Low Fall [Fig. below,
right]).
Lexical/morphological tone and question
intonation
Rise
Low Fall
statement
question
Figure. F0 traces for the Rise and Late Fall on
/lʊʊʊɲ/, sentence-finally in statement (blue) and
question (brown), averaged across speakers (7).