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CONFERENCE
IN MEMORY OF
ANDREW LADIS
lamar dodd
school of art
georgia museum
of art
at the University of Georgia
November 11, 2010
5:30 pm—Lamar Dodd School of Art, Room S151
Hayden Maginnis, McMaster University, Hamilton, ON
2010 Alfred Heber Holbrook Memorial Lecture
November 12, 2010
< Morning Session I
Session Chair: Shelley Zuraw, University of Georgia, Athens
9:00 am—Lamar Dodd School of Art, Room S150
November 13, 2010
< Morning Session III
Joanna Cannon, Courtauld Institute of Art, London
Session Chair: George Bent, Washington and Lee University, Lexington, VA
“An enigmatic Italian panel painting of the Crucifixion in the
9:00 am—Lamar Dodd School of Art, Room S150
National Gallery, Prague: texts, diagrams, and Italian narrative art”
Sonia Chiodo, Università degli Studi di Firenze
Anne Derbes and Mark Sandona, Hood College, Frederick, MD
“The formelle by Taddeo Gaddi and a new point of view: context and
“The Moral Topography of Hell in the Arena Chapel, Padua”
function of the Santa Croce sacristy in the Trecento”
Allie Terry-Fritsch, Bowling Green State University, OH
Marco Ciatti and CeciliaFrosinini, Opificio delle Pietre Dure e
“Giotto’s Hand of Justice: Criminal Viewers in the Chapel of the Magdalene
Laboratori di Restauro, Florence
in Florence”
Perri Lee Roberts, University of Miami, FL
“New results on Giotto’s panel paintings and wall paintings restoration
“The Trecento Cult of Sant’Egidio in Florence”
at the Opificio delle Pietre Dure: the Ognissanti Crucifix and some preliminary remarks on the Peruzzi Chapel”
< Morning Session II
Session Chair: Phillip Earenfight, Dickinson College, Carlisle, PA
Amy Neff, University of Tennessee, Knoxville
“Landscapes of Revelation in Italian Art, ca.1300”
Peter Scholz, Kunsthistorisches Institut in Florenz (Max-PlanckInstitut), Florence
“Creating Space and Constructing Identity. The Painted Architectures of
Giusto de’Menabuoi and Altichiero”
Amber A. McAlister, University of Pittsburgh, Greensburg, PA
“Framing the Trecento: The Artistic Legacy of Giotto in the Migliorati
Chapel, San Francesco (Prato)”
Lunch
< Morning Session IV
Session Chair: Debra Pincus, Washington, DC
Lisa Reilly, University of Virginia, Charlottesville
“Norman Sicily: A Mediterranean Elixir”
Dylan Rogers, University of Virginia, Charlottesville
“Perfettissimo Marmo Lavorato: Influences and Meaning in the Pavement of the
Cappella Palatina, Palermo”
Costanza Cipollaro, University of Vienna
“The Impact of Franciscan Art in the Levant, 1250-1400”
Lunch
< Afternoon Session III
Session Chair: Asen Kirin, University of Georgia, Athens
1:30 pm—Lamar Dodd School of Art, Room S150
< Afternoon Session I
Ronald Arnholm
Rafal Quirini-Poplawski, Jagellonian University, Krakow
“On the Artists and Objects of Art in the World of the Genoese Colonies in the
Session Chair: Jeryldene Wood, University of Illinois,
Late Middle Ages”
Urbana-Champaign
Anne Dunlop, Tulane University, New Orleans, LA
2 pm—Lamar Dodd School of Art, Room S150
“Trecento painting and the Pax Mongolica”
Laura Jacobus, Birkbeck, University of London
Anna M. Migdal, Université Lumiére Lyon II
“Pascalino and the Mask of Death! Or, a ‘new’ trecento sculptor and
“The development of the Italian ‘picture-reliquary’ from the Trecento to the
an old problem
Fifteenth Century in Polish painting”
Gail E. Solberg, Associated Colleges of the Midwest, Florence
“The Tomb of Simone Saltarelli (d.1342), Florentine Archbishop of Pisa”
< Afternoon Session IV
Christopher R. Lakey, ACLS Postdoctoral Fellow, Johns Hopkins University,
Session Chair: Shelley Zuraw, University of Georgia, Athens
Baltimore, MD
“Rilievo before Alberti: Pacino da Bonaguida and the ‘Mixed-Media’ Image” Jack Freiberg, Florida State University, Tallahassee, FL
“The ‘Image of Pity’ in Santa Croce in Gerusalemme, Pope Gregory the Great,
and the Catholic Monarchs”
< Afternoon Session II
Yuri Pyatnitski, Curator of Byzantine Icons, State Hermitage Museum, St. Petersburg
Session Chair: Nancy Thompson, St. Olaf College, Northfield, MN
“Post-Byzantine Cretan Icons from the Collection of the State Hermitage and
Matthew G. Shoaf, Ursinus College, Collegeville, PA
Their Italian Models”
“The speaking image, socialized: Visual articulation in trecento art”
Asen Kirin, University of Georgia, Athens
Judith Steinhoff, University of Houston, TX
“Late Byzantine Idiom with an Italian Accent: The 15th-and 16th-century
“Grieving in Trecento Tuscany: Representation and Regulation”
Frescoes in the Cathedral of Turnovo, Bulgaria”
Jennifer Webb, University of Minnesota, Duluth
“Christ Standing in the Tomb & the Salimbeni Brothers: The problem of the
‘International Style’ in the Marche region”
Cordelia Warr, Manchester University (UK)
“Representing Stigmatics in Fourteenth–and Fifteenth-century Italian Art”