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Everything That Rises Must Converge. New York: Farcar, Straus & Giroux, 1965.
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The Complete Stories. New York: Farrar, 1984.
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Burns,Margie. "A Good Rose Is Hard to Find: Southern Gothic as Signs of Social Dislocation
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David B. Downing. Albany: State U of New York P, 1991. 105-23.
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JOURNAL ARTICLES
Abbot, Louise H. "Remembering Flannery O'COMO~."
Southern Literary Jownal2.2 (1970):
3-25.
Aiken, David. "Flannery O'Comor's Portrait of the Artist as a Young Failure." Arizona
Quarterly 32.3 (1976): 245-59.
Allen, Suzanne. "Memories of a Southern Catholic Girlhood: Flannery O'Connor's 'A Temple
of the Holy Ghost."' Renascence 31.2 (Winter 1979): 83-92.
Allen. Williarn Rodney. "Mr. Head and Hawthorne: Allusion and Conversion in Flannery
O'Connor's 'The Artificial Nigger. "' Studies in Short Fiction 2 1. 1 (1984): 17-23
"The Cage of Matter: The World as Zoo in Flannery O'Connor's Wise Blood" American
Literature 58. 2 (1986): 256-70.
Angle, Kimberly Greene. "Flannery O'Connor's Literary Art: Spiritual Portraits in Negative
Space." Flannery O'Connor Bulletin 23 (1994-95): 158-74.
Archer, Emily. "Naming in the Neighborhood of Being: O'Connor and Percy on Language."
Studies in the Literary Imgination 20. 2 (Fall 1987): 97-108.
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Asals, Frederick. "Double Flannery." Canadian Review ofAmerican Studies 18.2 (1987): 23133.
---. "Flannery O'Comor as Novelist: A Defense." Flannery O'Connor Bulletin 3 (1974): 23-39.
---. "Hawthome,
Mary AM, and 'The Lame Shall Enter First.'" Flannery O'Connor Bulletin 2
(1973): 3-18.
"The Mythic Dimensions of Flannery O'Connor's 'Greenleaf."' Studies in Short Fiction 5
(1968): 137-30.
"Differentiation, Violence, and the Displaced Person." Flannery O'Connor Bulletin 13
(1984): 1-14.
---. "'Obediah,'
'Obadiah': Guys and Dolls and 'Parker's Back."' Flannery O'Connor Bulletin
21 (1992): 37-42.
---. "The Double in Flannery O'Comor's Stories." Flannery O'Connor Bulletin 9 (1980): 49-86.
Babinec. Lisa S. "Cyclical Pattems of Domination and Manipulation in Flannery O'Connor's
Mother-Daughter Relationships." Flannery O'Connor Bulletin 19 (1990): 9-29.
Baker. J. Robert. "Flannery O'Connor's Four-Fold Method of Allegory." Flannery 0 'Connor
Bulletin 21 (1992): 84-96.
Behrendt, Stephen C. "Knowledge and Innocence in Flannery O'Connor's 'The River."' Studies
in American Fiction 17. 1 (1989): 143-55.
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Away." Notes on Contemporary Literature 23.4 (1993): 2-3.
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Bomey, Williarn. "The Moral Structure of Flanwry O'Comor's A Good Man Is Hard To Find."
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Bowen. Rose. "Baptism by Inversion." Flannery O'Connor Bulletin 14 (1985): 94-98.
Brewer, Nadine. "Christ, Satan, and Southern Protestantism in O'Comor's Fiction." Flannery
O'Connor Bulletin 14 (1985): 103-10.
Brinkmeyer, Robert H., Jr. "Borne Away by Violence: The Reader and Flannery O'Comor."
Southern Review 15 (1979): 3 13-2 1.
"A Closer Walk with Thee: Flannery O'Comor and Southern Fundamentalists." Southern
Literary Journal 18. 2 (1986): 3-13.
Brown Ashley. "An Unwritten Drama: Susan Jenluns Brown and Flannery O'Comor."
Southern Review 22.4 (1986): 727-37.
Browning, Preston M., Jr. "Flannery O'Comor and the Demonic." Modern Fiction Studies 19. 1
(1973): 29-41.
"Flannery O'Comor." Contemporary Literature 16.2 (1975): 260-71.
"Flannery O'Comor's Devil Revisited." Southern Humanities Review 10 (1976): 325-33.
---. "‘Parker's Back': Flannery O'Connor's
Iconography of Salvation by Profanity." Studies in
Short Fiction 6. 5 (1969): 525-35.
Burke, William. "Displaced Communities and Literary Form in Flannery O'Connor's 'The
Displaced Person."' Modern Fiction Studies 32. 2 (1986): 219-27.
"Fetishism in the Fiction of Flannery O'Comor." Flannery O'Connor Bulletin 22 (1993-94):
45-52.
Burkle. Howard R. "The Child in Flannery O'COMO~."Flannery O 'Connor Bulletin 18 (1989):
59-69.
Burkman+Katherine H. "The Black Mirror: Joseph Conrad's The Nigger of the 'Narcissus' and
Flannery O'Comor's 'The Artificial Nigger."'Midwest Quarterly 28.2 (1987): 230-47.
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Bums, Dan G. "Flannery O'Connor's 'Parker's Back': The Key to the End" Notes on
Contemporary Literature 17. 2 (1987): 11-12.
Burns, Shannon. "Flannery O'Connor: The Work Ethic." Flannery O'Connor Bulletin 8 (1979):
54-67.
---."The Literary Theory of Flannery O'Connor and Nathaniel Hawthorne." Flannery 0 'Connor
Bulletin 7 (1978): 101-13.
Bums, Stuart L. "'Tom by the Lord's Eye': Flannery O'Connor's Use of Sun Imagery."
Twentieth Century Literature 13.3 (1967): 154-66.
--. "O'Connor and the Critics: An Overview." Mississ@pi Quarterly 27.4 (1974): 483-95.
"Freaks in a Circus Tent: Flannery O'Connor's Christ-Haunted Characters." Nunnery
0 'ConnorBulletin 1 (972): 3-23.
Butler, Rebecca R. "What's so Funny about Flannery O'Connor!" Flannery O'Connor Bulletin
9 (1980): 30-40.
Buzan, Mary. "The Difficult Heroism of Francis Marion Tanvater." Flannery 0 'Connor
Bulletin 14 (1985): 33-43.
Byars. John A. "W. B. Yeats and Wise Blood." Flannery O'Connor Bulletin 14 (1985): 88-93.
---. "Prophecy and Apocalyptic in the Fiction of Flannery O'Connor." Flannery 0 'Connor
Bulletrn 16 (1987): 3442.
Carlson, Thomas M ''Flakxy O'Connor: The Manichaean Dilemma." Savanee Review 77
(1969): 254-76.
Cheatham, George. "Jesus, O'Connor's Artifical Nigger." Studies in Short Fiction 22. 4 (1985):
475-79.
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Cheeney, Brainard. "Flannery O'Connor's Campaign for Her Country." Sewanee Review 72
(1964): 555-58.
"Miss O'Connor Creates Unusual Humor out of Ordinary Sin." Sewance Review 71 (1963):
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Chew, Martha. "Flannery O'Connor's Double-Edged Satire: The Idiot Daughter versus the Lady
Ph.D." Southern Quarterly 19. 2 (Winter 1981): 17-25.
Church, Joseph. "An Abuse of the Imagination in Flannery O'Connor's 'A Good Man Is Hard to
FindV'Noteson ConfemporaryLiterature 20. 3 (May 1990): 8-10.
Ciuba, Gary M. "The Fierce Nun of The Last Gentleman:Percy's Vision of Flannery
O'Connor." Flannety O'Connor Bulletin 15 (1986): 5746.
Clasby, Nancy T. "'The Life You Save May Be Your Own': Flannery O'Connor as a Visionary
Artist." Studies in Short Fiction 28.4 (1991): 509-20.
Cleary, Michael. "Environmental Influences in Flannery O'Connor's Fiction." Flannery
O'Connor Bulletin 8 (1979): 20-34.
Coles, Robert. "Flannery O'Connor: A Southern Intellectual." Southern Review 16 (1980): 4664.
Corn, A I M . "An Encounter with O'Connor and 'Parker's Back."' Flannery O'Connor Bulletin
24 (1995-96): 104-18.
Coulthard, A. R. "Flannery O'Connor's Backtracking Muse." Studies in American Fiction 1 1. 2
( 1 983): 247-53.
---."Flannery
O'Connor's Deadly Conversions." Flannety O'Connor Bulletin 13 (1984): 87-98.
---."Flannery
O'Connor's Names." Southern Humanities Review 18. 2 (1984): 97-105.
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Coulthard A. R. "From Sermon to Parable: Four Conversion Stories by Flannery O'Comor."
American Literature 55. 1 (1983): 55-71.
"The Christian Writer and the New South; or, Why Don't You Like Flannery O'Connor?"
Southern Humanrties Review 13 (1979): 79-83.
Davi5 Joseph K. "Time and the Demonic in William Faulkner and Flannery O'Connor." Studies
m the Literary Imagination 20.2 (1987): 123-43.
Denham, Robert D. "The World of Guilt and Sorrow Flannery O'Comor's ' Everytlung That
Rises Must Converge."' Flannery 0 'ConnorBulletin 4 (1975): 42-5 1.
Desmond, John F. "Flannery O'Connor, Henry James and the International Theme." Flannery
0 'Connor Bulletin 9 (1980): 3-1 8.
---. '"The Shifting of Mr. Shiftlet: Flannery O'Comor's 'The Life You Save May Be Your
Own."' Mississippi Quarterly 28. 1 (1975): 55-59.
"Signs of the Times: Lancelot and the The Misfit." Flannery 0 'ConnorBulletin 18 (1989):
91-98.
---. "Walker Percy, Flannery O'Comor and the Holocaust."
Southern Quarterly 28. 2 (1990):
35-42.
Dowell, Bob. "The Moment of Grace in the Fiction of Flannery O'Comor." College English
27. 3 (1965): 235-39.
Doxey, William S. "A Dissenting Opinion of Flannery O'Connor's 'A Good Man Is Hard to
Find."'Studies in Short Fiction 10.2 (1973): 199-204.
Drake, Robert. "Flannery O'Comor and American Literature." Flannery O'Connor Bulletin 3
(1974): 1-22.
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Drake, Robert. "The Paradigm of Flannery O'Connor's True Country." Studies in Short Fiction
6.4 (1969): 433-42.
"Three Southern Ladies." Flannery 0 'ConnorBulletin 9 (1980): 41-48.
Driskell, Leon. "'Parker's Back' vs. 'The Partridge Festival': Flannery O'Comor's Critical
Choice." Georgia Review 21.4 (1967): 476-90.
Duckworth, Victoria. "The Redemptzve Impulse: Wise Blood and The Color Purple." Flannery
0 'ConnorBulletin 15 (1986): 51-56.
Dyer, Joyce C. "'Something' in Flannery O'Connor's Wise Blood." Notes on Contemporary
Literature 15. 5 (Nov 1985): 5-6.
Edelstein, Mark G. "Flannery O'Connor and the Problem of Modem Satire." Studies in Short
Fiction 12.2 (1975): 139-44.
Ernerick, Ronald. "Hawthome and O'Connor: A Literary Kinship." Flannery O'Connor Bulletin
18 (1989): 46-54.
Ensor, Allison R. "Flannery O'Connor and Music." Flannery O'Connor Bulletin 14 (1985): 113.
Farley, Blanche. "Echoes of Poe, in Sawmill and Loft."Flannery O'Connor Bulletin 14 (1985):
14-24.
Farnham, James F. "Disintegration of Myth in the Writings of Flannery O'Comor." Connecticut
Review 8. 1 (1974): 11-19.
Fiondella Maris G. "Augustine, the 'Letter,' and the Failure of Love in Flannery O'Connor's
'The Artificial Nigger."' Studies in Short Fiction 24. 2 (Spring 1987): 119-29.
Fitzgerald, Robert. "The Countryside and the True Country." Sewanee Review 70 (Summer
1962): 380-94.
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Fitzgerald, Sally. "A Master Class: From the Correspondence of Caroline Gordon and Flannery
O ' C 0 ~ 0 r . "Georgia Review 33.4 (1979): 827-46.
--. "The Owl and the Nightingale." FIannery O'Connor Bulletin 13 (1984): 44-58.
Fowler, Doreen Ferlaino. "Mrs. Chestny's Saving Graces." Flannery O 'ConnorBulletin 6
(1977): 99-106.
---. "Deconstructing Racial Difference: O'Connor's 'The Artificial Nigger."'
Flannery
0 'ConnorBulletin 24 (1995-96): 22-32.
Freeman, Mary Glenn. "Flannery O'Connor and the Quality of Sight: A Standard for Writing
and Reading." Flannery O 'ConnorBulletin 16 (1987): 26-3 1.
Friedman, Melvin J. "'The Human Comes before Art': Flannery O'Connor Viewed through Her
Letters and Her Critics." Southern Literary Joutnol12.2 (1980): 114-24.
"By and About Fhmery O'connor." J o m l of Modern Literature 1.2 (1970): 288-92.
Gentry,Marshall Bruce. "Flannery O'Connor's Attacks on Omniscience." Southern Quarterly
29.3 (Spring 1991): 53-61.
-. "The Eye vs. the Body: Individual and Communal Grotesquerie in
Wise Blood." Modern
Fiction Studies 28. 3 (Autumn 1982): 487-93.
---. "The Hand of the Writer in 'The Comforts of Home. "'Flannely
O'Connor Bulletin 20
(1991): 61-72.
Giannone, Richard. '"Greenleaf: A Story of Lent." Studies in Short Fiction 22.4 (Fall 1985):
421-29.
---. "'The
Artificial Nigger' and the Redemphve Quality of Suffering." Flannery 0 'Connor
Bulletin 12 (1983): 5-16.
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Giannone, Richard. "The Lion of Judah in the Thought and Design of The Violent Bear It
Away." Flannery 0 'ConnorBulletin 14 (1985): 25-32.
Gidden. Nancy Ann. "Classical Agents of Christian Grace in Flannery O'Comor's 'Greenleaf."'
Studies in Short Fiction 23. 2 (Spring 1986): 201-02.
Gordon, Caroline. "Heresy in Dixie." Sewanee Review 76 (Spring 1968): 263-97.
"Rebels and Revolutionaries: The New American Scene." Flannery O'Connor Bulletin 3
(1974): 40-56.
Gordon. Sarah. "Flannery O'Connor and the Common Reader." Flannery 0 'Connor Bulletin 10
(1981): 38-45.
---. "Flannery O'Connor, the Left Wing Mystic, and the German Jew." Flannery O'Connor
Bulletin 16 (1987): 43-51.
"Maryat and Julian and the 'not so bloodless revolution."' Flannery 0 'Connor Bulletin 2 1
(1992): 25-36.
"Milledgeville: The Perils of Place as Text." nunnery O'Connor Bulletin 20 (1991): 73-87.
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42.
"Flannery ~ ' C O M O ~Opinions
'S
of Other Writers: Some Unpublished Comments." Southern
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''No Vague Believer: Flannery O'Comor and Protestantism." Southwest Review 60. 3
(1975): 256-63.
Gregory, Donald. "Enoch Emery: Ironic Doubling in Wise Blood." Flannery O'Connor Bulletin
4 (1975): 52-64.
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Greieff, Louis K. "J. D. Salinger's 'Teddy' and Flannery O ' c 0 ~ 0 r ' S'The River': A
comparative Analysis." Flannery O'Connor Bulletin 9 (1980): 104-1 l.
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97.4 (Fall 1989): 575-80.
Havird David "The Saving Rape: Flannery O'Comor and Patriarchal Religion." Mississippi
Quarterly 47. 1 (Winter 1993-94): 15-26.
Hawkes, John. "Flannery O'Connor's Devil." Sewanee Review 70 (Summer 1962): 395-407.
Hawkins, Peter S. "Faith and Doubt First Class : The Letters of Flannery O'Connor." Southern
Humanities Review 16.2 (1982): 91-103.
Hays, Peter L. "Dante, Tobit, and 'The Artificial Nigger."' Studies in Short Fiction 5. 3 (1968):
263-68.
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Heher, Michael. "Grotesque Grace in the Factious Commonwealth." Flannery 0 'Connor
Bulletin 15 (1986): 69-81.
Herncher, Walter. "O'Connor's 'The Displaced Person': The Problem of Doing Good." Notes
on Contemporary Literature 14. 1 (Jan 1984): 5-7.
Hicks, Granville. "A Writer at Home with Her Heritage." Saturday Review 25 (12 May 1962):
22-23.
Higdon David Leon. "Flannery O'Connor's Sentence Titles." Stdies in American Fiction 17. 2
(Autumn 1989): 227-34.
Highsmith, Dixie Lee. "Flannery O'Connor's Polite Conversation." Flannery 0 'ConnorBulletin
11 (1982): 94-107.
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Hines, Melissa. "Grotesque Conversions and Critical Piety." FIannery O'Connor Bulletin 6
(1977): 17-35.
Holsen Ruth M."O'Comor's 'Good Country People."' Exp(cator 42. 3 (Spring 1984): 59.
HopKins, Mary Frances. "Julian's Mother." nunnery 0 'ConnorBulletin 7 (1978): 114-15.
Hynes, Joseph. "The Fading Figure in the Worn Carpet." Arizona Quarterly 42. 4 (Winter
1986): 321-30.
Ingram, Forrest, L. "O'Connor's Seven-Story Cycle." FIannery 0 'ConnorBulletin 2 (1973): 1928.
Ireland, Patrick J. "The Place of Flannery O'Connor in Our Two Literatures: The Southern and
National Literary Traditions." Nunnery O'Connor Bulletin 7 (1978): 47-63.
Jauss, David. "Flannery O'Connor's Inverted Saint's Legend." Studies in Short Fiction 25. 1
(Winter 1988): 76-78.
Johansen Ruthann Knechel. "Flannery O'Connor: The Artist as Trickster." Flannery 0 'Connor
Bulletin 21 (1992): 119-39.
Johnson Rob. "'The Topical Is Poison': Flannery O'Connor's Vision of Social Reality in 'The
Partridge Festival' and 'Everything That Rises Must Converge."' FIannery 0 'Connor
Bulierm 21 (1992): 1-24.
Jones, Madison. "A Good Man's Predicament." Southern Review 20.4 (Autumn 1984): 836-41.
Jorgenson, Enc. "A Note on the Jonah Motif in 'Parker's Back.'" Studies in Short Fictron 2 1 . 4
(Fall 1984): 400-02.
Katz, Claire. "Flannery O'Connor's Rage of Vision." American Literature 46. 1 (1974): 54-67.
Kennelly. L. B. "Exhortation in Wise Blood: Rhetorical Theory as an Approach to Flannery
O'Connor." South Central Review 4. 1 (Sjmng 1987): 92-105.
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Kieft, Ruth M. Vande. "Judgement in the Fiction of Flannery O'Connor." Sewanee Review 76
(Spring 1968): 337-56.
Kirkland William M. "Baron von Hugel and Flannery O'Connor." Flannery 0 'Connor Bulletin
18 (1989): 2842.
Kissel, Susan S. "Voices in the Wilderness: The Prophets of 0 'Connor,Percy, and Powers."
Southern Quarterly 18. 3 (1980): 91-98.
Klevar, Harvey. "Image and hagmation: Flannery O'Connor's Front Page Fiction." Journal of
Modern Literature 4. 1 (1974): 121-32.
Klug M. A. "Flannery O'Connor and the Manichean Spirit of Modernism." Southern
Humanities Review 17.4 (Fa11 1983): 303-14.
Koon, William, "'Hep Me Not to Be So Mean': Flannery O'Connor's Subjectivity." Southern
Review 15 (1979): 322-32.
Larseu Val. "Manor House and Tenement: Failed Communities South and No& in Flannery
O'Connor's 'The Geranium.'" Flannely O'Connor Bulletin 20 (1991): 88-103.
Lasseter, Victor. 'The Genesis of Flannery O'Connor's 'A Good Man Is Hard to Find."' Studies
in American Fiction 10.2 (Autumn 1982): 227-32.
LeClair, Thomas. "Flannery O'Connor's Wise Blood: The Oedipal Theme." Mississippi
Quarterly 29.2 (1976): 197-205.
Linehan, Thomas M. "Anagogical Realism in Flannery O'Connor." Renascence 37.2 (Winter
1985): 80-95.
Logan, Jan H. "Flannery O'Connor and Flaubert: A French Connection." Notes on
C o n t e m p r a Literature
~
13. 5 OJov 1983): 2-5.
Lorch, Thomas M. "Flannery O'Connor: Christian Allegorist." Critique 10.2 (1968): 69-80.
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Ludwin, Deanna. "O'Connor's Inferno: Return to the Dark Word" Fhnnery O'Connor Bulletin
17 (1988): 11-39.
Magistrale, Anthony S. "O'Connor's 'The Comforts of Home."' E.rplrcutor 43. 1 (Fall 1984):
57-60.
Magistrale, Tony. "Francis Tarwater's Friendly Fiends: The Role of the Stranger in The Violent
Bear It Away." Notes on Contemporary Literature 15. 3 (May 1985): 4-5.
"O'Comor's 'The Lame Shall Enter First."' Explicator 47.3 (Spring 1989): 58-61.
"The Prophetic Intent of O'Comor's 'The Displaced Person."' Flannery O 'Connor Bulletin
23 (1994-95): 137-57.
Maida, Patricia D."'Convergence' in Flannery O'Connor's 'Everyttung That Rises Must
Converge."' Studies in Short Fiction 7.4 (1970): 549-55.
"Light and Enlightenment in Flannery O'COMO~'S
Fiction" Studies in Short Fiction 13. 1
(1976): 31-36.
Male, Roy R. 'The Two Versions of 'The Displaced Person."' Studies in Short Fiction 7. 3
(1970): 450-57.
Marston, Jane. "Epistemology and the Solipsistic Consciousness in Ramery O'Connor's
'Greenleaf. "'Studies in Short Fiction 2 1 . 4 (1 984): 375-82.
Martin, Carter. "Comedy and Humor in Flannery O'Connor's Fiction." Flunnery 0'Connor
Bulletin 4 (1975): 1-12.
---.
"The Genesis of O'Connor's 'The Partridge Festival."' FIunnery 0'ConnorBulletin 10
(1981): 46-53.
Martin, W. R. "A Note on Ruby and Revelation." FIannery O 'Connor BuNetin 16 (1987): 23-25.
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Martinez, Inez. "Flannery O'Connor and the Hidden Struggle of the Self." Flannery 0 'Connor
Bulletin 16 (1987): 52-61.
May, John R. "Flannery O'Connor and the New Hermeneutic." Flannery 0 'Connor Bulletin 2
(1973): 2942.
---. "The Methodological Limits of Flannery O'Connor's Critics." Flonnely 0 'ConnorBulletin
15 (1986): 16-28.
Mayer, David R. "Apologia for the hagination: Flannery O'Connor's 'A Temple of the Holy
Ghost."' Studies in Short Fiction 11.2 (1974): 147-52.
McCarthy, John F. "Human Intelligence versus Divine Truth: The Intellectual in Flannery
O'Connor's Works." English Journal 55.9 (December 1966): 114348.
Mdullagh, James C. "Symbolism and the Religious Aesthetic: Flannery O'Connor's Wise
Blood." Flannery O'Connor Bulletin 2 (1973): 43-58.
McDennott, John V. "Julian's Journey into Hell: Flannery O'Connor's Allegory of Pride."
Mississippi Quarterly 28. 2 (1975): 171-79.
McDowell, Frederick P.W. 'Toward the Luminous and the Nurninous: The Art of Flannery
O'Connor." Southern Review 9 (1973): 998-1013.
McKenzie, Barbara. "Flannery O'Connor and 'The Business of the Purified Mind."' Georgia
Review 33 (1979): 817-26.
"Flannery O'Connor Country on Film: A Photo Essay." Georgia Review 31 (1977): 404-26.
"Flannery O'Connor Country: A Photo Essay." Georgia Review 29 (1975): 329-62.
McMillan, Norman. "Dostoevskian Vision in Flannery O'Connor's 'Revelation."' Flannery
0 'ConnorBulletin 16 (1987): 16-22.
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Meek,Knsten. "Hannery O'Connor's 'Greenleaf and the Holy Hunt of the Unicorn." Flannery
0 'Connor Bulletin 19 (1990): 30-37.
Mellard, Jarnes M. "Flannery O'Connor's Others: Freud, Lacan, and the Unconcious." American
Lrterature 61.4 (Dec 1989): 62543.
Michaels J. Ramsey. "'The Oldest Nun at the Sisters of Mercy': O'Connor's Saints and
Martyrs." Flannery O'Connor Bulletin 13 (1984): 80-86.
Milder, Robert. "The Protestantism of Flannery O'Connor." Southern Review 11 (1975): 802-19.
Millichap, Joseph R. "The Pauline 'Old Man' in Flannery O'Connor's 'The Comforts of
Home.'" Studies in Short Fiction l l . 1 (1974): 96-99.
Ming, Zhong. "Disigned Shock and Grotesquerie: The Form of Flannery O'Connor's Fiction."
Flannery 0 'ConnorBulletin 17 (1988): 5 1-61.
Monroe, W. F. "Flannery O'Connor's Sacramental Icon: 'The Artificial Nigger."' South Cenh.al
Review 1.4 (Winter 1984): 64-81.
Montgomery, Marion. "A Note on Flannery O'Connor's Tenible and Violent Prophecy of
Mercy." F o m 7. 3 (1969): 4-7.
---."Beyond Symbol and Surface: The Fiction of flannery O'Connor." Southern Review 22
(1968): 188-93.
---."Flannery O'Connor and the Jansenist Problem in Fiction "Southern Review 14. 3 (1978):
438-48.
"Flannery O'Connor: Prophetic Poet." Flannery 0'Connor Bulletin 3 (1974): 79-94.
"Flannery O'Connor's Tenitorial Center." Critique 11. 3 (1969): 5-10.
"Flannery O'Comor's Transformation of the Sentimental." Missrssippi Quarterly 25. 1
(1971): 1-18.
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Montgomery, Marion. "In Defense of Flannery O'Connor's Dragon." Georgia Review 25. 3
(1971): 302-16.
"Some Reflections on Miss O'Connor and the Dixie Limited." Flannery O'Connor Bulletin
5 (1976): 70-81.
---."The Prophetic Poet and the Loss of Middle Earth." Georgia Review 33. 1 (1979): 66-83.
--. "Eric Voegelin as Prophetic Philosopher." Southern Review 24. 1 (Winter 1988): 115-33.
"Flannery O'Connor and Onnie Jay Holy and the Trouble with You Innerleckchuls." Studies
in the Literary Imagimtion 20.2 (Fall 1987): 67-76.
"Grace: A Tricky Fictional Agent." Flannery O'Connor Bulletin 9 (1980): 19-29.
---. "On Flannery O'Connor's 'Everything That Rises Must Converge.'" Critique 13.2 (1971):
15-29.
---."Miss O'Connor and the Christ-Haunted." Southern Review 4. 3 (1968): 665-72.
---. "Vision
and the Eye for Detail in Poe and O'Connor." Flannery O'Connor Bulletin 6 (1977):
36-47.
Morton, Mary L. "Doubling in Flannery O'Connor's Female Characters: Animus and Anima."
Southern Quarterly 23.4 (Summer 1985): 57-63.
Muller, Gilbert H. "The City of Woe: Flannery O'Comor's Dantean Vision." Georgia Review
23.2 (1969): 206-13.
Murphy, George D. "Flannery O'Connor and the Integration of Personality." Flannely
0'ConnorBulletin 7 (1978): 85-100.
Napier, James J. "Flannery O'Comor's Last Three: 'The Sense of an Ending."' Southern
Literary Journul14.2 (Spring 1982): 19-27.
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Napier, James J. "In 'Parker's Back': A Technical Slip by Flannery O'Connor? "Notes on
Contemporary Literature l l . 4 (Sept 1981): 5-6.
Nichols Loxtey F. "Flannery O'Comer's 'Intellectual Vaudeville': Masks of Mother and
Daughter." Studies m the Literary Imagination 20. 2 (Fall 1987): 15-29.
---.
"Keeping Up with Dr. Crane." Flannery 0 'Connor Bulletin 20 (1991): 22-32.
"Shady Talk and Shifty Things." Flannery O'Connor Bulletin 14 (1985): 44-58.
Niland Kurt R. "A Memoir of Mary Ann and 'Everything That Rises Must Converge.'"
Flannery 0 'CannorBulletin 22 (1993-94): 53-73.
Nisly, Paul W. "The Prison of the Self Isolation in Flannery O'Connor's Fiction." Studies in
Short Fiction 17. 1 (1980): 49-54.
--. 'The Mystery of Evil : Flannery O'Connor's Gothic Power." Flannery O'Connor Bulletin
11 (1982): 25-35.
Ochshom Kathleen G. "A Cloak of Grace:Contradictions in 'A Good Man Is Hard To Find."'
Studies in American Fiction 18. 1 (Spring 1990): 113-17.
Oliver, Bill. "Flannery O'Connor's Compassion." Flannery 0 'Connor Bulletin 15 (1986): 1-15.
Olschner, Leonard M. "Annotations on History and Society in Flannery O'Connor's 'The
Displaced Person.'" Flonnery 0 'Connor Bulletin 16 (1987): 62-78.
Orvell, Miles D. "Flannery O'Connor." Sewanee Review 78 (1970): 184-92.
Ower, John.'The Penny and the Nickel in 'Eve+ng
That Rises Must Converge."' Studies in
Short Fict~on23. 1 (Winter 1986): 107-10.
Park Clara Claiborne. "Crippled Laughter: Toward Understanding Flannery O'Connor."
American Scholar 5 1.2 (Spring 1982): 249-57.
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Petry, Alice Hall. "Julian and O'Connor's ‘Everything That Rises Must Converge."' Studies in
American Fiction 15. 1 (Spring 1987): 101-08.
---."Miss O'Connor and Mrs. Mitchell: The Example of 'Everytlung That Rises."' Southern
Quarterly 27.4 (Summer 1989): 5-15.
--. "O'Co~or's 'Everything That Rises Must Converge."' Explicator 45.3 (Spring 1987): 5154.
"O'Connor's 'Parker's Back."' Explicator 46. 2 (Winter 1988): 38-43.
Pierce, Constance. "The Mechanical World of 'Good Country People."' Flannety 0 'Connor
Bulletin 5 (1976): 30-38.
Pope, Robert. "Beginnings." Georgia Review 36.4 (Winter 1982): 733-51.
Powers, Douglas. "Ruller McFamey's Cutting Loose." Flannety O'Connor Bulletin 18 (1989):
70-78.
w o n , Virginia '"Strange Country': The Landscape of Flannery O'comor's Short Stories."
Mississippi Quarterly 36.4 (Fall 1983): 55768.
Quinn, M. Bernetta. "View from a Rock: The Fiction of Flannery O'Connor and J. F. Powers."
Critique 2.2 (1958): 19-27.
Rath, Sura P d . "Comic Polarities in Flannery O'Connor's Wise Blood." Studies in Short
Fiction 21. 3 (Summer 1984): 251-58.
Robinson, Gabriele Scott. "Irish Joyce and Southern O ' C o ~ o r . " Flannery 0 'ConnorBulletin 5
(1976): 82-97.
Rowley, Rebecca K. "Individuation and Religious Experience: A Jungian Approach to
O'Connor's 'Revelation."' Southern Literary Journal 25.2 (Spring 1993): 92-102.
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Rout, Kathleen. "Dream a Little of Me: Mrs. May and the Bull in Flannery O'Comor's
'Greenleaf" Studies in Short Fiction 16.3 (1979): 233-35.
Rubin, Louis D., Jr. "Flannery O'Connor's Company of Southerners: or, 'The Artificial Nigger'
Read as Fiction Rather than Theology." Flannery 0 'ConnorBulletin 6 (1977 ): 47-71.
Scheick Williarn J. "Flamery O'Connor's 'A Good Man Is Hard to Find' and G. K.
Chesterton's Manalive." Stud~esin American Fiction 11.2 (Autumn 1983): 24145.
Schleifer, Ronald. "Rural Gothic: The Stories of Flannery O'Connor." Modern Fiction Studies
28. 3 (Autumn 1982): 475-85.
Schroeder, Michael L. "Ruby Turpin, Job, and Mystery: Flannery O'Comor on the Question of
Knowing." Flannery O'Connor Bulletin 2 1 (1992): 75-83.
Scouten, Kenneth. "The Mythological Dimensions of Five of Flannery O'Comor's Works."
Flunnery 0 'ConnorBulletin 2 (1973): 59-72.
____ "'The Artificial Nigger': Mr. Head's Ironic Salvation." Flannery 0 'ConnorBulletin 9
(1980): 87-97.
--m
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Partridge Festival': Manuscript Revisions." Flunnery 0 %onnor Bulletin 15 (1986):
3541.
Sederberg Nancy B. "Flannery O'Comor's Spiritual Landscape: A Dual Sense of Nothing."
Flunnery O'Connor Bulletin 12 (1983): 17-34.
Sexton. Mark S. "'Blessed Insurance': An Examination of Flannery O'Comor's 'Greenleaf."'
Flannery 0 'Connor Bulletin 19 (1990): 38-43.
---."Flannery
O'Comor's Presentation of Vernacular Religion in 'The River."' Flannery
O'Connor Bulletin 18 (1989): 1-12.
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Shackelford D. Dean "The Black Outsider in O'Connor's Fiction." Flannery 07Connor
Bulletin 18 (1989): 79-90.
Sharp, Roberta. "Hannery O'Comor and Poe's 'Angel of the Odd."' Flannery 0 'Connor
Bulletin 7 (1978): 116-28.
Shaw, Mary Neff. "'The Artificial Nigger': A Dialogic Narrative." Flannery 0 'Connor Bulletin
20 (1991): 104-16.
Skaggs, Memll. "Submission and Fidelity, Assertion and Surprise: Two 'Southern Woman'
Films." Southern Quarterly 24. 3 (Spring 1986): 5-13.
Slattery, Dennis Patrick "Evil and the Negation of the Body: Flannery O'Connor's 'Parker's
Back.'" Flannery O'Connor Bulletin 17 (1988): 69-79.
Slow Lame Love. "The Rhetoric of the Seer: Eye Imagery in Flannery O'Comor's
'Revelation."'Studies in Short Fiction 25.2 (Spring 1988): 135-45.
Smith Peter A. "Flannery O'Comor's Empowered Women." Southern Literary Journal 26.2
(Spring 1994): 35-47.
Sonnenfeld, Albert. "flannery O'Connor: The Catholic Writer as Baptist." Contemporary
Literature 13.4 (Winter 1972):445-57.
Spaltro, Kathleen. "When We Dead Awaken: Flannery O'Comor's Debt to Lupus." Flannery
O'Connor Bulletin 20 (1991): 3344.
Spivey, Ted R. "Flannery's South: Don Quixote Rides Again." Flanney O'Connor Bulletin 1
(1972): 46-53.
''Flannery O'Comor, the New Criticism, and Deconstruction." Southern Rmiew 23. 2
(Spring 1987): 271-80.
---. "Flannery O'Connor's Quest for a Critic." Flannery 0 'ConnorBulletin 15 (1986): 29-33.
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Stoneback H. R. "'Sunk in the Cornfield with His Family': Sense of Place in O'Connor's 'The
Displaced Person."' Mississippi Quarterly 36. 4 (Fall 1983): 545-55.
Swan, Jesse G. "Flannery O'Connor's Silence-Centered World." Flannery 0 'connor Bulletin 17
(1988): 82-89.
Strickland, Edward. 'The Penitential Quest in 'The Artificial Nigger. "' Studies in shortfiction
25.4 (1988): 453-59.
Streight h
n Howard. "Is There a Text in This Man?A Semiotic Reading of 'Parker's Back."'
Flannery 0 'ConnorBulletin 22 ( 1993-94): l - l l .
Tate. J. 0 . "A Good Source Is Not So Hard to Find." Flannery 0 'Connor Bulletin 9 (1980): 98103.
"On Flannery O'Connor: Citizen of the South and Citizen of the World." Flannery
0 'ConnorBulletin 13 (1984): 26-43.
"The Essential Essex." Flannery O'Connor Bulletin 12 (1983): 47-59.
"Flannery O'Connor's Counterplot." Southern Review 16 (1980): 869-78.
---. "The Force of Example: Flannery O'Connor and Stephen Crane." Flannery 0 'Connor
Bulletin 11 (1982): 10-24.
"The Uses of Banality." Flannery 0 'Connor Bulletin 4 (1975): 13-24.
Tate, Mary Barbara. "Flannery O'Comor at Home in Milledgeville." Studies in the Literary
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Taylor, Henry. "The Halt Shall Be Gathered Together: Physical Deformity in the Fiction of
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Tedford Barbara Wilkie. "Flannery O'Comor and the Social Classes." Southern Literary
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Thompson, Terry. ' W e b u g , Doodlebug: The Misfit in 'A Good Man Is Hard To Find.'"
Notes on Contemporary Literature 17.4 (Sept 1987): 8-9.
ToIomeo, Diane. "Home to Her True Country: The Final Trilogy of Flannery O'Comor. "
Studies in Short Fiction 17.1 (1980): 33541.
Trowbridge, Clinton W. "The Symbolic Vision of Flannery O'Comor: Patterns of Imagery in
The Violent Bear It Away." Savanee Review 76 (1968): 298-318.
---.
"The Comic Sense of Flannery O'Connor: Literalist of the Imagination." Flannery
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Walden, Daniel. "Flannery O'Connor's Dragon: Vision in 'A Temple of the Holy Ghost.'"
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Walls Doyle W. "O'Connor's 'A Good Man Is Hard To Find."' Explicator: 46.2 (Winter
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"Teilhard de Chardin's Impact on Flannery O'Connor: A Reading of 'Parker's Back."'
Flannery 0'Connor Bulletin 12 (1983): 93-113.
Westling, Louise. "Flannery O'Connor's Mothers and Daughters." Twentieth Century Literature
24.4 (1978): 510-22.
"Flannery O'Comor's Hilarious Rage." Flannery O'Connor Bulletin 22 (1993-94): 119-32.
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Westling, Louise. "Flannery O'Connor's Revelations to 'A."' Southern Humanities Review 20. 1
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Whitt, Margaret. "Flannery O'Connor's Ladies." Flannery O 'Connor Bulletin 15 (1986): 42-50.
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Willson. Lawrence. "Leftover Letters." Sewanee Review 96. 2 (Spring 1988): 283-86.
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Wood Ralph C. "Flannery O'Connor, H. L. Mencken, and the Southern Agrarians: A Dispute
i I :
over Religion More Than Region." Flannery 0%onnor Bulletin 20 (1991): 1-2 1.
"Flannery O'Connor, Martin Heidegger, and Modem Nihilism: A Reading of 'Good Country
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"From Fashionable Tolerance to Unfashionable Redemption: A Reading of Flannery
O'Connor's First and Last Stories." Flannery 0 'ConnorBulletin 7 (1978): 10-25.
---. "The Catholic Faith of Flannery O ' C 0 ~ 0 r ' sProtestant Characters: A Critique and
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Wray, Virginia F. "'An Afternoon in the Woods': Flannery O'Connor's Discovery of Theme."
Flannery 0 'ConnorBulletin 20 ( 1991): 45-53.
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(1977): 83-98.
"Flannery O'Connor's Master's Thesis: Looking for Some Gestures." Flannery O 'Connor
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Wyatf Bryan N. "The Domestic Dynamics of Flannery O'Connor: Everything That Rises Must
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