9:00-9:30
9:30-9:45
9:45-11:15
FOYER
REGISTRATION
RH
ER
SR
S2: Music in/and Practice
S3: Phenomenology
Ruta (University of Bern) 'Ontology
of Music and Musical Practices'
Kamp (University of Cambridge)
'Is background music music? A
phenomenological approach'
Herrmann-Sinai (Max Weber
Centre Erfurt) 'Musical Sounds and
Animate Matter'
Fallon 'Untitled Paper'
McCaleb (Birmingham
Conservatoire) 'Intention and
Action in Musical Performance'
De Berrie (University of Oxford)
'Phenomenological Philosophy
and the Aesthetics of French
Spectral Music'
S4: Popular Music and
Improvisation
Wong (University of Cambridge)
'Going Off the Record: The
Cultural Contingency of
Ontological Categories in
Popular Music'
Tromans (Middlesex University)
'Notated Parts and the Affective
Dimension of Improvising
Practice: Meta-ontological
Music-making in the Research
Context'
Coggins (Independent Scholar)
'Enter the Mirror: The
Ontological Noise of Les Rallizes
Denudes'
WELCOME ADDRESS
KEYNOTE ONE
11:30-12:30
11:30-12:30
13:15-14:00
14:05-16:05
DRH
Professor Michael Spitzer
(University of Liverpool) 'Analysing
Ontologies of Emotional Types'
LUNCH
CONCERT
S5: Perspectives from Analytic
Philosophy
Yarmel (LSE) ‘Musical States of
Affairs: A New Proposal For
Realist Platonism’
Forsberg (Stockholm
S6:Ontology in Early Music
Whittaker (Birmingham
Conservatoire) 'The Renaissance
concept of 'the work': a possible
view through the theory of
Johannes Tinctoris'
Ranninen (University of Bangor)
S7: Ontology in Contemporary
Music
Caron (University of Paris VIII)
‘Rule-following and
indeterminate music: ideas in
the light of Wittgenstein’
Forkert (Royal
University) ‘Rebutting
Thomasson’s Argument from
Reference’
Hinds (University of Surrey )
‘Against an Ontology of Music:
An argument for the primacy
of experience’
Knol (Dublin City University )
‘The ontological dialectics of
musical Platonism and musical
Spinozism’
16:05-16:30
16:30-17:30
17:30-18:30
REFRESHMENTS
Professor Aaron Ridley (University
of Southampton) 'Essence and
Preference: on Pieces of Music'
KEYNOTE TWO
ROUNDTABLE
‘Visual representations of a
musical work in polyphonic
manuscripts and prints of the
early sixteenth century’
Giraud (University of Cambridge)
‘How different is still the same?
A 13th-century Dominican
perspective on musical ontology’
Holloway)‘Throwing modernism
out with the atonality (and
providing new bath water)’
Clements (University of Glasgow)
‘Musical Ontologies and the
Selection and Use of Source
Material for the Writing of Early
Scottish Music History’
Brady (Royal Holloway) ‘Musical
fragments in Berio and
Berberian’s Recital I (for Cathy)
– Questioning an ontology of
the musical work in
performance and re-creation’
Brooks (King's College London)
‘A Journey into Musical
Hyperspace: Schoenberg’s
String Quartet No. 1’